#plz say yes

[ophernelia]

if i did a simblr car racing club thingy would you guys make a sim to join it yes or no

[dance-magic-dance]

so. given that crowley is actually living in his car in s2 and thats not just a thing people were joking about. could this be set up for crowley and aziraphale living in a cottage in the south downs in s3

[p-taryn-dactyl]

does anyone want to know what writing projects ive been working on? I mean, im going to tell you anyways but just wanted to ask lol

[dailyrannells]

now that uoty is out do we think he’s gonna change his icon on insta any time soon

[the-prophecy]

Ok guys are we done for today

[chocobosdungeon2]

i want to see rei ayanami in her own silent hill 3 do u understand what i mean

[lets-jam]

they got guy gardner in this... *looks at Jaime in his own movie*

[sweetlemongrove]

Us?

i know u said u like me but would u wear matching hello kitty pjs with me yes or no

[turtleblogatlast]

Shockingly underrated thing about Leo is that he’s legitimately charming when he wants to be?

He’s the Faceman! He’s persuasive! That’s not just some random title he gave himself with no backing to it. People will listen to him. Even if they think he’s being annoying or if they’re upset at him, people listen to him anyway! There’s a reason his bros push him out front to talk to people, and when this happens, that talking nearly always works.

Moreover, Leo knows people. He looks at them and takes into account how they act and what they’re like as he makes his way through the conversations. It’s easy to forget this aspect of Leo’s character because he only brings it out when he really needs (read: wants) to, but it really is a notable part of him that always love to see.

And I say charm in particular because he has a knack for not only getting people to pay attention, but for getting people to stay and listen to what he has to say.

[viasdreams]

would u ever do face reveal ☺️☺️😊 just want to see other people’s opinions on having a face associated witt their acc

tbh i would !!

i think im hot n sexy and i want the ppl to know (ik yall would compliment me cuz yall r sweetie pies)

the only thing that's stopping me is the fear of my opps >_<

but like if they see my face that means they were on tumblr too soooooo

those in glass houses shouldn't throw stones 🤷

me if you care

[qiekzart]

day 102 drawing len until my preorder arrives

its winter rn so i decided to put them in the rain ^_^

requests open! ☆ 5 in inbox

so.. i really like how the background turned out so heres just the bg

[lemon2099]

Can I steal this?

NO I GOT ANOTHER GENIUS MIGUEL FIC IDEA.... WHAT IF MIGUEL WAS OUT WITH HIS RICH FRIENDS PLAYING GOLF AND SWEET LIL READER IS THE GOLF CADDY THAT JUST LOOKS SO CUTE 🥹🥹🥹

[r0semultiverse]

Hey Digital Extremes, why are you limiting our play style to only one romance? Thought this game was about player choice. Let us choose to have the gameplay option of polyamory! 💕

There should also be a platonic New Years night option too that involves no romance for those not comfortable with it!

[shkika]

Since my wrist is killing me and I can't draw, have my ramblings about machines having souls and being able to become husks and also just Ultrakill thoughts! Predictions about the ending if you squint??

im just having fun here

Like I'm so deranged about how machines being intelligent and actually conscious is handled in Ultrakill. The build-up, even if accidental(?), is SO SO CLEVER and gradual (as gradual as ultrakill can get). How that fits into the overall narrative and how the tragedy of this game manages to be so awesome??

First with how I love the way "Machines are living beings" idea is handled. It starts from the introduction and establishes the world so well in so few words it's so lovely. You get introduced to the machines as war weapons. They need blood to survive and humanity has been eradicated. That's all you need to know.

You start with the basic information that these machines don't want to die. Which makes sense, it doesn't have to mean they are actually alive. It makes sense a machine would look for any way possible to keep itself running to continue doing it's job.

And then immediately in the prelude you meet the Swordsmachine. A part of a specific group of machines the terminal calls "scrapheads" which modify their own bodies. While at first that does not ring as anything that's especially noteworthy. A machine trying to upgrade itself is nothing unheard of. It's to be better, stronger, more efficient.

Except that's not exactly what the Swordmachine design is about according to the game. It is mentioned to have very impressive combat prowess compared to other machines, however what it is also referred to as is "beautiful". The design is appreciated almost like a piece of art. And some of it's parts don't even wield a practical purpose, the mentioned example being it's voice box.

It is not ONLY about utility. It is also about art!!

Alright. That's interesting. Let's give an even more outrageous example. Skipping Limbo for now, there is lust where we are introduced to Mindflayers. Which?? Are so wild??? And mysterious? We don't know what and when they were made for (ALTHOUGH I VERY MUCH HAVE HEADCANONS ABOUT IT) their bodies are described as completely seperate and useless to the machine. And yet it is stated they act very lovingly and take care of their bodies. So much so in fact that they SELF-DESTRUCT if it is harmed.

V2 in the first fight is a rival to you as any other machine, however once it's arm is stripped away from V1 the confrontation becomes PERSONAL. The second fight is not simply about the lack of resources anymore. It is to reclaim what was lost. Whether that be the arm or something else. Even the very terminal entry itself calls it revenge.

And of course. With Violence it is revealed that with all of this. Machines can also make other forms of art like poetry. Which is even more interesting is that the machine which did that was first EVER machine to use blood mind you. An extremely old design, yet it could make art to express it's feelings.

Machines are capable of modifying, changing, expressing and LOVING themselves. They make art and some are frequently seen attacking you in groups! Those are clearly intelligent beings. And I mean. Duh. everyone playing Ultrakill knows that. Obviously. Like. Yeah.

So then why isn't the fact that these walking weapons probably have souls more discussed? What makes a soul? Why would machines not have them? If they can do all that people can on an emotional level.

And what happens when these machines die? What exactly is stopping them from ending up hell? Obviously heaven is unobtainable. Their very reason for existence, is to cause pain and suffering. The means through which they need to keep themselves alive is to cause suffering. It makes sense they'd all become hells beloved children. Doing what is in their nature is an art form to it.

What's even more is that the game itself supports the idea that some are souls. Surely hell cannot create them since everything made by hell are demons, which are very easy to recognize by the stone exterior.(?? unless im wrong??)

And there is no feasible way for machines like the Guttermen and Earthmovers to be their actual living counterparts. On a basic level they LACK the means to be alive. The people inside the Guttermen need to be alive in order for them to function. When opening them in-game they are just skeletons. Nobody has been supplying them with blood for a long time. Because it's hell. The game itself states that death is a luxury in hell. It does not happen easy.

Earthmovers need sunlight to power them. And the game specifically put them in an area that is clouded. There is none to be seen in violence. No they are just trapped in place, forced to shoot each other for all of eternity.

Machines, when they die… go to hell! Probably!

Some of the machines you kill, perhaps reccuring enemies go to hell (Thank u l@/little-tornad0 for the addition hehe)

When you die.

You respawn! Hell keeps you going. Hell wants torture. Hell wants bloodshed. Hell wants entertainment and you are the purest form of it.

It makes me think a lot about the potential ending of the game. About the themes. I don't think this means inherently that hell is a perfect self-sustaining organism that can go on like this forever. Gabriel says machines are destroying it and leaving nothing behind. Things are clearly going south in some way. And it'd fit the themes better if it was all going to uh.. hell lol. If it was all going to collapse. From the main theme of the game literally being "The fire is gone" to the name of the last chapter literally being named "Godfist suicide"

Also for what it's worth the Mirage secret is awesome meta-commentary on the idea that everything will die. Everything is destined to end. It is up to you how your each that end.

I think this is what Ultrakill will kind of be about at the end maybe. Gabriel will die out with a bang doing what he wants.

V1 itself is clearly NOT killing efficiently to survive, but for fun. Before it all ends. It's going out with a bang.

And with no new humans or machines that can enter hell in the long run. Perhaps it's very being too will decide it wants to go out with a bang.

In short. uh machines have souls. everything will die but not in a sad way. but in a very cool awesome way. thats pr awesomesauce

[connorsui]

Alright ...I know how it looks like ...BUT HEAR ME OUT PLEASE I BEG ITS THE ONLY THING IMMA BE ASKING FROM YOU ...

but yall know just how down bad I wanna throw it down for this robot!? ...

CUZ I WILL

THAT SARCASM AND PASSIVE AGGRESSIVE ATTITUDE CAN GET IT FROM ME ANY DAY

This is the worst you will ever see from me ...

Artist and video created by🩷✨️: @skeleslime-phantom

[gammija]

Wrote this all last night in a rush after thinking about aroace podlock too hard - not sure how good it is but people on the discord liked it! so y'all will get it too

[Rushing sounds. At first it sounds like white noise, but there's a rhythm to it, swelling and ebbing; waves crashing onto sand. Wind whistles past the mic occasionally, while soft footsteps can be heard underneath. A quiet beach...

...Well, quiet, except for John giving one of his characteristic introductions to a mailbag episode, before starting proper.]  

JOHN: ...Okay, first question is for Sherlock, from Gammijonk - thought the 'Jonk' joke was starting to die down a bit, but apparently not! This one can be quite a, uh, heavy one, mate, so totally up to you if you want to answer or not. 

They ask: "No need to answer if you feel uncomfortable," like I said, and then the question is, "As what sexuality do you identify, and how did you come to realize?" Again, I'll just edit this out and we can start with another one if you don't want to share that kind of info with the listeners.  

SHERLOCK: No need, it's... alright. I'm in a sharing mood, I find. Not sure whether it's the calming effect of the noise from the waves or something else. 

...I, uh, consider myself to be asexual.  

JOHN: ...Uh- what- but- I mean, not that I'm disagreeing with you on your own identity and such, but I thought you told me you were gay? 

SHERLOCK: I definitely did not.  

JOHN: No, I distinctly remember, after the Gloria Scott case - I asked you if you had been in a relationship with Trevor. And you said yes!  

SHERLOCK: Correct.  

JOHN: Okay, well, so, then...?  

SHERLOCK: I- well. Let's see... I could, try to describe it another way?

JOHN: Right, right. I've actually heard of that before, now you mention it... So that's you, then?  

Within aspec identities, there is often a distinction made between sexual attraction, and romantic attraction. Sexual attraction is when you look at a person and feel like you want to have sex with them. Romantic attraction is when you look at a person and want to have a romantic relationship with them.

For most people, these two kinds of attraction seem to be intrinsically linked, but just as someone could conceivably have a romantic relationship without sex, or two people can have sex without being in a romantic relationship, so too is it possible to feel one kind of attraction, but not the other.  

SHERLOCK: Ah, no. The distinction feels meaningless when applied to myself. 

But, I mentioned it, because I feel it illustrates something of the complicated semantics when it comes to identity, sexuality and romance.  

To get back to the original question for a moment as to how I realized; When I was very young, I wasn't thinking about attraction at all. Then, as a young teenager, my sexuality felt noteworthy only in that it seemed to make me worthy of praise, a rarity: other boys were constantly doing stupid things, willing to do anything to impress a girl-  

JOHN: -While you were only doing stupid things for the love of the game?  

SHERLOCK: Hah. Quite. Well, mostly in order to follow my hyperfixations wherever they lead me, but I won't deny that as a teenager I might not have always been capable of making the brightest decisions. 

In any case, as I got older, I began to realise that my lack of attraction was not, in fact, a sign that I was simply better than the other boys, but something that required a different explanation. So, I did what I do best, and I began to... experiment.  

During that time, I eventually entered into a relationship with Trevor Scott. And those relationships would lead me to eventually learn the terms asexuality and aromanticism, in fact. Looking back, I still didn't feel romantic attraction for Trevor or others then, either. But a romance certainly was the way I and him viewed it at the time. And I certainly did love him.  

JOHN: Right, that makes sense.  

SHERLOCK: So, you see, that's where your confusion stemmed from.

Anyways, now that I had a name for my experiences, after that there followed a brief and unfortunate period in which I felt like I had to figure out whether my asexuality originated in one of my neurodivergences, or if those were two unrelated ways in which I deviated from the societal norm.

Thankfully I quickly came to the conclusion that that would be a fruitless endeavour, like trying to prove a negative. There is only one version of me, and he is asexual, and he is autistic. Whether or not those two facts are related, is frankly irrelevant.  

...That answers the question, I believe?  

JOHN: It definitely does. Wow, mate. That was a lot of talking, for one of these! Man. Feels difficult to follow up with some question about what's our favourite, finger, or something... That was just an example, they, they didn't actually ask that.  

...Do you... want a hug?  

SHERLOCK: Uhm, sure? Yes. I could go for one. Any particular reason why?  

JOHN: Not really - just felt like giving you one.  

[Fabric rustles. It's quiet for a long moment, only wind and waves.]  

SHERLOCK: ... If we count the thumb as a finger, obviously that's my favourite.  

JOHN: Obviously?  

[END]