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armillary-spheres-lover · 3 years ago

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SP/so vs SO/sx

Not sure how much this can be generalized since it's only my personal experience. When I was a pre-teen my best friend used to be a so/sx 6w7, while I am 9w1 sp/so. Sp dom vs Sp blind... some stuff went down and it’s fascinating to analyze such differences to me (I feel like I'm fascinated by sp blinds in general wtf).

She was the V immature of the pair, throwing herself in any possible weird experience she could have just for the sake of it. She would always cause so much drama it was legit concerning and I always was on the sidelines, not participating and sometimes suggesting her to stop, but did she listen to me? Never, and also, in some ways, I think I did in fact understand her desire to feel alive and feel stuff and do dumb stuff, possibly in that I am sx-blind and I won't fucking allow myself to do that, while she totally did. I guess, I don't usually pay any mind to my sx-blindness but the only time that it kind of felt like I was missing on something was when I would spend time with her? And also now that I'm actually studying the instictual variants I guess I'm starting to realize it (but also not really there's a shit ton of work to do). She would always act as if she was the protagonist of some weird 19th romantic novel but, make it dumber (we were 11-12 after all, how smart could we be?).

I deeply, deeply understand her need and wish to be like a novel protagonist. I do think of myself in that way quite often. But while she did it by acting and getting actively involved in stuff, I’ve always done the same by hyper-interpreting my simpler, more boring experiences (9 basic bitch here, feeling attached to something while being withdrawn and out of touch with your body results in amazing fantasy sky castles). She was never satisfied by this.

If she wanted intensity, she would create it by idk, doing some dumb stuff she would for sure later regret. While she went on to feel so alive, I would stay in the back overthinking my more boring life. An example would be that while she actually acted so that everyone around us hated her and shunned her, I would simply feel and think I was being shunned as well, but in practice I would never do something that would elicit a strong reaction out of others. I basically fantasized about it. As you can tell her being a Social Dominant I guess she got the sx juice she wanted through social stuff (her reputation, going against the social system (social 6s often do that)).

In so many ways, if I were to simplify it, she was a mixture of Dorian Gray and Heathcliff and I was Des Esseintes. She was an edgier version of Dorian Gray, wanting to experience everything but make it dark and painful and tormented (a là Heathcliff), not once holding herself back. Des Esseintes, on the other hand, would also feel like a misfit and a tormented soul but he did so by staying inside his house and hyper-interpreting his experiences to an insane degree, until he basically starts to hallucinate. He barely goes outside of his home and when he does everything seems weird, scary, magical in its own way, and while a bit creepy that’s also part of being sx-blind I think? You secretly want that way of feeling alive via the dark things in life (not sure if my fixes have a part in this as idk other 9s may not relate to this maybe) but also you want to go about it safely (sp) and by not exposing yourself (9), so it becomes like wearing a pair of glasses that adds a layer of poetry and beauty and suffering to an otherwise normal, boring and inane reality (again, 9 fantasy shit). But that’s about it. It’s a magical pair of glasses that at times I feel like I can remove and put on at will when I’m bored and I feel like I want more out of life. Outsourcing sx if you will w/o ever acting on this shit. I relate to Des Esseintes even though he was possibly a sp 4 but whatever I guess...

My old friend, being sp-blind, of course did not feel the same need for “safety” and had nothing to hold her back, really... the 6w7 sp blind brings a lot of energy and a way to never be able to fucking stand still, so yeah... it was so fascinating to see her act that differently from me, but also empathizing with her desire to get MORE out of life and dive into the darker aspects of it. I guess that’s why I sticked with her even when I thought she was being unreasonable and annoyingly melodramatic. Most people would shun her and don’t get her ways and while I can’t say that I got her, I would at least sympathise with her wish to experience more and be dramatic, even if I couldn’t quite elaborate it at the time and I superficially thought she was being too immature (this is so funny, we were fucking 10 and we were already doing instictual stuff with me acting like the adult one idk. Also w1 may play a part in this shit. Me being sp dom felt like I was supposed to check on her but also I didn't really do it because it was fun to tag along with her dumb stuff). But while she had the courage(?) to act on such a wish, I did not - I never had it, and instead compensated by having an hyperactive mental landscape...

There was a Wilde’s quote that went like, “the artist always represents what they themselves cannot live and experience”, or whatever, and I’ve always related to it way too deeply, lmao. I would represent, think, imagine, write the stories, and instead she would actively live them. Also Wilde was a so/sx so I guess that means something

While I may be bitter, because even as a sx-blind I at times feel....... like I want to live and get involved in stuff more? also I guess 9s have a way to dissociate with their life quite easily so that doesn't help (a sx-blind 7 would probably feel like they're getting involved more). Plus possibly having a 5fix makes it worse? it kind of sucks tbfh. Like it feels I've been dissociated since I was 4 yo and never got back to actual earth wtf. 95x sp/so may be the most fucking boring thing on earth + it may bring a neurotic need to keep your little bubble untouched by real life and finding security in that bubble, to the point that you're actually missing out. Idk. I may *do* stuff to make me feel like I'm going around with people more but it doesn't really affect me that deeply so yeah... fuck all of this. It's not even the same as being stuck in your comfort zone? I guess it is but again I may at times challenge myself in some small ways and have new experiences but it's like nothing really reaches me idk.

Again, I usually prefer to go about stuff safely (aka not disrupting my little bubble too much), and in this way, I’ve always had way less regrets than her - so in this, I’m actually fine with my way of playing it safe. I like letting myself wear that pair of glasses when I feel like it and call it a day. I’ve always been content with very little...

Though honestly I’ve not been hanging out with her in years (at least 8 years, wow) and while I do hear from her I can’t say I can get to see how much she’s changed, lol

It was weird, you’d expect that with such a melodramatic friend the break up would be at least as dramatic, instead it has been quite the opposite - we simply slowly stopped reaching out to each other once we had nothing much in common anymore, and something else going on with our lives, lmao...

Also I mistyped her as a 4w3 in the past but it's so funny I got that little about the enneagram and IVs and somehow got her IV right at first try wtf I guess she's just that obvious

#enneagram #enneagram 5 #enneagram 4 #instinctual variants #so/sx #social instinct #long post #sometimes i say stuff #ennea5 #ennea4 #enneagram 6 #enneagram test #ennea9 #enneagram 9 #ennea6 #ennea 6 #ennea 9 #sp/so

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popculturebuffet · 4 years ago

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Goof Week: Goofy Birthday Shortstacular!

Hyuck all you happy people! And HAPPY BIRTHDAY GOOFY! The celebration already got on track today with a look at the two part goof troop pilot. You can find that here.

That review kicked off GOOF WEEK my weeklong look at all things Goofy, but as is tradition on this blog the birthday of one of the big three wouldn’t’t be complete without a look at their theatrical shorts career. And with this one i’ve covered all three of Disney’s biggest stars having covered Donald last june (and will again next month) and Mickey in September so it’s long overdue that my boy gets a shot and even longer overdue I watched some of his classic shorts.

A large part of why I started doing these is because I love classic theatrical shorts and the reason I love looking at the Disney ones is, unlike Looney Toons or Tom and Jerry, I didn’t grow up with these and Disney never replayed them. At most you’d get one or a small slice of one in a House of Mouse episode. So this is a fun way to dive right into history and see a piece of Disney I’ve only started scratching the surface of.

This is a fun one too. I ended bumping this up to 12 shorts again, and i’m glad as it allowed me to take a look at some of the weirder stuff and we go all over the place: We have dancing, goofy begging for a smoke, goofy devlopnig a split personality that calls him fat a bunch, a prototypical max who is a LOT, trips to medevil times and cowboy times, a tex avery esque noir short, and the lead in short to National treasure. If any of that sounds like a real good time to you, then keep reading under the cut!

Mickey’s Revue (1933)

Goofy was created by his VA Pinto Colvig, who based the character on the local happy go lucky moron from his home town, and after a dicussion with Walt it was decided to roll him into Mickey’s growing supporting cast.

My guess from here is they decided to do a dry run to make sure the character worked with audeinces before giving him a full time roll. Given Goofy’s been both a staple of Mickey’s supporting cast and often more popular than the mouse or even the duck, you can see how that went.

Colvig was awesome. While Bill Farmer is my preferred Goofy, I still tip my hat to the original and it’s clear this was a character he was born t play and it shows: a lot of characters take a short or too to really find their personality. Goofy.. has his early shorts persona straight out of the box> The only weird thing is he’s an ol dman here.. but otherwise his schick here, loudly eating peanuts, laughing a bit too loud and annoying everyone around him with no genuine malice.. that’s Goofy and Pinto really hit onto something and as we’ll see today had a TON of range beyond this.

As for the rest of the short.. it’s forgetable. It’s not BAD, but it’s just Mickey and friends capering on stage. Nothing really out of the oridnary for these early Mickey Shorts, especially since some of them could get really damn creative.

The Whoopee Party (1933)

Now we have Goofy’s first proper appearance, going from joke character in the crowd to full member of Mickey’s friend group.

This one is also just okay, but better than the last: Mickey and friends throw a wild party, with Mickey, Goofy and Horace making the sammiches. Goofy dosen’t do much btu gets a good gag or two, and overall it’s alright. Enjoyabl efor it’s lively animation and not much else.

Goofy and Wilbur (1936) Three years later we get Goofy’s proper debut, a cute short about him using his Cricket friend to fish. That’s not the exestitnal nightmare that it sounds like mind you as Wilbur simply tricks them into Goofy’s net an donly gets eaten when they catch on and Goofy runs to his aid. The short really is more about Wilbur but it’s fair: like with Donald , who was paired with Pluto in his first solo short, they wanted to test the waters before having Goofy carry a cartoon himself. As we’ll see he very well could, but it’s fair to want ot backdor pilot it first and it’s easily one of the best shorts of today’s batch.

How to Play Baseball (1937)

First off while they make a good effort I already know how ot play baseball short...

How To Play Baseball is my faviorite of the Goofy Shorts on Disney Plus, which is a VERY small batch. Especailly since most of Today’s shorts aren’t at all problematic or inapproriate for kids. This one is a gem though. It’s one of the How To Shorts where a narrator goes ove rgoofy trying and failing at an activity though this one’s a tad diffrent.

The How To Narrator teaches us about baseball before narrating the world series game. It’s full of cleve slapstick, high speed animation and plain fun. It’s also part of the trend that would dominate Goofy’s sports career of putting him in whatever roll the shorts needed. Here he’s everyone at once, others he’s his old goofy self, other time sh’es just a normal joe. But Colvig does every version amazingly, so it all meshes and that general goofy design is so appealing it just WORKS. So yeah while i’m not into sports I do genuinely love the How To shorts, as they were my faviorite part of House of Mouse and still are, and the originals are every bit as classic as their reputation says they are.

A Knight For A Day (1946)

This one is the only other one of these on Disney Plus and it’s decent enough. Nothing incredibble or extra specail: Goofy plays a Squire who has to fil lin for his Knight in a tournament and tries to win a princesses hand against another douchier goofy. Simple stuff iwth some fun gags, but it just dosen’t feel all that fresh, especially since Disney already did a much better shorts with knights with Mickey’s “Ye Olden Days”. It just dosen’t feel as fun or creative as that one was btu on it’s own it’s fine. Nothing great, nothing terrible, just fine. First short of the day to feature Goofy’s faceless blonde love interest who in domestic shorts is his wife and by the same extension Max’s now dead mother.

Tomorrow We Diet (1951)

We’ve got three from 1951 here. By this point Goofy had traditioned from lovable bumbler to every man, taking on a more generalized personality to fit into every day slice of life scenarios, using those to brilliantly contrast the goofy animated comedy with the more mundane setting it comes from. And sometimes it’s just straight up sticom humor with the ocasoinal joke you could only do in a cartoon. And sometimes.. you get a version of Goofy who lives in a mirror taunting Goofy over being fat and then trying to keep him on his diet while it’s not clear if thi sis a split personality, a mirror ghost tormenting him that took his form and is doing this so Goofy breaks the mirror and frees him, or his evil doppleganger from another universe.

Yeah .. one of the centerpieces of this short is Goofy’s reflection/split personality/earth 3 doppleganger/some sort of evil genie taunt shim abotu the fact he’s putting on weight startnig by saying “Hey Fat”... because apparently in this unvierse the best weight joke they can come up with is literally just calling someone fat. I bet I know who rules THIS timeline with an iron fist....

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The first half of this short is Goofy being told he’s fat by a bunch of people and the second half is his hallucination/psychotic break/guardian asshole tormenting him with the diet. And I do mean tormenting: He knocks away all of Goofy’s food, then suggests he not even eat his carrot and STARVE himself, which is just deeply unhealthy, and earlier forces Goofy to let him read his book and then tell shim to just diet anyway. Which granted dieting IS sensible.

So yeah this short as you can probably guess by the fact it involves the term “Hey Fat” which was only said by a human being once.. Dick Kinney or Mick Shaffer, the writers of ths short, when one pitched the line to the other and they laughed for some reason and put it in the script. But with that you can wager this short is REALLY outdated> Overating CAN be a problem and fat shaming still exists, but it’s far less tolerated and far less of a thing.

And hell I can tolerate a good natured weight joke, the Critic had some great ones, especially as a fat guy myself... but this isn’t good natured. The entire joke is, as the man said above HE’S FAT.. So as a legit short. it’s deeply unfunny at best, horribly insulting at worst. But as a so bad it’s good short? it’s GOLD. From the whole mirror goofy thing, to the fact fat is seen as a legit insult here or something to just call fat people because that’s what the writers thoguht humans, even in the 50′s talked like it’s just riffably cruel.. though it will obviously depend onthe viewers tolerance for both fat jokes and how creepy the short can be and again as a short it sucks. As something to be mocked for fun.. it’s fat with potential

Father’s Are People (1951)

Hey Kids you wanna see Max and Goofy reenact Problem Child?

Given I did Goof Troop earlier this week and i’m finishing this week with A Goofy Movie, it shouldn’t come as a huge shocker that I wanted to cover the first short with Goofy’s son Juinor, who’d later be remolded into Max.

The short STARTS promising with Goofy having a kid and the hyjinks that comes from having a baby child: Goofy passes out Cigars because Lung Cancer was the preferred way of celebrating having a child in the 50′s, runs himself ragid helping out, which I give the short credit for as “Donald’s Diary” three years later would play a man helping a woman around the house for horror. Here George (Goofy would often go by George Geef in later shorts) pitches in and while he’s clearly exausted he is trying to help with the boy.

It takes a turn though once we jump ahead to a toddler Junior. Seriously a red head named junior... there’s no way that’s a coincidence. Anyways, the problem is unlike problem child, where Junor dosen’t really go after his dad but the assholes around his pushover dad who genuinely deserve it, this Junior goes after Goofy who at wors tis mildly negelectful but clearly loves his boy> He also DOES try to take a brus hto the kid... but it’s hard to be too mad about that as it was acceptable at the time and he dosen’t actually paddle a three year old. It’s like a less horrfying version of donald puttin ga penguin to a shotguns face in that the targeted party dosen’t see the threat and that goofy isn’t some form of sociopath in this short like Donald was there. It’s just not very funny and only worth watching at all for the historical value.

No Smoking! (1951) (Patreon Selection by WeirdKev27)

This is my first of two Patreon selections, my patreon is here if you want to chip in a buck to pick a short for Donald’s birthday next month, by longtime friend and backer of the blog Kev. He suggested this one for the sheer absurdity of Goofy smooking.. and was right on the money> This one is DELGITHFUL.

It works on two levels: it works on the modern level of seeing such an iconic cartoon grapple with trying to quit smoking, first smoknig so constantly a giant cloud appears over him and he has about 80 cigs in his mouth at once, but then trying to quit and being surrounded bycigs before finally DESPERATELY begging for one. As I discovered you really HAVEN’T lived till you’ve heard goofy madly call out “Smoke, smoke gotta have a smoke”.

But while the novelty IS great.. it’s also just a good cartoon. Outside of some blatant racisim at the start, with a native american sterotype introducing smoking to colmbus which feels so wrong to type I need a shower and really puts a damper on the short which after that.. is just really funny. From the smoking through the ages, to the very creative smoking gags it’s just fun.. and it is CLEARLY anti-smoking, showing both the insane amount of cigrte smoker can go through and how mad the addiction can drive you. It’s not bad... though if you can’t stomach the blatant and terrible racisim.. I get that and it’s fair.

Two Gun Goofy (1952)

This is one of two “put Goofy in another setting all together” pieces, both in the same year which tells me they were trying to find new stuff to do for Goofy. Thi sisn’t unheard of in cartoons: Around the same time and before Bugs Bunny went all over the world and thorugh time and space, and Mickey went through the looking glass and had two fantasy shorts, so i’ts not unusual

But what IS neat about these next two shorts is they combined the two goofys: he has his goofy demanor and oblivoiusness from the classic shorts, but still has his deeper, slightly less goofy voice from the everyman shorts and is still treated as an average joe, just one now undertaking genre careers, here a cowboy and next a detective

This short is decent. I’m a sucker for cowboy episodes apparently: either old west style showdowns or having the characters go to a dude ranch or something. So naturally I picked this one and was told Max was in it an dhe is... in a two second cameo when Goofy has a thought bubble after meeting faceless lady.

But this is a really enjoyable picture. not Disne’y sbest but good stuff. It also pairs Goofy with pete which really is a perfect pairing, putting our scowling rotund villian against our skinny well meaning hero. And while i’ts a common gag in a lto of things I do love Goofy accidently beating the shit out of pete as the short finds fun ways to do it. All in all worth a watch.

How to Be a Detective (1952)

This one was a REALLY fun one. Like with westerns i’m a sucker for a good noir parody, even if ironically I haven’t watched much of either genre proper. Add in the fact this is clearly inspiried by Tex Avery’s work and i’m sold on this fun madcap romp with an approraitely more noirsh narrator.

Goofy is naturally a detective and hired by the faceless woman to find “Al” having to contend with both a goon he keeps failing to recognize and The Chief of Police, played by Pete, who keeps telling him “I told ya to stay off the case Goof!”. It’s just the delivery makes it funny any time he says it as does his instance... and the punchline, which I won’t spoil to both that an dthe overaching mystery i sa gem. This one’s on youtube, seek it out, it’s damn fun. Before I go thoguh I also love how Goofy is Given “Goof Balls”. Yes GOOFY GETS DRUGGED and I am here for it

Father’s Day Out (1953)

I couldn’t find any GIF’s for this one, not even one’s in teh same tag that were unrelated so here, have more smoking Goofy. It will never not be funny.

This one is ehhhhhhhhhhhhhhhhhtastic. Goofy is overworked, wnats to rest on his weeknd, and stuff gets in the way. Oh and halfway through he abrubtly has to take Max to the beach. It’s.. not much honestly. It’s like the simpsons if it wasn’t funny.

How To Hook Up Your Home Theater (2007) (Emma Fici Patreon Selection)

You may notice the MASSIVE time jump here. That’s because while Disney still does theatrical shorts nowadays, in part because Pixar’s shorts turned out to be a huge hit, they almost never use the classic cast. This delightful anamoly is one of the few exceptions and was picked by Emma out of sheer curosity. And she picked well this short is fun, feelnig like a big budget version of the House of Mouse How To Shorts I loved so an dhaving a modern yet still ultimatley timeless subject: while the tech featured is missin ga streaming box and 4k, otherwise it really has aged incredibly well and getting all the diffrent modes set up and what not is a hassel we al lcan agree with.

It’s a fun short with lots of good gags and humor as Goofy tries to set up his Home Theater before the big game, and worth a watch. Weirdly not on Disney+ though try explaining that one.

One final note is for whatever reason this was paired up with National Treasure: Book of Secrets.

My BEST GUESS i sthat it appeals to the kinds of dads who’d watch National Traesure: Book of Secrets as well as kids since it’s an adventure film. Though it now makes me want to see Nicholas Cage voice goofy. Get on it Disney. Not forever though, Bill’s a treasure. Just for a gag like Don Cheadle vocing Donald.. oh god put them together.. and then have them do a movie together I don’t think they have and do not know why.

Final Ranking: As a bit of added fun to close this out and as a new feature for these i’m ranking today’s shorts from best to worst How To Be A Detective How To Play Baseball No Smoking Goofy and WIlbur How To Hook Up Your Home Theater Two Gun Goofy The Whoopee Party Mickey’s Revue Tommorow We Diet A Knight for A Day Father’s Are People Father’s Weekend

For the record despite not being a GOOD short Tommorow we diet is at least intresting, hence i’ts ranknig while Father’s weekend is just a boring 50′s version of problem child. Fathers are People at least has some good gags to set it off.

So thank you for reading and if you liked this review give it a like and consider joining my patreon at patreon.com/popculturebuffet. As a patron you’d get access to exclusive reviews, the patreon’s discord and to pick a short each time I do one of these shortstaculars. Donald’s comnig next month and the deadline is in only a few days to join up for said month so the clock is ticking. Even a dollar a month helps me reach my stretch goals so please i fyou can sign up today and if not, I understand and i’ll see you at the next rainbow

#goofy #disney #goofy's birthday #goofy goof #max goof #mrs goof #pete #peg leg pete #peg legged pete #pete pete #pinto colvig #disney shorts #disney plus #disney+

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stinkysam · 4 years ago

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Hey hey. I was wondering if I could ask for some help. My writer's block hit me like a brick, and I wanted to know if you would help me come up with some good ideas.

I have a character list and prompt in mind, and if you could, could you please tell me what comes to mind when you get those characters and prompt.

Characters:: Amajiki Tamaki, Sukuna Ryoumen, and Ukai Keinshin.

Prompt:: Alternate Universe- Mermaids.

If you'd like to do this, please tell me whatever comes to mind, and I'll be sure to tag you once I write out the fic.

I honestly had no ideas and then when i started typying i couldn't stop lmao. hope it helps you somehow ?

s/o is a merperson

Amajiki Tamaki

I don't really think an AU is necessary for that one since either he or reader could have a mermaid quirk. But if you don't want a world with quirk, it could be like him spending a lof times around fishes like in public aquariums, or maybe he works there. And one day he sees something new, a new specie that wasn't there before ? Yet he can't seem to actually see them. Maybe he just didn't recognize the fish or a weird reflection of people around him ? Though he keep seeing it. He vaguely asked his colleagues or guides but no ones knows what's he talking about. He finally manage to fully see the new fish, but it's not actually one : a mermaid.

Sukuna Ryomen

He's a fisherman. He's still a bitch tho. He don't care much about fishes, he just wants to be away from dumb people (aka the whole world) so he fishes and sell what he gets without really caring if it's good or not (some people got sick because he gave them old stuffs). He doesn't care what he catches, if he has to put them back in the water or not. "theyre just fishes, fuck off". One day he catch a big one though. Maybe he should keep it to eat it like a selfish glutton. Or sell it at a high price. indecently high price yeah. except its a mermaid. What the fuck is he supposed to do with that shit ? his first idea is to sell them to get rich. the only reason why he doesn't do it is because somehow that "fish" is not that stupid. Like, the two friends that look like they hate each other, always nagging and challenging and insulting one another.

Ukai Keishin

Basically like in the manga. But one night he sees something in the water by taking the kids to beach training camp. Sure he had a few drinks but not to the point of hallucinating. So next night he comes back and sees the thing again and he's fucking panicking because what the fuck is that ? is it dangerous for the kids ?? throw his sandal at the thing to make it go away except it throw it back at him ???? he goes to apologize when he sees an human form except it wasn't an human. So each night he comes back awkwardly placing stuff in the water as an apology, and if you could avoid killing them, that would be very nice. You throw a fish at him yelling that you get it, he's sorry, can he stop giving you food that you're not even fond of now ? The whole thing feels like a huge fever dream because, hello, he's talking to a mermaid/merman, what the fuck ? Ends up coming here every week-end to see them.

They're the merman

Hamajiki Tamaki

he fucked up. you weren't supposed to see him. and now he's panicking that the whole world knows about mermaids. He's going to be hunt down and he will be studied or fried to be eaten. fuckfuckfuck. Except you knew about him and his kind since a long time. in a panicked state he plans a way to kill you so you can't speak. But you know because you can hear his bones shaking lmao so like, he tries to stab you, but you had replaced the knife by a face plastic one, so you "die". But he panics a little because omg he's a fucking murderer, so you finally speaks, scaring him shitless, but you end up explaining yourself and so does he, and turns out you've been helping him for years on, sending fishes or food his way, making sure people don't go too much where mermaids are.

Sukuna Ryomen

He eats flesh. fish or humans or animals he doesnt care. meat is meat. he's heckig pissed because the water he's in is dirty af. there's floating trash. There's legit a floating fridge. Your plan was to clean the area because c'mon that's discusting. except something grabs your leg and bite you, you have no choice but to throw hands. you survive but you're as pissed as him because a fucking fish bit your ankle ffs. you're still cleaning the water but you're making sure to not even have a single toe touching it. sukuna is near, watching you, ready to drown you if you fall. you have big stick in your hand to bonk him if he goes too close. though he appreciate you cleaning his water, "please don't call it that, its not diapers" he's hungry so on top of that you have to throw fishes at him. maybe one day you spot someone taking a piss in the pond or lake- and let's just say poor soul won't ever piss outside anymore as something darted out of the water to almost rip his dick out and something else knocked the first "thing" away while also kicking him and insulting him for being gross. with that sukuna and you became acquintances.

Ukai Keishin

People knows mermaids and mermen are real. which is good because man gives zero shit about being seen. plus some human stuffs seems really interesting (beach volley). and he kinds of love screaming at hyper kids (hinata, nishinoya, tanaka.....) to scare them as they don't know who's yelling at them. and the human who's often with them is kinda nice to the eye. so he discreetly tries to get your attention without really showing himself. just really cute. okay imagine his wet hair please i would die please thank you sir

#softscummymammon #honestly i love asshole fisherman sukuna #and carnivorous merman sukuna #im imagining keishin as a merman and ffuck *clench fist* hot

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cuntess-carmilla · 4 years ago

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Update: I stopped taking psychiatric medication because they turned out to have only ever been of “help” because I have POTS/dysautonomia and one made my blood pressure rise (Wellbutrin) while the other kept it from going up too high (Lamotrigine).

Now that I’m taking meds that are for what I ACTUALLY do have (POTS/dysautonomia) not only do I not need the psychiatric meds, but they were throwing off everything else. I hate psychiatry so much. Can’t believe I turned out to be one of those people who had their physical illness mistreated as You’re Crazy for years haha. :) With that out of the way...

Some Many of my Opinions™ on psychiatry, as a psychiatrized person myself who does take medication, but hates the institutions of psychiatry and psychology, and thinks a large chunk of it is white pseudo-science:

A good amount of the issues that the psychiatric institution addresses ARE absolutely real and, as a society, people who’re afflicted by them should by all means receive help and support so they can live happier lives. I experience many of them and take medication to help myself, I obviously don’t think the difficult experiences people seek help for are made up.

At the same time, psychiatry and psychology as disciplines ARE made up (like every other discipline), making them not infallible or objective, AND they were built on eugenics, patriarchy, white supremacy and capitalist exploitation.

Those very real issues addressed by psychology/psychiatry aren’t actual literal pathologies. They don’t need to be literal tangible sicknesses in order to matter or be deserving of help and compassion. Your literal brain as a bodily organ is not physically “ill”, at least in most cases. It doesn’t need to be for your problems associated with an “ill mind” to be real and to matter. Remember, these disciplines were created at a time in history in which (white, male) doctors and theorists were obsessed with turning everything into a material, scientifically tangible subject that could be objectively measured with numbers and shit, hopefully medicalized or otherwise turned into “hard science”. That’s where ethnography came from. It’s called positivism, which is extremely dehumanizing, white supremacist and capitalist.

Psychology should be largely considered as much more of a metaphysical or philosophical discipline than as objective science, which is how most people perceive it to be. It’s mostly pure theory about emotions, thoughts, cognition, relationships and subjective experiences + perceptions -- which isn’t necessarily a bad thing on itself. It not being hard science doesn’t immediately delegitimize it. Get rid of the white capitalist idea that only (western, white) science and “objectivity” are real or of value. Actually, holding psychology to the standards of hard science turns it into pseudo-science, so... Yeah. I genuinely think we’d get so much further As A Society™ regarding psychology's potential to aid people who’re suffering if we treated it as more of a metaphysical or philosophical discipline than as some objective scientific truth.

Psychiatrists often are super ignorant of the actual way the medications they prescribe work or affect patients lmao. I had that almost ruin a whole semester at college because a shrink prescribed me meds that in combination she should’ve known would fuck me up. Not that much is known about how the human brain truly works compared to other human organs, you can’t expect psychiatric meds to be well tried and true. The research on psychiatric pharmacy is very lacking + biased in favor of pathologizing and controlling psychiatrized people, besides attempting to make the most profit under capitalism like any other capitalist industry, so of course they’re gonna prescribe you shit. Plus, like doctors of every other field, many psychiatrists arrogantly disregard the experiences, requests, questions and ideas of their patients, who’re the ones taking those meds.

Psychologists/therapists, just like psychiatrists, also disregard the experiences, requests, questions and ideas of their patients.

There’s such a strong element of power imbalance in how psychiatry and psychology function. The more a patient knows formal information about anything related to psychology/psychiatry, the more the shrink can get upset, distrustful and dismissive of them, saying they’re faking it, or telling them “not to do their jobs” when they so often do said jobs like shit anyway lmao no matter how thorough the research and understanding of the patient is.

Psychological and psychiatric diagnoses are just as made up as any other human construct (such as language, race, gender, etc). They’re not tangible realities as if shrinks had ran into a previously unknown objective fact of nature. In the realm of psychology, someone takes a bunch of traits and behaviors that by their observation they consider to be interconnected with one another, put them in the same bag, stick a label to said bag, and ask other psychologists if they agree with the bag being a thing. These considerations are heavily influenced by sociocultural bias. You can’t tell me it isn’t true that they’re made up and very subjective when “diagnoses” such as drapetomania, hysteria, homosexuality, gender identity disorder, etc, have been seriously considered at least by part of the psychiatric establishment of their times as legitimate mental disorders. Hell, some still consider being gay or trans to be mental disorders. Don’t get me started on "Oppositional Defiant Disorder”, that shit’s just evil.

A lot of the ideas spread by the psychiatric-psychological institution are legit pseudo-science that researches try time and time again to prove and end up coming with nothing, or they end up tweaking their own research or conclusions to maintain the established consensus that just so turns out to be very convenient to the people who make and sell psychiatric meds.

Many of the traits, emotions, thoughts, perceptions and behaviors that are pathologized by psychiatry and psychology aren’t inherently harmful. If they don’t make the patient or others suffer by their very nature (as opposed to like, homophobic parents “suffering” because their child is gay or a gay person suffering because of homophobia) then there’s no need to alter them. “Correcting” them is a measure of social control that crushes individuality and only attempts to mold people into obedient ~productive~ servants of capitalism. Much of psychiatric medical treatment (not just the diagnoses and therapies themselves) focuses on turning the patient into less of a social “burden”, than on their actual happiness. That’s why you have ADHD and autistic kids being given meds that turn them into zombies and that's been considered a good thing for DECADES. Like, why does the stimming of an autistic person or an “unusual” attachment to stuffed animals as an autistic adult have to be corrected? WHOMST does that harm? Nobody! But it makes allistics uncomfortable because allistics are fucking stupid and can’t mind their God damned business to save their lives like normal people do.

Even non-pharmaceutical treatments for psychiatrized conditions are or can be turned into measures of social control.

Maybe CBT wasn’t meant to be a tool to control people and shit, but it can be misused as such SO easily! It can go from being therapy to help individuals process inner pain and redirect harmful behaviors in positive ways, to being turned into training someone to react, feel and process abuse and oppression in ways that are convenient to the status quo.

Don’t get me fucking started on ABA as an inherently oppressive, abusive “treatment” for a psychiatrized condition that does nothing to actually better the lives of autistic people, instead punishing autistic traits, teaching autistic people to painfully repress said traits and ignore their needs, and seeking to appease allistics by prioritizing their convenience and subjective comfort.

Behaviors, emotions, perceptions or traits that on a man or white person would be considered a non-issue or given much more compassionate/less stigmatized diagnoses, are pathologized or given much more stigmatized diagnoses when it comes to female or racialized patients, which reaffirms psychiatry and psychology as subjective tools of social control.

While many of the traits, emotions, perceptions and behaviors of what are considered personality disorders are painful, harmful and real (and thus should be helped, with consent, not hammered down), literal personalities aren’t “ill”. They’re personalities. Pathologizing or medicalizing a fucking personality on itself is ridiculous. It is possible to address those problematic traits/behaviors/etc without saying that a fucking personality is “ill”. So much for “you’re not your disorder”.

What shrinks will deem as hallucinations or delusions can be subjective, and it definitely can be deemed as such out of white-centric cultural bias. Plenty of non-white cultures have considered different perceptions of reality as valid and worthy of respect for centuries, at times related to their sense of spirituality. Not to mention how psychiatry has deemed the real anxieties of oppressed people that they’re being followed, spied on, plotted against and all that, as hallucinations or delusions in order to discredit them.

Many patients are given medication to try to alleviate traits/behaviors/emotions that come from circumstance (poverty, ongoing abuse, trauma, oppression...) instead of addressing the root problems. While I 100% understand using medication as a palliative measure because, bitch, you can’t always fix those problems and you still have a life to live (the same way I take clotiazepam when the insensitivity of the allistics around me causes me sensory overload), this puts the burden of the person’s situation on their own body, as if their body was the essential source of a suffering that comes from outside forces they’re not responsible or in control of. This should ideally be addressed through material change in realities that can be individual (removing the person from an abusive situation, giving economic aid, giving proper treatment to an untreated chronic illness) or social (abolishing white supremacy, the patriarchy, capitalism, etc).

So many times when palliative medical treatments for suffering that comes from circumstances don’t work (BECAUSE THE PATIENT IS STILL TRAPPED IN SAID CIRCUMSTANCES, HELLO?) it’s blamed on a supposed defect of the patient’s body/brain rather than, like... You can give me as many anti-depressants as you want but I’m still gonna be miserable if I’m being abused or suffering from unending physical chronic pain lol. And then, instead of at least having the decency of recognizing the real source of the problem if your shrink can’t realistically fix it, they keep trying more and more different meds on you like you’re a fucking lab rat, keeping on blaming a made up defect you were “born” with. Imagine what that does to a person’s self-image! At least when I loathe my body for the chronic pain, chronic fatigue and more that my chronic illnesses give me, it IS actually true that it’s my body that has a defect that can’t be cured. Why convince a person in suffering due to anything, but especially when it’s due to outside conditions out of their control and your job is fucking supposed to be to help them be happier, that their pain refuses to respond to treatment because their BRAIN is so terribly defective? I don’t wish the hatred I hold for my objectively shitty body on anyone, and causing that to someone when it’s not even true...? Incredible.

Lots of genuine difficulties associated with psychiatric diagnoses are much better helped through accessibility and material considerations, or at least through teaching the patient pragmatic methods to better deal with those, than through pills. But guess what solution shrinks usually give you. Hint: it’s easier for them and they can charge you for it monthly.

Society™ medicalized emotions, bro... WE MEDICALIZED FEELINGS!!! WHAT THE FUCK!!

#antipsych

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nodesiretogrowup · 5 years ago

Text

alright, round 2

Quack Pack!:

Damn, they just throw you into the sitcom. I love it. All the overacting and over the top poses/reactions are great

Dewey’s entrance is great

Is the bear the one from the last episode?

“I’ve shenaned-once, I’ll shenan-again” BEAUTIFUL

And then he just one-legged hops up the stairs backwards

I liked the Della and Louie are both wearing green. It’s a cute thing to tie them together

ON THE MOOOOOOOOON

Louie totally did this scheme with Dewey in Della’s place at some point

The fact that Scrooge stops to entertain the idea is great

“We’ve got about...30 mins” I love when shows make allusions to the actual runtime

Beakley and Webby had the BEST ENTRANCE! They must have seen the Lady Gaga halftime show

That dangerous agent stuff is probably gonna come back. Next week is the spy episode so...

“I’m not a spy” I wonder how that worked in the plot of the fake show. Did Beakley do spy stuff? It just doesn’t make sense for a sitcom

From the get-go Huey could tell things were off

WHY DID DONALD HAVE TO MAKE SUCH A SEXY FACE AT THE CAMERA?! I DON’T WANT TO HAVE A CRUSH ON DONALD! CURSE THE DT CREW FOR MAKING DONALD HOT! AND THE SEXY VOICE!

I wish they had just used the Quack Pack intro for the theme this episode

I want Launchpad’s band to somehow exist. I liked the girl’s design a lot

INTRODUCING DELLA!

“QUACK PACK WAS TAPED IN FRONT OF A LIVE STUDIO AUDIENCE.” Oh 90s sitcoms

When you rewatch the episode you can see they foreshadowed the twist. Donald looks directly into the camera an awful lot for someone that doesn’t know there even is a camera

Knox Quackington? Even for a show full of punny names, that is a ridiculous name

His outfit looks more “ace reporter” than “eccentric photographer”

“He’s a spy” Do you think Gene was trying to pretend to be a spy for the wacky misunderstanding of the episode in-universe or he just didn’t know how photographers act?

“YOU’RE SO SMALL! But so STRONG!” Webby has probably killed a man

The screen wipes are GREAT, though that feels more like an anime thing than sitcom. Sitcom scene wipes usually were establishing shots of the house they live in or the city. I’ve watched far too much tv

Louie’s lie speil was great and solid logic

“Time is money, kids, and I’d rather spend time because it’s not money” Inspirational

Donald sure cares a lot about the lighting. How would he know the office had the best lighting, hmmmmm

Something about that hand movement makes me think 90s but I’m not sure why

Dewey doing the dance that the triplets do in Mr. Duck Steps Out is cute

The blank pages made me think about how people can’t read in their dreams

“On the moon we had this old saying-always check your pockets” To be fair, that is good advice

Poor Huey just CAN’T catch a break! First he hallucinates a talking guidebook (THAT BURNS TO DEATH AND COMES BACK AS A GHOST) now reality is SHATTERING BEFORE HIM. Yeah...this season’s gonna do a number on this kid. Hopefully he gets a break next week

“Since when are YOU a hairstylist?” “SINCE THE INTERNET” Now THAT is a quarantine MOOD right there

So we learn later that SHABOOEY is Gene’s catchphrase, is Dewey saying it because he’s being controlled by Gene in that moment?

Donald looks into the camera again

SOMEONE HELP THIS CHILD! HIS WORLD IS SPINNING OUT OF CONTROL

THE FUCKING PEP COMMERCIAL! GOD IT WAS SO 90S AND BEAUTIFUL!! I NEED THE SONG TO BE RELEASED!

Maybe because it was a soda ad in a Disney Afternoon-based show, but the commercial made me think of Coo-Coo Cola from Rescue Rangers

Ducktales-the ONLY Disney show with an in-universe “and you’re watching Disney Channel”

I love Huey dearly but....it’s really fun watching him MCFRICKIN LOSE IT

Dewey can’t throw...because he’s a theatre kid

Donald looks at the camera again

Louie’s wipe DEFINITELY looks like something out of an anime. Is Louie secretly a weeb? I mean he is in a different show

Gene doing his best not to break character. A true thespian through and through

“Yo” *all the ladies cheer*

All of the sudden BAM Launchpad has a band. Is he the Uncle Jesse?

I love that we don’t get to hear them play

“Trapped in a mystical prison that’s constantly laughing at us” I call that my brain :’)

“WHO ARE THOSE LITTLE GUYS?”

“I figured if anyone would crack, it’d be Dewey” Huey seems WAY more likely to snap imho

“But that was from soul-crushing loneliness” Della, you wanna talk about that? With a professional perhaps?

“We need some wacky hijinks!”

“HOW DID I GET HERE? WHY AM I DANCING?” Huey gets SO MANY great lines this episode

And once again we have Donald looking directly into the camera

“Cute girl stuff” Della probably went around with a meat tenderizer as a kid, so it’s normal

Goofy seemed to be aware of the cheering. HMMMMMMM

AAAAAAAAAAAAND.....GOOF TROOP POSE

I’ve been calling DT17 Goofy Chibi Goofy because of how short he is compared to how he normally looks. They probably made him shorter so he and Donald fit in a single frame easier. I know a lot of the boarders/animators for the show have a hard time doing scenes with Launchpad and the kids because of how MASSIVE he is compared to the kids

Goofy knew something was different about Donald. HMMMMMMM

The way Don delivers the line “You CAN help” has a weird inflection, at least to me

I want Goofy thinking to become a meme and people put random sounds over it like those are Goofy’s thoughts

That face-slap was loud

AND DONALD LOOKS INTO THE CAMERA LIKE HE’S ON THE OFFICE

Where was Dewey that whole time? He kind of just...disappears for a bit

Oh Launchpad, you MAJESTIC himbo. And Gene smiles, too cute

“Getting the lid off that peanut butter jar was an adventure” In that household it probably could have

Donald using Louie and Della’s names when he could have just said you broke your mom’s vase or something like that

You look pretty nervous there, Donny-boy

“I don’t mean the last episode” Good, because you kinda lost your mind in the last episode

Wow, flashbacking is TRIPPY

“EVERYONE, TILT YOUR HEAD TO THE LEFT THEN SCRATCH YOUR CHIN” So that’s how you do it

“We should really get back to the plot, I mean problem”

Why don’t you want to flashback, DONALD?

lol Goofy does it too even though he wasn’t present for that event

Gene’s just blankly staring in the background

“REMINISCE HARDER” What you tell yourself as you take a test and are trying to remember what you studied

Yay, the journal is brought up!

“How many lamps did this jerk have?” Excellent question

Webby looks INSANE and Huey FULLY SUPPORTS HER

DONALD HAS PTSD AND NEEDS HELP

I feel like Gene took some MAJOR liberties with Donald’s wish. When I think normal family problems I don’t think of sitcoms. In fact that is the FURTHEST THING from what I think of as normal. Then again Gene is played by Urkel, so that might be his normal

Speaking of, does Gene know that they are all ALREADY in a tv show? How far does this rabbit hole go?

“EVERYONE STOP CATCHPHRASING!” “Is ‘I’m not a spy’ seriously my catchphrase?” You deserve better, Beakley

Of COURSE Dewey’s cool with it...because he’s a theatre kid

DEAR LORD, SOMEONE HELP THIS MAN!

Gene just trying to sneak out. I don’t think he wanted to deal with all that family drama

“HOW MANY MORE SECRETS DOES THIS AGENT HAVE?!” Oh Launchpad. Next week you’ll learn all about secrets and agents and secret agents

Gene feels like what would happen if all of Genie’s pop culture references were limited to the 90s. I LOVE IT

“AGES! The long ago year of 1990!” Well I feel old (born in 91). His eyes after he says it are just AMAZING

Gene being so knowledgeable about what makes great tv is hilarious. Clearly he should have directed the Darkwing movie lol

Seriously though, this really gives us a good look at Donald’s psyche. The guy just wants his family to be safe. But it’s even deeper than that. He wants to be normal, which includes him having a voice that’s easier for people to understand. He’s got a lot of baggage and trauma that needs to be dealt with, mainly how he views himself. Like, fuck

The HURT you see in Della’s eyes when Donald talks about why he likes it there BROKE ME

Huey’s line about adventuring being who they are got me teary eyed

Goofy just shrugs as he walks out

Of course Launchpad was gonna get the multiple dates plot. We’re ALL thirsty for some Launchpad

“Probably at least 3 seasons, plus spinoffs, and I assume they’ll reboot the show eventually.” Lines like this make me think Gene is very aware he is in a tv show

WHY THE FUCK WERE THE AUDIENCE HUMANS?! IS GENE AWARE THAT HUMANS EXIST AND ARE WATCHING THE VERY SHOW HE’S ON?! WHAT IS REAL ANYMORE?!

“HORRIBLE, FLESH-FACED MONSTERS!” Not gonna argue with that

Dewey is SUCH a drama queen

I don’t like how Scrooge called Gene genie. He told you his name, there’s no need to be rude

POGS

Ok the study date girl kinda reminds me of Laura from Family Matters, but that might just be because Urkel is there lol

How old is Launchpad supposed to BE in the sitcom? I don’t think a 30-something is going on many study dates

“You all seem real nice, I feel bad about the mix-up” LAUNCHPAD YOU BEAUTIFUL HIMBO

OH GOD THE LAURA DUCK IN THE BACKGROUND. JESUS

Beakley and Della telling the dates to find themselves and to be independent SLAYED ME. I was NOT expecting that!

“AH, MY PET SNAKE!” “Louie why would you have this?” “THIS IS A POORLY CONCEIVED STORYLINE!” “Eh, everyone’s a critic.” Louie’s right though, DEWEY would be the one with an exotic pet. Or any pet

Tiny Johnny and Randy

WHY ARE THE HUMAN KIDS’ PROPORTIONS SO MUCH WORSE THAN THE ADULTS?! THEY HAVE GIANT FUCKING HEADS!

PUT SOME PEP IN YOUR STEP

The ENTIRE SCENE of Goofy and Donald together was SO HEARTWARMING and something we could NEVER GET before this series! Having Donald and Goofy talk about being parents is WONDERFUL! It’s something we’ve never seen before with these characters. Donald just wants to be normal and Goofy giving a beautiful speech about how there really is no normal so enjoy the candid moments in life. I LEGIT CRIED

OF COURSE Goofy would have the wallet overflowing with pictures, he is THAT DAD. Seeing Max was great. I thought we might see PJ but I SQUEE’D when they showed the picture of Max and Roxanne! I hope they show up for real later on

We get a hint at the OTHER twist here with Goofy actively encouraging Donald to put things back to normal while everyone else that aren’t the Duck family are trying to keep them there

Also, Goofy’s ears have bones

DON’T MESS WITH DONALD’S FAMILY. It will NOT end well for you

Goofy just starts snapping pics, like the true photographer he is

SAX TIME

“LET’S GET QUACKING” It’s no “I AM THE STORM” but still good

AVENGERS CAMERA SPIN

“A lamp in a lamp?” I can’t tell if that is BRILLIANT or lazy. Or BRILLIANTLY LAZY

“YA HA HA HOOOOWIIIIIEEEEE” It wouldn’t be a proper Goofy cameo without the yell

The scorpions got bored and left

“The sound of no one laughing never sounded SO GOOD”

“BEST EPISODE EVER!” Definitely in my top 5

“Gawrsh, that’s sweet.” *does a cute wave* “Wait, Goofy was really here this whole time?”

Ok, but where was Goofy before then? Did Gene poof him away from something important? I WANT ANSWERS!

I bet they had this bit so people wouldn’t freakout like they did with Darkwing

I love Launchpad just being confused and waving at Goofy. He’s never met the dude before so it’s understandable. But I NEED they to have a proper interaction. THING OF THE PROPERTY DAMAGE!

“Magic’s got NOTHIN’ on a big name guest star” YOU KNOW YOU’RE IN A SHOW!

Lowkey want that Goofy lava lamp

The little Maxes flying over Goofy’s head...ADORABLE

PLEASE TELL ME THEY GOT GOOFY HOME SAFE

Donald using his last wish on the picture made me tear up. He could have had ANYTHING. He could have wished for a normal voice. But he used it for a family memory

Donald and Beakley both looked into the camera for the picture. WHILE FIGHTING DEMON HUMANS.

I can’t lie, THIS was the episode I was most excited for even before we got the premiere date. I was excited for the 90s cheesiness. Then we found out Goofy was gonna be in it and I got even more excited. Goofy is one of my faves, especially Dad Goofy. I was expecting it to be balls-to-the-wall insanity nonstop but they got me in the feels too. I want more of this Goofy and Donald. The two of them being single parents who lost someone close to them. Like I said earlier, this episode is in my top 5 for sure.

#ducktales #goof troop #dt spoilers

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mittensmorgul · 6 years ago

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Thought: Half of why John is more accepting in 14x13 than most of us would expect based on his past behavior is because John kinda thinks it's a dream. The other half is because he is just a better person when Mary is around. See the "John would have hated John" posts re 5x13.

I’m gonna use this opportunity to point out a few things about the episode that I think a lot of people may have missed, because it goes a very long way toward understanding John’s reaction here:

2003 John, who from the way he showed up in the bunker, armed and apparently mid-fight... I can’t even imagine the shock of suddenly finding oneself supposedly sixteen years in the future, you know? And that’s just the tip of the iceberg.

From Donna’s cabin, where Mary was before they called her back to the bunker, it would’ve been approximately a 12 hour drive. Sam and Dean had TWELVE HOURS or so to talk with John before we rejoin them in the kitchen just before Mary shows up. Because heck, they had SIXTEEN YEARS worth of stuff to catch him up on, you know?

First off, he had to be so shaken when he arrived. He might’ve been thinking he get clobbered in the fight he’d thought he was in and was this all a hallucination or a dream? Or was he actually killed, and this was heaven or something? Who even knows what he could’ve been thinking at first, but he seemed to pretty quickly accept that it was real.

This is where one of the lessons the show has been encouraging us to learn really comes in useful. That being, STUFF HAPPENS OFFSCREEN and the show has encouraged us to accept the fact that what happens offscreen actually counts. So we have to assume that in the hours upon hours they talked with John, they laid out the vast majority of stuff that’s happened in the last decade and a half.

Some of it would probably be pretty difficult to hear, like the fact John didn’t survive to get revenge on Azazel (heck, 2003 him might not even know he was legit getting CLOSE even), but that Sam and Dean DO. How difficult would it be to tell this version of John that Dean sold his soul to save Sam, that he spent 40 years in Hell and was rescued by an angel, to tell them about how angels and demons were manipulating them all for decades to start the apocalypse?

Or that Sam let himself be possessed by Lucifer to stop the apocalypse, pulling both Lucifer and Michael into a cage in Hell to save the world? Like... this is still just the tip of the iceberg here... There’s still Raphael and the second attempt at the apocalypse, Soulless!Sam, Dean’s year in the suburbs, Purgatory, Leviathans, how they’ve befriended angels and demons and monsters oh my... oh, and God. Who also wrote a series of novels about their lives that are technically one of the gospels now... all the way up to how Dean earned a gift from God’s sister, the primordial darkness herself... that Mary has been resurrected...

Plus all that stuff about time travel and alternate universes they’ve experienced.

And for John, personally, the story of how they discovered the bunker in the first place, when the father John had always thought abandoned him as a child had actually traveled into the future, saved Sam’s life, and was killed by the demon Abaddon in the process. I mean THAT RIGHT THERE had to be a horrific shocker to learn, you know?

For JOHN, that’s possibly the most life-alteringly earth-shattering thing they could’ve told him, you know? Just to have an ANSWER to that question that had plagued him since HE was four years old and his dad disappeared off the face of the earth. Not to mention learning that he should’ve been a MoL legacy himself, and that if his father hadn’t been hunted through time by a Knight of Hell, John would’ve grown up “in the life” of monsters and magic himself... Kinda an eye opener, you know?

Oh, and learning that their family was a bloodline going all the way back to Cain and Abel (yes, that Cain and Abel, and by the way Dean killed Cain that one time), and that their family was part of a much larger cosmic plot to bring on the apocalypse in the first place, and Azazel-- John’s lifelong obsession-- was only the first step in all of that and a whole bunch of worse stuff happened after.

Oh, plus, Dean killed Hitler.

They’ve met Samuel Colt, Eliot Ness, Dean was on a sub during WW2 for a day or so, and traveled back to 1973 and 1978 and met with John both times (oh, and Dean was the dude who talked John into buying the Impala when he’d intended to buy a stupid VW van).

And this is STILL only scraping the tip of the iceberg here... They talked for TWELVE. HOURS. or so...

Sam and Dean have had some shockingly full lives, you know? It’s not even a surprise to me that after all that, after seeing the evidence of his sons’ lives laid out like that for him-- the good, the bad, the cosmic and the mundane-- (GOD! HIMSELF! MADE THEM PANCAKES! RIGHT OVER THERE!) that John’s only possible reaction would be to understand just how far his children went after his death.

In the wake of learning all of that, what they went through pre-2005 is just kinda... overshadowed, you know? Almost unreal itself.

But yeah, because of all of this ^^, and then the absolute SHOCK of seeing Mary again after all this time, after spending the majority of his adult life seeking revenge and justice for her death, and the long and painful search for the truth that kinda wrecked ALL their lives, to see her again alive and happy and whole... well, heck... everything else kinda pales to that. The literal horror show he and Sam and Dean endured (even the bits that were blatantly his fault) just... they’re suddenly worth it all, just for that moment, you know?

In a weird way, in that moment John had the burden of suffering with Mary’s death lifted off of him, and he could stand there in the perspective of that more innocent John from 1978 who’d unwittingly judged his own future actions so harshly. For one night, he got to step through to the other side of all that trauma and look back on it from a point where he and his family had finally WON. Where they’d emerged from it and built a life for themselves that he might never be able to understand, but he can appreciate it.

Even in 1.21, he told Sam that his goal was to finally be able to walk away from their mission when it was done, for Sam to be able to go back to school, for Dean to have a normal life, for him to finally be able to rest thinking he’d been able to serve Justice on Mary’s behalf. John himself didn’t even plan to continue hunting out beyond killing the demon who killed Mary, you know? I’m not sure he even had considered a future at all for himself out beyond that singular life goal. Because that’s what living for revenge does to a person.

But this also offered him the fresh perspective that of course there wasn’t really an end to hunting, and that Azazel wasn’t the Final Boss they’d needed to defeat. And he’d have some small notion of just how awful the burden he’d left Sam and Dean with all those years ago-- which THIS John is still THREE YEARS AWAY FROM DUMPING ON THEM.

Ow, time travel.

Granted, the episode didn’t try to explain or defend any of this to the audience, because it should never HAVE to... Can you even imagine how much of a mess of an episode that would’ve been if they’d even tried? Because the story of this episode was being told on multiple levels:

they didn’t try to overwhelm the GA with all of this heaviness, because the GA wouldn’t even care. The GENERAL notion of Sam and Dean’s lives to this point and their emotional states in canon during s14 would be enough of an explanation (trust me that the GA doesn’t have Strong Feelings about John the way Fandom does)

this was also the big PR push episode this season, and a lot of JDM folks likely tuned in just for him while having only a tangential knowledge of SPN canon to go on... introducing 14 seasons worth of emotional turmoil for their sake is kinda... pointless...

They assumed that people in the fandom who ARE invested in these characters emotionally would actually understand all of this already without needed to be spoon-fed all of this again

Because that’s how writing works. The writers have to trust that the audience is actually engaging with the story and possesses critical thinking skills.

I think some of the disconnect here was that we each went into this episode with our own personal baggage attached, with our own feelings about how WE might personally react if we were in Sam and Dean’s positions here. And if Sam and Dean didn’t react the way we hoped they would, whether it be via expressing anger at John over how he raised them, or just yelling about any or all of the above, then it was OUR job as the Thinking Audience to ask WHY, and to consider the past fourteen years of canon in coming to a clearer understanding of Sam and Dean themselves.

I wrote something the other day (yesterday? maybe... hang on... http://mittensmorgul.tumblr.com/post/182723615495/rosewhipped22-so-i-havent-rewatched-lebanon-yet) about Dean’s wish that the pearl granted, because he HAS been thinking about his entire life-- including the baggage he’s been trying to lay down all season exemplified in his conversation with Sasha about her father in 14.05. And I think this episode nailed that aspect of Dean’s personal growth, by bringing John back the way they did and specifically NOT making it about anger or bitterness, but about finally being accepting of HIMSELF and of the entirety of his own life, setting down all the shit he can’t change while also acknowledging that he wouldn’t change any of it if it meant it wouldn’t bring him to this current point in his life. And that is HUGE. That is GROWTH and MATURITY.

Because this episode wasn’t really about John at all, but about Sam and Dean (and even Mary) finally getting to lay John’s memory to rest so they can move forward without dragging his ghost along in their wake.

#spn 300 #spn s14 spoilers #spn 14.13 #the ghost of john winchester #Anonymous

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trumpetnista · 6 years ago

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CMW2/Trumpetnista: Not You, Too

Summary from FFN: CANON COMPLIANT AU WITH HEAVY SPOILERS FOR THE END OF SEASON 4 AND THE FIRST EPS OF 5. POSSIBLY A FUTURE FIC; Gotham breaks all the rules all the time, especially now. Thankfully, the one about cats having 9 lives? That still holds. Bruce thinks Selina is dead. Everyone does until she walks into the GCPD the next morning.;Rated for language and imagery;1st in my 2019 SSS Project

Words from the Hooded GOTHAMITE: As I said last time, what keeps me watching GOTHAM (other than the awesome writing, dope ass cast, and the lovely fandom...) are Bruce Wayne and Selina Kyle. They hooked me like a fish and I fell in love with the rest of the show in the process. Season 5 has been excellent as always yet bittersweet. It’s supposed to be the last one (I hope not. I hope the show gets picked up or we get a movie or something! It can’t be over yet! Come on!) and I have a feeling that B and Grumpy Cat aren’t gonna be together in the endgame. Not outright, anyways. I don’t think they’ll be enemies but together? As in Helena Wayne showing up levels of together? Nah.

That’s what fanfic is for. There is a follow up to Positive planned, BTW.

Anyway, this one is another canon complaint AU set in the current season. All you really need to know is that The Eviler Evil Valeska Twin shot our girl, she was paralyzed and now she’s not thanks to Ivy Pepper Version 3’s reluctant help, and Gotham is now divided up into Zones, most of them insane and wild and chock full of yikes. Oh, and Bruce loves Selina but that’s always been pretty fucking obvious. LOL! Enjoy the latest.

Disclaimer: “Honestly, it’s not mine!”

"What's up, 5-0? Beautiful day, isn't it? The sky is smoggy blue and the birds are singing..."

He was hallucinating.

He had to be.

There was no way that what he was hearing was possible.

No matter how much he ached to, there was no way that he was hearing Selina Kyle's voice.

She was dead. Truly dead. She had gone on one of what she called her "shopping trips" for The Haven and Jeremiah Valeska had finished what he had started that horrible night in the Study. He and his demented girlfriend had trapped her in a warehouse, knocked her out, and blown her up. Not only had they done it, Jeremiah had turned himself in, battered but proud. He claimed that it had been for the best. Selina was nothing but street trash. She was his downfall and utterly unacceptable as a companion for him. Gotham needed its Dark Knight to be with someone who truly understood what reality was. Someone like...

Bruce Wayne hadn't let him finish. Before anyone could stop him, he had picked up a chair and gone after him, much to the shrieking horror of Ecco. It had taken several officers and someone, likely Alfred Pennyworth, sedating him to make him stop. He had woken up in Jim Gordon's office and had stayed on the couch. He didn't want to see anyone. Nobody knew what to say to him. Everyone knew how much Selina meant to him. That was why she had been targeted twice.

Bruce had managed to help her. He had gone straight into the belly of Ivy Pepper's foliage covered beast to get the root to fix her severed spine. Selina had gotten back on her feet immediately and hit the ground running. Shocking everyone, she had opted to wait to get her revenge against Valeska. She was going to play the long game. Valeska wasn't going anywhere. He was just as trapped as everyone else, thanks to the bridges being gone and the Travel Ban.

When asked why, she had sadly explained that Tabitha Galavan, her Mentor turned Sister, had been impatient for revenge and it had taken her life. She had allowed anger and hurt to cloud her judgement. She had dropped her guard and Oswald Cobblepot had promptly murdered her. Bruce had seen it happen. It had been expected. After all, both Galavan siblings had done great harm to the man but hearing Barbara Kean's devastated rage? Knowing that Selina would have to mourn her? It had hurt deeply. It was all a goddamned waste.

Instead of seeking out Valeska or his followers, Selina had opted to use her skills as a thief to help The Haven and its refugees. She would pick a small gang's turf within a Zone, typically Penguin's, and go in for 12-36 hours. She would bring back people, ammunition, medicine, and meaningful things like blankets or feminine hygiene products. She had quickly gained a reputation for being utterly ruthless to any who tried to stop her, which had concerned him greatly. Ivy had warned him that the root would not only fix her spine but amplify the darker aspects of her personality. Bruce had tried to reel her in, leading to several arguments, and eventually, they had reached a stalemate.

She would do what she liked. He would stay out her way or at least keep his judgement to himself while he helped her. Gotham was a madhouse. It always had been but now? It was a free for all. It was survival of the fittest and she would be damned if she let someone who crossed her walk away. She had made that mistake in the past and it had cost her dearly. She had been screwed over one too many times. It would not be happening again. If there was a Hell, she was already going to it so what did it matter, anyways? Self defense wasn't murder, neither was saving people's asses.

Plus, she didn't know about him but she was in no mood to deal with the same group of psychos 10 years from now. She wanted to deal with new psychos.

But, now she wouldn't because she was dead and gone. She was as dead and gone as his parents.

His Selina was gone and Bruce would never see her again, not in this life.

But, the hallucination...she wasn't...she couldn't be...

Could she? Please?

Her mane of golden chestnut curls wasn't singed and pulled up into a messy bun. She wasn't standing in the 12th precinct's main entryway. She wasn't wheezing softly from a partially blocked nose. Her tactical suit wasn't unzipped to reveal a stained gray sports bra and bruised torso. She wasn't looking at the stunned occupants of the room with her usual dismissive amusement, even with a black eye. She wasn't limping and her whip wasn't wrapped around her bruised shoulder like a coil of wire as she drank straight from a bottle of what appeared to be Everclear.

She couldn't be...could she? Was it possible? She couldn't...why was the room spinning? Why was his chest hurting? Bruce stood in the office, speechless and shaking, watching as the Selina hallucination sat on the receptionist desk. It was so real...

"What's the matter? You guys never seen a 7 lives having bitch before?"

"My God..."

"Jesus Christ, Gordon! Get the hell off of me! You, too, Alfred! Bad touch!"

The hallucination looked like her. It definitely sounded like her but it couldn't...she wasn't...but Jim was smiling at it. Alfred was too. Both were still hugging the hallucination and Harvey Bullock had taken its bottle of liquor away, taking a deep swig. She snatched it back from him and shot him a lethal look, making him grin.

"Buzz off, gumshoe. This is mine. I earned it. Plus, it's the closest thing we've got to morphine, which I kinda need right now. I need some morphine, a shower, a nap, maybe take a crap before all of that..."

"Kid, we all thought you were done for. Valeska and his crazy Terminator bitch said you were."

"I'm not a kid. Yeah, I definitely got shanghaied by those goddamned freaks and it sucked but their bomb didn't kill me like they wanted it to. It just made me fly away, which was totally fun until I landed face, ribs, and tits first into the side of a delivery truck. Don't do that, by the way. It hurts. I managed to get it started and it has some good stuff in there. Ammo, some cases of water, and those military TV dinner things and I think there might be meds. I'm not sure. Speaking of meds, I'm still looking for Lee. She was the best, bravest doctor in the city and if I can find her, you can get The Narrows under control real easy. Everybody loved her because she legit gave a shit so they're looking for her. There's a big T.P. and blankets reward for anyone who finds her. She might be across the river, I dunno. Maybe someone could swim over through the subways to go check and to ask for help in person since using the radio obviously doesn't goddamned work..."

"It's too dangerous. The damage from the bridges blocked or flooded the tunnels."

"Dammit. You can't rig something up, Foxy? You're like the better version of that tech dude from the James Bonds movies. The hell's his name again? X? Y?"

"Q."

"Right...whatever. Where's Bruce?"

"Selina..."

"Where. Is. Bruce? Alfred, where is he? Did he...where the hell is he?! What happened?!"

"Valeska showed up here gloating and he snapped. He took a chair to him and...he was in Cap's office but..."

"Get out of my way. Now."

"Selina, I know you're worried but..."

"Harper, I really like you but if you don't get the fuck out of my way, I swear to God, I'll..."

Bruce stepped out of the office and all eyes went to him. All he could see was Selina. He was still shaking and breathing was getting more difficult by the second but he couldn't look away. He didn't even want to blink because then, she would disappear and...

"Oh, no."

As soon as she touched him, reality hit him all at once.

She was real.

She was alive!

"Bruce. Bruce? Come on, baby, look at me...you need to breathe...look at me!"

His first instinct was to obey her and he did just that. His Selina wanted him to breathe. She wanted him to look at her and he was going to. He was going to do any and everything she asked.

Baby? That was new. Selina usually called him B or by his full name. Either that or she called him a douchebag or something else along those lines but fondly. Never a pet name. She had always cringed at pet names and other conventional romantic relationship things like them. But, she was alive. She was alive. She was battered and bruised and didn't smell very good but she was alive. Selina was alive! She wasn't gone. Jeremiah hadn't taken her away from him. Gotham hadn't stolen her away from him. He hadn't lost her. She was alive. She was right in front of him. He wasn't dreaming. He wasn't hallucinating.

"Selina?"

"Hey, Bruce."

"You're alive."

"Barely."

"...y-you're alive?"

"Yeah, I'm alive. I'm right in of- ow!"

Bruce knew that he would have to do some serious groveling later but he didn't care. He hauled Selina flush against him and squeezed as hard as he could, uncaring of her injuries. The noises escaping him could be called crying or maybe screaming, he wasn't sure. As if let loose from a puppeteer's strings, he slumped against the wall and surprising him, Selina wasn't fighting him.

She was holding onto him just as tightly. She was crying like she had after her failed suicide attempt and he loosened his grip enough for her to look up at him. She had to look up at him, now. She had to stand on her tiptoes to give him a proper kiss when they were standing. He remembered when she was taller than him. He remembered when they first met. Every memory he had with her, good and bad, was running through his mind at warp speed.

Cupping his face, she kissed him deeply and he responded immediately, mindful of her cut lip. His second hug was much gentler and he smiled at a beaming Alfred, a crying and grinning Jim. They loved her just as much as he did. They were her family, along with Barbara Kean, and...

"As soon as the Travel Ban lifts, I'm going on vacation and I'm taking you with me. I don't give a shit about your Mission or whatever the hell you call it. We're going someplace warm where we can get falling down fucked up drunk legally and I can have my tits out."

Bruce tried to laugh but he kept sobbing, drinking her in greedily. She was alive. His best friend, his heart, his Selina was alive! She wanted to go someplace warm? Done. She wanted him with her? Done. Whatever she wanted, whatever she needed, he would do it. Even if (when) it compromised his moral compass, he would do it anyway because Selina Kyle was alive. She was alive and he wasn't going to question how. Okay, he would because that was how he was. He always wanted answers but the universe had granted him a most precious gift and...

"...not you, too?"

His voice was small and the smile, the look she gave him was the softest he had ever seen.

"Not me, too. Not today. Not ever. You're stuck with me, Bruce Wayne. Get used to it."

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roughentumble · 8 years ago

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so i finally got to finish white rabbit and it was Bad. its bad film scoob

to get more detailed, and possibly i just wasn’t paying close enough attention to this first point, but, it’s something so basic that it should be pretty clear to the audience unless you’re messing with it on purpose, the timeline is absolutely confusing as heck. how long did harlon and julie know each other? i have NO IDEA. i legit am convinced it was only 2 days. i just can’t.... possibly conceive of it being any other increment of time? but also that still doesn’t make sense to me because things escalate So Damn Quickly. his bully bullied him literally right before summer, then summer ends and he insists he’s Changed and that all that stuff In The Past is something he’s improved about himself now that he’s Matured?????? wHat???? also there’s something very abrupt about the film’s timeline. we see one or two scenes with harlon as a child, then only scenes of him in a very specific summer in a very specific year(i.e. the year that he either violently shoots up his school, or dreams about violently shooting up his school, more on that later tho) which isn’t INHERENTLY bad, but... you didn’t get this... the film is striving to explain how things build up and build up and build up inside a person, why things go so wrong, and why we have school shootings(or at least, ONE explanation why some kids engage in school shootings) but you don’t GET a sense of things being built up. the whole film felt like a bunch of choppy scenes spliced together

and it didn’t really...... harlon’s hallucinations felt like such a small PART of the film, they were SO scattered and didn’t really. i dunno. it just didnt all click together in any coherent or meaningful sense. the whole film is so odd, poorly handled, and disjointed that i’m having trouble writing coherent thoughts about it.

julie was, altogether, a shallow character who was literally a manic pixie dream girl. she stumbled into his life twice, the first time changing him for the better(in some ways, he does stand up for himself for the first time after kisses him), the second time using her own personal growth that all took place OFF-SCREEN and with barely an explanation thrown out there, TO TRY AND FIX HARLON AGAIN like she’s JUST a catalyst for his own growth that’s all she is, and she’s a shoddy one at that. she doesn’t feel like she belongs in the film at all, she feels like she was in an ENTIRELY DIFFERENT film and somehow managed to step through a door and land in this town somehow. she’s weird, she’s poorly-written imho, she’s distracting, she takes up time that COULD be used to actually give... literally any character any personality at all, even a little

oh yeah, nobody has any... personality. they’re all like these cardboard cutouts, the stereotypical abusive redneck dad, the stereotypical shitty siblings(fun fact! i literally forgot he had siblings, throughout the entire film i just kept forgetting, and i only remember now because a different review mentioned them! fun), the tired and slightly overbearing but ultimately caring mother, the bully, the sniveling friend, the angry shouty parents of the sniveling friend who seem to have no source for their anger they just Are Mad Now, the girl who waltzes into Main Character’s life and shakes things up, the Crazy School Shooter who Hears Voices From His Violent Comic Books! everybody is like every other character ever, and even when shoddy writing starts putting them on a different path, they just head down... that same cliche path anyway, even though it makes no sense for them in context, like the world’s shittiest roller coaster

for example, the school shooting ending had NO buildup. it was last minute, went by real fast, had NO real stressor to speak of, it just... literally didnt make sense. harlon wasn’t an exceedingly angry child, he wasn’t overly-programmed for violence by the way his parents raised him... and yet, just like he’s been locked onto the rails, just cuz he Hears Voices so this Must Be A School Shooter Movie, he just stands there while the tracks take him from point a to point b

also, the entire film felt like nothing more than a grocery list, loosely detailing all of the every reason you ever ever ever hear that anyone ever does A Big Bad Thing, without any real deeper understanding of any of those things. like. it felt so... the entire film felt sterile. everybody was a standee on a track, rolling up to one another and saying in a SIRI-esque voice “HELLO. HERE IS REASON NUMBER 284 WHY I WILL BE SAD LATER. BEEP BOOP DEPLOYING SADNESS” before calmly being carried away by the motor.

plus the ending is a total cop-out. the beginning of the film includes what is obviously harlon getting ready to shoot up the school, plus some voice-overs that don’t make sense yet, which is fine. sure. plenty of films make use of devices like that. then at the end, when he shoots up the school, it eventually ends on very similar footage from the beginning, with some teeny tiny details changed here and there, but... like, was he thinking about shooting up the school before going in to do it, or was he dreaming it, or did he shoot himself and now he’s in purgatory, forced to revisit his crimes at the hands of his evil bunny overlord...? it was ambiguous in the exact way a film like this should NEVER be ambiguous(or at least, not unless you’re way better than these people at writing >:// )

all of this being said, i do want to make a specific note that i liked the actors. i think they did a great job. i liked watching nick krause(harlon), i liked watching Sam Trammell(the father) struggle to bring nuance to such an awkwardly written role. honestly, sam’s character was easily the most robust one in the film, since he was abusive but he did love his kids and had moments with them where things WEREN’T bad, and moments that made it clear that he was trying, he just didn’t know any better and lived in this environment that stifled any and all change and personal growth, but at the same time he was never excused for his abusive behavior. sam trammell did literally awesome at is and he was quite possibly..... 1.5 whole dimensions. incredible

anyway, back on topic, i believed ryan lee as a bullied child-- did i like the writing for him, or how things were edited? no. but his acting, his tears, his emotions that he brought to the performance were MORE than satisfactory.

the one i’m most hesitant to speak about is britt robertson(julie). like, on one hand, i just straight up... did not like julie. or rather, i would’ve been fine watching a film about julie, she seems nice and interesting(what lead her to her downward spiral of drugs and alcohol and attempted suicide? was she mentally ill, or were there outside stressors? what did she go through to heal the way she did over just one summer? what about that night was so bad for her that it caused her to go to rehab/a mental hospital? did she decide to on her own, or did her father make her?) but she’s barely touched in the film, barely given any space to feel anything, and so i find her presence, quite frankly, annoying. she should have been bigger or not there at all. but she was there, and she wasn’t bigger, and the writing really did not care about her feelings or motivations in the SLIGHTEST. and there’s only so much you can bring to that, acting-wise! the scene where she nearly dies in the field with harlon, when she’s talking about praying and how she never gets an answer, i BELIEVED the tears in her voice. she sounded visceral and honest. at the middle/end, when she came back and truly wanted to help harlon? the way she acted when the shooting was happening? i mean, i didn’t like the WRITING for her character, but i liked the emotions she managed to put into these scenes

and like. i know i’m skipping back here a bit, but nick krause did Good man. i thoroughly believed at least 97.25% of his emotions. i didn’t understand his motivations, and there were certainly flat and emotionless moments aplenty, but mostly they were born out of poor writing, and not actor shortcomings

the actors were not the problem. i would 100% see a movie just cuz nick krause was in it(if only to see if his acting only looked good in comparison to the script he was handed)

honestly i can’t really sum it up much better than these guys did, ngl

white rabbit was boring and shit and i hated it but im probs gonna give it a thumbs up cuz netflix was created by the devil himself and also i wanna see other films like it so. i suffer

#white rabbit tag #It Was So Bad Scoob

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wbwest · 8 years ago

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New Post has been published on WilliamBruceWest.com

New Post has been published on http://www.williambrucewest.com/2017/02/17/west-week-ever-pop-culture-review-21717/

West Week Ever: Pop Culture In Review - 2/17/17

On the movie front I finally got around to watching Central Intelligence. I’ve been wanting to see it since it was in theaters, as I love Kevin Hart movies, but I didn’t get to see it until it hit HBO. And I’m glad I waited. In the film, Hart plays a middle-aged accountant whose best days were in high school, when he was the most popular kid in school. Meanwhile, The Rock was the fat kid that all the other kids made fun of. Hart’s life is thrown into high gear when The Rock comes back into his life and turns out to work for the CIA. Hart gets wrapped up in murder, intrigue, and secret files. Yeah…On paper, this probably sounded like a great idea. The trailers looked hilarious. Surprisingly co-written by actor Ike Barinholtz (MadTV, The Mindy Project), it’s got a great cast, but they’re not necessarily bringing their A game. It was kinda weird to see Hart essentially playing the straight man, while The Rock had this weird goofiness to him. I know he’s trying to make the audience wonder if he can be trusted or not, but I don’t feel he sells it well. I almost bought this on Black Friday, and I’m glad I put it back on the shelf, as I don’t need to see it again.

In movie news, it’s rumored that Mel Gibson is being courted to direct Suicide Squad 2. Now, this is pretty interesting. I mean, who better to direct a movie about deranged criminals than a deranged actor/director? Seriously, that dude couldn’t be poked with an 8 foot pole a year ago, but since Hacksaw Ridge, it’s like all has been forgiven. I mean, he told his girlfriend he hoped she was “raped by a pack of niggers”! And let’s not forget all the antisemitic stuff. Anyway, I guess everyone deserves a second chance or whatever, but I don’t even see why he’d take the job. Even with all the controversy, a comic book film seems…beneath him, even if it would be great PR to restore his image in the public eye.

In other controversial movie news, A Cure For Wellness took a page out of the “fake news” playbook for its marketing campaign. 20th Century Fox partnered with fake news sites to run false stories alongside ads for the movie. Considering how the concept of fake news is upsetting a lot of people on both sides of the political aisle lately, this was considered to be in poor taste. A Fox spokesperson tried to explain that the film is about a fake cure that actually makes people sicker, so they thought the campaign was fitting. Fox has since apologized for the move, but I’ll bet it’s not the last time someone does this.

In TV news, ABC announced that the next season of The Bachelorette would star Rachel Lindsay as the first Black Bachelorette. This is important for a few reasons. First off, ABC is essentially torpedoing the notion that the current season of The Bachelor even matters anymore. After all, Lindsay is still in the running as one of the remaining finalists of the current cycle of the show. By doing this, ABC is spoiling the fact that she doesn’t win, before the finale has even aired. I’ve never watched the show prior to this season (What? It’s on at the gym!), but I’ve read that this is a particularly disappointing season. The current Bachelor, Nick Viall, is pretty boring, and is also on his fourth go-round with the franchise, having previously been a contestant on seasons 10 and 11 of The Bachelorette, as well as season 3 of Bachelor In Paradise. I mean, if he hasn’t found love by now, then he’d might as well just pack it in! The odd part to me, though, is the choice of Lindsay. I mean, I’ve been watching TV for a LONG time, and it used to be that the most outlandish cast member is the one who gets the spin-off. This season, that honor goes to Corinne, a 24 year old businesswoman who has a nanny for HERSELF, and has repeatedly tried to fuck Nick into choosing her, only to be rebuffed every time. She’s always shocked that someone could reject someone as hot as she is, but that shock never stops her from trying again. If you want good television, you make Corinne the next Bachelorette. Plus, Lindsay isn’t even that interesting. In all the episodes I’ve seen, I can’t really understand why she’s still around unless the plan was always for her to be the next Bachelorette. I mean, after 33 cycles of all three shows combined, it’s time for some diversity, and it’ll definitely make things interesting – ESPECIALLY when they do the home visits. But right now, I’m just not seeing any reason for the choice of Lindsay other than the fact that she’s Black. And she’s not even the best Black chick they had this season. Nah, they sent those chicks home already.

There was an interesting interview over on TV Line with Arrow‘s co-showrunner Marc Guggenheim, where he basically revealed that those previously-announced DCTV contracts don’t really mean that much. If you remember, over the summer it was announced that Wentworth Miller, John Barrowman, and Katie Cassidy had signed DCTV exclusive deals, which would allow them to pop up in any of the Berlantiverse shows. While the details of the deal were unknown, it certainly seemed like they’d be doing more with them than they are. Sure, Miller has popped up as a hallucination on Legends, and Barrowman’s also on Legends, but Cassidy hasn’t really been used outside of Arrow this season (that I know of. I’m still behind on The Flash). When asked if Cassidy would be popping up before Arrow‘s season is over, Guggenheim replied:

“We have an idea for how to see [Katie] again, but we haven’t made a deal with her,” Guggenheim shared. “She’s not a series regular anymore, so we have to make a contract with her, and she’s got to be available. We haven’t had those conversations. But… we know exactly what we do want to do.

They have to make a contract with her? Then what was the point of last summer’s announcement? I realize it’s pilot season, so she’s got to look out for herself since she’s no longer a series regular, but the contract seemed to ensure she’d have work, and be available for it should it arise. It’s starting to be clear that these “exclusive” contracts are just as useless as comic exclusive contracts, which basically just mean you can’t work for Marvel if you’re working for DC and vice versa. You can still work for Image and nobody bats an eye.

In a surprising announcement, we’re getting a Love Actually sequel, but it’s not what you think it is. See, in the UK, they have this charity event called Red Nose Day, where they air a TV special to raise money for Comic Relief, which helps people in need in Africa and The UK. In its 30 year history, the event has raise over £1 billion. In the UK, Red Nose Day culminates in a telethon where all sorts of specials and reunions occur. The idea was brought to the US back in 2015, with Walgreens selling the red noses for charity. Well, this year, a bunch of members of the original cast of the film are getting back together for a 10-minute special that will show us where they all are today. Right now, the special is expected to include Hugh Grant, Keira Knightley, Colin Firth, Martine McCutcheon (YAY!), Liam Neeson, Bill Nighy, Rowan Atkinson (really? He wasn’t even that important), Andrew Lincoln, Lucia Moniz, Thomas Brodie-Sangster and Olivia Olson. It’ll be really interesting to see where these characters are, 14 years later. It’s a shame we’re only getting ten minutes, but I’ll take what I can get. The special will air March 24th in the UK and May 25th in America. Yup, two months later. So, look for it on YouTube March 25th.

Rejoice, fellow titty enthusiasts! After a year of trying to “go legit”, Playboy has announced that nudity is returning to its pages as of its next issue. The decision to remove nudity didn’t really help sales much, which was somewhat surprising to me. See, I figured the lack of nudity would mean you’d see it in grocery stores and pharmacies, right next to Maxim and GQ. But that never happened. I guess it’s because the Playboy brand is known for nudity, even when the magazine itself decides to eschew it. But you bushwackers are gonna be disappointed, as the returning nudity will only feature breasts and butts for the time being.

This week, I had the pleasure of joining my pal, Classick, on the newest episode of Classick Team-Up. We discussed 24 Legacy, Turkish Airlines, and Trump’s America. Trust me, it all makes sense. Anyway, if you’re looking for some podcastin’ fo’ yo’ ears, check check check it out!

Things You Might Have Missed This Week

Adele “robbed” Beyoncé of the Album of the Year Grammy at this year’s awards ceremony. Whatever…

Country newcomer Maren Morris pulled off a major upset by winning Best Country Solo Performance Grammy over established award darlings Carrie Underwood, Keith Urban, and Miranda Lambert

With recent successful revivals of old shows, Fox is finally keen to revive sci fi cult fave Firefly – the only catch is that show creator Joss Whedon has to come back, and they figure he’s too busy right now. I hope he doesn’t call their bluff. That show bored the shit out of me.

Speaking of Fox, they blew my mind by renewing Lucifer this week for a 3rd season. I didn’t think it would make it through season 1!

ABC renewed their TGIT lineup comprised of Grey’s Anatomy, Scandal, and How To Get Away With Murder for next season.

NBC renewed the wonderful Superstore for a 3rd season.

Cloverfield director Matt Reeves is in talks to replace Ben Affleck as director of The Batman. Meanwhile, the rumor is that Affleck is trying to walk away from the film completely.

Poor Alanis Morissette! I recently wrote about how her former manager stole around $5 million from her, and this week over $2 million in jewelry was stolen from her home.

In the Remakes Nobody Wanted department, Frank Grillo will star in an American version of modern-day action classic The Raid

In what I’ve heard was a dreadfully unfunny stand up special, Nick Cannon said that NBC was keeping him from being himself as host of America’s Got Talent. As a result, he’s said he’s leaving the show.

Man, before Sunday night we had no idea who or what “Gnarley Davidson” was. Now, I can’t understand how we ever lived without him. At the Grammys, Cee Lo Green debuted his new solid gold persona, bewildering millions. And the meme machine got crankin’. He was photoshopped into pictures of Donald Trump’s house.

He was photoshopped into pictures of the Power Rangers.

The best part, however, wasn’t even a meme, but actual video of his departure from the awards. After all, he didn’t win anything, so why stick around?

That, folks, is how a true West Week Ever recipient leaves an awards ceremony. So, it should go without saying at this point, but Cee Lo Green/Gnarly Davidson had the West Week Ever.

#Batman #Comics #Country #DC #Image #Marvel #Movies #Music #Politics #Pop #Power Rangers #Race #Television #West Week Ever

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