#hopefully if SPN finally does themselves right we should see this storyline of touch and healing done RIGHT

[neven-ebrez]

The continuing saga of narrative betrayal...

Back when SPN S13 aired I compared it a lot to Star Wars: TLJ. So I was very interested to see specifically how hand holding and touch would correspond to the final Star Wars movie. And OH BOY is the new movie a lot like SPN S15! There’s only one problem. The final Star Wars movie made a HUGE narrative betrayal. I’m on mobile so I can’t put a read more here but STAR WARS: THE RISE OF SKYWALKER SPOILERS BENEATH THIS PARAGRAPH!!

Touch as healing was a very important part of SW:TROS. Touch is about forging connections and mending that which has been broken. Touching, taking someone’s hand, is choosing them and choosing to care for them. We see it when Finn takes Rey’s hand in chapter 7. We see it when Rey doesn’t take Kylo Ren’s hand in chapter 8. And we see it when Rey puts her hand over Ben’s when he heals her near the end of chapter 9. At the heart of this entire series is how students become teachers. The past becomes the present then the present becomes the future. So onto narrative betrayal.

Using the Force to heal was visually introduced this week in The Mandalorian. And we now know why the episode was released early, because this ability would play a key narrative role in the final movie. Rey showcases this ability early in the film. She is rewarded when she does. Then she showcases it again after fighting Kylo Ren. She stabs him fatally then decides to save him. Two things are established: 1.) Healing is good and positive, and 2.) healing does not cost the healer their life. This is important. In typical student becomes the master format, structurally Kylo Ren (as Ben Solo/Skywalker) must then use it to save Rey. In TLJ they each saw a different future for the other. This vision of the future is experienced through the touching of hands. When Rey and Ben reach for each other a profound connection is made.

In TLJ Snoke says he forced their connection, but in TROS we see them maintain it. It’s much of the focus of the final two movies. They find each other with it. This living Force connection is said to have not been seen in a very long time. Rey teaches Kylo everything he needs to save her and then he does. And here is where our narrative betrayal comes and fortunately there’s enough of the ghost narrative here for me to make a solid enough guess why.

I believe when Carrie Fisher passed away unexpectedly that the final movie was forced to rewrite several key structural things. And one of those things is why Ben Solo had to instead die. In Dark Youth/Light Youth tales, the Dark Youth is usually saved by learning something explictly from the Light Youth. The LY is positioned to teach and the DY is positioned to redeem themselves by learning the lesson. This is sadly not what Star Wars executed. Ben touches Rey, heals her, then he kisses her and dies. It’s not *quite* as bad as what VLD did (at least Ben gets a heroic moment and we see him learn) with Lotor and Allura, but it’s the exact same relative betrayal. Ben was supposed to revive Rey in sacrifice, (maybe not kiss Rey, it doesn’t matter there one way or another; saving/redeeming =/= romance), and die temporarily but then get resurrected by all the dead Jedi. Instead we only hear the dead Jedi in one sequence when Rey fights Palpatine.

Since Leia doesn’t disappear until Ben disappears, this structurally links the change in narrative and gives it context. I think the kiss probably wasn’t in there originally but was added after the edits were made. Everything between Finn and Rey also feels edited as a result. The red flag for this is when Finn tells Rey he has something to tell her before they (almost) die in the quick sinking pit. He doesn’t get to tell her in time tho. Then! They survive. Rey prompts Finn to tell her what he was about to say but he says he can’t in front of Poe. This is never bookended. Rose is also sidelined without a real reason why. If originally they planned to continue the Rey/Finn romance on Finn’s part then this would make sense. In TLJ Rose’s structural purpose was to make Finn fight for more than just Rey. He never stops prioritizing her tho. The lack of bookend to Finn’s silenced confessional to Rey in TROS is a dead giveaway something was dropped/altered there tho. I can only guess this fragment of the final film’s ghost narrative remained in due to the fact that filming was likely already complete for this scenes and that suitable redubbing could not be made out of the plot situation they were currently in.

I just finished watching TLJ and we see Rey’s reaction to Finn caring for Rose’s injuries and she gives this a sad smile. I think originally Rose’s affection for Finn was probably more resistance hero worship and that her own arc was about learning to be her own hero. I think the romantic angle there was probably supposed to remain one sided. All this clarification seems to be dropped. Finn’s pursuit of Rey, to mimic Ben’s physical pursuit still shows up in several places tho. With the other ex-stormtrooper, Finn follows Rey across the dangerous water as she fights Ben. I think in the original script this character was likely Finn’s sister. Rey is seen protecting Finn from Ben but otherwise Finn’s physical pursuit of Rey here makes little sense unless we consider that originally it was supposed to emotionally lead into something else. Finn was always gonna be left behind whether he was on the shore or beside her.

Another thing that struck me as odd were the final bows. We see several romantic pairs. Some are unions (first queer onscreen SW kiss) while Poe’s is a story of rejection (bless). Then Poe and Finn are suddenly back in scene together for when Rey approaches. Since Poe was just left with his old flame in the shot before, this union should initially just be between Finn and Rey. Where Poe stopped, Finn kept going. So Poe being there again so quick makes no sense.

Both Finn/Rey and Ben/Rey are the last series’ key structural relationships. Equally important is Poe become a leader, a position he goes onto share with Finn. Of Rey’s two relationships one gets resolved structurally, while the other... does not. And the only good explanation I got for it is that I believe Carrie Fisher’s passing facilitated a rewrite that was unavoidable. In legacy, I believe the series decided to rewrite a good chunk of the final movie in order to focus more on Leia’s overall impact in the series as the past defined it.

For Voltron: Legendary Defender, Lance had a similar arc in the original S8 ghost narrative. Lance pursued Allura, then he was supposed to give her up to let her choose (and save) Lotor. Now. If you ask me if TROS did a better job with their editing than VLD S8 did I’d say YES. By a MILE. That doesn’t change the fact that each of these narratives ended up changing the exact same story now. And like with VLD, traces of the original remain and just couldn’t be removed at key points. If I had to guess, I’d say some Lando and Leia stuff was also removed, likely because filming never made it to that point. The awkwardness of Lando alone talking to the ex-stormtrooper girl feels strange, like some context there is otherwise missing. Earlier Lando tells Finn to give Leia his love and Finn tells Lando to tell her himself. Then he never gets the chance. It’s another missing bookend, dropped. When all the fighters are gathered for the final fight, it seems like maybe originally Leia was supposed to have gathered them through using the force to speak to them and convince them to fight. And Leia was supposed to do this by traveling with Lando.

I think originally Leia was probably supposed to teach Rey the healing, too. There is otherwise a focus on Leia as a fully trained Jedi and also on Leia as teacher. Having to drop and repurpose these plot elements, focusing on a Leia legacy narrative, over a full and complete “dead Jedi come together” narrative is reflected in the movie, again, still retaining both storylines. I think originally more dead Jedi should have appeared alongside Luke at different points. This conclusion comes from looking at the framing of Luke against unaccounted for narrative space.

And I’m going to be rewatching this movie tomorrow so I’ll try to get some photos about what I’m talking about. It’s clearly there tho. Finn being force sensitive is also dropped.

The comparison here to what VLD S8 did is uncanny. Unlike with VLD, I don’t think the narrative betrayal here was malicious. Just unfortunate and sad. Unlike with VLD, I think TROS managed to save most of itself tho. I at least enjoyed it. The trend of not letting the Dark Youth learn and redeem themselves and LIVE is a disturbing one, however. All this is just my theory btw. I knew Carrie Fisher managed to film some of the movie and I was curious going in as to how they were going to keep her in and maintain their original story. Well, obviously they couldn’t. I like all the movies, but I wouldn’t say I have a favorite character tho (except the porgs). So all of my opinion here comes without trying to see things a certain way. I have no shipping lens here. I just have an eye for things that lack narrative symmetry and/or thematic follow through.

Anyway. If you found parts of the movie to be strange or missing in some way, I think my explanation here may help fill in some blanks. And regardless of the reason the storyline exists the way it does, the trend of killing off the character that is supposed to be redeeming themselves isn’t a good look.

[EDIT] As soon as I wrote this I went looking for other opinions on this and found this Polygon article! This explains so much and explains why Leia didn’t have a new look for the movie. Her footage is repurposed from footage from Chapter 7/8. Considering everything, it’s amazing they salvaged as much of the original storyline (Leia as teacher) as they did.

I’m going to rewatch the movie assuming all this should have happened to see how much sense it now makes. This is just what I picked up on by watching one time.

[EDIT2] Okay then there’s this. It confirms what I thought. A person in the thread below this tweet mentions how Finn’s Force connection here could explain why other storm troopers put down their weapons in their respective village raids. Like, they could hear Finn’s distraught inner voice when it was all happening. It’s why Kylo Ren slowly turns and looks at Finn in chapter 7. Finn frees other stormtroopers in other words and the movie drops this off his storyline completely. First Finn runs, then he learns to be a rebel, then he frees his fellow soldiers. I still think Finn’s pursuit of Rey was originally supposed to also be romantic, but more than that she is ultimately his teacher.

I actually think the original script was probably more Finn/Poe friendly, with Finn ready to help Poe (using the Resistance) to free more stormtroopers. Poe learning Finn’s secret: his Force sensitivity, after all, is also cut, against the entire start of the movie showing them as a team. Poe was essential to Finn’s initial escape. They needed each other. Then Poe is essential to Finn’s new mission. They choose each other, completely. I believe that’s the proper bookend we should have gotten there. And it explains Oscar’s PR commentary on Disney company.

I’m.... there’s little they could have done here to salvage what I’ve pieced together of the original script. Not without Carrie. It would have looked great tho. Without her as (continual) teacher to Rey, much of the movie, the original script, sadly fell apart. Seeing how Finn/Poe as a narrative thread didn’t rely much on Carrie I think the editing here is a bit more malicious. I can’t prove that tho. I can only tell some of the outline of what originally should have happened. Finn gives up pursuit of Rey for choosing a mission with Poe. If TROS is to be compared to VLD S8, this feels like the equivalence of editing out Sheith.

[EDIT3] My bow commentary here is off. I remembered things wrong there. I’ve struck several things for my original post. I have a lot of screenshots now tho so I’ll write something more on this later once more time has past. Maybe JJ Abrams will talk about the rewrite process tho. I doubt the Finn/Poe stuff will be discussed, but I also don’t think it was ever intended to be textual, just subtextually coded. The repurposed Leia as teacher stuff tho, that may get discussed publicly. That one Hobbit actor looks to be written in to cover Leia’s intended plot explanations for why certain stuff is happening. Maz’ involvement, along with Rose’s was much regaled to this as well. Whatever their original storylines were, I believe they unfortunately got axed in the rewrite.