#powered by altered carbon

[bajoop-sheeb]

Meditation by Yoong Bae

[kagrenacs]

Long awaited, here is the soil map of Skyrim using the Canadian System of Soil classification. Brief description of my conclusions under the cut:

Chernozem: Whiterun Hold is likely home to the majority of Skyrim’s Chernozems. The majority of biological carbon sequestering in grassland environments are below ground, within the root systems. Organic material- humus, builds up, causing the upper layers of the soil to take on a dark colour. Additionally, Solonetzic soils could be present, peppered throughout the hold if the parent material to the soil is salty enough.

Cryosols are formed in Skyrim’s far North and high alpine regions. The mean annual soil temperature being 0 degrees C, with permafrost conditions. Freeze-thaw cycles lead to permafrost at the soils surface, but also cryoturbation: soil movement arising from frost action.

Additionally in mountainous regions, you would find Regosols. Soils which develop on unstable landforms and have had little time to develop, such as mountain slopes, or river floodplains.

Gleysols occur across the landscape of Skyrim, but primarily in Hjaalmarch. Gleysols are commonly found in depressions or low-lying areas where water saturates the soil continuously, leading to a molted characteristic to the soil.

Organic soils would primarily be found in the water saturated soils of Hjaalmarch. These are wetland soils found in forested areas and are commonly known as peat, muck, bogs or fens.

Borrowing from the USDA soil taxonomy, Inceptisols are light colored soils with moderate alteration, occurring under cool and cold climates. These soils would be found in the Eastmarch caldera.

Luvisols are associated with forested landscapes overlying loamy glacial till, or on clayey lacustrine deposits. Lake Honrich dominates a large portion of the Rift, according to UESP, seemingly draining from the lake. I believe this to be the site of a melted glacier, the lake being meltwater. Clay sediments are associated with lakes because of their deposition, coarser sediments bordering the lake near the shore, and finer particles at the deepest reaches. Additionally, at the end of the Karth river, where sandy deposits would be deposited at Solitude, before the stream looses power further down the river, leaving only clay to be deposited.

Podzols are associated with igneous parent materials, coniferous vegetation and high acidity. Primarily they are found in Falkreath Hold and Southern Eastmarch.

Brunisols are an intermediate stage between Regosols (undeveloped soils), and Podzol or Luvisols. I believe with the unstable, mountainous landscape of the Reach, soils would remain still rather undeveloped. Brunisols would also be interspersed among the Luvisols.

[fatkish]

Aizawa and Class 1A x Student Alchemist Reader

In this, the reader has the same tattoos as scar. The reader’s left arm deconstructs molecules and their right arm reconstructs molecules.

The reader is quirkless so they use Alchemy to even the odds and are good at combat.

The reader took the entrance exam and has similar grade to Momo. Momo and the Reader share the 1/20 place amongst their peers

The reader aced the written test and destroyed the robots by using their alchemy to disassemble them. They got 45 villain points and 45 rescue points

When the teachers were looking over the students papers, Aizawa and Nedzu were amazed and skeptical of the reader being quirkless

Aizawa didn’t believe that you were quirkless so he used his quirk on you during his quirk apprehension test. Obviously it failed and he realized your were being honest on your paperwork. Still grilled you about it

Aizawa is ever so slightly more protective and stricter on you than other students. He worries all the time so he is a little harsher on you but you know that he just wants to push you a little more

You’re currently studying both flame and medical alchemy. You tend to study with recovery girl and help her out whenever you get the chance

During All Might’s hero vs villain training you were paired with Momo (Mineta didn’t get into the hero course) against Jirou and Kaminari. You won by creating a sleeping gas and put them to sleep whilst you and Momo wore gas masks she made

Bakugou refuses to admit your strength but has a secret respect for you since you beat him by altering his sweat’s molecules so it wasn’t explosive

Izuku has so many notes on you and has asked to draw your tattoos and you even began to teach him basic alchemy, although he sucks at it

When questioning you, you told Izuku that you were quirkless which he accidentally let it slip to his friends who then let the class know

After that you explained to the class that alchemy can be performed by anyone, it just take years of study and practice to perform and understand the basic rules and applications

Some didn’t believe you so you removed your shoe to show them all your second joint in your pinky toe as proof

Some still have a hard time believing it but most of the class accepted it

Kirishima, Sero, Iida, Jirou and Uraraka think you’re (manly) incredible and ambitious for dedicating yourself to something and making yourself strong despite the odds

Ashido, Kaminari and Hagakure still don’t believe that you’re quirkless

Tokoyami and Shoji both admire your strength and perseverance in trying to become a hero despite lacking a power and having been ridiculed and criticized for your dreams

Ojiro and you train in martial arts often as a means to strengthen one another

Tsuyu and you get along just fine as you both are some of the more mature students in classs

You tend to hang out with the quiet kids like Shoji, Tokoyami and Koda

You and Momo both bond over and help each other study the molecular make up of certain items

During the USJ attack, you used your flame alchemy on the Nomu. You used your conductive gloves to create the flames and tried to roast the Nomu

You took Hatsume’s place on Midoriya’s team in the Calvary battle

You fought Iida in the first rounds and won by creating a rugged and difficult terrain to run in as a means to slow him down, then you used your alchemy to seal his engines and managed to hit him in a pressure point that immobilized him

Todoroki was amazed when you were able to beat him in the sports festival. You turned his ice into water and then changed the arrangement of the stage’s molecular structure to that of quicksand and used the ground to swallow him up, winning your match.

Bakugou was pissed off when you altered your body’s carbon to be on the outside creating a skin of diamond like armor that his explosions couldn’t beat

You got 1st place in the festival but All Might accidentally let it slip during the award ceremony that you were quirkless

You got the third most offers from pros for internships out of the class

You ended up going with Best Jeanist and had a rather good time compared to Bakugou

After the Internships were over, you had mastered your flame alchemy and used it against All Might in your practical exam

Bonus: Todoroki learned that you can’t use flame alchemy when it’s raining or if your wet and accidentally started the ‘useless when wet’ shtick.

Now Bakugou makes fun of you whenever you get your gloves wet and acts like you need protection and enjoys babying you.

[bethanythebogwitch]

Wet Beast Wednesday: bone-eating worm

Happy (almost) Halloween from us at Wet Beast Wednesday. What better to celebrate the spooky holiday than with a spooky animal? These critters are so spooky they even scare skeletons. Sometimes called zombie worms or bone worms, bone-eating worms are scavengers that play an important role in deep seas. Try not to get too scared.

(Image: a cluster of bone-eating worms on a bone. Their plumes are visible, looking like red feathery structures emerging from a clump of brown sludge. End ID)

Bone-eating worms are members of the genus Osedax, with 26 species currently known. My favorite is Osedax mucofloris, which means "bone-eating snot flower". They are small tube worms, reaching between 2.5 and 7 cm (1 to 2.7 in) in length. The body is divided into three segments, the trunk, ovisac, and root. The trunk makes up the majority of the body and it topped by red plumes that act as gills. At the base of the trunk is the ovisac, where eggs are produced. Below that are the roots that bore through the bones the worms live on. This is done by secreting carbonic acid that is produced through anaerobic respiration. The roots also produce a mucus sheath whose purpose is not fully known. It may protect the body from the acid or may prevent the acid from dissolving the hole the worm lives in. As with other tubeworms, the worm generated a protective sheathe to live in. Normally, the plumes extend out of the sheathe to respirate, but when threatened, they will withdraw into the tube.

(Image: a bone worm removed from the bone. It is a long, translucent tube with reddish plumes on one and a lump of wavy roots on the other. End ID)

Bone-eating worms lack a mouth, anus, and digestive system. To obtain nutrients, they exist in a symbiotic relationship with bacteria. As the worms break down the bone, they release lipids and proteins that the bacteria consume to produce energy in the form of glycogen, which is transferred to the worm. The worm then uses the glycogen to power itself and feeds it to the bacteria to keep them alive. The worms also use collagen, which is the primary component of bone. Many of the symbiotic bacteria species need the collagen, which the worm provides by breaking down the bone. Curiously, many of the symbionts produce toxins that disrupt the membranes at the roots, leading to infection. The bacteria are also found surviving outside of symbiosis with the worms Because of this, it is debatable whether the relationship between the worm and its bacteria is mutualistic (both parties benefit) or commensal (one party benefits, the other neither benefits nor suffers).

(Image: a cleared view of bone worm plumes emerging from a bone. End ID)

Bone-eating worms are found worldwide in oceanic depths ranging from 10 to 4,200 meters (30 to 14,000 ft). They are most commonly found on the skeletons of whales, but will also colonize fish bones and even, in one experiment, cow bones. Whale bones seem to be preferred both because of their large size and the large quantity of lipids found within. Whale skeletons can often be seen covered with bone worms, giving them the appearance of red shag carpeting. As the worms break down bones, other animals can take better advantage of the nutrients within. The presence of bone worms at a whale fall has been shown to increase the biodiversity of the site. Bone-eating worms are ecosystem engineers, organisms that significantly alter their habitat. They have been doing this since before whales existed. Fossil sea turtle and plesiosaur bones have been found with signs of bone worm colonization.

(Image: a lone bone worm with its tube visible. Its plumes are whitish. End ID)

The bone-eating worms have one of the most dramatic cases of sexual dimorphism in the animal kingdom. All the worms you see when you look at a whale skeleton are females. The males are 20,000 times smaller and fully microscopic. They still resemble larvae, making them a case of neoteny, an adaptation where juvenile characteristics are retained into adulthood. Harems of males live inside the females' tubes and feed on the nutrients released by the bacteria. As the female generates eggs, the males fertilize them. The eggs hatch inside the female's tube and stay for a while to mature before being released into the water. The fact that the worms are so widely distributed indicated that the larvae can travel vast distances to find a new set of bones, but the means they use to do so is unclear. The extreme sexual dimorphism reduces competition between males and females and ensures the males will always have an available mate to pass on their genes. The species Osedax pirapus do not follow this form of dimorphism. Males are still smaller than females, but they actually look like worms and share the same lifestyle. This increases competition between males and females, but ensures that males can make far more sperm due to their greater size.

(Image: a collection of images of multiple species of bone-eating worms. Source. End ID)

[probablyasocialecologist]

The United States solar energy boom is finally taking off - in the worst way. In the Mojave desert and other federal lands across the West, utility-scale installations are putting gigawatt-hours of energy on the board and powering millions of homes. But the designs are sloppy, the labor conditions are horrific, and the environmental damage is incalculable. Ancient joshua trees are being clear cut, endangered desert tortoises are being left for dead, the vast biotic carbon stores of Mojave soils are being upturned, and the reflectivity of enormous expanses of desert are being altered, affecting the planetary climate. ​But it doesn't have to be this way. There's a type of energy that requires no fuel and no land. It hardly even needs transmission lines, as it can be built at the site of use: rooftop solar. Every hour of the day, rooftops across the United States soak up enough sun to generate petawatts of power. Estimates for their potential to offset US energy demand range from 13 percent to over 100. Yet at present, only around 2 percent of US energy is generated by rooftop. ​And then there's land area that's already been developed. Just by building solar on degraded lands, focusing on superfund sites, reservoirs, and farmland, researchers estimate we could generate more than enough to offset today's national energy demand. While there are points of dispute concerning some projections, the conclusion is clear: between the potential of degraded lands, rooftops, wind, and storage - plus existing hydro, nuclear, and other zero carbon energy sources, there's really no need to tear up the rare and fragile ecosystems of our deserts.

[delta-orionis]

Currently losing my mind a little bit trying to find an alternate name for the Recursive Transform Array/Abstract Convergence Manifold regions in Five Pebbles/Looks to the Moon respectively. I think both names mean roughly the same thing.

(Left: Coils in the Recursive Transform Array, Right: Coils in the Abstract Convergence Manifold)

(Theorizing under the cut)

Both regions contain sets of large transformers (or inductors, they both look like coils) arranged into different groups. I assume the function of this region is to receive power from an iterator's power source (how iterators get their power isn't exactly clear- but at least in Pebbles' case it probably comes from the Linear Systems Rail) and step up or down the voltage so it can be distributed to the different electronic components of an iterator's superstructure as needed.

Stepping up/down voltage is the function of a transformer, which is where I assume the "transform" part of "Recursive Transform Array" comes from. In Moon's case, "abstract" in "Abstract Convergence Manifold" is a synonym for "transform" or "change", one thing is being abstracted, or changed into something else.

"Recursive" means "repeating" (and "repeat" is a synonym of "iterate", funnily enough), so this part probably refers to the multiple similar transformers found in the Recursive Transform Array.

In terms of the Abstract Convergence Manifold, either "convergence" or "manifold" could correspond to the "multiple similar things" meaning. The objects in question are "converging", coming together, or being similar.

"Manifold" is a bit trickier, the general definition means "variety" or "many", but the word has other uses. In typography, it can refer to the process of making copies of a document (via a carbon copy), and in engineering it can refer to a component that distributes gas or liquid to different parts of a system. So in this case, I'm going to assume that "manifold" means "copies" and/or "distribution". This makes sense if the Abstract Convergence Manifold distributes power (or maybe even Void Fluid) to different parts of Moon's structure.

And finally, "array" in "Recursive Transform Array" means a group of things arranged in a pattern. This is also probably what "manifold" in "Abstract Convergence Manifold" means; a group of copies of things.

Based on this, both names basically mean "group of similar/repeating things that change". This might not just refer to the groups of transformer coils, but also to the big square structures that both Pebbles and Moon have in these regions:

(These rooms are very dark, I'm only showing Pebbles' here because it's better lit than Moon's.)

This thing looks like a big computer chip, maybe a Central Processing Unit (CPU). I theorize that this room is where the majority of an iterator's processing takes place; where the actual iteration (in terms of computing: repeating a process) happens. So the things that are repeating and changed could be the actual iterative processes (simulations, thoughts, calculations) are carried out, altered slightly, and repeated again.

(Side tangent: I've always wondered what Pebbles was referring to when he mentioned his "processing strata". It might be layers of processors located in his Recursive Transform Array, possibly in the same big room as the square thing. Personally I think the processing strata are the little blinking lights you can see in the background of this room, but I could be wrong. If anyone actually knows the answer please let me know.)

TL,DR: If you have an iterator OC and you want to give their internal regions names but you don't want to simply copy existing ones, I'm pretty sure the naming convention for the transformer arrays uses synonyms for (similar/repeating) (change) (group). For example, "Sequential Flux Assemblage", "Parallel Modification Cluster". These sound silly, but basically everything iterator-related is silly technobabble, so I think the moral is to have fun with it.

Thank you for reading, and let me know if you have any ideas. I enjoy talking to people about random Rain World theories.

[seneon]

Woaaah I'm so glad the you write for mashe. I don't know if ur open for request if not please ignore this

How about Rayne having to bring his twin sons to work cuz his wife is out for business then for some reason Mash and his gang came to the Divine visionary and typical mashle shenanigans ensues.

The catch tho is that the one twin son is like a carbon copy of Rayne and the other is the same but hair color is like in opposite sides.

If ur uncomfortable with this please ignore this. But I hope you have a great day!!!

★ little raynes and mashle shenanigans

notes. little raynes omg (im his wife like literally) also this is the last request before i start on a new project 🫡

one rayne, two raynes, three raynes. and another rayne if you're counting finn to look similar to rayne. one twin looks exactly like his father, with half yellow and half black hair split in the center. his lines the same as rayne, both streaks that runs down his eyes. demeanor like his father's— serious, calm, and collected.

what about the other twin? he is exactly the same like his father. well, not really. he has the colour of your hair and a different type of line design. this twin is on the weaker side, seeing how he only has a single line that runs across his nose. just like you, with a single line. being the weaker twin, he was softer than his elder twin brother, often helping around town or anyone at all.

today rayne is all alone with his sons, as his wife had to visit her family's business to help around, so she left the boys with him. rayne is a busy divine visionary, he couldn't just leave his sons alone. so he brought them to his office. what a surprise, his brother's friends are all there. and rayne's eyes twitched at the chaos that is about to happen.

finn is the first one who greets them, for he is their uncle. being the loving and nice uncle finn is, he often spoils them and doesn't know when to stop. like always, he gave both the twins a candy each, ruffling with their head.

mash who has never seen rayne's children before, is fascinated by the fact that there are two other little raynes. one the exact copy, the other immediately reminding him of you. he doesn't know whether to continue feeling fascinated or to feel fear since there is a mini rayne in town now. what if mini rayne is as powerful as his dad?

lance who had no reaction to them at all. he already saw them, already met them, and already knew them long ago. in fact, the older twin quite likes lance. he sees lance as an icy and cool idol to admire.

dot who keeps the kids if they want tips on how to get a girlfriend and only the younger ames listens, for the elder one immediately finds dot annoying. the younger one is just curious on what the meaning of 'girlfriend' is, before lemon pushes dot away and apologised to the younger ames.

lemon who tells the twins not to mind dot, for he still hasn't find a girlfriend after years of being single. she tells them not to worry as they are still young and instead, gives them the cream puffs she has made for mash which ended up being way too much.

and rayne, who sighs and shakes his head at the growing trouble that he could smell from afar. seeing the piles of paper stacked on his table, he has no choice but to ask the help of the mashle friends to look after his kids. he could trust finn, but he doesn't trust the others. so he purposely gave the task to finn, but everyone else took it as an invitation to babysit two little raynes.

rayne will make sure to complain to his wife when she comes back home.

© SENEON 2024 ♰ do not repost, alter, or translate.

[reveluving]

moonlight melody ; takeshi kovacs x reader

summary: you don’t know how you got there, and you don’t even know if you can ever return home. and you can’t find it in you to hate it whatsoever.

warnings: isekai au; minor altered carbon explicit content, major fluff w/ lovesick & poetic takeshi!

a/n: the first of quirky reverie 2024! had this idea in the shower. yeah. haven’t shown this man any love in a while so please take it! hope you enjoy it & don’t forget to leave some sugar! ᐠ( ᐛ )ᐟ

» wanna know what I have in store this fall? come & check out this year's 'reve's quirky reverie' m.list! 🕷️'!

'But he couldn’t blame you. He needed you just as much as you needed him.' ; 

A few drones flew overhead. The holographic half-naked model flashed across one of the many luxurious buildings. Even the little burn barrel that kept the slums warm in the far distance. 

You’ve seen it all. You’ve seen it plenty. You’ve seen it almost every night.

And yet, you couldn’t help but marvel at the scene before you like you were seeing it for the first time. 

The occasional brightness had you squinting your eyes, especially the ones resembling spotlights that shined in your face, but besides that, you were taking it all in like there was no tomorrow. Noise after noise, none of which was deafening given the aerial view of the balcony, just enough to wonder what sort of life, bad or good, existed beyond your very own.

As beautiful as it was to see the city or really, Altered Carbon on television, the visual effects on your screen didn’t do justice, now that you’ve gotten used to the real thing. Of course, the bright lights were just a façade from how dangerous Bay City truly was as soon as one stepped out of the hotel. But the life you lived, where the concept of Sleeves and the majorly advanced technology in the show never existed, before miraculously ending up here, wasn’t any better either. 

Less deadly, no doubt, but much more… dull. 

You didn’t jump when a pair of arms came to wrap around you, pressing their chest against your back before perching their forehead on your shoulder. You weren’t sure if you shivered from his deep voice or his warm breath tickling you. 

His words were unintelligible, lips moving against your skin.

“Can’t hear you, handsome.” You chuckled. He raised his head, a few strands of hair draping over his eyes.

“Can’t sleep?” Takeshi asked once more. You still couldn’t believe this was the same man who survived for centuries, instilling fear in men blinded by temporal wealth, now almost grumbling at you for successfully sliding out of his arms. 

“Not really,” You chuckled. He forced his bleary eyes open, not wanting to miss the little crinkles forming in your eyes. Takeshi instinctively leaned his face closer when you angled your head, kissing his cheek as an apology, “Didn’t wanna wake you up though. I can come back inside if you want.”

He’d love that, he’d want nothing more than to drag you back into bed. But your wide-eyed wonder was so irresistible that he’d feel like a criminal if he took it away from you. No matter how many times he had seen it.

“Nah. I don’t mind staying out here for a bit.” Instead of standing with you, he pulled you to the chair he had kindly dragged out for you months back. Sitting you on his lap, he practically melted in the seat, nosing the sensitive area between your neck and shoulder. He held you like the most precious plushie, and in all honesty, he was willing to fall asleep right then and there.

Truly, with the images—memories of you that flashed as his eyes remained closed, his mind in constant relaxation. As if life, whatever powerful being beyond anyone’s control or understanding had finally blessed him with the greatest form of honour, but he wasn’t the only one to believe as such. 

You would always hold him like he was your lifeline, and if you were being honest, he was. Hoping day in and day out that you wouldn’t wake up somewhere you could no longer call home instead of the familiar room in The Raven. The day never came, and though Takeshi always knew how to ease your worries, the scare would linger from time to time.

But he couldn’t blame you. He needed you just as much as you needed him. 

Even now, too enamoured by the look you had and how the lights cast onto your face, how your eyes took in everything you could like you wouldn’t be able to see again, and despite how tainted his world was, he found it endearing, only because it was you.

He quickly became accustomed to you with him—to you and him. The little hand caresses, the comforting kisses, the smiles that silently told him ‘It’s okay. You’ll be okay.’

We will be okay.

» a/n: something short and sweet for our beloved hunk because he deserves it whenever possible!! ;; gorgeous divider by @firefly-graphics ♡

[wheelsgoroundincircles]

1968 Wood, Hot Metal, and Gasoline: The Improbable Marcos 1600 GT

1968 Wood, Hot Metal, and Gasoline: The Improbable Marcos 1600 GT

1968 Wood, Hot Metal, and Gasoline: The Improbable Marcos 1600 GT

1968 Wood, Hot Metal, and Gasoline: The Improbable Marcos 1600 GT

1968 Wood, Hot Metal, and Gasoline: The Improbable Marcos 1600 GT

1968 Wood, Hot Metal, and Gasoline: The Improbable Marcos 1600 GT

1968 Wood, Hot Metal, and Gasoline: The Improbable Marcos 1600 GT

1968 Wood, Hot Metal, and Gasoline: The Improbable Marcos 1600 GT

1968 Wood, Hot Metal, and Gasoline: The Improbable Marcos 1600 GT

1968 Wood, Hot Metal, and Gasoline: The Improbable Marcos 1600 GT

1968 Wood, Hot Metal, and Gasoline: The Improbable Marcos 1600 GT

It’s easy to deride the Marcos, but its “plywood” is more akin to a state-of-the-art composite technology. Wood in cars? The mind goes to the faux wood paneling on

the left tasteful Chrisler production of the early 1990s, or the anachronistic Morgan Roadsters. But the Marcos 1600 GT is much different than either of those applications. And it owes a lot to one of the greatest warplanes of all time: The de Haviland Mosquito, which relied heavily on plywood construction.

Yes, plywood. We think of it as a cheap material, maybe even an inferior one, and certainly not something that has any place in a sports car. But use it correctly, and plywood's limited weight and incredible strength do wonders. Think of it as a composite material: You can alter the aspects that make up its structure to change its characteristics—the wood type, the number of plies, the orientation—just like you can with fiberglass or carbon fiber, which can be made of different weaves or molded using different techniques. And like those materials, it's impressively strong for its weight (especially at the time of the Mosquito and Marcos).

You won't be surprised at all to learn that the aerodynamicist and co-founder of Marcos, Frank Costin, worked as an engineer on the Mosquito as a during the war.

The brand is the first king, the Xilon (Greek for "wood") used plywood chassis construction (the car was remarkably ugly, too), and the GT was a further development of these techniques. The body is constructed of fiberglass and supported by the wooden chassis, which gives the car a rigid structure that's lightweight—it's about 1,800 lbs—and strong. Consider the issues that Colin Chapman had with the very advanced Lotus Elite, an all-fiberglass monocoque road

car that suffered from some notable failures. The hybrid construction of the Marcos, on the other hand, proved remarkably durable.

And to be very clear about the comparison to the Morgan roadster, the Marcos GT's chassis is plywood, whereas the Morgan has a steel chassis and an ash-framed body. Later Marcos GTs, however, used a steel chassis that had some issues. Notably rust. As such, steel-chassis Marcos are far less desirable among fans of these little sports cars.

This particular car, powered by a Ford Kent crossflow inline-four that's been bored to 1.7 liters. Power is sent to the rear wheels via a four-speed manual transmission and a 3.73:1 differential.

Sources: motortrend.com ; classic.com ; wikipedia.org ; autoevolution.com

[missglaskin]

HOTD AU Concepts Masterlist part 1

Main series: HOTD AU Masterlist

Reader demanding Criston is punished Reference: Part 2 

Possible love interest?  Will Daemon be a love interest 

Connection between Aemond and Luke   Reference: Part 3

Why Aemond snitched Reference: Part 5 

How Alicent contributed to Aemond’s tendencies Reference: Part 5 

Reader’s title in court   Y/N’s Aliases

When reader has a breakdown 

Helaena’s nickname

If reader went with Rhaenys Reference: Part 5 

----> Reader crowning Rhaenyra

If reader has a child with someone else 

Naming after them some chs ;

Naming the child 'Y/n' Naming her Aemma  Carbon copy 

Fighting over the name If Aemond was the father

How reader is carried through history 

Paintings commissioned   Portraits inspirations for the reader 

Interpretations of ‘love triangle’ Aegon IV w/reader Other nicknames 

Old!reader like Olenna Reader dying before blackfyre rebellion

Criston react to Y/N being insulted

What if reader’s biological family wants her back

----> What if it is a powerful kingdom 

Reader being a Gremlin 

Liking shiny & cool things Bringing a snake Likes to take their things 

In a dragon onesie Getting sick from biting ankles Finding secret passages 

Does Aemond see Rhaenyra’s kids as competition 

Reader has diary 

---> If it’s found during Daenerys time  Aegon alters it 

If reader ends in GOT timeline 

Reader’s dress are mostly being stolen

----> Noticing Helaena’s embroideries 

Does Helaena know of Aegon’s feelings?

Bisexual reader falling for Helaena 

Reader getting Marie Antoinette syndrome

Y/N teaching the children to dance  children having nightmare

Reader likes singing Luke secretly being the favorite 

Reader losing an eye

Because of Luke and Jace

Reader requesting Aemond/Daemon a rare item (separate)

Young!reader bringing a pin to Otto

Does Viserys know of Aemond’s feelings 

Alys in the story? 

Reader telling them she's like Leanor 

Drunk!reader being affectionate 

Reader sprained her feet Reader suddenly falling ill 

[boxboxblog]

How Do F1 Cars Work?: Braking, Cooling, Sensors

I never know how to start these posts. Let's dive in.

Braking and Cooling

Brakes are an incredibly important part of any car, but most especially in F1. With the speed and power the cars have a sensitive, sturdy, and strong braking system must exist. In the case of modern cars, F1 uses an extremely efficient and durable carbon-carbon disc brake system. This allows the car to screech to a halt in a split-second, and allows drivers to use their speedy reaction times to the best of their ability. When the driver steps on the brake pedal, it compresses two master brake cylinders, one for the front wheels and one for the rear, which generate fluid pressure.

For the front tires, the fluid pressure is delivered directly to the front brake calipers (part that houses brake pads and pistons). Inside each caliper, six pistons clamp pads against the disc and it is this friction that slows the car down. For the rear tires it is a bit different.

At the rear, the car can brake by three separate sources: friction from the brakes, resistance from the spinning engine (engine braking) and electrical braking that results from harvesting energy from the MGU-K . Although the driver can adjust each of these on his steering wheel, when he presses the brake pedal, the three systems work together via the Brake By Wire (BBW) system.

When the driver presses the pedal, the fluid pressure generated in the rear braking circuit is picked up by an electronic pressure sensor. The signal from this sensor represents the overall rear braking demand from the driver and is passed to the Electronic Control Unit (ECU) where it is turned into a series of commands to brake the rear of the car. The ECU distributes its efforts to the three systems according to the the set up of the car and this is altered by the way that the driver has adjusted the switch settings on the steering wheel. This is what teams mean when they say changing the setting on the car.

Going hand-in-hand with braking, cooling is another important part of the car, especially for brakes. Basically, there is a series of systems that cools the power unit, brakes, and electronics. If the car overheats, it can lead to damage and lack of performance. There are a few ways to cool. Radiators cool the engine and hybrid system. Intercooler cools the air that the turbocharger compresses before it enters the engine. Brake cooling ducts bring air to the brakes in order to stop them from overheating.

2. Electronics and Sensors

So i'm sure many of you have looked at the steering wheel and been baffled that this thing that looks like a Nintendo Switch steers that car. The F1 steering wheel is incredibly complex and has a variety of buttons, screens, and knobs. For example, on the steering wheel is an area for strat settings, where their plans for all eventualities are mapped out. There is also a rotary knob for MGU-K settings, where drivers can switch around when faced with possible failures. The menu allows drivers control over every setting in the car. Beyond that there is the pit lane speed button, gear change buttons, race start button, energy recovery button, and brake balance knob, among others. It really tells you how much drivers do in a race beyond racing.

Other than the steering wheel, there is also the telemetry, over 300 sensors which gathers race data and sends it back to engineers on the pit wall. This way, engineers can either remotely alter settings and strat, or advise the driver on what to do.  F1 uses a customized mesh wireless network system based on WiMax 802.16 at each racetrack. The sensors record data, which is then temporarily stored in the Electronic Control Unit (ECU), which controls functions like engine performance and power steering. That sensor data then travels wirelessly to a centralized location managed by F1. F1 then sends the data to the relevant team, of course very securely. Teams then use a system called Advanced Telemetry Linked Acquisition System (ATLAS) to view and analyze sensor data.

The final pretty important electronic devices on an F1 car is the many many cameras. The most recognizable camera is found in the "T" structure that sits atop of every F1 car. It gives viewers that top-down, forward facing view used often by broadcasters. this is also how viewers often distinguish between cars of the same team. One driver will have a yellow camera, the other has black. The two nose cameras provides a view of the front wing and low circuit. The 360 camera is on top of the chassis and provides a wide view of the race track, and everything else around the car. The driver facing camera is pointed directly at the driver and helps keep track of how they are doing, and in the event of the crash helps marshals and rescuers figure out the best way to help. The two rear cameras are settled on a rear facing structure, and allows the pit wall to see what is going on directly behind the driver and advise. Beyond these ones, drivers also have cameras inside their helmets, showing exactly what they see. Can't get away with much in an F1 car.

3. How They Work Together

So, we now know the basics of most parts of the car. But these parts all must work together before that car will go anywhere. How do they do it?

One of the more obvious relationships is between aerodynamics and power. The better the aerodynamics, the more usable the power is. They also work in tandem around different parts of the track. On corners the aerodynamics keep the car stable while the power peters off. On straights the power keeps the car boosted. Suspension and tires are also very connected. It is the suspension that keeps the tires on the ground. A good suspension will also mean that the tires are easier to manage, something any driver knows is highly important. Brakes and ERS are also connected because the brakes help recover ERS, pretty simply. Also the cooling system works with most of teh car, cooling engine, tires, and brakes. The biggest connection is probably between all the sensors on the car. They are connected to every single part, and even a small bit of damage can destroy them. The non-sensor components have to accommodate for the sensors and work perfectly with them in order for proper data to be sent back.

The ultimate goal of engineers is to create a car that works in harmony all together. The integration of the engine to the chassis is highly important. There have been cars that the parts were fantastic on their own, but the minute they were put together stopped working completely. Its why teams that produce their own engines have such a leg up over non-manufacturers. Its also why sometimes you will see a car that is running poorly until one small thing is changed, and then suddenly its brand new. Car harmony really is terribly important.

Alright, done! While I covered most of the important stuff, as always if there is any particular part of the car anyone wants me to dive deeper into, please let me know.

Cheers,

-B

[rjzimmerman]

Excerpt from this story from Yale Environment 360:

Across the world’s oceans, an invisible army of tiny organisms has a supersized impact on the planet. Plankton are at the base of the ocean food chain, feeding fish that feed billions of people. They are responsible for half of the world’s oxygen supply and half of our planet’s annual carbon sink. Miniscule but powerful, their presence can help or hinder ecosystems — by soaking up greenhouse gas, for example, or by spewing toxins. Where plankton live, how many there are, when they bloom and which species dominate each play a huge role in this delicate balance. And our changing climate is spurring a sea change in all of it.

“We’re headed into an ocean and, for that matter, a world that we’re not going to recognize because it’s changing so fundamentally,” says David Hutchins, a marine microbiologist at the University of Southern California, who has charted plankton’s future.

Climate change is hitting our oceans hard, making them warmer and more acidic, while radically altering currents. The outlook for plankton is mixed. Some studies report overall plankton numbers dropping, while others show them rising in some major ocean basins. As the planet warms, the diversity of the menagerie in many spots is increasing, says Clare Ostle, a marine biogeochemist at the Marine Biological Association in Plymouth. But certain species are losing out, she adds, including big juicy plankton thought to be important for food webs and carbon sequestration. And, in the long term, plankton numbers may plummet as climate change starves them of nutrients.

Scientists are now struggling to work out what the net effect will be. They have some new technologies at their disposal, including a new NASA satellite called PACE — for Plankton, Aerosol, Cloud, ocean Ecosystem — launched this February. And some old ones, including a decades-old program that painstakingly trawls the ocean with filters to scoop up tiny creatures and count them by hand. Yet scientists say they are shocked by the size of our knowledge gaps. “I always find it surprising how little is known about plankton,” says Ostle.

The Ocean Stewardship Coalition this month released a “plankton manifesto” at the United Nations General Assembly in New York, highlighting how important plankton are alongside how little we know about them. “The planetary importance of plankton remains largely ignored,” the group writes, alongside a plea for more research, education, and discussion in international treaties about plankton’s plight.

[cyberpunkonline]

The Top 10 Spooky Cyberpunk Movies and TV Shows: Neon, Fear, and Dystopia for #CyberSamhain

Alright, my fellow netrunners and glitch enthusiasts, it’s time to jack into the grid and merge two of the best genres around: cyberpunk and horror. You know the deal—neon-lit cities crawling with tech, corporate overlords doing shady things, and a constant feeling that you're being watched. Now throw in a healthy dose of spine-chilling terror, and you've got the perfect setup for #CyberSamhain. We’re talking about movies and shows that don’t just make you question your reality—they make you afraid of what’s lurking in the dark corners of the digital world.

So, buckle up, because we’re about to run through the top 10 spooky cyberpunk movies and TV shows of all time. Get ready for creepy androids, mind-bending AIs, and dystopian nightmares that’ll leave you sleeping with the lights on… and your computer turned off. You know, just in case.

1. Blade Runner (1982) Spooky Level: "I think that neon sign is watching me." If we’re talking spooky cyberpunk, Blade Runner has to sit at the top of the list. Sure, it’s more of a slow-burn than in-your-face horror, but the eerie, rain-drenched streets of future LA? They’re pure cyberpunk nightmare fuel. Deckard's hunt for rogue replicants isn’t just an action-packed mystery—it’s full of existential dread, identity crises, and the looming question of what it means to be human. Plus, Rutger Hauer’s “Tears in Rain” speech? Goosebumps.

Resource: The Nerdist has a deep dive into how Blade Runner paved the way for dystopian cyberpunk horror.

2. Ghost in the Shell (1995) Spooky Level: "Am I real or just code?" No list is complete without Ghost in the Shell. This anime flick is a straight-up mind-bender that’ll make you question your own existence. Major Kusanagi, a cyborg cop, is chasing a mysterious hacker who’s messing with people’s memories—creepy enough, right? But when you start pondering whether you even have a soul, that’s when the real chills kick in. It’s got a cold, digital aesthetic, filled with philosophical dread that’ll leave you staring at your reflection, wondering if there’s anything organic left inside you.

Resource: Collider has a killer write-up on why Ghost in the Shell remains a staple of spooky cyberpunk perfection.

3. Akira (1988) Spooky Level: "I don’t want to become a tech monster, thanks." Want to see what happens when body horror meets cyberpunk? Look no further than Akira. This anime classic brings you a futuristic Tokyo, biker gangs, government conspiracies, and mutated psychic powers. The result? An out-of-control cyberpunk nightmare that gets creepier by the minute as Tetsuo’s powers spiral into grotesque body horror. The neon-lit streets and apocalyptic vibes are what dystopian dreams (or nightmares) are made of.

Resource: IGN has an in-depth feature on how Akira shaped the cyberpunk genre and our collective nightmares.

4. Altered Carbon (2018–2020) Spooky Level: "Body-swapping freaks me out." This Netflix series threw us headfirst into a cyberpunk world where consciousness can be transferred between bodies—or "sleeves"—so death is more of a suggestion than a rule. The spooky vibes come from the whole immortality for the rich, dystopia for the poor thing. The first season especially gives off some dark, existential fear—imagine waking up in a body that isn’t yours, with no idea how you got there. There’s action, mystery, and just the right amount of creepy tech horror to make you rethink that new VR headset you just bought.

Resource: The Verge has a solid breakdown on why Altered Carbon brings fresh cyberpunk horror to the screen.

5. The Matrix (1999) Spooky Level: "What if this is all just a simulation?" Look, if the idea of living inside a computer simulation where machines are harvesting your body for energy doesn’t freak you out, then you’re tougher than most. The Matrix took cyberpunk and cranked up the paranoia, making everyone question reality for a solid decade. Sure, Neo’s kung-fu is slick, but it’s the spooky concept of being trapped in a digital prison that makes this one so chilling. The machines run everything, and humans? Just disposable batteries.

Resource: Vulture has a deep dive into the philosophy and horror of The Matrix and how it made us all low-key paranoid.

6. Videodrome (1983) Spooky Level: "Body horror and TV mind control? Sign me up!" If you want a straight-up creepy trip through a cyberpunk-esque world where TV and tech meld with the human body in the most disturbing ways possible, Videodrome is your ticket. Directed by the king of body horror himself, David Cronenberg, this film dives into the concept of tech-induced hallucinations, mind control, and some seriously weird flesh transformations. You’ll never look at your TV the same way again. Long live the new flesh, am I right?

Resource: Den of Geek does an excellent job dissecting the chilling horror behind Videodrome.

7. Dredd (2012) Spooky Level: "Trapped in a megacity with psychos and drug dealers." While Dredd might lean more towards action than traditional horror, the dystopian setting of Mega-City One is creepy as hell. The movie focuses on Judge Dredd and his rookie partner, Anderson, as they fight their way through a skyscraper controlled by a brutal drug lord. The Slo-Mo drug scenes, where time is slowed to a crawl, are unsettlingly beautiful and grotesque, and the entire setting just screams cyberpunk dystopia. The violence, the dark atmosphere, the claustrophobic tension—it’s all there.

Resource: Empire has a fantastic retrospective on why Dredd became a cult classic and hit all the right cyberpunk notes.

8. Ex Machina (2014) Spooky Level: "Are AIs gonna kill us all or just manipulate us?" Here’s the deal with Ex Machina—it’s quiet, subtle, and so unnerving. The movie follows a programmer who’s invited to test an advanced AI named Ava, and let's just say things get complicated. The spooky part? Watching an AI learn to manipulate and deceive with an intelligence that’s almost human, but not quite. The claustrophobic setting, the slow-burn tension, and the underlying theme of humans creating monsters through tech? Yeah, this one will mess with your head.

Resource: Wired has a fantastic exploration of the AI horror in Ex Machina and why it feels so real.

9. Black Mirror (2011–present) Spooky Level: "Welcome to your tech-fueled nightmares." If you’ve watched Black Mirror, you already know why it’s on this list. Every episode is its own spooky cyberpunk horror story—whether it’s the dark side of social media, virtual reality, or AI gone rogue. "San Junipero" might be a more feel-good episode, but "Playtest", "White Christmas", and "Metalhead" will have you questioning whether we’ve gone too far with tech. It’s cyberpunk horror, but with that all-too-real edge that makes you want to smash your phone and go live in the woods.

Resource: The Guardian does a killer analysis on the most terrifying episodes of Black Mirror and why the show taps into modern-day fears.

10. Upgrade (2018) Spooky Level: "When your body fights back." In Upgrade, a guy gets an AI implant that controls his body after he’s paralyzed in a brutal attack. But this isn’t your average tech-upgrade story—soon, he’s dealing with an AI that’s starting to take control in very disturbing ways. The film’s got that cyberpunk dystopian vibe down, with a gritty future setting and a tech-horror concept that feels way too close for comfort. It’s violent, it’s slick, and it’s got enough body horror to satisfy your spooky cravings this #CyberSamhain.

Resource: SlashFilm has a great breakdown on Upgrade and why it’s one of the most underrated cyberpunk horrors in recent memory.

Final Thoughts From existential AI crises to body horror nightmares, cyberpunk and horror go together like neon and rain. This #CyberSamhain, grab one (or all) of these movies and shows, switch off your phone (because, y’know, Black Mirror), and get ready to dive into some of the creepiest, most unsettling cyberpunk worlds ever imagined. Just remember—whether it's rogue AIs, mind control tech, or creepy robots, it’s all fun and games until the machines start thinking for themselves. Sleep tight, netrunners!

[auideas]

Ermmm sorry if this is weird but do u maybe have any like, ““original”” cyberpunk prompts? I want to write something cyberpunk for an au but I just don’t have any ideas right now no matter how long I brainstorm

Exploring Cyberpunk

Cyberpunk is a very unique genre, which is why so many people are both attracted to it and stumped when attempting to develop plots within an unknown world. Think of Black Mirror created by Charlie Brooker (TV show), Blade Runner written by Philip K. Dick (a movie based on the novel Do Androids Dream of Electric Sheep?, a classic Cyberpunk novel), Altered Carbon by Richard K. Morgan (modern Cyberpunk novel), etc. -- each of these were incredibly influential in their own right, but they all also build their worlds gradually while having a single easy-to-explain concept that can spawn an entire universe. To be more specific, each story establishes an issue created by an advanced society ignorantly abusing technology, then allow their characters to explore that problem and try to find a solution in a manner that isn't explicitly black or white for society as a whole, but every shade of grey.

For Black Mirror, each episode anthologically builds upon a high-tech future within the same universe and explores how its characters interact with problems created by new pieces of said technology, both good and bad.

For Blade Runner, the story establishes that androids seem to be malfunctioning, but the bounty hunter charged with hunting them down discovers that the true issue lies in society's understanding of what it means to be human.

For Altered Carbon, the novel explores the issue derived from the obscene length of time it would take for humans to travel between planets stretched across the universe, then dives into more detail regarding how a solution has been abused.

How to Construct a Cyberpunk Concept

What we'd recommend is to start by asking the right questions and looking in the right places. Black Mirror takes its inspiration from a variety of technology, both new and old; Blade Runner explores the idea of AI and androids during the 80's when robotics was on the forefront of innovation; Altered Carbon took note of our increasing ability to travel in an interstellar fashion, then posed a simple question regarding the limits of humanity (specifically, time).

This may sound strange, but the best thing you can do is seek out trends online and scientific journals about new breakthroughs, then ask questions about what may go wrong. For example, an old post we featured here on AUideas that has since been removed from ~2017 because it's in the process of being developed into a script (sorry guys, our bad!) called Dreamscape Co. uses this exact method. When the prompt was made, Admin M was in the process of reading a scientific journal about how neurologists had been able to project a person's thoughts into an image. Although the technology was rudimentary at the time, Admin M posed the question "if dreams can be viewed, what if dreams can be watched in real time with a high quality image? What if they could be immersive? What would that industry look like? Who would pay how much to see a certain person's dreams?" This spun out into a sweeping cyberpunk mini-series, yet came from a simple news article.

Some Cyberpunk Inspiration

When performing a quick search, some amazing ideas seemed to jump out from technology news headlines these past couple weeks alone:

Ferroelectric Liquid Crystal (FLC) Technology Being Used in 3D Displays

Unlike holograms, this technology uses liquid crystals that exhibit spontaneous polarization, meaning their orientation can be influenced by an electric field. They're high-speed, low-power, and have innumerable applications in the future. So, what could go wrong?

How could this technology impact the medical field? Although this may not be possible, consider what could occur if FLCs were injected into human bodies and influenced by electric fields to perform different tasks and functions, such as replacing an organ, attacking cancer cells, etc. How could such a technology be abused or go wrong? How many could die with a simple pulse, like an EMP?

Real-Life Freeze Ray Technology Created for the US Airforce

This technology hasn't been developed to be used as weaponry, but instead to replace large amounts of coolant that must be used on space and air crafts to prevent the machinery from overheating (coolant is heavy and can reduce efficiency yet is absolutely necessary due to the fact that space is a vacuum and therefore does not cool heat like air would on Earth). This "freeze ray" technology utilizes plasma's strange property that seems to break the second law of thermodynamics: it chills down when touching another object before heating up, which experts have proposed is because it vaporizes the ultra-thin layer of carbon and water on an object upon contact, similar to how water evaporates off your skin when stepping out of a pool. The question must be asked: how could such technology be used for not just utilitarian means, but outside of the Airforce's intentions?

Perhaps the technology could be manipulated and over-chill an aircraft, or otherwise damage internal engineering.

Consider its potential applications here on Earth: what could benefit from being chilled with something light-weight and low-power? How could it be integrated into homes? What could be disastrously destroyed with such technology?

Breakthrough in Enhanced Geothermal Systems Technology May Completely Replace Carbon Energy Sources

Google and Fervo have successfully developed geothermal technology that has increased its efficiency and broke records by changing existing rock formations in the Earth's crust. For a natural geothermal energy system to produce electricity, it has to have the right amount of heat, fluid, and rock permeability -- these Goldilocks conditions can be difficult to find 'in the wild'. However, this new Enhanced Geothermal System (EGS) targets the most-easily found aspect (rocks with high heat) then creates the necessary permeability artificially by drilling to the intended rock formation and injecting fluid to create fractures in the rock, achieving the necessary Goldilocks conditions. Sure, this may be carbon-free energy, but what would happen if this were employed on a mass scale?

When energy is prioritized by a high-tech society over food and water, how could citizens gain access to those resources?

What long-term effects could such a system have on the Earth as a whole? Could the ground become unstable? Maybe earthquakes crumble city after city? Maybe the entire Earth's crust loses its integrity and disintegrates, pulling only a lucky few deep underground and forcing them to survive off the left over fluid injected into the Earth's crust and whatever they can find.

Closing Thoughts

As you can see from above, there's a crazy amount of inspiration that can be drawn from current technology events. What's important to remember is that yes, we've been talking about complicated technology, but only you have to understand how it functions in your universe down to the molecule, not your audience. Deep technology topics can be dry to a certain extent, and over-explaining your world can be damaging to your story. Explanations regarding how technology works in each of the stories we discussed is limited for that same reason (Black Mirror's overarching concepts, specifics about how Blade Runner's Replicant technology are rarely discussed, etc.). Leave some mystery surrounding how your cyberpunk world functions and allow how your characters room to breathe and interact with that world -- it can speak for itself. Your audience may first love the idea behind your story, but what they'll remember and relate to is how your protagonists and antagonists suffer and prevail within your universe.

We hope this answered your question, and feel free to follow up if you'd like some more guidance and advice on how to construct your Cyberpunk story! In addition, feel free to check out our other post which outlines more information on how to build a Cyberpunk world.

Now get to writing, and have an awesome week!

-- Admin M x

[lone-gunwoman-of-the-week]

"The personal, as everyone’s so fucking fond of saying, is political. So if some idiot politician, some power player, tries to execute policies that harm you or those you care about, take it personally. Get angry. The Machinery of Justice will not serve you here – it is slow and cold, and it is theirs, hardware and soft-. Only the little people suffer at the hands of Justice; the creatures of power slide from under it with a wink and a grin. If you want justice, you will have to claw it from them. Make it personal. Do as much damage as you can. Get your message across. That way, you stand a better chance of being taken seriously next time. Of being considered dangerous. And make no mistake about this: being taken seriously, being considered dangerous marks the difference - the only difference in their eyes - between players and little people. Players they will make deals with. Little people they liquidate. And time and again they cream your liquidation, your displacement, your torture and brutal execution with the ultimate insult that it’s just business, it’s politics, it’s the way of the world, it’s a tough life and that it’s nothing personal. Well, fuck them. Make it personal." -Richard K Morgan, Altered Carbon