#precedent study

[egophiliac]

doylist explanation for why Gidel is only in Fellow's non-idle lesson animations: probably something about space constraints and making sure two sprites in one seat aren't covering anyone else when they're not in focus

watsonian explanation for why Gidel is only in Fellow's non-idle lesson animations: he snuck in and is hiding from the teachers, don't give him away 🤫

(I've reached my limit of unsuccessful attempts at pulling them before I need to save keys for Halloween, so I've been living vicariously through youtube videos...but the fact that Gidel just pops up from under the desk to wave his arms around happily is really testing my resolve. D: I'm gonna die when they finally get to do alchemy...)

[mariuspompom]

George Martin, 2013: "In a very basic level winter is coming for all of us. I think that’s one of the things that art is concerned with: the awareness of our own mortality. “Valar morghulis” – “All men must die”. That shadow lies over our world and will until medical science gives us all immortality… but I don’t think it makes it necessarily a pessimistic world. Not any more pessimistic than the real world we live in. We’re here for a short time and we should be conscious of our own mortality, but the important thing is that love, compassion and empathy with other human beings is still possible. Laughter is still possible! Even laughter in the face of death… The struggle to make the world a better place… We have things like war, murder and rape… horrible things that still exist, but we don’t have to accept them, we can fight the good fight. The fight to eliminate those things.There is darkness in the world, but I don’t think we necessarily need to give way to despair. One of the great things that Tolkien says in Lord of The Rings is “despair is the ultimate crime”. That’s the ultimate failing of Denethor, the Steward of Gondor, that he despairs of ever being able to defeat Sauron. We should not despair. We should not go gentle into that good night".

JRR Tolkien, 1962 : "One reviewer once said, this is a jolly jolly book, all the right boys come home [...]- this isn't true of course, he can't have read the story. [...] Human stories are practically always about one thing, really, aren't they? Death. The inevitability of death. . . . . . (He quotes Simone de Beauvoir) 'There is no such thing as a natural death. Nothing that ever happens to man is natural, since his presence calls the whole world into question. All men must die, but for every man his death is an accident, and even if he knows it he would sense to it an unjustifiable violation.' Well, you may agree with the words or not, but those are the key spring of The Lord Of The Rings".

"Lotr is all rainbows and unicorns and Asoiaf is nihilistic and grimdark". Wrong, and wrong. In all its hope and radiance, lotr often gets very dark, and despite all the death and suffering, the hopeful moments in asoiaf shine bright. The meeting point of these two is this: having hope while in despair, and even better, refusing to give up because you have to go on despite not having any hope left.

[polysyndetonaddictsupportgroup]

pez dispenser update, yay!

I am Very Interested in the direction you're taking izuku here. He seems to have come out the other side of this breakdown going, "no look! I trust you guys! Here, I trust you guys so much! You can know about the severe injuries I had as a child that never got a police report!"

It's funny to read izuku's pov vs aizawa. Izuku is just like, wow this all needs to end so I can get back to being the Normal And Awesome Deku I have turned myself into, and aizawa is like thirty seconds from having his own panic attack at having a few months to turn this kid into a functional human being.

You can truly tell that with how izuku keeps insisting on that he's got this by himself, with no understanding how crazy it is to expect his friends and teachers to back out and let him take over, that he, still, still, STILL has simply 0 faith or expectation that his teacher is driven to help the little kid in izuku that he's buried so deep down there. That an authority figure who isn't all might wants to save him. I want to eat his unthinking, warped by trauma thought patterns, they are delicious.

Kinda touching that midoriya foresaw and tried to avert the all might conversation issue. Rip, dude really tried, but baby izuku is like one of those puddles in flooded old buildings you can find videos of people dropping a rock in -- it doesn't look that deep, but if you tried to put your foot in, you would be getting a whole lot more than your shoe wet.

Yeahhhhhh Izuku’s really not handling it the best.

Izuku genuinely didn’t keep everything a secret all these years because he didn’t trust his friends. It wasn’t that he thought they’d react poorly or hurt him with the information or spread it around or anything like that. This was purely due to his own internal issues around it.

But they’re three years deep into being in the fucking trenches together. And Izuku very much is considered a bedrock of the class. You can see it in their internal monologues—everyone trusts him implicitly. It’s Izuku. If one of them was going through something sensitive or painful, he’d be at the top of the list of people to turn to. For like, the entire class.

And while Izuku isn’t per se aware of the fact that the entire class views him as the best of them, he is painfully aware of the fact that they’ve opened up to him over the years. And that this is making it look like he didn’t tell them a single detail about his life before he came to the school. Which is fair, because he sort of didn’t.

So he’s overcompensating. He doesn’t need privacy because he trusts them so so much and this proves it, right?? They can totally know the sordid details of the past he’s in active crisis over.

He’s scared that he’s going to lose the people who have trusted him over the years because he seemingly didn’t trust them back. But they all trust him so much that they’re more beating themselves up than blaming him.

Todoroki and Mirio were in that scene like “uuuuhhhh you look like you’re a second from a panic attack we can totally give you space if it makes you more comfortable” and Izuku’s in a spiral like Why Would I Need Space I Trust You Both Implicitly Please Ignore The Obvious Distress.

Fundamentally, Izuku has never processed what happened to him as a kid. He didn’t tell them because he wasn’t ready to confront how bad it was back then. It wasn’t about trust. Telling them meant saying aloud what happened. He just wasn’t ready for that.

And from the path canon took, I don’t really see Izuku trusting adults. His childhood did absolutely nothing to make him think teachers would protect him. And for all Aizawa did right, I think this is one bag in canon he legitimately dropped.

I want to be clear—Aizawa was working at a severe disadvantage. He didn’t even have a lot to tell him the problem existed, let alone how to address it. But it’s specifically the Hero Killer Stain Arc that makes me think that Izuku only would trust Aizawa to a certain point.

After the Hero Killer Stain Arc, Aizawa canonically calls out Iida, Todoroki, and Izuku in front of the entire class. He doesn’t mention what it's about, but he makes it very clear that he knows what happened and that he disapproves. And his criticism is specific: In instances where you are out matched, it is better to run and get help. Iida, Midoriya, and Todoroki need to understand that

The thing is that Izuku and Todoroki both considered that as their first option and then correctly deduced that they'd be burying Iida if they did that.

I will actually die on the hill that is that Izuku and Todoroki did everything right when it came to the Hero Killer Stain. Iida caused the problem, but the fact that he made mistakes was the point of that arc for him. But Izuku and Todoroki?

They both reacted perfectly. And if they had done a single thing differently, they'd have two dead bodies.

When Izuku realizes that Iida's in danger, the city is on fire, Nomu are attacking the train, and his supervisor has fucked off to fight monsters attacking the city. He does not have an adult hero who is free to bring with him, and we know for a fact that he did not have time to hesitate or try to find other options, because he arrives the second before Iida dies as-is. When he's on scene, his absolute first instinct is to run. Izuku canonically clocked the fact that he was out matched, evaluated whether he could safely retreat, and realized he’d never be able to get out of there with Iida and Native. He’d have to leave one or both of them to die.

So he asked for help the safest way he could: sending out the mass text and stalling for time. And canonically, he wasn’t hoping a classmate would show up to the fight. He was hoping they’d report it to their supervisors and get him help, which is exactly what multiple of his classmates did.

Todoroki, for his part, correctly clocked that something was wrong with Izuku when he got the message. And he didn’t just fuck off without telling anyone where he was going. He evaluated the situation, realized the city was on fucking fire and there wasn’t a single hero free to go with them, and told the heroes with him that they needed to go to this exact location the first second they could. And he didn’t have a moment to hesitate or figure something else out, because he also showed up at the very last second before Iida took a sword to his spine.

Frankly, Todoroki and Izuku couldn’t have possibly handled the situation better, but they got absolutely shit on in the aftermath. I don’t recall a single adult who told them they did the right thing, except maybe Native. They had the fucking chief of police telling them they were no better than the guy who tried to kill their teenage friend with a sword and their teacher publicly calling them out in front of the class without the benefit of context.

If I was Izuku, I would have walked out of that entire thing having my preexisting distrust of adults affirmed. Like. There isn’t a world where Izuku realistically looks back on his actions and thinks “damn I really should have left Iida die.” He’s not going to change a fucking thing in what he did. Every single time, he’s going to go save his friend. The only realistic take away Izuku could have from Aizawa’s call out was “wow, that guy is not going to have my back if I have to make a tough call. So if I have to make one, then I’m just not going to him for help.”

Which is kind of where we're at in pez right now, and Aizawa's starting to realize it. Don't get me wrong, Izuku trusts Aizawa more than any teacher he ever had growing up. He doesn't think Aizawa is going to be actively malicious to him. But he also doesn't necessarily think Aizawa's going to have his back.

The crux of it is in chapter 4. Tiny Izuku says that Mr. Aizawa is already on Izuku's side, and Izuku's immediate reply is, "I promise you that Mr. Aizawa has never once been on my side." He back pedals fast, clarifies that he thinks Mr. Aizawa is fair and not on anyone's side, but his knee-jerk reaction is undeniable.

And to me? It's because Aizawa genuinely has not been on Izuku's side since he came to UA. And I don't mean Aizawa has been malicious to Izuku. Fundamentally, the issue is that he misdiagnosed the problem.

Aizawa has spent his entire time with Izuku mistakenly believing that the source of Izuku's issues was the same as Bakugou's. He is only now realizing that his issues were more like Shinsou's.

Fundamentally, Aizawa correctly recognized that Izuku's problems came from the fact that he was raised in an unjust system. But he misunderstood what Izuku's position in it was.

Here's what Aizawa knows, from the jump: Izuku and Bakugou came from the same school. Both have very powerful Quirks. Both have obvious issues with the other. Izuku specifically moves and looks like he had a professional trainer, meaning someone invested in his training as a hero. Bakugou talks like someone who's been told his entire life that the sun shines out his ass and never got punished for being a little shit. Izuku's more muted, but he came from the same school. Two kids with powerful quirks? Likely were getting away with the exact same shit.

When you have an unjust system, you have the people running it, the people benefitting from it, and the people being victimized by it. If the teachers at Aldera were letting kids with powerful quirks get away with murder, both Izuku and Bakugou were likely benefitting from that. And it is absolutely vital that Aizawa undoes that damage before they debut.

He doesn't even need to think Izuku, specifically, was abusing his position in this power imbalance. The damage is done from how the teachers at aldera were likely treating him. Teachers that produce kids like Bakugou tell talented, powerful kids that they're special, that they're above the rules, that they've got something so fundamentally important about them that they can get away with more. Even if you don't chose to abuse that narrative in the moment, that's a hell of a formative experience.

They're about to have a ridiculous amount of power. They are about to be in charge of enforcing the rules. And people who are in charge of enforcing the rules and think they're above them turn into Endeavor.

Aizawa's approached Izuku from a sort of tough love perspective from the jump. He didn't cut him an ounce of slack, and it's because he genuinely was trying to do right by Izuku. No, he's not going to get to smash up his body and make himself a hazard. Figure it out, or go home.

He's had plenty of time to learn how to manage his quirk, after all.

With Stain? I don't think Aizawa, if he knew the full circumstances, would genuinely say the right call is to have Iida's fucking funeral. I think he'd agree with the decisions Izuku and todoroki made. But he didn't have all the information, and, fatally, he didn't ask. He assumed.

He's got three powerful, bullheaded students who end up in a back alley in the middle of the night, having all separately ditched the heroes they were supposed to be joined at the fucking hip with. He absolutely thinks that they either planned it together or that, when they realized what Iida did, Todoroki and Iida went after him in secret to try to keep Iida from getting in trouble--and almost got them all killed in the process. There is absolutely no way Aizawa knows that they actually tried to run and get help at every turn.

Aizawa made assumptions. And a big reason why he felt comfortable making those assumptions was because he thought he knew what Izuku's problem was. He thought Izuku, like Bakugou, had been benefitting from teachers turning a blind eye to his misbehavior for years. But the problem was the exact opposite. Teachers had been turning a blind eye to his victimization for years.

He shouldn't have been treating him like Bakugou. He should have been treating him like Shinsou.

Aizawa's trying to correct the damage of past teachers. If they've spent years telling Izuku he's god's gift to mankind and it doesn't matter what he does because he's a hero and that makes up for it, Aizawa needs to hold him to the fucking rules. He needs him to understand that he's not special, he's not the main character, he's not intrinsically better or more important or above the rules in some magically important way. He doesn't want to hear excuses. He doesn't want to know why this time it was different. Izuku needs to understand that he has to live by the rules too, because he's going to be in charge of enforcing them soon.

But if they've spent years telling him he's worthless, that people can hurt him and it's okay, that he can never, ever expect help from them because he's not worth it? Then fuck, Aizawa needed to do the opposite. He needed the same end result, don't get me wrong--an understanding that the system equally applies to everyone--but he needs to make Izuku believe that the system will protect him again. That Aizawa will protect him. And Aizawa's combing over every fucking interaction they've ever had, and realizing that he hasn't done that, because he spent all his time trying to correct a problem that didn't exist.

I think Aizawa's been beating his head against the problem that is Midoriya Izuku for the past three years. Because Izuku's a hard-worker. He is brilliant. He is a natural leader. He is the fucking cornerstone of the class. He is shining so bright that it's going to kill him, because Aizawa knows how to recognize a star that's burning out.

For three years, Aizawa has tried and failed to get Izuku to realize he can and should ask for help. And he has failed because he thought the problem was that Izuku didn't think he needed help, when the problem was actually that he thought no one would give it to him.

In this last chapter, Izuku finally said aloud the reason behind the core issue Aizawa’s had with him his entire time at UA: Growing up, he thought that there was literally one man on the planet who would care enough to save him. He was the most hero-obsessed boy Aizawa’s ever met, and he thought All Might was the only hero alive he could count on to care if he lived or died.

There it is. The exact answer about every scrap of self destructive behavior that Aizawa’s been trying and failing to remedy for years. Why the fuck would he ask for help when he needs it? He’s spent his entire life living in a world where people wouldn’t piss on him if he were on fire. Aizawa needed every day of those three years to reverse that kind of damage, and he’s out of fucking time.

Aizawa is legitimately terrified that he fucked up and that it's going to kill Izuku.

Izuku’s Quirklessness is the missing piece of the puzzle that makes everything fall into place—which is why he’s so pissed at All Might for not telling him. Aizawa’s actually kicking himself for not noticing the obvious discrepancies in Izuku’s past. The fact that he grew up with a powerful Quirk was the factor that made him return to the same incorrect conclusion again and again. There were enough hints that he feels guilty for not figuring it out anyway, but if he had known about Izuku’s Quirklessness from the start? He would have figured it out in seconds.

Now that he knows, Aizawa’s changed how he handles Izuku. He doesn’t let there be a single doubt about what he’s doing or why. He makes Izuku explain himself, so that way there’s no more miscommunications around what he means. He makes sure to compliment him whenever he does something right—he’s trying to change courses, but he’s panicking that it’s too little, too late.

And now he’s got this goddamn criminal investigation that Izuku wants to bury, and it’s killing him. Because that’s his student, and he was hurt horribly. And his student just cannot comprehend why Aizawa cannot let it go.

And then there’s All Might.

All Might’s conversation with baby Izuku, for me, forecloses the possibility that explaining OfA is a solution here.

All Might really went in and knocked it out of the park with the best possible attempt at convincing Tiny Izuku that he’s himself. He immediately failed, albeit, but he honestly couldn’t have done better.

There he is, Izuku’s lifelong hero. And he’s there to say the things Izuku’s spent his whole life wanting to hear. All Might met him, and Izuku inspired him. He reminded him of himself when he was young. He thought he could be a hero. He was so impressed he offered to personally mentor Izuku.

And he loved him. Believe you are him, because I loved you too much to ever let anyone take you from me. There is a fundamental flaw in your theory that simply no one cared enough to notice or stop him, because I love you with all of me. I would have noticed. I would have saved you.

If there is absolutely anything that could have convinced Tiny Izuku, it would be that. This isn’t about quality of the explanation. There’s an internal issue that needs to be fixed before Tiny Izuku will believe any of this.

And I think Izuku recognizes this, on a level. As much as he and Tiny Izuku clash, Izuku gets him. He can typically predict Tiny Izuku’s exact responses to things.

But he’s never approached Tiny Izuku like someone he can explain this to. He’s spent this entire time trying to cheat code his way out of this situation. He wants Mr. Aizawa to erase him or to go find the Quirk user and find away to negate the Quirk. He’s never actually even considered explaining this all to himself as a solution.

Because he knows that there’s some kind of fundamental impossibility about it. Even if he can’t say exactly what it is, he knows that there’s an internal issue that means he’s not going to be able to just tell Tiny Izuku the truth.

Voice of God, he is dead fucking right about Tiny Izuku not buying OfA and being liable to tell everyone out of spite. Tiny Izuku would have that shit on the news.

Fundamentally, Izuku is aware that there is a deeper problem driving Tiny Izuku. He knows that it’s not about the quality of the explanation. There is something deeply, profoundly wrong because of what happened to him that makes him absolutely unable to accept that Izuku is him.

But Izuku has never known how to solve the mental wounds his childhood left him with. He still has them himself. He’s been burying them for years, and he can’t anymore.

When action opens in pez, Izuku himself is not okay. He’s just… bleeding internally. He knows how to hurt in ways people can’t see. But you can see how much his childhood is still bothering him in his defense of Mirio. He has never been able to let go of what happened to him. The wounds never healed.

And he doesn’t know how to go to these people he loves and tell them that what they’re trying fundamentally will fail, because he knows he’s been hiding this fucking shipwreck of his own mental health for the past three years but they don’t have a fucking clue at the scale of the problem.

At the end of the day, All Might went in there because he wanted to save Izuku. And Izuku told him not to because he cannot imagine himself being saved.

[neversetyoufree]

The funniest thing about the Marquis Machina identity reveal is that it recontextualizes the shoes in her current outfit from "quirky Mochijun design choice" to "Francis Varney is a Japanophile."

Ye olde weeabeau.

[wonder-worker]

I'm listing down some aspects of Elizabeth Woodville’s political career I find interesting because there's A Lot going on but the longer drafts I have for some of them are driving me nuts.

She was a woman "whose origins broke all established conventions of English queenship" (Laynesmith). She was the first post-Conquest Englishwoman to be crowned queen, which meant that her family formed "a unique and largely unprecedented factor of the English political structure" (ibid); we could even argue that she inevitably introduced a new construct of queenship in the process. The Woodvilles and Nevilles do seem to have had a genuine factional conflict/divide in the 1460s and I think it's pretty clear that Elizabeth was involved in it. During her second queenship, her "interest in East Anglia was regarded as the main instrument of royal authority there" (Horrox), accompanied by significant grants and territorial reorderings for her benefit by 1475; this line is often quoted by recent historians but has pretty much never been properly explored. Most strikingly of all, Elizabeth was formally appointed to royal councils in her own right for both her sons during her husband's reign, giving her highly unique and unconventional political authority for a late medieval queen of England. Arguably, her very brief tenure as king's mother marked an informal but notable shift in the direct/visible participation of dowager queens in ruling and policy-making, one that probably provided an example for Margaret Beaufort to (briefly) follow after Henry VII's death. After 1485, Elizabeth's position as queen consort who was mother to another queen consort was entirely novel and should be kept in mind when discussing her activities and residences during that time. The propaganda and slanders against her should not be downplayed or dismissed as "mere rhetoric" or "standard" as historians tend to do, as they were in fact highly unusual and unprecedented for English queens, setting dangerous new precedents for the future.

There's just so much about Elizabeth that's deeply compelling, that has been briefly or offhandedly touched upon by a few historians, yet remains completely unexplored and in many cases unacknowledged in scholarship. (Her role in 1483-85 has also somehow not been reassessed till date despite it being such a wildly contested period in medieval English history). It's both bizarre and deeply frustrating, because these sorts of discussions could open up fascinating new perspectives on not just the Wars of the Roses but studies of English queenship as a whole. But it seems as though, regardless of whether they're sticking to her traditional vilification or attempting a (usually generic or uninformed) revisionism, most historians are only interested in discussing the barest bones of her life and leaving it at that :/

[mariocki]

L'armée des ombres (Army of Shadows, 1969)

"It's impossible not to be afraid of dying. But I'm too stubborn, too much of an animal to believe it. If I don't believe it to the very last moment, the last split second, I'll never die."

[12thbiologist]

first of all im immediately obsessed with the freakiness of the biologists but also why did they think a harness with a bobber was a good idea for tracking alligators? it seems silly to imagine that a bobber would 1. not harm the alligator's ability to hunt in any way and 2. not get stuck on things and immediately break. im obsessed

[rorydrawsandwrites]

"I am a grown adult woman, fascinated by horror and disturbing elements in fiction, I can rationalize the scary parts and be fine"

Also me: *disturbed by the mere description of a fan animation depicting sewerslide and procrastinates going to bed as a result because Ooh Scary Shot Of Corpse is now a (self-constructed) mental image*

[chicago-geniza]

Yesterday's WOKE UP WITH THIS SONG IN MY HEAD THIS MORNING track was Yanka Dyagileva so my subconscious mind is clearly associating chaos, lack of clarity, government crisis, and impending economic crash with "punk/rock from the Soviet collapse era" lol. It does make for an atmospheric soundtrack if you're feeling diegetic about it (the narrative impulse is one of my worst impulses but I indulge it anyway) (you can't narrativize in real time and you can't analogize in real time because you can't see the shape of the story so it's all vibes-based and vulnerable to intuitive fallacy!!!) (and yet I do it!!!!! terrible historical practice!!!!!)

[happyk44]

There is so little info around HPD, it's frustrating, I just wanna see how an atypical or covert presentation would come across and then write a bunch of stupid HPD!Piper posts about it 😩

[aurore-dupin]

There is something so Klavier and Ema about the fucking uh “You don’t know me, but I know you” bit

[jaarijani]

one of these days i will finish a birthday art on the actual birthday itself

today is not that day

[catsconflictscopicsandchamomile]

I was just watching a video on men playing women in Shakespeare performances and it said "remember, Ophelia was written to be played by a man" and my IMMEDIATE FIRST THOUGHT WAS

"Oh, so like, Dean Winchester"

[widowshill]

𝚆𝙷𝙾 𝙷𝙰𝚂 𝙱𝙴𝚃𝚃𝙴𝚁 𝚃𝙰𝚂𝚃𝙴 𝙸𝙽 𝙼𝚄𝚂𝙸𝙲? / <3 roger + v

SOFT SHIP MEME.

honestly this is tricky because roger has the more Cultivated and Pretentious taste, and genres that would typically get classified as Better –– older jazz, classical, some opera –– but V's taste is just more fun –– pop, folk, soundtracks. Roger absolutely thinks V has bad taste in music ( at least at the beginning ) and in return she thinks he has, if not bad, then weird taste ( an opinion not limited to just music ). ultimately i think V's is better because she's less limited by like ... Class and Canon ideas of what's good music, she's drawn to what moves her and her record collection is fairly diverse for its size. and most importantly, her music gets them dancing <3

[ava-is-up-to-something]

I’m more than halfway through my Middle Egyptian textbook, which means I know know more than one and a half languages, and now I can understand one of clauses in the Kahun fragment completely (unless I learn about constructions later that would look like exactly like the constructions I think these are and also work, in which case egg on my face for getting too confident).

(This isn’t one of the parts where Set says horny things. I’m pretty sure it’s one of the parts where Isis gives Horus advice. Sorry. I am aware that figuring out if Set is a bisexual icon or not is the only we’re all here /joke.)

Anyway so there’s this part, right here in the fragment:

And (nerd words incoming, you don’t really need to care about this part, the point is that I can explain how all the pieces of it fit together without being confused about anything and I’m very proud of that): nn (those shrugging arms and the jagged line beneath them) and rdit (the mouth, the arm, and that semicircle) are a negated infinite verb construction (“without [verb]ing”), and mA (the sickle, the eye, and the vulture) is probably a prospective form that’s acting as the direct object of rdit, since there’s only one vulture it in instead of two and the word after it, st (that folded linen glyph and that other semicircle) doesn’t make sense as the next word if it’s an infinitive and Ra (other mouth above arm, as well as the sun, the vertical stroke, and that bird perched on a stick) is also part of the sentence.

ANYWAY it should mean “without causing that Ra should see it,” or in a way that makes more sense to say in English “without letting Ra see it.” (The Latin translation just uses the word “sun” instead of Ra’s name, but capitalized, which makes sense because “Ra” and “sun” are literally the same word in Egyptian. I’m not sure which word is better here. Maybe the English connotations of just “sun” are better, the Contendings version of this myth makes a big deal about whether there’s daylight out or not when everything happens.)

Anyway, I feel pretty confident about this one part now, hoorayyyyyy progress! and hopefully I’ll be clearer on the rest of it soon.

[chicago-geniza]

Holy shit it's her. Żydówka z pomarańczami (1881)