Working on quick figure studies from poses by @adorkastock, had to turn this one into a zeynha drawing of course
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What was the point of Scrooge's trip with the Ghost of Christmas Yet to Come? On a structural level, it makes sense--three is the fairy tale number, and you can't visit the past and present without also including the future--but on a character level, it doesn't quite seem necessary. Showing a man that he'll die alone, unloved, and unmourned seems like the strategy you take as the last-ditch effort to convince a guy that he needs to change his ways. But that situation doesn't apply to Scrooge. He started softening immediately after he first arrived in his past. By the time he finished with the Ghost of Christmas Present, he was fully onboard with the need to reform, so the Ghost's vision of his future seems like unnecessary cruelty. Why show him all this when he was already planning to change his ways?
A few things come to mind. One is that this vision of the future wouldn't have affected Scrooge unless he had already changed his ways. A cold, hard businessman could have seen his lonely death as just the way of the world, might have viewed the people who stole the clothes from his corpse as just people doing what's practical in this world. He needed to relearn the value of the intangibles--human connection, respect for others--to see the true horror of the lonely death and the vultures who defiled the dead man.
But why the horror? Can't he reform without being threatened with doom? It's possible--but it's also possible such a reform would be temporary. After all, Scrooge started as a friendly, loving young man, but retreated into himself and his business out of fear of poverty and fear of the way the world looks down upon poor people. Even if a reformed Scrooge started on a course of Christmas charity, there was always a chance that the enthusiasm would fade, and the worldly fears would start creeping back in. The only way to beat those fears is to give him something to fear that's even worse than poverty. He needs to see the horrible end that his selfish ways would lead to, so he won't be tempted to slide back into them.
There's also the fact that seeing his death makes him ecstatically happy to find that he's alive after the Ghost is gone. Had Scrooge been spared the vision of his future, he might have been happy to find himself on Christmas Day, but his joy would have been nowhere near the manic glee he experiences after coming back from the future. Now, he doesn't just get a new start--he gets a second chance. Coming back from his own grave makes him mindful of his death, but it also makes him hyperaware of the fact that he's still alive. He isn't in the ground yet. He still has time to do good and make connections with others so he doesn't die alone.
Seeing the past reminded him of the innocence he'd lost. Seeing the present reminded him of the people whose lives he was missing out on. Seeing the future reminded him that death is waiting, so it's important to live virtuously while we can. All three are important because all three brought him outside of himself and taught him to value the wider world, just in time to live through another Christmas Day.
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These lines by Apollo, aka Lester, live in my mind rent free
Listen, i have no theory, i have absolutely no idea what is the connection here
ALSO:
I mean HELLO?? A four-thousand-something years old god saying that. plus i might not be knowledgeable about genetics and how it works but doesn’t percy possess these eyes because of Poseidon ?
this is an extract taken from The Lightening Thief:
I’ve been a reader of Rick Riordan for so long that i know he doesn’t just add things randomly
I don’t know what’s happening here, but I do know that Estelle Blofis, the very lovable energetic child who is very much capable of dominating the planet (Apollo’s words not mine) might have an important role in the story
but again, who knows
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imagine, if you will:
dick is standing behind the couch braiding stephanie's hair.
stephanie is sitting on the back of the couch braiding barbara's hair.
barbara is sitting on the couch braiding tim's hair.
tim is sitting cris-cross applesauce on the floor with cass's head on his feet braiding her hair.
(cass is eating a cookie.)
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I just finished The Rehearsal by Eleanor Catton, and I have to say---there's nothing like setting your novel among the youthful and arty to confuse a reader as to whether you're being overly pretentious and sticking monologues in characters' mouths, or if you're cunningly and accurately parodying how the most annoying Art Teens would like to speak every moment of every day, if anyone would let them.
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Some Vertin thoughts I have, but do you ever think she and Matilda had this talk after seeing each other again?
I always imagine Vertin just coming up to her and hugging her, and Matilda being so flustered tried to push her away until she feels Vertin shaking like a leaf. Vertin's trying so hard to talk to her, saying she was so glad, so so glad Matilda backed out during the breakaway plan, cause she can't handle the thought of losing Matilda that night too
I think there's so much unexplored potential for these two. Like yeah, Sonetto regretted letting Vertin and the others go that night, but do you think it haunts Matilda too? That maybe she could've tried to talk them out of it, maybe then she and Vertin would still have their friends around
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