#popular Dressed Female Hollywood Celebrity

[plutos-one]

Vote for your Best Dressed Hollywood Celebrity Female 2024 and win coins to unlock exciting vouchers. Discover more about Dressed Hollywood Celebrity Females at plutos ONE. Play Poll and Win.

[autisticshadowthehedgehog]

Nobody asked me for my opinion on the controversy that dropped today when the Sonic Movie cast pay rate was revealed, which is fair ig since I try to stay positive on this blog. But in case you're wondering, yeah as a certified AFAB™ I'm pissed, but not really specifically at the Sonic crew. Actor pay rates are usually negotiated between agents and the production companies so just like all the other problems with the Sonic movies, this is most likely an issue with Paramount and their patented dumbfuckery. Disclaimer that obviously it could very well be a Sonic crew issue as well, obviously I don't know the inner workings of the entire film production.

Also, if you're mad about this: please be mad about the pay gap that has been going on as long as Hollywood has been alive. This isn't a problem unique to the SCU. I know the phrase "pay gap" is thrown around a whole lot but do you guys actually know how big an issue it is?

Recent percentages are that male and female actors have "a wage difference of about 25 percent," with an estimated difference of $1-2million between star-power men and star-power women.[x][x] Basic Instinct star Sharon Stone said she made $500k to Michael Douglas's $14mil– and when she was asked to be lead in a film being made in ~2022, the lead male, who was "new", was going to be paid $8-9mil, with her salary still at $500k. Last December, Biggest Monopoly In The World Disney was sued by 9,000 women over their pay gap.

This article is from 2019 but brings up some big fucking pay gaps between leads– for instance, Gillian Anderson was offered half of what David Duchovny was for the X-Files reboot as one of the two main fucking characters, Amanda Seyfried has disclosed she made 10% of what her male co-star made on an undisclosed film, Natalie Portman made 1/3 of the salary of Ashton Kutcher in No Strings Attached, and Ellen Pompeo, the titular character of Grey's Anatomy, was paid less than the actor playing her love interest, Patrick Dempsey. In fact, Dempsey was being paid almost double what she was.

However, BIG issue with the 2019 article: it only focuses on what White actors are being paid. Research shows that Black actresses make 57 cents to every dollar white actors make on a good day. Viola Davis, one of the most popular and talented actresses of our generation, has said that black women "get probably a tenth of what a Caucasian woman gets. And I'm number one on the call sheet." Octavia Spencer had to collaborate with Jessica Chastain to make sure they both got paid the same amount of money on a film they both worked on, and revealed that her new salary increased 500% afterwards.

At the end of last year, while promo-ing The Color Purple, Taraji P. Henson broke into tears while talking about how little she's being paid when compared to her white and male contemporaries. And when she talked about the gap, I find it so fucking frustrating that the general audience response was to immediately blame the only Black female producer on the film. I have a million gripes with Oprah Winfrey but TCP cast has said that she herself managed to fix a lot of the problems on set and was nothing but supportive to them. Oh, and there were a lot of problems on set, including a lack of food and dressing space for the main actors. And this is all from celebrity women. Just think about how Hollywood is treating women who don't have the star power to speak up.

Of course this isn't even a problem solo to Hollywood, let alone Paramount, let alone just one movie. And honestly it was probably really sad that when I saw the pay rate for the Sonic 3 cast, I wasn't even surprised, because I've seen worse on bigger projects.

[luxe-pauvre]

Whether Didion was successful in accurately documenting her era, either in dress or in syntax, she fundamentally shaped the tradition of female literary celebrity that would follow her. Stylish and mysterious women had written books before, but she was the first to work at the nexus of Hollywood fame and New Journalism, not to mention the rise of second-wave feminism. The times were right to launch a persona that could bridge the divide between popular and literary culture, especially in the era of upwardly mobile literary white women, whose mere presence in the public sphere could register as feminist “progress.” While Gloria Steinem dressed as a Playboy Bunny, Didion pioneered a more buttoned-up form of liberal feminist enlightenment: a public intellectual whose brains were somehow compatible with her ballet dancer physique and soft voice. In so doing, she paved the way for Donna Tartt and Sally Rooney, two other white women whose brooding books, shy manners, and minimalist wardrobes made them favorites online, from academic twitter to BookTok, the corner of viral video platform TikTok where young people recommend and discuss literature. Tartt and Rooney have both bristled at the pressures of fame, but of course, that’s part of the coolness equation that Didion taught. More important than proximity to Malibu or writing sentences that unroll like carpets is disdain for attention. Rooney’s protagonists in particular have absorbed the other lesson Didion taught without saying a word: to be beautiful and tragic you must be very, very thin. For her, syntactical economy was synonymous with every other kind. If her sentences were stripped back of effusion or unnecessary details, so too her plain (expensive) wardrobe and spare frame made her just as chic. Didion defined coolness as disaffection. She disregarded the impulse to make political appeals as another form of appetite. Finn McRedmond notes that Rooney’s protagonists “can only produce good work when [they are] starving.” Appetite is anathema to coolness. Despair is slim and languid; it makes a dress hang in elegant straight lines.

Ana Quiring, Making the Sentence Chic

[gaymer-hag-stan]

How we feeling ladies and gays???

Lara Croft's impact as a pop culture icon is monumental, transcending her origins in the Tomb Raider video games to become a symbol of female empowerment and representation. She was one of the first major female protagonists in gaming, breaking ground in a male-dominated industry and becoming the face of one of the most successful franchises in history, now with over 100 million units sold. Her character has earned multiple Guinness World Records, including "Most Successful Human Video Game Heroine" and "Most Recognizable Female Character in a Video Game." Beyond gaming, Lara successfully transitioned to Hollywood, portrayed by Angelina Jolie and Alicia Vikander in major films, further cementing her mainstream appeal. Lara has also become a merchandising powerhouse, with action figures, comics, novels, and brand collaborations. Her character evolved over time, especially in the 2013 reboot, to focus on her emotional depth, intelligence, and resilience, making her a symbol of empowerment for women worldwide. Lara Croft’s legacy has influenced not only the gaming industry, where she helped push the boundaries of storytelling and character-driven narratives, but also popular culture at large, where she remains an enduring icon.

We did it!

And of course, we have to talk about the next three games getting remastered too!

I'll be VERY honest with you, I straight up did not expect to see Angel of Darkness. I thought they were never ever gonna touch it again, and I wasn't even sure about Chronicles either, I thought that since they didn't do all five of the PS1 games together, the chances of them either doing Last Revelation & Chronicles or TLR alone were still slim. But it's one of the times that I am very glad to have been proven wrong!

As much as the Core purist community has made me retroactively wary of this era of the franchise, I understand and appreciate that these games still mean a lot to many people who are very normal and don't go out of their wave to make everyone else feel miserable, so to those people who had been fighting for AoD's return for so long I say congratulations, you deserve this, we all do.

Possible SPOILERS?

From what we can assume from the leaked Xbox achievement list, they are adding the Times Exclusive level in the Last Revelation, a very weird and very exclusive PC DLC that they released back in the day, sponsored by the London Times of all things, to commemorate sixty years since their coverage of the opening of Tutankhamen's tomb, no I'm not joking, and also adding back the dual pistols and corner shooting in AoD, stuff that were ultimately cut from the final version of the game. This could possibly mean that Angel of Darkness and Chronicles are not just getting a shiny new look but also possibly getting their very-well-documented game-crashing bugs fixed which is great.

I am very much willing and hoping to approach Chronicles and Angel of Darkness with an open mind and see if, with the new tweaks, they are not so bad after all. Neither of them are terrible games, only mediocre at worst, because even at her lowest, Lara still serves, but still, I think it's safe to say that this was, objectively, the lowest point in the series.

Now, I personally would hope that they will see it worthwhile to remove the cutscene where underage Lara is almost seen topless in Chronicles or is groped by Kurtis in Angel of Darkness, but I don't think they'd go that far. Still, a simple trigger warning like they did for the racist depictions in TRII and TRIII won't cut it this time.

But we're here to celebrate! Fingers crossed they add her opera dress in Chronicles, like they did for that horrid leopard print suit in Nightmare in Vegas, that would be an actual serve!

Also, this announcement only cements one thing in my mind... Next year in October we're celebrating the announcement of "Tomb Raider VII-VIII-IX Remastered, starring Lara Croft" and I swear, I will never shut up about it when it happens! Hopefully we we even get Guardian of Light too... Who knows!

[purplestrangerstrawberry]

Pantyhose Vogue Icons: Stars Who Nailed the Appear

Introduction

Pantyhose style has actually constantly been a topic of passion amongst style lovers. From its very early days of appeal in the 1960s to its current revival, pantyhose has actually stayed a staple in the wardrobes of lots of ladies. In this short article, we will certainly explore the legendary celebs who have welcomed and developed the pantyhose appearance. From classic Hollywood celebrities to modern-day innovators, these style icons have actually demonstrated their competence in shaking this ageless device. Join us as we explore the globe of pantyhose fashion and celebrate the style choices of these impressive individuals.

Pantyhose Style Symbols: Celebs That Nailed the Look

In this section, we will certainly highlight some of the most significant celebrities who have accepted pantyhose fashion and established fads for generations to come.

Audrey Hepburn: The Embodiment of Elegance

Audrey Hepburn, known for her ageless elegance and sophisticated style, was just one of the first celebrities to promote pantyhose. Her iconic search in films like "Breakfast at Tiffany's" and "Roman Vacation" showcased her impressive taste in fashion. Hepburn commonly matched her sophisticated outfits with large pantyhose, including a touch of beauty to her outfits.

Marilyn Monroe: Sensual and Seductive

Marilyn Monroe, the embodiment of sensuality in the 1950s, typically incorporated pantyhose into her wardrobe. Understood for her legendary white dress minute in "The Seven Year Itch," Monroe astounded target markets with her charm and sex appeal. She embraced the allure of pantyhose, improving her fascinating persona.

Princess Diana: A Fashion Icon

Princess Diana's remarkable feeling of design made her a global style symbol. She often put on pantyhose as part of her classy ensembles, showcasing just how this accessory can boost any clothing. Diana's style selections continue to motivate females around the globe, and her incorporation of pantyhose in her wardrobe included a touch of elegance to her looks.

Jennifer Aniston: Easy Chic

Jennifer Aniston, recognized for her duty as Rachel Eco-friendly in the struck television program "Friends," has actually constantly gone to the leading edge of style trends. She effortlessly incorporates pantyhose into her clothing, easily integrating comfort and design. Aniston's ability to make even the easiest of appearances show up posh has solidified her standing as a pantyhose style icon.

Kate Middleton: Regal and Refined

As free pantyhose porn videos a member of the British royal household, Kate Middleton is familiar with stylish style selections. She commonly goes with sheer pantyhose to finish her polished ensembles, sticking to imperial protocol and showing exactly how this device can include poise and improvement to any clothing. Middleton's choice for pantyhose has further popularized this classic fashion staple.

Pantyhose Style Tips from the Experts

In this area, we will certainly supply some professional pointers on how to integrate pantyhose into your daily outfits.

1. Pick the Right Shade

When selecting pantyhose, it is important to pick a color that matches your skin tone. Select neutral shades like nude or off-white for a natural look, or experiment with colors that enhance your clothing. Bear in mind that the right color can improve your total look and

[fashionthroughtimewithlucy]

Blue Jeans.

Since the late-19th century, jeans have gone from rugged workwear to fashion apparel that we couldn't live without. During the 1970’s, demand grew for flared and bell bottom styles, the trend spread from the US to Europe and was no longer associated with the niche hippie movement. Denim jeans became the go-to style for youths in all areas of life. Decorated denim also rose in popularity as people chose to customise their jeans with sequin, embroidery, paint or beads.

Designer jeans were seen statues symbol and more expensive and more desirable. Calvin Klein and Gloria Vanderbilt were the first American designer jeans to hit the market in the mid-1970s. They both focused on the mass women’s market and found inspiration in existing designs. It’s important to make clear that in those days, designers didn’t have all the treatment technologies that we have today at their disposal. The jeans were raw, rinsed or stonewashed.

Calvin Klein meteoric rise in the 70s, to the aesthetic that defined the 80s and 90s, to today’s still chic. During the 70’s Calvin Klein is said to have investigated revolution in advertising when he launched his jeans range. Calvin Klein sold 200,000 pairs of denim jeans during its first week of sale in 1978 – a venture that arose after a stranger approached Klein on the dance floor at New York City’s most infamous party spot, Studio 54.

Gloria Vanderbilt.

Gloria Vanderbilt became famous early in life, she was an American artist, author, actress, heiress and socialite but most noted as an early developer of the blue jean. And thats when her fame came, venturing into theater, film and fashion, with her jeans becoming a staple of the 1970s designer scene.

Glitter Glam rock.

The Great Britain of the 70s could be a drab, monochrome place. The buzz of the Summer Of Love had long faded and in its place, it seemed, came the escalating tensions in Northern Ireland, economic and political crisis, and a sense that the nation’s moment had passed. Glam rock (or “glitter rock,” as it was better known in the US) added a rare splash of color and sparked a very different kind of cultural evolution, bringing a sense of flamboyance in lux fabrics such as satins, velvets, and lurex decorated with sequins and worn with super high stacked platforms.

It was Marc Bolan who was the real deal and glam rock’s first true star. He was the lead singer of T.Rex, which cemented his place as king of a new genre – glam rock. His pioneering style was underlined by his equally flamboyant TV appearances, he wore metallics and glitter make-up, a look that confirmed a new decade’s pop star had arrived.

Back in the 1970s, David Bowie envisioned key parts of our culture today. During the most crucial decade in Bowie’s career, his forward-thinking approach to sexual identity, celebrity image and musical presentation tipped off many. He made innovations in art pop, glam rock, German industrial music and more, along the way minting a dense discography of classics. While Bowie’s lithe figure and pretty face gave him an androgynous aura from the start, he didn’t use that role in so focused, and shocking, a way until the U.K. cover of his 1970 album The Man Who Sold the World. It found him draped over a chaise longue wearing a dress and sporting long tresses that seemed less like the hippie casual norm of the day than like something out of old Hollywood.

Suzie Quatro redefined the role of women in rock ‘n roll,, creating a style of leather suits inspired by Elvis 1968 leather suits. There were female singers and musicians before Suzi, but she was the first to break through as lead vocalist who was also just part of the band.

[harshildesignstudio]

Fashion Icons Through the Ages: Timeless Inspiration for Modern Trends

Fashion is an ever-evolving form of self-expression that transcends time and cultural boundaries. From the elegant styles of the Renaissance to the rebellious spirit of the 20th-century counterculture, fashion has always mirrored the zeitgeist of its era. Throughout history, certain individuals have emerged as trailblazers, leaving an indelible mark on the world of style. These fashion icons, through their unique and innovative approaches, have shaped the way we perceive and embrace fashion today. In this exploration of "Fashion Icons Through the Ages," we will delve into the lives and styles of some of the most influential figures in the world of fashion, drawing inspiration from their timeless contributions to create a bridge between the past and the present.

Ancient Influences:

The roots of fashion can be traced back to ancient civilizations, where clothing served both functional and symbolic purposes. In ancient Egypt, for example, the pharaohs and high-ranking officials adorned themselves with elaborate garments and accessories as a symbol of their status and power. The flowing robes and intricate jewelry of this era continue to inspire designers today, emphasizing the enduring allure of ancient aesthetics.

Greek and Roman civilizations also played a significant role in shaping early fashion. The toga, worn by Roman citizens, and the chiton, a draped garment popular in ancient Greece, have left a lasting impact on modern fashion. The timeless elegance and simplicity of these classical styles often find their way into contemporary designs, showcasing the enduring influence of ancient fashion on the modern runway.

The Renaissance Revival:

The Renaissance marked a period of profound cultural and artistic transformation in Europe, and fashion was no exception. During this time, individuals such as Queen Elizabeth I and Catherine de' Medici set new standards for opulence and sophistication. Elizabethan fashion, characterized by lavish fabrics, intricate embroidery, and voluminous skirts, continues to captivate designers who seek to infuse their creations with a sense of regal grandeur.

The Renaissance also saw the emergence of the corset, a garment that would shape women's silhouettes for centuries to come. Though its use has evolved over time, the corset's influence is unmistakable in contemporary designs that celebrate the female form.

The Roaring Twenties:

The 1920s brought about a seismic shift in fashion, ushering in the era of flappers and the iconic silhouette of the "Roaring Twenties." Women abandoned the restrictive corsets of the past in favor of loose-fitting, drop-waist dresses that allowed for greater freedom of movement. Coco Chanel, a pioneer of modern fashion, played a pivotal role in popularizing the relaxed, androgynous style that defined the decade.

The Jazz Age not only revolutionized women's fashion but also introduced iconic menswear styles, including the enduring appeal of the three-piece suit. The suave and sophisticated looks of the 1920s, epitomized by figures like F. Scott Fitzgerald and his fictional character Jay Gatsby, continue to inspire contemporary fashion, influencing everything from formal wear to street style.

The Golden Age of Hollywood:

The glamour of Hollywood's Golden Age in the 1930s and 1940s left an indelible mark on fashion. Stars like Marilyn Monroe, Audrey Hepburn, and Cary Grant became style icons, and their influence is still felt in the timeless elegance and sophistication associated with the era. From Monroe's iconic white halter dress to Hepburn's little black dress in "Breakfast at Tiffany's," these Hollywood legends set the stage for classic, glamorous fashion that transcends trends.

Postwar Rebellion:

The postwar period witnessed a rebellion against the formality of previous decades, giving rise to youth-driven subcultures and countercultural movements. Figures like James Dean and Marlon Brando popularized a more casual, rebellious style with leather jackets and denim, symbolizing a departure from the sartorial norms of the time. This rebellious spirit laid the foundation for the emergence of the iconic "cool" aesthetic that continues to influence streetwear and casual fashion today.

Swinging Sixties:

The 1960s marked a radical departure from the conservative styles of the previous decade. The youth-driven counterculture rejected established norms, and fashion became a powerful tool of self-expression. Icons like Twiggy and the Beatles embraced psychedelic prints, bold colors, and unconventional silhouettes, embodying the spirit of the Swinging Sixties.

The miniskirt, popularized by designers like Mary Quant, became a symbol of liberation and women's empowerment. The androgynous styles of musicians like David Bowie challenged traditional gender norms, leaving a lasting impact on the evolving landscape of fashion.

Punk Rebellion:

The late 1970s and early 1980s saw the emergence of punk rock, a movement that not only revolutionized music but also had a profound influence on fashion. Punk style, characterized by torn clothing, leather jackets, and bold accessories, became a symbol of rebellion and anti-establishment sentiment.

Fashion icons like Vivienne Westwood and Malcolm McLaren played a key role in shaping the punk aesthetic, and their DIY ethos continues to inspire designers who seek to challenge conventions and push the boundaries of traditional fashion.

Minimalism and Grunge:

As the fashion world entered the 1990s, a shift towards minimalism and grunge aesthetics took center stage. Designers like Calvin Klein embraced clean lines and neutral colors, while the grunge movement, led by musicians like Kurt Cobain, popularized a more casual and disheveled style. The juxtaposition of these two contrasting trends defined the fashion landscape of the era, reflecting a desire for both simplicity and authenticity.

Contemporary Icons:

In the 21st century, the concept of fashion icons has evolved beyond traditional celebrities to include influencers, designers, and even fictional characters. Social media platforms have democratized fashion, allowing individuals to cultivate their unique styles and influence global trends.

In the realm of high fashion, designers like Alexander McQueen, Karl Lagerfeld, and Stella McCartney have left an indelible mark on the industry, pushing boundaries and redefining the possibilities of design. Meanwhile, influencers like Chiara Ferragni and fashion-forward celebrities such as Rihanna have become influential figures in shaping modern trends and challenging conventional notions of style.

Conclusion:

"Fashion Icons Through the Ages: Timeless Inspiration for Modern Trends" showcases the enduring influence of historical figures on the ever-evolving world of fashion. From the opulence of the Renaissance to the rebellion of punk, each era has contributed distinctive elements to the rich tapestry of style. The fusion of past and present in contemporary fashion reflects a continual dialogue between tradition and innovation.

As we draw inspiration from the fashion icons of yesteryears, it becomes evident that true style transcends fleeting trends. The ability to adapt, reinterpret, and blend elements from different eras is what makes fashion an art form that is both dynamic and enduring. In the ongoing journey of self-expression through clothing, we find that the past is not merely a reference point but a boundless source of inspiration, offering a timeless guide for navigating the ever-changing landscape of modern fashion.

Elevating Vadodara's fashion scene one design at a time! Discover why Harshil Design Studio stands out as the city's premier fashion destination.

Top of Form

[inapat17]

What happened to Miss May? A New Leaf (1971), the brilliant debuts of the improv star (1/4)

Elaine May and Walter Matthau in a scene from A New Leaf

Between 1971 and 1987, Elaine May directed four films. Her directing career began with the success of A New Leaf and ended with the poorly received and commercially unsuccessful Ishtar. It was marked by great creative inputs and troubled relationships with the studios. Following this period, Elaine May’s work was mostly forgotten and difficult to access. This series of articles aims to celebrate the work of an essential comedic genius and reclaim her influential style in Hollywood history.

“Miss May does not exist.”

Elaine May is an enigmatic figure who has cultivated mystery and rarely granted interviews, cautioning journalists that her statements might not be entirely truthful. The quote above was taken from Elaine May’s self-presentation on the cover of the comedy album Improvisations on Music (1958) she made with her partner Mike Nichols. They both gained popularity thanks to their elegant, witty improvisational sketches on television and Broadway. When the ‘Nichols and May’ duo parted ways in the early sixties, they both transitioned to Hollywood careers: Nichols’s first film was Who’s Afraid of Virginia Woolf? (1966), while May went on to make A New Leaf (1971).

Elaine May and Mike Nichols in the stage production An Evening with Mike Nichols and Elaine May (1960).

Elaine May wrote, directed, and starred in her debut film, infusing dark humor into an anti-romantic comedy. In A New Leaf, she portrays the adventures of a wealthy playboy (Walter Matthau) whose sole talent lies in living a vain life of luxury, caring only about his material possessions until he suddenly loses his fortune. He devises a plan to marry a rich yet clumsy and kind-hearted botanist (Elaine May) to eventually kill her. A New Leaf starts with an unforgettable opening scene and channels  the screwball tradition and triumphant love trope throughout the film. Through this work, Elaine May establishes socially awkward characters as a recurrent theme in her filmography.

A glorious poster with the longest tag line ever

However, making the film was far from straightforward. May had no experience in film direction and many people from the production tried to take the film away from her. Consequently, the studio justified that she was paid only $50,000 as the director, writer, and co-star of the movie while the two producers each gained the same amount, and Walter Matthau received a substantial $350,000 paycheck.

Elaine May’s first series of clashes with movie studios –a recurrent theme throughout her career – started during the ten-month editing process of A New Leaf when May presented Paramount Pictures with a three-hour-long version of the film, which the studio did not consider to be an adequate length for a comedy. Paramount Pictures had specified in her contract that they had the right to cut the film as they liked and proceeded to hire a new editor who reduced May’s cut in half. May sued the studio, asserting that they had created a different film under her name. This legal battle led to a legendary encounter with a judge who, despite of ruling in favor of the studio, praised May for making such a hilarious film. The version known to the public today is the studio-approved one, with May’s darker director’s cut unable to be seen.

Elaine May shooting a scene of A New Leaf with her wedding dress costume on

Despite the troubled production of A New Leaf, May’s film paved the way for 1980s and 1990s comedy and inspired Nora Ephron and Woody Allen’s subsequent work. A New Leaf was inducted into the Library of Congress’s Film Registry in 2019, celebrating May as a trailblazer for comedy and female directors.

LisaMiaud

[urielboutique]

Sexy Bodycon Dress: Cultural Influences Around the World

In the realm of fashion, the bodycon dress stands out as a symbol of confidence and allure. Its figure-hugging silhouette accentuates curves and exudes femininity, making it a staple in many women's wardrobes worldwide. However, the perception and interpretation of the sexy bodycon dress vary significantly across different cultures. Let's explore the cultural influences shaping the popularity and meaning of the sexy bodycon dress around the world.

Western Influence: Bold and Glamorous

In Western cultures, particularly in countries, the bodycon dress is synonymous with glamour and confidence. Inspired by Hollywood starlets and celebrity fashion, Western interpretations of the bodycon dress often feature bold colors, daring necklines, and form-fitting silhouettes. These dresses are commonly worn for nights out on the town, red-carpet events, and special occasions where making a statement is key.

Asian Elegance: Sophistication and Modesty

In contrast, in many Asian cultures such as Japan and South Korea, the bodycon dress takes on a more understated and sophisticated tone. Influenced by traditional notions of modesty and elegance, Asian interpretations of the bodycon dress often feature sleek designs, muted colors, and subtle details. These dresses are favored for their versatility, seamlessly transitioning from daytime office attire to evening cocktails with ease.

Latin Passion: Vibrant and Sultry

In Latin American countries like Brazil and Colombia, the bodycon dress embodies a sense of passion and sensuality. Characterized by vibrant colors, intricate embellishments, and body-baring designs, Latin interpretations of the sexy bodycon dress celebrate the female form in all its glory. These dresses are a staple in Latin American nightlife, where dancing and socializing are part of the cultural fabric.

Middle Eastern Modesty: Balance of Tradition and Fashion

In Middle Eastern cultures, such as those in Saudi Arabia and the United Arab Emirates, the bodycon dress is often adapted to adhere to cultural norms regarding modesty and dress codes. While still embracing the figure-hugging silhouette, Middle Eastern interpretations of the bodycon dress may feature longer hemlines, higher necklines, and strategic layering to maintain modesty while staying fashionable. These dresses are popular choices for formal gatherings, weddings, and other special occasions.

Conclusion

The sexy bodycon dress transcends geographical boundaries, yet its interpretation is deeply influenced by cultural perspectives & traditions. Whether it's the bold glamour of Western fashion, the understated elegance of Asian couture, the vibrant sensuality of Latin designs, or the modest refinement of Middle Eastern styles, the bodycon dress remains a versatile and iconic garment cherished by women around the world. Regardless of cultural differences, one thing remains constant: the bodycon dress empowers women to embrace their curves and exudes confidence with every step they take.

[infifashion]

Galentine's Day Party Ideas

Galentine's Day is a beloved female celebration that celebrates the joy of friendship. It's a day to celebrate those particular ties through laughter, love, and glitter. Whether you're near or far, the Galentine's Day party ideas below are intended to develop friendships and make memories. Prepare to delve into a world of fun, connecting, and limitless laughter!

What is Galentine’s Day?

Galentine's Day is all about empowering and celebrating the women in our lives. It's time to join with your friends, whether in person or digitally, to celebrate each other's accomplishments, offer support, and, most importantly, have fun. The beauty of Galentine's Day party ideas lies in their adaptability and inclusivity. There are no fixed rules or expectations, just the delight of being together.

Galentine’s Day Party Ideas That Shout ‘Cheers to Cherished Chums!

Whether you want to relax, be creative, or simply enjoy each other's company, our carefully picked Galentine's Day party ideas will add shine to your celebrations. So, assemble your best gal buddies, because we're going all out this year to make your Galentine's Day a memorable celebration.

Glam Up with Beauty Products

Experience a beauty bonanza! Explore a variety of beauty products to make your Galentine's Day party ideas more glamorous. Have each person bring their favourite skincare or cosmetic product. Share advice, test different looks, and even make your own beauty lessons. It's a fantastic opportunity to connect and discover new beauty favourites, all while improving the shine of your friendship.

Host a Costume Party

A Hollywood or Bollywood-themed costume party will add drama and elegance to your event. Invite your pals to dress up as their favourite celebrities or characters. Every costume conveys a story, from the beauty of classic movies to the sparkle of recent blockbusters. As you dance to popular songs and reenact classic scenes, the party transforms into a lively celebration of cinema. It's an opportunity to exhibit creativity, indulge in some fantasy, and spend an evening where everyone shines like a star in their spectacular costumes.

Embark on a Culinary Adventure with a Food Tour

Why settle with just one cuisine when you may try several? Organise a food tour of your city, stopping at each notable street food intersection or restaurant to sample different cuisines. Whether you're eating sushi, Italian spaghetti, or desserts, make each visit a culinary adventure. This Galentine's Day party idea is also a terrific opportunity to discover your new favourite restaurant!

Arrange a Pet-themed Playdate

If you and your pals enjoy having pets, invite them to the celebration. Organise a playdate with everyone's pets, and if you don't have any at home, go to a dog or cat cafe. It's a heartwarming way to connect, not just with one another, but with the adorable animals who bring so much joy. Watch them play, snap a lot of shots, and appreciate the delight that dogs bring. This Galentine's Day party idea is filled with cuddles, jokes, and the unconditional love that pets provide.

Go on a Shopping Spree

To put this Galentine's Day party idea into action, visit your favourite shopping destinations for a day of fashion and laughs. Help each other choose new outfits, try on things you wouldn't ordinarily wear, and experience the pleasure of finding a fantastic deal or the ideal item. It's a day to experiment with different styles, support one another's decisions, and celebrate your diverse interests. Enjoy the experience together, share your honest thoughts, and bask in the joy of retail therapy, all while building your friendship.

[gaymer-hag-stan]

Happy 27th anniversary to Tomb Raider!

On the 25th of October, twenty seven years ago, a little game called Tomb Raider, featuring Lara Croft was released in Europe for the Sega Saturn, and changed gaming FOREVER!

The world was introduced to British archaeologist Lara Croft, who travels around the world searching for lost artifacts and infiltrating dangerous tombs and ruins. Lara Croft became a pop culture sensation. You probably can't fathom the amount of brand power and popularity she had in the late 90s (I can't either because I was a baby) but she was treated like an actual celebrity. Getting featured on non-gaming magazine covers, getting advertisement deals with brands like Lucozade, Visa, Seat, Jeep, Ducati and many others and even having her own publicist! She also technically toured with U2 as her visuals were heavily on their Pop Mart tour! She is the most successful woman to ever hit video games and every female video game protagonist created after her gets inspired and compared to her for good reason.

Exploration, solving puzzles, navigating hostile environments filled with traps, and fighting enemies are the three core pillars of the franchise, and although not credited as much as it should, the original game did tons to innovate 3D gaming (choke on a dick Mario 3D) and essentially jump started the action adventure genre, which it held a monopoly on until the Inception of Uncharted (which also died but Queen is still here).

Furthermore, various award winning actresses have been hired to portray Lara across various media, from Keeley Hawes and Camilla Luddington in the games, to Minnie Driver and, soon, Hayley Atwell in animated series to Oscar-winning Alicia Vikander and, perhaps more importantly, Angelina Jolie in films.

Not to discredit any of the other actresses, or Lara's own brand power before the 2001 film, but Angelina's portrayal has been ingrained in many people's minds and did a lot to both further boost Lara's own brand power, as well as permanently ingrain Angie as one of the prominent action heroines in Hollywood. It's no wonder tons of people dressing up as Lara or other media paying homages to Lara and Tomb Raider use Angie's all black outfit and French braid look from the first movie, neither of which are actually part of Lara's in-game look so far 🤣

Although it stumbled a bit in the early 2000s, with games like Chronicles and Angel of Darkness tarnishing the brand, the game has been reimagined, both with a soft reboot in 2006 and a full scale one in 2013 and has continued to evolve and adapt to the industry, managing to stay relevant for almost three decades now! For this reason, Tomb Raider had sold over 95 million copies worldwide by 2022, while the entire franchise generated close to 1.2 billion dollars in revenue by 2002. The series has generally been met with critical acclaim, and Lara Croft has become one of the most recognisable video game protagonists, winning accolades and earning places on the Guinness World Records.

The future looks bright as we have a new animated series, a new game, a remaster of the original three games and a whole ass multiverse of media coming up, hopefully managing to please fans of all iterations of the games as well as the character herself.

Lara Croft has achieved mainstream media popularity like of which only a handful of other video game characters, like Sonic and Mario have only achieved. Her own individual brand power has consistently been a selling point for the series, but the games themselves continue to captivate the interest, and I hope to see them continue to succeed where others failed for many many more years to come!

Happy birthday Tomb Raider 🥳🎈😁

[vindelllas]

the beauty of ardra 💧🌑

💧margot robbie (ardra surya): upper photo

💧emilia clarke (ardra chandra): lower photo

🌑 the nakshatras of the nodes have a very distinctive appearance. the influence of the feminine rahu bestows ardra natives with the typical feminine features, such as delicate facial features, larger eyes, and a voluptuous body. the yin features of rahu gives natives a type of otherworldly and ethereal appearance, similar to that of saturn. this is because both planets are of the air element (for a better understanding of this go to my pushya nakshatra post). these natives typically have large and rounded eyes, dainty noses, and a lighter complexion (depending on the native’s ethnicity, i.e. if a rahuvian woman is of a darker complexion, she may have a slightly lighter complexion than her other non-rahuvian family members).

⭕️ let’s look at rahu’s most evolved state: the shatabisha nakshatra. this nakshatra is symbolized by the empty, yin circle. shatabisha is ruled by varuna, god of the rains, cosmic and terrestrial waters, sky and earth. in addition to the mystical healer, maya (illusion). the nature of shatabisha is also abundant in the other rahu-ruled vimshottari nakshatras (ardra and swati). this is because rahu is the utmost manifestation of the divine feminine. maya, being the embodiment of illusion, betows rahuvian individuals with the power of being an empty vessel for the divine collective; bending reality and transforming into the desires of others the native deems worthy. however, due to rahu’s rebellious nature, we see this powerful feminine force being steadfast and not easily influenced by others.

💧liv tyler (ardra surya): upper photo

💧emily blunt (ardra chandra): lower photo

🌧 ardra is the first rahu-ruled nakshatra. in order to better understand the nature of ardra, we need to take a step back and understand the previous nakshatra—mrigashira. mrigashira was the rejection of the garden of ignorance and the freedom to move on. in ardra, we see the process of forming the rational mind and free will. due to the intellectual nature of rudra, we see ardra natives preferring to study, understand, and learn about the physical world/plane. this often leads to a fascination with the physical plane and understanding the workings of everything that peaks their interest. with the mercurial energy of gemini (knowledge) and rahuvian influence of the vimshottari system (materialism and illusion), we can see the reasoning of ardra’s prevelance in dystopian, horror, and sci-fi films. this nakshatra’s fixation on understanding the world and finding freedom is the perfect combination for creating films with dark subject matter. rudra’s intentionally destructive nature also provides ardra natives with a niche ability to accumulate knowledge to understand the workings of the world and destroy what seems to not be fit. precisely how rudra represents the emotional release and purification that occurs after the storms of the plane or mind cease (more on this later!). this is similar to most character development in many horror/sci-fi films and the ever present devil/savior trope. if you’re interested in further looking into this dichotomy, i recommend “the exorcist” starring linda blair (ardra chandra), “bedazzled” staring elizabeth hurley (ardra lagna), and “supernatural” starring mark pellegrino (ardra lagna). this trope is also perfectly illustrated by lana del rey’s (ardra surya) music. in her earlier albums, “born to die”, “paradise”, and “ultraviolence”, the singer describes her natural love of the darker things in life (i.e. drugs, violence, guns). as her albums progress, we see her slowly become more aware of the dangers of her lifestyle and her slowly moving towards love and kindness instead—much like rudra’s symbolism of calming after the tumultuous storms of life. i highly recommend listening to her music to gain an understanding of ardra’s themes!

💧karen mulder (ardra surya): left photo

💧victoria beckham (adra lagna): right photo

🦮 ardra is heavily associated with animals. it is symbolized by the female dog yoni. this is indicative of ardra’s devotional, emotional, and knowledgeable nature. rudra is the ruler of this nakshatra. rudra desired to become “the lord of the animals”. this nakshatra also has the same animalistic dominion desire of uttara phalguni and revati. this is because the yonis of all three nakshatras are the female dog (ardra), female cow (uttara phalguni), and female elephant (revati). this may be indicative of the motherly, animalistic nature of all three nakshatras. this is also why all three nakshatras get along so well. the animalistic nature of ardra is why we see hundreds of ardra natives in animal prints, fur or leather, or animal symbolism via graphic tees or headbands; similar to the reoccurring cow print in uttara phalguni fashion!

💧vienna skye (ardra surya): upper photo

💧ariana grande (ardra surya): lower photo

🍀 another reoccuring style theme for ardra was the appreciation of 60s fashion, particularly the mod era of the 60s. time and time again, when doing my research for this post, i saw a multitude of ardra natives dress up/try to emulate 60s fashion. ardra natives such as ariana grande’s (ardra surya) 60s-inspired fashion in her most recent music videos (i.e. “34+35”) and chrissy tiegan’s (ardra lagna) multiple 60s themed events. i believe this behavior is due to rahu’s extreme prevalence in old hollywood and the 1960s’ modeling industry. for example, hedy lamarr (ardra lagna) was a prominent actress and inventor, jean shrimpton (swati surya) was an icon of swinging london and very popular model in the 60s, and pat cleveland (ardra surya) was a very well-known model who was the muse of every prominent fashion house in paris. i believe ardra natives try to emulate this era of fashion because of ardra’s appreciation of all things old and vintage, which appears to the nature of many of the rahuvian and ketuvian individuals. an additional thing to note is the prevalence of the color green in the ardra nakshatra. in hindu/vedic astrology, a particular type of color is dedicated to a certain nakshatra in which is lucky for the natives of the nakshatra to wear. green, being the color that symbolizes the fresh, succulent nature of rudra, is why the ardra natives shown above, vienna skye and ariana grande, are both wearing the color green. this also correlates to how many ardra natives have dyed their hair green shades or hues, i.e. gwen stefani (ardra chandra), nicole richie (ardra chandra), and rapper saweetie (ardra surya).

💧kaya scodelario (ardra chandra): upper photo

💧emma mackey (ardra chandra): lower photo

🎸 all nodal nakshatras tend to have a propensity for darker elements and themes in the media. this can be reflected in ardra’s love for grungy, smoky makeup; darker clothing; and vampy, vintage hair and fashion looks (much like the magha nakshatra). this darker aesthetic was also heavily popular in the 90s/2000s. most notably, lizzy caplan (ardra surya), who played janis ian in “mean girls”, her character was well known for her liking of punk subculture, heavy eye makeup, and band merchandise, a trait that was also common with the characters played by ardra natives: kaya scodelario (ardra chandra) in “skins” and emma mackey (ardra chandra) in “sex education”. this behavior is prevalent in the ketu and rahu natives because it reflects the smoky and tamasic nature of both shadow planets. by rejecting the more popular, mainstream trends for the purpose of embracing more expressive and alternative movements (such as grunge, punk, rock, alternative, etc.). this why we see the nodal nakshatras so prominent in those subculture musical genres (i.e. ardra natives kurt cobain of “nirvana” and jimmy page of “led zeppelin”).

as always, i am open to any constructive criticism! i tried to touch on both the appearance, fashion and nature of ardra and i hope i did well! this post took me forever to make and i truly tried to put so much effort into it! i just adore ardra’s emotional, purposefully destructive, raw and feminine energy its natives tend to reflect 🌩 if you are looking for more information about ardra, get to know the overrulers and supreme deities of rahu, durga (the goddess of power) and the serpent god, and mercury, vishnu (the maintainer) and narayana (the cosmic person)!! if any of my placements or information is incorrect please feel free to let me know! also, i am fully aware of the origins of vedic astrology and if i was in anyway disrespectful to hindu culture, i will take down this post immediately xx

* all of these placements were found using astrotheme/.com and/or astro-charts/.com. it is important to note that some chandra (moon) placements may be off by up to 6 degrees and lagnas (risings) as well, due to the fact that many websites do not have a 100% accurate birth time for the given celebrities.

* i take no credit for the invention of vedic astrology-based appearance profiles. please watch claire nakti on youtube or look into @/cn0bles, @/lovejustlied, @/dh4nishta, and @/vanillemercure on twitter for more in-depth analysis on vedic astrology xx

[inkandpen22]

Permanent Chaos (1/?)

Pairing: MGK x Female!Reader

Warnings: Swearing 

Word Count: 2.8k

Part Summary: Y/N is a newly famous actress from a popular TV show and she’s willing to do everything in her power to maintain her perfect image as “America’s Sweetheart.” 

Masterlist

The limelight is a hard place to be under. It’s draining to constantly be on display. Day in and day out I feel as though I’m always looking into a mirror. However, a mirror is replaced by people’s eyes. I see myself through other’s eyes. Being sat on a slippery plastic stool while being watched by millions of Americans before they head off to work is an excellent way to start my day. Perhaps if I keep telling myself that I’ll eventually believe it. Savannah glances down at her cards then continues with the interview.

“Let’s go back to a year ago, if someone approached you and said “you’ll be the most sought after girl in America,” would you had believed them?”

I shake my head “not all.”

If only she knew how absent I am in the current moment. I’ve answered similar questions a million times these past few months. All the exact same questions within the same routine.

“Now, being as famous as you are, how do you cope with your newfound fame?”

There it is, famous. A better-sounding word than popular. After all, adult life is nothing like high school… right?

“I don’t particularly like the word “famous.” When people say “you’re famous!” What they really mean is “a lot of people know you!” At least people think they do.”

She studies me, intrigued by my honest answer, perhaps too honest. “You’re saying America doesn’t know the “real” you? Including your fans?”

I shrug, I can only imagine Nicole’s face right now. My usual bubbly and charmingly excited personality didn’t wake up with me at three this morning.

“I believe they know whatever version of me they’ve created. For some, I’m that girl from the cover of that one magazine they saw in line at the grocery store. For others, I may just a name without a face. That’s the thing about being so-called “famous.” I’ll never have the chance to meet every single person who has ever read an article about me or has seen paparazzi videos. They’ll only see those tainted versions of me. They’ll never have the opportunity to know me personally and make a valid judgment for themselves.”

Savannah hums, her eyebrows scrunched up. “How do you feel about that?”

I sigh, the words settling within me. “It’s disappointing.”

If only they all knew the truth, the reality of it all.

______________________________________________________

After the interview for the show, I fly straight back to Los Angeles from New York. My schedule has been worse, but I never miss the chance to complain to my manager. Thankfully, Nicole is a mother of tween girls and a ten-year-old boy so she knows how to take my childish whining. Once we’re landed in LAX I countdown the minutes until I can return to my bed.

“I don’t understand why you insist on wearing heels on the plane,” Nicole nags me.

“Because you never know who you’re gonna meet! Best to dress nicely just in case!”

It’s been a rule of mine since I first discovered my style and began to wear makeup, never go out in public without looking and feeling confident. I’ve learned that people can sense when others don’t feel confident and take advantage of that.

“I doubt your Mom would like it,” she nags.

“Well she’s not in California is she?” I fire back but snicker slightly.

My momma’s absence was bitter-sweet, in the beginning, now it’s all sweet. When we have our luggage, Nicole leads me through the airport to where the car is picking us up.

“You may want to put on your sunglasses now. We’re about to cross the line,” she warns.

I grab my glasses out of my purse like she instructed and slide them on. She was right, as soon as we cross over that taped line it’s a free-for-all for the paparazzi.

“Y/N!” “Y/N!”

“HEY! SHOW US A SMILE!”

The yelling doesn’t bother me as it used to in the past. Now, it’s the clicking. The clicking from their cameras. A constant *click* *click* *click*, from each of the thirty cameras. Nicole attempts to create a path for me by walking ahead.

“HOW WAS YOUR TRIP TO NEW YORK?”

“Good, thank you” I reply politely with a smile toward the tile floor.

I try to manage a balance when it comes to paparazzi. They have their job and so do I. Following me, taking pictures or videotaping me is their job. As long as they respect me, I will respect them. Nicole says it’s good for my image. My image wasn’t the first reason I was nice toward them, I was being myself. Nowadays, I’m hardly myself. I have my name, Y/N Voss, but it no longer feels like my name. The paparazzi are not used to getting easy responses out of people because there’s a long pause before the next question.

“WHEN DOES FILMING START BACK UP FOR THE SHOW?”

The question comes from a different voice but that doesn’t keep me from answering.

“In two days!” I gleam, looking forward to returning to set.

“CAN YOU GIVE ANY INFO ABOUT THE NEW SEASON?”

I chuckle a little but think it over. I agreed in my contract not to give out spoilers but there is a little info I was told I can let out. Plus, I’ve only seen the script for the first episode so I don’t know too much.

“I can say that Hollyn will have a bump start this season but no worries,” I answer vaguely but with interest.

Nicole and I manage to reach outside and she guides me down the sidewalk to where the car is supposed to pick us up.

“RUMOR HAS IT YOU’RE DATING SOMEONE! CARE TO COMMENT?”

“I’m very much single,” I laugh, finding the topic humorous. “Not enough hours in the day to share them!”

There are always rumors that I’m dating someone though none of it’s true.

“YOU LOOK GREAT TODAY Y/N!”

“YOU ALWAYS DO!”

“Thanks, boys!” I give my appreciation. 

The driver gets out of the front and pops the trunk. Nicole informs me to get in the car and let her worry about our things along with the driver.

“WHAT ARE YOUR PLANS FOR THE SUMMER?”

I open my door but pause to answer the last question. “Work, of course, but I also want to have some fun.”

“HAVE A GREAT SUMMER!”

“SEE YA LATER Y/N!”

They all hurry to get some last shots and I grant them a couple of seconds.

“You too! See you guys later!” I wave goodbye then climb into the car.

Nicole gets in a minute later and gives the driver the address. “You did great back there,” she compliments.

“Eh, it was nothing. I was only answering their questions.” I remove my glasses and get settled in as best as I can for the hour drive home.

She pulls out her binder full of scheduling material for me.

“Yes, but you were willing and kind. The public and media appreciate that! You’re becoming America’s Sweetheart!”

I would never admit it to Nicole but that title she keeps pushing makes me anxious every time I hear it. None of this was planned, it was thrown at me. Please don’t misunderstand me, I’m grateful for what I have but geez! When everyone is telling you a whole country adores you, how are you supposed to handle that? Especially at eighteen. It was no more than a year ago I was back in South Carolina and just another girl in high school. Now, I’m supposed to be “America’s Sweetheart.” I’ll play the part but it doesn’t make the job any less intimidating.

__________________________________________________________

My best friends/co-stars, Sam and Penelope, meet up with me for dinner to celebrate my first night back in town after the press tour. The three of us have been dividing our time around the country working on various projects between filming the show. Any time we can all get together is a gift.

Ever since I’ve known Sam Merka, girls flung themselves at him. Even I’ll say it, he’s a good-looking guy. If Grant Gustin had a younger brother, it would be Sam. I don’t want anyone to get the wrong idea, we’re just friends. A sibling sort of bond. Since he’s eight years older than me, he likes a big brother.

Though Penelope is older too, one can’t tell since I tend to act more mature. I’m jealous of her sun-kissed long blonde hair and dark brown eyebrows. We all kinda got thrown into our friendship. Having to play life-long friends an hour after meeting for the first time was, to say the least interesting. Five years later, and we are like three peas in a pond. A mini family to have each other’s back in the big city.

For dinner, we agreed on The Nice Guy, an Italian place in West Hollywood. The most important aspect of the place is the amount of privacy it grants. The interior is a lounge, super lowkey, with booths, couches, and coffee tables but there are no photos allowed. Since no photos can be taken that means the three of us and others can enjoy ourselves in peace. Sam called dibs on being designated driver as per usual as the “bodyguard” for us girls. The paparazzi tend to hang out around the restaurant because it’s a well-known spot for celebrities.

“Maybe we can slip past them,” Sam says optimistically as we exit the car.

He meets me around the front and Penelope joins us after getting out of the backseat.

“HEY! HEY! HEY!”

From in front of the restaurant, a ripple of cameras begin to take notice of us.

“IT’S THE KIDS FROM THE SEASONS OF LIFE!”

“Yep, we really snuck past them!” I tease Sam playfully.

He huffs, annoyed with the situation. Sam loves his job but hates the lack of privacy aspect. He isn’t a fan of crowds either which I can understand. However, he’s great at masking it behind his charming smile. It’s what we were trained to do. Yet, Sam is better at managing a crowd mentally overall than I am. He understands how they affect me sometimes. The swarm of photographers rushes up to us. Sam leads the way toward the restaurant door. Penelope remains close, keeping a hand on my forearm to stay together. The cluster follows us down the sidewalk to the building.

“SAM! SAM! HEARD ABOUT THE GQ PHOTOSHOOT! CONGRATS ON GETTING THE COVER MAN!”

Sam chuckles next to me, “thanks, dude!”

“PENELOPE! RUMOR HAS IT YOU’LL BE SWITCHING OVER TO THE BIG SCREEN!”

“Exactly, it’s a rumor!” She replies a matter-of-factly.

The *click* *click* *click* and the flashing lights in the dead of night never fail to overwhelm me. Though, Nicole has told me I never appear overwhelmed when I interact with them. I force on the brave and confident face. I’m not me when I’m in front of cameras or important people, I’m Y/N Voss. I’m two very different people.

While I’m lost in thought, I get stuck when one photographer gets too close to my face with his camera and blinds me for a second. Sam and Penelope don’t notice my absence amongst the chaos until another photographer barks at the other to back off. Then, I feel Sam’s hand slip into mine and he protectively escorts me toward the door with determination.

“ANYTHING YOU TWO WANT TO SHARE ABOUT HOLLYN AND ELLIOT FOR NEXT SEASON?”

Hollyn and Elliot are Sam and my’s characters from The Seasons of Life, the show we star in together. Our characters have been on again off again for the past two seasons. According to the last season’s finale, the two are currently together, but of course, the season ended on a cliffhanger so their relationship isn’t very stable.

“Sorry guys, can’t share anything!” Sam answers, sounding a tad irritable.

“ANYTHING IN REAL LIFE? YOU TWO WERE BOTH IN NEW YORK THIS WEEKEND!”

“That’s true, but we never have the chance to meet up!” I reply nicely.

Press events for last season have come to an end and work officially begins in no time! Downtime for me is filming and it couldn’t come at a better time. I’ve missed being home in Los Angeles. Living out of a suitcase and sleeping each night on a plane isn’t the best way to live, at least for me. We finally reach the doors and I thank the heavens.

“Oh my gosh! There’s no way!” I hear what sounds like girls squealing and I slow down to see where it’s coming from. My hand slips from Sam’s as he goes on. When he’s determined to get away from the paparazzi, he can ignore the voices. Yet, when he notices that I do not follow he finally stops.

“Excuse me!” A girl calls amongst the clicking and shouting.

The paparazzi move aside a tad and create a path for me to see two young teens jumping up and down. They must be around fourteen I’m guessing, younger than me at least. I approach them to see what’s the matter. I can hardly see anything with all the bright lights.

“Hi! How are you?” I greet but once I get closer and cover my eyes with the flashing lights, I recognize them. “Sarah! Emma! How are you two?”

These two have been some of my biggest supports. They run a Youtube channel and create content about their reactions to episodes of the series. Somehow they manage to make appearances at any events relating to the show. I’ve met them numerous times at events, so have other members of the cast. Besides being two of the sweets girls in the world, they’ve created a fan page for me on Instagram and Twitter.

“Good, good!” Emma replies eagerly.

“It’s been so long since we last saw you!” Sarah adds.

“It really has! When was the last time we saw each other? During the press tour?”

They nod in unison as though they’ve rehearsed it.

“Well, group hug!” I hold out my arms and they gladly accept.

“Can we get a picture?” Emma practically begs, bouncing on her heels.

“Of course!” I take Emma’s phone and hold it out to the crowd of paparazzi. “Could one of you take our picture by chance?”

Many of the guys offer and I select a random one in front of me.

“Squeeze in tight!” I tell the girls as I stand between them and we wrap our arms around each other.

“One, two, three!” The man takes a couple of shots and hands, Emma, back her phone.

“Thank you!” The three of us say together.

We all hover over her phone to check out the pictures.

“So cute!” I awe at the photos.

“Y/N...” Sam places his hand on my back to usher me along.

“Oh, my-” Emma covers her mouth.

“Sam!” Sarah’s jaw is to the sidewalk.

“Hey girls!” he charmingly smiles.

He’s had the chance to meet them a few times while on the press tour and at other various events. I was there to introduce them which was one of the most entertaining moments of my life. I thought the girls were going to faint!

“Can we ask a quick question? It’s for our channel!” Sarah nervously bites her lower lip.

“Yeah, yeah, anything for you guys!” I answer without hesitation.

Sam wraps his arm around my waist while we’re talking to the girls and I don’t think much of it but the cameras begin to go nuts. The men behind them don’t say a word since we’re occupied but there they go *click* *click* click*.

“Is there any hope of you two getting together IRL?” Emma questions intently without hesitation.

I press my lips together with amusement and turn my head to Sam. He has the same look of pondering the question. He squints his eyes at me and then the two of us turn to the girls.

“Just friends,” we answer in unison.

“Best friends!” Sam adds playfully.

“Best friends forever ever!” I one-up him.

The two girls laugh with us, but it’s clear they’re a little disappointed.

“Well, I still bet on you two,” Sarah confidently points out.

Sam and I get a kick out of it. Our viewers want us together too.

“We better get going, our moms are waiting,” Emma informs us.

“Okay, quick hug!” I order and the four of us group hug.

We say our goodbyes and when the girls disappear the men behind the cameras start yelling.

“YOU’RE GREAT Y/N!”

“HOW DID YOU KNOW THEM?”

“Their names are Emma and Sarah. They run a popular Youtube channel, Twitter, and Instagram accounts for the show. Super sweet girls those two!”

“DO YOU KNOW ALL YOUR FANS?”

“I try to! I know a good amount!” I grin proudly.

Sam guides me into the restaurant and his hand never leaves my back. All of it is platonic of course, nothing more. As I told the paparazzi before, there isn’t enough time in my life for me to share any with someone.

 ________________________________________

Masterlist

Tags:  @canyoubuymetoast

[audreyhepburninblackandwhite]

Audrey Hepburn’s life story featured in the Portuguese publication Album dos Artistas issue number 13 of the 2nd Volume, published in 1957.

Part 1 • Part 2 • Part 3 • Part 4 • Part 5 • Part 6 • Part 7 • Part 8 • Part 9 • Part 10

ROUGHLY TRANSLATED STORY (Originally published in Portuguese)

Audrey Hepburn and William Holden taking a break during the production of Sabrina (1954)

When Audrey worked in Hollywood, no one could dodge her extraordinary personal magnetism. There were rumors that many celebrated performers, such as Gregory Peck and Kirk Douglas, had fallen prey to its spell. Today, however, it seems definitively settled that Audrey was limited to just being with one kind mate. Here is an image that supports this opinion: Audrey squeezing a lemon at William Holden's lunch.

Roger called her and told her about ABC's annual London ball and asked her to help.

"It is a traditional custom in the studios to invite one of their stars to be present at this type of party. Young stars are usually chosen because, unlike a first-rate actress, they do not condescend to accept such invitations. These are parties reserved for budding stars who crave publicity and need to make themselves known to the public. I proposed to my colleagues in the publicity department their choice to attend the ball."

But against what her friends had expected, Audrey's first reaction was one of shock and fear.

"Do you really think I'm the best one?" she asked, worried. "Can I satisfy the required conditions?"

"Of course, Audrey. Just make your presence and let yourself be admired."

"But I never attended a society party as the only guest of honor. It's a vulgar thing."

"How should I behave? What should I do? Is public speaking mandatory? What is the attire I should take?"

They patiently explained that the invitation did not pose any difficulties. It was a common public appearance like so many others that, by order of the studios, the young stars are forced to accept to enhance a party.

She was to give a short speech into the microphone that would be delivered to her by the studio. She just had to read the text, let herself be photographed as many times as asked and serve everyone with grace and sympathy. If she wanted, she could dance with whoever invited her.

Despite the simplicity of these obligations, Audrey's nervousness did not calm down. Shortly before the dance, she still called the studios, asking for information and advice.

When she was given the speech she was supposed to give, she memorized it over and over again, introducing some amendments, and called the publicity section again.

"Mr. Jones? Yes, I am, Audrey. Do you honestly believe I don't need to buy a new dress for the ball?"

"Dear Miss Hepburn, go to the ball. I swear, on my honor, this is not a performance at the Royal Palace. Be ready in two hours. I'll go get you to accompany you to the ball."

Audrey behaved admirably during the party, and achieved the highest success. She instantly won the sympathy and admiration of the entire audience and, most importantly, the ABC studios realized her extraordinary value.

Overcoming the fear of being the center of attraction of the eyes of hundreds of people, Audrey regained her charming nature, which is imposing on everyone.

Audrey left the ball admired by all the audience and enjoying a popularity she hadn't achieved before. From that day on, Audrey Hepburn became the ambassador of Hendon's motorized police group.

Since then, whenever the studios needed a starlet for publicity reasons, public appearances, or invitations, Audrey became the actress of choice.

Of all the creations of Audrey Hepburn, none can compare to that of Natasha, the immortal figure of the generous, combative, and passionate female, created by Leo Tolstoy in the unparalleled literary monument that is War and Peace.

Audrey Hepburn with producers Carlo Ponti and Dino De Laurentiis who secured Audrey Hepburn for the role of Natasha Rostova by shrewdly offering the part of love interest Prince Andrei to her husband Mel Ferrer, with Henry Fonda as the hero Pierre and King Vidor to direct. 1955

During consecutive months, Audrey dedicated herself to an intense work of assimilation. Here she was at a time when she was explaining her own ideas to the main people: filmmakers, including producer Dino de Laurentiis, the husband of Silvana Mangano on the right.

Veteran director King Vidor worked with Audrey in a regime of fruitful collaboration from which a solid friendship was born. Here is an image that highlights the mutual sympathy that united the actress and the director.

Source: NSANTO: Portuguese Magazines

[oakensherwood]

Okay, let’s talk about Maid Marian. Let’s really talk about Marian. So often I see her character disparaged as a damsel in distress without agency of her own, but that is honestly so far from the truth. In fact, Maid Marian is considered to be one of the earliest examples of the “strong, independent woman” character archetype. Not only is it untrue to call her a damsel in distress, it’s also unfair.

As with many stories, Robin Hood is a story filled with men. I love it, but there’s no denying it’s a story filled with men. As the only prominent female character in a story that has been retold for close to 1000 years, centuries of ideas about femininity have been funneled into this singular character. Among the array of male characters, we see many ways to be masculine: smart, witty, artistic, strong, brave, charitable, loyal, both fighters and lovers. All of the characters have been adapted through the years, but Marian can still be distinguished as the only canonically present female character in the main cast.

Other women we traditionally see include Alan’s bride, the Prioress of Kirklees Abbey who murders Robin, Marian’s serving woman, and a few queens. Various contemporary novels, films, and TV representations have added women to the cast to even it out, but Marian is still the only primary female cast member. As such, centuries of what it can mean to be a woman have been reflected through her.

Let’s take a look at what exactly that has looked like through the years.

One of the things I love best about Robin Hood as a legend is that it is constantly evolving and changing for the needs of the audience. Across centuries and decades it has been changed to suit the ideas of the day. Even the oldest extant documentation of Robin Hood is not considered the “original version” because there is no way of really knowing when or how these stories started, or how long it took for them to be written down. 

So, just as there isn’t a standardized Robin Hood, there isn’t a standardized Maid Marian. We know that she was added later in the Robin Hood tradition, during the 15th century as part of May Day celebrations, and quickly became a common character in future iterations of the Robin Hood story. Her origins are still murky at best, and it’s impossible to pinpoint the very first time she was introduced. 

Her many origins include a shepherdess named Clorinda from Child Ballad 149, an unrelated Marian character in 15th century May Day games who happens to also have a lover named Robin, and a historically based woman named Matilda Fitzwalter appears in Anthony Munday’s “Huntingdon” plays from the 15th century. Furthest from our understanding of Marian is a play titled Robin Hood and the Friar, very merry and full of pastime, proper to be played in May Games. In this play we find Marian as a “trull” a.k.a. prostitute, employed by Friar Tuck. A far cry from how we know both Marian and Friar Tuck today. So far, she’s a working woman, a noblewoman, a romantic interest, and a prostitute. 

The best known and most enduring of these early variations is Child Ballad 150 (you can read it in full here). In this ballad, we see Marian dress as a boy, and go into the forest fully armed, to seek out her lover, Robin Hood. When she finds him and does not recognize him, they begin to fight and Marian handily beats him in their sword fight. Robin immediately asks her to join the Merry Men, they recognize each other, and return to camp for feasting and a “happily ever after” full of adventures. 

- Child Ballad 150

“With quiver and bow, sword, buckler and all,

Thus armed was Marian most bold.”

This ballad is reminiscent of introductory stories of the Merry Men -- Robin meets a stranger, they fight, the stranger wins, and Robin offers them a place in his band. 

We can clearly see in Child Ballad 150 that Marian was considered Robin’s equal and a regular member of the group from early on her individual tradition. Other parts of her early tradition survive as well -- she’s a romantic partner for Robin, and a noblewoman.

As we progress forward in Robin Hood traditions, we continue to see the story change. Notable changes occur during the Victorian period, when general interest in Robin Hood stories was revived thanks to the publication of Sir Walter Scott’s Ivanhoe (1819) and Howard Pyle’s The Merry Adventures of Robin Hood (1883). Marian does not appear in Ivanhoe and is mentioned only once in Pyle’s book, and is effectively written out of the story entirely. 

Despite this, we see other novels and stories released as Robin Hood grows in popularity, and here is where we begin to see the idea of a damsel in distress begin to gain traction. As is true in every retelling of Robin Hood, the story changed to suit its audience and to suit the ideas of contemporary society and intended audience. 

Victorian literature is full of interesting and lesser known works of Robin Hood, as a result of a Victorian obsession with medievalism and with Robin Hood. Maid Marian and Robin Hood: A Romance of Old Sherwood (1892) by J.E. Muddock features a very distressed Marian who does need rescued and has very little agency. Other Victorian works take a similar tone and cast Marian as a damsel, but this is not the narrative that ultimately survives this period of Robin Hood resurgence. 

Thomas Love Peacock published a novella simply titled Maid Marian (1822). Interesting to note, because Robin only appears briefly as a supporting character in Ivanhoe, this is actually the first true Robin Hood novel as a story by itself. Here we see an active, and independent Marian, evocative of Child Ballad 150.

‘Well, father,’ added Matilda, ‘I must go into the woods.’

‘Must you?’ said the Baron, ‘I say you must not.’

‘But I am going,’ said Matilda.

‘But I will have up the drawbridge,’ said the baron.

‘But I will swim the moat,’ said Matilda.

‘But I will secure the gates,’ said the baron.

‘But I will leap from the battlement,’ said Matilda.

‘But I will lock you in an upper chamber,’ said the baron.

‘But I will shred the tapestry,’ said Matilda, ‘and let myself down.’

- Thomas Love Peacock, Maid Marian (1822)

Matilda does indeed go to the woods, takes on the name Maid Marian, and rules the forest with Robin Hood. Other Victorian works take a similar approach to Marian and show her as involved and capable including Maid Marian, or the Forest Queen (1849) by Joaquim Stocqueler, which follows a more traditional Robin Hood storyline filled with adventures and danger.

Later classic works include an active Marian as a member of the outlaw band, as well. Roger Lancelyn Green (1956), Charles E. Vivian (1927), and Paul Creswick (1917) all write a Marian who speaks for herself and works with the outlaws, often dressed as a man. 

Hollywood enters the scene of Robin Hood retellings as early as 1908, but the oldest surviving Robin Hood film is Douglas Fairbanks’ Robin Hood (1922). This silent movie, groundbreaking in budget and sets, features Marian (played by Enid Bennet) as a strong character who holds her own throughout the film. After this, we see another groundbreaking film, The Adventures of Robin Hood (1938) starring Errol Flynn and Olivia de Havilland. This film is widely thought to be the gold standard of Robin Hood films, and I am definitely in that camp. Marian has more agency in this movie, and the lovely Olivia plays a rather coy noblewoman. While we don’t see her taking up a sword in this film, we see her developing the plan that ultimately rescues Robin from the hangman’s noose, successfully warning Robin and his men of Prince John’s plans, and standing her ground while on trial and defending her ideals. Yes, she is rescued from prison in the climax of the movie, but she also plays a vital role in rescuing Robin earlier in the story.

Robin Hood: Prince of Thieves (1991) begins with a woman of action, but at the end sees Marian rather helplessly forced into a marriage and moments away from being sexually assaulted when Robin literally catapults himself through the window to save her. 20 years later in Robin Hood (2010) Cate Blanchett’s Marian is fully capable in combat and is shown to be a responsible and dedicated lady of Loxley, working the fields and caring for her home.

Meanwhile in a contemporary TV adaptation, Marian is depicted as a Robin Hood figure herself, known as the Nightwatchman. (2006, BBC’s Robin Hood) Although the writers later did a disservice by (unpopularly) killing her character as a season finale, Marian was still depicted as competent and in charge of her own choices and actions, and in fact rescues herself from an unwanted marriage. 

Contemporary Robin Hood literature also features an active Marian. Jennifer Roberson’s Lady of the Forest (1995) and Lady of Sherwood (1999) present Marian as a noblewoman who, over the course of the text, takes control of her own story in her capacity as a member of gentry, Lauren Johnson’s The Arrow of Sherwood (2013) sees an incredibly historically inclined retelling of the Robin Hood story, and includes a dedicated and politically savvy Marian. She doesn’t run into the forest, but makes a real difference through her smart decisions and political manipulation. Robin McKinely’s The Outlaws of Sherwood features Marian as an excellent archer, better than Robin, and she easily slips in and out of the outlaw camp as needed, is skilled in woodscraft, and is a valued and substantial member of the outlaw group. Honestly, I think it would be difficult to find a literary retelling that doesn’t include an active Marian character. 

So where do our ideas of Marian as a damsel in distress ultimately come from? I have a few theories.

First, we see the archetype of damsels in distress throughout other fairy tales and folklore, so it’s tempting to assume that Marian is the same and portray her as such, and there are examples of her character playing that role either in whole, or for part of the narrative.

There are unfair assumptions made about medieval women in general, that ignore the powerful positions women could hold, and the amazing things that women did during this period. When people picture medieval women, they are often embroidering tapestries, being forced into unwanted marriages, being beaten by their husbands, and dying in childbirth. There is truth in stereotypes, but there’s also room for deeper understanding of the historical context, and a wider story to be told that includes women standing up for themselves and exercising their own strength and skills. (It’s not good feminism to overwrite real women’s history.)  

We see this stereotype most often in movies and TV adaptations, which are highly visible and memorable, cementing ideas about the Robin Hood legend (and Marian) in the general psyche. 

Children’s picture books, perhaps one of the first introductions a person might have to Robin Hood, tend to play out the story like a traditional fairy tale and Marian is again likely found in an upper tower, calling for help. 

Some find it demeaning for Marian to ever require saving, or to be saved by anyone other than herself. I feel differently about this. People rely on other people, and it’s not inherently weak to ask for support from someone, especially from a romantic partner. The story of Robin Hood is good fun, but it’s also full of danger and peril. It’s not surprising that various characters need to be rescued by friends and lovers throughout various tales. Robin Hood, Little John, Will Stutely, Sir Richard of the Lea, Alan A Dale’s bride, and yes, Maid Marian. All of these characters have stories where they require smart and daring rescues, and they’re exciting stories! Because Alan’s bride and Marian are women, this does not exempt them from the support of their male friends. They deserve to have someone watching their back. I am not offended by Marian needing help; it’s not only human, it’s a staple for a multitude of characters in Robin Hood lore.

As with much of media, Marian is the single female in what’s otherwise mostly a boys’ club. She has been the single point of reference in this story for women for centuries. I find that incredible. She was my favorite character as a child because she was the only woman, the only person I could potentially see myself in. With a global story such as Robin Hood, that’s not an insignificant role. No matter what her part may be in any given retelling, there are pieces of women from centuries long past and not so distant. I find that fascinating, worth respecting, and that’s why she’s my favorite character to this day.

tldr: Drink your respect Maid Marian juice.

[nahimjustfeelingit-writes]

I enjoy all your writing so any Erik works for me but I’m craving the new demon Erik 😍. But I have to keep it real about this Michael/Lori situationship cause that’s what it is. When they got together it was right on time because Lori just got on probation maybe a week prior in November, then we see her with him at the airport. Plus a gay guy came out in late summer saying him & Michael“shared a moment”. Plus look at HIS body language when the REAL paparazzi or when someone in the crew takes the pics. He’s always walking ahead of her like he’s trying to get away (google St. Barts pics where he posted in his story of him staying in an Air Bnb). Or look up the airport pics in December at the airport where he walked way behind her & waited for her to get in the car as he waved to the paparazzi (don’t most couples walk TOGETHER) . He also looked annoyed standing there when they were waiting for a boat & she was wearing a white dress. There’s pics of them on a boat but they’re far away from each other along with sitting across from each other. They always got professional cameras around to capture moments but when the real paps show up there’s no love. He never takes out his phone to secretly record her it’s the other way around & he be looking pissed about that before he finally smiles. Plus I think she was doing all these couple pics to make Future jealous & was low key bothered when he dissed her cause if she wasn’t she wouldn’t have posted Michael every 5min & went on all these dates to make herself feel better. Let’s be real Future got with Dess before Lori got with Michael & if Steve wouldn’t have been throwing shade at Future he wouldn’t have said anything cause he was quiet & minding his business (not a future fan). There’s no love in this “relationship” & them kissing proves it cause who always records & looks dead in the camera when they kiss someone? And he kind of hesitated for a moment. Also He didn’t even hug her back after his speech when she kissed him & he stood away as well. And look at Steve’s body language, he didn’t look at Michael when Michael was talking, Steve looked annoyed but claims he “can’t find anything wrong with him”. Michael showed more love to his ex Bei Smith (steelo’s cousin)on her birthday & to his female costars than Lori & she shows more love to women than him because I think she’s low key bisexual (nothing wrong with that). Plus as pretty as Lori is she doesn’t look happy & watching her interviews you can tell she’s faking a lot of this (I believe her mom controls her). As sad as it is she likes men who excite her & spend on her which explains Future, Diddy & Trey Songs. Michael’s cheap as hell & boring! I also don’t believe his family supports this cause he took pics with her family but she didn’t take none with his at her party. No mother wants their son with a girl like Lori & when Michael does decide to settle down it won’t be with a girl like Lori. Men like Michael deep down don’t like women with reputations. I think if he needed so badly to get the gay rumors off his back he should’ve got with someone on his level or a beautiful unknown stranger. This situationship has hurt his reputation in Hollywood cause no respectable actor publicly claimed someone like Lori & now his image is forever tied to her & deep down he knows it. He’ll still get work of course but he’ll always be looked at as the guy who claimed a hoe. I know this is long but people need to pay close attention to body language (and if able to peoples energy) & not what these celebrities post cause a lot of it is lies & these 2 ain’t no different. Hopefully after this is over he takes time to reflect, build his relationships back with friends, family & whoever else & focuses on being a better actor instead of being popular cause his competitors are destroying him. Happy Halloween.

This needs to be dissected piece by piece because this is some juicy shit! 😂 y’all know I love me some tea!!! Happy Halloween babe 🔪🩸🎃 .