#poldark novel

[featherlesswings]

Okay, Rupert Campbell-Black is 100% red flags, but “I can’t breathe without you” is echoing in my head, Jesus Christ.

That whole breach of the no touching rule moment had such shades of Ross & Demelza’s “Do you know what they say about us?” “Let it be true.” Moment. 🫦

I need all the forbidden romance novels and tv series immediately before I explode.

[badwolf-gallagher88]

Yes, having a crush on a fictional character is bad. But have you ever had a crush on a fictionalised version of a vaguely problematic historical figure??

[thoughtsonpoldark]

#Napoleon is in cinemas now but Ross and Demelza Poldark had their own mighty Napoleon adventure when Ross was sent to Paris to report back to the British government on French political sentiment and they got caught up in the attempted take over.

[thetruthwilloutsworld]

If anyone knows a thing or two about sex scenes, it’s Sam Heughan. Over the past decade, the 43-year-old Scottish star of Outlander, the cult-hit historical drama, has filmed hours of notoriously raunchy footage in his role as Jamie Fraser, the dashing 18th-­century Highland rebel, with his wife, Claire – a time-traveller from the 20th century, played by ­Caitríona Balfe.

Yet two years ago, Heughan, as one of the executive producers (with Balfe), introduced an intimacy co-ordinator to choreograph such scenes, which had been criticised by many as excessively violent.

“The industry’s completely changed since Outlander started,” Heughan says, sitting in a Soho bar on a visit to London from his home outside Glasgow. “Not just our show but also shows like Game of Thrones were very graphic, with no room for the imagination, in a way that’s quite jarring now. As young, keen actors, we were just expected to get naked and go at it. Caitríona and I formed a bond and trusted each other, but there were times when we were pushed too far.” He was especially troubled by a scene involving full-frontal nudity in ­season one, when Jamie was tortured and raped by his rival, Black Jack Randall (Tobias Menzies). “That really didn’t sit well.”

Everything changed following the MeToo scandal, leading ­Heughan to employ Vanessa Coffey to choreograph the sex scenes. “So now everyone knows what the boundaries are, like in a football or rugby match. It’s been so helpful and freeing, and it was because I didn’t want younger actors to go through what we’d gone through. Now, the scenes are sexually charged, but not gratuitous.”

Despite his heartthrob status, Heughan – who’s 6ft 2in, with the strapping physique his role necess­i­tates – is modest and thoughtful company. He also had Coffey enlisted to co-ordinate his latest pro­ject, Channel 4’s erotic thriller The Couple Next Door, filmed during the short break between Outlander’s seasons nine and 10, in which he plays Danny, a policeman living in a Leeds suburb in an open marriage with Becka (Jessica De Gouw).

“We didn’t want to make a salacious or seedy show about swingers,” Heughan says. “It’s about the psychology behind it – what is it to be in an open relationship where two characters love each other so much that they can invite people into that relationship? I think it’s possibly the greatest form of romance to allow your partner this, if it’s the itch they need to scratch. My character struggles with it.

The couple’s (initially) strait-laced neighbours are played by Alfred Enoch and Eleanor Tom­linson, who in 2019 finished five seasons as Demelza in Poldark. With Outlander about to start ­filming its final season, she and Heughan compared notes on moving on from a huge, long-running costume drama.

“It’s emotional. For me, the prospect’s hugely bittersweet. It feels like getting out of an institution. Outlander’s like a family, it literally defines who I am.” After all, Heughan has created an empire of Outlander spin-offs, including books, television travelogues and his spirits brand, The Sassenach – named after Jamie’s nickname for the English Claire – not to mention his charity, My Peak Challenge, which has raised nearly £5 million to fund a variety of causes, including ­hunger relief and blood-cancer research. “I’m ready for new challenges, but also nervous about what it’s like in the real world,” he says.

Still, he felt now was the right time to wrap. “Outlander could have finished after the ninth season, but, personally, I felt we hadn’t quite got there. So now we have the problem of pushing the writers to do something that’s hopefully satisfying for the audience, but also exciting.” So Heughan doesn’t yet know how Outlander ends? “No idea, and it’s really tough because Diana [Gabaldon, the author on whose novels the series is based] has written so many books.”

The show has a vast international fanbase; VisitScotland has cited a 67 per cent rise in visits to the show’s locations, such as Culloden and Inverness. “I do feel like I’m an unofficial ambassador for Scotland, and sometimes I don’t think the show is given enough credit for what it’s done for Scottish tourism,” Heughan says. “I think the numbers are even bigger than they say, because reams of Americans are just making their own itineraries. Doune Castle’s numbers are up 800 per cent, it’s been completely renovated as a result.”

The show has also transformed the local film industry. “For 10 years, we’ve been employing ­people at over 200 Scottish locations, we’ve started an intern scheme, we’ve built a studio with five sound stages where there was nothing before. So it’s going to leave a legacy.”

The son of an artist single mother (his father walked out when he was a baby), Heughan spent his early childhood in the Borders, his teens in Edinburgh, before studying at Glasgow’s Royal Scottish Academy of Music and Drama, where his mentor was third-year student James McAvoy.

Having worked in London and Los Angeles, Heughan fell back in love with Scotland when he was cast in Outlander. Initially against independence, filming the first ­season in the run-up to the 2016 ­referendum transformed him into a vocal advocate. “Scottish politics right now is a bit of a mess, which is a shame, but maybe they’ll find a new rallying cry. We’re a great wee country with amazing resources, most of which are controlled by the British. Similar small European countries have great identities.”

Initially, Heughan is hesitant to discuss the issue, aware taking either side will provoke a social-media backlash, but then he decides: “Why can’t actors have opi­n­ions? The problem is you have to come down on one side, there is no room for deb­ate. Everything has be­come so aggressive and then social-media algo­rithms mean you only get to see one side of the argument.”

He had his fingers burnt when last month he signed an open letter from Artists for Palestine UK, alongside the likes of Tilda Swinton and Steve Coogan, which accused the Government of “aiding and abetting” Israeli war crimes, but failed to condemn Hamas’s terrorism. The following day, Heughan rescinded, saying he hadn’t “fully understood” what he was signing.

“I was maybe naively calling for peace, which is what we all want, but, unfortunately, that situation is so complex, I can’t understand it all,” he says now. “As an actor, you have a platform, but if you put your thoughts out there, you upset ­people, but you’re also damned if you don’t say anything.”

Heughan’s taking time to navigate a potential post-Outlander career path. “I’m a workaholic, but I have to be discerning. Whatever I do next, I have to feel really passionate about.” Possible plans include directing and exploring a different side to Scotland than misty heather and bagpipes. “I think that underbelly you see in [Ian Rankin’s] Rebus and Irvine Welsh is very interesting, there are still pockets that are very hard and gritty.”

Back in 2005, he auditioned for James Bond in Casino Royale – the role that eventually went to Daniel Craig. Now, there’s a new vacancy. “I’ll throw my hat in the ring,” he says, grinning. “I’d be a brilliant Bond, I’m good at action and I’d bring a lot of ­emotional intelligence.”

There might even be space for a personal life. Heughan’s mystified by “facts” he reads about his private life online. “There’s so much ­nonsense that’s completely false – apparently, I have a daughter. News to me!” he says, flushing. The truth, he says, is that Outlander leaves no time for relationships.

“It’s insane hours and takes over everything. Caitríona’s carved out a beautiful family for herself that she protects very well, but I’ve seen how hard it is for her to do that. I want a cat, but I’m too scared even for that, how would I look after it? One day, maybe,” Heughan says, dreamily.

Posting again as some people had difficulty opening the previous link.

[pegleggysue]

‘Don’t you think I remember the night we came back from the pilchard catch in Sawle? Then it was different. That was the night I fell in love with you. Instead of just the physical thing … Without emotion there’s nothing, is there. Nothing worth recalling. A shabby exercise. Thank God it’s never been that between us since.’ ‘Let us thank God we are not as other people are.’”

- The Stranger from the Sea: A Novel of Cornwall, 1810-1811 (Poldark Book 8) by Winston Graham

[turneradora]

Here are the press article from the Radio Times magazine.

Thanks again to Emma Jones for the written version ! 🙏🥰

Rutting in Rutshire!

Bouffants, bounders and creaking beds… Jilly Cooper reveals why Rivals is her favourite book (and shares the secret of a happy marriage)

‘Buckets of electric blue eye shadow, heaving shoulder pads atop polka dot and pinstripe suits, haystacks of bouncy hair, kept in place by enough lacquer to fuel a rocket – it feels like I’m back at school getting ready for the end-of-term disco. In fact, I’ve walked onto the set of Rivals, Disney+’s big-budget adaptation of Jilly Cooper’s 1988 bestselling bonkbuster.

We’re inside a huge restaurant in Gloucester, which is doubling up for a posh eaterie in the novel’s fictional Rutshire of 1986. Waiting to make his entrance is Aidan Turner, sporting a moustache to make Tom Selleck proud, in the role of TV chat show host Declan O’Hara. Other names on the call sheet include David Tennant as the cartoonishly named Lord Baddingham, Danny Dyer as big-of-heart, bigger-of-wallet Freddie Jones, and Alex Hassell as the polo player-turned-Tory minister and one-man shagathon, Rupert Campbell-Black. It’s quite the starry cast, but despite all the familiar faces in the room, there is an audible hush upon the arrival of one small, smiling figure through the door – Dame Jilly herself is in the building.

Later, in a quiet corner, she expresses her enthusiasm for the project in exactly the selfeffacing, giggly and gushing style you would expect from the creator of such scrumptious literary – and now TV – fare: “It’s miraculous!” What about the producers? “They’re brilliant, they don’t really need me.” This is clearly not true. With 45 titles to her name since her light-hearted guide to wedlock How to Stay Married debuted in 1969 and 11 million books sold in the UK alone, Cooper is best known for her Rutshire Chronicles, an 11-strong set of door-stopping tomes that began in 1985 with Riders and follow the antics of the horsey set in bedrooms and boardrooms, stables and swimming pools. Rivals, the second in the series, focuses on the very 1980s idea of a battle to secure a regional TV franchise. “I think of all the books I’ve written,” says Cooper, “Rivals is my favourite. The battle for franchises in those days was so strong. And people made absolute fortunes."

The ideas he presented were lovely and he was lovely. It just happened.” She grins. “Plus, the fact that he is double-barrelled, that’s nice.”

As is her priapic protagonist. Rupert Campbell-Black is at the centre of the new drama, as he is in the books, and was the one bit of casting over which Cooper exercised her veto. “I thought Alex (Hassell) wouldn’t be right, he wasn’t blond, but then I met him and… he is very attractive.” Campbell-Black is a composite of two real-life, double-barrelled men, Rupert Lycett Green and Andrew Parker Bowles, as well as the Earl of Suffolk and Berkshire, all of whom the author met soon after she and her husband Leo moved to the Cotswolds in 1982.

“I’d just moved to the country and met these heavenly men, they became great friends and and I was able to study how an upper-class man would behave there.” Do her friends mind appearing in her novels? “Oh no, they love it.”

Campbell-Black may have wall-bouncing charisma, but he’s not entirely chivalrous with its deployment. Is that OK? “People do behave badly,” says Cooper. “They certainly did in the 1980s. Rupert has good qualities. He’s lovely to his dogs, he’s a good MP and he adores his wife. They fall madly in love with each other. Lots of men are frightfully promiscuous until they find their true love.”

Does she believe men like Campbell-Black are at risk of being squashed out of society today? “Yes. When did you last see a fantastically attractive man on television in drama recently?” Hmm, Poldark? Another grin. “He’s in my story. I love good-looking, glamorous, funny, macho men.”

Cooper’s own great romance was with Leo, her publisher husband of 52 years until his death in 2013. She says: “Happiness in marriage comes from creaking bed springs, not so much from sex but from laughter. Well, a bit of both, but definitely laughter. He was lovely, funny, clever, full of military history and kind. He loved cats and I loved dogs, so we worked that out.” She is perhaps referring to his well-documented 1980s affair that rocked, but didn’t ruin, their marriage when she says, “Obviously ups and downs, but when you go through a down, you just hang on and hope it gets better”.

Cooper’s stories are all as raunchy as they are romantic – “I just like people to be happy,” she smiles – but in between all the muddy boots, labradors on mats and shepherd’s pies on kitchen tables, there are progressive layers to be found in both the books and now the TV adaptation. The female characters are strong and self-determining. “The women in those days were seduced, and were seductive,” Cooper says, before adding wistfully, “Beautiful men and women… and they didn’t fight so much.”

Have love and romance changed in the 30 years since the book came out? She sighs. “Half of teenage children are brought up without their parents staying together. It’s so sad. Happy marriage is the best recipe for life and if people can try to stay together, they should try to make it work. The world is very frightening now. Don’t give up on things easily.”

In real life, Cooper counts among her set Andrew Parker Bowles’s first wife Camilla, now better known as Her Majesty, of whom the author can’t say enough good things. “She’s a friend of mine. I adore her and I think she’s going to be a wonderful queen. She looks beautiful at the moment, she’s become very glamorous.” And, of course, a real-life totem of Cooper’s favourite thing, a happy ending.

”‘FOR JILLY TO APPROVE MY RUPERT WAS IMPORTANT’

ALEX HASSELL PLAYS RupeRt Campbell-blaCk

You were chosen from hundreds of possible actors to play Jilly Cooper’s romantic lead. Did you feel the pressure of expectation?

Initially, I wasn’t sure I’d get the part, I’m not blond or blue-eyed and I’m not from that world, but it’s important to me to live up to a certain Rupert-ness. To have Jilly’s seal of approval was very important.

Where did you go for inspiration?

I’ve met two of the men she based him on, which was helpful. But once on set, you put on your costume and start to feel it.

Or take your costume off…

How did you prepare for that naked tennis scene?

By trying not to get intimidated! If I did have nerves, that day was important as I had nothing to hide behind and it was a naked crucible through which to believe myself as Rupert.

With his arrogance and privilege, is Rupert a force for good?

It depends… He’s reaching middle age and rattling around in his house with just dogs and horses for company, and he’s realising that past choices aren’t going to end well for him. But there is a core of goodness there.

IT’S A PERIOD PIECE LIKE DICKENS’ DAVID TENNANT PLAYS

Lord Tony Baddingham

What was the appeal of Rivals? Before I’d even opened the script, my wife Georgia saw the title and told me I was going to be in it, so any element of choice was taken away from me. She had quite a visceral reaction to it and has been a champion of the whole thing. Did a little part of you want to play Rupert Campbell-Black? It didn’t really matter who I played. But I couldn’t compete with Alex for Rupert. I think Lord Tony Baddingham is a more natural fit for me.

Tony is the resident baddie. Do you have any sympathy for him?

He doesn’t see it that way, he’s just doing what he needs to do in order to survive. Objectively, I can see that some of the things he does aren’t particularly morally robust. It’s all Daddy issues. I don’t think Tony is difficult to make sense of, he’s very plausible. The characters all have drama to them, but they’re nuanced and make sense. You’re not struggling to join the dots, they’re well-crafted and that’s why Jilly’s books have survived. There is a quality in this work that makes it timeless.

Would these characters be believable in a more modern setting?

No, they are entrenched in the politics and mores of that era. It was such a specific moment in time – all that excess; Margaret Thatcher saying there was “no such thing as society”. It changed how people were allowed to think and certain people grabbed it, ran with it and wallowed in it. These characters all swim in that swamp.

The big battle in Rivals is to win a TV franchise. Is the story still relevant?

It’s not something we really have an understanding of now. When I first read the scripts, I thought, “Are the stakes of this going to make sense?” But it doesn’t matter what they’re competing over, it’s just who they are and that’s what drives them and that feels very alive and human.

What kind of portrait of 1980s England do we see in Rivals?

Jilly Cooper is a great chronicler of the human condition. It’s a period piece like a Dickens drama. You can marvel at how different some things were and how similar other things were. That’s part of the joy.

What did you love most about the 1980s?

I’ve loved rediscovering the music. I was a teenager during those years, so there was a lot of music it wasn’t cool to like. But some of these tunes are banging.

‘A WOMAN WITH RED LIPS KNOWS HER BUSINESS’

NAFESSA WILLIAMS PLAYS Cameron Cook

You were born and raised in West Philadelphia, a long way from Jilly Cooper’s Rutshire. What drew you to the role of TV producer Cameron Cook?

It was the script, plus how smart Cameron is. You have this black woman in a white man’s world in the 1980s, being able to run a company. She’s very fashionable, very strong, very grounded in who she is — and very comfortable in her sexuality.

She’s very distinctive. Did you have a particular style influence?

The singer Sade was a big inspiration for how Cameron looked, with the flicked back ponytail and the long braids.

Would you resurrect any of that era’s distinctive fashion?

I loved the high waists, the belts, the hair. It was all bigger, bolder, brighter. We don’t see as many red lips and nails now as we did back then — that speaks of a lot of confidence and sexiness, and being bold. A woman with red lips and red nails knows her business. Bring some of that back!

‘THERE WAS AN INSTANT TRUST WITH AIDAN’ VICTORIA SMURFIT PLAYS

Maud O’Hara

Maud doesn’t seem very satisfied with her lot as Declan’s wife and is very open to temptation… She is a very complicated, insecure, broken butterfly who exists on validation. She’s feeling down, she wants every man to fancy her, and her selfishness drives her to where she wants to go.

Had you met Aidan Turner, who plays your screen husband, before?

I didn’t know Aidan, but there was an instant trust. We barely talked about how our characters operated, we just knew they were existing in an English hierarchy, as this scrappy, passionate Irish family. We instantly knew where we were at.

Does Jilly Cooper treat her female characters well?

When you watch the whole arc of all the different women, by the time you get to the end, it feels like a feminist piece. All of the female characters play their politics out the way they want to — some get what they want and some get what they need.

Maud is very colourful in her mood and clothes. Did you have fun with your costumes?

Maud is more boho 70s than the others. The costumes did a lot of the work for us. As soon as we put on our clothes, it felt like we knew who our characters were.

I BASED DECLAN ON MY DAD’

AIDAN TURNER PLAYS Declan O’Hara

When you got the script for Rivals, did a little part of you want to play romantic rogue Rupert Campbell-Black, as opposed to Irish chat show host Declan O’Hara?

No, not one single bit. Alex [Hassell] does it better. It’s a best person for the role thing. There are very few Irish actors who can do Declan O’Hara as well as me, know what I’m saying? My eyes were always on the O’Hara prize.

How familiar were you with Jilly Cooper’s books before you were cast?

I remember dating an Irish girl who loved Jilly Cooper. She was in the atmosphere, but I hadn’t read the books until I started shooting. On the first day of filming, I got into the trailer and there was a copy of Rivals. We already had all the scripts, but we could use the book as a reference for tone. It was great to have it there.

Declan has quite a distinctive look. Where did you go for inspiration?

There’s something of my dad, who had a moustache all through the 1980s and 1990s. I lightly based a lot of Declan’s character on my dad — he sounds like him and has his physicality. Plus Declan is a dad, and I’m a father now, too. I felt I made a lot of connections.

Was there a TV interviewer or chat show host you studied beforehand?

Declan’s an amalgamation. There are some modern British presenters, but someone I went to a lot was the host of the American debate show Firing Line, William F Buckley. His show was political, smoky, quite serious, slow-paced and high-brow — all the things Declan would love.

You’ve been interviewed many times before. What did you discover about life on the other side of the microphone?

When you’re interviewing someone, there’s power because you can ask what you want, but it’s about building up the trust. If you just lambast people, you won’t get to a second season — people have to respect you.

These things are important to Declan. Even the word “chat” irks him slightly. Rivals is set firmly in the 1980s. What would you like to bring back from that decade?

The lack of telecommunications and mobile phones. As we see in the show, it forces people into situations that could be easily solved with a phone call. The characters can’t contact someone on the other side of the county, they have to show up unannounced at their house. There’s a lawlessness, a looseness, an unpredictability.

‘I MISS THE SHOULDER PADS’

KATHERINE PARKINSON PLAYS Lizzie Vereker

Lizzie is the sweetest of the local women, but she can be easily led by her Rutshire neighbours… Lizzie gets caught up with the snobbery of the world she’s in, and she does that thing of joining in with the crowd for survival. Then when Freddie Jones [Danny Dyer] arrives and they mock him, she’s chastened.

It takes an outsider to come in and hold a mirror up to these people. The married but neglected Lizzie embarks on an affair with Freddie. Did you approve?

They are both quite pure and drawn to each other for the right reasons, so it’s actually a positive thing. You want these characters to find themselves again.

Rivals is set in 1986. Have things got better for women since then?

My mother’s generation were more likely to sacrifice their talents for the sake of their husbands. I think that’s definitely evolved since the time Jilly Cooper was writing about, but it’s helpful to look back and see what still needs to change.

In your opinion, what was better about the 1980s?

The earrings… and the shoulder pads.

‘I’VE NEVER CLAIMED TO BE A HARD MAN’

DANNY DYER PLAYS Freddie Jones

Tech millionaire Freddie Jones is a lot softer than the “hard” men you usually play?

I don’t know where that comes from. I know I’m a working-class actor, I swear a bit and walk like a duck with a swagger, but I’ve never claimed to be a hard man. When I was in EastEnders, I wore a pink dressing gown. But this is something different and, for me as an actor, I needed an opportunity to look different. I don’t get many opportunities to do that. Even my biggest haters through their gritted teeth might have to accept that Freddie is a nice, watchable character.

Was that your real hair?

I wish. I had it all clipped on. What a bouffant it is! I’ll cling on to what I have for dear life, but I accept it. I’m a grandfather now, I’m allowed to go bald.

Freddie is the richest of all the characters, but an outsider in Rutshire. Is he the real top dog?

There’s a kindness behind the eyes of Freddie, but he’s a teddy bear with a bite. He has no desire to be top dog, but when he needs to put his foot down, he does. I fell in love with him when I read the script.

One scene, where Freddie and his wife are mocked by the Rutshire set, makes for uncomfortable viewing...

There’s an element of classism and other -isms in the show. As much as they want Freddie and his money around, they also look down their noses at him.

In 2018, you accused David Cameron of “putting his trotters up” instead of working hard. How did it feel going to Gloucestershire, the stomping ground of Cameron and his pals?

It’s not the world I come from. But this is set in the 1980s, we’re in a different era and environment now, but we’re true to how it was.

Freddie also develops a slowburn, hard-earned romance with Lizzie Vereker…

They’re both in marriages where they feel suppressed and don’t feel seen. Hopefully, the audience will root for us to have an affair, which is a strange thing as it sounds awful.

Do Freddie and Lizzie get a suitably Cooper-esque sex scene?

You’ll have to keep watching. Things take a surreal turn.

What was the best aspect of the 1980s? Anything you miss?

I think we have far too much technology now. I have children who can’t understand how we survived without mobile phones. I feel it was slightly less complicated in the way we engaged with each other: sitting down, making eye contact.

EMILY ATACK PLAYS

SARAH STRATTON

Your character, the wife of the Tory deputy Prime Minister, appears very manipulative and conniving. Did you enjoy playing her?

She’s a car crash, but she’s ambitious, smart and a bit sick of being told all her life she’s a ditzy blonde. Particularly at the time this is set, women felt there was little other option for them but to use their sexuality to get what they wanted. Characters like her are often written as unlikeable, but there are lots of hidden layers and vulnerabilities.

Her look is very much of her time. How did you go about creating it?

My morning pick-up times were the earliest of the entire cast. Hours and hours in hair and make-up — so much hairspray and backcombing. At my first fitting for costume, I thought, “I’m never going to fit into that,” but with a pair of Spanx we were good to go. And I bought some cheap 80s perfume, which I wore every day.

For one famous scene of naked tennis with Rupert Campbell Black, there are no clothes at all. How did that feel?

The whole cast were warned early on that there would be nudity and sex scenes, so you knew what you were getting into. The sex is integral to the scenes and the characters, and the tennis scene is very famous, so I wanted to get it right. Alex [Hassell] and I talked it through with the director, to make sure we felt comfortable. It was a closed set. I felt very safe, and I had a great spray tan.

Last year you made a documentary about the sexual harassment you’ve received for several years. Did you hesitate to take this role, or did you feel defiant?

You can’t win whatever you do. If you keep your clothes on you’re a frigid nun, if you take your clothes off you’re a tart. But I love my job and if a role I’m playing requires nudity and it’s integral to the story and I’m safe, I’m exactly where I should be. I’ve learnt it’s not my behaviour that needs to be looked at and changed, it’s other people’s. I’ve learned to take back the narrative that was taken from me — my sexuality, my body. These kinds of roles are fun. I’m still young and it’s OK to feel liberated. I enjoy what I do. And it’s Jilly Cooper – it’s an honour to do it!

Since filming, you’ve had a baby. Are you thinking about work again yet?

For nine months solid, I sat on my arse, ate peanut butter sandwiches and watched all of Downton Abbey. So I’ve had my time off, and now I’m back

[bharv]

I don't often talk on here about that many passions outside of D&D but inspired by a very brief exchange by @plethomacademia I want to talk very briefly about my great love for period dramas.

I'm a particular fan of Georgian era and Victorian era (but you know, every gal of a certain age had their brain chemistry altered by the 1995 Pride and Prejudice as Greta Gerwig knows well) so I wanted to talk very, very briefly about some of my absolute favourites (and whether the adaptation or the book has my heart)

Poldark. The books and the 1975 version, not the modern version (I liked the Elizabeth, wasn't a fan of the rest.) Poldark man. It's the ONE. Incredibly romantic, but with a real political agenda too around landowners rights and the changing role of the gentry. The books were hugely formative for me - and there's LOADS, so get them from your local library and enjoy.

The History of Tom Jones, a Foundling. The book, and the delightful 1997 BBC adaptation. I love this book. It's one of those early novels where the narrator just fucking talks about whatever they want. And because it's set in the earlier Georgian era where people did whatever they wanted, it's super sexy. Tom is basically fucking his way through the West Country and London.

Vanity Fair. The book, I've not liked any of the adaptations I've seen. Becky Sharp, beloved. The first real antihero I read. I love her to the ends of the earth. All adaptations try and soften her too much for my liking but the 1998 and 2018 both have good strengths.

The House of Mirth. The book and the 2000's film. Just sublime.

Anna Karenina. One of my favourite books. Western adaptations of Russian novels never quite hit the mark but I have to give a shout out to the 2000 version with Helen McCrory because she really sold the sexual obsession to me in a way others didn't. Man, she was the GOAT.

North and South. The book is great. The adaptation really is superb. Probably the best on the list, one that I would rank just as highly as the novel.

Wives and Daughters. The book was unfinished so they filled in a lot of gaps in the 1999 adaptation starring Justine Waddell (who incidentally was in EVERYTHING for a while? Like every period drama cast her, it was bizarre, and then she just disappeared. This also stars Keeley Hawes who was also in everything, including the very underrated Our Mutual Friend.) I know this one isn't the best, but I'm very fond of it.

Middlemarch. Listen, the book is the greatest book of all time to me. You have to read it at least once. The 1994 adaptation does a great job but it will never be the book, whose strands come together so perfectly, which teaches us so much about the intricate webs of being human.

The Crimson Petal and the White. The book is extraordinary, and the 2011 adaptation tries its best but suffers a bit from some odd casting. Still it's very worth the watch.

I Claudius. Curveball lmao. But it's perfect. Utterly perfect. The cultural impact of the 1976 adaptation can't be understated. A masterpiece.

[love-little-lotte]

A Look Into My New Guilty Pleasure: Poldark (2015 Series)

My biggest weakness is period dramas — especially period dramas with a talented cast, sweeping romance, terrific scenes (preferably set in some kind of country/provincial side), and lots and lots and lots of just sitting around and talking.

That's probably why Poldark has captured my heart. As a big fan of Outlander, it's no surprise that I fell in love with this show. Outlander and Poldark have so many similarities that I may make a lengthy post about it, but for today, let me just rant about my new guilty pleasure. I'm so obsessed with this show that I actually finished watching the entire five seasons in one week!

Poldark is based on Winston Graham's novels and adapted by Debbie Horsfield. I was so excited to start this show, with a male protagonist originally written by a man, created and written for a series by a woman. I haven't read Graham's novels (I'm going to one of these days, I swear!), so I'm not sure how well Debbie's adaption worked. I've read many Reddit threads, though, and some fans of the novel are not that impressed with how she omitted and added details to the show (will get back to this once I've read the books or at least the seven ones that were used in the show). The show has also been adapted in the 70s, so this was not the first time Graham's novels were seen onscreen!

Despite not having read the books, I fell in love with the story, the characters, and the cast! The show follows Ross Poldark returning to Cornwall after fighting in the American War in the 1780s. He looks forward to marrying his childhood sweetheart Elizabeth but, believing him to be dead, is now engaged to his cousin Francis. He then tries to resurrect his family's mining business and hires a young girl Demelza to be his kitchen maid (whom he eventually marries) while also crossing paths with the villain George Warleggan, a corrupted banker who stops at nothing to ruin Ross's prospects and personal life. As the show progresses, we also meet other characters, including Prudie and Jud, Ross's servants, Verity, Ross's cousin and Francis's sister; Ross's friend Dr. Dwight Enys and his love interest Caroline Penvenen; Sam and Drake Carne, Demelza's brothers, and Morwenna Chynoweth, Drake's love interest.

Yes, this show has a large ensemble cast, and trust me, there always comes a point when you hate or love them. Especially our protagonist Ross Poldark. Ross... is an interesting character. He's terribly, terribly flawed and many times times, I'm so infuriated with him to the point that I want him to suffer. I swear, you cannot go through this series without screaming at Ross. (When that moment came up in Season 2, I swear I had my middle finger ready every time Ross showed up on my screen from then on.)

But my favorite character in the show is Demelza, Ross's wife who started as his kitchen maid. She's the heart of the show, the voice of reason, and even though she makes questionable decisions along the way, you can't help but get on her side no matter what. She's the perfect fiery yet gentle match to Ross's stubbornness. He treats her like shit many times in this show, which makes me angry to no end, but they eventually grow to be understanding, loving partners.

And it also helps that Aidan Turner and Eleanor Tomlinson have one of the best romantic chemistries I've ever seen. They're terrific actors as well and they bring the characters to life so effortlessly. They just seem like they have the best time shooting this show. I kind of want to rewatch Loving Vincent now just because they're in that movie, even just in supporting roles.

Poldark is a roller coaster, with so many ups and downs (mostly downs, to be honest, please give Demelza a break!) My favorite season has got to be Season 1. Season 1 had the best Ross and I loved the early stages of his relationship with Demelza. It also has my favorite episode: Season 1, Episode 8. That episode broke me so much, thanks to Aidan and Eleanor's perfect performances. It's the only time I ever cried watching this show. I usually cry in period dramas (I've cried countless times in Outlander and Downton Abbey), but for some reason, I only cried once in Poldark. Most of the time, I'm annoyed and infuriated (hahaha but I still love it!)

The romance in Poldark is also quite unique, something I haven't seen before. Ross and Demelza emotionally hurt each other many times in this show, and they don't have the best communication. It's not an ideal marriage, but that's what makes it so raw and real. It hurts when Ross sleeps with his first love Elizabeth or when Demelza falls for the much-sensitive Hugh Armitage, but these are challenges people face all the time, and it's interesting to view it in characters and circumstances through 18th-century lenses. Plus, it can be very tiring to see perfect couples onscreen all the time. So watching Ross and Demelza's relationship thrive, suffer, and reconcile is very refreshing to me.

Nevertheless, Ross and Demelza are still able to work together. Seasons 2 and 3 showcase the worst moments of their marriage, from infidelities to insecurity, but the love between them still perseveres and they learn to forgive. In the end, they realize that they belong together.

And despite the unconventional marriage, Poldark is not a stranger to grand romantic gestures. Two of my favorite Ross and Demelza moments occur in Season 2:

A real funny, old-married-couple type of bicker in The Beach Scene:

And of course, showing all intimacy in The Stocking Scene:

(Let's just not talk about what happened 2 episodes after this!)

The romance in Poldark not only ends with Ross and Demelza. We also got two really good couples in the series: Dwight and Caroline and Drake and Morwenna.

And these love stories don't just happen! They're fleshed-out characters with proper backgrounds and their own problems, especially Drake and Morwenna's relationship. Morwenna is one of my favorite characters, and she doesn't deserve all the shit thrown at her. The last season of Poldark is not the best (bordering on bad, actually, especially the last two episodes), but watching Drake and Morwenna get their happy ending is worth it.

Finishing all five seasons is bittersweet. I enjoyed most of the story and fell in love with different characters. I kind of regret watching everything in one week haha. But what can I say? As soon as I finish each episode, I'm so tempted to start another episode. I think the last time I stayed up until 5 AM the next morning to watch TV shows was Yellowjackets. Poldark's just too good to binge! It's one of my favorite TV shows now. Maybe I'll watch Sanditon next...

I want to write more about Poldark soon, maybe a comparison with Outlander or maybe just a post about each character. I realized I hadn't talked much about Elizabeth, Francis, and George in this post; I was too preoccupied with the love story aspects and Ross and Demelza. We'll see!

[mercurygray]

YOU GUYS.

Cancel my appointments and hold my calls, @wgbh is getting a new Forsyte Saga and this cast is STACKED!!!

[nervousladytraveler]

On Poldark tv show, why do you think Ross was so fixated with Eliz? Yes, her beauty was real, but he idealized, misjudged and fabricated who she really was. In the books, she is a pretty shallow vacuous character which the tv writer completely recreated. Yet on the show, he could never let her go, why? Next to Demelza's courage, strength, integrity, she pales in comparison.

Thanks @anonymous for the question! I think Debbie Horsfield et al felt that the love triangle made for good tv and didn't want to let that formula go, even when we viewers were getting a little tired of it. At a certain point in the novels, Winston Graham was also done with it and set aside for other plotlines. So it needed new fuel if it was going to continue past series 2, and DH provided this with loads of chance meetings and glances of Valentine, etc. The “does he or doesn’t he” dramatic tension around series Ross, wouldn't be believable or sellable if Elizabeth wasn’t at least a bit likable, thus her recreation as you called it. Perhaps also, the writing was also meant to update Elizabeth’s character, giving her more dimensions than book Elizabeth. But I think in doing this, DH lost sight of WG’s Demelza, who she also tried to update. Yes, her courage and strength is still there (and we are shown this time and again, speaking of formulas) but despite those admirable values, the scripts chip away at Demelza’s likeability. She harps and snips (and wears that horrible hat in S3…talk about character inconsistencies) and her Hugh storyline is about revenge and not the subtle and complicated web of human emotions and frailty that WG wrote about. 

I wonder if, in the end, DH’s changes to these essential characters in order to force the love triangle, resulted in us viewers liking them all--Ross, Elizabeth, Demelza--a little less? 

[hms-tardimpala]

Today I love...

Poldark, the books and the BBC adaptation with Aidan Turner. It's such a beautiful, well-written series, with an actually complicated and sometimes toxic main relationship. Here is a marriage that's undoubtdedly right, because they love each other, but it's not easy, it's not always pretty, and they hurt each other, but they're also the ultimate power couple. I'm not a romance fan, but man when it comes to Poldark I am.

Also, I love historical novels. At sea, the best historical series is the Aubrey-Maturin series, and on land it's Poldark.

[maximumwobblerbanditdonut]

Sam Heughan has signed up to the celebrity dating app Raya in a bid to find love, MailOnline can reveal.

Despite being known for his role as the dashing Highland warrior Jamie Fraser in Outlander, the Scottish actor, 43, is yet to find his dream partner.

Sam, who was last seen enjoying a romance with Australian model Monika Clarke in 2022, has decorated his Raya profile with a slew of hunky snaps, and lists his main location as the UK.

MailOnline has contacted a representative for Sam Heughan for comment.

Raya is a private membership community that started out as a dating app, but has since become a platform for networking and social discovery.

A select few are chosen to be part of the 'elite community', with the waiting list to join the app said to be in the 'thousands' and 'not even 10 per cent of those who apply get in'

It was launched in 2015, and can be used on iPhones and iPads for $9.99 a month.

Sam was previously spotted kissing Australian model Monika Clarke in 2022, and he was also romantically linked to Twin Peaks actress Amy Shiels in 2018

A select few are chosen to be part of the 'elite community', with the waiting list to join the app said to be in the 'thousands' and 'not even 10 per cent of those who apply get in'.

Other names thought to have signed up include F1 star Lewis Hamilton, actor James Norton and footballer Jude Bellingham.

Before that he was romantically linked to Into The Woods actress MacKenzie Mauzy in 2017 before they split quietly the next year, and also previously dated Cody Kennedy and Abbie Salt as well.

In May 2023, Sam shared rare insight into his love life by admitting he's still looking for 'The One.'

He told People: 'I've done all of the gift-giving and turning up when least expected, but, so far, I'm still looking.'

He has starred on Starz series Outlander throughout its run, with the second half of its seventh season set to premiere in November 2024.

Sam was previously spotted kissing model Monika two years ago, and he was also romantically linked to Twin Peaks actress Amy Shiels in 2018.

Before that he was romantically linked to Into The Woods actress MacKenzie Mauzy in 2017 before they split quietly the next year

Despite being known for his role as the dashing Highland warrior Jamie Fraser in Outlander (pictured), Sam admitted in May he is yet to find his dream partner.

Outlander is a historical drama television series based on the ongoing novel series of the same name by Diana Gabaldon.

It is centered around an English combat nurse named Claire Randall (Catriona Balfe) from 1945 who is mysteriously swept back in time to 1743.

Last year, Sam also starred opposite Poldark's Eleanor Tomlinson in the steamy Channel 4 drama The Couple Next Door.

The series saw Evie and her husband Pete (Alfred Enoch) moving into an upscale neighbourhood, where they met next door neighbours cop Danny (Sam) and his wife, glamorous yoga instructor Becka (Jessica De Gouw).

As time goes on, these two couples get increasingly close to each other and one fateful night, become sexually entangled in a way that will change their lives forever.

During filming, Eleanor and Sam worked with intimacy coordinator Vanessa Coffey.

Prior to filming, the pair also knew each other through their mutual friend Caitríona Balfe, who plays Jamie's wife, Claire, in Outlander.

Eleanor previously told The Radio Times: 'Sam is now one of my best friends. Every day was a joy and creating Danny and Evie’s complicated and dangerous relationship was a lot of fun.

'It’s a real treat to work alongside such a supportive co-star but to leave a job with a best friend is pretty rare.'

Raya

Laura Fox UK Associate Showbusiness Editor. mailonline.co.uk.

Oops! Old news SH has been on Raya for a while and still can't find what he’s supposedly looking for 😬 One-night -stand with MC a date? If after breakfast He didn't see her again. A casual first night doesn't mean a date on the table. No one had ever mentioned this to the journalist 😂

Posted 11th April 2024

[wildwren]

as a poldark fan for years I am so so so so so happy to see the tv series getting more recognition!

oooooh im glad you're enjoying my poldark posting!!! ive also been a fan for years, but its been a while since ive done a full rewatch, and i actually cannot even begin to say how formative this show (and the novels tbh) was for me lol. i once wrote tens of thousands of words of an original novel and then had to scrap it because i realized i was just writing a gay poldark novel, like it was literally sooo derivative lololol :///

there are many things i dislike about the show, mostly the titular character (being based on a series of books that began publication in the 1940s certainly shows!!!) but my favorite things about it are the focus on social and economic history, the fact that there are characters from every class whose problems are interrelated and given equal importance (without using the upstairs-downstairs format), and its interest in exploring the inner lives of flawed women. my beloved 18th century cornish miners!!!!!!!!!!!!<3333333333

here's another screenshot from my folder because morwenna's wispy bangs will actually be the death of me

[pegleggysue]

“‘Ross, you know that I didn’t need or expect a present like this—’ ‘I know. But if you suppose or suspect that in buying these things I was hoping to buy myself back into your favour, then you’re right. I admit it. It is true, my dear, my very dear, my very dear Demelza. My fine, my loyal, my very sweet Demelza.’” — Warleggan: A Novel of Cornwall, 1792-1793 (Poldark Book 4) by Winston Graham

https

[thisbluespirit]

Top 5 ( or 10) period dramas

Thank you! Also so tough! Classic Lit adaptations, general period drama, which period, films, tv series.... /flails about.

OK, so for the purposes of this ask, I'm going for 20th C Brit TV period drama series, so with the caveat that you need to be prepared for the style, pace and other hazards of 1960s-70s TV, I think these five are still unbeatable:

Upstairs Downstairs (ITV 1970s)

Upstairs Downstairs is a brilliant, compelling original drama about one upper class London house and its family and servants, and often a surprisingly hard-hitting examination of the class system, made in an era when they could still make use of living memory to recreate the Edwardian era. (Despite my gif, it is a colour production - a handful of s1 eps were hit by a strike at Thames TV and had to be made in b&w!)

2. The Forsyte Saga (BBC 1967)

The Forsyte Saga is an epic adaptation of Galsworthy's series of novels (covering the story of one middle class family from the late 19thC to the 1920s). It has a truly amazing cast and was a sensation worldwide back in the 60s - and a true passion project for its producer. It's complex, in depth and full of theatrical nuance and was the last hurrah of the Beeb's classic drama in black and white.

These two are probably the biggest Brit TV period dramas of all time. Purely because of the way TV is watched now, you will never get those audiences again - both were popular enough to get remade in the 21st C, but while both of those series are fine, neither can quite match the originals in terms of depth or cultural impact). Definitely not overrated - and the same is true of this next entry:

3. Elizabeth R (BBC 1970)

Glenda Jackson is awesome as Elizabeth I - what more needs to be said? This is another all-time famous BBC production that's stood the test of time.

4. Poldark (BBC 1975-1977)

Even if this weren't purely 20th C shows, I confess I'd have to plump for this adaptation rather than the more recent every time - while s1 makes a few changes to the novels, it consistently 'gets' the books and what Graham is saying in them in a way the 21st C one seems to be deliberately refusing to engage with (despite a very nice cast!) Plus, give me Angharad Rees and Robin Ellis together, Ralph Bates, Judy Geeson in fabulous outfits, Ross's fighter pilot leather jacket (see above re. getting it - even the costume designer got it), actually, everybody's colourful jackets, excellent treatment of class issues involved, Francis generally, and just that bit more fire and bite somehow. (Er. Literally in the case of S1, lol! Watch the 1970s burn down buildings that shouldn't be burnt!)

5. Enemy at the Door (ITV 1978-1980)

A less obvious choice, but this WWII drama set during the Occupation of the Channel Islands is just so well written, with complexity and compassion, exploring all the issues of the situation, with finely drawn regulars on both sides. I've come back to it so many times, and I know that other people who've taken the time to watch it have loved it, too, so it's not just me. It's not an action-drama, like a lot of WWII things - it's a show about people trapped in a situation where action is often limited - but if you like thoughtful and painful exploration of the greyer areas of humanity, it's sadly unfinished, but it's one of the best.

(And, I know, I know, where's I, Claudius? But it gave me nightmares about Brian Blessed dying, so it's not on my personal list!! ;-p)

[turneradora]

Here is a new interview with Aidan, in the magazine "TV & REVIEWS" !

Thanks to Emma Jones for the info and for the written version ! 🥰👍

Aidan Turner stars in the eagerly awaited adaptation of Jilly Cooper’s novel Rivals, which is set in the heady world of independent television during the 1980s. Expect secrets, scandals, lies and a fair bit of sex, too! In the eight-part romp, which also features David Tennant, Alex Hassell, Emily Atack, Danny Dyer and Katherine Parkinson, the Poldark star plays Irish chat-show host Declan O’Hara. Here, he reveals more...

Can we just say we are loving the moustache that you have in Rivals!

I’ve never played a character who has a moustache before and it’s not mentioned. in the books that he has one, but when an opportunity comes up to play an Irish chat- show host in the 1980s, you’re growing one!

There is some terrific facial furniture in this series, isn’t there?

There really is. Some of us were lucky enough to start growing ours a couple of months prior to shooting so we didn’t have to worry about applying one with glue, which is not fun.

How did the role of Declan come about?

It came around at a time in my career when I wanted to do something like this. I wanted to have fun in a show. I wanted to do something that had elements of comedy and had an ensemble with really good, funny, actors. There are a lot of actors who I admire in this show and getting an opportunity like this to work with them was a no-brainer for me.

What do you think viewers will make of the show?

I hope they have as much fun watching the show as we had making it. I think that’s what we’re all really hoping for.

Did you get to keep anything as a souvenir?

It’s tricky with Rivals because there’s the potential that there could be more seasons of a show like this, so you can’t take things that might be needed sometime in the future. Saying that, Declan does have a couple of very nice watches, so if someone told me to ‘choose’ a souvenir, it would be one of those!