#political poem Hindi

[blogbysaif]

Apni nigaaho'n ko ek chehre par paband karo, Har surat par lutt jana toheen-e-wafa hoti hai.

"Focus your gaze on one face; losing yourself over every face is a betrayal of loyalty."

[falcon943]

Muhabbat hai mujhe samandar se

Aur tairna bhi nahi aata

Hum khade hai sahil par

Aur vo hame milne bhi nahi aata

Uski yaado me guzar rahe hai hum zindagi

Aur vo hai use to mera khayaal bhi nahi aata

Kaise kahe tere bagair khush hu

Ye misra zaban par hi nahi aata

Hum aage badne ki koshish kar rahe hai

Vo shaqs ab har pal yaad nahi aata

Aur kisiko muhabbat ho chuki hai mujhse

Are jaao mai inn baato me dobaara nahi aata

[sammy0is0autistic]

mohabbat moh maya hai

arey mohobbat moh maya hai

humesha dil wapis tukdo mei aaya hai

tukdo mei aaya hai

.

.

-Sam the great

Don't copy

Written by meee

REBLOG else your AUTISTIC

Love youu all sm(honestly I don't)

[runningawayfrombrahmand]

Dilo ki yeh baaton mein

Kab raatein beetne lagi

Pata chala kya

Milo ke yeh raaho mein

Kab hamrah baane lagi

Pata chala kya

~runningawayfrombrahmand

[vanirajvardhansingh]

कविता: समानता की गूंज

पंजाब की तालों में छिपी, दो आवाज़ों की कहानी, एक सोने की चादर में लिपटी, दूसरी संघर्ष की निशानी। जहां जाट राजा गाते हैं रेत पर महलों की बात, अपनी धरती और वीरता के गीत, संग लिए अपार सौगात, दलित सपनों का नाच नज़र आता है उनके संग, गीत हैं जो कहते उनके दर्द की, न्याय की उम्मीदों की जंग। रूप लाल की हम्मर कॉलेज के द्वार तक जाती, गिन्नी की आवाज़ उठती, उनके संगीत में वह कहानी बताती, जो इतिहास में छिपी,…

[tipsandtricksforlife28]

Pandit Jawaharlal Nehru | पंडित जवाहरलाल नेहरू | #viral #shortvideo #sho...

[subtlenisha]

जब तक घर ना पहुँची सुकून से ना सो पाया वो

मेरी उड़ान से एक शक़्स अपनी कामयाबी मापता है ।

[trans-axolotl]

tagged by @librarycards to share my nine favorite books I've read this fall!

The Hundred Years’ War on Palestine: A History of Settler Colonialism and Resistance by Rashid Khalidi

Disability Politics and Theory by AJ. Withers.

Light in Gaza: Writings Born of Fire edited by Jehad Abusalim, Jennifer Bing, and Mike Merryman-Lotze

What Can a Body Do? How We Meet the Built World by Sara Hendren.

Freedom is a Constant Struggle by Angela Davis

Fierce Femmes and Notorious Liars: A Dangerous Trans Girl's Confabulous Memoir by Kai Cheng Thom

Nobody Needs to Know: A Memoir by Pidgeon Pagonis

Black Madness :: Mad Blackness by Therí Alyce Pickens (Technically read this before the fall as well but reread it again and it's so good I wanted to put it on the list!)

The Future is Disabled by Leah Lakshmi Piepzna-Samarasinha

I also feel like I read a lot of really meaningful articles + interviews + poems this fall, so I'm also going to add my top nine short form pieces that I read as well.

Out of My Hands: A musician in prison pines for his bass. by David Annarelli.

Diaries of Blood: The secret artists within Israeli detention facilities. by Eman Al-Astal.

Notes on Craft: Writing in the Hour of Genocide by Fargo Nissim Tbakhi

Ableism Enables All Forms of Inequity and Hampers All Liberation Efforts by George Yancy interviewing Talila A. Lewis

Occupied Land is an Access Issue: Interventions in Feminist Disability Studies and Narratives of Indigenous Activism by Jess L. Cowing

Perfect Storm: A time to refrain from embracing by Richard Hunsinger.

Sick4Sick by torrin a. greathouse

Fuck Your Lecture on Craft, My People are Dying by Noor Hindi

Languaging Memory by leena aboutaleb

tagging anybody else who wants to! too tired to tag individual people, sorry.

[hindisoup]

Hiii, I've been following your blog since some time. And I've been very fascinated and impressed by your journey. I'm sure at this point you know hindi better than me (I'm not proud of this, I'll focus better on Hindi from now). And I've always had this question, I'm not sure if I asked you or if you have already answered it or not. But how did you start learning Hindi? Are you Indian or indian origin? And how has your journey been? Did you find difficulties? What was easy for you and what did you like/dislike about the culture as you continued learning the language? I'm very curious.

Hi and thank you so much for such a nice ask!

Here's my previous answer to how I got into Hindi in the first place.

In short, I am just a Finnish linguaphile with no connection to India or South Asia whatsoever. I have loved learning about different languages since childhood but Hindi (and Urdu on the side) has been my passion for the past six to seven years now.

I got into the language very typically through Hindi cinema but more than just the aesthetics I'm fascinated by the history, art, socio-political fabric, nature and just all of it. I love learning new things in general and there's always something new about Indian people or culture that draws my interest. Looking at things - whether political, religious or whatever - from a distance, I try to observe and form an understanding more than form opinions - it's not my place and all I have is endless respect for Indian people. I've never been to India but believe me I have long to-do and to-see lists when I eventually one day get to go there.

My language journey has been very enjoyable. I've done some online courses, had iTalki tutors, done some videos to practice pronunciation, made a huge Anki deck and done lots of reading, podcast listening and film watching. I was making great progress but my learning has been on somewhat hiatus since last autumn when I got a new job that took all my energy. Since January I've been writing a PhD thesis proposal that has taken all my spare time and my Hindi learning has diminished to scrolling Tumblr poems and listening to film songs while commuting. The passion is still there and I intend to return to my routines as soon as possible.

What I love most about Hindi as a language is the logic of it. It's - for me at least - very easy to 'get' Hindi, as in understanding the grammar rules - why things are the way they are. Hindi is a very learner-friendly language that way. A bigger issue is the immense vocabulary and understanding of the historical and cultural roots around borrowing sounds and words from Sanskrit, Persian and other languages - how they play together and how they do not etc. When learning Hindi you are never just learning Hindi!

I had some trouble learning Devanagari at first and learning to differentiate all the sounds (and produce them from my mouth). It took time, but one day they clicked. I'm not perfect and there's a lot of room for improvement but seeing the progress I've made is very encouraging and helps me keep on learning. Learning Nastaliq and Naskh is another story - and another journey altogether!

[volkswagonblues]

2, 3 and 7?

2. Do you have any easter eggs in your fic?

Oh my god, definitely the bit where Daniel eats a woman in a Halloween costume from Despicable Me. Get it? because she's a minion? ahaha?

There's also tons from the original Devils Minion chapter of QOTD. I've also flipped through The Vampire Armand but gave up because Anne Rice's writing melts my brain lmao.

I'll just point out this bit of chap 4 of LLTR. I basically scrapbooked this entire exchange out of fragments from the original Devil's Minion short story.

(Anne Rice's QOTD)

“You are my teacher,” Armand told him. “You will tell me everything about this century. I am learning secrets already that have eluded me since the beginning. You��ll sleep when the sun rises, if you wish, but the nights are mine.” (p.143 in my ebook)

...vs (LLTR fic Chap 4)

“I’ll show you what your limits are. You can survive much more now, but no vampire is invulnerable. I’ll show you all the gifts that vampires are capable of. My memory is faded, but it’s not gone. I’ll tell you all the secrets I know. There are some buried so deep that even Lestat does not know them. I’ll teach you the lore. We’ll go to the Villa of Mysteries and I will fling the doors open wide for you. I will show you how beautiful and powerful you can become. My fledgling. My beloved Daniel.” “Yes,” Daniel breathes. “You’ll sleep when the sun rises because you must, but the in-between hours we'll spend on your education. The night is yours, but your dawns and dusks will be mine.” Armand stops. He looks a little shy. “As mine will be yours, if you’ll have me.” It’s a grand speech for a man snuggled under a cotton-poly IKEA duvet.

So to break it down:

In QOTD, Daniel visits Pompeii and the Villa of Mysteries and the vampire Armand shows up to lead him in. That's also where canon Daniel and Armand become lovers for the first time.

In QOTD, Armand tells Daniel he's Armand's teacher for the 20th century. In LLTR, the human Armand offers to be Daniel's teacher for vampire lore.

In LLTR, Armand's speech is a remix of what the vampire Armand says to Daniel because I wanted the human fic version of Armand to have a different kind of relationship with Daniel. He's a little shy, a little desperately in love. Daniel doesn't belong to him...they belong to each other...

3. What's something you've researched for your fic?

The daily life of a 16th century painter's apprentice in Venice...oh god...I think Amadeo is such a fun person to write

I also did some research for (lol) the drive between Billy Bishop airport and Niagara Falls and some more Ontario geography, but I also just went "fuck it" and ignored some stuff for fic reasons.

Full admission: I'm pretty sure Daniel will NOT have stopped at an intersection driving out of the airport because you pretty much turn right onto the highway ramp for Queen Elizabeth Way. However the image of Daniel rolling down his window to show his vampire fangs at another driver was too funny for me to take out. Let's pretend there's construction going on in Toronto. Not a stretch of the imagination.

7. What character do you enjoy writing most? Why?

LLTR is essentially a two-man theatre play. Since I really only have 2 characters can I say both of them? Armand because he's so mercurial: in any given moment he can do anything, say anything. I don't even know what he's going to do most of the time until I've written in.

Daniel because he's a tremendously flexible voice to inhabit. I love the show and the writers for giving us this older Daniel <3. Often I'm running against the limits of a character's voice--like, would he really say that? would he really know that? But AMC show Daniel's incredible. He's highbrow, he's lowbrow, he can identify a Rembrandt on sight, he knows what 8chan is and only pretends not to know Gen Z slang. In the fic it's like, he knows politics and history and TS Eliot poems and Madonna lyrics and what's Hindi-Urdu and his conversations with Armand can effortlessly jump between a lot of levels. Writing Daniel is like driving a zippy sport car, if that's not too weird a thing to say.

[imperfectorange]

Ornaments of Hindi

I think I’ve known Hindi ever since I could talk. That sounds so sensible that it almost doesn’t. I say that not only because it is my mother tongue but also because I’ve lived with Hindi; with Champak and Bal Bhaskar in the morning and because I’ve ended my days with Dinkar wishing for a jhingola.

Hindi poetry has its roots in the rasas of Sanskrit and in the wit of Śaursenī Prākrit’s jesters. Somewhere along the way it met with Apabhraṃśa to become what it is today.

It is hard to define poetry. It is even harder to put it in a box of an “ism”. It is everywhere; in a way that you cannot live without it and in another where it consumes you.

On a personal level, I think it was Muktibodh whose mark on Hindi poetry is incomparable.

Gajanan Madhav ‘Muktibodh’ understood melancholy like no other Hindi poet.

One of the pioneers of the Nayi Kavita, Muktibodh was born in present-day Chambal, Madhya Pradesh.

Apart from being a poet and an essayist, he was also a literary and political critic.

I believe, where prayogvad or experimentalism meets nihilism, Muktibodh resides there.

सचमुच मुझे दण्ड दो कि भूलूँ मैं भूलूँ मैं

तुम्हें भूल जाने की

दक्षिण ध्रुवी अंधकार-अमावस्या

शरीर पर,चेहरे पर, अंतर में पा लूँ मैं

झेलूँ मै, उसी में नहा लूँ मैं

इसलिए कि तुमसे ही परिवेष्टित आच्छादित

रहने का रमणीय यह उजेला अब

सहा नहीं जाता है।

नहीं सहा जाता है।

ममता के बादल की मँडराती कोमलता--

भीतर पिराती है

कमज़ोर और अक्षम अब हो गयी है आत्मा यह

छटपटाती छाती को भवितव्यता डराती है

बहलाती सहलाती आत्मीयता बरदाश्त नही होती है !

punish me, make me forget it

make me forget that i ever existed

make me wear

this dark night of the abyss

that our separation is

on my body, my face

make me

live with it

make me

bathe in it

because

i can’t bear with

being surrounded by you

or being smothered

with your love

this grace of your being,

your embrace

leaves me weak

your love scares me

your gentle caress

leaves me gasping for air

The above stanza is from Muktibodh’s poem ‘Saharsh Sweekara Hai’. Here, Muktibodh’s fear of losing his beloved has grown so strong that he only feels safe in her arms. Realising that he has this parasitic relationship with his beloved, he asks her to leave him because now the love he shares with her has started to consume him. The poet feels that he cannot function without her and wants to escape this all-consuming dependence.

The poem is a journey of the poet’s acceptance. As the name suggests and also the first few lines of the poem say, he has accepted everything in life with open arms. As the poem progresses, the poet comes to terms with the love that is consuming him. He tries not to fight it.

We’ve known Subhadra Kumari Chauhan with her poems like ‘Jhansi Ki Rani’ and ‘Jallianwala Bagh Mein Basant’ to have been written primarily in veer rasa, but a large number of her poems have been for children and probably for herself too.

Born on 16th of August 1904 in Prayagraj, Subhadra had started spending time with the likes of Mahadevi Varma early on in her life at school. As her junior at the Crosthwaite Girls' School, Mahadevi too looks back at her time with Subhadra fondly in one of her writings.

‘Kadamb ka Ped’ is one of Subhadra Kumari Chauhan’s

children’s poems.

What separates Hindi children’s literature from the others is its simplicity. It is devoid of references related to outside of the world of its own, like Alice’s isn’t. It is pure.

यह कदंब का पेड़ अगर माँ होता यमुना तीरे।

मैं भी उस पर बैठ कन्हैया बनता धीरे-धीरे॥

on the banks of yamuna, had been this kadamba tree

i could have been krishna, climbing it without a worry

The poem talks about a child’s wish to be like Krishna, teasing and hiding from his mother and finding joys in little things.

The Kadamba tree near Yamuna takes the reader back to the legend of Krishna and Yashoda sitting near the Kadamba tree and her witnessing the cosmos in Krishna’s mouth.

- Trishala

[kumar-vishwas]

Kumar Vishwas: The Poet-Politician Who Redefined Indian Literature and Public Life

Kumar Vishwas is a prominent figure in contemporary Indian literature and politics, renowned for his captivating poetry and engaging public persona. A celebrated Hindi poet, social activist, and former politician, Vishwas has left an indelible mark on India's cultural and political landscape. His journey from a small-town poet to a national political figure is both inspiring and multifaceted.

Early Life and Education

Born on February 10, 1970, in Pilkhuwa, a small town in Uttar Pradesh, Kumar Vishwas was raised in a middle-class family. His father, Dr. Chandrapal Sharma, was a teacher, and his mother, Rama Sharma, was a homemaker. From a young age, Vishwas was inclined towards poetry and literature, much to the concern of his family, who initially encouraged him to pursue a more traditional career.

He completed his primary education in his hometown and went on to pursue a degree in engineering, but his love for literature pulled him in a different direction. He decided to follow his passion and pursued a Master's and Ph.D. in Hindi Literature. This shift laid the foundation for his future as a poet and public intellectual.

Rise to Fame in Poetry

Kumar Vishwas first gained national recognition for his poetry, which resonated with the youth of India. His romantic verses, often laced with humor and deep emotions, struck a chord with audiences across the country. He became a regular performer at Kavi Sammelans (poetry gatherings) and quickly gained popularity with his unique style and relatable content.

One of his most famous poems, Koi Deewana Kehta Hai, is a testament to his skill in expressing profound emotions with simplicity. The poem became an anthem of sorts for young lovers, and Vishwas was soon hailed as one of the leading figures in modern Hindi literature. His ability to blend traditional Hindi verse with contemporary themes allowed him to build a diverse fan base, ranging from young students to older poetry enthusiasts.

Political Career and Activism

In addition to his success as a poet, Kumar Vishwas ventured into politics. He was a founding member of the Aam Aadmi Party (AAP) and played a key role in the party's early days. His oratory skills and ability to connect with the masses helped him gain a significant following in the political arena.

Vishwas contested the 2014 Lok Sabha elections from the Amethi constituency, running against high-profile candidates like Rahul Gandhi. Though he lost the election, his involvement in politics highlighted his commitment to social change and activism. Vishwas remained a vocal advocate for anti-corruption measures and a more transparent political system in India. Despite parting ways with AAP in later years, his brief but impactful political career demonstrated his desire to contribute to the nation beyond the realm of poetry.

Contribution to Literature and Public Discourse

Kumar Vishwas' literary contributions extend beyond his own poetry. He has been a strong advocate for the promotion of Hindi literature and has used his public platform to raise awareness about the importance of preserving India's linguistic heritage. Through his performances, social media presence, and public speeches, Vishwas has brought Hindi poetry into the mainstream, making it more accessible to younger generations.

His role as a public intellectual goes beyond the written word. Vishwas has been invited to various forums, universities, and cultural events, where he shares his insights on social issues, national identity, and the role of art in shaping public consciousness. His speeches often combine humor, satire, and philosophical depth, making him a unique voice in Indian public life.

Personal Life and Legacy

Kumar Vishwas is married to Manju Sharma, and the couple has two children. Despite the demands of his public life, he has always maintained a strong connection to his family, often mentioning them in his public appearances and interviews.

As of today, Kumar Vishwas continues to inspire millions through his poetry, social media presence, and public engagement. His ability to traverse the worlds of art and activism with equal ease makes him a unique figure in contemporary India. Whether reciting his heartfelt verses or addressing a crowd on matters of national importance, Vishwas remains a voice of reason, creativity, and passion.

In conclusion, Kumar Vishwas has carved a niche for himself as one of the most influential poet-politicians of modern India. His legacy as a cultural icon and his brief but significant political career have left a lasting impact on both fields. Through his work, he continues to inspire and provoke thought, contributing to the rich tapestry of Indian public life.

[calliopesink]

PASAdU Hosts Historical Adventure Game “Back to the Fort”

The Pangkasaysayang Samahan ng Adamson University (PASAdU) organized an engaging historical game titled "Back to the Fort" at Fort Santiago, Intramuros on May 4, 2024.

The said game was an interactive and immersive learning experience for  Adamsonians by bringing them back to the illustrious and historically enriched setting of Fort Santiago.

A facilitator coming from members of PASADU is assigned to each group which consists of five members along with their respective group leader which then a map brochure and a crossword puzzle with tasks and a mystery word were given to each team. The puzzle's solution is directly related to every historical information located in Fort Santiago, and players were prohibited from using phones or Google for assistance.

However, if they encounter difficulties in finding the answer, they are granted three lifelines. To utilize a lifeline, they must utter the phrase "PASADU Ako" in front of their facilitator, who will then provide clues from a deck of cards containing daring challenges that team members must complete. The first team to successfully solve all the puzzles will search for a big key and win the game. 

After the successful completion of the game, Mr. Adrian Zulueta, the chairperson of the social science department, delivered his closing remarks expressing his gratitude to all the participants and officers of PASADU who worked hard to make this event possible. He also extended his gratitude to the Intramuros administration for opening their space for young learners to appreciate and discover the history of the Philippines. Mr. Zulueta continued to express his excitement to turn this event into an annual one, saying, "We will make this event even bigger and turn it into a yearly event.” he said.

"Back to the Fort" was originally proposed and organized by Exzur Jay Arabia, a professor in political science and history. “In any way that we can promote history whether it's a song, it's a poem, it's a game, I think we should explore those things, and for my part I chose to explore it through a game.” He said

He takes great pride in overseeing this program that he initiated, and he gladly handed it over to PASADU, enabling it to expand into a bigger avenue and carry on our history.  He also then expressed all the significant learnings that every student can gain participating.  

“Matutunan nila yung (They will learn) socio-emotional aspect, yung (the) teamwork, yung (the) appreciation ng (of) culture, atsaka yung (and the)  ability natin (of us) to think and analyze.” he said. 

Additionally, Arabia has also seized this moment as an opportunity to underscore the importance of why we should all pay attention and be mindful of our history.

“Kailangan natin yun (We need it)  in the sense na ang kasaysayan kasi (that history)  yun ang kaluluwa ng bansa (it’s the soul of our country)  so remove history, i think your also removing the DNA of a nation.” he said.

The President of the Pangkasaysayang Samahan ng Adamson University, Aerol Christopher Infante advocates for their recently recognized organization, persuading Adamson students to join their group that's full of knowledge from the past, “If you want to learn history as well as culture why not try PASADU lalong lalo na (especially)  if you wanna learn in a very fun way na hindi (that’s not) very traditional na (like) by the book of learning.” he said.

Johannah Gonzales, the Vice President of Pangkasaysayang Samahan ng Adamson University, reflects upon the valuable lessons she has gained through organizing this historically inclined event.

“Sa event na to (In this event) pinaka natutunan ko (I learned) is  sobrang halaga na may (It’s very important to have) teamwork pag ginagawa niyo to (when you’re doing this) and i think maapply ko din siya satin mga kabataan (it can also be applied for us youth) na (that) if may (there’s) teamwork, mas mashashape natin ang history for the better ( we can shape history for the better).” she said.

Czearine Kate Padilla, the Academic Directress/Event Head of PASAdU shared her experience being one of the organizers of the event, and with the participants. PASAdU is her first organization as a college student. She said that it was overwhelming for her because of the loads of paperworks that needed to be done, and to make the idea of the event true to life. “They’re not only learning history but they’re also able to learn about the different morals, like teamwork and morals,” she said.

Lastly, Jommel Alagas, a fourth-year communication student shared his excitement in PASAdU’s Back To The Fort. According to him, it’s his last chance as a college student to enjoy school activities. “It is very inspiring and very memorable,” he said.

Written by: Justiniano Ceruma

Pubmat by: Francheska Ivana Piñon

[novelsmini]

Amrita Pritam was a renowned Indian writer and poet, celebrated for her literary contributions in Punjabi and Hindi literature

Amrita Pritam -

Amrita Pritam was a renowned Indian writer and poet, celebrated for her literary contributions in Punjabi and Hindi literature. Here's an overview of her biography:

Early Life:

Amrita Pritam, born Amrita Kaur, was a renowned Indian writer and poet, celebrated for her contributions to Punjabi literature. Here are some details about her early life:

1. Birth: Amrita Pritam was born on August 31, 1919, in Gujranwala, which was then part of British India and is now in present-day Pakistan.

2. Family Background: She was born into a Sikh family. Her father, Kartar Singh Hitkari, was a schoolteacher and a poet, which perhaps instilled in her an early love for literature.

3. Education: Pritam received her early education at the Khalsa College for Women in Lahore. She showed a keen interest in poetry and literature from a young age.

4. Marriage and Early Writing Career: At the age of 16, Amrita Pritam married Pritam Singh, an editor of a Punjabi literary magazine. This marked the beginning of her association with the world of literature. Her early poetry was published under the pen name Amrita Pritam.

5. Early Works: Pritam's early works reflected the social and cultural milieu of her time. She wrote about the experiences of women, the partition of India in 1947, and the human condition with depth and sensitivity.

6. Recognition: Her talent was recognized early on, and she became one of the leading literary figures of her generation. She received numerous awards and honors throughout her career, including the Sahitya Akademi Award in 1956 for her long poem "Sunehade" (Messages).

7. Activism: Apart from her literary pursuits, Amrita Pritam was also known for her activism. She was deeply involved in social and political causes, advocating for the rights of women and marginalized communities.

Amrita Pritam's early life laid the foundation for her prolific literary career, which spanned several decades and left an indelible mark on Indian literature. Her works continue to inspire readers and writers alike with their timeless relevance and universal themes.

Literary Career:

Amrita Pritam began writing at a young age and gained recognition for her poetry during her teenage years. Her early works reflected themes of romanticism and rebellion against societal norms. She wrote extensively in Punjabi and later translated many of her works into Hindi and other languages.

Her most famous work is the Punjabi poem collection titled "Sunehade" (Messages), which was published in 1949. This collection earned her widespread acclaim and established her as a prominent voice in Punjabi literature.

Amrita Pritam's literary career spanned several decades and encompassed various forms of writing, including poetry, fiction, essays, and autobiographical works. Here are some details about her literary career:

1. Poetry: 

Amrita Pritam is perhaps best known for her poetry, which she began writing at a young age. Her poetry reflects a deep sensitivity to human emotions, especially the experiences of women, love, and the socio-political realities of her time. Her poetic style is characterized by simplicity, sincerity, and emotional depth. Some of her notable poetry collections include "Ajj Aakhaan Waris Shah Nu" (Today I Invoke Waris Shah), "Kagaz Te Canvas" (Paper and Canvas), and "Naginaa Da Ishaq" (The Love of the Gem).

Amrita Pritam penned numerous poems throughout her prolific career, many of which have become celebrated for their emotional depth, social commentary, and lyrical beauty. Here are some of her most famous poems:

1. Ajj Aakhaan Waris Shah Nu (Today I Invoke Waris Shah): This poem, written in the aftermath of the partition of India in 1947, is perhaps one of Amrita Pritam's most renowned works. It addresses the Sufi poet Waris Shah, imploring him to rise from his grave and witness the devastation caused by the partition. It captures the anguish, pain, and longing for peace in the aftermath of communal violence.

2. Main Tenu Phir Milangi (I Will Meet You Again): This poem is a poignant expression of love and longing. It reflects on the enduring nature of love and the belief that despite physical separation, souls remain connected. It's often considered one of Pritam's most powerful and evocative love poems.

3. Aj Di Raat (Tonight): In this poem, Amrita Pritam explores themes of loneliness, existentialism, and the passage of time. The poem's speaker reflects on the solitude of the night and contemplates the mysteries of life and death.

4. Kagaz Te Canvas (Paper and Canvas): This collection of poems delves into various facets of life, love, and creativity. Pritam's verses in this collection are characterized by their simplicity, yet they carry profound philosophical insights and reflections on the human experience.

5. Naginaa Da Ishaq (The Love of the Gem): In this poem, Pritam employs imagery of precious gems to symbolize love and longing. The poem explores the depth of human emotions and the transformative power of love.

These are just a few examples of Amrita Pritam's famous poetry. Her body of work is vast and diverse, encompassing a wide range of themes and emotions. Pritam's poetry continues to resonate with readers for its timeless relevance and universal appeal.

2. Fiction: Alongside her poetry, Pritam also wrote fiction, including novels and short stories. Her fictional works often explore the complexities of human relationships, societal norms, and the struggles of women in patriarchal societies. One of her most famous novels is "Pinjar" (The Skeleton), which portrays the trauma and upheaval caused by the partition of India in 1947.

3. Autobiographical Works: Pritam wrote several autobiographical works, offering insights into her own life and experiences. "Rasidi Ticket" (Revenue Stamp) is one such notable autobiography where she candidly reflects on her life, love, and literary journey. Her autobiographical writings provide a glimpse into the cultural and historical context of her time.

4. Essays and Journalism: Pritam was also an accomplished essayist and journalist. She wrote extensively on various social, cultural, and political issues, advocating for gender equality, social justice, and peace. Her essays are marked by their intellectual rigor, clarity of thought, and commitment to progressive ideals.

5. Recognition and Awards: Amrita Pritam received numerous awards and honors for her literary contributions. She was the first woman to receive the Sahitya Akademi Award in 1956 for her long poem "Sunehade" (Messages). She was also honored with the Padma Vibhushan, one of India's highest civilian awards, in 2004, in recognition of her outstanding contribution to literature and social activism.

Amrita Pritam's literary legacy continues to inspire readers and writers around the world. Her works remain relevant for their exploration of universal themes and their profound insights into the human condition.

Amrita Pritam's love story-

Amrita Pritam's writing often explored themes such as love, loss, feminism, and the partition of India in 1947. She witnessed the horrors of the partition firsthand, an experience that deeply influenced her work. Her poignant prose and poetry captured the human suffering and emotional turmoil caused by the partition.

Notable Works:

Some of Amrita Pritam's notable works include:

- "Pinjar" (The Skeleton) - A novel that depicts the impact of partition on individuals and families.

- "Rasidi Ticket" (Revenue Stamp) - An autobiographical novel that delves into her personal life and relationships.

- "Ajj Aakhaan Waris Shah Nu" (Today I Invoke Waris Shah) - A poem lamenting the tragedies of partition and calling out to the 18th-century Punjabi Sufi poet Waris Shah.

- "Nanak Naam Jahaz Hai" (Nanak, the Boat of Name) - A novel exploring the life and teachings of Guru Nanak Dev, the founder of Sikhism.

Amrita Pritam's love story is one of the most famous and intriguing aspects of her life. Her relationship with the renowned poet Sahir Ludhianvi is often discussed in literary circles. Here's an overview of their love story:

Meeting and Relationship:

Amrita Pritam and Sahir Ludhianvi first met in 1944 when they were both young and aspiring poets in Lahore, which was then part of undivided India. Their meeting sparked a deep emotional connection, fueled by their shared passion for literature and poetry.

Their relationship blossomed against the backdrop of political turmoil and societal norms of the time. Both Amrita and Sahir were known for their progressive views and rebellious spirits, which further cemented their bond.

Challenges and Obstacles:

Despite their profound love for each other, Amrita and Sahir faced numerous challenges in their relationship. Sahir was known for his aloof and reserved nature, while Amrita was more expressive and emotive. Their differing personalities sometimes led to conflicts and misunderstandings.

Moreover, societal norms and personal circumstances posed significant obstacles to their love story. Sahir's commitment issues and reluctance to settle down in a conventional relationship added strain to their bond. Additionally, Amrita was already married to Pritam Singh, a prominent editor and writer, which further complicated their situation.

Literary Collaboration:

Despite the complexities of their personal relationship, Amrita Pritam and Sahir Ludhianvi continued to share a deep intellectual and artistic connection. They often exchanged letters and poems, exploring themes of love, longing, and separation in their writings.

Their literary collaboration produced some of their most renowned works, showcasing the depth of their emotional bond and creative synergy. Although their romantic relationship faced challenges, their artistic partnership endured, leaving a lasting impact on Indian literature.

Legacy:

Amrita Pritam's literary contributions have had a profound impact on Indian literature, particularly in the realms of poetry and fiction. She received numerous awards and honors throughout her career, including the Sahitya Akademi Award, the Padma Shri, and the Padma Vibhushan, among others.

Amrita Pritam passed away on October 31, 2005, leaving behind a rich legacy of literature that continues to inspire readers and writers alike. Her works remain relevant for their exploration of timeless themes and their powerful portrayal of the human experience.