#probably still better than vld's finale

[strawberryicemoon]

Why I can't watch the Ducktales Finale

I'm not the kind of person who struggles to watch the last episode of something. I love to finish a show, and let it sit in my brain. I'm the kind of person who often enjoys spoilers because it adds to my understanding of the media. I love to view the media in their entirety just as much as I love a journey to get there.

But I can't get past the first few minutes of Ducktales 2017, The Last Adventure. And it's because of spoilers that I couldn't deal with. I don't like them, and even years later after I've had time to digest, and have seen so many finale clips, that I still can't just sit down and watch it. And I've made attempts. I've looked through the summary of the episode to prepare. But I can't.

And there's... a couple of things that rub me the wrong way about the Finale that keep me from being able to just watch it.

1. Webby is Scrooge's Clone Daughter

2. Webby is April, of April May and June

3. Donald and Daisy are going on vacation.

Now, I don't actually hate any of these... conceptually. And I'm well aware that Frank Angones has stated the Webby twist was planned from very early on. And usually I am completely down for whatever a finale is, as long as I can tell that this was something the creator really believed in.

I'm a fan of such "controversial" endings as, Amphibia and Digimon Adventure 02, because I know exactly why they ended like that. It's written in the themes. Even if it took me time to understand Adventure's ending, I've grown to understand it and love it once I learned more about the original Japanese version and the shows production (and also grew up myself). Amphibia ended exactly as I expected based on one of the very earliest things I heard about the show from Matt Braly: "an ode to past friendships". Even if I think there are things they messed up I GET IT. I wouldn't want them ending any other way.

So I understand WHY the decision is made. Conceptually it does make sense. Webby exists as a composite character of April May and June, and I believe shares the same name as April in one language. Webby being Scrooge's clone daughter is an effective way of full-circling her relationship with him. Strangers in each other's home to father and daughter. She's family not BECAUSE of Blood, but because of Love. She still loves her Granny, it's just the non blood relationship wasn't the one she thought it was. And Donald deserves a vacation, and to have the more down to earth life experiences he wanted, especially after raising his sisters kids alone for 10 years.

But they still twist me up inside.

And I think it comes down to three reasons: 1. Lack of Continuity between episodes 2. An over-focusing on Scrooge 3. Handling of Word of God

1. Lack of Continuity between episodes Part of what got me to fall in love with Ducktales was S1 and the continuity of the Spear of Selene subplot. We got hints at a semi-regular pace, but it successfully overhung the entire series. It was what separated Scrooge and Donald. It was why Della was gone. The subject matter was of course not something that needed to be overstated, as most of it was being kept hush hush. Sure it was a mystery, but not an urgent one. Dewey had never had his mom, so it wasn't like he couldn't focus on anything else for a while

But in S2 I started noticing that the show stopped explaining or foreshadowing things. Maybe it always did, I haven't re watched it properly. But I definitely noticed something off about the storytelling then. But it was definitely a problem throughout the show.

Webby never brought up Lena after her sacrifice until the relevant episode.

Lena living with the Sabrewings was something never brought up until episodes later we saw her with them.

We had Della talking about the boys with their "Uncles" setting up the pain of not knowing how things fell apart after her departure, only to get no payoff.

We didn't get ANYTHING about Webby's parentage until the final episode, and barely a hint in 1 season 3 episode.

Almost every finale episode changes the status quo in some way. The question is how much. Lots of final episodes kind of have things going back to the way they were before plot kicked off but better (like with new friends or a new government). Sometimes someone dies.

Webby being Scrooge's clone is paradigm shifting. And that kind of thing needs to be set up. You CANNOT catch your audience off guard with something like that.

In Digimon Adventure 02 the series ends with everyone on earth with a digimon partner which is controversial but at least built up throughout the series at hints of other digidestined until an arc near the end showcased many international digidestined. Hilda ends with the reveal that Hilda's mother is half-fairy, and despite not being present throughout the first two seasons, it was hinted at through the third season, and contextualized some of the few things we did know before about Johanna's childhood. The Hollow's first season ends with you finding out it was all a game, but it had been hinted at before with the video game nature of the world. Sure Avatar didn't hint at Aang getting the power to take away bending, but we knew he was a pacifist who didn't want to kill so was looking for a solution, getting the power to remove bending (ie power over others) works thematically, in the same way Anne using the power of the stones and getting brought back to life by a god like being worked. Sure, Scratch turning out to be a wraith at the end of The Ghost and Molly McGee was rather sudden, but people had been theorizing that Todd was Scratch's body for a long time, so it wasn't like there weren't any hints, and while the show was cut short and had to rush to end, the build up of Scratch's memories at least gave some sort of foreshadowing link to what was going on.

There's a reason people rarely throw in new characters at the very end of a show. It can absolutely work. Amphibia and The Owl House threw in "God" at the end, but that gets a pass for being the kind of figure they meet once and then move on with their lives. On the other side, you can sometimes have secret big bads that were pulling the strings the whole time too. I can't speak for the finale of Ducktales (because again, can't bring myself to watch it), but adding two new characters on top of changing the entire dynamic of how the family is set up at the very end of the show does not sit well with me. We won't get to see how this change in status quo effects the characters. We saw how learning about their mom affected the boys relationship with Scrooge, her return and having to build a relationship with her and her presence conflicting with Launchpad's. But we don't get that with Scrooge and Webby? Basically too many status quo shifts in the finale all at once.

All we got was Beakley was a spy, was overprotective of Webby, and a few episodes before the end it was revealed Beakley was lying to her. Webby didn't seem to care about her parents. And this was a girl who was very dedicated to unraveling the secrets of clan mcduck. Couldn't they have had one hint at some point in the show where it was unclear if it was the boys or Webby who were recognized as a McDuck? Some offhand mention where the boys ask her about HER parents, because she helped them with her mom?

You couldn't tell what was or was not going be important in the way they dropped. It's very hard to set your expectations when you had no clue what to expect. And while there is something to be said for unexpected surprises and twists in a story, an audience really needs to know what is or is important or they're going to go on wild goose chases and get disappointed when they build up hype for something the show then refuses to address.

In HINDSIGHT, I find it extremely odd that Huey and Louie, prior to finding out about Dewey's investigations, did not pry at ALL into the fact that hey: if Donald was an adventurer with Scrooge, then he had to know their mom. Like that’s weird right?

2. An over-focusing on Scrooge Scrooge is the Center of the Universe.

I'm not a Disney Ducks fan. Aside from 2017, and pop culture osmosis, I know very little. But the thing is I am someone whose first inclination once I become a fan of something is to check out the wiki pages for information. Find about what longstanding fan mysteries there are. I understand the importance of cross continuity callbacks. I'm a fan of other longstanding series and have rubbed elbows with several others. I get really long franchises with several iterations.

Which is to say that I, despite not having a horse in this race, understand how this works and how it should work.

Now a bit of this is the fact Ducktales is ABOUT Scrooge. But Scrooge isn't the center of the Duck universe. Something I find pretty interesting is the fact that Donald has reasonably fleshed out family trees on both sides of his family. That's cool. That's how real people work, a meeting point of the stories of those who came before. But Ducktales doesn't care, the only adult the show cares about is him. I get that to a certain extent it was the show execs insisting on focusing on the kids. And again, he's kind of the main character. But you brought back Donald, and Della. There are other characters here with rich lives, he doesn't need to take over everything.

It's especially egregious ANY time the McDuck clan gets involved. Could Matilda be the youngest child now? Sure. But that's a really arbitrary change, that they don't use for anything. And even if that was purposeful, the fact is that the first thing they established is Donald's mom is still Scrooge's sister, so Donald is the grandson of Fergus and Downy McDuck. Not nephew? Surely they could recognize him? But where is Hortense and Quackmore? They brought them up in the first episode, and then they never made any appearances aside from references. Why were Donald and Della staying with Scrooge for Christmas? Never clarified. Fans (reasonably) assumed they were dead. Scrooge called Donald his ward (admittedly when he also called him Fergus and Downy’s nephew rather than grandson). I mean where else would they be when their DAUGHTER DISAPPEARED. Would they not want to meet their grandchildren? But that was never clarified. And I've seen some fans alternatively interpret them as bad parents, which I think is just really unfair. Scrooge gets to be the good parent? It's once again Scrooge to the rescue. The CAPITALIST? I mean it's also a little bit just a family issue in general: It's Uncle Gladstone and Cousin Fethry when they are theoretically the same: technically cousins but old enough to be honorary uncles. It's fair enough. But really that brings us to the Duck family in general.

Grandma Duck? What about Gladstone and Fethry's parents? Gus Goose? Are they all dead? Does Fethry have any siblings? Do the boys not know or not care about the Duck side of the family? They know Gladstone but no one else? I mean Scrooge's parents, who should be dead, were magically kept alive but nothing for the duck family. Speaking of which, they constantly bring up how old Scrooge and occasionally refer to the causes of his supernatural age, but that does not explain how young Donald and Della are compared to him. Overall, we get nothing on the Duck family except for its existence at least, so even removed from the context of Disney Ducks legacy its weird to introduce a side of the family and just gloss over it.

The one episode about the Duck family legacy is a Webby episode. Which, fine, she's not a Duck, but she's part of the family. Except wait. She's Scrooge's daughter/clone, and you gave her the focus on the one episode about the Duck family not the McDuck's? You couldn't leave Scrooge out of anything?

So for Webby's great twist in the finale, was taking not just one, but two characters NOT related to Scrooge (April and Webby), and tying them to Scrooge. I think I could deal with Webby being April, and (HUGE MAYBE) Webby being Scrooge’s clone or April being Scrooge’s clone but not both. Not to mention April, May and June are DAISY's nieces... not random three girls who are her boyfriends uncles clone and and boyfriends uncles clones clone? It doesn't sit right with me that a character who I thought was supposed to be learning that he was sometimes in the wrong, and not the center of morality (see how he made Glomgold a villain through his own ego), continue to be made the center of the universe in ways he simply shouldn't be.

He's literally an old rich guy. Like there is historical context for why this character is like this, but why does the world revolve around him in this show.

3. Word of God Word of God is useful. As are interviews and statements made by the creator. It helps to provide insight into the themes. I love seeing the person behind the art.

But here's the thing. Word of God is clarification, insight into how you should look at the work to set expectations. It's supplementary. It doesn't replace text.

This is a little bit difficult to really talk about now that I'm several years removed from the experience, so grain of salt and all, but I really think the way Word of God was handled did the show a disservice.

Back to Lena becoming a Sabrewing, we didn't get that in show. Lena just dropped off the face of the earth, not until S3’s premier we got a clarification on that in show.

We never got Della's reaction to learning that Donald and Scrooge were estranged, she just suddenly stopped speaking under that assumption.

So Word of God became an essential part of understanding the text, because a lot of necessary information was left unexplained by the canon its a huge problem. And Word of God is often fluid. It can be changed later if during the writing process something changes. (We should probably cover this topic in show and want to do it a bit differently, I have a great Idea of what we can do to turn that error into foreshadowing, I was lying to the fans to keep a secret).

But when word of god is necessary, word of god becomes essential for tempering expectations about the show.

This is probably going to be less of an issue for people who come and watch the show later. Sure, things are still unexplained, but when you can binge the show Lena's unexplained absence is less obvious, you're so busy moving on to other things that Della's change in understanding about the situation is clearly unimportant and you can move on.

But what ended up happening is that Frank Angones struggled to balance clarifications, keeping show secrets, and a sometimes changing story. Which sometimes left characters completely sure on where the story was sitting, only for it to be ripped out from under them. Also, tying back to the first point, of plot points being dropped until the episode where they where they were relevant made it VERY difficult to tell what was or wasn’t going to be relevant, and what emotional beats to get emotionally invested in.

Prior to the finale there was a bit of a community of Webby/Triplet shippers. Personally, I see that as a complete dismissal of the themes of the show and a bit heteronormative. I avoided all such content. But at the same time, shipping doesn't hurt anyone. At the end of the day, the boys and Webby were not related by blood, and hadn't even met until age 10. There wasn't... really a reason you couldn't ship them. There are TONS of shows out there with 10 year old characters and love interests. Just off the top of my head: Any Ship with Ash Ketchum, Sprigivy, Phinabella, Kenyako, Sorato. Even if they don't get together at 10, (or at all) the fact of the matter is 10 year olds getting shipped is old news. I'm still attached to Pokeshipping and Takari to this day, even if I tend to see them more as platonic relationships these days. So I avoided all shipping with them, but I understood why people (particularly younger people) were shipping them. Until the finale hit, and the ships that people thought never going to be canon, but were safe, weren't. To a certain extent, that's the game you play with shipping clearly noncanonical ships. But I feel that the way questions about shipping were answered didn't help, because iirc he tended to say the show wouldn't focus on that more than he explicitly stated the kids were family. He called Webby/Triplet shipping highly unlikely for example, giving it more legitimacy than a no, which leant to it being taken as a solid fact prior to the finale that Webby was definitely not related to the boys, because a lot of what else was said was solid fact.

4. (Bonus): of course, I do also feel it kind of isn't enough to justify breaking the found family. So much of Webby's arc was being accepted into the family. Becoming the 4th triplet. So for her to have been blood all along is a little cheap. Sure it doesn't break the becoming family despite blood before. But, having meta-knowledge of Launchpad probably finding family with Gosalyn and Drake Mallard, it's just Beakley whose left as not blood related (and she's technically the help...). And yeah, there's the Granny/Grandaughter adopted relationship. But....

Webby is one of four kids. Again, she became one of the kids. So yeah. I'm happy that she became one of the kids. Able to call him uncle scrooge. But it feels weird to me that she, the kid who already lived in the manor with Scrooge even if they kept their distance, displaced the triplets as Scrooge's natural heirs. The uncle relationships in this show being parental/grandparental was already good. Not all families look the same, some people parent their siblings' kids for one reason or another. Scrooge's presumed "heirs' ' was his sister's descendants, not his, but he loved them like his own. That's good. So to not only break the "not blood related at all" to "actually daughter", kind of ALSO meant a "my niblings are my legacy" got overtaken with "my daughter is my legacy".

And maybe I'd feel less sour about it if we had more time after the show. But on a fundamental level it didn't just alter Webby's place in the family, but her grandmother's, and the Duck Twins and Triplets. Again, especially with the triplets. I wanted the four of them to become functional equals. The 4th triplet. But for her to have a secret Scrooge connection that overtakes the one she was jealous of the triplets of having doesn't sit right to say the least.

I feel I could get over this one, especially maybe if they gave us more time. But it just didn't make it worth it to me.

5. (Bonus Bonus): Now I don't use the term Mary Sue lightly. But what I do think of canon Mary Sueism is a tendency to make female characters on predominately male casts "special" in some way to justify their presence. They have to be the level headed smart ones and the ones with . They have to be likable so they're robbed of character. I wouldn't say Webby is a particularly bad example of this, and it's not like Ducktales lacks other flawed female characters (Della my beloved).

But the way Webby is treated reminds me of April from TMNT 2012, and Allura from Voltron Legendary Defender (and kinda Larmina from Voltron Force). All are 80s characters in shows that had a predominately male cast of characters, and who were both an outsider, and defined by being a girl. And then the reboot both doubled down on making them special, integrating them into the group more, but also making them generally tougher the boys in some way, and also sometimes more in the know about things. Webby is aged up to match the boys age rather than aged down to match the boys age like April but the effect is still the same.

The girl is now a peer to the boys, 4th triplet, rather than a little sister. Webby is more capable and well-read than any of the boys. And at the start of the series she's socially awkward enough it feels like it will work. And I'm not saying Webby isn't flawed, she is. But when it comes to the things the family finds important: adventuring, she doesn't have any obvious shortcomings. Louie quits easily and isn't as coordinated, Dewey is reckless and generally uneducated, and Huey isn't flexible. And Webby... used to be socially awkward???

It’s kinda trading 1 sexist trope for another. And yeah, all shows do have OTHER female characters who kind of avert this. But it doesn’t change the fact the leading lady is more “special” than the boys. Like being a girl has to be special.

In short, at the end of the day Webby being Scrooge's daughter doesn't help her character, her grandmothers, or the rest of the family. It kinda helps Scrooge’s character, but while I haven’t seen the episode myself, I’m not sure there would be enough time for it to be meaningful. And again, I think a lot of the characterization and worldbuilding of other characters were already sacrificed for Scrooge’s sake in the show already.

Oh and the Donald/Daisy thing.

The reason Daisy/Donald's trip doesn't sit right with me is we barely got any Donald and Della having to coparent. Get used to each other again. We barely got any of them and we're heading back into separation. It doesn’t feel cathartic when we still have unanswered questions from this stage in their life. And even if the trip is well, a trip. It feels weird.

It feels kind of unexpectedly "conventional family", even if it's still really unconventional. Donald is going to go be happy with his love interest, away from the boys he raised who aren't actually his sons (and yes, I know he takes May and June with him but still, knowing that May and June are by default Daisy's nieces kind of has "new kids with new wife" implications to me but that's neither here nor there). Adding this to "Webby being Scrooge's daughter is a good plot point for him" and it's just really weird, and kind of feels like the final nail in the nontraditional family dynamics coffin. If feel only way they could have buried it more is if Beakley died or something.

I was already kinda uncomfortable with the “Daisy being the only one to understand him” thing because like. That’s sweet. His soulmate is the only one who really hears him. But also that’s a fucking speech impediment Donald has. Are you telling me that no one in his family cared enough to effectively communicate with him despite his disability? Like if it is REALLY that much a problem he should have an effective communication method. Sign-language for example?

The triplets he raised don’t always understand him. His twin sister doesn’t always understand him? But this random woman does? I am all for Daisy and Donald being basically soulmates. But uh? This feels both ableist and allonormative in a show that really wasn’t those things before. (well okay it was kinda ableist about Donald but it felt less weird to me when there wasn’t one person who could magically understand Donald). And Daisy understanding him still could be a big thing? The first person who understood him without getting to know him first/wasn’t literally raising him/raised with/raised by him?

I want to like Daisy so much, but she just feels a bit like Webby does: a legacy female character they are trying to make too cool, who gets some of their coolness incidentally defined by a male character, rather than a full-fledged character on their own. (For instance if we saw Daisy with anyone other than Donald, her overbearing boss and… whatever Storkules is). 

I feel some of these may have been resolved with more time. But some of these problems had their seeds planted as early as S1. That said I think if the quality of S1 was maintained they would have been fine. Overall, I think Ducktales is a good reboot, and a good show, but it really could have been better. Was so close to being better.

[numerous-bees-in-a-skin-suit]

OKAY SO

I got really distracted + busy mid to late December with the holidays and family being over, BUT I was finally able to finish Pidge’s design for my VLD DP AU!!

So, I have finally finalized who is gonna be who in the AU, and unfortunately some characters won’t have a direct one to one parallel, but I’m very happy where I’ve put everyone (this was not done alone, and i will tag everyone/give a way to find the people who helped)

So, Pidge is in Corvus’ place in this AU (thank you so much Red* for helping with that, you literally saved my life). She’s still younger than the rest of the paladins, but she’s assigned to be Allura’s bodyguard all the same. I’d like to think that she’s fairly new/still in like “training” to become her bodyguard. I have a bunch of notes for everything to do with her (and everyone else, and the document isn’t even done), but here’s a few fun things for her:

she knows a lot about flora and fauna because since she’s in corvus’ role, it makes sense to me that she would know that

she knows some medicinal things (again, it makes sense for me)

in her free time, she’s often found in the library researching a wide array of things

I have a lot more for her, but I don’t wanna reveal it all yet until I’m done with designs (and maybe learn how to write)

Hunk!!!! Hunk is basically the baker here, but more important. His moms are the ones who are in charge of and run the bakery, but he’s been steadily doing more and more in preparation to take over the bakery from his parents. While yes, he is a baker, he is still very much the way he is in the show. In this, he’s childhood friends with Lance and Allura, and he was with Lance when all of this started in the first place, so that’s why and how he’ll be involved. There’s more on this but again, won’t talk about it more until later. Here’s a few fun things about him:

his weapon for the first part of this is going to be his favorite rolling pin, and while it’s very much NOT a weapon, he wields it very well (thanks @anonaeonn for that, it’s brilliant)

he knows how to forge weapons and such, and often combines different kinds of weapons to get like a better weapon (thanks again aeon, your brain is huge)

he will be more open to elves than a lot of humans are in the beginning show, but he will still not be the most educated and will still be confused about things. (think of all the “galra Keith stuff. Not malicious, just not informed and makes comments like; Hunk: “wow look at that super cool elf punch!! that looks like it hurts a lot” Keith: “it’s just a regular punch”)

So that’s the both of them, and I don’t really have too many additional things that I have to flesh out for characters, so there won’t be any more rambling or notes here, just know that I am super happy with where everyone is in this. I still have a huge list of characters to design stuff for for this au, but I think it’s gonna be super fun. After I do my Shiro (+another’s) design, I’ll probably do a quick sketch of a fake promo for this.

(*Red doesn’t have a Tumblr, but Red does have an Ao3! Red’s Ao3 )

[romelle]

Embracing them from behind for the prompt ask <33 Maybe with klance or nymallura?

i'm pleading guilty (you make me want to steal your heart)

nymallura | 2k | the title lol | send me a prompt 🌟🌷

i got another request for klance with this prompt, so i went with nymallura this time !! it might have gotten away from me a little, but that’s just because it was very very fun to write! it might even be my favourite vld fic i’ve written so far 😊💌 also i finally got to write a fancy party fic hehe

When Allura was little, she wasn’t very fond of parties.

She liked the clothes, whenever she got to be the one to choose them. She liked how colourful and sparkly everything was. Sometimes uncle Coran would steal her away for a dance, and that was fun. But as the princess, Allura was a part of the spectacle just as much as the gowns and the sparkles. 

As the princess, she was expected to dance and socialise, but only with certain people. She was supposed to have fun, but only so much that the others felt comfortable actually having a good time. Parties were a place of romance and merriment for some, but of diplomacy and performance for others.

More often than not, they were just exhausting.

But it’s been a long time since she last went to a party, and she can’t deny that the thought excites her. That evening, Allura feels as giddy as a little girl while picking out her gown. Lilac layers of light, shimmering fabric twirl around her as she spins in front of the mirror. She catches her own gaze in the reflection, and grins. 

Early into the party, that grin slips from her lips.

At least, the genuine one does. When you’re both the princess of Altea and the leader of Voltron, smiling is as obligatory as revelling is prohibited. 

The man she’s talking to has bone-white skin, large black eyes, and thin powder blue wings. There are exactly one hundred seventy-four glittering white marks on each of them. Allura knows this not because she paid attention to Coran’s lecture, but because she has been counting them ever since their conversation started. Count Farkyn is a greatly important ally, and someone whose help the coalition would be beyond grateful to have.

He’s also, unfortunately, dreadfully boring.

Allura is just about to struggle her way through another pleasant smile when she feels a hand settle around her waist, someone new coming to stand by her side.

“Hello princess,” Nyma says into her ear. 

Her other hand settles on Allura’s elbow, as though she knows that without that precaution, that same elbow would have made a connection with her jaw. Instantly, Allura relaxes. 

Then, just as instantly, she scolds herself for doing so. 

There is something about Nyma that makes Allura doubt she’s any less dangerous as a friend than she is as a foe. The others say she’s being overcautious, and even Hunk recently decided that she no longer poses a threat. But Allura knows what she feels.

Although they are now on significantly better terms, she can’t deny that she still occasionally feels strange around Nyma. Sometimes a word from her is enough to make Allura’s heartbeat quicken, or to leave her struggling to find words of her own. Truth be told, they don’t even get to see each other all that often- but whenever Allura knows that they might be at the same place, she gets overwhelmed by anticipation. 

Like she said. Strange.

When she asked Shiro about it, he suggested that she might just have a crush, which was ridiculous. When she spoke to Lance, he revealed that he feels the same way about his rival Keith, so it’s probably nothing to worry about. That only made Allura worry even more, because she knows what the mice say about those two. 

But currently, none of that matters. She’d let herself be whisked away by just about anyone, if only to get away from count Farkyn and his pompous speeches. 

“Nyma,” She says. “What a pleasant surprise.”

She practised saying that in the mirror for at least five minutes. It doesn’t sound as surprised as she wanted it to. 

“I hate to be rude, but could I steal you away?” Nyma asks, not wasting any time. She’s a good actress, but Allura knows the troublemaker sparkle of her eyes well enough to be certain she doesn’t hate to be rude at all. “There’s something urgent we have to discuss.”

Allura nods quickly. 

“Yes, of course.”

She meets the huge, unblinking eyes of her previous conversation partner. 

“It was... lovely to meet you, count Farkyn.”

“So lovely,” Nyma chimes in, not giving the count a chance to respond in kind. She uses her hold on Allura’s waist to twirl them away quickly, whispering “run” into Allura’s ear. 

Allura has to bite the inside of her cheek to stop herself from laughing.

They come to a stop at the edge of the dancefloor. There is a narrow space between two pillars, and Nyma casually leans against one after removing her hand from Allura’s waist. Allura clears her throat awkwardly, and leans against the other one. The space between them is still not large enough for comfort, but the lack of physical contact allows her heart rate to calm down at least a little.

“What did you want to discuss?” she asks.

Nyma tilts her head- smiling like she can’t believe the words leaving Allura’s mouth. As always, it’s like she’s in on some joke that Allura just doesn’t understand. But there’s also something so oddly soft about it, and that’s what flusters Allura the most.

“Just how pretty your dress is,” Nyma says, still smiling that fond, playful little smile.

Allura blushes. She tucks a strand of her hair behind her ear and looks towards the crowd. The face to face is just a bit too much, she decides.

“Stop that,” she commands.

Nyma only giggles again.

“I have nothing to discuss, silly. I’ve met Farkyn before, and decided to help out. Like the valuable ally that I am.”

Allura considers this.

“I suppose he is a bit...” she hesitates. 

“Boring?” Nyma fills in helpfully.

Allura considers, almost instinctively, denying it. But then she sees the way Nyma is smiling at her, and feels all that pressure she has felt for the past varga slip away. She sighs, letting her shoulders slump.

“Numbingly so.”

“Well, a party is no place for feeling numb,” Nyma declares grandly. Then, she reaches out with her hand, holding it out for Allura to take. “Should we try to fix that?”

Allura wants nothing more. Still, she bites her lip in hesitation, hand hoovering halfway to Nyma’s own.

“I really shouldn’t. I haven’t even talked to-”

“You’re a part of a team, princess,” Nyma reminds her. “And no offence, but I think your black paladin has dazzled the king far more than you could hope to.”

Allura follows Nyma’s gaze, and is stuck somewhere between bewilderment and amusement when she finds that Nyma is right. Shiro looks a little stiff, but he doesn’t seem at all unused to this sort of admiring attention. The king, however, is definitely dazzled. 

“Oh my,” Allura says. She can’t wait to tell Hunk about this during their next afternoon tea party.

“Right? He’s got it all covered,” Nyma gives a satisfied nod of her head. Then, she offers up her hand again. “Besides- I’m a greatly important ally too.”

Allura rolls her eyes, but amusement is written all over her face.

“A great nuisance is what you are.”

“That too,” Nyma agrees. “Feel free to dazzle me.”

She takes her hand. 

Allura can’t deny that the ballroom is beyond beautiful. The palace is made of a clear material akin to glass, but there are also magical, shimmering designs that twirl through it like living paint. The transparent roof gives a view of the night sky- shades of soft pinks, blues and purples embellished with stars. It reminds her of Nyma’s eyes, which is rather pathetic.

“Remember when first met?”

Allura raises an eyebrow. 

“Of course. You made such a memorable first impression. It’s not every day that someone flirts with one of the paladins and then ties them to a tree.”

Nyma laughs.

“Well,” she says. “Did I ever tell you that I originally planned to approach you? But then Lance gave me too good of an opener.”

Allura raises her eyebrows even higher.

“You wanted to trick me into giving you a ride?”

“That’s what she said,” Nyma sing-songs. That is without a doubt something that she picked up while hanging out with Lance. Allura’s arms are already around her neck, and she uses this opportunity to pinch her.

Nyma grimaces at the sting, but only slightly.

“That doesn’t even make sense,” Allura says, ignoring her blushing face. “And I suppose it’s good for you that Lance gave you an opener. It wouldn’t have worked on me.”

Nyma smirks.

“Oh? But didn’t I steal from you already?”

Allura can’t recall that. Before she can say as much, Nyma continues:

“Stole this dance, didn’t I?”

Allura very barely resists the urge to pinch her again.

“Doesn’t count,” she insists. “You asked, I said yes. That goes against the very basic definition of stealing.”

“Alright. How about we make a bet, then? I’ll manage to steal something from you by the end of the night.”

“That sounds more like a statement.”

“I bet that I’ll manage to steal something from you by the end of the night.”

Allura narrows her eyes. 

“And why would I say yes to that?”

A faster song begins to play, and the two of them liven up their steps accordingly. Nyma is an extraordinarily good dancer, and her hands fit nicely on Allura’s waist. She tries hard not to think about either of those facts.

“Because you’re very obviously bored out of your mind,” Nyma points out, which is not quite true anymore. She stopped being bored the second Nyma came up behind her. Even if they part ways now, she’d probably remain amused for the rest of the evening, knowing that Nyma might be looking her way.

But she doesn’t want to part ways just yet.

“And what would you steal?”

Nyma purses her lips, thinking about it. Or perhaps only pretending to think about it. 

“I haven’t decided yet,” she says, twirling Allura away and then back towards her. “Your breath maybe?”

Allura glares at her. Nyma is only joking, but that move really did leave her a little breathless. This whole interaction is leaving her breathless. Honestly, she might just faint if Nyma doesn’t give her a break.

As if she can hear her thoughts, Nyma suddenly dips her. Allura tightens her grip on her shoulders, giving a startled gasp.

“Or the floor under your feet?”

Allura frowns, but she knows that she can’t look very stern. Not with her head upside down, hair nearly touching the floor.

“You’re so funny.”

Nyma beams, as though the compliment was genuine.

“I know.”

Allura sets her lips into a straight line. She knows she can’t be imagining this. She might be about ten thousand years out of practice, but Nyma is clearly flirting with her. Even if she doesn’t feel the… whatever it is that Allura is feeling, she must at least be attracted to her. 

Well, alright, then. Two can play that game. 

“Fine,” she agrees, ignoring the slight look of surprise on Nyma’s face. “I’ll do it. But only if I can try to steal something from you too.”

The surprise grows even more apparent, before turning into delight.

“And what could the princess of Altea possibly steal from me?”

Allura grins. With all the swiftness she’d use in a battle, she gracefully pushes herself back into an upright position- simultaneously pulling Nyma closer towards her. Allura’s chest is now pressed tightly against Nyma’s back, her hands on each side of Nyma’s waist, and her chin just above Nyma’s shoulder.

“Your breath maybe?” she whispers, mocking Nyma’s words from before.

Then, before she can lose this sudden nerve, Allura lets one of her hands trail up from Nyma’s waist to her chin- turning it gently towards her. She leans further and further. The hand she has on Nyma’s waist proves that Allura alters her breathing just as much as she alters Allura’s. 

“Or a kiss.”

Their lips are only a breath away. The song ends. 

“Change of partners,” Allura whispers. 

Just as quickly as she had pulled Nyma towards her, she pushes her away- straight into the arms of count Farkyn. She grins as innocently as she can, but Nyma is still far too stunned to do anything but look at her with wide eyes.

Allura’s next dance partner turns out to be Lance, who accepts her invitation with a dramatically deep bow that she can’t help but giggle at. 

“How’s your evening?” he asks once they’ve settled into a rhythm. “Did that count dude bore you to death?”

From over his shoulder, Allura meets Nyma’s eyes. Count Farkyn has clearly thrown himself into another one of his speeches, and Nyma’s eyes communicate very clearly just how ungrateful she is to have the honour of listening. Still, when Allura smiles at her, she can’t help but smile back. The smile is as fond as ever.

Allura thinks she might finally be in on the joke.

“Not at all,” she says. “I’m having a tremendous time.”

[the-ferocious-kittyrose]

What I would’ve done w/ Lotor’s character

It’s not exactly a secret to anyone who’s been following me for a while that I’m not the biggest fan of canon Lotor. I had high hopes for the character from his 80s counterpart and intro in season 3 but I was really let down by the direction the writers went with him in canon.

When he was introduced, I was so hoping for him to be this cocky manipulative asshole that’s only out for himself. I love that character archetype so goddamn much.

But in canon he was just kinda boring to me. His personality was bland and his motivations never really made sense. He’s introduced using empty promises of peace and comradery to manipulate people, then its revealed that he actually does want peace and comradery and wants to lead a peaceful empire, then that turns into draining Alteans and wanting to kill all Galra...

I also didn’t like how the writers decide to tack on this whole child abuse plot to explain why he was the way he was. As if that’s the only way to make a villain sympathetic. Yeah other versions of Voltron have touched on Lotor’s childhood before and it was never pleasant, but VLD really leaned into that shit, to the point where it felt like the writers were just shoving angst down our throats thinking that equals good writing.

It takes more than a tragic backstory to make a character compelling. It takes an interesting personally and motivations that make sense. And you can make a character tragic/sympathetic in more subtle ways.

For me personally, I wanted Lotor to be a sorta fusion of Loki and Littlefinger in space.

Loki is a sly trickster who grew up feeling like an outcast, unaware of his true heritage. He grew up believing he could be king but when his shity father handed it to his perfect brother he felt he had been robbed and decided to take the throne by force.

Littlefinger is a small man from a small house with no power, and after getting the shit beat out of him trying to win the hand of the girl he loved, he decided he would use his intelligence and skills in manipulation to screw over all these noble lords and weasel his way into the throne. And when he did he would finally get vengeance on all those who had looked down on him.

I feel like this fits Lotor well. Lotor is a prince, so he isn’t small in that regard, but he is not respected in the way a prince should be.

He is a lot smaller than the average Galra. And even though Lotor is still quite strong, developing a fighting style that suits his small form and uses his opponents size against them, in a society so heavily based on physical strength that’s still a big blow to your rep.

He employs half breeds, which we know are looked down on in the empire. And there are definitely rumors about Lotor himself being a half breed. I think after 10,000 years Zarkon would’ve done a pretty good job at hiding Lotor’s heritage from the public but just looking at him compared to the average Galra there’s going to be some suspicion there. On that note Lotor is probably considered butt ugly by the Galra.

And Lotor works in the shadows and achieves his goals through lies and trickery, which Lotor himself says are things the empire looks down on.

So yeah, the people in the empire hate Lotor. Even Sendak who’s all ‘Gung ho empire’ has no respect for Lotor. And because of this it would probably be up in the air whether or not Lotor would even be allowed to take the throne if his father were to pass, even though it’s his birthright.

And in the face of all this rampant disrespect, Lotor decides that he is going to overthrow his father and take the throne. And when he does he will take vengeance on everyone who had ever undermined him and expand the empire beyond anything his father could’ve dreamed of.

And don’t try telling me, “oh that’s so out of character! Lotor would never take pleasure in the pain of others!” Because he does.

Remember Throk? Remember how Lotor sent him away to the worst station in the empire and joked about letting him, “rot with the ice worms?” Remember how Lotor later invaded his station then watched with a grin as he was tortured by Haggar?

Lotor 100% takes pleasure in hurting those who would hurt him, because it makes him feel powerful.

Now let’s talk about Lotor’s planet. The one given to him and destroyed by Zarkon. I always felt weird about this plot. Obviously it’s a very sad thing to have happen, but I always liked the idea of Lotor’s promises of peace to be empty, a means of manipulating people. So this whole situation being genuine feels weird to me.

In my version, Lotor didn’t get banished for being too kind. He got banished because Zarkon caught him in a plot to betray him.

When Lotor was put in charge of the planet, he seduced and married the princess Ventar. He filled her head with promises that her people would be free and they would rule the universe together and convinced her to secretly round up her armies and send word to her ally planets to do the same, so they could start planning a way to overthrow Zarkon.

It’s left ambiguous whether or not he was being genuine and whether he really loved Ventar and intended to keep his promises to her or if she was just a tool to get the throne. But either way, it ends the same. Zarkon finds out, destroys the planet, kills Ventar, and exiles Lotor.

Still sad/humiliating thing for Lotor, and definitely a story that could gain sympathy from Allura.

Speaking of Allura and Ventar, let’s talk about Lotor’s relationship with the women in his life.

(Trigger Warning: Brief mention of of a rape scene in GoLion)

In the 80s Lotor was incredibly misogynistic. He walked around with a harem of half naked women, tried repeatedly to kidnap and marry Allura against her will, and in GoLion it’s heavily implied that he raped Romelle because she looked like Allura.

It’s a common joke in the fandom that he went from this to drinking respect women juice in VLD but I don’t know if I’d go that far.

He’s definitely better in VLD than he was in the 80s, but even in VLD he manipulates, uses, and hurts most of the women in his life.

Allura is the obvious example, but you also have his generals. Acxa talks to the paladins, Allura in particular, about how persuasive Lotor could be. Implying that she and the other general were manipulated the same way Allura was.

Well not EXACTLY the same way Allura was, romantically I mean. Though there are people who believe that Acxa was also in love with Lotor and he used that to his advantage, which I can see.

But I feel like it was more about giving them a place in an empire that didn’t care about or accept them.

I hate The Last Jedi but I really feel like the line, “you’re nothing, but not to me,” fits really well. They were outsiders with no place to go until Lotor swooped in and gave them a purpose.

Do I think that there was a part of Lotor that genuinely wanted to help them because he saw a kindred spirit in them? Yeah. But I also think that at the end of the day, they were more tools than real friends. And he had no qualms about killing them if they betrayed him.

The situation with Narti proves that. As well as the fact that Ezor and Zethrid seemed very scared of the prospect of Lotor being alive and coming for them.

And then you have Allura. Lotor’s lust for Allura has always been a very important part of his character. In the 80s the reason behind his obsession with her was that he had a lot of baggage about his mother and had a thing for women that looked like her. Also the fact that he just didn’t like not getting something he wanted.

There was never any love. He didn’t want to be with her, he wanted to own her.

In VLD, his want for Allura seems to stem more from the fact that she’s Altean than an Oedipus complex. As well as the fact that she’s powerful and skilled in Altean alchemy, which makes her rather useful.

I don’t personally believe that Lotor ever really Loved Allura. I think he liked the idea of her and what she could do for him, but the end of the day she was more a means to an end than anything else.

Allura’s been trough a lot. Zarkon betrayed her family and destroyed her entire planet only about a year ago from her point of view, and she appears to have a pretty bad case of survivors guilt and PTSD. And to make matters worse, while Lotor was on the ship she was fighting with Shiro, someone she clearly cared about. The idea of loosing him after already losing so much must’ve been really painful.

She was hurting, conflicted, and lonely. Which made her all the more vulnerable to Lotor’s manipulation.

He took advantage of her loneliness and insecurities, making her believe she had found someone who understood her and could help her avenge her family and planet. She trusted him, let herself be vulnerable around him, which made it hurt even more when it was revealed to all be a ruse.

And then you have his relationship with his mother Honerva/Haggar.

I talked a lot about this in my whole rewrite/rant about Honerva, but I’m not a fan of how they made their relationship 100% negative. I feel like it robs the show of a lot of interesting character interaction.

It’s sad. The whole relationship is really tragic. Shit like this is literally my worst nightmare. The thought of looking my mom in the face and have her not recognize me as her daughter keeps me up at night.

But the thing is, in canon the relationship kinda falls flat because Lotor and Haggar/Honerva have no connection. Haggar was awful to Lotor and Lotor hates Haggar. What reason do I have to be invested in their relationship?

So If you haven’t read my Honerva rant, here’s how I would’ve done the Honerva Lotor relationship.

10,000 years ago, when Alfor came to Dibazzal to convince Zarkon to close the rift, Honerva went into labor. Alfor and many Galran doctors tried there best to save her and the baby, but the quintessence had damaged her body so much that she couldn’t be saved and died in childbirth.

Zarkon went ballistic and Alfor had the doctors take baby Lotor somewhere safe, fearing Zarkon would take his grief and anger out on the child.

After Honerva was resurrected as Haggar and throughout Lotor’s childhood, they had a strange sort of relationship. Lotor was an inquisitive child and was always curious about Haggar and her work, making a habit of following her around like a little shadow and watching as she worked. And there was also the fact that, while his father was never friendly, he was calmer when she was around.

Haggar had no idea what to make of this weird child following her around all the time. All these big strong Galra were terrified of her but this tiny child showed no fear as he tugged on her robes and excitedly asked questions about her work. And she never minded. She didn’t know why or how to explain it, but she cared for the child. As much as a soulless undead witch could care for something anyway.

But as time went on there relationship became more and more strained. Lotor was a smart kid he was gonna find out about his mother and deduce what happened to her.

He resented Haggar. Resented her for not remembering him. Resented her for the fact that he had to go through life without a mother while she was right there. And he resented her for being loyal to Zarkon, who had been making his life hell for thousands of years.

Every time she showed him something resembling kindness he’s conflicted. He knows he should feel happy that she cares, but at the same time, why does she care? It’s not like she sees him as her son.

He turned to denial, insisting that Haggar couldn’t possibly be his mother, even though he new the truth deep down, and a part of him always secretly longed for her to remember who she was, who he was, and embrace him as her son. He hates that part of himself.

And when he does meet Honerva for the first time, it’s... tense... to say the least. Having his mother reach out to him and acknowledge him as her son is something he thought would bring him joy, but in that moment all the pain he went through rises back to the surface and he lashes out. He draws his sword and is about to cut her down but he hesitates. He’s trembling with tears in his eyes. He can’t forgive her, but he also can’t bring himself to kill her.

Then you have his relationship with his father.

It’s no secret that Zarkon is an awful man and a shity father, always has been.

The explanation as to why is kinda shaky. All we get is Zarkon saying Lotor is his greatest shame because he’s Altean but I don’t know about that. Zarkon may hate Alteans but he loved Honerva and I don’t think he would be ashamed of his relationship with her.

He definitely did his best Lotor’s heritage from the public. But I don’t think that’s the reason he hates him.

In my version of the story, Zarkon hates Lotor because Honerva died giving birth to him and Zarkon blames him for her death. He lost his beloved wife and was forced to watch the son that killed her waltz around wearing her face.

It didn’t help that Lotor was a snarky rebellious kid that liked to show off. He did things his own way, didn’t care much for rules, and had a real knack for finding loopholes. All things that made his strict father very angry. He was an embarrassment. Small and rebellious. That’s why Zarkon began training Sendak.

I personally believe the reason Zarkon was so trusting of Sendak and had so much faith in him was because Zarkon had been grooming him to be his “true heir.” Sendak is the epitome of what a Galra should be. Strong, loyal, and brave. He would be the son Zarkon wished he had. The favorite child.

Lotor obviously hates Zarkon, and rightfully so. Zarkon hates him for something he had no control over and constantly disrespects him.

Lotor may not follow the rules, but he passes every trial. He excels at everything he does but Zarkon refuses to see that all because he blames him for Honerva’s death.

Lotor sees Zarkon as an old fool. He knows that he could do a far better job at running the empire.

Lotor dedicated thousands of years of his life to overthrowing Zarkon. His hatred for his father was his motivation, what got him out of bed every morning, so when the deed is done and Zarkon was finally defeated, in the moments after he felt empty.

But he didn’t have time to dwell on that feeling for long. He still had to deal with his father’s men and take the throne that was rightfully his.

Then you have his plan.

Lotor’s plan in VLD is really weird and over complicated. There was no real reason for the whole draining Alteans thing. Just a lazy way of making him 100% evil.

The plot could’ve been a lot simpler. He gains the paladins trust, gets them to help him build his ships and overthrow Zarkon, and then once he has the throne he pulls an Uno reverse card and is like, “yeah, nothing personal but this was all a trick and imma lock you and your lions up now.”

Obviously more complicated than that but that’s the basic idea.

One of my main problems with VLD is that they had a bad habit of over complicating the plot. People don’t care about VLD because of the plot, they care about the characters and their relationships, the actual plot doesn’t have to be anything spectacular.

It’s strange to say but I feel like the writes tried too hard with Lotor. He had the potential to be an amazing villain but the writers were too focused on tricking the audience and making him angsty that they forgot to make him compelling.

[keldabika]

Hey yo! :D For the requests: how about a vld post-canon fanfic in which the reader helps Lance to move on, while still remembering Allura with respect and fond memories, which ends up in a sweet love confession? :3 If you need more details, please don’t hesitate to ask. Thanks, and have a good day!

[Lance McClain] “Under The Sun”

———————————————————————

“It’s been quite awhile now, I wonder when Lance is coming home?”

You pondered without so much as a doubt that he’d be back eventually, but you were a bit worried about your long-time best friend. It was late into the summer evening now, and the gradient dark blue was only just beginning to peek over the horizon. He was out late far more often now, though you supposed it was because Allura’s death had hit him hard, but you were in disbelief in seeing the usually peppy and flirtatious boy so…. depressed. It was heartbreaking to witness.

Staring out the farmhouse window, you watched the tall grass sway in the fields beyond and the slight breeze ruffle through the distant image of an apple orchard. The sun was nearly set by now, and soon the stars would be clear in the sky—a constant reminder of the paladins journey across the galaxy.

Knowing that there was so much life out there beyond the Earth you knew, you could barely comprehend just how significantly small your life was in comparison. You hadn’t travelled with the paladins or engaged in conversation with Allura beyond briefings during the Galran invasion, but you understood that the universe they witnessed was oh-so-incredibly vast and endless.

And now you felt oh-so-incredibly lonely in it. You weren’t close with many of the other paladins, besides Hunk and Pidge of course. Shiro had his new husband, Coran was too iffy for your tastes, and Keith…. well he was always off and away. With Altea restored to its rightful glory, commerce and politics between itself and Earth were bustling and swell, never better, and many of the paladins, including Lance from time-to-time, were busy making deals and new friends.

And you felt left out and abandoned because of that. It wasn’t fair that you hadn’t been accepted into the space academy, only because there was a limit to the number of accepted students, and it wasn’t fair Lance left without a single word to you, on some grand adventure for years on end without so much as a word, and it wasn’t fair that you were helpless in all things besides cooking or cleaning or feeding the animals out in the barn, or giving Lance a hug when he needed one, or looking after his siblings while his parents were gone or just—being there. It just wasn’t fair that they’d all experienced so much of life, and you hadn’t done anything in the meantime. Your meagre living was nothing in comparison to their heroism and praise. You felt selfish for thinking this way, so you never voiced your concerns to anybody, especially Lance.

“I wonder what he’d think of me, thinking this way,” you looked out unto the glimmer of stars appearing beyond the clouds, “he’d look at me and think ‘Life is never fair, you should deal with it.’ What a joke.”

You suppose you were satisfied for now with just being able to be near Lance, as a friend and support for when he needed you most, even if he didn’t know it.

“Oh Allura,” stepping outside, your eyes had an even clearer view of the skyline, and the sunset appearing within your vision, and you could almost feel the expanse of the universe looking down upon you, Allura among the vast amount of stars blazing within it, “tell me what I should do to help him. Tell me how I should be there for him, in the same way you were and in ways otherwise. How can I make him happy now you’re gone?”

Of course, you would never receive an answer beyond a pregnant silence, and the echo of your own voice over the hills and through the house where the children were asleep. You kept your eyes on the stars, hoping they’d give you some form of sign, an astrological message that could guide you, a vision of some kind, but there was only emptiness, the soft yet visible twinkle of each individual sun, burning lightyears away.

Sigh. You really should’ve expected this you suppose.

“Speaking to the sky, I’m selfish and an idiot!”

You gripped your [H/c] hair and yanked it downwards, chanting ‘idiot’ over and over again, like a mantra or a prayer, hoping it would relieve some of your many frustrations, until you heard a small sound from a hay bale around the side of the house, near an old trough used to store feed.

“Hello? Anybody there?”

Silence was all that answered at first, but then a small series of whimpers came from the area. You grabbed a pitchfork and slowly made your way over to the bale, creeping closer and bringing the pitchfork up to your chest, ready to strike.

“AAAAAAAAAAH!”

“AAAAAAAAAAAAAAAAAAAAAAAH!”

A terrified Lance dunked himself into the trough, getting his backside stuck before tipping it over and having it land on top of him while attempting to crawl away.

“Dios mío [Y/n], you scared me!” Lance stood up and dusted off his jacket and pants, rubbing at his eyes and making an awful attempt at hiding his face away from your sight.

“Well I’m sorry, oh merciful Lord Lance, but you being secretive and not answering me when I asked has a lot to do with that.”

He looked away from you for a further moment before responding.

“Well, I uh…. just wanted to be alone for a minute y’know? All my siblings and family n’ stuff, kind of makes my back stiff and mind numb from time-to-time.”

You watched solemnly as he tried to laugh it off, sitting back down on the edge of the trough, head leaning in his hands and staring off into the distance, obviously bothered by something. You were curious, but you didn’t have any right to pry if he didn’t want to tell you first. You’d respect his wishes if he really did just want to be alone.

“Well, alright then,” you smiled softly at him, forcing yourself off your knees and turning around to head back inside, “if you want to talk, I’ll be back inside. I’ll be in my room if you need me.”

You began to walk away, adamant on getting back upstairs to the comfort of your bed and laying awake all night, when you felt a small weight on the back of your shirt. Lance’s hand had managed to grasp the fabric while you were walking away, and though you turned around to ask him why, he had barely moved from his position on the trough, only gazing at you with unshed tears in his eyes.

“Can you stay for a moment,” he pleaded, “please? It’ll only take a minute [Y/n], I swear.”

‘Allura give me strength’ you thought, letting out an exasperated sigh and seating yourself beside him on the ledge, barely glancing at him again, preferring to turn your sights to the horizon once more. You knew it’d be another nightly session of listening to his fears and sorrows, meanwhile drowning in your own self-doubt and anxieties. This also meant that tomorrow you’d wake up questioning your worth again, comparing yourself to the woman you’d come to respect and admire, and a woman who was now gone off to the afterlife, long before you.

“Tell me what’s up Lance. What’s eating away at you this time tonight, huh? Lemme guess, is it your girlfriend again?”

You watched as Lance fiddled with a piece of straw, rolling it back and forth between his palms, keeping his gaze on the sunset ahead.

“No,” he muttered, “more of an apology really.”

You nearly did a spit take, staring at him like he was a chicken with two heads. You never thought you’d be hearing an apology from the Casanova himself, let alone one aimed at you. Usually he was too cocky to have second thoughts.

“Sheesh Lance, what’s gotten into you? Did your mom finally drill some manners into that peabrain of yours?”

You jokingly put him in a headlock and started ruffling his hair, Lance desperately trying to remove your arm so he could fix his ruined part.

“[Y/n] c’mon! I styled my hair hours ago, I nearly kept it perfect for the whole day!”

He began running his fingers through his hair to put it back in place. Concentrating on perfecting it once more.

“Oh Lance, what kind of farmer like you needs styling gel? It gets greasy in a couple minutes anyways so why even bother.”

“It’s the thought that counts [Y/n]!”

You snorted as he huffed at you, the two of you quipping at each other reminded you of the days before he left off to the academy. Then you remembered,

“Oh right, the apology. Glad to see you learned some common courtesy, but what’s this all about Lance?”

You really needed answers. He suddenly went quiet and seemed to contemplate something for a moment. He worried you, and he knew it too, that you were expecting an explanation for an apology he probably wasn’t ready to give.

“Well you see [Y/n],” he stared directly at you, “I know that I’ve been down recently, and that you’ve always been…. there, I guess, for me when I needed you to be. And I know that I’ve never even thanked you or given you something in return, and that by using you as a way to escape my own problems, I’ve given you some of your own,”

He stopped for a moment to see if you were still paying attention, and seeing you looking at him with encouragement, he continued,

“I’m so sorry, [Y/n]. Really, I am. I was being dumb like always and pouring out my feelings onto someone who had difficulties of their own to deal with, and I never really thought about how I was hurting you…. I’m sorry. When Allura was here, and I was back out in space, battling alien hordes and saving the galaxy…. I felt like everything was right in the world, and that I was living my best life, being beside all the people I cared about, with friends I could trust. I didn’t realize until later that I completely forgot about you in the process, the best friend I left behind, who mattered maybe even more to me than I thought. I never meant to forget you, and I never meant to hurt you.”

He began to get nervous, losing the cocky persona he developed over the years completely, turning downtrodden and forcing out a final “I hope you can forgive me.”

Then he went quiet.

“….I never hated you, y’know,” you began, finally responding, “I never once despised you for leaving without me. I knew you’d come back someday, when I heard a lion took off from the desert that day, I just didn’t know when.”

You kept going, “If anything, I hated myself sometimes, for being selfish and wanting you to come back sooner, or blaming you in my mind for not taking me with you. It always felt unfair to me, that I was stuck here in a constant cycle of boring life, while you were out patrolling the universe, fighting Galra and going on cool missions-”

“-and nearly dying, like, 50 times!” Lance interrupted.

“….and nearly dying 50 times, yes.”

The sun was nearly gone now, disappearing quickly before you, clocking the time you’d been outside conversing in the summer heat—the pale moon climbing the sky behind you.

The stars shone ever-brighter, and the breeze had settled down, the grass at your feet stamped in and no longer swaying, and the crickets in the field were chirping, with the cows grazing in the meadow below, almost ready to head in for the night.

“I’m jealous Lance. And frustrated. But I never spoke a word of anything to you, because I loved you too much to bother you with any more problems than you already had. Nothings your fault, I was only emotional, and I have no disrespect for any of your friends or partners, including Allura. I only wish that you could’ve been happier.”

Ending your rant, you faced Lance again and shrugged, acting nonchalant, like nothing you said mattered at the moment. But he knew that whatever he said next would make a large impact on you.

“You loved me?”

You relaxed a little, “Still do Lance, never stopped even after you left. But, you came back with a space alien girlfriend, I knew I had to let you go.”

Allura was the light of his life, and he was the happiest you’d ever seen him in the weeks before her death. If she hadn’t needed to make a sacrifice, they would’ve probably grown old and had a life together, a family too, and he would have become the Altean King, with you far out of the picture. The little markings on the ridge of his cheekbones still detailed just how loving of a relationship the two were in. Even after her passing, you wouldn’t make a move when Lance only thought of you as a friend.

Both yourself and Lance were gazing at the sky now, completely silent, and yet there was an underlying comfort in the stillness, one which permeated through the air around you and invited a conversation to be had. Lance seemed to wish to speak in order to break it, scratching at the markings whilst trying to find the words to talk to you.

“Oh quiznak, words are too hard!”

Lance reaches across the trough to grasp the hand you’re using to stable yourself on the ledge, bringing it up to the space between the two of you and wearing the most serious expression you’ve ever seen on his face.

“When I was in third grade, I ran into a small child in the hallway and accidentally spilled their thermos of soup all over the floor. That tiny [H/c] kid became my desk-mate for all of third and fourth grade, and I remember having to give them my baloney sandwich because they wouldn’t stop crying till I did. In fifth grade, that same kid switched our lunchboxes because I had the better pizza pops, and in sixth grade, while taking a math test, they threw up all over the floor and I laughed like crazy; ended up going with them to the office because the teacher ‘didn’t like my attitude’. In seventh grade, I went to their birthday party and popped all the balloons, I stole half the cake and made off with three goodie bags before anyone could catch me. In eighth grade we became friends, and played pranks together on the other students during April fools, tipped an outhouse, and did each others homework because we both sucked at school. When I was in ninth grade, I gave them a Burger King crown and told them they ruled my world…. I know you know who I’m talking about.”

You began laughing the hardest you had in years, looking back on all the memories you and Lance had built up over the years, times when neither of you knew what would happen, and had big dreams and hopes for the future. The future had turned out to be far different from what both of you had expected.

“To be fair Lance, you were the one who threw up during that math test, not me. You cried for your mom all the way through the school and passed out on a couch in the lobby.”

“Shut up [Y/n], I’m attempting to be sentimental!”

When the laughter died down, and the world was quiet again, you gazed down at the entwined hands that rested between you two, and lazily swung them back and forth to see if he’d let go. When he didn’t, you smiled a bit,

“So what, this means your willing to try? To move on from Allura just like that? Forget everything you had with her and stick with me for awhile?”

He smiled brightly at you, as bright as the sun that could barely be seen, the final slivers fading away over the prairie.

“Allura’s not entirely gone,” he taps his markings, “these babies are a constant reminder of that. I’ll never forget the happiness she gave me, but I don’t want to keep dwelling on the fact that she’s gone. You’re here with me, more than anything, and I hope that we could stay this way for as long as we can.”

“I’d like that.”

It’s far too late to keep outside you realize, and the night brings with it a chilling cold that practically freezes your clothes to your skin, and tinges the air with frost. The fall season is coming, and summer is nearly over, and with it comes the colourful leaves, and the frosted grass, and the wilting flowers. You stand up, dragging Lance with you, and dust off the seat of your pants, preparing to head inside to bed.

Now the darkness has settled, the sun is gone. You take your hands and guide Lance around the house to the doorway. The door creaks open and shuts behind the two of you, and as you say your goodnights, you head off to your room. And as the glow of the moon enters through your window, enshrouding the walls in a pale light, you lay there and ponder.

Truly, you hope that you can spend many more days with Lance down in the fields, and with the cows and the tall grass, and out in the apple orchard, where the two of you will lie, down in the top soil, under the sun.

———————————————————————

BONUS:

“[Y/n], know that you’ll always be my Burger Queen.”

“Lance please. Shut the fu*k up.”

———————————————————————

✨ Hope you enjoyed ✨

[chibi-pix]

Ah! It’s been a few weeks but now I’m back home with faster internet and able to watch Voltron: Defender of the Universe!  I’ll admit, I was tempted to bear with my grandpa’s middle-of-nowhere internet to try and watch an episode here and there, but I didn’t. Other things came up. But now I’m home and enjoying it! And I’m going to be honest, time and distance truly do make the heart grow fonder. No, not about Lotor, the only good thing about him is his hair. I’m talking about Bandor’s voice. The anthropomorphic kazoo’s voice doesn’t bother me as much. 

Anyway! I’ve been a busy creature! Episodes 39 through 45 have been watched! In the next day or two, depending on my evening art binges, I may have the first part of Voltron finished! Then it’ll be on to Vehicle Voltron and then the third season with Merla since that’s the order on the site I’m watching at.  Keep in mind, I do miss some details since I’m drawing while watching/listening to this show in the corner of my screen.  So! Without further delay, let’s get to this!

Episode 39. Ah, an episode with a comet! It may not be a trans reality comet, but it’s still a comment. I snorted at Lance’s comment of “If we wanted to play it safe, we would have stayed home.” Dude, the comet was going towards Arus. You wouldn’t have been safe. Oh well. Now it was kinda expected but clever of the baddies discussing the “attack plan” and tricking Romelle into telling Voltron. At first I thought they were being just dumb and talking in front of her, then Lotor smirked. Very clever, guys.  “With friends like you, Voltron doesn’t need enemies.” Ouch. Poor Romelle.  When paying attention to the gravity, my mind went to VLD when they dealt with planet Naxzela. It seemed interesting to me.  I enjoyed Bandor going to try and help Voltron. I felt sorry though. He seemed so pained to fire upon Voltron and the comment in the attempt to help them! Bandor! Be strong, baby! My mind went to thinking of the song “All the Mad Men” (or something like that) by David Bowie when the others were making their comments about their peace with near death. Just thought that was interesting to say.  “Come and try it, strange one.” Really, Lotor? That’s your best insult? 

Episode 40! Bandor: “There will never be another force like Voltron.”  Um... what about Vehicle Voltron? Or do you not know of them Bandor? It’s okay. You do care for the lion force team members.  And so much he wants to save them. Even risking robot mutiny. Do your best, baby! You’ve got this! And everyone having these deep realizations at the end of the universe. Personally I would have liked a restaurant at the end of the universe. Lorot: “Do you know how many princesses would love to be my bride?” Um, probably zero, honey. You’re toxis and your only good quality is that hair of yours.  And sending Romelle down a pit of skulls. Me personally? I’d hate being dropped, but those skulls? I’d have stolen a few to decorate my room. Skulls are cool.

Episode 41. Oh look, Sven, totally not his brother captured from Earth before it was destroyed since Earth is fine and dandy in this series, is alive! And found Romelle! Sorry you went a bit crazy buddy, but it’ll be fine. You just need a hug and a cookie. Or Romelle could help. That works, too.  Sven: “We have to move quickly and quietly. Like cats.” Um... didn’t a cat have to do with you getting hurt in the first place and you no longer got to be blue paladin? I feel like that was it. I mean, it was Haggar’s doing in the end, but didn’t it start with chasing a cat?  Anyway! At the end when the Pollux siblings were reunited, it made me super happy! That’s what I’ve been waiting for!

Episode 42.  Sand people! Now the tags from @breadstickcat​ left on a reblog of a palakitty art makes more sense! And those buggers are so cute! I want one! Or many! They’re so precious! And they stack! I’m gonna cry! I was so amused at how tall Pidge felt before they stacked. It just made me grin.  It also makes me wanna draw palakitty Pidge, Chip, and Shorty stacking to make themselves taller. I also feel like the Baltoans of my palakitty au would be taller than the sand people. But not by much. I wonder if I should incorperate the sand people in other AUs for my VLD stuff. That’d be amusing. I just want these precious babies to be happy. Those cute sand people. And Sandy! Allura giving him the bracelet. I was ready to cry when he was taken and converted. Thank the ancients that this series doesn’t let people die.  This may be my favourite episode thus far. 

Episode 43. I really don’t have much to say about this episode. Though Lotor’s line of “I’ve punished many kids on many planets”, my mind went to I think episode 34. Flashbacks, my dudes.

Episode 44. The title “Voltron vs. Voltron caught my interest. And it was kinda clever seeing the fake Voltron arriving before the real one to trick and catch the people off guard.  And I like how perceptive the kid was in noticing something was off. Good job kid! And doing his best to dig in the sand to warn Voltron. You’re doing good, sweetie! You’ve got this!  “All these people are lying stunned.” Um, are you trying to convince yourselves or the audience? I looked up to see Pidge’s face when things weren’t going well and they were getting shocked. It was hilarious and I did snort with laughter. 

And finally, episode 45. Sven: “I think they’re trying to decide which one is the ugliest.” You just like calling things ugly, don’cha buddy?  It was amusing to see Sven be a master of disguise to get his job done. Makes me kinda wish we had that reference with Shiro in VLD. Though we did get VLD Allura donning the soldier uniform to sneak in with Shiro in a crate, so I guess that’s good, too.  Anyway! Sven! Not only is he a master of disguise, he can also bitchslap a guy! Good job, honey! And then planting the bomb on the ship, definitely gave me Sven vibes from VLD when the others saw the other reality. I enjoy that. What I didn’t enjoy was looking up to see what looked like a spider robeast. Why? Why does there have to be a spider? I hate spiders. Eeeeee!  Anyway! Sven returning to Romelle and ticking her off. “So much for a hero’s welcome.” Well buddy, maybe if you approached her with more sincerity instead of joking, she’d have welcomed you better. You’ll learn. Maybe. Hopefully. Hmm...

Anyway! That concludes my night of watching Voltron: Defender of the Universe! I feel glad to resume this show.  And! Another doodle inspired from watching. It was only a matter of time until I ended up drawing this.

Anyway! I hope y’all enjoyed this! Until next time.

[voltrontranscript]

VLD S8E7: Day Forty-Seven

Season 8 Episode 7: Day Forty-Seven

Transcript by @dragonofyang

Summary: Kinkade and Rizavi film a vlog that follows a relatively normal day on the IGF-Atlas with its humorous moments and the stress of battle.

[Google Doc]

Kinkade: Hello. This is Lieutenant Ryan Kinkade, MFE pilot. The time is 0600 hours. It’s day forty-seven. And this is a glimpse at day-to-day life aboard the IGF-Atlas.

[Cut to Kinkade brushing his teeth as the camera floats over his shoulder.]

Kinkade: Last night, I unpacked my video gear and decided to document the crew. I know it seems strange, but before Earth was attacked, I didn’t go anywhere without my camera.

[Cut to Kinkade running on a treadmill.]

Kinkade: Back home, people asked me why I liked recording things. They also asked me why I didn’t talk that much. To both of those things, I’d always say… [grunts]

[Cut to Kinkade doing pull-ups.]

Kinkade: Twenty-eight, twenty-nine, thirty.

Romelle: You’re recording? Why?

Griffin: Kinkade has always been, uh… an individual who’s most comfortable observing and reflecting on life. Being a fighter pilot was actually his backup plan.

[Cut to Kinkade wearing a blindfold as he works on his blaster rifle.]

Kinkade: It’s true. I learned how to shoot with a camera before I learned how to shoot with a rifle. I guess filming is just a small piece of the larger puzzle that makes up the picture of who I am. Hm.

[Cut to Kinkade turning the camera on once more and walking to a fighter jet.]

Rizavi: So you’re really shooting another documentary? Please tell me this is going to be more exciting than that project you did for Mr. Pollard’s biology class about yeast.

Kinkade: That was actually about the process of fermentation. Yeast converts carbohydrates into carbon diox--

Rizavi: Boring! Okay, look, if this little documentary is how history will remember us, I’m gonna help you spruce it up! How many cameras do you have? What’s your visual effects budget? Do you have any smoke bombs?

[Cut to Keith and Pidge facing the camera as it focuses on Pidge directly.]

Kinkade: Okay. We’re set.

Rizavi: So, uh, catch us up on what’s going on.

Pidge: Right. Well, the Atlas is headed to the Grei-Aye system where we’ve identified the remains of a disabled robeast.

Rizavi: Oh! Those things are pretty dangerous, right?

Pidge: Do I need to explain that the robeast was one of the ones used in Honerva’s intergalactic ritual?

Rizavi: No, it’s fine.

Pidge: Okay. Um, so, once the Atlas arrives in orbit around the planet, the other Paladins and I will head down to the surface to secure the robeast and hopefully find its Altean pilot.

Rizavi: Ugh, okay. Keith! Why don’t you tell us about the dangers of this mission?

Keith: Well, every mission has some inherent dangers. For this one, we have to be especially diligent about the robeast. Even if it’s not fully functional, it can still pose an extreme threat. Combine that with the hostile Altean that’s probably still in the vicinity, and you’ve potentially got threats on multiple fronts.

Hunk: Hey, guys. What’s up? You making a movie? Cool. Can I be in it? Now, wait, if this is an action movie… is it? I don’t wanna be in it.

Rizavi: Hunk, we’re trying to do an interview here.

Hunk: Oh, sorry. Yeah, my bad. I just came by to see if you wanted to try this new recipe I’ve been experimenting with. This is just the first pass. The final version of it will be coming soon. No, Bae Bae! Not for you! I’m sorry I yelled at you. I’ll make you some doggy treats later.

Kinkade: What’s the recipe? Can we watch you work?

Hunk: Well, yeah! Yeah, this’ll be great! I’ve secretly always wanted my own cooking show.

Rizavi: What? No! Keith was just telling us about the mission and all the dangers! We’re not losing that to document cooking.

Kinkade: But, I like cooking.

Rizavi: It’s like you’re trying to make this boring.

Hunk: Whoa, first of all, cooking is not boring, okay? And it can bring people together. Some of the best times of my life were spent breaking bread with loved ones.

Keith: So, is this interview over?

Rizavi: No! Great, now the talent’s getting restless!

Iverson: Everyone, report to your battle stations immediately! I repeat… battle stations immediately! This is not a drill!

Rizavi: The camera!

Kinkade: Leave it! We need to go!

Rizavi: But this is gold!

Kinkade: Come o--

Iverson: MFE pilots, report to hangars alpha-bravo! Scrambling fighters in five! Paladins, stand by for launch.

[Scene change as Bae Bae finds the fallen camera and carries it around.]

Shiro: Where did it come from? Veronica, get me eyes on it!

Coran: That thing just appeared out of nowhere!

Shiro: Iverson, fire when ready!

Iverson: Target acquired! We’ve got lock! Wait. No… we lost it! Target has gone dark!

Veronica: Electromagnetic radiation from that planet is overloading our radars.

Shiro: Voltron, do you have a visual? I repeat, Voltron, do you have a visual?

Keith: Not yet. We’re going in now! Stand by! We can’t see a thing in here!

Griffin: Copy that. We have zero visibility as well. We need a visual.

Curtis: Roger. Trying another avenue. Scanning for biometrics. Visual acquired!

Coran: Incoming!

Iverson: Recharging all starboard cannons!

Curtis: Sensors are offline!

Iverson: What is that thing?

Coran: It’s massive!

Shiro: Iverson, open fire!

Coran: Direct hit! It’s coming back around for another shot!

Shiro: Veronica, prep shields!

[Scene change as the camera falls down a vent into Sam and Slav’s workstation.]

Sam: Whatever hit us just knocked loose the gravity generator! Grab the flaxum assembly!

Slav: I can’t do that! It’s red!

Sam: Is this one of your crazy probability, reality things?

[Scene change to a hallway as soldiers float through to their stations.]

Shiro: All crew, report to stations and prepare for Atlas transformation--

Atlas Crewmember: Go, go, go!

Shiro: --in T-minus thirty seconds!

[Scene change as Bae Bae finds the camera again and carries it.]

Colleen: Bae Bae, what are you doing out here? And what’s this in your mouth? A camera? Come on, girl.

Shiro: All crew, prepare for Atlas transformation sequence in five… four… three… two… one!

[Scene change as the camera dies, then powers on again facing Kinkade once more.]

Kinkade: Camera’s fully charged. We’re good to go. The time is now 0900 hours. We just experienced a minor mishap aboard the IGF-Atlas, but we’re back on track. In the future, we’ll hopefully be avoiding creature-occupied gas planets.

[Cut to Kinkade floating through a hallway.]

Kinkade: Hey, Seok Jin, where you headed?

Seok Jin: I’m transporting these samples back to Earth. Commander Holt thinks it can help with the recovery efforts there.

Kinkade: Well, they couldn’t have picked a better man for the job. Take care, man. Hey, Seok Jin… we’ll miss you, buddy.

[Scene change to the camera looking into the mess hall, where Vrepit Sal is cleaning tables and then rotates to face the hallway.]

Rizavi: There you are! Tell me this thing was recording during the attack! That was so intense! Oh, this documentary’s gonna be awesome!

[Cut to Kolivan sitting in a small office facing the camera.]

Kolivan: I believe our heading readout en route was 92254739.275. Wait, no. It was 9.265. Yes. That was our heading per our readout just prior to our deployment.

Rizavi: [mock snoring]

Kolivan: Our teams vary in size. Often we use the three-person unit, but it’s not unusual to have a four- or a five- or perhaps even a six-person unit. Seven seems rare, but... it could happen.

Rizavi: Okay, I like everything you’re telling me, but let’s just try it a little less like you’re reporting the facts to your commanding officer and a little more like you’re telling your friend an exciting story in the gym. You understand?

Kolivan: Yes, understood.

Rizavi: Okay, good. Why don’t you tell us about your last mission?

Kolivan: Our last mission took place on planet K-V Exus. The Blades divided into three four-person teams and we escorted approximately twelve rescue crafts to the surface. I believe our heading readout was 359.222--

Rizavi: Thank! Thank you! Okay, I think we got it!

Kolivan: But I wasn’t done.

Rizavi: Yeah, you nailed it. Yeah. We need to get someone more exciting in here.

[Cut to Coran leaning into the camera as it slowly attempts to focus on him.]

Coran: Then the Atlas started firing with everything it had! And don’t forget the white hole is swirling right next to us the entire time! Oh, no, it’s about to close! Meanwhile, not one, but two, yes, two, robeasts are attacking! Shiro’s shouting out orders. “Coran, get closer! Iverson, open fire!” Beams of quintessence energy are converging from all over the galaxy! Ah! You know, you could just imagine it.

[Scene change to Rizavi turning the camera on in Slav and Sam’s workspace.]

Sam: Welcome to the engine room. What you see here is just a tiny part of what keeps the ship functioning.

Rizavi: Slav, you’ve created some incredible technology. What do you think of the Atlas?

Slav: I can respect any engineering that extrapolates for transmutation, but I wish the writing was in Altean.

Sam: He’s mentioned that a few times.

Rizavi: So what are you doing now?

Slav: Right now we’re about to adjust the gravity generator, which was fractionally increased during our last battle.

Sam: Yes, our gravity generator is actually a fluid system, ever-changing depending on the specific needs of the location, so it requires recalibrating from time to time. Okay, adjust gravity generator back down to .12.

Slav: Copy. Adjusting now.

Sam: What did you press?

Slav: I don’t know! Which one is the two again? I can’t read these weird symbols you call numbers! Hey, big guy, toss me over! Oh, no. Directly on a crack!

Kinkade: Weird.

[Cut to the camera focusing on some juniberry shoots in a pot.]

Colleen: Beautiful, isn’t it? It’s an Altean juniberry. The first one to bloom in nearly ten thousand years. I managed to get it to grow by resequencing the genetic code of a similar plant. I wanna give it to Allura. These are our fertilizers. We have fish emulsion, worm castings, Kaltenecker manure. Just so much great recycled poop! And this is our lighting station. I like to say our lighting array is literally out of this world! You know, because we’re, you know, on a space ship.

Rizavi: Can I take a shot at this?

[Cut to the camera panning across the crops in the grow room.]

Rizavi: Welcome to extreme space harvesting! Where we have plants and crops and super fertilizers all under one roof! Meet Colleen Holt, the botanical genius behind it all.

[Cut to Colleen sitting in a chair in the grow room.]

Colleen: I guess I just liked plants all my life. I’ve done a lot of research, but I know I have much to learn. I guess… I like… the challenge. I’m sorry, where am I supposed to be looking?

Rizavi: Without Colleen, all life aboard the ship could perish. One bad crop, the introduction of one foreign pest, and it’s all over.

Colleen: I just like plants.

Hunk: Oh, sorry. Am I interrupting something again? I just--I just came in to see if Colleen had a very specific type of yeast.

Kinkade: Yeast? What for?

Rizavi: Oh, no.

Hunk: It’s that recipe I’ve been working on. I think I got the topping down, but I’m still trying to figure out the sweet bread.

Colleen: Well, I have so many strains of yeast, it’ll make your head spin. I got AB972, S288C. I even have O unilateralis. Don’t mess with that one.

Kinkade: Are you getting this?

Rizavi: Unfortunately, yes.

[Camera cuts to Kinkade and Rizavi floating through a hallway.]

Rizavi: The time is 1200 hours. We just got word that we are in the Grei-Aye star system. The Paladins will be heading down to the surface of the planet any second now.

[Cut to the camera facing Allura, Lance, and Keith in the hangar for Black Lion.]

Rizavi: Lance, how are you feeling about the mission you’re about to go on?

Lance: Oh, hey. I’m feeling good, I guess. Maybe a little tense. Maybe a lot tense. I don’t know. Why’d you have to ask me that question?

Allura: I think what Lance is trying to say is he’ll be fine. We all will.

Keith: Let’s move out.

[Camera cuts to Kinkade and Rizavi standing a ways away from Blue Lion as it launches.]

Rizavi: Right now, we’re headed to the situation room where we’ll be monitoring the Paladins in real-time.

Kinkade: By the way, you know we’re not gonna be able to bring our camera into that meeting, right?

Rizavi: Says who?

[Scene change to the situation room where Veronica, Coran, Sam, and Shiro are all facing a screen showing a no-signal symbol.]

Sam: Come in, Pidge. Are you reading us?

Pidge: Okay, we’ve just touched down on the surface.

Keith: We’re at the crash site now.

Pidge: That’s the robeast. It looks disabled, just like our intel reported. The Altean should be nearby.

Shiro: Paladins, brace for incoming!

Hunk: I didn’t know it could do that!

Keith: Take cover!

Shiro: Paladins, report! We’ve lost visual. Bridge, lock onto that ship now!

Curtis: Yes, Captain. Adjusting to long-range parameters. Locked on!

Shiro: Light it up!

Curtis: Direct hit!

Lance: Nice shot, Atlas!

Hunk: Yeah, thanks for the cover!

Shiro: Bridge, stay on alert.

[Cut to the Altean viewscreen of Pidge’s point of view through her helmet.]

Allura: Stand by, Atlas. We’re approaching the ship.

Hunk: Guys, there doesn’t seem to be a pilot inside.

Keith: Hey, guys. Over here.

Pidge: Keith’s found something. Let’s go! Give me a second. Just reconfiguring to this barrier’s isometric frequency. There! That should do it.

Keith: Atlas, our target is acquired.

Overlapping voices: Yippee! Alright! Yeah!

Shiro: Great job, everyone!

[Cut to Kinkade and Rizavi floating through another hallway.]

Rizavi: We just got word that the Paladins have returned from their mission. Maybe we can catch a glimpse of this new Altean.

Kinkade: This’ll be the sixth Altean pilot we’ve recovered from the powered-down robeasts left behind after Honerva escaped Oriande. Allura keeps trying, but she hasn’t been able to get any information from them as of yet.

[Camera cuts to Rizavi standing outside a room marked “Authorized Personnel Only”.]

Rizavi: Commander Shirogane said you two were needed on the bridge. We’ll cover your station.

Woman: Yes, Lieutenant.

Rizavi: There! Oh, man, I think we missed the beginning.

Romelle: Tavo, please. You and I grew up alongside one another. You must trust me. We’re here to help.

Tavo: We were told you are a traitor, and I can see now that it is true.

Allura: I’m done talking with him. I’m done with all of them.

Kinkade: Uh, what are you doing?

Rizavi: Sh! I got an idea.

Lance: Anything?

Allura: No. He was just like the others. A true believer in Honerva, and there’s nothing I can say that would make him think otherwise.

Lance: I’m sorry.

Allura: No, I am. These Alteans are the key to unlocking Honerva’s plan. They’re my people, but they won’t speak with me. You have no idea what it’s like to find out after ten thousand years that you’re not the last of your kind… only to be rejected by them.

Lance: I don’t. But I wish every day there were something I could do to change it all for you. You’ve suffered more than anyone should in a thousand lifetimes. But still you persist. Through the pain, you inspire. It’s one of the reasons I fell in love with you.

Kinkade: No, that’s private.

Rizavi: Kinkade, what are you doing? That was our love angle!

[Camera cuts out, then focuses in on Romelle’s face.]

Kinkade: Please don’t touch that.

Romelle: Oh, sorry.

Rizavi: So, Romelle, you know these Alteans from your time on the colony?

Romelle: Yes, I lived alongside them for many decaphoebs. They are good people.

Kinkade: What do you think would make them join forces with Honerva?

Romelle: I don’t know. But you must understand, my people were hunted nearly to extinction. They’re afraid. And this Honerva… she’s turned that fear to aggression. If there was just some way to get through to them.

[Cut to the mess hall.]

Griffin: I’ve never seen anything like it. All those tentacles… so nasty.

[Cut to the kitchen where Hunk is stirring something purple in a pan.]

Hunk: Oh, hey. You’re just in time. I was just about to add the yeast Colleen gave me. No, Bae Bae! Bad dog!

[Cut to Kinkade and Rizavi sitting at a table with Allura.]

Kinkade: First off, thanks for doing this, Allura.

Allura: You’re welcome.

Rizavi: Maybe we can start with the Alteans we have aboard.

Allura: What about them? They’re on the wrong side of this war and they refuse to speak with me. There’s nothing else to say.

Rizavi: So, you’re frustrated?

Allura: Yes, I am. Oriande was destroyed, Lotor is back, and we aren’t any closer to tracking down Honerva. She’s out there, right now, planning something, preparing, and growing stronger. And we’re here flying around in circles, searching for Fraunhofer lines that don’t appear and scanning for wormhole signatures that don’t exist!

Rizavi: Do you think we’ll ever find Honerva?

Allura: No. I think she’ll find us.

[Camera cuts back to Hunk in the kitchen, this time wearing oven mitts.]

Hunk: Okay, it’s been a long day, but I’m finally done.

Kinkade: What is it?

Hunk: It’s an authentic Altean dessert! I’m gonna give it to the Alteans. Coran helped me with the recipe, but I think his memory was, like, a little bit fuzzy, so, you know, I did some improvising. No big whoop.

Kinkade: You did this for them? Why?

Hunk: Well, I don’t know. Because food has a way of reminding people of moments in time. That’s why I made a dessert. Usually, when you eat dessert, you’re pretty happy, right? Who knows? Maybe this’ll help those Alteans remember some moment that made them smile. Something before all this madness. That could go a long way in building a relationship. Well, that’s just what I think.

[Cut to the Alteans in a holding cell as the camera zooms out and pans to face Hunk.]

Hunk: Please, eat. Look, it’s good! Mm, really!

Tavo: You made this? It reminds me of home.

Hunk: Well, I had a little help from someone born and raised on Altea. A-and I know you don’t wanna talk with them, but Allura and Coran know more about your homeland than anyone alive. They were on Altea until its final day. They both would’ve stayed and died to protect it if Alfor hadn’t sent them away. That’s how much they loved it.

Tavo: I heard Altea was one of the most beautiful places in the universe. Did your Alteans ever tell you about the zyo crystal springs outside of the capital? The stories say those cliffs were more beautiful than all of the stars combined.

Hunk: They never told me about them. But I’m sure they’d love to tell you themselves.

[Scene change to Kinkade sitting in casual clothes facing the camera.]

Kinkade: This is Lieutenant Ryan Kinkade, MFE pilot. The time is 2300 hours. Day forty-seven aboard the IGF-Atlas is officially done.

End.

[rueitae]

Writing Roundup 2020

This is a writing reflection I’ve been doing for myself every year for the last four years. Its a positive boost to myself see how far I’ve come and look back on my progress for the past year and look forward to the new year. 

Everyone is welcome to use this same format if they’d like to do the same! 

~~~~~~~

Stats:

Words written:

330,000, which is nearly half of all the words I’ve written on Ao3 in the last three years. 

One Shots Posted (all fics plance unless otherwise stated):

In the Arms of the Ever(pink?) Tree (4463 words)

For the Plance Secret Santa exchange. Post s8 date/not date on a snowy moon. Love confession. 

Birthday Treats (2129 words)

For Pidge’s birthday this year! Domestic family fluff, breakfast in bed, plance kids.

Begin Again (Together) (4805 words)

Canon divergence from before episode one! Pidge and Lance are established dating when alien intervention brings them to where they are supposed to be: with the Blue Lion. Just a brief look into what the AU would look like. 

Common Ground (4521 words)

A treat for my friends who introduced me to Magic Knight Rayearth and pointed out some fun character parallels. There is this beautiful art Arya made to go with it because we’re all trash for both series. Plance meet up with Fuu and Ferio post series for both couples. 

Bonded To You (1808 words)

For the Langstron Halloween Exchange! Established plance with a baby Lance is trying to keep safe from a witch who would take advantage of the child’s heritage. 

It Tasted Good (6785 words)

Pikelavar for Pikelavar Month! The premise is crack, but it's mostly treated seriously. Pike ate the Jewel of Jitan by accident and doesn’t realize it until Haggar finds them. Meklavar gets Protective.

The Remainder of Days (3188 words)

Part of my Bad Things Happen Bingo. Fantasy AU where Pidge is a minor forest goddess and Lance is her neighbor mortal farmer. 

I Love You a Lily More Each Day (3232 words)

Another of the Bad Things Happen Bingo. Canon compliant where Lance is undercover at a flower shop and knee deep in an illegal smuggling operation. 

Lease on Life (4978 words)

This one was also part of Bad Things Happen Bingo and was an experiment. It’s POV of an oldest plance kid, canon verse. Her parents’ Paladin days come back to haunt them one night. Some cute family stuff too in there. 

Ready to Dance (4135 words)

For the Valentine’s Day exchange! Post series. Lance tries to get back into the party scene and Pidge rescues him from a disastrous night. 

Loopholes (5476 words)

Technically I didn’t write this fic this year, but a very kind reader asked if I would post this to Ao3, so it was my first fic of the year on Ao3. It’s Lotura! Originally a gift for a dear friend I’ve had since elementary school. It’s a fantasy AU where Lotor stumbles into Allura’s kingdom needing help. 

Next to Me (7311 words)

Also for Bad Things Happen Bingo, this is probably one of my favorite fics of the year. This is the canon verse AU that went all wrong in s7, and Sendak succeeds in destroying Earth. Lance and Pidge end up not only his prisoners, but also two of the last humans in the universe. Ends open ended, but it became a series in the end!

Into Me (14248 words)

The sequel to the above fic. There are two versions, this and the one below. The title tells all. Lance and Pidge come to terms with their new life aboard Sendak’s flagship and do their best to keep the other comforted.

Into Me (non-explicit version) (7228 words)

Exactly the same as the fic above, only this one is SFW

Sunshine (3831 words)

A Bad Things Happen Bingo! One of my favorite concepts. Canon verse. Pidge gets sick while she and Lance are on a scientific mission. 

Showoff (635 words)

A really short fic for a friend on their birthday, featuring their plance kids!

Respite of the Heart (4181 words)

A fic I have been wanting to write for a very long time. I love the concept of Pidge as a Disney Princess in the sense she has the forest guardian theme and all these animals love her. So there’s some play on that as the Paladins stop for lunch on their journey back to Earth in early s7. Lance comes to a realization and they have a chat surrounded by the animal friends. @anchoredtetherart did a phenomenal piece to accompany it. Please look at it in awe here.

The Hardest Part (3960 words)

For Bad Things Happen Bingo! An AU of the episode The Reunion where Pidge doesn’t return when she’s supposed to. 

A Planned Sacrifice (4988 words)

Another Bad Things Happen Bingo. Canon verse. Pidge assumes that being a sacrifice for the ‘forest god’ is strictly ceremonial and at worst a wild animal. It’s actually Sendak, who no one has seen since Shiro shot him out of the Castle. He remembers Pidge and is far too pleased to see her again, tied up on a silver platter. 

Almost Forgotten, but Not Gone (3946 words)

Bad Things Happen Bingo. AU sometime in s1 where Haxus isn’t as dead as Pidge thought. 

Touch (7519 words)

Written for the Lance Goes Boom bang! It was inspired by @fenixseraph ‘s amazing art here! It’s a different take on The Way Forward, where Pidge and Lance are separated from the rest of the team and placed in their own cell. And the Red Lion causes issues. 

Chaptered Fics started/added to:

Wolf In Thieves’ Clothing (4516 words)

An AU of The Castle of Cagliostro from Lupin the Third series. Lee, you have my thanks forever for making me watch this finally. Pidge is a literal princess whose kingdom is in the middle of an internal coup. Lance is a gentleman thief who rides with his best buds Hunk and Matt. Their paths are destined to cross again when Lance goes back to the castle he used to call home. 

Game of Love (4593 words)

The most crack of the bunch. AU of Fall the of the Castle of Lions where Sendak and Haxus get away with it all. Pidge and Lance are prisoners on Haxus’ new ship, and Lance finds an opportunity for eventual escape when he learns that Haxus has a crush on his second in command. Operation matchmaker begins. (happy ending planned for all)

What Tides May Bring (20704 words)

Collab with the fantastic @anchoredtetherart for MerMay! Established plance as mermaids and guardians of their elements with adorable mer child. Then angst because they are all captured by a ‘research’ institute. 

Seasons of Magic (16546 words)

I actually added a chapter this year! Ongoing collection of one-shots with mage Pidge who lives in the country and cultivates her plant magic and makes potions with the assistance of her dragon familiar, Lance. Mostly domestic fluff. 

Too Soon and Not Soon Enough (11438 words)

Added another chapter this year to my Keith-centric AU. It’s basically VLD but five years early and they’re all literally child Paladins. Keith gets to meet Krolia earlier and its fun to go into tween friendships as they try and navigate the reality of their situation. 

Seeds (48833 words)

Added a ton earlier this year. A collection of plance fics all or mostly under 500 words. All meant to be adopted by others if interest strikes. Covers many genres.

Chaptered Fics Finished:

Resolve to Fly (75799 words)

Written for the Pidge Angst Bang. My artist @alchemie0 did an outstanding job capturing the feel of the fic. Look at the art here! Canon verse AU where Pidge encounters Haxus, who has crashed on Earth. She helps him repair his ship in excitement and good faith, which he pays back by kidnapping her. For two years she survives as little more than a housepet on Sendak’s ship. Gen.

Who's Protecting Who? (28989 words)

Also technically not written this yeah, but posted. A collab with Hush waaaay back in 2018. It's a plance Altean AU with Pidge as distant royalty and Lance as a bodyguard.

A Dish Served Cold (21533 words)

Finally finished this one! Canon verse in which Pidge accidentally runs into Sendak on an isolated planet. Sendak takes advantage of this encounter and tries to return to the Empire with her in tow. Much Pidge whump. Gen

Reflections: 

Best title 

I still really really love Too Soon and Not Soon Enough (11438 words). Because it's too soon for the Paladins to be Paladins, and for Keith it's not nearly soon enough for Krolia to return. It just feels like it has a lot of heart to it. I hope I can keep it going, but my ideas are incredibly scattered for it. 

Worst title 

Touch (7519 words). Yeah it’s a play on ‘Don’t you touch her’ but it feels soooo dry. 

Best/worst last line

Best: This was really, really hard choice this year, but ultimately, making up for the terrible title, its Touch (7519 words) 

“It feels good to escape the ship with all of his teammates, secure in the knowledge that he has a way forward not just as a Paladin, but also with Pidge.” 

- Not only did I manage to fit the title of the episode in there, it's got that hopeful tinge to it and reflects on personal growth both internally and with Pidge. 

Worst: This one isn’t necessarily bad from Begin Again (Together) (4805 words), but it could be better. It didn’t get quite the epic sense I was hoping to pull from it.

“Okay,” he smirks, hand firmly on the throttle. “Operation save Earth starts now.”

Looking back, did you write more fics than you thought you would this year, less than you thought, or about what you predicted?

Definitely wrote way more. Even with posting two fic that are essentially the exact same, I still ended up writing nearly half of my total Ao3 word count this year. (330,000/670,000). Doing Bad Things Happen Bingo was a bit part of that - I was very inspired at the beginning of this year - but also there were many events I participated in (8 total!!) on top of my personal projects. 

What’s your favorite story this year? Not the most popular, but the one that makes you the happiest.

A really hard decision this year, because there are several that make me really happy. I think oddly enough though, it’s Game of Love (4593 words) because of its potential and how much crack it is. It has such whacky rom-com energy to it but also that underlying angst of the situation I can fall back on. My favorite trope to explore is what happens to the characters when they’re captured. I just really enjoy the concept and the challenge to make such a concept believable with minimal suspension of belief. 

Okay, NOW your most popular story.

Using kudos as my gauge (and not counting the chapter fics), the winner is: 

Respite of the Heart (4181 words)

Not surprising because Ivy’s art is STUNNING.

Story most underappreciated by the universe?

I think that’s It Tasted Good (6785 words), the pikelavar fic. Pikelavar is underappreciated in general

Story that could have been better?

For all I was excited to write Sunshine (3831 words), it didn’t quite fall the way I had imagined in my mind. I don’t know if it was the structure or I was running out of steam or what. All i know is that I wanted more but all I could concentrate on was that scene where he’s caring for her in bed. Maybe I was just too ambitious.

Sexiest story?

No brainer it's Into Me (14248 words). Literally. Which really shocked me that it happened. Didn’t think I’d write any smut at all, let alone this year. This particular fic just kinda called out for it 

Saddest story?

The prequel to the above fic: Next to Me (7311 words). How much more sad can you get than Earth being destroyed, being Sendak’s prisoners all while trying to tell each other ‘i love you’ without seeming weird because you’re the last humans in the universe. 

Most fun?

I think it's Ready to Dance (4135 words). Just Valentine’s fluff and impromptu slow dancing in the park at night. 

Story with single sweetest moment?

I’m picking What Tides May Bring (20704 words). Listen, mer Lance and mer Pidge playing with their mer baby in their domestic paradise is probably one of my favorite things I’ve ever written. Dad Lance has my heart. 

Hardest story to write?

The last chapter of A Dish Served Cold (21533 words) was like pulling teeth. I’m pretty happy with it in the end but at the time man it was so hard. 

Did you take any writing risks this year? What did you learn from them?

I wrote smut. It was...weird? But also strangely calming. I wrote more for another fic but it's still a WIP. I definitely need to be in the mood to write it. 

Proudest Achievement:

The Pidge Angst Bang. Resolve to Fly (75799 words). Look at that word count. I only wanted something under 3k at first, so it was just going to be Pidge meeting Haxus. But by the time I finished that part it was already 10k. So even though I was going through a rough part of my life, I just kept going and it ended up being my therapy. I’m really proud of the fic and I love my artists’ pieces. It really lifted my spirits. (You should all really go check out the Ao3 collection of all the bang stories and art they are AMAZING you won’t regret. If you love Pidge angst they are all must reads.)

What are your fic writing goals for next year?

I’d like to finish my Bad Things Happen Bingo card and then focus on my current WIP, that includes the Seeds collection. There are days I still feel a bit overwhelmed, and I’m still trying to find a routine after moving. I’d like to do more events too, but I think I need to be more selective about which ones I do. I don’t want to burn myself out. 

Apart from that, I’d really like to try and give back to the community more. I’d like to start consciously writing fics for others without an event to go by. 

Past Years:

2017

2018

2019

[sasuhinasno1fan]

My starlight- Shallura Week Day 1

I’ve been a big shallura shipper since the start and when it came out that Shiro was gay, it didn’t change as I headcannoned him as pan anyway. I was a bit worried when a lot of people changed their stance and had asked if anyone, his charaecter, creators, anyone had said he was exclusively into guys. If he was, I’d put my ship to rest but still love their very good chemistry as great friends. No one said there was and then I found out through @breezycheezyart​ blog, when I was looking for her Juniberry art to use as inspo for this space related quest I’m doing that’s gonna be a Sailor Moon au, that @shalluraweek​ is still happening. Back in like, maybe the first year, maybe after s2 came out, I saw shallura week but didn’t do it because of writers block, so I’m really happy that I can do this and celebrate one of my fav vld ships. When I was looking for insporation on tumblr, I found a lot of Star Wars art so I decided to go with it. I’ll be honest, I found the Star Wars movies kinda boring growing up but Clone Wars was the only thing I’d willingly sit through, so my info might not be totally correct. Probably cause I love Ashoka so much. Anyway, please enjoy. Star/Sky

Shiro moved quietly across the room, heading for the door when he heard someone call his name.

“Shiro? Where are you going?”

he turned to look at his Padawan who’d only come back an hour ago from hanging out with Senator Lance, the two the same age and equally good at fighting and breaking rules. He needed the distraction after coming back from their last war effort. They’d lost a lot of good men and going up against Sendak, who’d run off again, was never fun. Keith had collapsed into bed once he got back and Shiro waited until he knew for sure he was knocked out before getting up to leave, but it seemed Keith wasn’t as knocked out as he thought.

“The Chancalor asked me to do something for him.”

A lie. Not for a second did he trust Chancellor Zarkon, who always seemed to find a way to insert himself into Jedi issues, but also seemed way too interested in him.

Keith thankfully thought the same. “We’re not that guy’s errand boys.”

“I know, but he does hold the power. I’m sure we’ll eventually find a way to get away from his grip and end the war too. I’ll be back soon. We have shore leave and you don’t have classes, why don’t you join Senator Lance for breakfast tomorrow? You can take Pidge with you.” he said, mentioning one of the other Padawans Keith was friends with.

“Alright. Be safe ok?” Keith said before disappearing back into his room.

Shiro didn’t like lying to Keith, he really didn’t. The kid was a special case, being raised by a Sith Lord who didn’t care much about Keith, willing to turn him into an assassin. He was older than most Younglings but as a newly knighted Jedi himself, Shiro insisted Keith could be trained and offered up his own job if he was wrong. So far, he had the Council eating their words that Keith was untrainable. Break rules? Yes, but only the rules he thought didn’t make much sense to him within the code. Keith might be a special case but he was Shiro’s family. It made it so much harder to keep the secret he had.

He took a speeder to the more costly apartments of Coruscant, where a lot of Senators tended to home themselves when not at their home planets. He easily made his way to one apartment, home of someone who was more than just a Senator. He easily typed in the passcode and walked to the balcony when the door opened. Standing outside on it, was a woman. Her long white hair seemed to shine in the city lights, like it was made of the stars he’d fallen in love with.

“Hey.” he called.

The woman turned, her blue purple eyes widening when she saw him.

“Takashi!” she ran over and he swept her up in his arms. “I missed you. Are you ok? I heard what happened.”

“Everything is fine now. I’m with you.”

Poster boy for the Jedi Takashi Shirogane in a secret relationship to Senator Allura Fara? The scandal, but Shiro could care less. He’d still been a Padawan himself when he and his master had gone to Allura’s planet to try and help them stop in invasion from happening. He was instructed to look after the girl, who was practically royalty, but he quickly learned she didn’t like being protected. While they could argue whether or not she was putting herself in danger, in the quieter moments, they grew closer. Even after they grew older, the invasion stopped and their meeting few, the feelings they’d gained never faded. When they could meet again, it was like they hit unpause and doubled up the feelings. He broke the rules of forming attachments and formed the ultimate one, he fell in love. They were going to marry in secret when the war broke out. They wanted to, badly, but they knew a connection that intense would put them both in danger. For now, only sweet kisses and secret meetings could happen. But once this was over, once he was sure Keith was taken care of and a Knight, he’d leave. He’d leave to Order for her. He didn’t even have to think about it. Unless they changed their views on a few things, he would leave to be happy then force to give up something he couldn’t.

When he could, he’d sneak out of the Temple and come to Allura’s apartment. To most, the two were good friends. The only one privy to their relationship was Allura’s Protocol Droid and Shiro’s former master, who he could never lie to. Here, he could relax away from the rules of the Order and just be Takashi.

He pulled away to look at her, the woman who took his heart. “What about you? Any senators who’s heads you want to rip off?”

“The list is ever growing, but let’s forget about that for now.” she said hugging him close again, hiding her face in his chest, where she always felt safe.

Shiro pulled her close, easily hiding his face in her hair. When he’d first seen Allura, he asked if her hair was made from stars. She’d gone red, redder even when he started calling her Starlight. It was a soft as a cloud inn the sky and smelled like the flowers that grew in this special garden they had always gone to on her home planet. She told him that while they looked pretty, they could also be used to make a powerful parallelizing agent. They were Allura in a flower, beautiful with looks and a warrior with her electric whip and blaster. She might be able to quell rising wars with her powerful speeches, but if there was ever a time she needed to fight, you only needed to point her in the direction. She never felt like she needed protecting, even when every part of Shiro screamed to.

This woman, someone he was willing to turn his back on his teaching for, his Starlight, made him feel like a better person. She was his drive to end the war that affected their whole galaxy. And when it was finally over, he would get on his knee and ask for her to finally be his.

[poor-sickies]

I WANT TO HELP YOU FIGHT YOUR ARTBLOCK!! Maybe an exhausted character who develops a headache and low fever. They're in denial because of not wanting/being able to miss something impirtant. At first the others are oblivious, but then they all get concerned and don't know what to do. I'm thinking VLD mainly because I'm a sucker for langst hehe. But any fandom is good! Just know that the stuff you reblog and do is an inspiration for me and keeps me motivated to write and sketch! Good luck~☆

Ohh thank you so much! Your message made me really happy, I’m glad to know you like my stuff and take motivation out of it!

I’m not quite sure if I managed to go in the direction you requested, and my writing sure is very rusty, but I hope you like it!

*

Lance is almost surprised at himself for how well he’s dealing with this - “well” being a very ambiguous word here.

See, after Shiro’s last lecture about being careful with their health (when just about the whole team had been guilty of downplaying their illness after a strange encounter with an alien toxin), they had all sworn to admit if they weren’t feeling well right away.

But their training with Shiro and Allura really was picking up the pace lately, and the last thing he wants right now is to fall behind.

After his shower yesterday afternoon, after a very intense session with the gladiator, Lance finally realized why he had been feeling off the whole day. His body ached, badly, his limbs heavy and his skin sensitive. He had an headache too, right behind his eyes.

He had the rest of the day off though, so there was no point in worrying everyone right? He was probably just tired.

He goes to bed earlier, despite Hunk’s suspicious glances, and tells himself he’ll sleep it off.

He doesn’t.

Lance doesn’t sleep badly, exactly, but as soon as he tries to get out of bed, a wave of dizziness hits him, and the body aches come back full force.

He stays unmoving for a minute, until the room stops spinning He feels around his neck and forehead with the palm his hand. He’s not super feverish, but he’s definitely warm. Not a good sign.

Nevertheless, he drags his feet all the way to the kitchen for breakfast.

He’s still in his pajamas, and almost slips on the kitchen floor when his fluffy socks slide on the floor.

He manages to grab the back of the chair, ungraciously, and steadies himself, before sitting down. With a sigh, he immediately curls up on himself and lays his head in his arms on top of the table. It’s not the most comfortable thing, but feels so much better than sitting up straight, without all the dizziness that comes with it.

“Bad night, huh?”

It’s Hunk’s voice coming from his left, and sure enough, looking up a little, he can see his breakfast being placed in front of him, and his friend sitting in the chair on his side. “That training exercise yesterday killed me,” Hunk complains lightly, stopping to take a sip of his juice, “I could have slept for ten more hours.”

“Y-Yeah,” Lance chuckles, “same.”

“You’ll feel better after eating something,” Hunk smiles as he pats his shoulder.

Doubt it, Lance thinks, but he attempts a bite anyway. It doesn’t taste like much, but that might be because his nose is clogged up.

Pidge eventually arrives as well, and has her breakfast with them, engaging in conversation with Hunk about some modifications to the Yellow Lion.

The sounds around Lance get mixed and warped, and for a moment he thinks he’s asleep and dreaming. His back shoots up with pain every time he moves, so he tries to stay still.

Shiro and Keith walk in together, after one of their usual sessions at the training room, early in the morning, before breakfast, and seriously, on a usual day Lance wouldn’t understand how they do it, but especially today, Lance just doesn’t get it. The two of them get started on their breakfast, chatting about the gladiator levels.

His headache is a little worse, se he curls up again and lays his head on the table.

“Lance? You okay,,,?” Lance looks up, and Shiro is staring at him intently, spork still in his hand, stopped mid air.

“Hm,” He grunts quietly, “just feeling a little off.”

“Yeah, no,” Hunk’s hand somehow makes its way to his forehead, under his bangs, “you’re sick.”

“Do you think it’s a toxin from one of the planets we were in?” Keith frowns.

“I really hope not,” Shiro considers. After their recent scare, a toxin is the last thing they need.

“Any symptoms out of the usual Earth illnesses?” Hunk asks.

“No, honestly,” Lance answers. “I’m just tired. And my body hurts.”

The four of them exchange worried glances between themselves.

“That sounds like it could be a lot of different things.”

“Either way, he’s probably not up for training today.”

Lance is taken to his room, and ends up with Hunk keeping him company.

“You don’t have to stay,” Lance says, “it’s not like I’m gonna get up and do stuff. I don’t even think I could do that if I wanted to.”

The blankets are tucked in around him, with a couple extra ones on top. It’s comfortable, and at least stops the chills. If he stays really still, his body doesn’t even hurt that much. It’s his head that’s bothering him the most, really, but he can almost close his eyes and sort of ignore it. Almost.

“Nah, man. Just making sure you’re doing okay. We don’t really know what’s going on with you after all. We’re just being careful in case what you have is something worse than the flu.”

“I’m pretty sure it’s really just the flu,” Lance sighs, with his eyes already closed.

“Eh, well… I sure hope so.”

*

Accepting these prompts for small drabbles like this for VLD and BNHA!

[icypantherwrites]

An open letter to my VLD and Langst fans

Hello everyone ♥

I’m not really sure how to start addressing this so I guess I’ll just write and see where it goes (because hey, once a pantser always a pantser ;p). Apologies if this gets super long.

I know I’m not alone in noticing that Voltron has fallen very very much so in popularity since season eight came out (and to be honest, it’s been declining since about season five-ish). Nearly all of the friends and regular readers I’ve enjoyed chatting with in this fandom have disappeared; be it from moving onto another fandom entirely, quitting writing or reading fanfiction (or both), or just vanishing into the night and it really sucks from this end to lose those friendships and relationships.

I’ve noticed a significant decline in engagement on fics. Not just comments (although believe me, those are down too xD) but even just in hits. A fic that would normally generate at least a thousand hits doesn’t even get half of that. An update gets even less than that half. It’s beyond frustrating and disheartening here and I can’t imagine how other authors who are a little less prolific are feeling from this fallout.

Posts on Tumblr, despite the fact I post to over 2,000 followers (a milestone reached the other week, thank you for that ♥), are barely engaged with, not even with likes. 

It hurts me to say it but it’s true.

Voltron is a dying fandom.

There are still pockets of it that are vibrant and thriving to as much degree as they can, but they are not ships I support nor content I’m interested in. The gen fandom, the Langst fandom, the whump fandom, has been steadily fading away. I didn’t want to admit it but I can’t ignore it any longer.

And I understand. The way Voltron ended (like Game of Thrones xD) is not the ending a series that has meant so much to so many should have concluded with. It left a bitter, sour taste in many mouths, turned a nostalgia to a resentment and made fans pull away. Fix it fics and art can only go so far when a fandom has been so alienated by its own kind and there is no canon resolution to fixing anything. 

Voltron has meant so much to me. It brought back my love of writing and made me a much better writer to boot. It introduced me to some amazing people (and although I don’t talk to like... any of them anymore I hope everyone is doing well and has found a passion that is deserving of your talents and time). It and the readers and their comments got me through some really tough spots in my life where I felt very trapped without much light at the end of my tunnel. It’s something that, no matter how much I too disliked many elements of the final seasons, that I do look back on fondly. I have so many good memories of the Voltron fandom, of my own experiences in writing for it. 

I think that’s why I’ve been stubbornly planting my feet and thinking that if I just took a long enough break, if I just published a fic that would resonate with people like Color or Sin did, if I just held on that this fandom would come back.

But it’s not.

And as much as I wish it would, it won’t. 

So what does this all mean?

Honestly, I’m not sure. I still love writing for this fandom, even if posting it is beyond depressing at this point as I see (or rather, don’t) all the people who used to read my fics and aren’t there anymore, the lack of hits on the chapters, the comments, even the Tumblr notes. But it’s no one’s fault. Everyone has just moved on. 

And for right now... I’m still going to stay here. At least for a while longer. 

I have over... probably about 150k worth of fics left to post that are made up of chaptered fics and oneshots. I still have people interested in being a subscriber to my Patreon (to which I say thank you so so much, especially in light of all the medical issues my dog has been having, every little bit helps) and even commissions coming my way. I’ll probably keep writing so long as there’s decent interest over there and since I’m still generating fics via its monthly fic and any commissions that come my way I’ll have things to post on Ao3.  As such I’ll keep promoting it here as it does depend on all of you to keep both it and apparently my fanfiction future alive. 

But anything else?

Probably not.

I had debated doing a round two of a zine, of offering a short story type book of smaller chaptered fics for the holiday season. Not sure anyone would really be interested in that now. 

I’m not sure I’ll be finishing my Season 8 fix-it fic because knowing the lack of audience and reception it’ll get for hours upon hours of work makes me sad. Spending that amount of time writing a fic for an audience that really isn’t there anymore and at this point probably doesn’t care makes me have to re-prioritize.

Fanfiction in general isn’t the part of my life it was a year ago. I don’t read it anymore. I don’t need the comments to buoy me through a horrible work day as I love my new job. I love my coworkers. I’m hoping to retire here, honestly (in 30 years, Godddd, just double my current lifespan xD). If I were to devote time to writing I think it’d be great to work on my novel; not with the desperation of before as I saw it as my only ticket out of the Police Department, but to enjoy writing it and just have fun with it. 

I’ll be here for as long as the Patreon is active and as long as I have fics to post. You might see some weeks where there are two or three fics or updates posted and then a few weeks of nothing as I still struggle with the lack of engagement (even though I know not to expect as much.) I’ll still post on the Tumblr and am still happy to answer asks about Lance and Voltron and writing and whatever may have you. 

I just have to start really acknowledging what this fandom has come to and prepare for what is going to happen. And this letter is starting it off to not just all of you but to myself. 

Thank you so much to everyone who has supported me; both in the past and now. Thank you to those who still do so. 

I’ll see you around.

♥ Icy

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[kcwcommentary]

VLD8x01 – “Launch Date”

8x01 – “Launch Date”

First episode of the last season. This is probably the most romance-centered episode this show has ever done. And, this is the only episode solely written by Lauren Montgomery. The episode is clearly intended to be funny, but I didn’t laugh at much.

There are a lot of issues that can be discussed about this episode, about its own contents, especially the Allura-Lance romance, and about the episode’s relationship to the rest of the series. There’s a lot in this episode that bothers me.

The episode begins with some kind of meta commentary from this show about the original Voltron. I can understand VLD doing something like this as an homage to the original, but I, having not watched much of the original, don’t know if this particular homage works or not. Pidge is watching a cartoon that is, in-story, a production that has been made in wake of humanity learning about the existence of and being saved by Voltron last season. The show Pidge is watching is a short clip from the original Voltron animation.

In a medical bay, faceless medical personnel (I thought their faceless visual design last season was creepy then too) are tending to the Altean found in the wreckage of the mecha from the end of last season. Allura is watching from outside the room, and Romelle steps up to her, saying, “You know, back on the Colony, Luca and I didn’t always get along.” So, Romelle knows who this Altean is. Romelle gives us an expositional assessment of what Luca’s supposed qualities were, “inner strength,” “a desire to be a part of something greater than herself.”

The show presented the culture of the Colony to be very much a cult, but the show hasn’t really followed up with that and examined Romelle from that perspective. She’s just now become another regular Altean without really having to do anything to change. Even if she was the least cultish of the Colony Alteans, she still would most likely have to wrestle with the effects of growing up in a cult. This show has never demonstrated itself to be capable of dealing with big, heavy topics like that, so I don’t know why I would expect them to do so.

Allura responds to Romelle, “If she was so desperate for something to believe in, it may have made her susceptible to being manipulated.” The show has never given us any conversation between Allura and Romelle for the two of them to discuss what the Colony was like. Does Allura even realize that the Colony was a cult? Romelle’s characterization of Luca almost has a propagandistic quality to it. That description very much can apply to someone who has always been a zealot, then and now.

Hunk and his parents (and Sal from Vrepit Sal’s in the background) are in what looks like a mess hall. It’s a short, overly saccharine moment. “Your father and I are just so proud of you, saving the universe and all,” his mother says. That line feels so unnatural.

Hunk sits down with Lance, who’s clearly mentally elsewhere. Hunk expositions that the following day is the titular launch date. Launch Date also serves as a pun referencing the date that Lance and Allura go on in this episode. It’s more thought than most of this show’s episode titles get, and I kind of like it. At first, I thought Hunk could tell Lance was upset and was trying to distract him. Hunk riffs on the difference between the characters in VLD and the characters in the in-story TV show that Pidge was watching. But then when Hunk talks about the TV show hinting a romance between Keith and Allura, Lance reacts with instant, angry jealousy. Is Hunk really that oblivious and unable (or unwilling) to recognize his supposed friend Lance’s emotional state?

Hunk eventually realizes that Lance is talking about something real, “Oh, that’s right, you said you were going to ask Allura on a date. You asked her, didn’t you? Oh, and she said, no. And here I am rubbing your face in it.” Lance says she didn’t say no because he never asked her. Is this supposed to be demonstrating character growth for Lance? The guy who literally flirted with Allura the first time he ever spoke to her is too unwilling to ask her out now? It feels out of character for him. He’s been super open and publicly demonstrative of his interest in Allura before now.

Shiro is leading a “final briefing” before the launch tomorrow. At the end of the meeting, Shiro says, “It’s our last night on Earth, and we’ve got a lot of hard work ahead of us. We may not be back home for years, so I’m ordering you to take some time for yourselves. Be with the ones you love. You’ve earned it.” Of course, what he says makes sense. What bothers me is that this show wrote him to say it, but we don’t get to see him doing it. The only person Shiro has that could count as a loved one is Keith with their previously depicted but now ignored friendship. And it’s not like Keith was busy with someone else this night because the show eventually reveals he’s just sitting alone on top of the Black Lion with Cosmo. Why in the world did Shiro and Keith not hang out together? It makes it feel like the EPs and writers of this show, because they revealed Shiro to be gay, became too afraid to have Shiro have any friendships, including ones that had already been established.

Lance goes to ask Allura out, and he’s uncharacteristically shy and dorky around her. If this had been how Lance behaved for most of the show, his interest in Allura throughout the show might not have been so obnoxious. But because he so specifically was overbearing in his flirtation and aggressive in his jealousy, the way he’s behaving now does not feel consistent with how he’s been written before. Lance is so casual that Allura says she has to get back to what she’s busy with, and Lance lets it be until Hunk literally kicks him into Allura. Lance then finally, with a tremendous amount of hesitancy, asks her out. He asks her to come have dinner with his family. Allura says she can’t, but Romelle pushes her to do it. The instant that Romelle starts to talk Allura into it, Lance seems to return to his regular overly aggressive self. What happened to him so fast?

Especially with this season added to the show, it really feels like the creative team never really could settle on how they wanted to depict Lance. They had the one-characteristic bullet-point that they’ve used to describe him in-show before and do so again here: “Loverboy.” They knew they wanted him to fit under that label, but they couldn’t elaborate on what that would mean for him specifically, so he’s written inconsistently throughout the show because of the creative team’s inability to unify behind any detailed description of who he is. It’s disappointing because Lance could have been such an amazing character. There were definitely times where he could have been used to examine some big issues, particularly if the show had ever had him grow out of his insecurities to a place of confidence. But aside from this episode and once with Keith in 3x06 “Tailing a Comet,” Lance hasn’t really made his insecurities public. And in having him get with Allura, the show kind of feels like it’s discarding his insecurities entirely. That sends a dangerous message: that it’s a woman’s responsibility to make a man feel secure in himself.

That’s one of the biggest issues with the show writing Lance and Allura ending up together. Throughout the show Lance has expressed interest in Allura, while she has repeatedly demonstrated no interest in him. There has been a little bit of movement on Allura’s part toward interest in Lance: 6x01 “Omega Shield” when Allura left her Lion to go to Lance’s and use her magic to heal him (though some viewers think so, I am not of the opinion that Lance died in that episode), and then in 7x10 “Heart of the Lion” when Allura initiates a brief conversation with Lance before going on a mission. There hasn’t been any movement on Lance’s part to consciously recognize his prior overbearing behavior to have been inappropriate and him changing the way he behaves toward Allura as a result. Because of this, the show effectively gave validity to the argument behind the Nice Guy trope. That all guys have to do to receive the attention of a girl they’re interested in is keep at her until eventually she realizes he is what she’s wanted all along. This show never criticizes Lance for this behavior, and instead rewards him for it. It’s a dangerous message for this show to send its younger male audience because it teaches them to not respect when a girl/woman tells them no. I’m not against the premise of an Allura-Lance relationship, but it really needed to address Lance’s overbearing flirtatiousness and jealousy (or better yet, not have written Lance to have been so jealous in the first place).

Pidge is working with Beezer in a hydroponics room. Allura and Romelle come in to ask for help preparing for Allura’s date with Lance. Romelle specifically asks about clothes. Pidge reacts, “A date? With Lance? Weird.” What’s weird is that line. Why would Pidge think it was weird? The show never actually explains Pidge’s reaction here. Allura asks Pidge to help her get a date outfit, and that’s when Pidge’s mother speaks to mock Pidge’s clothing. Pidge suggests the mall, but she says she can’t go because she’s grounded.

Colleen says, “She’s grounded because apparently my daughter thinks that running away from home and galivanting off into space without her mother’s permission is an acceptable activity for a 15-year-old.” The show thinks Colleen’s statement is funny. It’s not funny at all. One, who is Colleen to speak, considering that she should be in prison along with Sam for breaking the law in 7x07 “The Last Stand Part 1.” Two, how are we viewers supposed to think Colleen has any credibility when she says Pidge has been “galivanting off into space?” Does Colleen not remember Earth being invaded and occupied by aliens for three years? Does she not realize the danger her daughter has been in while trying to fight this war against the Galra? Does she not realize that without Pidge’s actions, Matt and Sam wouldn’t have ever come home? “Galivanting off into space,” why in the world did they think it was okay to write Colleen like this? I think this demonstrates a big part of what has been wrong with the writing for most of this show: This show has been more interested in writing particular moments without any concern with how those moments clash and conflict with previous writing. There is no way that a mother would react upon learning their child had been fighting a war by acting like that child was running around having fun the way Colleen does here.

Pidge rants and screams at her mom. There is a justification to Pidge’s reaction, but the scene plays her anger for humor. And then the scene, again, thinking it’s funny, has Colleen’s eyes and voice affected evilly as she says, “Not on your life, young lady.” Colleen scares Beezer in the process. It’s disturbing that the creative team for this show thought this was funny.

Allura asks Colleen to please let Pidge help her, and Colleen instantly switches, saying, “Alright, but only because I know how much Katie hates shopping for clothing.” Ugh.

The show could have had a really good moment, had they chosen to do so, in having Colleen and Pidge talk about Pidge’s experience and Colleen’s worry over her whole family being missing. There is emotionally significant content to what this family has gone through. But the show never had the skill to deal with any content like that. Instead, they have a weird, jarring “humor” scene like this instead. It just does not work.

Sam is told that Luca is conscious. And it’s a really short scene.

In addition to Pidge, Allura and Romelle have the female MFE pilots join them shopping too. I can’t help but feel that this episode is totally reinforcing stereotypical female behavior. The girls are going shopping for clothes for a date. This episode is a severe reinforcement of traditionalized gender norms, and it feels like the show wanted to write and depict the stereotype, like they thought actively including the stereotype was somehow interesting. It’s not. It’s actually kind of cliché.

Rizavi says that she “loves shopping.” This is the closest thing to being a characteristic that this show has given Rizavi so far. Leifsdottir replies, “It’s a primal urge from when collecting and gathering was a means of survival.” Well, that’s a hypothesis, but it is still gender reductive.

Pidge sees a video game some street vender has on display. Rizavi is also interested. The vender wants to barter, and Pidge and Rizavi are seemingly baffled by the idea. Did they not come prepared to shop? Is it specifically that this guy wants to barter? No one offers him money though, so it’s like they have no way to shop at all. Rizavi tries to guilt the guy into giving it to Pidge because of Pidge being a Paladin. I didn’t realize abusing a position of power like Rizavi is trying to do here, was a heroic way to behave. The vender only knows of the Paladins through the TV show. It was only a few months ago that Voltron helped liberate Earth, and the Paladins’ involvement was very publicly referenced, so his only thinking of the Paladins as a TV show is unrealistic. The vender offers her the game because his daughter loves the TV show and he’d like an autograph. Pidge then starts affecting her voice like the character in the TV show. It’s so weird. Rather than actually sign an autograph, Pidge draws her face. She then continues to use this method to acquire things throughout their shopping. She’s using people thinking of her as the actor on the show rather than as herself, so this is all fraud. Is the entire Holt family made up of criminals?

The show clearly thinks this is all funny. I’m not even slightly laughing. It’s just weird.

Meanwhile, Lance goes to talk to Coran. Lance tells Coran that he’s going on a date with Allura, and Coran is instantly aggressive, dismissing Lance for not being royalty nor Altean. Who knew Coran was both classist and racist. Lance says that he doesn’t think Allura thinks like that, and Coran responds, “It’s not just about Allura. Did you even acquire permission from her primary guardian?” Ugh! This episode really is putting a lot of effort into not just reinforcing traditionalized gender norms but into those norms being fundamentally patriarchal. The idea that a boy has to ask an older male who controls a young woman if he’s okay with the boy dating the girl is absolutely patriarchal. And this episode was written by Lauren Montgomery. The show can’t even hide behind saying it was some ignorant straight, white guy who wrote this. I guess we shouldn’t be surprised that Lauren Montgomery has said that killing Allura was a feminist act of writing if this episode is what she wrote in her one, solo writing credit for the show.

The only thing that’s even slightly interesting to me about this scene is that Coran redressed his room to include a giant portrait of himself and Alfor above the mantle. During the time before season seven when I would let myself dream about the idea that this show might include a character who wasn’t straight, I actually thought they might could do so by having Coran having been attracted to Alfor but never acting on it. It would be a way for this show, like other shows have done, to claim inclusion without actually having to do any real inclusion by depicting any non-straight character interaction. It would have been cheap and the bare minimum of inclusion, but I’ve lived in a homophobic world so long that it’s about as much as I expect from straight writers who pretend they care about inclusion. But then Shiro was revealed as gay, as poorly as that whole element of the show was handled, and the show proved that there are other ways to claim inclusion without really actually depicting it.

But now this leaves me questioning. Is this portrait supposed to be some subtle way the show was trying to hint at Coran being gay? Or is it just supposed to be funny without an actual thought about what it actually means? It’s like the portrait is saying that Alfor and Coran were Allura’s fathers. As much as I would have loved for Allura to canonically have had two fathers, not just one biological father and one close friend of the family who serves as a surrogate father after the real one dies, this does emphasize how this show has totally neglected to include Allura’s mother in her life. We’re in the eighth season of this show, and it’s almost like she didn’t have a mother. I know there’s a bit of illusory dream sequence in a later episode, but Allura has never spoken about her mother, so it’s like they didn’t have much of a relationship. But if they didn’t have a relationship, I still would want that detailed. As for this portrait, it feels like the show is using queer identity here as a joke gimmick. If this portrait was revealed to have a bigger, more respectful meaning, I would like it more. I like the portrait but only because of what potential I can see in how it could have been used in the show. How it actually is used, though, seems to be nothing but as a joke.

Coran makes Lance argue his qualification to be allowed to date Allura. Reinforcing the patriarchy is so much fun. Sigh.

The girls meanwhile have gotten a lot of stuff in their shopping. The clothing options they try for Allura are supposed to be funny, but it just seems like a cliché trying-on-clothing scene to me. The shopkeeper seems to be the Unilu that Coran dealt with in both 2x07 “Space Mall” and 4x04 “The Voltron Show!” Pidge tries her autograph fraud, but the guy says no. Allura says she could give him a “royal decree of service from the crowned princess of Altea,” but then seems instantly dejected, like she doesn’t see herself as the Princess of Altea anymore. There is something meta interesting about how this show has let Allura’s status of being a princess no longer have any meaning.

The Unilu sees Pidge’s game and offers the outfit for the game. Pidge gives it up for the outfit, and Allura hugs her and thanks her. I love Allura’s reaction. I don’t understand why Pidge did it though. Yeah, yeah, friendship and all that, but the episode doesn’t do anything to show this plot as being Pidge and Allura bonding with each other. Maybe if it had just been the two of them shopping, it might read like that, but with the whole group it doesn’t. It’s clear that Pidge feels she’s giving up something, but the episode fails to explain why she’s willing to do it.

Sam asks Coran if Romelle could help speak to Luca. Coran says, “I’ll see if I can find her.” This is not Coran’s voice actor speaking. I don’t have the best ear to spot moments like this when a character’s voice does not match their normal voice actor, but I know that some within the fandom have suggested there are quite a few moments like this in season eight. This is definitely one such moment. This line is not Rhys Darby’s voice. (Anyone reading this, please feel free to point out other instances this season where the voice of a character doesn’t sound like their voice actor.)

Cut to a sunset scene. The music for this sunset scene is the same as the music from 7x01 “A Little Adventure” during the flashback with Keith and Shiro watching the sunset. This is another part of why it offends me that this show didn’t have Shiro and Keith hanging out together. Shiro had told everyone to spend time with people they cared about. Here Keith is by himself when he could have been hanging out with Shiro. They’re supposed to be super close, after all. And the show has the audacity to use the music of a scene that was part of the exploration of why and how Shiro and Keith were so close, and instead now have Keith alone and joined by Lance. Maybe the reuse of the music is just more evidence of how badly produced this season was that they didn’t bother getting new music, that they didn’t think through reusing old music, ignoring how repeating themes has an explicit effect on the interpretation of a scene? I mean, after watching this show enough, analyzing what I have, reading the analysis others have written, I can’t help but to question the competence of the executive producers and their creative team. Maybe they really were ignorant of the use of music in film and video series. Or maybe in reusing this music, they were making a statement about no longer caring about the relationship between Shiro and Keith. We know that the EPs always had a preference for Keith and only ever saw Shiro as a something to have Keith narratively step on in his ascendance to the position of main character of the show. Maybe to them, this music is only Keith’s music, and they don’t recognize the music as an expression of Shiro and Keith’s relationship. Maybe using the music again here, unassociated with Shiro, was a homophobic action on part of the EPs and their creative team in trying to distance Keith from Shiro now that they had written Shiro as gay. Or maybe they just didn’t put much thought into the implications of using this music in this scene. They haven’t demonstrated themselves to be all that willing (or capable) of thinking through the implications of their creative decisions, after all.

In short, I really, really do not like this scene.

Lance is wearing pots and pans all over his body. He says Coran is making him wear it for his date with Allura. It’s supposed to be funny, but it’s not. Keith reacts, “A date? With Allura? Well done, Lance.” I’m sorry, what? The show seems to consider a guy getting a girl to say yes to him is an achievement on the guy’s part. He’s done something well by finally getting her to say yes. “Well done.” Ugh. Allura is a person, not an achievement.

Keith tries to reassure Lance that if Allura’s dating him that it’s because she likes him. This development between Lance and Allura just does not feel natural to me. It could have, but the show was too lazy to do the work to deal with the baggage that comes with having spent so long writing Lance to be hyper flirtatious and instantaneously jealous.

Keith says, “That’s why we’ve got to end this war. And we’re going to do it with the Lance who’s the Paladin of the Red Lion, the Lance that’s always got my back, and the Lance who knows exactly who he is and what he’s got to offer.” There really hasn’t been anything to explain a change in Lance no longer having a problem with Keith. It’s like once 7x06 “The Journey Within” was done, the show decided to pretend that that plot solved whatever contention there was between Lance and Keith. Part of the problem is that the show never actually explained where that contention came from. They were supposedly rivals, but why? I think their being rivals was more bullet-point characterization. The creative team never bothered to develop an explanation for themselves, so there was never anything to include in the show to explain it. Their rivalry extended no further than just saying that they were rivals. Keith says that Lance now “knows exactly who he is and what he’s got to offer,” and this sounds like they intend this to reference Lance’s insecurities, but the show has not actually resolved those insecurities. It’s just more of this show having important character stuff all occur off-screen.

The scene clearly was meant to be interpreted as emotional and demonstrating friendship between Keith and Lance, but there are too many holes in the scene for it to actually feel like that to me.

Allura arrives at Lance’s family’s house. I actually really do like the clothes Lance is wearing for this date. Allura is reduced to her appearance by both Lance’s mother and Lance himself by how energetically they comment on her appearance as she walks through the door. Their reactions to Allura are just too forceful.

Lance has on-screen identified himself as being from Cuba. I found it odd that back in 7x05 “The Ruins,” Lance calls his grandmother “meemaw” instead of abuela or abuelita. Here, he calls his grandfather “Pop Pop,” which does not seem like what a Cuban boy would call his grandfather. Veronica also calls their grandfather “Pop Pop.” I don’t know Cuban culture well at all, but even still it seems off to me. It makes it feel like Lance has only ever been Cuban in name only.

During dinner, Lance’s family spends a lot of time mocking him. This could very much be an origin for most of Lance’s insecurities. He’s clearly upset as they laugh at him. We’re told by one of Lance’s relatives that the only reason Lance is being allowed to sit at “the adult table” during this meal is because Lance invited Allura. It really doesn’t feel like Lance’s family values him. This scene is supposed to be showing to us the big love Lance felt was missing all the times throughout earlier seasons he expressed sadness over being so far apart from his family. But this doesn’t feel like a loving family to me, and Lance is not reacting in any way right now like he’s okay with how they’re behaving. His arms are crossed, and he’s scowling. They’re clearly making him feel bad. And I get the impression that we’re to interpret this as how they normally treat him. So then, if his family picks on him so much, why would he miss them so badly earlier in the show. It does not feel consistently written whatsoever.

Veronica hints to Lance that she’s interested in Keith, and Lance very loudly and animatedly objects to the idea, and it’s really weird. Did the show not just immediately prior to dinner give us a scene in which we’re supposed to interpret the rift between Lance and Keith as resolved? Where is this spastic reversal coming from?

As an aside, Lance’s mother tells Allura, “Lance never brings girls home. You must really mean something to him.” Allura says, “That’s strange. He always gave off the impression of being rather popular with women.” His mother replies, “He gets that from his father. It’s all talk. But if you can get past that, you’ll find a good boy with a big heart.” Wow. So, Lance’s father is hyper flirtatious and aggressively jealous too? That is not a healthy mentality for this show to be normalizing like it is. And to have Lance’s mother excuse that behavior like it’s okay for a man to behave that way is appalling. The line, “if you can get past that, you’ll find a good boy with a big heart,” is the show saying that it’s a woman’s responsibility to make herself not have a problem with a guy who flirts with nearly every woman he sees and gets aggressively jealous over her. This is just so wrong. And that this was written by a female writer makes it even more disturbing.

Veronica leads a toast “to family,” and even Lance, despite having been picked on, is happy about the toast. Allura, however, is saddened by it, and Lance notices.

Meanwhile, Romelle talks to Luca. This is the one scene of Romelle’s in the entire series that I actually really like. This scene hints to me at what Romelle could have been to this show had she been written well. The scene first reestablishes that Romelle knows Luca personally as she starts the conversation. Romelle says, “I’m so glad to see you’re alright Luca. We can help. What happened to you, where’s the Colony?” Luca rejects Romelle, saying, “So you can betray them yet again? You abandoned us, Romelle. And for the Paladins of Voltron! The very ones who killed our savior, Lotor!” Romelle is shocked at Luca’s reaction. Luca continues, “You’ve sided with the Great Destroyers! She told us of their lies! She’s going to fix it all! She’ll reunite us with Lotor! With Altea! You don’t stand a chance against Honerva!”

And then Luca gasps, there’s a flash, an outlined shot of Honerva’s face, and Luca falls over dead. Seems like Honerva killed Luca from a distance with her space magic to keep her from talking anymore. There’s a shot of Honerva, like so much of this show, still weirdly standing in the middle of an empty room. So now, the episode has confirmed where Luca came from, that her attack on Earth at the end of last season had at least something to do with Honerva, thereby setting Honerva up as the final big villain of the show. I have never really found Honerva/Haggar interesting. But, I guess, at least the final main villain being Honerva does sort of stage the conflict as Honerva versus Allura, space witch versus space witch. Honerva as a foil for Allura is a good structure for the show. I don’t think the show does well exploring that foil parallel though because none of what Honerva does is related to any of Allura’s character motivations. The best villains in stories are ones who are directly connected to the protagonist’s goals. This show doesn’t give Allura any goals other than stop the Galra though. The protagonist-antagonist contention for this season, and really most of the show as a whole, is barely existent. The story would have been far stronger if the protagonists had had clear goals.

Lance and Allura go for a walk to a park. They look at leafless trees. Lance says, “This place used to be so beautiful,” and Allura responds, “It’s my fault the Galra did this to your home.” We’re not told where in the world they are nor what time of year it is. Given this bit of dialog, I think we’re supposed to interpret these trees as dead. But my first thought was that it was autumn, and the trees had lost their leaves. Lance tries to reassure Allura that it’s not her fault and that he’s glad to have met her. Allura touches the tree and does a hand-glowing thing. The tree glows, grows, and all the plants around the park gain leaves. So, again, we were supposed to interpret the trees of this park as having somehow died, right? And she just brought them back to life? Or did she just make them gain leaves in the middle or depth of autumn?

Allura says that while Team Voltron was out in the universe fighting the Galra, “I somehow felt like we were a family.” Of course, the show never really depicted them as being a loving family. Most of the characters always were angrily yelling at each other. “Each of us was alone, but we were alone together,” she says. Clearly, the writer thinks this is a poignant line, but, while it does have a certain truth to it, it’s not a flattering one. Being “alone, but […] alone together,” isn’t being a family. It isn’t being friends. It isn’t a close bond. It’s a statement that though they had to work together, they never actually were close to each other.

“But now, here on Earth, I see that everyone already has a family.” Well, Shiro doesn’t. Not that this show cared about addressing that because that would require the EPs and the writers to care about Shiro. It’s also really weird to have Allura talking like she doesn’t have a family, when the show very explicitly visually juxtaposed Allura being visited by Coran and Romelle in the hospital at the end of 7x13 “Lions’ Pride Part 2” with Hunk and his family, Pidge and her family, Lance and his family, and even Keith with Krolia and Kolivan. Why is this show suddenly having Allura discard Coran as part of her sense of family? This very episode had Coran acting as if he were Allura’s father. Having Allura act this way now is so out of place.

She continues that they have “a home to return to once the war is over. Everyone except me.” I can totally understand her being sad over Altea being gone. That is totally reasonable to bring up. It has an unfortunate dimension given what happens at the end of this season though. The season opens with Allura lamenting not having a family and a home to return to after the war is over, and then ends the show by having her give up her life, rebooting all existence, restoring Altea to existence, but she doesn’t get to benefit from her work. She doesn’t get to go home.

Allura’s story this entire season is hugely depressing, and I remember the first time I watched this season feeling that Allura herself was deeply depressed the whole time. That’s not a good message for the show to send either: If you’re depressed, then the only way out is dying.

“It’s silly,” she continues, “but I used to think that the team relied on me.” It once did, back in seasons one and two. But then the EPs wanted Keith as Black Paladin more than anything, and that put Allura in the Blue Lion, and ever since, her position of leadership has been eliminated. She just follows orders from Keith now. It makes me mourn for what Allura could have been if she been written with respect and a desire to show a strong female character in a position of leadership instead of reduced to a magical person of color who has to give up her life to magically fix everyone’s problems. In past commentaries, I have referred to Allura’s previous position of leadership on the Castle of Lions as being like she was an admiral overseeing the fleet. Imagine what it would be like if she was in command of the Atlas, not as Captain, but as an Admiral. Imagine how she could have been written such that Sanda was another foil to Allura, and with Sanda gone, Allura filling that void in fleet leadership.

Allura says that she gains strength from the Paladins. I mean, sure, that should be blatantly true by this point in a story with a found family theme, and it should be true for everyone about everyone in that found family. I don’t think that it is anywhere near fully realized though.

Lance tries to assure her, telling her that she’s not alone. “I don’t care that this is only our first date, Allura, I love you.” Really? This show went there, having Lance say “I love you” on the first date, and the creative team of this show didn’t think there was anything wrong with that? It’s at least notably immature of him to have done so. That the solution to a woman having complex emotions and thoughts about something is to just tell her “I love you” and everything is solved?

In response to Allura’s asking, “You truly feel that way,” Lance takes Allura’s hand and makes her touch his chest and says, “With all my heart.” It’s a little cliché, but it’s still way too soon. Against a glowing background, Lance and Allura, in silhouette, kiss. I wonder if this kiss was added late into the production because the animation is stiff and a little jerky and feels really different to most of the show’s animation.

So yeah, their first date and Lance has said “I love you” and they’ve kissed. On the first date. Now, I know this show doesn’t have the patience to build up a story over time, the show has taken so many narrative short-cuts, but this is just too damn fast. It just feels like there’s something missing to get to this point.

Beezer arrives for some reason. He takes a picture and gives it to them. Why is Beezer in the park? There definitely feels like there’s something missing.

Allura arrives at her room, and Coran and Romelle are waiting for her. Cut to the meeting room, where the three of them are talking to Shiro. Allura says, “If Honerva sent that beast, then our mission must change.” Shiro says, “No, we have a plan and we need to stick to it. If Honerva is behind this, then I’m sure we’ll find her along the way.” Allura follows up, “Or she’ll find us.” It is interesting that Allura’s instincts were very much right here. I wonder how much difficulty they could have spared the universe (and other realities) if they had altered their mission to actively looking for Honerva.

The time has come for the team to leave, Voltron and the Atlas. I like getting another shot of the scale of the Lions next to the Atlas for comparison. I do very much like the design of the Atlas ship. A huge crowd is there to see them off.

I’ve seen people point out this animation error before, and I want to point it out again because it’s odd. In the first shot behind the Paladins and crew on the stage, from center stage outward, the Paladins are standing Keith, Lance, Allura, Pidge, and Hunk. Then in the next shot, a reverse shot, from center stage outward, it’s Keith, Allura, Lance, Pidge, and Hunk. It’s odd that Lance and Allura are flipped from one shot to the next.

Sam starts a speech, and then Keith takes over. Allura then takes over from Keith. There’s a montage of Hunk hugging his family and Lance hugging his. One of Lance’s family hugs Allura such that he lifts her off the ground.

Then Shiro takes over from Allura. “Each of you have given something to this fight. Many have been lost, but not in vain because through their sacrifice, many more will live on.” The memorial wall of the dead of the Garrison is shown, and then a close up of Sanda’s placard. Why in the freaking world would they chose to juxtapose Shiro’s statement with Sanda’s picture instead of Adam’s? That’s really offensive and shows how little this creative team actually cared about Shiro and Adam and the inclusion of a queer relationship on the show.

The Atlas launches. I have to agree with others who’ve pointed it out, the way Shiro is standing in the shot of the camera looking over Team Voltron from behind on the bridge of the Atlas does not look like Shiro’s posture, it looks very much like how we’ve seen Allura stand many times before.

The music during the launch is nice.

So, that’s the first episode of the final season. It’s very much a different kind of story than most episodes of the show. There is a lot of focus on relationships of various kinds. The Allura-Lance romance is most prominent, and it’s really uncomfortable. It just amazes me that a story that so strongly reinforces traditional gender norms, patriarchal family structures, and rewards a male character with success through the nice guy trope was written by a female writer.

[nomadicism]

For someone wanting to get into the voltron franchise, would you suggest watching Golion (and Dairugger) first or DOTU?

Hi Anon! Thank you for the Ask!

This is a hard one! I think it would depend upon whether or not someone (you?) already enjoys anime with subtitles, and if one has a lot of patience and time. There are 124 episodes total for DotU, 72 for Lion Voltron, and 52 for Vehicle Voltron. Both Golion and Dairugger XV have 52 episodes, and good luck finding the final 16 of Dairugger XV in DVD quality with the official subs (more on that at the very end)†.

All together that’s 228 episodes plus the Fleet of Doom TV special. That’s A LOT of watching. Note, that Lion Voltron has 20 more episodes than Golion, this is because completely new episodes were made to create a second season after the show did so well. Alas, they couldn’t compete with all of the other toy-hustling cartoon shows, so the Lion Voltron story ends on an odd note with some un-resolved story, unless you count the Fleet of Doom TV special as the official ending of the story.

So what would I suggest?

Option 1: If you love anime and have patience and time, then I’d recommend watching Golion, then all of Lion Voltron, then Dairugger XV, then Vehicle Voltron, and then Fleet of Doom.

Option 2: If what you really want to focus on is Voltron, then don’t bother with Golion. Watch Lion Voltron and Vehicle Voltron and Fleet of Doom, and then decide if you want to check Golion and Dairugger out.

Option 2 is kind of self-explanatory, so I’ll break down why you might want to go for option 1. Mostly, it’s that I think it would be really interesting—as a first time viewer—to watch them back-to-back so you can see what was changed, and hopefully appreciate the work that went into DotU, especially Lion Voltron. It also brings an extra meta-meta perspective if VLD and Tumblr memes were your first introduction to Voltron.

Example above: The praying Keith meme comes from a scene that was partly cut for Lion Voltron due to religious connotations. In Golion, it’s a serious and—in my biased opinion—a very touching scene for Akira that reveals his spiritual nature. Being in touch with traditional Japanese beliefs, is part of his character (and arguably, an important team leader trait for the genre). It makes a lot of sense in context, but you’d never get that from DotU.

Speaking of work—a lot of work went into making Golion work for an American kid-friendly audience—from what I recall, they didn’t even have proper scripts of the original b/c they weren’t expecting to get Golion, they thought they were getting Mirai Robo Daltanius instead! I love DotU, but it’s campy and some parts don’t age well. I’m not sure what I would think if I were to watch it for the first time today as a teen or in my early 20s. You kind of have to go in expecting to laugh and cringe-cry at the weird stories that your oddball drunkle tells when he stops by once a year (not the whole thing, but there are some moments…)

It’s still a good story, but they don’t construct stories this way for animation anymore, and this was a time when broadcast rules were very strict for children’s TV. So if you’ve not watched a lot of 80s broadcast cartoons, then it’s gonna feel weird at first. Also, things were cut/censored (some obvious to cut, others less so): there’s a crucifixion scene, any-and-all references to religion, any time someone dies the dialog will mention something about robots, “Set your guns to maximum stun!”, “Wow! He sure escaped there fast!”, etc. You could play a very deadly drinking game with the obvious coverups.

Above: Cossack the Terrible is more camp than menace.

It’s worth watching all of Lion Voltron just to get to the made-for-US episodes where they introduce Merla and Cossack. Their dialog gets real weird sometimes, and there’s a bit of “flies right over the kids heads” going on if you know what I mean. Lotor is incredibly hammy. If you are serious about getting into the Voltron franchise and continue into later series—including the DDP comics which I highly recommend—then you’ll want to know where Merla, Cossak, and Stride the Tiger Fighter come from.

Above: Space Goddess appears to the Golion team in their hour of need. This scene is very different in DotU.

For Golion—relevant to Option 2, but also for comparing if you’re going with Option 1—I remember being super excited to track it down on IRC in the late 90s/early 2000s and then being very shocked when I first watched it. I was still new to older mecha anime at that time (was hard to find). I watched Golion with my childhood Voltron nostalgia goggles on, and they got ripped off in the first episode. This is why Option 2 works, b/c if you want to focus on Voltron, then Golion is totally skippable. It’s a different story, you’re not missing anything that will give you that sweet Voltron feeling.

If I were to watch Golion for the first time today, I’d still find it very dark, but also tame compared to some other shows. Two of my favorite things about Golion are, Sincline’s gradual descent into madness, and the way Princess Amue slap-shames some sense into Ryou—he’s a hot mess when they first meet—despite what she had just been through (keeping it vague to avoid spoilers). None of that is in DotU. In some ways, the story is deeper than DotU, while DotU is more fun and endearing.

Now onto Dairugger XV and Vehicle Voltron! 

If you’re new to my blog, then you might not have seen my posts giving the elevator pitch for this show. It’s my favorite part of DotU. I’m in that small minority of Voltron fans that prefers Vehicle Voltron to Lion Voltron.

Above: Vehicle Voltron has three team leaders! The XV of Dairugger XV stands for 15, as in 15 pilots.

Dairugger XV and Vehicle Voltron hold up better over time (I’ll admit, that’s subjective). They have a very different feel from Golion and Lion Voltron, even though the writers did their best to tie Lion and Vehicle Voltron together. The story is more intact between the two, with the noticeable changes being the censorship of death, the nature of the relationship between Teles/Hazar and Sirk/Dorma (my Tumblr avatar is Sirk/Dorma), and the ending.

If you were going with Option 2, then I’d still recommend watching Dairugger XV, because it’s probably one of the more unique of the super robot/combining mecha monster-of-the-week shows and there will never be another like it.

Overall, Dairugger is less dark than Golion, but Golion has the funnier humor. This is true of Lion and Vehicle Voltron as well. At least Dairugger/Vehicle Voltron has Hazar’s shower scene, and the infamous scene where Krik puts his hand waaaaay too far down the back of Jeff’s pants for a simple slip of contraband. ;-)

Best way to look at them is that Lion Voltron/Golion is like Star Wars, while Vehicle Voltron/Dairugger is like Star Trek.

I hope that helps, and I hope you enjoy your deeper dive into Voltron!

–––––––––

† Unless there’s been a recent change in streaming availability, it’s difficult to find all of Dairugger XV, especially those last episodes. I’ve only ever seen episodes 37–52 of Dairugger XV as low quality fansubs, and I’ll be damned if I pay $300+ for a used/second-hand final set of official DVDs. I have no qualms about paying for a good quality bootleg of the official release though, so if anyone knows where I can score that, then let me know. I sincerely hope that WEP re-releases them, perhaps they’ll do that if the new release of the DotU DVDs sells well. Check the Voltron store page for the new Lion and Vehicle Voltron DVD sets!

[neven-ebrez]

The continuing saga of narrative betrayal...

Back when SPN S13 aired I compared it a lot to Star Wars: TLJ. So I was very interested to see specifically how hand holding and touch would correspond to the final Star Wars movie. And OH BOY is the new movie a lot like SPN S15! There’s only one problem. The final Star Wars movie made a HUGE narrative betrayal. I’m on mobile so I can’t put a read more here but STAR WARS: THE RISE OF SKYWALKER SPOILERS BENEATH THIS PARAGRAPH!!

Touch as healing was a very important part of SW:TROS. Touch is about forging connections and mending that which has been broken. Touching, taking someone’s hand, is choosing them and choosing to care for them. We see it when Finn takes Rey’s hand in chapter 7. We see it when Rey doesn’t take Kylo Ren’s hand in chapter 8. And we see it when Rey puts her hand over Ben’s when he heals her near the end of chapter 9. At the heart of this entire series is how students become teachers. The past becomes the present then the present becomes the future. So onto narrative betrayal.

Using the Force to heal was visually introduced this week in The Mandalorian. And we now know why the episode was released early, because this ability would play a key narrative role in the final movie. Rey showcases this ability early in the film. She is rewarded when she does. Then she showcases it again after fighting Kylo Ren. She stabs him fatally then decides to save him. Two things are established: 1.) Healing is good and positive, and 2.) healing does not cost the healer their life. This is important. In typical student becomes the master format, structurally Kylo Ren (as Ben Solo/Skywalker) must then use it to save Rey. In TLJ they each saw a different future for the other. This vision of the future is experienced through the touching of hands. When Rey and Ben reach for each other a profound connection is made.

In TLJ Snoke says he forced their connection, but in TROS we see them maintain it. It’s much of the focus of the final two movies. They find each other with it. This living Force connection is said to have not been seen in a very long time. Rey teaches Kylo everything he needs to save her and then he does. And here is where our narrative betrayal comes and fortunately there’s enough of the ghost narrative here for me to make a solid enough guess why.

I believe when Carrie Fisher passed away unexpectedly that the final movie was forced to rewrite several key structural things. And one of those things is why Ben Solo had to instead die. In Dark Youth/Light Youth tales, the Dark Youth is usually saved by learning something explictly from the Light Youth. The LY is positioned to teach and the DY is positioned to redeem themselves by learning the lesson. This is sadly not what Star Wars executed. Ben touches Rey, heals her, then he kisses her and dies. It’s not *quite* as bad as what VLD did (at least Ben gets a heroic moment and we see him learn) with Lotor and Allura, but it’s the exact same relative betrayal. Ben was supposed to revive Rey in sacrifice, (maybe not kiss Rey, it doesn’t matter there one way or another; saving/redeeming =/= romance), and die temporarily but then get resurrected by all the dead Jedi. Instead we only hear the dead Jedi in one sequence when Rey fights Palpatine.

Since Leia doesn’t disappear until Ben disappears, this structurally links the change in narrative and gives it context. I think the kiss probably wasn’t in there originally but was added after the edits were made. Everything between Finn and Rey also feels edited as a result. The red flag for this is when Finn tells Rey he has something to tell her before they (almost) die in the quick sinking pit. He doesn’t get to tell her in time tho. Then! They survive. Rey prompts Finn to tell her what he was about to say but he says he can’t in front of Poe. This is never bookended. Rose is also sidelined without a real reason why. If originally they planned to continue the Rey/Finn romance on Finn’s part then this would make sense. In TLJ Rose’s structural purpose was to make Finn fight for more than just Rey. He never stops prioritizing her tho. The lack of bookend to Finn’s silenced confessional to Rey in TROS is a dead giveaway something was dropped/altered there tho. I can only guess this fragment of the final film’s ghost narrative remained in due to the fact that filming was likely already complete for this scenes and that suitable redubbing could not be made out of the plot situation they were currently in.

I just finished watching TLJ and we see Rey’s reaction to Finn caring for Rose’s injuries and she gives this a sad smile. I think originally Rose’s affection for Finn was probably more resistance hero worship and that her own arc was about learning to be her own hero. I think the romantic angle there was probably supposed to remain one sided. All this clarification seems to be dropped. Finn’s pursuit of Rey, to mimic Ben’s physical pursuit still shows up in several places tho. With the other ex-stormtrooper, Finn follows Rey across the dangerous water as she fights Ben. I think in the original script this character was likely Finn’s sister. Rey is seen protecting Finn from Ben but otherwise Finn’s physical pursuit of Rey here makes little sense unless we consider that originally it was supposed to emotionally lead into something else. Finn was always gonna be left behind whether he was on the shore or beside her.

Another thing that struck me as odd were the final bows. We see several romantic pairs. Some are unions (first queer onscreen SW kiss) while Poe’s is a story of rejection (bless). Then Poe and Finn are suddenly back in scene together for when Rey approaches. Since Poe was just left with his old flame in the shot before, this union should initially just be between Finn and Rey. Where Poe stopped, Finn kept going. So Poe being there again so quick makes no sense.

Both Finn/Rey and Ben/Rey are the last series’ key structural relationships. Equally important is Poe become a leader, a position he goes onto share with Finn. Of Rey’s two relationships one gets resolved structurally, while the other... does not. And the only good explanation I got for it is that I believe Carrie Fisher’s passing facilitated a rewrite that was unavoidable. In legacy, I believe the series decided to rewrite a good chunk of the final movie in order to focus more on Leia’s overall impact in the series as the past defined it.

For Voltron: Legendary Defender, Lance had a similar arc in the original S8 ghost narrative. Lance pursued Allura, then he was supposed to give her up to let her choose (and save) Lotor. Now. If you ask me if TROS did a better job with their editing than VLD S8 did I’d say YES. By a MILE. That doesn’t change the fact that each of these narratives ended up changing the exact same story now. And like with VLD, traces of the original remain and just couldn’t be removed at key points. If I had to guess, I’d say some Lando and Leia stuff was also removed, likely because filming never made it to that point. The awkwardness of Lando alone talking to the ex-stormtrooper girl feels strange, like some context there is otherwise missing. Earlier Lando tells Finn to give Leia his love and Finn tells Lando to tell her himself. Then he never gets the chance. It’s another missing bookend, dropped. When all the fighters are gathered for the final fight, it seems like maybe originally Leia was supposed to have gathered them through using the force to speak to them and convince them to fight. And Leia was supposed to do this by traveling with Lando.

I think originally Leia was probably supposed to teach Rey the healing, too. There is otherwise a focus on Leia as a fully trained Jedi and also on Leia as teacher. Having to drop and repurpose these plot elements, focusing on a Leia legacy narrative, over a full and complete “dead Jedi come together” narrative is reflected in the movie, again, still retaining both storylines. I think originally more dead Jedi should have appeared alongside Luke at different points. This conclusion comes from looking at the framing of Luke against unaccounted for narrative space.

And I’m going to be rewatching this movie tomorrow so I’ll try to get some photos about what I’m talking about. It’s clearly there tho. Finn being force sensitive is also dropped.

The comparison here to what VLD S8 did is uncanny. Unlike with VLD, I don’t think the narrative betrayal here was malicious. Just unfortunate and sad. Unlike with VLD, I think TROS managed to save most of itself tho. I at least enjoyed it. The trend of not letting the Dark Youth learn and redeem themselves and LIVE is a disturbing one, however. All this is just my theory btw. I knew Carrie Fisher managed to film some of the movie and I was curious going in as to how they were going to keep her in and maintain their original story. Well, obviously they couldn’t. I like all the movies, but I wouldn’t say I have a favorite character tho (except the porgs). So all of my opinion here comes without trying to see things a certain way. I have no shipping lens here. I just have an eye for things that lack narrative symmetry and/or thematic follow through.

Anyway. If you found parts of the movie to be strange or missing in some way, I think my explanation here may help fill in some blanks. And regardless of the reason the storyline exists the way it does, the trend of killing off the character that is supposed to be redeeming themselves isn’t a good look.

[EDIT] As soon as I wrote this I went looking for other opinions on this and found this Polygon article! This explains so much and explains why Leia didn’t have a new look for the movie. Her footage is repurposed from footage from Chapter 7/8. Considering everything, it’s amazing they salvaged as much of the original storyline (Leia as teacher) as they did.

I’m going to rewatch the movie assuming all this should have happened to see how much sense it now makes. This is just what I picked up on by watching one time.

[EDIT2] Okay then there’s this. It confirms what I thought. A person in the thread below this tweet mentions how Finn’s Force connection here could explain why other storm troopers put down their weapons in their respective village raids. Like, they could hear Finn’s distraught inner voice when it was all happening. It’s why Kylo Ren slowly turns and looks at Finn in chapter 7. Finn frees other stormtroopers in other words and the movie drops this off his storyline completely. First Finn runs, then he learns to be a rebel, then he frees his fellow soldiers. I still think Finn’s pursuit of Rey was originally supposed to also be romantic, but more than that she is ultimately his teacher.

I actually think the original script was probably more Finn/Poe friendly, with Finn ready to help Poe (using the Resistance) to free more stormtroopers. Poe learning Finn’s secret: his Force sensitivity, after all, is also cut, against the entire start of the movie showing them as a team. Poe was essential to Finn’s initial escape. They needed each other. Then Poe is essential to Finn’s new mission. They choose each other, completely. I believe that’s the proper bookend we should have gotten there. And it explains Oscar’s PR commentary on Disney company.

I’m.... there’s little they could have done here to salvage what I’ve pieced together of the original script. Not without Carrie. It would have looked great tho. Without her as (continual) teacher to Rey, much of the movie, the original script, sadly fell apart. Seeing how Finn/Poe as a narrative thread didn’t rely much on Carrie I think the editing here is a bit more malicious. I can’t prove that tho. I can only tell some of the outline of what originally should have happened. Finn gives up pursuit of Rey for choosing a mission with Poe. If TROS is to be compared to VLD S8, this feels like the equivalence of editing out Sheith.

[EDIT3] My bow commentary here is off. I remembered things wrong there. I’ve struck several things for my original post. I have a lot of screenshots now tho so I’ll write something more on this later once more time has past. Maybe JJ Abrams will talk about the rewrite process tho. I doubt the Finn/Poe stuff will be discussed, but I also don’t think it was ever intended to be textual, just subtextually coded. The repurposed Leia as teacher stuff tho, that may get discussed publicly. That one Hobbit actor looks to be written in to cover Leia’s intended plot explanations for why certain stuff is happening. Maz’ involvement, along with Rose’s was much regaled to this as well. Whatever their original storylines were, I believe they unfortunately got axed in the rewrite.

[chibi-pix]

VLD AU - Readings

Another addition to the mermaid AU! This time expanding and showing another character. And a bit more to the mysterious ocean waters. 

You’ll find this 1,950+ word ficlet in the “keep reading” below, along with an art. 

“So,” Allura stepped out on the dock as Lotor pulled himself up after checking over his jet ski, “what can I do to rent your assistance and jet ski?” She had a pack over her shoulder, the equipment inside meant to collect data, visual and audio, in the ocean.

“Convince Lance to properly mend my favourite jacket?” Lotor suggested. “And maybe take me out for milkshakes?”

“Sounds like a deal.” The two chuckled. While they didn’t need such deals or transactions, it was friendly banter between the two.

“So, where are we heading, Princess?”

“Ugh, I wish you’d stop with that nickname.”

Ever since middle school, Lotor called Allura by that nickname. She hated it. When in middle school, she got the roll of the princess in some school play while Lotor was a prince. It was simple. Until she got so flustered when they performed and freaked out when he tried to kiss her on the cheek. She ended up decking him in front of the audience, her parents and Lotor’s adopted father, Kolivan, included. Since then, he called her Princess.

“I think it’s a nice nickname.” Lotor chuckled. “Anyway, where to?” He brought up his waterproof datapad. Allura leaned over and zoomed in on a region.

“Right around… here. I think it’s a good place to work.” Allura stated.

“Alright, then let’s get going.” Lotor offered his hand to Allura, letting her use it to brace herself so she could step down to the jet ski. After she was sitting and got her pack strapped to the back, he got on, in front of her and got the vehicle started. “We may find the others out there, too; Lance, Keith, and Hunk went out about an hour or so ago.”

“All right.” Allura nodded.

Lotor then took off, speeding across the ocean’s surface until the AARC base was out of sight and they reached where Allura wished to work from. He activated the electronic anchor. “Okay. Need any help?”

“I will let you know if and when I need it.” Allura said, turning around and going through the bag. She brought out the equipment and handed Lotor a datapad. “Hold this.”

“Holding.”

Allura chuckled and shook her head. She then brought out a spherical object. “Okay, toss it in...” She did as she said she would before taking back the datapad. “Now, let’s get you activated and...” She nodded as it started to sink, heading down to the bottom, a few hundred feet. “Okay, we should be getting data in a few minutes.”

“So, is this curiosity, work for AARC, or you still trying to figure out what happened to Shiro’s plane?” Lotor inquired. Allura was silent.

“Ever since Shiro’s plane went down, which is curious enough as it was, we’ve been going over the wreckage that had been found. And with it being found on the shore… and how it looked… I don’t know… I think he’s right about something being down there.” Allura explained. “And I’ve been trying to find it. But...” She sighed. “Nothing so far. I’m thinking of borrowing Dad’s boat and going out to the probably area where Shiro most likely crashed… maybe I can find something there...”

“Just don’t overwork yourself with this.” Lotor reminded gently.

“Ye… wait...” Allura blinked and turned up on the audio playback. “Do you hear that?”

“It’s like… music. But it definitely not whales.” Lotor responded. “It’s kinda… scary. Like… um...”

“Music and subtle and distant screaming?”

“Pretty much.” Lotor nodded. “I mean, something has to be making that sound, right?”

“Yeah but… other than the audio, there’s nothing… the usual sea life… but… none of them make that sound.” Allura looked perplexed. “I really don’t understand this…” She sighed. “Hopefully we’ll pick up something more soon. Or maybe I’ll find something when I analyze the data further back at the base.” She then made a small sound. “Huh?”

“Allura?” Lotor inquired. He then looked to his jet ski. “Okay… that’s weird. We just lost power in ol’ Sincline.”

“Same with both my datapad and the device we tossed down.” Allura informed. “It’s all dead. Ugh...” She looked into the water. “And… it’s… not floating up. Damn. It must have gotten caught on something.”

“Hmm...” Lotor got up and jumped into the water.

“What are you doing?”

“I’m going to get it.” Lotor stated, swimming to the back of the jet ski and opening up its back compartment.

Allura crossed her arms. “Lotor, that’s risky. The average human can only dive about sixty feet safely. And that device is at least three hundred feet down.”

“And you and I both know I can go much further than the average person.” he reminded as he got out some goggles and put them on. He checked his breathing mask. Nope. No power. “Okay, no worries.”

“Lotor...”

“C’mon, Princess, you know I can hold my breath for fifteen minutes, not even trying.” Lotor waved it off. “If I’m not back in twenty minutes, though, use the radio; it can be powers with the hand-crank. Old fashioned, but Shiro suggested it.”

“Of course he suggested it; I swear he was born in the wrong era.” Allura shook her head as she chuckled. “Just… be careful, okay? Don’t get stuck or anything.”

“Of course.” Lotor dove down, moving quickly in the water. While most used specialized suits and the minimal yet advanced gear to get to the depths, he could on his own go fairly far, able to hold his breath very well. While on average he could go fifteen minutes, he could push himself even further, hitting past twenty minutes; Shiro probably wished he had that skill.

Lotor kept going, the decreasing light not even bothering him. Now, where is that device? He thought, looking around after he reached the bottom of that area. It could have easily caught itself on some rocks, so he had to be perceptive in finding it. He then stopped when he heard a sound, much like what he and Allura heard recorded.

What is that? He thought, looking around. He tried to make out any figures in the distance, seeing if there were silhouettes that would indicate something out there. Something’s out there… but where? He thought. He then shook his head. Nope, can’t focus on that, gotta find that device; it’ll have Allura’s recordings on it. He looked around more, smiling when he finally found it wedged between two rocks. Just as thought. He messed with it, wriggling it free. C’mon, come to me. He coaxed before finally getting it loose. Gotcha!

Lotor then closed in around the device when he felt a strong current go past him. On land, he would compare it to a powerful gust of wind. But… he couldn’t see what could cause that current. When he relaxed, he looked around. Had it just been a stray current? Well, the ocean was a strange place.

I better go get this back up to Allura. He thought, kicking off the bottom and swimming back up, unaware of something watching him.

Someone watching him.

Matt watching him.

Matt didn’t know why he helped that surface dweller. Perhaps it was because Pidge was so fond of them? Or perhaps another mer had been too close. A dangerous mer. The other mer may have been much smaller, able to even be held in Pidge’s hands, though maybe not as safely as Lance due to being a bit bigger than most surface dwellers, but the mer was definitely dangerous.

What Matt didn’t know was why that one was watching Lotor and tried to strand him and Allura out there by powering down the tech. At least he knocked the other away without being fully noticed.

Lotor swam back up to the surface, taking in a deep breath, not that he felt he was in danger of losing air. “Got it.” he told Allura, holding the object up as it drained water out of itself.

“Glad you’re okay.” Allura let out a sigh of relief before accepting the device. She put it back in the bag. “And nothing is coming back online. We may need to use the radio and call in for a pick-up.” Lotor nodded as he got himself pulled back up and took his spot again. “Huh? Or maybe not.”

“Hmm?” Lotor looked to where Allura pointed. “Oh, that’s the Guardian of the Sea.” He smiled. “Prepare for Lance to laugh before helping us.”

“Yeah, well, at least he’d help us.” Allura chuckled as she stood up. “Hey! Over here!” She waved, hoping her cousin would notice. She smiled when the boat changed direction and went toward them, slowing down to come alongside the jet ski. “Glad to see someone has power.”

“What? Did Lotor fail to get Hunk to help with the jet ski?” Lance inquired, leaning over the edge a bit.

“I did help!”

“He did help!”

“Okay, don’t get testy.” Lance put his hands up in defense. “Wait… so if Hunk did help, Sincline shouldn’t have lost power… right?”

“Pretty much, but she and every bit of tech we had on hand lost power.” Lotor responded.

“You didn’t see any cool sounding but dangerous crab things, did you?” Lance inquired.

“Lance, this isn’t a video game.” Allura let out a sigh. She then smiled when Hunk got the jet ski tethered and pulled in before helping her on board. “Thank you, Hunk.”

“Happy to help.” Hunk responded before helping Lotor.

“And the sound we picked up on didn’t even sound like those things in that game you like.” Allura added as she looked to Lance. She leaned back down to grab her pack. “Anyway, when we get back, I’ll go over the data I collected.” She then looked to her cousin. “I am glad you guys were out here, though. But what brought you out here?”

“The desire to drag Keith away from his laptop and blog.” Lance teased, smirking when his friend flipped him off.

“I like my blog and I was in a very heated discussion before you dragged me out of there.” he commented.

“You were getting pissed because someone kept denying proof of the mothman.”

“Mothman is real!”

“Who gives a damn?”

“I do!”

“Oh, right, this is why I don’t visit them at the villa.” Lotor sighed, getting Hunk to chuckle a bit.

Allura giggled. “At least they’re not boring.”

“Anyway, good thing we were heading back. So, we’ll take you along. So long as Lotor doesn’t think he can captain my ship.” Lance smirked. “Remember, matey, you’re aboard my ship and I expect to be called captain.”

“Watch your back or there’d be a mutiny.” Lotor responded, staring down at the male. The two stared at each other before they started laughing, showing that this was just a common antic between them. “But it’s really strange how we lost power...” He found a place to sit as Lance went to the helm, getting the boat moving and heading back to AARC. “Maybe it has to do with that current I felt when I went to get the device.”

“Current?” Keith inquired.

“It was like… well, I’d call it a sudden gust if I were up here; it was brief, though...” Lotor explained. “But… whatever it was...” He and Allura both missed Keith, Lance, and Hunk exchanging looks, the three friends wondering if it had something to do with a mer. It couldn’t have been Pidge, she was with them moments ago before they headed back toward AARC. Another, perhaps? While Lance had yet to tell his friends about Matt, they all were aware that logically speaking, there were others out there.

“We’ll hopefully know more after analyzing the data.” Allura assured. “Maybe there were more currents like what you felt before things shut down.”

“Perhaps.” Lotor nodded.

Logically, more than just Pidge and her brother mysteriously lurk in the depths. And not all are friendly.  Anyway! I hope you guys enjoyed this one! Until next time!

[voltrontranscript]

VLD S8E12: The Zenith

Season 8 Episode 12: The Zenith

Transcript by @dragonofyang

Summary: With the combined power of the Sincline mech and the black Altean mech, Honerva pierces through realities to find her perfect universe, forcing the Atlas crew and the Paladins of Voltron to chase her across realities as they slowly become unraveled.

[Google Doc]

Keith: Paladins, report status.

Lance: I’m offline!

Pidge: Me, too.

Hunk: Uh, guys, are you seeing this?

Lance: What are those things doing?

Pidge: That’s how she’s getting in.

Keith: What do you mean?

Pidge: Honerva! She’s using those wings to pierce the barriers between realities. It’s her entry point!

[Cut to the IGF-Atlas.]

Shiro: Allura, come in. Are you there?

Allura: Shiro, I read you. Honerva combined her beast with Lotor’s Sincline. She has the comet ore, and with it, the ability to traverse realities. I’m headed to my lion now.

[Cut to Hunk, Coran, Romelle, and Tavo inside Yellow Lion.]

Coran: Our universe is collapsing, just like the day we lost the Castle of Lions. Those wings are causing the very fabric of our reality to disintegrate!

Hunk: Then we’re gonna stop that thing before it breaks through. Yellow Lion’s back!

Keith: Hunk, get your passengers back to the Atlas.

Hunk: Copy that.

[Cut to Merla as she awakens.]

Honerva: My loyal warriors, Merla proved disloyal. She turned her back on our mission and the future of Altea. But you two have remained by my side, and you will know true victory. The glory of Altea will be yours.

[Cut to the Lions as they power on.]

Pidge: Those robeasts are headed our way! Just in time! My lion’s responding!

Lance: Mine, too.

Keith: Allura, do you copy? Can you get to your lion? We’re gonna need Voltron.

Allura: Hold on. I’m coming!

[Cut to the IGF-Atlas.]

Shiro: In the meantime, the Atlas has you covered.

Coran: Wait, what about the collapsing universe? We need to stop it!

Keith: Coran, we’re counting on you to figure something out.

Coran: What? Me? I don’t know anything about that?

Keith: Then find someone who does! We need to stop that weapon before it breaks through realities. Paladins, do everything you can to keep the robeasts distracted. Let’s give the Atlas a shot.

Shiro: Atlas crew, prepare for transformation sequence.

[Cut to the lions as they fight the mechs.]

Lance: Nice shot!

Keith: Guys, I’m going in to stop Honerva!

Honerva: Still.

Keith: No!

[Cut to Coran, Romelle, Tavo, and other Atlas crew as they float through a hallway.]

Iverson: MFE pilots, report to your hangars! Stand by for launch!

Coran: I have an idea how we can stop the collapsing of space-time. I’ll grab Slav and Sam. You two get the Alteans and meet me back here in ten doboshes!

[Cut back to the lions as they fight the mechs.]

Hunk: Now, Pidge!

Keith: Fall back!

Shiro: Allura, now’s your chance!

Keith: We can’t get past them, so we’re gonna have to defeat them. Paladins, on me! Form Voltron!

Allura: Remember, those weapons can siphon our energy, so we need to avoid a direct hit.

Keith: Pidge, arm cannon!

Pidge: It’s the Altean!

Lance: Why is she helping us?

Merla: Please, do not harm them. They were misguided, much like I was. We all were!

Keith: Pilot capsule still intact.

Honerva: No!

[Cut to the IGF-Atlas.]

Coran: We need an escort to Honerva’s pyramid structure!

Shiro: What? Right now?

Slav: Yes! The sooner we go, the higher the probability that we can use the Alteans to stop the impending space-time rupture!

Coran: It’s actually similar to how we stopped the rupture when Voltron entered the quintessence field.

Sam: Only this time, that superstructure will be the energy amplification conductor and the Alteans will be the energy source.

Coran: Though, we’re still working out how to transfer their quintessence into the structure, but, you know, some things are just gonna have to be figured out on the fly!

Shiro: Get a team in place.

[Cut to the Altean mech and Voltron fighting.]

Keith: Final robeast out of commission! Hunk, form cannon!

Hunk: I’ve got lock!

Allura: Honerva has pierced realities.

Keith: Come on, we’re going in! Atlas, stay on me!

Coran: I’m afraid the Atlas can’t do that.

Pidge: Coran’s right. It isn’t made out of the same ore. It can’t traverse realities.

Keith: Then we’re going in alone.

Slav: Actually, that appears to be problematic as well.

Keith: What?

Slav: The statistical likelihood of Voltron succeeding against Honerva in a one-on-one battle is well below improbable.

Allura: We’ll have a better chance than if we don’t try at all. Balmera.

Lance: What’s going on?

Coran: It’s a convuldrum, the converging of Balmeras.

Lance: What called them here?

Hunk: Shay.

Coran: Quiznak!

Shiro: What just…?

Hunk: Whoa!

Lance: No way!

Pidge: This is crazy!

Allura: I don’t know what just happened, but now we have a chance.

Keith: Let’s stop Honerva.

Shiro: Coran, we’ll need you to secure the area and find a way to suppress this rift.

Coran: Yes, sir!

[Cut to Coran in the rebel ship.]

Coran: Wait! I know how to get the Altean energy into the structure. Drop Sam, Slav, and I off at the pyramid. Then I’ll need you to take the Alteans to the Balmera.

Slav: You’re wearing the right socks today, aren’t you?

[Cut to the Atlas/Voltron fusion mech as it passes through the rift.]

Allura: Is this…

Pidge: It’s an alternate Altea.

Lance: And it looks like this reality is crumbling, just like ours!

Hunk: How come it’s disintegrating so quickly?

Pidge: Those wings created a sort of cosmic tunnel in one blast. The rift must lead directly to the reality Honerva’s been looking for.

Shiro: And any reality that those wings bored through is falling apart.

Keith: We have to keep going!

[Scene change to Coran, Slav, Sam, and the Alteans entering the pyramid.]

Coran: We must hurry!

Sam: Okay, I think this is it. Powering the amplification module.

Slav: I’ll redirect the target to the rift. If we hit it with enough energy, it should seal.

Coran: Are the Alteans in place?

N-7: They are set.

[Scene change to an alternate Altea.]

Allura: All these innocent lives. There’s no limit to what Honerva will do or the lives she’ll tear apart to get what she wants.

Shiro: That’s why we need to stop her.

Allura: Even then, I fear she’s started a chain reaction that can never be undone.

[Cut to the Balmera convuldrum.]

Coran: We’re in place! Balmeras, channel your energy into the pyramid! Yes, it’s working! The channeled energy from the Balmeras seems to be holding the rift together.

[Cut to the Atlas-Voltron mech.]

Keith: Countermeasures! Form sword!

[Cut to the bridge of Oriande.]

Sam: Our current power level isn’t enough to maintain the rift!

Coran: Then we’ll hold it as long as we can! Every tick gives Voltron a chance.

Krolia: Coran, it’s Krolia. What can we do to help?

Coran: Krolia! Kolivan! Thank the ancients you’re here! We need all the energy we can harness to prevent the rift from expanding further.

Krolia: Copy that! Galra fleet, adjust the frequency of your ion cannons and aim at the pyramid structure.

Coran: Come on, please. A little longer! Voltron needs us.

[Cut to Honerva in her mech.]

Honerva: This is where it ends for you!

Lance: We need to get up.

Hunk: I can’t move.

Shiro: The ship’s not responding.

Allura: Honerva, she’s absorbed all our strength.

Pidge: This reality… it’s over.

Keith: No. We’ve always done the impossible. Our strength is our bond. Our power comes from each other. As long as we’re a team, we stand a chance. Sendak. Zarkon. Lotor. We’ve saved our universe countless times, but now all the realities are in need of Voltron. So this isn’t the end just yet. We need to get back up and stop Honerva once and for all! Fire boosters!

[Cut to the bridge of Oriande.]

Sam: The Galra fleet have depleted all their energy, and the Balmerans and Alteans are at their limit. At this rate, we won’t be able to contain the rift!

[Cut back to the Atlas-Voltron mech as it approaches the shrinking rift, then cut to Honerva’s mech emerging into deep space as she approaches Daibazaal.]

Zarkon: You’re getting faster.

Sendak: Not half as fast as the emperor.

Zarkon: Stay back! What’s your name?

Honerva: You don’t recognize me? I’ve searched beyond the stars to be here.

Zarkon: I said stay back!

Honerva: To be with you. And to be with my son.

Zarkon: Honerva. Is it truly you?

Honerva: It is.

Zarkon: I never thought I’d see you again.

Honerva: I never doubted. My memory of you and Lotor kept me alive. Tell me, where is my child?

[Scene change to the bridge of a Galra ship headed for Altea.]

Zarkon: I vowed to raise our son as you would have wanted. He excels in his Altean studies. Lotor has his mother’s intellect.

Alfor: Empress Honerva… It is an honor to see you once more. All of Altea will cherish this day.

Allura: Please, come with me. Your son awaits your presence.

Honerva: My son.

Lotor: Mother?

Honerva: Please, my child, come to me.

Lotor: No.

Zarkon: Lotor, it’s okay. It’s your mother. She has returned.

Lotor: She’s not my mother!

Honerva: I may appear changed, but I assure you, my love for you is that of a mother for her child. Come to me.

Lotor: She is not my mother.

Zarkon: Don’t speak like that.

Honerva: Please.

Lotor: No. My mother is dead and you cannot replace her!

Zarkon: Perhaps this is overwhelming for the boy. Please, if we had some time…

Honerva: Time? You speak to me of time? I’ve spent lifetimes trying to get back. Countless worlds have fallen in the wake of my efforts to return to you. And this is how you welcome me? My own child, my own husband question who I am? I have sacrificed more than you will ever know!

Zarkon: What is that?

Honerva: No, it cannot be!

Zarkon: You brought this abomination upon us? You are not the empress. You are not my wife! Guards! Guards!

Honerva: If there is no place in this universe for me, then there will be no universe at all.

End.