#pre ww1
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Haven't been able to think about anything other than the victorian/edwardian/WW1 twink and his 80's punk almost-boyfriend for a week, send help
#this tv show has consumed my every thought#it's like tumblr catnip#go watch it#it will eat away at your brain#there's also a butch lesbian butcher#an autistic manga loving weirdo (my beloved)#and a badass psychic who's also a mess#WHAT MORE COULD YOU POSSIBLY WANT?#updating the post bc the reblogs lead me on a WILD wiki rabbit hole about the eras of England#okay so Edwin is born in 1900 which means he was born 1 year before the end of the Victorian era (1837-1901) so technically he's a victoria#baby who lived his childhood in the Edwardian era (1901-1910) and his teens in the pre/start of WW1 era (started in 1914)#until he was killed :( in 1916#so my boy here lived though MANY historical events and time periods#shout out to my victorian/edwardian/WW1 twink#history is very fun and this is why i love this website bc where else would i have to do research for my blorbo?#I do however find it very funny if Gaiman named him Edwin in honour of the Edwardian time period he grew up in#I love that man and it wouldn't surprise me if he turned out to be a history nerd (affectionate) like the rest of you#dead boy detectives#edwin payne#charles rowland#crystal palace#niko dbd#dbd#please feel free to dm me about history i adore it
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Why is this so funny
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What time periods r1999 characters are from is so funny and jarring. What do you mean X and Mesmer jr., who both look like they should be playing minecraft on a jailbroken ipod touch, are from the 1930's??
Meanwhile Semmelweis, looks like she should be in the Bela Lugosi version of Dracula, is from 1999 and fights by throwing floppy disks at people.
#reverse 1999#semmelweis being from the modern era is so fucking funny to me#this girl is doing missions in pre ww1 vienna with a walkman full of nsync cd's
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Fredric March and Norma Shearer in Smilin’ Through 1932 👰🏼♀️
#old hollywood#beauty#romantic drama#1930s cinema#norma shearer#fredric march#leslie howard#1860s fashion#ww1#pre code hollywood#smilin’ through#tragic romance
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Doughboys 1930
#buster keaton#doughboys#1930#talkies#pre code film#pre code movies#WW1#first world war#comedy#hollywood#mgm pictures#soldier#france
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[Edwardian/pre-WW1 AU] Lucy and her sewing skills had been a recurring part of Schroeder's life
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Vincent Odinkirk as a Prussian Military Cadet in 1906.
#ottoway#my art#ww1#vincent odinkirk#german history#prussian cadet#1900's#pre-ww1#ww1fiction#colour#lines#ice queen XD
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#the struggler#its so sad really she has to live this (hard) life bc of other circumstances put upon her and now that she can mostly control them#she wants out but will not do it alone. like girl. the suffering that comes from desire girl... do not do it#also max kill that fucking captain NOW#THEY GOT TEACH!!!#billy? yep. tried to kill you? yep.#the yapper#girl not now.....#flint looking 😒#what a fucking psycho....#WHAT THE FUUUCK ARE THEY DOING OMG#jesus i dont need to see this....#I AM KILLING MYSELF TOMORROW NOOOOOOOOOOOOOOOO JACK NOOOOOO#FEACH IS STILL KICKING#OH MY GOD LEGEND#IS HE LAUGHING???#anne just keeps looking at anne like i fucking told you ajdhajshjs#AND THEY LIVE OH MY GOOOD HIS BABYGIRL POWERS ARE UNMEASURABLE#TEACH THANK YOU LEGEND!!!#silver in the horse ajdhsusjsi#these pre ww1 methods of fighting are so funny#and they still got snipers#billy... beef squashed#hands got the captain damn!!! old man powers#well this looks good but we are on episode 3.... i am scared#talking tag#watching black sails#black sails
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Western or white people have this tedency to only interested with pre-islam muslim majority countries thanks to orientalism. As if like they assume just because the people mostly muslim that mean disconnected with pre islam culture. Worse some people really think all arab nation has same culture because "islam"
Islam is a big part of their history and culture so to completely disregard it and only focus on stuff before it is kinda stupid to me
Even after the Islamic crusades or whatever it's called in English the religion still affected their social climate and their relations to each other
It's all pretty fascinating stuff and a majority of ppl don't even care to know about it
I'm mostly focused on Egypt on this blog cause I'm Egyptian but other Arabic countries are really cool and interesting too
And also they all have the same culture?? That'd be like me saying that all European countries are the same cause they're all Christian or something
Arabic nations history is very cool and I'd recommend everyone to at least look into it
If you really can't handle history that doesn't have to do with your white European blorbo look up the colonisation of Arabic countries pre ww1 your blorbos are there i promise
#wanna see france be pity about his debts?#look up the colonisation of Arabic countries pre ww1#wanna see Germany lose his shit cause he didn't get a peace of the Arabic colony cake during the meeting he organised?#look up the colonisation of Arabic countries pre ww1!!#wanna see England and Turkey get divorced?#LOOK UP THE COLONISATION OF ARABIC COUNTRIES PRE WW1!!#your white blorbos are still here after ww1 too btw
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i can't believe you. i can't believe you did this to me.
Luise was trying to organize porters in the chaos of the old house, and Resi was smack in the middle of it, asking stupid questions. Turning halfway to her older sister, she gave a bored glance. "I don't have control of everything," she pointed out as she wrapped a small statue in newspaper.
"And why do you care so much? It's not like you won't be able to keep your Catholic ways, keep going to mass as you please"
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I was discussing how much I hate western philosophy with some classmates the other day and this guy I was talking to was thinking I was being harsh, but then I said “if you can afford to drop everything and go to the Alps or a Tibetan monastery or whatever to go ‘find meaning’ for months, I don’t really give a shit about what you have to say about life” and the guy goes “…..yeah. Yeah okay.”
#dudes pre-WW1 will really fuck off for ages and come back enlightened#and the enlightenment is just eugenics#this isn’t a blanket statement this is me being pissy about having to care about Hermann Hesse in what’s supposed to be political science#philosophers shouldn’t be allowed to write fiction imo
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Like why is it specifically European-type leftists who have zero sense of pragmatism or... basic politics. Like okay great you can repeat all the right words etc but you're never gonna have more than 10% of the vote...
#tangential but also dont apply lenin in 1914 to obama in 2014. the us had some very significant changes in between#no rhetoric exists in a void unaffected by other world leaders. if lenin dealt w obama's foreign policy he would have wrote different things#because his works were custom tailored to the times they were written. and not to be a broken record but wildrow wilson=/=barack obama#pre ww1 europe =/= post ww1 ww2 cold war europe#rambles#politiposting
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I need help atp I manage to study only when I'm clowning on the things I'm learning abt
#50 art pieces i need to know the name of + artist + whether it was surrealism dadaism or abstract or cubism#and on top of that some usual history knowledge although it should be ez. pre ww1 until end of ww1... k.#BTW. I know Im on my phone too much i just cant focus my eyes wander off
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This was a very informative read and reminds me of a post I read about leg prosthetics too. A prosthetic may be appealing for a number of reasons but at other times it may not. And we need to do a better job to showcase the diverse feelings that people have about mobility aids and such.
I think we need more representation for upper limb prosthetics that don't look like metal/techy version of normal limb and allow ones that are used for specific purposes (like ones clip onto things for better support or ones specifically made to hold utensils when cooking and so on). Those seem much more useful because for certain tasks it may be nice to have the support but other times you really don't need it since people are quite good at figuring out how to work around stuff.
As for characters who don't used prosthetics, surprisingly I think Kore Yamazaki has so far done a pretty good job depicting characters eith amputated limbs. I feel a lot of people who know about Ancient Magus Bride forgets about this but Yamazaki has definitely put in a lot of thought in how to depict Renfred and I appreciate the care she put and the conscious choice she made to keep him as an amputee instead of using magic to give his arm back and such.
I'm really excited to see how Yamazaki will develop Philomila and her newfound lack of fingers once the manga comes out of hiatus. Issac is going to make artificial fingers for her but as with real life upper limb prosthetics, it's never gonna work as well as having her actual fingers and perhaps the difficulty to manipulate whatever Issac comes up with may lead to her discarding them?? I doubt she'll be too plot relevant in the next arc based on how the teaser for the next arc seems to hint at the adult mage charas like Lindel (and Adolf even tho he isn't a mage) being the focous but you never know.
Hi! I'm very interested in attempting to write a disabled character (not for this blog, I assure, for an book I'm writing) in which the story doesn't fetishize/objectify her prosthetic limb. I'm in many writing circles and have been for a long while, but I've never seen this issue brought to light which I realise is a very important one. I have much to change in my thought process, and thank you for bringing this issue to attention.
I'm curious, and I apologise if this has been asked before, but what sort of design could you see for a functional prosthetic that doesn't go for a plainly aesthetic appearance, or is soully to please others? I do note that you said prosthetics are generally... not that helpful. So is there a way that it could be? Or do you think it would always generally be better to not use a prosthetic, as its mostly for aesthetic purposes, as you said?
I apologise if this ask is too outright or anything, and I don't mean to intrude. Thank you for your time and have a beautiful day!
okay, i want to answer this as in depth as possible, because whenever i talk about having a prosthesis, someone will always tag some variation of "#writing reference" and i do wonder what message they're taking away, and i want to get as much of my experience out as possible to maybe help shape how this is all portrayed in the future. and yeah… this is gonna be one of those rambly smg posts that the expand feature was invented for, so i'll start with the very abridged TL;DR:
if you're writing a character with an upper limb prosthesis; don't. arm amputees are unicorn level rare even compared to leg amputees, and i've never interacted with or even heard of an upper limb amputee that regularly uses a prosthesis, let alone relies on one. fiction has lied to you for the sake of cool aesthetics, don't repeat the cycle. more in depth writing advice including nuance and "but i waaaant to" will follow.
that said, grab your donning parachute and let's get started...
context for everyone involved: i am an upper limb amputee that rants a lot about how prostheses suck, i lost my right hand roughly five years ago at roughly the age of 30 after a very rough decline in health… it was pretty rough. this question is being asked in the context of a previous rant post of mine, and i checked that the ask is about an upper limb prosthesis in particular.
the situation regarding the usefulness of lower limb prostheses is totally different; i am definitely no expert, but by all accounts, prosthetic legs are incredibly useful for many people. getting a good leg can be absolutely life changing and more or less necessary for day to day life for some; mostly because infrastructure and society is just so fucking hostile to wheelchair users. being able to walk - at the cost of pressure sores and rashes and increased residual limb pain - is a preferable option to many people than being unable to fit through a doorway or in a bathroom stall or find out that the key to unlock the only elevator is in the admin office up three flights of stairs (true story).
but upper limb prostheses… see, the thing is, hands are incredibly complex organs that rely on a lot of immediate haptic feedback to work at all. hand dexterity is all about control, you need fine granular movements of the digits yes, but you also need the subtle sensations of pressure and proprioception in order to adjust your movements on the fly. i speak from experience, in the years leading up to the full loss of my hand, i was slowly losing function of it, usually swinging between numbness that made it clumsy at best, or screaming overstimulation from moving it at all resulting in unpredictable spasms… and let me tell you, a half working hand is infuriating to try and deal with. you can never know if you have a good grip on something or if it's slipping because of the wrong amount of pressure, and there's only so many smashed bottles of pickles on the floor before you give up using it all together… so amputation wasn't a great loss there, i had time to adapt.
a prosthetic hand of any kind has all of those issues and more. they're heavy and bulky, the cosmetic faux fingers or gripping claw have crude movement at best, and there's zero feedback (put a pin in this). 100% of the time you're using a prosthetic hand you have to keep your eyes on the grip and visually guesstimate whether or not the thing you're carrying is held tight enough but not too tight, that is if your "heavy duty" prosthesis can even support the weight without the servos disengaging or the wrist attachment socket just busting loose. i dropped a whippersnipper on my foot last week when my socket couldn't take the weight and i think that was the final straw in me desperately trying to prove to myself that there is a single task my prosthesis actually helps with.
this is usually where fully two handed people start talking about bleeding edge DARPA tech, and how we just need to invest more,research more, develop more. better tech, more tech, neural integration, more more more. okay i promise the writing advice is coming! for starters on tech, my experience is already with a mid-to-high end ottobock terminal device: i've got a myoelectric nerve-signal operated proportional control heavy duty greifer; about the only upgrade left for me to get would be a rotating wrist joint if i could coflex. it's not military, it's not "rockclimber that owns a prosthetic company", but it's quality tech. it still fucking sucks. secondly, that high level military tech exists primary for PR purposes so they can say they treat their discarded casualties well, "we can rebuild him, we have the technology" style. every war vet i've read about or heard from that's been gifted that high level tech also abandons it for the same reasons; it's imprecise, there's no feedback (or the haptic interface has to be fully recalibrated every time they put it on), but mostly they're more capable without one.
okay, the transhumanist ableds say (i should know, i used to be one), what if we did more ~research and development~ and got that neural feedback working? then we could have fireproof superhumanly strong robot arms to fix up everyone! here's where i take out that pin we put up before and i tell you that a class of prosthetic arms/hands already exists that has perfect proportional control, fine motor control, and physics perfect pressure feedback piped directly into the patients' existing sensory systems! they're called body-powered prostheses, and they were invented in like the 1600s. you strap a whole bunch of stuff to your arm and shoulders shoulders, and control the operation of the terminal device and elbow through cable tension by flexing your shoulders. they do take a considerable amount of training to operate - though hell i spent 18 months training to use my myo - but based on everything i've read, body-powered prostheses are the best option if you're an upper limb amputee and absolutely need a second hand for some reason.
but they don't look cool and futuristic, and according to my prosthetist, most people give up on using them too. we all give up on our prostheses, no matter the type. my rehab OT was impressed i lasted the 18 months of my training. towards the end, they even asked if the clinic director could drop in to one of my sessions to see my progress; he expressed genuine amazement at me casually using my bulky robot claw to use a brush and dustpan, and made an offhanded (hah) comment about what someone can achieve "if they stick it out to the end", implying it was somewhat of a rarity for me to have done so. several years on, and yesterday i wedged the dustpan between my ankles to sweep up into it, awkward but exponentially less effort than putting my dusty robot arm on. which, by the way, is a whole thing. look up some videos, they're all awful to don. i don't actually know the official technical name of what my clinic calls a "parachute" but it's a bitch to use! have you ever tried to pull back with your arm whilst also pushing it forwards at the same time, and simultaneously lean in to and away from an external force pulling on you? that's how you get a myo socket on.
bare with me, i promise writing advice is coming, and i promise it's more than the tl;dr. but. remember when i said a half working hand is infuriating to deal with? any prosthesis, from fancy myo tech to pirate-era body powered, will only ever be half as good as a working hand, and being juuuust within capability to do something but not quite able to is maddening! but you know what works way better than a half working hand? no hand at all. using whatever residual/vestigial limb you have - whatever "stump" you have, i hate that word - is pretty much always better than trying to use a prosthesis. i can use the inside of my elbow to grip and carry things, i can use the nub of my arm to apply pressure to hold things, open doors, use a computer mouse, turn on taps and lights, if i put a glove over it i can use it to prep for cooking. i have full proprioception and pressure feedback with skin contact, i don't think i've ever dropped and broken anything from my elbow, unlike countless things slipped from my greifer - which, by the way, absolutely will start clenching as tight as it can if i get even slightly too sweaty around the electrodes, which has both broken things i'm holding and also injured me, because surprise surprise but servo operated robot claws have pinch points on them right near the "emergency disengage" lever for some reason!
but i am exponentially more capable without it on than with it. no, i'm not fully independent, i rely on housemates and loved ones to help me out with some tasks that simply just need two handed dexterity, but none of those tasks are things a prosthesis makes me able to do anyway. i used to imagine my prosthesis would be like a bra; a bit awkward and uncomfortable, but i'd wear it throughout the day because it's helpful and take it off in the evening to decompress. in reality it's actually exactly like a bra: an absolute bitch to put on one handed, unbearably uncomfortable because it never sits right, ugly af unless you're a millionaire, and absolutely useless except for the fact that i get gawked at and judged by strangers if i leave the house without it on.
and if you really want to discover how far "no hand is better than a half working hand" goes, brace yourself, and look up the patient's stories (not medical system stories) of people that have had hand transplants. the first man to receive one hated it, he was promised a return to normal function, and what he got was a nightmare worse than being one handed; he wanted it removed again but the doctors refused because it would undermine their grand achievement of the first hand transplant. the doctors and society wanted him to be fixed, they wanted him to be normal, they wanted him to be abled. they failed. they made him less able to do things, denied his autonomy, and left him with someone else's hand slowly rotting on him, prioritising the idea of "scientific progress" and "two hands good" over the physical health, mental health, and ability to function of this man.
he's not alone; every story from the patients' perspective about hand transplants that i've read goes this way, including a woman who was born quad limb different and was promised hands would improve her life, pressured into a double hand transplant, only to find herself after the surgery essentially experiencing disability for the first time ever, because she had lived her whole life getting by just fine with her 'underdeveloped' limbs, but half working hands are worse than useless. you can try to find these stories yourself, but i'm not going looking for sources on any of these cases, because if you look back through enough of my posts you'll get a glimpse of the horrors and abuses that i too was put through by doctors who prioritised trying to "fix" me at any cost, rather than providing me the best quality of life, and in turn traumatised me and left me more broken than any loss of limb on its own could. dear goddess, i promise the writing advice is coming.
so. why do upper limb prostheses exist at all? if they're so terrible and useless, what is their function? i want to borrow something someone else left in the tags of a previous rant here, from someone who i believe works in prosthetics and/or rehab, cleaned up and anonymised at their request:
"upper limb functions are wildly more complex than: 1) bear weight static, and 2) bear weight moving. but every single upper limb amputee i know has a fancy expensive prosthetic just gathering dust in the closet because there is literally nothing it can do like a few years of adjustment and if needed non-dominant hand retraining can't do. the existence of forquarter prosthetics to begin with is just kind of silly and useless and entirely to make OTHER people feel comfortable, especially considering they universally are UNcomfortable for the amputee. i hate the notion that as soon as you get the amputation the prosthetic is The Thing That Will Fix You And Make You Feel Normal again because it universally isn't! but every forequarter person i know had like this ideal of Being Fixed By Magic Prosthetic that they were then obviously wildly disappointed by and had to do yet another grieving process with, versus if the dominant narrative were just one of: yeah. it'll take time, there is no magic fix."
and i think that really nails down what the actual purpose of upper limb prostheses is: they're not for the user, they're for the sake of other people. and not just their comfort when looking at our bodies, although based on the pressure for both amputees and people born limb different to get functionless cosmetic plastic hands, there is a lot of that. but it's not just that.
i fully believe that the reason prosthetic hands exists is to comfort the fears of the two handed. "don't worry", they say, "we can fix you again. you don't have to fear becoming Disabled, you don't have to worry about adapting or your life changing. we can make you Normal™ again."
you would not believe the number of people that have approached me to shower me with pity, to tell me how horrific my life is, how they can't imagine it. people have told me, apropos of nothing, that they'd kill themselves if they lost a hand. indirectly, that my life isn't worth living. unless, of course, i happen to be wearing my cool as fuck looking robot prosthesis! then they tell me how wonderful it is, how lucky i am, how glad they are that we have the technology to fix me. that's what a prosthetic hand says, what all the happy fishing photos on limbs4life posters at the rehab clinic say: don't worry, we can fix you. that's what the bleeding edge DARPA flexi-whatever fully articulated neuro-feedback hands say: don't worry if you get IED'd while hunting civilians for us to drone bomb, if you get hurt, we will fix you, we will fix the fuck out of you, we will motherfucking adam jensen you into a cool as fuck cyborg that your son will idolise; come on boys, don't you wanna enlist just for the chance at being as cool as this? join the bomb squad for a ticket to the upgrade lottery.
and so we arrive at fiction. as much as his dialogue options protest, adam jensen loves his robot arms, they punch through walls, turn into fucking swords! they make him the most special man in the world. what would he do without them? learn to cope? grieve? practice acceptance? take up poetry? just, be disabled? there's no power fantasy for ableds in that.
in fact, can you think of a single fictional character that's an upper limb amputee that's, well, just an amputee? they all have robot arms. not realistic prostheses, not medical devices; robot arms. sleek or bulky, top of the line or broken down self built, steampunk or nanomachines or magitech automail; they're never without them. never just an amputee. never born limb different either! there's always that element of tragedy to overcome, always suffering and misery porn, always focus on the pain and the helplessness without the absolutely vital robot arm that makes them Normal and Whole. the closest amputee example i can think of is furiosa from mad max, who iirc fucking punches max in the face with her residual limb like a motherfucking badass! i can barely lean on mine wrong and she punches a guy! but she still apparently needs a dieselpunk robot hand to drive a truck, something you can do one handed so easily most drivers don't even notice they're doing it! please don't, by the way
and so many disabled fans love to point to robot armed characters as disability representation; the winter soldier, luke skywalker, edward elric, misty knight, that genderswapped furry girl from ratchet and clank, jet cowboybebop, finn the human, and yes, adam jensen…. these are all characters that someone disabled i know has told me they love because they "represent disabled bodies"…. and i know nobody wants to hear this, because i've been screamed at for saying it before, but… they do not. they are not disabled, functionally or within fiction. they are either perfectly able bodied Normal people with chrome paint on an arm, or tortured misery porn we are supposed to pity and feel lucky we're not them. sometimes both!
also you ever notice how it's basically always arms? lower limb amputations are orders of magnitude more common than upper, my prosthetist said i was probably only the 4th or 5th upper limb she'd worked with in her career, with literally hundreds of lower limb fits. but fiction doesn't seem to reflect that, huh? or any other part of the reality of disability. it's always cool as fuck robot arms, never cool as fuck wheelchairs or crutches or dialysis machines or colostomy bags. a fair few "i was blind but now i can see with Robot Eyes and also infrared and xray" around, which again, plays into that "we can fix you and make you cooler" propaganda.
by the way, up above when i was describing body powered arms, if you wondered to yourself why i went with a myoelectric one instead when i clearly believe body powered is better… yeah. i am not immune to propaganda! i too wanted to be cool as fuck. i spent years with deteriorating function in my hand for reasons that are still unknown, was misdiagnosed and medically neglected to the point that removing my hand seemed to be the only option left to offer some relief, and even that was a clusterfuck that left me worse than ever… of course i wanted to believe in the power and prestige of a cool robot arm that fiction promised me.
but fiction promises fantastical lies. and so.
we get to the writing advice portion of the novella that is this post. you asked for advice on how to write a disabled character with an upper limb prosthesis. you've read the tl;dr, you've read everything above i assume, you know i don't want you to do it. the obvious twist is that it's been writing advice all along, me trying to share my perspective on what it's like being an amp with a robot arm and how shitty it is, implying how almost any fully realised and realistic character that's missing an upper limb would give up on a prosthesis at all. you can already tell that every value judgement in me says "don't give her a prosthesis, no matter how functional or cool you make it. don't try to make the tech better to justify it, just let her be one armed, one handed. just let her be disabled, but not helpless. let her show off her elbow or underarm carry strength. let her love interest appreciate how soft and squishy her residual limb is in a moment of tenderness. let her natural disabled body be respected and valued."
but that's a personal value judgement from me, and you are the author of your own work. i know it's trite to say, but you are! even the act of deferring to someone with lived experience in the hope of doing a better job at representation is a value judgement, a good choice in my opinion, but one you needn't necessarily take. maybe you do want to write a character that has a cool as fuck unrealistic robot arm as a power fantasy, or a comfort blanket… i did.
i've been slowly writing my own probably terrible scifi epic for over a decade now, and when my arm was giving me hell back then, i'd take great comfort in this fantasy of my protagonist with her chunky robot arm, the terrible traumatic suffering of her loss, overcoming, the power and ability her advanced prosthesis gives her over others, that she alone has access to, because others are not willing to make the sacrifices required. inspiration porn. awful stuff to me now, but empowering to me then. as i grew and gained direct experience, i slowly reimagined her, rewrote her, ship of theseus'd her into an entirely new character; a reflection of me now, bitter at the whole thing, spiteful that her natural flesh arm evokes fear and distrust, but unwilling to suffer the pain and frustration of her unnatural prosthesis just to make others comfortable and respect her as "whole", however artificial that whole is. and as with the ship of theseus being two ships, once i realised the transformation, i re-added the old protagonist back in whole cloth as a separate character; proud of her robot arm and its power, but in new context, as a foil and antagonist, an in-universe military prosthesis propaganda figure to reflect how i now feel characters like her exist to us, the readers.
i'm not just sharing that as egotistical self promotion, but to highlight that, even if i sit here begging you all up and down not to write characters with robot arms for how bad and unrealistic they are; there's still something genuine and true that their inclusion can say. the great thing about the story that you're writing is that only you can write it, as they say. but i whole heartedly believe that to write to your best, you have to be aware of what you're writing and why. as tempting as it is to feel these characters form naturally in us and therefore we're averse to changing traits about them that feel organic and self evident; as authors we have omnipotent control over the text, every trait and detail is a reflection on us, so we'd sure as hell better understand why we're choosing to write a character with this trait. because anything you write without being aware of intent will take on its own meaning in the space between.
and on that note, if i don't say this, i'm leaving it to be inferred: i definitely don't want to appear to come down on the side of saying "you cannot write an amputee unless you are one", because we are rarer than single young bisexual unicorns! and it would be a tragedy if anyone read through all this and then turned away in fear, deciding to never write an amputee character (with or without robot arm) because they feel they can't do it justice… believe me, no matter what anyone says, some hack writer somewhere is going to keep writing adam jensens and winter soldiers. don't let them be the only voices in fiction! just try to do your best.
so my ultimate advice on the topic of writing a character with a prosthetic limb is to ask yourself one question in two different frameworks, and meditate on what you feel the answer is:
why does she have a prosthesis?
from a doylelist perspective as the kids say, as an author with omnipotent control, why are you choosing to write about this topic? why are you choosing to give this trait to this character? what does it say about how you view ability and disability, what makes a person normal, and what our society values? will you let her be in her natural body? or will you give her a prosthesis, force her to wear it by authorial fiat, or author her a meaningful reason to choose to? if yes, be sure you know; why did you give her a prosthesis?
and from a wastonian perspective, diegetically, inside the story, why does she choose to wear a prosthesis? what does it say about her inner character, and how she interacts with the world? how does she feel about doing it, is she prideful and loves the attention she gets, or does she resent whatever necessitates its use? how do people in this world view ability and disability, what does this society value? and above all, whatever the answer to these questions, whether or not she uses a prosthesis or is badass without one, how does she deal with the eternal freezing cold that every amputee ever feels constantly in their residual limb and why does nobody make a heat pack that fits over a nub without drafty gaps???
i can't outright tell you how to write a good upper limb amputee, but if you at least know why you're writing one and for what purpose, you're on track to write the best character that you can. that's the best advice i can give… other than, like, this whole rambly mess.
and, as a reward for reading this far, please have a very blurry cryptid photo of my cat doing his old man sit:
#another chara I thought about was Sesshomaru from Inuyasha#he does spend the earlt part of the series looking for replacement limbs#but it's not long before he stops and just vibes. after all he#he's still one of the most powerful charas in the series#the one caveat to him is he got his limb back at the end because apparently magic sword was preventing him#from regrowing his arm till he became more morally good or something#back to AMB but Yamazaki really put a ton of thought in everything in the series#like the bible and fairytail references#and even chara names like Adolf which we associate with the short guy with the mustache but would make sense for#AMB's Adolf being named that since he's from Dresden Germany but pre ww2 (possibly even pre ww1 depending on how long he was in Iceland#with Lindel)
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