#pretend you don't see the difference

[simmingonthelow]

Macha pre Vampire Era 🥺

[fromtheseventhhell]

I have a question for people who fervently argue that Arya has no potential for politics but think that Sansa will be one of the main political characters, and I'm asking this seriously.

If Arya learning multiple languages, how to tell + detect lies, how to rule her face so she doesn't reveal her emotions, being able to blend into different situations, thinking quick on her feet, knowing the importance of gathering information, being someone who makes friends wherever she goes, convincing a FM to help free Northern prisoners and participating in a coup, etc. don't make Arya capable of participating in politics...what exactly is it that you think Sansa will be doing as a political figure?

[strawberrystepmom]

in the tags - tell me what love tastes, smells, and feels like to you

[sergle]

has the huggable twee irritation always been a Thing or did it evolve in response to like, "you're not ugly. i'd fuck you" type comments? like in your personal experience

god, I'm not well spoken enough to describe it exactly the way it Registers In My Brain... but like. It's not the "you're not ugly, I'd fuck you" genre, and that type of comment is so easy to immediately dismiss because it always comes from a certain type of man, and it's like yeah yeah, I could throw a sandwich and you'd fuck it before it hit the floor. But also, that one's so specific, it's a bottom-of-the-barrel "compliment" that dudes will give when a woman has actively said something about feeling like she's unattractive.

The HUGGABLE THING. The oooh squishy marshmallow somft huggable mom shaped 🥺🥰 She looks like she gives GREAT HUGS. Those comments are UNPROMPTED. I'm immediately like. Every keyword you say, I kill another hostage. I will blow up this whole building and everyone in it. Because it is SO FUCKING WEIRD. And I have heard it one million times. And I see it on every drawing of a character who's even remotely plus sized. These comments would not fly for a thinner person, they'd be rightfully received as weird. People aren't gonna comment on a picture of Ariana Grande going omg she's sooo huggable mom friend shaped. WHAT. Simultaneously are desexualized and sanitized to a weird degree in that uwu language way, WHILE also being creepy. Like, why are you describing what you think I'd feel like if you hugged me? Like the only positive thing you can think of to say is that I look like I have some give. As strangers. I'm not going to hug you, I think you're a creep and I think you're giving yourself a big pat on the back for complimenting a fat person. What are we doing I'm arguing at the air. Where am I And you're just supposed to go oh thank you that's so nice, because as a fat person, you gotta take whatever compliment you get, even if it is actually not a compliment. And that's the thing, there are SO MANY ACTUAL COMPLIMENTS TO PICK FROM. But people settle on huggable and somft. Was this person pretty? Were they hot? You could say gorgeous? Handsome, beautiful? Elegant? Stunning? Sharp? Sexy? Stylish? Are you trying to say that you're attracted to this person's body? Are we being horny? Do you think they just look nice in general? Can't we think of anything else to say? Or are we just gonna sit here and say they fuckin look like Santa Claus. Huggable like a pillow. Girl what the fuck

[radley-writes]

I don't understand people who say things like 'but it doesn't matter if we don't pay artists/writers for their labour, or use free AI programs to replace artists/writers to improve our profits, because in a perfect world everyone would have UBI so it wouldn't matter xxx'

like. yes. but until we reach that perfect world, artists and writers need to eat?

why are you promoting AI replacement of creative people instead of working towards UBI? Until we have UBI, supporting generative AI in the creative field is no different to supporting supermarkets laying off all their till staff to turn to self-check out, or supporting factories who shut down and move overseas to exploit workers in countries with fewer human rights legislations?

Yes, in a perfect world, everyone would receive UBI. Therefore, people across the globe couldn't be exploited by corporations, and artists could create for the joy of it, in whatever way we desire - including with AI!

But we do not live in that perfect world.

Do you seriously expect this move towards generative AI to encourage people to support UBI, as opposed to people being forced into jobs they hate to make ends meet or no longer being able to support themselves financially?

Especially all the disabled people who make a living creating art and writing/editing, because that is, in fact, a career that is often far more available to disabled folks than a regular 9-5 or a retail job where you're expected to be on your feet all day (miss my disabled ass with the 'anti-AI = ableism' stance lmao).

This is not going to create your army of revolutionaries. This is just going to result in more independent creators being crushed under the boot heel of capitalism, as anyone who would've hired them flocks instead to the free alternative, and they're forced back into an incredibly exploitative labour market.

I agree that generative AI by itself is just a tool and is not inherently a problem.

But it is being abused, in ways that hurt creators.

If you support generative AI... what are you doing about that?

[dreadark]

was looking at vivinos's bilibili for some reason and noticed the round 1 and top 3 thumbnails were different... what does it mean...

"literally nothing" but what if...

so on youtube the round 1 thumbnail obviously matches with the teaser

but the bilibili channel doesn't seem to have any of the teasers, so if you put these two together...

sua's smile right before the scores tally up... is of course something still haunting mizi

[sciderman]

(Idk if someone asked this already) since we’re on the topic of gender

sci what is gender to you and how do you see it in you and how you express it in your art?? (Just a young queer artist who wants some light shined upon them 🥺)

i 'unno ¯\_(ツ)_/¯

[whisperingn1ghts]

Remus with longer hair would be pretty <33

Another version of the picture thingy!!! Cause I'm indecisive lmfao

[outeremissary]

Hey everyone who just followed because of a BG3 commission: I have a great game recommendation for you! 💖You should check out Pathfinder: Kingmaker (2018) for suresies. It's got:

the original mean undead elf lawyer companion: a milf

bard companion. everyone loves a bard companion.

narrative foil for YOU

betrayal!

it just keeps happening!!

big ass nature map. for the act 1 greenery enjoyers.

illustrated choose your own adventure sequences. storybook :) *

a large roster of compelling companions who fight all the time. these people cannot get it together

companion banter every time you camp! *

dynamic alignment! watch your simp behavior destroy your moral principles!

your own realm to rule! a bold new frontier of problems to have!

assign your wretched little friends Official Positions in your kingdom and watch them succeed or hilariously fuck up! this is about YOU Regongar!!!!!

goblin friends! a goblin companion!

kobold friends!!!

troll friends?!

goblin singalong!

animal companions out all the time!!! hang out with a big ass wolf or perhaps mastodon!!! **

CHICKEN FAMILIAR **

plot twist that made me actually scream. fuck offff

romances that make me want to bite something. these people are undateable (affectionate)

villain romance... thank you for my life

polyamory for real.

It's not the fanciest game and I'd be lying if I said it didn't have some Real Jank, but I think it's a great narrative experience, the companions have a lot of charm, and it's worth your while to check out as a CRPG. Next time you're looking for a new fantasy realm to explore, consider the Stolen Lands!

*Mechanics also present in Owlcat's other two RPGs.

** Also in the other Owlcat PF game, which adds mounts as well. And dinosaurs. Hey come back the mastodon is just as good-

[kelluinox]

Listening to westerners is becoming increasingly like listening to vatniks and it's frightening and depressing

[camellcat]

WTFFF I thought thirteen would be my new girl crush love of my life heart eyes wife you-came-after-twelve-you-must-be-better-than-they're-all-saying bbygirl and then I had to sit down and watch as she told a man who (if he were not a murderer, of course) literally every regeneration before her would've LOVED and FULLY SUPPORTED that "the systems aren't the problem. how people use and exploit the system, that's the problem. people like you" </33333 !?!?

[anglerflsh]

neurodivergency moment on my part

[ivan-fyodorovich-k]

I would really like it if the hive mind could move away from the idea that the exception disproves the rule every time

there's such a thing as statistical distribution, the species is made up of unique individuals that nevertheless aggregate into identifiable trends, you can have something be true of most or virtually all people and nevertheless find exceptions. This runs the gamut from effective medical treatments, to the kinds of media people like, to gender roles and expressions, all kinds of things

This Procrustean effort to force everyone to conform to the standard and/or the delusion that the standard is just an axiomatic lie that can be tossed out on a whim are both ridiculous, you can have rules of thumb and broad heuristics that allow for all kinds of exceptions without being falsehoods

[the-eclectic-wonderer]

I always think about how in multiple episodes it's basically canon that Blanche is bi but considers dating women to be more hassle (which is a whole rabbit hole to go down - does she struggle with societal homophobia when she's with women? Has she only been with fellow high maintenance femmes when shes really after a Dorothy type? Has she internalized the idea that her attraction to women isn't 'real'? Her reaction to Clayton adds to these questions). Not to mention how this goes together with her relationships with the girls; making to kiss Rose that one time (and Rose multiple times seeming very aware of Blanche's proclivities), begging Dorothy for 'relief' and being convinced she's attracted to women too.

Yes, anon! It’s really interesting to delve into Blanche’s psyche about all this stuff!

I started writing down my thoughts and ended up with a long ramble -- allow me to place it all under a cut, so I don't clog up anyone's dash, haha.

Personally, I think she has some strong mental blocks when it comes to her sexuality because of the way she was brought up. I mean, she grew up in Atlanta approx in the 1930s/1940s — I’m sure I don’t have to detail the kind of casual bigotry she must have seen around her during her formative years! Just look at the story she recounts in S1E13 A Little Romance:

“Now, you have to understand that in those days in the South a lot of things were still taboo. Certain people were not to mix. So Benjamin and I had to meet in secret. Oh, we knew if any of the bigots in town found out about us, there’d be a terrible scandal.”

And all of this because Benjamin was a yankee… can you imagine what ‘the bigots in town’ thought about homosexuality? Yeah, I’m pretty sure Blanche learned to suppress that part of herself very early on. We know she turns to denial when she’s faced with uncomfortable truths and emotions she can’t deal with, so I think she likely just refuses to acknowledge that part of herself most of the time, and it only comes out (pun intended!) when she’s not paying much attention to things, or when there’s something more important going on. See the two examples you point out: when she tries to kiss Rose she’s concerned with not being kissed at midnight, and when she propositions Dorothy she’s, well… she’s desperate to get some, if we can be frank.

When she’s in a more rational state, her reactions tend to be more measured… but not by much. She does advise Rose not to date women (S3E10 The Audit):

“Oh, no, honey, don’t do that! No job is worth having to date women!”

But she’s also really flattered at receiving lots and lots of phone calls from women, after her appearance as a ‘lesbian’ on TV (S7E15 Goodbye, Mr Gordon):

“By the way, Dorothy, if I were a lesbian, I sure would be a popular one. Look at this, 20 calls.”

And of course we can’t forget her reaction to finding out that Jean has a crush on Rose in S2E5 Isn’t It Romantic?:

“Jean has the hots for Rose? I don’t believe it, I do not believe it! […] To think Jean would prefer Rose over me? That’s ridiculous! […] Now you tell me the truth: if you had to pick between Rose and me, who would you pick? Who?”

All of these are (likely) intended to be jokes about her vanity and her libertine nature (in the same way as Rose’s observations are), but considering a lot of the writers of this show were queer themselves, it wouldn’t seem strange to me if they were intentionally peppered in to suggest that Blanche might be a bisexual in denial. It certainly fits her character!

I haven’t spoken about her reaction to Clayton’s coming out yet, but that’s immensely interesting too, of course. I think Blanche has the same attitude towards homosexuality that I see in a lot of (mostly older) people in my Country nowadays: it’s fine as a general concept, but when it comes to her family (or, God forbid, herself) then the problems come out. See for example what she says about Jean:

“Well, I’ll never understand what Jean doesn’t see in the opposite sex, but if that makes her happy, that’s fine by me!”

Which isn’t a homophobic attitude at all! If anything, if you take her upbringing into account, it’s pretty accepting. But then, when Clayton comes out to her (S4E9 Scared Straight) and tells her he wants to get married (S6E14 Sister Of The Bride), this is what she says:

“Oh, Clayton, please be serious. You're just saying that so I won't set you up with any more women. […] Well, then you're saying it 'cause you're trying to get back at me for something. Clay, I know you too well for this. After all, I know it can't be true. You're my brother. […] Clayton Hollingsworth. You look me in the face and tell me you really are… what you just said you are.”

“I'm having a little trouble putting this all together. Clayton, I just feel like I don't know you anymore.”

“[…] Dorothy, that's different. We're talking about going out in public. Oh, what are people gonna say?”

“Will you tell me why you want to put yourself and Doug through this? You know how people can be.”

“Oh, look, I can accept the fact that he's gay, but why does he have to slip a ring on this guy's finger so the whole world will know?”

Quite the difference from her attitude towards Jean, wouldn’t you say? I think there’s three elements at play here.

1) When Clayton comes out to Blanche, she feels disoriented because this is life-changing information Clayton has never shared with her before. While her reaction as a whole isn’t ideal, personally I think it’s understandable. Clayton is her baby brother; she’s known him as straight all his life, he’s been married to a woman for years before his divorce, and she recounts an episode from their adolescence when he was on a date with a woman and very clearly implicated having a physical encounter with her. He's done everything in his power to pass as straight until this point in time -- I don't find it strange that Blanche would be shocked at his coming out, especially given her upbringing (and the fact that this is set in the 80s! We can't expect modern sensibilities from the characters!). Once again, her reaction isn't the best (she can't even bring herself to say the word 'gay' at first...), but the shock per se isn't that surprising, imho.

2) Blanche is scared because of societal implications above all. She doesn't necessarily see being queer as something wrong, but she's been taught it's not socially acceptable and acts accordingly. Notice how she's worried about what people are going to say, and she struggles to accept that Clayton wants the whole world to know about his relationship with Doug.

Societal expectations in general are a big theme for Blanche's character, and often drive her development; another big example of this is her attitude towards Rebecca's decision to get artificially inseminated, but it's a bit of a baseline issue for her, I feel. She has this whole thing about her beauty and her (supposed) youth and her attractiveness that has some inherent elements, but it's mostly an issue of how other people perceive her, I think, and her response to her brother's coming out is easy to relate to this theme. I mean, she even says it to Rose in S7E15:

"Well, I don't mind being labeled a lesbian, honey, but since I'm not, you just ruined my social life."

So yeah. I think it's safe to say her main concern is societal disapproval of queerness: she wants to be accepted and celebrated by the people around her, and she thinks that being openly queer will destroy her place in her social circle (and she's worried about the same happening to Clayton too, of course).

3) This is sort of related to point 2, but it felt distinct enough to treat it separately. I think she might have reacted so badly to Clayton's coming out (and especially to his showing up with a partner) because he's open about his sexuality, and she's not ready to face what that means for her. My lovely mutual @\hecatesbroom recently published her latest amazing work the odd one(s) out, on the relationship between Dorothy and her brother Phil and how Phil's open queerness might have impacted Dorothy; I think a similar situation might have occurred between Blanche and Clayton after his coming out.

Blanche has a sort of advantage on Dorothy because of her bisexuality, in the sense that she has 'passing privilege' (I really dislike this concept, but allow me to use it to make a point): it's painfully clear that she loved her late husband with all her heart, and she's obviously attracted to men as well, so she can pretend not to like women without too much of a hassle (whereas, if you believe Dorothy to be a repressed lesbian, her situation is much more complicated).

The issue with this is that this 'advantage' is a double-edged sword: she might have the comfort of being socially acceptable, but she's had to suffocate a big part of herself to obtain that comfort. And so, what happens when Clayton -- her baby brother Clayton, the one who's always been just like her, who's grown up with her same environment and influences -- begins openly living as a gay man? I'm sure the situation must have had a strong impact on her, even if just on a subconscious level; I've always found it curious that she seems to have a harder time accepting Clayton in S6E14 than she does in S4E9 (she even calls his sexuality a phase), and while a part of it may be attributed to the higher social exposure Clayton's commitment to Doug brings, I think this may be a result of her inner conflict, provoked by watching her brother live openly while she's been suppressing a part of herself all her life.

Here I'm assuming she's never acted upon her attraction to women before, but there's some space to believe she has done so and has decided it's too much of a hassle, as you say -- likely because she'd for sure do it in secret, given her fear of societal condemnation. If she has been with women before, and decided to give up on it, I still think she'd be greatly impacted by Clayton's coming out: it means her baby brother is a) braver than she is, and b) going to openly face (and likely suffer because of) the same social issues she's run away from. In this lens, I find it interesting that she cautions him about how people can be, almost as if they've both experienced it.

Whew. Wow, this was a lot more than I'd originally meant to write, haha! Seems you sparked a big train of thought, anon! I think all of the Girls (with the possible exception of Sophia) are really fascinating to analyze with a queer lens, and Blanche is always interesting to me, of course. As a final note, I'd like to point out that she does come around to Clayton's sexuality and his relationship, in the end: as often happens, she just needs the Girls' help to put things back in perspective, understand she's hurting someone she loves, and correct her actions. I'd like to think living with the Girls might lead to her becoming more accepting of herself, too.

[bluastro-yellow]

get it Kim has a lot to unpack do you get it

it's imperfect I'll never polish it just take it as it is I should have put aerostatics not airplanes...

[tio-trile]

This is about GOS2 but not quite -just wanted to tell you how refreshing (and calming) it is to see someone dislike something, or disagree with something, or someone (Neil, in this case) while being completely polite and respectful to people who do like it (the show, the ship, this season specifically, whatever) and not doing personal attacks or being insulting or downright hostile or aggressive. Just... Liking what you like, not liking what you don't like, and being in your own "bubble" so to speak. I adore the first season, and some moments in this one (not the season in general), and I've had to see and start avoiding absolutely wild stuff since 2019, from haughty superiority from book first fans calling people who liked the show absolute idiots, people directly attacking fanwork creators or even Tennant, Sheen and Gaiman themselves, to even worse stuff I'd rather not think about. As you can probably already imagine, that specific kind of dumpster fire has only gotten worse since the release of S2.

My take on fandom has always been to enjoy what you enjoy and ignore the rest unless it's something serious with real-world implications or consequences. It's always stressed me out how people can get, to the point that for several years I stopped engaging with fandom entirely, and I just wanted to say this, I guess, because it's been a breath of fresh air. I wish more people engaged with fictional material and fandom the way you do. Cheers, hope you have nice day and that this wasn't too weird of a message to get

This is really beautifully put, thank you for the nice message! Yeah all-in-all, these are just a show/a book/content made for people's entertainment, and there's absolutely no reason to get to the point of attacking the cast and crew or fans personally.