#please please just kill me honestly

[hinamie]

cursed kids v2 ⚠️👹

i've been a jjk first years stan since day one and have been wanting to redraw the first art i did featuring the three of them

[froschli96]

You know what, fuck it, I have to speak my truth! (this is gonna be a rant, so anyone who actually likes assassin's creed revelations and/or the secret crusade, be warned or maybe don't read this at all)

remember how altaïr talks to king richard at the end of ac1, and richard is like "[humans] come into the world kicking and screaming, violent and unstable. it is what we are. we cannot help ourselves."? and how altaïr answers "no. we are what we choose to be." and how that ACTUALLY has meaning bc he himself was "violent and unstable" at the beginning of the game but he has learned and is now CHOOSING to be a better person who cares about others and humanity at large? remember how his calmness and gentleness was something that he ACQUIRED over the course of the story?

and remember how in revelations they then suddenly had a PRE-AC1 altaïr say about the first of his targets "no man should pass from this world without knowing some kindness." and be all wise and calm and collected during a nice little chat with al mualim, who suddenly acts all fatherly? (like, this is suddenly supposed to be a positive relationship? what??)

also, during the confession the target says to altair: "you put too much faith in the hearts of men, altaïr. [...] humans are weak, base, and petty." and altaïr answers: "no. our creed is evidence to the contrary." KJASJFJDKL???? like, it’s almost insulting how close this exchange is to the one with richard. you know, the one that was actually earned after a whole game of character development. like WTF??? cool congrats now that development means nothing. like, apparently that was just altaïr reverting BACK to being the exemplary assassin who understands and believes in the creed that he was apparently just born as. (i also hate how having a young inexperienced altaïr saying this implies that altaïr's faith in humanity is a sign of naivete instead of a sign of the wisdom he has gained after being confronted with counter arguments for a whole game, and also something that distinguishes the assassins from the templars who use humanity's supposed wickedness to justify controlling them like in AC1, but whatever)

altaïr’s development in AC1 mattered BECAUSE he is not NATURALLY a good person, it actually said something about humanity's capacity for both bad AND good and how humans don't have to be forced to be good through mind control bc they can by their own free will choose to be better when taught how and when allowed the freedom to grow. but no. apparently altaïr has just always been calm, wise and gentle. and he just sort of forgot about that during AC1 bc…. ? bc of adha?? bc of abbas???

oh don’t get me started on the whole abbas thing. (it doesnt even make sense that abbas is so hung up about his father and "his family’s honor", like what about the whole point of al mualim not allowing parents to be close to their children bc it would make them weak? like, my dude, you’re not supposed to HAVE any family aside from the brotherhood)

they used the throwaway character that had like 5 lines and made him into altaïr’s main antagonist in revelations… like, abbas wasn’t supposed to be this ONE dude who had personal beef with altaïr, he was just supposed to show how while altaïr’s revered by many, a lot of his brothers also hate him, bc 1) altaïr is a shitty person at this point and 2) bc there’s no real feeling of community and family in this version of the brotherhood, but just a pervasive sense of competition and jealousy — these assassins don’t care about their goal of safeguarding humanity bc they’re too hung up on petty squabbles and divided by rivalries (you know, the things that made malik hate altaïr even before solomon’s temple and that he overcomes in the end which enables him to forgive and to reconcile with altaïr so they can work together and stop al mualim? (you ever just think about "we are one. as we share the glory of our victories, so too should we share the pain of our defeat. in this way we grow closer. we grow stronger." and cry? bc i do. all the time. malik, the man that you are))

and now abbas is altaïr’s childhood best friend turned lifelong enemy?? like, bowden bent over backwards to come up with an explanation for why altaïr is an arrogant ass at the beginning of AC1, when the explanation is right there: he was raised to kill without asking questions and was constantly praised for how good he is at murder, which resulted in him becoming arrogant and disregarding human life. like, it doesn’t have to be some shakespearean family feud type shit. and guess what, this "simple" explanation actually plays into the story’s themes, who’da thunk!

(like, abbas might not have been a "fleshed out" character in AC1, but he had a specific function and now that function is gone. mr bowden, mr mcdevitt, you know characters are allowed to simply exist to tell us something about their worlds and the systems they live in and sometimes that’s more important and also more interesting than having every single character have a detailed backstory to explain all their behaviors, right?)

with all of this revelations loses all nuance in regards to the levantine brotherhood and also the creed in general. like, altaïr being a master assassin at the beginning despite being a terrible person and not actually understanding the creed is a criticism of the brotherhood and the creed itself. like, it said something about the order that someone like altaïr was able to get that high in rank, simply bc he's good at killing, which also tells us what is considered important in the al mualim era assassin order. when you make altaïr’s arrogance the result of his personal conflicts instead of how we was raised by a brotherhood that only valued one's ability to kill, you lose that characterization of the assassin order itself!

and by suddenly making al mualim a semi good "father figure" you also downplay his manipulation of not only altaïr but all those under his care. (altaïr says something about al mualim being "as a father" to him exactly twice in the codex, but he doesn’t mean by that that he WAS a father to him, what he means is that he was the CLOSEST THING he had bc HE DID NOT HAVE PARENTS, not because his mother died in childbirth and his father was executed when he was young btw, BUT BECAUSE IT WASN’T ALLOWED, like his parents actually lived but weren’t allowed to be close to him, he says he came to view al mualim’s "weak and dishonest" love as enough and even better BECAUSE HE HAD NOTHING ELSE, BECAUSE AL MUALIM ISOLATED HIS ASSASSINS FROM THEIR FAMILIES. al mualim "loved" him bc he was good at killing people for him! hm, i wonder if this could be trying to say anything about cults and indoctrination and the inherent contradiction in fighting for peace and free will by taking children away from their parents and raising them to become killers?? like, altaïr wasn't ~the special orphan boy~ taken in by al mualim bc his father died a hero's death, it was "the way of the order" to have al mualim be the closest thing to a parental figure for everyone to ensure absolute loyalty! altaïr saying al mualim was like his father is not supposed to make you go "oh, he must have actually been a good guy for altaïr to consider him a father", it should make you go "oh that's kinda fucked up that he considers the dude who made him into a killing machine and who manipulated him a sort of father figure"!)

and then in revelations they suddenly portray that relationship as positive and healthy??? like, it would be one thing to give it some nuance by delving into the psychology behind al mualim’s "love" and maybe showing how al mualim did care about altair in a complicated, fraught sort of way (like, you know, there’s a lot of interesting things you could say about al mualim at several points addressing altaïr as "my child" in AC1 and how that parallels Garnier referring to the people he drugged and abused as his "children", and what that says about how the templars view the people who they say they want to save and in whose best interests they supposedly act (in any case, al mualim doesn’t use that phrase because he has any real parental feelings but rather to patronize and to invalidate any objections, like in a "mother knows best" way))

but they even fucking DARE to parallel that relationship with that of altaïr and darim in revelations, by having the reflection in the puddle of darim hugging altaïr showing altaïr hugging al mualim…. like their relationship wasn’t inherently abusive but just tragically cut short because al mualim was just "corrupted by the apple"… like WHAT???? so it’s not the very real problems like grooming, manipulation and indoctrination and the hierarchical structure of the brotherhood itself (all of which are antithetical to the assassin ideology), it was just the evil apple all along. great. that’s DEFINITELY a lot more interesting.

god im sorry i really dont want to spread negativity but this is driving me INSANE. like, somebody please tell me im not crazy bc i feel like somehow most of the fandom is in agreement that revelations and the secret crusade have better storytelling and characterization than ac1.

SPEAKING OF WHICH, can we talk about how, even IF we completely ignore AC1 and treat revelations altaïr as his own character…. the narrative still doesn’t really work?

basically, the whole point of his story in rev is that "he gave his whole life to the brotherhood", this obsession led to him not using his time with his family which has him ending up dying alone in a dark library and this in turn makes ezio reevaluate his life choices…. except. he doesn’t? neglect? his family? or whatever? like, his devotion to the assassins is sort of painted as this tragic flaw that leads to a lonely death bc it supposedly comes at the cost of his family, but… his wife has joined the assassins, (at least) one of his sons is in the brotherhood and even when he goes to protect the assassins against the mongols, he takes his family with him (except for the son who stays behind bc he has a family of his own and who, ironically, ends up dying bc of that)… like, you can’t describe altaïr as a good husband and father in the database and have his son tell him that "everything that is good in me began with you, father" when they say goodbye, and then want to make us believe that he put his family behind the brotherhood and that that is a character flaw that leads to his tragedy.

because you HAVE to have a character’s tragedy be the result of a character flaw. like. that is how tragedies work. otherwise it just becomes tragedy for the sake of tragedy which is… boring bc it has no purpose. and we know it is SUPPOSED to have purpose bc ezIO FUCKING QUITS BEING AN ASSASSIN AFTER WITNESSING IT!

it’s like they want to have their cake and eat it, too — they didn’t want to actually make altaïr a bad husband/father, but still wanted to make his life a tragedy where he loses his family which is why instead they outsource all responsibility to abbas who now has to be the reason for ALL the deaths.

like, they try to make at least maria’s death kind of sort of the result of altaïr’s rashness or whatever but like… these guys KILLED THEIR SON and TOLD HIM THAT ALTAÏR HAD ORDERED HIS DEATH. like, altaïr losing it in response to that is not rash, it’s fucking logical and justified! if anything the scene made me angry at maria for trying to stop him. like, GIRL, he was YOUR son too??? but god forbid we give female characters actual real emotions, she has to fill the role of "voice of reason who dies for altaïr’s man pain" i fucking guess.

like, it’s this weird mix where his tragedy is simultaneously painted as his own fault but also not really bc abbas is the one responsible for all the shit that happens. it just… it just doesn’t really go together.

the only way to make his story make sense narratively and to give it actual purpose is by looking at it in the context of ezio’s story, bc the things he sees in altaïr’s memories are supposed to be a revelation (ha!) to ezio specifically. and i guess that’s maybe the crux of it all — altaïr’s story in revelations was conceived of first and foremost to support ezio’s story and development. which is probably also why many people maybe don’t notice bc, having skipped ac1 and started with ac2, the majority of people mostly care only about ezio and only really appreciate altaïr’s story in as far as it serves to push ezio forward. (tho i’ve also seen a few people say that ezio is also written kind of weird in rev, but i’ve never really been an ezio girly myself so i can’t speak to the truth of that)

like, altaïr dying alone in the library doesn’t really have to make sense for his character, i guess, bc it’s only really supposed to be a cautionary tale for ezio.

so, i guess, for once, they actually had a MAN dying for another man’s character development, which is pretty woke actually. ubisoft, i take everything back jksdsfjhgdsahfhsdhfghfdsgjhsdgjh

[kacievvbbbb]

At its core the most important relationship arc in Avatar the last air bender is the one between Zuko and Aang honestly if you can’t see that then I don’t think we watched the same show.

Aang and Zuko are the true Yin and Yang in the show the push and pull. Fire and Air right down to their personalities.

It is both of them that have to go on the journey of learning that fire is more than just destruction can be used for more than just to hurt.

And that right there is the point it doesn’t matter if Aang defeats Ozai and they bring the fire nation to heel. Without a character like Zuko the fire nation would be lost forever to distrust and unrest, balance would never be reached. Because despite everything they have done all the damage they have wreaked the world still needs the fire nation and to work with the fire nation they need to know that fire can do more than hurt. And who best to show them than a prince who’s been burned himself?

The war started with the fire nation attacking the air nomads in a bid for control and it will end with the fire lord embracing an air nomad and taking ownership of his nations actions. You must first close a book before you can start a new one.

Aang needed Zuko just as Zuko needed him because to get peace a true lasting peace you can’t just cut off the head of a snake you have to change its mind. The world already lost the air nomads the balance is already precarious, it cannot afford to lose the fire nation too.

Afterall Air can snuff out a flame and it can also fan them. But when the two elements are balanced one existing in peace with the other it can also make a warm hearth for the home.

[crustyfloor]

What is this horror that I just woke up to

Firstly, Luka's tattoo has finally been revealed (too bad it's not where I theorized it was...) Unlike the others, one detail is stark this time, that being that he was awake during the entire process. He's not even lying down when it would probably be less (by a pinch) painful, and more efficient if he did. He's watching. Even helping by keeping his shirt up.

And it seems he is still maintaining his heart rate even through the pain.

(And, expectedly he is thin so this would've hurt a lot more. I wouldn't be surprised if keeping him awake was to benefit his ability of endurance)

And we have his mugshot too. there are a lot of scribbles on his page so I tried to decipher the two clearest ones to me

LUKA - 010401 (His ID number)

And alongside that, we finally have the full cast tattoo process. (save my Till loving heart what are they doing to him.) HyunA and the girls on the top and Luka and the boys on the bottom.

On the topic that the Aliens in ALNST are horrible and can't be bothered to even put the pet humans to sleep while going through such a painful process, it doesn't look like Ivan is spared either and was also awake. otherwise, I don't know how he maintained that grip.

There's no telling for sure yet but his grip looks loose, perhaps he has a good pain tolerance.

And Till's picture. I think that's a full-body restraint right there (Like a straight jacket) If he was awake the whole time too then that's probably to be expected. There also seem to be wires around his face? a mouth gag? I can tell his is just...gonna be horrible to look at. (I am going to cause a scene. bashes my head against the concrete ARGH)

And we have everyone's mugshots, Sua -> Mizi-> Till -> Ivan -> Luka -> HyunA

(These were especially hard to read 💀 but they all seem to have their own signatures on their own pictures )

Sua (x2) - 1132 (in the circled area) - 020201 (That's close to her ID number- 020211.) - The rest is indescribable except for the "No"(?)

Another interesting part of this, we're shown Till's part of the Season 50 data book. A lot of the text is scribbled out.

Lyrics to unknown Till the end (And something scribbled out on the top) it looks like a draft copy. I can't tell if much changed from the version we have today..just got to see when the full version is out.

I tried to decipher as much as I could, take this with a grain of salt but his profile (left) is more of a teacher's note, one of his flaws being that he's aggressive, and he has a strong suit in performance. (Heavy emphasis on practicing music because his performance is his strong suit)

The C might be his overall grade, his only passing class was music.

(So many star scribbles..Mizi liked stars)

-

The album cover looks like a Brain (it reminds me of an MRI scan kinda) Is it Till's brain after all the experiments he's been through? if so, I'm not surprised it seemingly has a lot of abnormalities.

Also, the prominent signature in the middle looks a little bit Like Ivan's.

And finally the main piece, Given the similarities in data the person going through the test is still Sua.

The bandaging on her head is very confusing though, (is this the process of creating Anakt's child?) She also looks like she's yelling more than singing in this piece. (with the tight restraints it's hard to even tell but she doesn't look as relaxed as the second picture.)

Mental - Good (despite the red light?)

Cry (singing. maybe.) - Good

This could be in the literal sense that Sua was actually crying during this test, or this phase of the test. But Aliens have a warped perception of human sounds. They call crying, singing so...I don't know. If there was a lot of resistance from Sua during the earlier phases then the bandage is probably there as another restraint..so many restraints.

[alpacacare-archive]

Not to post knight papyrus on main or anything but

[milimeters-morales]

bring your father/son to work day (GONE WRONG) (COPS WERE CALLED) (NOT CLICKBAIT) (ARRESTED) (MANHUNT) (FATHER MAY NOT MAKE IT) (LONG LOST TWIN REUNITED) (SPONSORED)

[hal-o-ween]

Sweet Dreams <3

[essektheylyss]

I know I do not stop thinking about everything that must be going wrong during this Solstice in the parts of Exandria that we can't see, but also, has anyone checked on Yussa. He's got weird planar bullshit and magic items up the wazoo. His tower has weird spatial properties from either a dedicated architectural decision or simply arcane effects built up over time. He's probably been using extraplanar prisons as paperweights. Tidepeak Tower is an active warzone from all of the bullshit that just got dumped into the interior of it after centuries of wizarding accumulation and Yussa is probably fighting for his fucking life.

[daily-teki]

MIKU DAY!!!!!!!!

Day 149: it’s a bit late (it’s a lot late) so you can have teki suplexing miku

[byfulcrums]

Something I love about ATLA is that it doesn't force the "forgive the villain" on all the characters. It's been left clear that Ozai is a bad person, and there's no chance of redemption; the only reason he's not dead yet is because Aang is a pacifist

The one episode where a character is supposed to forgive someone who has hurt them in the past is the one where Katara is off to kill a man (which, fair) and Zuko helps. In that episode, even if Aang is telling her to let go, she doesn't forgive him. She never will. But she spares him. Not because she thinks he doesn't deserve death (he does), but because she's not willing to continue the cycle of violence

Killing someone can have a very important impact in your entire being, mostly depending on who you are as a person. Aang would've never recovered from killing Ozai. Katara wouldn't be who she is now, had she taken her revenge on the man that killed her mother

And the best part of it is that Ozai doesn't deserve to die. Not in a "I'm defending him" way (ew), but in a "he deserves worse that than" way

Taking away his bending was the perfect punishment for him. He believed bending made you superior and he never cared enough to train something besides his bending. What a loser. Zuko and Azula wouldn't be restrained by something like that

He's alive. Nobody has forgiven him. Nobody ever will

[blueheartedwolf]

Y’all I’m completely flat broke and need cat litter, cat food, and groceries. My phone bill is due on the 7th. I had to call out of work yesterday because of nerve pain and now I only work two days this week and need to pay rent too. I really can’t do this shit anymore I’ve been trying so hard to get by without help bc I never feel like I deserve it but I can’t take it anymore. My friends and partners can only offer moral support bc we’re all fucking poor.

I really don’t know what to say. I know so many of us are struggling and it makes me so mad that ANYONE has to beg online or out on the street just to survive. I’m so angry all the time that community aid is seen as a last resort. It should be easy to find help and support in the people around you and it’s not and it’s bullshit. So few people care.

I don’t have a dollar amount I’m asking for, the number would be so high and I don’t care if I get all I need I just need SOMETHING. Anything to feed myself and take care of my cat.

Please.

[dawnbreakersgaze]

Been following along with Budding Romance (🌟 star anon from before) and I just thought of "I won't let you take her away from me Jeremiah" possessive Xavier turning into, wait no "I won't let her take YOU away from ME"

First off 🌟 Nonnie, I love you and your brain. It's beautiful. I smooch you both 💋💋 (and your other ask is in my drafts bc im writing stuff for it!)

GASP! I almost forgot my obligatory @skynapple tag bc she deserves to know how much her fic has changed the brain chemistry of our side of the fandom lol.

SECONDLY- Xavier realizing he's about to lose Jeremiah, who's been with him through what is likely hands down some of the worst moments in his life? I can definitely see that causing some panic.

Roxie and I talked here about Xavier being very resistant to change and how, while he might not realize his dependency on Jeremiah on a conscious level, subconsciously, that's the one person who's been a constant in his life since they left Philos. Even if it's something you hate, humans still NEED consistency to be happy and healthy (both mentally and physically). You might hate getting up at 7am every day, or going to work, but living a life of pure chaos (or existing in pure apathy) just doesn't foster growth and recovery.

So once he realizes that MC might drive a wedge between him and his ONLY support pillar? The singular source of consistency in his life since they arrived on earth? The one person he's been able to count on for any normal conversation where he didn't have to pretend he was someone/something he's not? That would be terrifying. That would be devastating.

Xavier KNOWS Mc will reincarnate. Xavier knows she'll be back. He's lost her at least twice before, likely thrice, maybe more. That is a pain he's dealt with and learned to come to terms with. He's got a spot on his shelf for that pain and grief and processing.

He's never lost Jeremiah. Of all the Backtrackers that have left their cause, died, or outright betrayed him, we as the players know that Jeremiah has remained at his side the entire time, and that definitely means that Xavier is more than aware of it.

The saddest part is that I don't think he'll even realize all of this at first, and I definitely don't think it's his conscious brain either. This is something that likely comes to him in a dream, where he wakes up in a cold sweat with his heart racing as he flies out of bed, light sword drawn in his hand before he's even realized what he's done. Something that rattles him so deeply that it takes him a solid minute just to settle, to sit at the edge of his bed and calm his breathing with his head in his hands as he grapples with the discomfort of realizing just how attached he is to the both of them, but to Jeremiah specifically.

He is damaged and broken and unhinged. But so are shooting stars and comets.

[potatobugz]

i feel as if im going mad so im going to just put this out here. real quick. movieunleashers starters ramble.

i cant stop thinking about how mudkip broke down in that one scene in "Typomaniac," when Chespin called him mean. for a second he lets his mask slip a little bit and to me he just... acts his age. he starts crying and calls chespin mean back. maybe im just hyperfocusing on this one detail but mudkip is about 12 years old.

and that just makes me wonder what happened in this guys life that brought him to where he is now. and it makes it all the more tragic how his whole world revolves around chespin, but he is the one bringing him the most pain. and how young he was when he died.

there is a large theme of growing up in "Rare Candy." the characters ages are emphasized in that particular episode, and one of the main conflicts is fennekin wanting to evolve faster.

the thing about characters in these stories is that they're not allowed to just be kids, to have a childhood. so many bad things happen to them. like. mudkips whole, Everything. fennekin when she was famous in typomaniac, or dealing with her own insecurities/pressure from society about her relationship w chespin. and chespin always having to shoulder his friends problems & always somehow managing to stay positive despite everything.

why cant they just. play video games. eat ice cream or something. go to the movies

at the end of the day, i think both mudkip and fennekin are characters who grew up too fast. by distancing himself from them, chespin refused to follow in their footsteps and just wanted to stay a kid.

good for him.

[archgabrielangel]

Still thinking about that one time in Hammer of Thor when magnus remembers annabeth telling him that they can't give up on randolph, literally saying "He's family, Magnus,... We can't give up on family." do yall think she was thinking of luke when she said that? because even though he did kinda get magnus killed, his intentions and heart were in the right place just like luke😭 luke wanted revenge for the awful shit the gods had done to him so he walked the wrong road and killed and sacrificed anyone who got in his way just so he could make the world "better". and randolph sided with loki (somewhat) and got magnus killed so he could get his family back. uhh anyways

tl;dr the magnus, randolph situation in HoT probably reminded annabeth of her and luke and that is the reason I cry at night

[pucciverse]

When I knock on your gates, would you let me in? I just wanna stay, stay for a bit

Textless version under the cut

[forcedhesitation]

I MISSED THIS ENTIRELY MY FIRST TIME AROUND....THIS IS SO DAMN PRECIOUS?!!