#posting this today for no particular reason...

[noturlocallily777]

Take it out on me~ m.s

Warnings⚠️: smut, slapping, hair pulling, unprotected p in v (use a condom guys 😉🫶) , dirty talk, rough dom!matt, no use of y/n

A/n: this is my first smut so I'm kinda nervous about posting this 😬 but if you guys want more lmk because I can also do requests 🪼

Summary: Matt comes home in a bad mood and takes his anger out on his girlfriend (no angst)

You grip onto the pillow as Matt pounds into you from behind, the loud moans and whimpers coming from your mouth being muffled by him pushing your head into the black silk covered pillow that he has on his bed.

Matt had mentioned to you earlier when he got home from filming with nick and Chris that he wasn't in a very good mood today, and you thought that it just meant he was a little bit tired but no. He was angry, really angry. There was no particular reason why he was angry, he just was. And when he was angry he liked to take it out on other people, mainly his brothers, but he decided to take it out on you today...but not in the way you thought he would.

And this is how you found yourself face down ass up in his bed.

Matt grips the back of your hair, yanking your head up. "Look at you, taking my dick so fucking good...Taking it like a champ" he growls. A loud gasp slips past your lips as the tip of his cock hits against your cervix. Fuck he was so deep. You could feel it in your stomach from how hard and deep he was pounding into you. He pulls out and flips you over onto your back before putting your legs over his shoulders and pushing his thick veiny cock back into your entrance. "Oh fuck matt!" Your back arches as he hits your g spot repeatedly. "You gonna cum for me baby?" He questions. You nod frantically before you feel a harsh slap on your cheek and his hand grabbing your chin. "look at me." he groans as he presses down on your stomach to feel how deep he is. "Can you feel me inside baby? Feel how deep I am?" You let out a loud gasp as you reach your climax at the same time as him. Whimpers and groans can be heard coming from him as he releases his sticky load inside you, his thrusts slowing down. "You did so good for me baby..." he says breathlessly, his hand gently rubbing your thigh. He pulls you up into his arms, gently stroking your hair "let's go get cleaned up"

(Creds to @sof1ii I was on call with her the whole time I was writing this)

[saras-almanac]

So I wrote this post the other day about my feelings on the handling of the BuckTommy breakup (which you can read here if you want). And @parrishjeanna reblogged with a link to an article from Tim. I wrote out a reply to it but it became so long I needed to put it in a separate post because it’s over 3k and I need to put it until a readmore.

Okay so I did read that article thank you @kawaiifacesong for linking the not generating revenue clicks because I don’t like reading any articles for 9-1-1 because it’s literally all buddies who can’t ask anything about the show. (Case in point, in this particular interview, the interviewer brings up “The Couch Theory” because Buck and Eddie sit on a couch.)

So this interview was trash for many reasons but I’ll narrow it down to three for the sake of this response: Biphobic nature of the breakup and aftermath, what’s being said in interviews isn’t what we’re seeing, and Tim writes as he goes so there’s no actual plan going forward.

First: The Biphobic Nature of this breakup is still moving full swing.

The idea that Buck is “still figuring himself out” and needs to explore is insulting in so many ways—especially to myself as a bisexual lady in my 30s. Firstly, being in my 30s, the idea that you need to figure yourself out still is absolute bullshit. Yes, you can still find new things out about yourself and make some changes, but usually by this point in your life, you have a pretty decent handle on who you are as a person. Which Buck does have… and we’ve seen that? So it has to be a reference to his newly discovered and realized sexuality.

Which, AGAIN is so biphobic and plays into incredibly harmful bisexual stereotypes that bisexuals need to “explore” to figure out what or who they want. This means either they need to fuck around and make sure they’re really bisexual. OR they need to get enough experience with their same gender to then be able to have a same-gendered relationship. Both of which are insulting and harmful. This idea that Tommy couldn’t possibly be a lasting relationship because Buck just came out as bisexual is wrong. It’s fine if they didn’t want Tommy to be a long-term love interest or even an end-game love interest, but why couldn’t they have done it differently, to hopefully not play into these harmful stereotypes that are still incredibly prevalent today.

Now do I think they fully intended it to play out as biphobic as it is? Not really, but I do think that the heart of what they wanted—Buck exploring his sexuality—is inherently biphobic because of the way they have chosen to go about it. There’s a world of difference between having Tommy break up with Buck so Buck can go exploring and having OS and TM saying similar things in interviews and Tommy and Buck breaking up and Buck getting back out there and dating around. Which if they had given it just a smidge of thought, I have to hope they would have come to that same conclusion and maybe gone about it in a different way.

Second: What Tim’s saying in interviews about what’s happening on the show and in these storylines doesn’t match up to what we’re seeing

I’m going to paste the few paragraphs related to BuckTommy break up here, just to read. I have bolded what I thought was important and what I’m going to talk about after it.

“Look, I think the breakup was premature, but that was by design. For me, the story that I was trying to tell was here’s a guy, Tommy. He’s not a main character on the show. We haven’t done ‘Tommy Begins’ or something. But you do see him in the ‘Begins’ episodes, in flashbacks, and by the time he leaves in ‘Bobby Begins Again,’ he’s turned over a new leaf. He’s feeling more comfortable. He’s hanging out with the new people at the 118 once Bobby takes over, and they throw him a party and bake him a cake when he goes off to his new post. There was even a reference in Broken when Chimney calls him to do the water drop,” Minear explained. “But Tommy’s a guy who’s in a different place in his life than Buck is. And I think what Tommy realizes is exactly what he said, which is, ‘I’m not your last. I’m your first.'” Minear referenced the coffee shop scene in Season 7, where Buck asked Tommy to give them another shot and come to his sister’s wedding, as a point when Tommy thought, “Alright, this guy’s kind of great. He’s super hot and he’s sweet. And this will be nice. And I’m going to be vulnerable for this.” As the relationship grew stronger and the stakes grew higher, however, Tommy reevaluated things. “I think Tommy, in the end, understood that this was not forever — that Buck is exploring himself. He’s still figuring himself out. And even if Tommy doesn’t know it, he might sense the fact that Buck likes to jump in with both feet a little bit precipitously,” Minear mused. “So was the breakup premature? Yes. Because Tommy was put in a position where he had to be honest. And once he speaks the truth, which is, ‘I think I know where this ends, and I can’t move in with you,’ he’s kind of breaking the spell — the spell of that honeymoon. Tommy even says, ‘I didn’t see this coming either.’ I don’t think either one of them did.”

Okay, lots of things happening in this quote but ultimately there’s a massive disconnect in what TM thinks is happening or what he’s saying is happening and what is actually on screen—and that’s a huge problem. You can’t rely on interviews to explain things, it needs to be in the actual text of the episode.

I think the real crux of the issue is this: “Tommy’s a guy who’s in a different place in his life than Buck is… Tommy, in the end, understood that this was not forever… he’s kind of breaking the spell—the spell of that honeymoon.”

Let’s break this down a bit. Tommy being in a different place in his life than Buck… How? Buck has, since the pilot episode, been looking and searching for a stable romantic relationship—he’s always craved that and wanted that. Even in the breakup, he was thinking about their future and marriage and moving in with Tommy. Is that not what the next logical step of a relationship might be? So doesn’t that—regardless of whether it was premature or not—prove that Buck and Tommy are in the same place of clearly wanting a long-term, committed relationship? So if this wasn’t the case, why didn’t you show that? Show them having that disconnect or make it clear that Tommy’s dropping hints about their future and Buck is not in the same place so he’s not picking up on them at all. Because what we saw was Buck wanting and seeing a future with Tommy and Tommy basically telling him that the doesn’t actually.  

“Tommy, in the end, understood that this was not forever — that Buck is exploring himself. He’s still figuring himself out.” This is my villain origin point—for real. Because this is also not what we saw! What we saw, was a Buck who was so secure in himself and his relationship, arguably for the first time on this show, that he didn’t panic or second-guess anything really. He was all-in with Tommy and enjoying himself and being with Tommy. He even said that being with Tommy makes him more comfortable with himself—aka what a lot of couples say when they’re in committed and reciprocal, healthy romantic relationships—that being with you makes me happy being me. (Paraphrasing here, but hopefully my point gets across.)

Because what is there for Buck to figure out yet? He knows he’s bisexual and incredibly into Tommy. He’s happy and content with his work life and seems pretty happy with where he’s living. His relationships with his friends and family are all as good as they usually are. So what is there for Buck to still figure out? I’m left to assume that this is again only about his sexuality, which just keeps adding more to the pile of shit that makes me feel crappy and uncomfortable with this storyline.

Also, why couldn’t Buck and Tommy last? Why is that assumed to be the correct conclusion to come to? How many high school sweethearts get together and last? How many people who don’t date until they’re in their 20s-30s find someone right away and stay together? How many people come out as queer later in life because they have found someone they click with and it just makes them see more of themselves and they stay together? Sure, this is not the case with every single person in these situations, but it’s not unheard of. To me, this just feels like the show and Tim are acting like Buck is a young, 20-year-old child and now a grown man in his 30s…

What we actually saw on our screens, was two people who genuinely seemed to enjoy each other and spending time together. That had an easy and sweet relationship, where they both felt settled and comfortable together. It’s why the weird change in 806 felt so abrupt—what do you mean these two people who had amazing communication up until that point, have not talked about their past relationships at all? I think that was done as a shortcut for the writers and TM to say, “Look, see, they’re not compatible, they can’t last because they’re not talking about anything serious.” But again, my point is: then you should have showed us that beforehand, given some foreshadow or lead up to it. Instead, they chose to blindside the audience for the “shock value” and it didn’t work. Shock value for shock value’s sake never works for the audience. They don’t want the rug to be pulled out from under them, they want to see you building something and only after it’s built can they see what you were doing the whole time.

Now, I understand that they just wanted to break them up for “story” reasons (which I have no faith is going to be anything good). While I personally hate that because I feel like there would have been much more storylines and things for Buck to be involved in and it would have opened up a lot more potential stories for the future, I get that it’s not my decision to make. But why couldn’t they actually make this make sense in the actual context of what we’d seen already? If you wanted to break them up because they’re in different places, then having Buck ask Tommy to move in could have caused more of an argument of Tommy saying that Buck doesn’t really see him and doesn’t seem to understand that Tommy has a whole life outside of Buck. O Tommy could have been the one to propose moving in together and Buck freaks out because it’s too soon—which leaves Tommy to come to the conclusion that they want different things right now and he can’t just sit around and hoping Buck will catch up because it would be too hard for him to let go of Buck later. Or have Tommy literally going to a different place—whether temporarily or permanently—and so they have to break up because Buck has a whole life here and Tommy wasn’t about to ask Buck to uproot himself for Tommy…

There’s so many other ways this breakup could have gone instead of the route they went—and they would have made much more sense contextually. Instead, they went this cheapest way possible and have Buck now acting like a child about calling Tommy, when in reality and with the growth we’d seen of Buck in the past 8 years, he would have reached out to Tommy already. At least to talk things through. The baking thing was cute for an episode and it would have been okay for longer, but I’m just sitting here wondering exactly why Buck can’t call Tommy… If it’s because he’s hurt, then they needed to say that because right now, it just seems like Buck is literally being forced to not call him but the audience isn’t really sure why.

All this brings me to my biggest point. Third: I don’t trust anything that’s being said in interviews or by TM because he doesn’t write in advance and that’s a major problem

Before we get into it let me make a disclaimer: I’m gonna need every single network and studio to start requiring all the white men who write for them to actually be getting them scripts. We cannot rely on their “genius” to make sense because these scripts—especially season 8—should have had a few more passes before what we’ve seen. The only episode so far that actually felt like a complete episode was the Halloween episode.

And if this season has taught us anything, it’s that Tim not having any real plans or anything written is actually a massive problem for this show.

Now me not believing TM is not me saying that I 100% believe Tommy is coming back (though I feel like the chances are higher now with the reaction from the GA for ABC to suggest some things or at least give a closure beat to this character and relationship) This is more, nothing that TM has said in interviews up until this point for season 8 has really actually happened on screen except for Eddie shaving his moustache… Granted, I don’t read every single article with him so I might have missed something, but I just feel like he’s got no interest in setting anything up and actually paying it off in any real way.

So many people were so excited for season 8 because it was the first season in years where we actually knew so many storylines going into 8—that weren’t told to us in interviews; they were introduced in the actual show! We had Bobby/Athena’s house hunting, HenRen fighting Ortiz and trying to get Mara back, Madney fostering Mara in HenRen’s place, Eddie dealing with Christopher leaving, and Gerrard back at the 118. Any one of those storylines would have been so amazing to really see explored and fleshed out. Instead, everything was basically settled and done by episode 4—apart from Christopher and Eddie resolution and Bobby/Athena actually moving in / building. To me, as a writer myself, that decision to rush though those other stories was a massive massive misstep. There was so much there to explore and delve into that could have been so satisfying to watch and really reap the emotional payoff.

Instead, we had like 2-4 minutes max of processing HenRen not being able to see Mara again before they were all reunited. Not that I wanted to see HenRen struggling again in this way, but it would have been different and they could have put some humor into it with Karen suggesting they tail Ortiz and try to find things out about her—or Hen comes back from a shift to find Karen has stayed up for 38 hours tracking every single facebook post from Ortiz and her family to try and find something they could use and she’s the one who uncovered the link between Ortiz and Gerrard, which then promts Hen to ask Buck as Gerrard’s specialist boy to ask for a favor or try to convince Gerrard to help them deal with Ortiz.

And Maddie and Chimney having Mara would have been so interesting to see them actually having conversations about what they want for their family going forward—do they want more kids, do they not? Are they wanting to try naturally or adoption? And then Mara being with Chimeny could have also added another layer of tension between Hen and Chimney with Hen being jealous that Chimney is raising her daughter.

I mean Eddie… the fact that it took 8 episodes (basically) for him to actually acknowledge that he needs to do something to be a part of his son’s life is a major problem as well. It makes me not want to root for Eddie to reconcile with Chris because he has shown hardly any initiative in actually confronting what he did and the actual reason why Chris is so upset and feels betrayed. There was a little in 6, but that’s sort of it.

Bobby and Athena, they just don’t seem to know what to do with them anymore. And that’s a shame because there are so many things they could do—namely my favorite thing which is give them more comedy to do! They are so funny together (cruise ship is one of my favorite things). Or they could have had the first few episodes be them sort of couch surfing through the firefam and be a fun little runner of “we really need to figure out what we’re doing.” Even their storyline of their house burning just doesn’t seem to be a thing anymore.

Buck, it would have been so amazing to see him dealing with the work stuff more and having Tommy to lean on, to see Buck who’s been pretty secure in his work for the past few seasons now dealing with Bobby being gone and Gerrard there, just really gets him thinking about the future. Or even the comment about budget cuts, why was that never brought up again? That would have been so interesting to lead up to the midseason finale, which of the 118 is going to get laid off? And Buck being in such a secure spot maybe he volunteers because he wants to explore something outside of firefighting and/or because everyone else has kids and a family and he knows it’s easier for him to not have a job? And then he’s saying his goodbyes and the midseason act out is Bobby announcing that Eddie is going to be leaving them instead.

Instead of really exploring any of that, it’s all been rushed through to move on to the next thing, but the honest truth is: I don’t trust what TM’s great next thing is because he absolutely squandered all the potential he had going into season 8. So all these “amazing things” he has going forward I just don’t trust they’re going to happen or even be slightly interesting. Instead, I assume they’re going to be something that’s like an episode opening and then never mentioned again if they do happen.

I just don’t understand what is going on in his head other than ego right now and I’m just… I deal with too many egos in my life to deal with another one like this.

[leillaaaa]

hiii! about that one terukane post discussing the clock keepers’ original time period/location, i did some light searching and it mostly points to the clock keepers coming from around the 1800s! i’ll write down a few reasons why!

clothing:

mirai’s attire may seem a bit more western at first glance , but going off her sandals (sorry i’m not sure about the name) and the outfit under her cloak, it seems that it is either inspired or is the same as 1800’s japanese winter wear, with the same design, albeit with mirai’s design being a bit more puffy/flowy(?) see here:

so mirai’s outfit points to around the 1800’s, but what about kako and akane?

kako and akane don’t have much to go off, except for their sleeve garters/arm bands! sleeve garters started being manufactured around the late 1800’s, and they were used by people who needed to adjust their sleeves without much hassle! kako is shown to tinker with machinery, and we all know that can become seriously messy, so he uses sleeve garters to prevent his sleeves from being too long and messing with his work!

another thing to add are their tassels, which were used in the 1800’s as well(?)

other than their clothing, we can also refer to their boundary and the particular clock they used in chapter 111!

machinery:

the boundary mechanisms look particularly similar to clocks i found online that date back 200 years ago (i think) like this,

although i am not sure if this can be used as evidence as inspiration could be taken from any similar time periods, i believe that it most resembles the machinery of this particular era!

however, we can see that the big clock used to change the present/operated by the yorishiro has a unique style, quite unlike clocks today or the slim grandfather clocks we associate with the clock keepers! however, I found a clock quite similar to it that dates back to early-mid 1800’s (1800-1849)!

even though the time periods don’t nessecarily overlap, it still proves to be quite useful evidence!

it’s quite reminiscent of the big ben, built in 1943, overlapping with the manufactured period of the supernatural clock they used 🕰️, giving me reason to believe that the clock keepers might have made/maintained this when alive in that time period as mechanics!

lastly, the town!

not much to say here, but judging by the common people in the heart of the boundary and the fact that they spoke an unfamiliar language, i have reason to believe that kako might have originated from around europe, prob not in england, because akane learns english in school! (not accounting for older english)

i won’t say that it is in this specific location, because tbhk is obv a work of fiction with little to no actual ties to real locations, but i will say that the town is reminiscent of old luxembourg in ville-haute, to the south, which was known for its industry in the 19th century!

for reference:

sorry for the bad quality ahah

there are some holes here and there such as mirai’s japanese like clothing not matching kako’s more western attire, or why certain thing don’t overlap, but this is what i could find haha

so in conclusion i’d reckon the clock keepers to be from around the 1800’s in europe(my guess is old luxembourg city in villehaute, southern luxembourg), where kako is a mechanic known for his knack for machinery and mirai is either his adopted daughter from far away or a pinocchio-esque figure to keep kako company!

hope this helped!

WAHHH, TYYY !! This was so helpful, tysm !! (≧∇≦)b <3

[eachlittlebird]

[faithlesslovee]

[musette22]

For the nonnie who asked: here are some of my all time favourite lengthy Stucky fics (30-200k, mostly multi chapter):

Not Easily Conquered by dropdeaddream, WhatAreFears

This, You Protect by owlet

Home Is Wherever I'm With You by cydonic

Lucky Seven by BetteNoire

Political Animals by @spacerenegades, Deisderium

Wishes and Words by wearing_tearing

A Company Man by @whtaft

Push It Real Good by spoffyumi

The Size of Perfection by @phoenike

Like Real People Do by 2bestfriends

Easy Work For Easy Pay by AustinB

Prince Charming by Brenda

What's in a Name? by levi_cas_tho, maichan

Critical Feline Mass by Kryptaria, zooeyscigar  

Ipseity by SkyisGray

Circling Back by chaya

Ain't No Grave (Can Keep My Body Down) by spitandvinegar 

The Necrofloranomicon by leveragehunters (Monkeygreen)

with all my skin and bone by unicornpoe

He's All That by @spacerenegades

Monoclonius by Zenaidamacrouras1

oh meet me, my darling, where the sun sets over the barley by charlesdk @trancowboy

Coming Home by charlesdk @trancowboy

The Settler by charlesdk @trancowboy

Waking Up Slow by odetteandodile

Family Placement by notlucy

I Held You in Gloved Hands (And I’m Not Letting Go) by @voylitscope

then a small thing happened by BeaArthurPendragon

North Fork by BeaArthurPendragon

Itsy Bitsy Yoga by wearing_tearing

All Those Little Pieces by Ellessey

Bucky Barnes Gets His Groove Back & Other International Incidents @silentwalrus1

Scents and Sensibility: The Working Assassin's Guide to Supersoldier Seduction by galwednesday, silentwalrus, skellerbvvt

Coming Home For Christmas by Chiyume

Chase the Lightning From the Sky by SilverSlashes

These next ones I haven't had a chance to read yet, but I love these authors' other fics so I'm sure these are brilliant too!

lane lines by @sparkagrace

Till It Bleeds Daylight by @cable-knit-sweater

Backhoe by @zenaidamacrouras1

hey now, you're an all star (get your game on, go play) (WIP) by @buckyismybicycle

I was alone, I took a ride (I didn't know what I would find there) by @otp-holic

Till there were no more wolves in the West by @dharmasharks

better to speak or die (WIP) by @between-a-ship-and-a-hard-place

Atoms by @andrea1717

I'm sure I'm forgetting some brilliant ones, so feel free to add to this! Also, please check out these authors' other works too, they're all brilliant <3

[utilitycaster]

You know what's interesting to me? For all people keep claiming at every juncture that perhaps Bells Hells will come around on the gods and see the harm they do (which, as discussed extensively, is, half the time, simply not intervening) not only have they never done so, but also they never quite cross the line into saying the party should join the Ruby Vanguard or aid them - and indeed, they defend against it - so what does this achieve? It feels like they're asking for a story in which the party stands idly by, which isn't much of a story nor, if I may connect this briefly to the real world, a political stance anyone should be proud of.

That's honestly the frustration with the gods and the "what if the Vanguard has a point" conversations in-game. What do we do then? Do we allow the organization that will murder anyone for pretty much any reason that loosely ties into their goals run rampant? The group that (perhaps unwittingly, but then again, Otohan's blades had that poison) disrupted magic world-wide, and caused people who had the misfortune to live at nexus points to be teleported (most, as commoners, without means of return). While also fomenting worldwide unrest?

Those were the arguments before the trip to Ruidus; with the reveal of the Vanguard's goals to invade Exandria, the situation becomes even more dire. Do you let the Imperium take over the planet?

And do the arguments against the gods even hold up? If Ludinus is so angry at them for the Calamity, what does it say that he destroyed Western Wildemount's first post-Calamity society for entirely selfish means? (What does it say about the validity of vengeance as a motivator?) What does it say that Laudna told Imogen she could always just live in a cottage quietly without issue before the solstice even happened? (Would this still be true if the Imperium controls the world?) What does it say that when faced with a furious, grieving party and the daughter she keeps telling herself was her reason for all of this, Liliana can't provide an answer to the question of what the gods have done other than that their followers will retaliate...for, you know, the Vanguard's endless list of murders. (That is how the Vanguard and Imperium tend to think, huh? "How dare your face get in the way of my boot; how dare you hit me back when I strike you.") She can't even provide a positive answer - why is Predathos better - other than "I feel it", even though Imogen and Fearne know firsthand that Predathos can provide artificial feelings of elation. Given all the harm Ludinus has done in pursuit, why isn't the conclusion "the gods should have crashed Aeor in such a way that the tech was unrecoverable?"

Even as early as the first real discussion on what the party should do, the fandom always stopped short of saying "no, Imogen's right, they should join up with the people who killed half the party," it was always "no, she didn't really mean it, she just was trying to connect with her mother." Well, she's connected with her mother, and at this point the party doesn't even care about the gods particularly (their only divinely-connected party member having died to prevent the Vanguard from killing all of them). So they will stop the Vanguard; as Ashton says, the means are unforgiveable. As Laudna says, it's not safe to bet on Predathos's apathy. As Imogen says, she's done running; the voice that she used to think of as a lifeline belongs to someone she doesn't trust. So I guess my question is: if they're stopping the people who are trying to kill the gods (and defense of the gods isn't remotely their personal motivation)...do you think the next phase of the campaign is Bells Hells personally killing the gods? Reconstructing the Aeor tech and hoping none of their allies notice? How does this end? Does your ideology ever get enacted? Or is this entirely moot and pointless and the story ends with Bells Hells saying "well, I'm really glad we stopped the people who [insert list of Vanguard atrocities from above]; none of us follow the gods or plan to, but honestly, the status quo we return to is preferable to whatever nightmare Ludinus had concocted in his violent quest for power and revenge"?

[luminousstardust]

Together either way 💜⚡️

[kindahoping4forever]

Ashton on IG Story and Ai FM

[comicbookddr]

some more ryan ros blingee edits from my computer that i need to get rid of (check out parts 1 and 2 as well)

[chiropteracupola]

Said hello and goodbye / Do you feel alright with the days gone by / I'll never waste my time, I'll never say goodbye...

[erstwhile-elster]

I'm not going to talk much about this, I think there are better things to focus on in response to the election results, but I will say that if you are despairing this to the point you are willing to say that millions of people deserve to die because of the failures of the politicians you and others put your faith in, you need to look inside yourself and realize you were concerned with very little other than your personal comfort.

If you are wailing and crying and saying it's all over because the one thing you know how to do is fill in a circle like it's your SAT that you did oh-so-well on in high school or whatever, you need to take a long moment of really searching inside yourself and asking what you can do to help the people you care about, the people around you.

If you really think all the people in this country who are organizing and helping their fellows, who are affecting change in the world directly around them, are deserving of death because you are facing a level of adversity you've probably never known before, you need to do something about how you feel. Because it really just looks like you think you're the main character or something.

It's okay to be scared, but you need to come to terms with the fact that you are in a far better place than the majority of people who will actually be affected by this. You need to be willing to hold the actual real people responsible for this, the politicians, accountable for failing. More importantly, you need to find ways to protect the people yourself and the people you care about. Helplessness will do nothing for you.

[manicpixiedreamjop]

Pairings: Edward Little/Solomon Tozer, Edward Little/Thomas Jopson

Rating: E

Word Count: 2,568

Tags: Alternate Universe - Modern Setting, Alternate Universe - 2000s, Alternate Universe - Truckers, Anal Sex, Period-Typical Homophobia, Edward Little’s general self loathing, hints at voyeurism, Casual Sex, (that may or may not actually be that casual), Unrequited Love, (that may or may not actually be that unrequited), Non-Linear Narrative, Ambiguous/Open Ending

Edward doesn’t remember when they exchanged numbers. After the second time, he thinks, or maybe the third. It’s always a bit of a blur if he’s being honest, their time spent in liminal spaces that all feel the same even when they’re multiple states away from each other: motel rooms that feel like they’ve been transported to the 70s, or crammed together in the cab of one of their trucks, or once pressed together in a single stall shower at a truck stop, skin slick with water and sweat and ivory bar soap.

What he does know is that when Sol texts, he answers.

[rubberbandballqueen]

i like when the end of my braid dries out after a shower and becomes a neat little curl just all by itself. little puff of fluff to keep itself tidy

[mugzymiik]

"going against canon is so cri--" FUCK you and FUCK your fandom expectations I WILL GIVE SO MANY OF MY FAVORITE CHARACTERS NEOPRONOUNS AND SO MUCH MORE THAN THAT you will LOATHE the day you crossed me by limiting the sheer POWER of my headcanons my dear friend

[secret--history]

the whole 'there are not very many Great Causes worth fighting for these days' from Julian scanned as WAY more out of touch than the moon landing thing for me the first time i read tsh