#po in character

[xamnade]

what if. what if i just die

[dr-awkkward]

I can't stop thinking about the dichotomy of the Long Quiet and the Shifting Mound: specifically, the metaphor of a rock in a river.

He is a stone. A constant, unyielding force. Capable of being changed, of course- sharpened into a weapon, stacked into the walls of a prison- but entirely inert.

She is a river. Ebbing and flowing, never retaining a constant shape. The waters can be cleared, deepened, displaced momentarily, but you will not change its course by plunging a hand or a blade into it. You will not still it.

The rock is what moves the stream.

The waters meet this unyielding surface and flow around it. Their path is altered ever so slightly, but it is altered. A well-placed rock can change the trajectory of a river's flow, can be shifted to allow the waters to flow in more directions or with more power, can block it off entirely until it stills to a stagnant pool.

And all the while, changes begin to happen. Things that couldn't, had the rock not been placed. The rock's edges are smoothed and its layers peeled back to reveal glimpses of its core, while imperceptibly tiny pieces of it join the river's flow. They understand each other just a little bit better, now.

Be it a bridge, or a dam, or a reservoir, or simply a stone sitting in a stream... the fact remains that the rock met the river. Change met stagnancy, and something new was created.

[ffcrazy15]

Someone needs to do an analysis on the way the Kung Fu Panda movies use old-fashioned vs. modern language ("Panda we meet at last"/"Hey how's it going") and old-fashioned vs. modern settings (forbidden-city-esque palaces/modern-ish Chinese restaurant) to indicate class differences in their characters, and how those class differences create underlying tensions and misunderstandings.

[puppppppppy]

these two are so interesting to me

characters belong to @canisalbus

[sparticus2000art]

Behold! One of the scrungliest creatures alive- Spamton G. Spamton, the GOAT himself

I’ve had the rough idea for this for ages, but misplaced the original sketch…. But hey! He’s done now !

[biruesque]

[⚠️: gore]

[rottmnt-residuum]

Hi, I've read the Residuum comic, and I think the characterization of the boys is really good. I was wondering if you have any tips on how to write them? Especially Mikey, please.

I'd actually recommend re-watching the show with one character in mind. All my notes on the turtles come from doing separate re-watches for each of them. The key is to ONLY watch the character you are focusing on.

In the end, you'll probably be happier with your own personal interpretation. As we are with ours lol

TL;DR

Massive post under the cut

To preface: we'll be contrasting (this Mikey) against the fandoms version of Mikey, as our interpretation is very different. Don't worry if you prefer the fandom version, there's nothing… wrong per se with writing him this way. We just find him flat and uninteresting. (Main author: not me, I just hate him, lol).

Every reader or fan comes into a story with their own biases and experiences. A ton of our view of Mikey is based on how our siblings acted. We see Mikey as the young sibling that got preferential treatment from the whole family, simply due to being the youngest, but is now aging out of the privilege. Which all youngest siblings do at some point or another.

The fandoms version of Mikey is empathetic, naive, vulnerable, co-dependent and quite often a door mat who cries at the drop of a hat. And as much as the fandom like to say that people love him… when this particular character archetype is in other media, they seem to attract the most criticism. Mable pines, Bolin from Korra, people rag on Aang all the fucking time, and Steven Universe is a whole other bag. These characters don't deserve it, and yet it happens anyway.

To flatten Mikey to simply 'the baby' is a disservice. We don't see or write Mikey as the fandom “baby” version (cinnamon roll uwu). Part of this comes from having multiple siblings, so we interpret the times when Mikey does the puppy dog eyes as typical younger sibling bullshit, mostly by the way that the other turtles rarely react to it, if at all.

The other turtles traits can also get projected onto Mikey. Mikey being the fandom therapist is in the same category as this. He isn't a therapist, he's a psychology nerd who likes to psychoanalyze people and meddle in their relationships. (Donnie and Shelldons relationship, Splinter and Draxums...) he's not trying to resolve your emotional issues. Of the turtles, the character that cares the most about people's feelings is Raph. And Leo is more of a consoler than Mikey ever is. It flattens all the turtle's characterizations when you start doing this because you are ripping out parts that are integral to another characters' complexity.

Co-author has told me that they've seen people become confused when going into the show after only reading fan fiction or coming from the movie. They see his characterization as inconsistent and become upset when their view of him is contradicted. This also happens when a fandomized version of him becomes the primary characterization that they use. Sometimes when this disconnect happens (or if they just don't like the character), Mikey characterization is swung in the complete opposite direction.

They make him manipulative and abusive, or someone who is hyper violent and avoids being held accountable for anything. This is an uncharitable interpretation of him and can come off as pretty racist depending on the circumstances. (like if someone considers the turtles black or not)

Every version of Mikey is a shithead (affectionate), even this one. Especially this one, really. When Mikey not doing the "baby schtick" hes mean. If you pay attention to what he's saying, and just not his tone of voice, he's consistently saying pretty mean or condescending stuff. (You could take this as simply naïveté, but he still says mean shit pretty often regardless)

The times he does say genuinely nice stuff the turtles don't exactly expect it from him, at least, in the early season. And while he is mean, and seems to find saying mean things to be funny, Mikey isn't cruel. Nor will he ever be.

This shit-headery behavior is found in both 2003 and 18 Mikey. They have a degree of social intelligence that lets them use it to annoy people into doing what they want. 18 just has the advantage of being baby faced and having better tonal control. He's good at using people's perception of him to get what he wants.

Let Mikey have his problematic traits, but don't overexaggerate them. He doesn't revel in fooling people. He loves doing character bits, and the baby faced one just happens to be one of them. However, to infantilize or to deem him incompetent is to piss him off, he wants to be viewed as a competent part of the team and competent as an individual. He's not insecure about being young, he just doesn't want to be treated like he can't do anything.

Mikey above all is an optimistic character, he sees the brighter side quite often and is conscious of the harm his actions have on people. Mostly after the fact, but he consistently attempts to rectify the harm he has personally done to peoples lives. (Todd, Bullhop, Draxum). Food and shelter seems to be a thing that he considers to be a right. He doesn't cross a boundary twice once he learns of it, and he never pushes people too far (if he likes you, that is. if he doesn't know you or doesn't like you, he doesn't give a singular shit. But that is standard to most people.). He doesn't care about people's stuff, though. He breaks things all the time.

Mikey understands boundaries, but he doesn't automatically recognize them. He needs them to verbalized or for there to be a very obvious reaction to the boundary being crossed (unfortunately, for Todd and Donnie). Sometimes people mess up (esp. younger people), and it can take a while for teens to learn where boundary is, but he fully respects the boundaries he does know about. He doesn't act petulant when he's told about boundary, he apologizes, accepts it, and moves on. He doesn't dwell.

Mikey doesn't hold on to distressing emotions. He bounces between emotions quickly, but isn't effected in the long run. One thing Iv'e seen people often conflate is the difference between sensitive and vulnerable. Mikey is sensitive, but I have never seen him vulnerable to others. To be sensitive is to be easily influenced by the current situation. To be vulnerable is to hold that influence for a long time. Characters can have one, both, or neither of these traits. But Mikey is not vulnerable. It is the difference between compressing memory foam and a piece of metal until they deform. One will pop back, the other does not.

Those who are vulnerable but not sensitive will take longer to effect, but once you do, they will hold on to that emotion for a very long time. The vulnerable, are grudge holders. (leo). But like I've said, Mikey bounces back. What a character does has an effect on his emotions, but it doesn't make a lasting impression.

Forgiveness is another thing people like to push on him. It is not that Mikey forgives people easily, it's just that he doesn't hold grudges. He neither forgives nor forgets, but he does not ruminate. He's generally affable, first impressions seem to be a big part of how he views people. He is idealistic, and doesn't assume people are unchanging and/or evil, but he's not a mark.

Mikey isn't so much as naive or overly trusting… it's just that he's inexperienced. He doesn't get fooled by anyone in the series except meat sweats, and that's because Meatsweats is on Todd drugs. Mikey just didn't notice when he started faking. He's not… actually all that aware of people's emotional states, passively. He has to tune in to notice things like that.

Mikey isn't someone who really tries to regulate others emotions, either. The fandom like to make Mikey afraid of his brothers fighting and others being upset, but Mikey doesn't actually care. The most distressed we ever see him in a fight is in the movie, and he's not SCARED, he's just concerned (and then alarmed once it turned physical). If anything, outside extenuating circumstances (like the movie), Mikey actually seems to find their fights annoying.

(Mikey actually seems to have a pretty short fuse, but his bounciness doesn't really let it linger very long, lmao)

(One pet peeve of fandom Mikey is the constant crying, crying at fights, crying at insults, crying for no reason all the time. Sure, he tears up when he gets emotional, but when Mikey is genuinely crying It's when he's desperate, like when he's hungry, or when he's trying to save Leo from certain doom. Same thing, really.)

Mikey respects no one (we love him for this). He admires people, he admires his family: April, the turtles, his dad, Lou Jitsu. He admires Rupert Swaggert, but he respects none of them. No one is sacrosanct to the Mikey.

Above all, the way we write characters is to give them a past that informs how they act now. We view Mikey and the other turtles as teenagers that were kids, and that will be adults. Yes they all have “problematic” traits, but 1) good characters need flaws, and controversial traits are one of the best to use, and 2) they're teenagers, don't expect adult behaviors from them, also don't expect them to be kids. They're minors, not toddlers.

This is getting as long enough as it is, so we'll stop here, but this is a very broad overview of how we characterize him. There's a lot we didn't cover here, but if we even started on hobbies, or the real minutia of his quirks and ticks, or even how he feels about other specific characters... we'd be here all day. So I hope this is good enough lol

If there was something you wanted to know in particular, you'll need to get specific. Feel free to ask again ahahh

[nanihirunkits]

"Actually, at first, I couldn’t really picture how it would work, but after they got into their characters, I feel like everything just blends perfectly together, and they’re adorable together."

THAMEPO | SPECIAL

[magnusthepuppet]

saw this headcanon on another post and i had to draw it.

…it was also an excuse for me to draw waffles…

[14dayswithyou]

The 14DWY brainrot is real... >_< were ypu planning on sharing koi ren's design here too or is it discord only for now? remember to drink lots n lots of water today 🐸☔️

i don't rmbr if i included this but can you share any koi crumbs too?

✦゜ANSWERED: aaaaa I'm 14 years late to this ask (/silly), but thank you for reminding me!! I'll add the new Mer Ren design to da queue >:3

I'll also put the Koi Ren (I'm rocking with this new name!!) crumbs under the cut!!

"Stop rocking the boat, Ren." Without sparing a glance in his direction, you continue to stare out into the vast, open lake. "You'll scare away all the fish."

Had you turned around, you would've seen the faux-deadpan look on his face as Ren takes in the irony of your words. As if to prove a point, he gently swishes his tail in the water, which causes small ripples to form and (eventually) disturb your bobber. "I don't think the boat is the problem here."

"Okay, how about this... One more fish, then we can go back." You finally look back at your scaley companion — who was still leaning against the edge of your tin boat with a lazy smile — and give him a resolute nod. "Promise."

"Sure," Ren casually reaches into the boat to pick and pluck at some of your live bait. "But you said that about the last three fish."

"This will be the last one. I swear."

"You... swear?" You try to ignore the way Ren swallows up one of your minnows as if you weren't using them for bait as he continues to speak, "Like... curse words? Humans sure are weird creatures."

As if realising his comment, Ren's ocean-blue eyes widen slightly and shift towards your form. "N-Not... Not you, though."

With a laugh, you playfully try to nudge him off of the boat. All it does is cause it to tip slightly, but Ren steadies it when you show signs of losing balance.

"Alright. One more fish, then?"

You nod and cast your attention back to your rod once more. You don't even notice the silence — nor Ren slipping away — until you suddenly feel a tug on your line and call out to your companion in excitement. "That was quick!"

Quickly reeling it in, you wonder what kind of fish you'd just caught — it's definitely stronger than you anticipated, given how the rod drastically bends and snaps at every movement from the fish. And just as you see the shadow from the murky depths get closer, the ripples get bigger and cause a stir underneath your tin boat. Standing up now, you try with all your might to reel it on board...

...Only for a mess of black hair to emerge from below and peer up at you with a smug look.

"Ren!"

"Looks like you got a big one."

"C'moooon." You practically whine, though you allow Ren to haul himself into your tiny boat and rest his head in your lap. You can still feel his body shake from underneath your touch, no doubt still laughing at his poor attempt at a joke. "This doesn't count."

A beat passes before your fishy companion responds. "...Hm? Fine then."

Another moment of silence follows before he slithers back into the water without another word. Half of you worries that you might've said something to offend him (there was still the tiniest hint of a language barrier between you two). Still, it ultimately leads to nothing as Ren soon emerges once more — only this time, he's hauling the biggest largemouth bass you'd ever seen into your boat.

"This good enough?" He looks at you with wide, blue eyes. "If not, I can probably find a sturgeon and—"

"It's bigger than my boat!"

"Is this what your kind calls... exaggeration? Because your boat is big enough even for me to—"

"—Arghh! It's getting water everywhere! Put it back!"

It was almost comical how Ren tossed the fish over his shoulder and back into the water without breaking eye contact with you.

Another wave of silence hits, yet neither of you seems to move or break the awkward staring contest you'd somehow started. It's then when you notice Ren's grin get bigger — most likely at your resignation and embarrassment — which causes you to fall back into your seat in defeat.

"Fine. Enough fishing for today. Let's head back." Busying yourself with the bucket of fish and tacklebox in front of you, you secure your gear and pack everything away. But it seems Ren had other plans, seeing as he took it upon himself to climb back into your boat and rest his arms on your legs. No longer able to move as freely, you have no choice but to indulge in his carefree whims.

"But you caught me. Aren't you going to bring me home too?"

"As much as I want to," Truly, you do. You've always wanted to show Ren the world outside of Lake Bluemoss. "There's no way I'm carrying you all the way down the mountain."

"You never know until you cry."

"Try." You correct him. "Until you try."

"Your kind sure are funny." Ren nuzzles himself closer. "Perhaps another time, then... Stay here tonight."

Your body pricks up at his words, and you spare a glance at the abandoned boathouse near the dock. Despite its rough and rugged exterior, you and Ren actually made it quite comfy. It had some of your old blankets and sheets thrown over one of the boats to make it comfortable to lounge in — alongside a giant empty tank that you and Ren filled with water for him to sit in as well. Despite the lack of human traction, the place still felt homey and well-loved.

"...I guess I could."

"Then what are we waiting shore?"

You had to roll your eyes at his attempt at a pun.

[tadc-harlequin-au]

RagaPom fan kid when🥺?

Jk but I ADORE your art so much i might as well be called a believer of it 🙇‍♀️

Harlequin!Jesterdoll fankid - Anya!

I gotchu homie I should probably also clarify that the fankids aren't canon-

This is Anya, or Aanya Belle. She is Pomni and Ragatha's child, and is the second child puppet to ever grace the world. Quite possibly the most emotional one too, earning her the title "Little Sensitive Poppet". She's sweet and empathetic like Ragatha, but she doesn't have a temper. She instead inherited her harlequin mom's intense emotional reaction, but for other emotions. Her classification is a Mannequin.

She gets scared quite easily and ends up crying for hours, which made Jax give up a teddy bear he had been keeping near and dear to him. Aanya has been never seen without the teddy bear ever since.

Yes, to everyone's surprise, Jax is good with kids.

She has the largest sense of empathy out of anyone, a trait clearly inherited from Ragatha. So much so to the point that she's willing to abandon her "safety spot" (which is any furniture she can hide behind) and comfort you with her teddy bear if she so much as senses you're upset.

Her relationship with her half-brother was a little rocky at the start; Cade was overexcited over the idea of a new playmate (that wasn't Bubble) and kept wanting to bite her fingers off, and so had to be kept in his favorite box to calm him down, and make him get used to his new half-sister's presence. Soon enough, he learned to get along, and eventually, their sibling bond strengthened.

Cade would hug Anya if he notices that she's distressed (which is something that my irl baby brother does and I used it as inspo here) and would not hesitate to step in the big brother role to protect her if there's a threat.

He also attends her miniature tea parties, although for some reason he likes to stay in his box when the tea party commences. He never touches the teddy bear either, and even seems to want to avoid to touch it. Pomni thinks it's because he doesn't wanna end up ruining it.

When Cade turned six months, Ragatha started avoiding Caine, which made the puppetmaster confused. There were no more invites to tea parties, no more friendly talks, and no longer did Ragatha ask Caine if he had another vinyl she could listen to. All the more, Pomni looked extremely guilty everytime they would talk, and looked like she really wanted to tell Caine something.

Caine didn't prod at the girls' relationship, since he knows it's not exactly his concern/nor is it his business. But when one day that Pomni came rushing in to his office for help because Ragatha collapsed in pain, Caine wasted no time rushing to her aid.

Once all symptoms were described to him, he immediately managed to connect the dots that Ragatha's die was also housing two souls, and that it went on for so long, it was already starting to kill her off FOR GOOD. When the puppetmaster asked why she had kept it a secret, Ragatha admitted that she felt guilty; Cade was already in this world and that she had no right to have a child with Pomni, yet here it was.

Caine was immensely disappointed, but not because of the little soul's existence. Instead, he was upset that Ragatha would rather risk her very own life for something so non-trivial, and that the doll was freaking out over nothing. After an intense and dangerous procedure since the incomplete soul's grip onto Ragatha was stronger than Cade's was, Caine managed to extract and transfer the soul, but Ragatha remained unconscious for three moons because of the exertion it took.

He told Pomni to keep the die for now, and wait until Ragatha wakes up, so they can both decide whether they want to keep the little one or not. Pomni, guilt-ridden, questions why he's remained calm, and not exploded over the fact that she and Ragatha created a new existence without his permission, and Caine simply replies "Whoever told you that you both needed my blessing for it, needs their heads bashed in"

Eventually, Ragatha wakes up and apologizes to Caine for giving him so much trouble. The puppetmaster is quick to comfort the mannequin, and that he's relieved that Ragatha survived. He then reassures both Puppets that they didn't have to keep secrets like this from him out of shame, since their polyamory relationship was consensual from both parties in the first place. After a reconciliation, Caine asked the question: Will they keep the soul, or not?

They chose to keep it. And in only a few months thanks to Caine's prior knowledge, Anya was officially welcomed into the world.

[thechibilitwick]

i’ve been so obsessed with this song lately someone save me

[probably-not-a-rutabaga]

timatello real

[saphflare]

I feel like there is something to be said about how Rat and Lux chose their final stand against Blake. Making themselves look less like people by submerging themselves in ink, letting themselves die and be reborn into something deviating away from how players would usually fight and be something inhuman.

Monsters so to speak.

And how it is when they fight and lurk beneath the ink, the world looks just as dark to allow them to fit into it, like doomsday and that something is ending. So only when finally one of them lays dead and the other unable to continue that the rains stops and the color comes back. And the one remaining becomes something more recognizable in his defeat and more human as he feels something achingly terrible for the first time since the world started.

I know there is the whole unreliable narrator thing and depending on which side you see it from, you get different mileage on each character. But just there is something so fascinating how the fight is. In how Lux and Rat, the two that have changed so much together, had started this fight with the shared intent to make things right so they can finally leave it behind them and made themselves look so alien and different in the process. While Blake and Nox, two that were never even on the same side, and who both were too unrelenting in what they want to ever stray from their own desires, had remained as they were and drew the same weapons they fought with all this time (albeit it a few enchantment changes and all that) to face this fight in front of them.

I don't think I have quite the right words to form a good and meaningful conclusion, but like the tonal and thematic dissonance goes crazy (in a good way).

[pilkofi]

what happens when you get art block? draw on magma

[clownpalette]

"I got a package for you!"

OH NO A SCARY DOG AAARHHJGH!!! *GETS CHASED BY DOG*

Would you trust him with your letters? <3