#please kill me if i make any more.

[copia]

endless ghifs 18/? ⛧ source — "the ancient serpent deceiver..."

[mcdonaldsnumberone]

LOVE ME HARDER!

you swear your favorite color has nothing to do with kaiser. but unluckily for you, the boy’s fallen madly in love with you and has somehow convinced himself that he can connect the dots to make you fall madly in love with him. when you meet his flirting with a tough front though, kaiser has a secret weapon up his sleeve (or under his uniform collar).

gender neutral reader

content warning(s): reader’s favorite color is blue, kaiser’s tattoo isn’t super visible with his uniform in this fic

You loved blue.

You still do. And for the foreseeable future, you weren’t going to ever stop loving the color. It was a color so dear and special to you, and as much as you loved all the other colors, there was something indescribable about the blue hue.

It was everywhere. The color of the sky. The ocean. The small Google Docs icon while you scribbled down notes on your computer. A stray car in the distance while you crossed the road. It was the color of loyalty and knowledge, the cool tones even embodying the mystifying feeling of melancholy. And, if you allowed yourself to get a little pretentious and philosophical, probably the color of the universe. 

What a dignified color. You would never stop loving blue. Not ever. Certainly not now. And you would never extinguish your love of the color because of a man.

But boy, was someone making it difficult.

You always heard him before you saw him: the rumble of footsteps, Ness gushing incoherent praise, the shrill trill of German words hanging in the air. Like an overture before a grand opera, except those thirty seconds were the only prep time you’d get to turn on your heel and book it out of there if you didn’t want to say hello to your biggest headache.

“Oh, daaaarling! There you are! Hey- Don’t run away!”

An outstretched pair of arms materialized on either side of your body, and you let out a loud yelp before you were pulled backwards into a tight hug. You screeched like a feral cat, clawing helplessly at the air while a loud haughty laugh rang out against your eardrums.

It was only when you turned around that the sense of hearing gave out to the sense of sight. Beautiful strands of blond-blue hair swept across your eyes, the twinkle of his golden locks not too unlike the catlike gleam in his pupils. Speaking of his eyes, you hated the stupid bastard for how much blue he had on him and more importantly, how good it looked. Even the smug azure of his crinkled eyes made you stop breathing for just a split second, and your lips parted unconsciously as your hatred momentarily dissipated into wonder at the delicate hue.

“Staring at me? Awwwww, do you think I’m handsome? Of course you do. You wouldn't be so starstruck otherwise,” he chuckled. You instantly snapped out of your stupor, and you twisted your face into a disgusted frown.

“Take your hands off of me, you idiot,” you snarled. “I’m not in the mood to talk to you.”

“Oh? Perfect. I think that’s perfect timing to talk to you.” Kaiser kept one arm slung firmly over your shoulders, expertly placing himself at your side. You dug your heels into the ground and kept your place whenever he tried to edge you closer to his torso, egging you to relax into his touch. “Busy being a little color nerd again? I think it’s adorable that you’d pick your favorite color after me-”

“-I did not pick my favorite color after you,” you huffed. You crossed your arms, and you glared directly up at him (this time, you took extra care not to get lost in his eyes). “Do you really think I don’t have a personality or something? To pick a favorite color after a man?”

He shrugged. “Hey, I’m a pretty charming guy, if I do say so myself. Just now, you couldn’t keep your eyes off of me. I’d say I wear the color well. Say, if I swapped my red eyeliner out for a blue one, would that make you stare at me even more?”

You wanted to push him off, but you knew better than to engage a professional athlete in a half-wrestle-half-run-for-your-life-thing. “In your dreams. You’re an atrocious mix of colors.”

“Sure.” He easily brushed your words off. He broke out into his usual smug grin, chuckling at you as if he were a cat toying with a mouse. If he could, you swore that he’d gobble you up in one bite and leave no crumbs. “But I’d say blue is totally my color.”

Red hot annoyance flooded your body. This was so unlike you, to be moved to such anger that you’d be thinking of any color other than your favorite cyan hue, but something about this man made you want to beat him to a bloody pulp until he truly was nothing more than a mix of crimson and black and white broken bones. 

“Blue is MY color!” You grumbled. “I liked it even before I met you! Hell, I probably understand it better than you do! Dipping your hair in Kool-Aid and being born with blue eyes doesn’t automatically make blue your color! It’s my favorite color, and me liking it has nothing to do with you! Not everything revolves around you, Kaiser!”

You fumed at him, having blurted out all of the tension mounting inside of your chest. You stood there, wanting to claw off the weight of his arm across your shoulders. You wondered if Kaiser would yell back at you, if those beautiful sapphire eyes of his would narrow into small slits before he’d wind up for the pounce, if he truly would swallow you up into a void of blue nothingness just to prove you wrong.

But instead he threw his head back, and he laughed heartily.

“You’re too funny for your own good.” He pretended to wipe a tear from his eye with his other hand, and he barely held himself together long enough to look at you. “The world? Revolve around me? Maybe to all those other stupid commoners. Those brainless fools need a stunning star to guide them. To give them any purpose in life.”

You grimaced, skin crawling with disdain as he yanked you closer. His free hand caressed the outline of your cheeks and jaw, and you let out a small “eep!” as he hooked his fingers under your chin to gingerly lift your face to meet his. You held your breath as the German prodigy leaned in, until the silhouette of his peach-pink lips were much too close to your mouth for your liking.

“But, darling… Oh, my sweet, stupid darling…” His voice was far too smooth for your own liking. Like the lining of a regal blue mink-fur lined cape, the kind you’d see in a 1700s painting of a king, the edge you get from swallowing down a mouthful of ice water. He looked too pleased with himself, having you ensnared perfectly in his arms like this. The thick tension that hung between the two of you felt like poisoned honey, and he shook his head at you mockingly. “If anyone were to pay attention closely, they’d know that the script is much more different for you than it is for those everyday fools.”

“Don’t lump me in your weird fantasy.” You blinked at him defiantly. He pursed his lips slightly, but Kaiser didn’t waver even once. 

“All I want to say is that there’s nothing wrong in admiring beautiful things. If you like blue that much, nothing wrong with admiring the blue on me, is there? It’s unhealthy to deny yourself the things that you love so much.” He let you go finally, and you practically leapt out away from him. “If you don’t want to throw yourself at my feet and beg to play the role of my dedicated love interest, that’s fine too! Although, I don’t see why you wouldn’t want to. Anyone would be honored to have my attention the way you do.”

“You’re a self-centered prick. I don’t want to give you any more attention than what I’m already wasting on you.”

“That’s what I’m saying! If you let down your high walls and properly let yourself admire me for the beautiful, charming, handsome guy I am, then it wouldn’t be a waste of your time.” He expertly flicked his hair over his shoulder, winking at you as some of the strands tumbled down his collarbones and back. As atrocious of a haircut as it was, you did have to admit that the color of his weird gradient was very pleasing to your eyes.

But you’d rather eat knives than admit it out loud. 

“You’ll have to try harder than that. Anyone can dye hair,” you muttered, thoroughly unconvinced. “And before you ask, I’m not interested in staring at your eyes either. Blue eyes mean nothing to me. And I can always go buy color contacts off the internet and stare at those instead if I really want to.”

“Boo! That’s so boring! Wouldn’t you want a real living person? Someone with personality?” He pouted.

You rolled your own eyes. “Yeah. Someone that doesn’t have a stick stuck up their ass.”

Kaiser pressed his lips into a line, suddenly lost in heavy thought. He knew your patience was already running thin with him, and while it was frustrating that the typical antics he’d lavish onto his fans wasn’t netting him the reaction he wanted from you, it still thrilled him the same. You were so tough to crack! He knew deep down that you had some heart for him and that you loved admiring beautiful things! And was he not the most beautiful thing of them all? He was skilled, talented, the kind of guy anyone should be flattered to have. All he needed was to convince you with something unique, something that no other groupie or fan of his couldn’t have, and maybe that would be the key to luring you over.

To turn that burning red hatred of yours into a calm, placated blue interest.

“Well, what if I give you something truly special then? If I could show you something that you have to admit is beautiful, would you admire me then?” He offered tentatively. You sniffed, keeping your head held high, but he took your silence to mean that it wasn’t a complete refusal.

He broke out into the biggest grin you had ever seen. Your confidence wavered slightly at his smug smirk, and nervousness prickled over your skin. You held your breath as Kaiser slowly raised his hand to his neck. Two fingers hooked onto the golden collar of his Bastard Munchen uniform, which covered a generous portion of his neck.

He yanked down. 

A flash of deep, royal blue stunned your vision, and your eyes instinctively widened. Kaiser tilted his neck to the opposite side, making sure you could catch a proper glimpse at the part of his throat that was normally concealed by his uniform. You felt like something inside of your brain had violently hit the brakes the moment the color hit your eyes. 

Roses.

Beautiful, beautiful blue roses. 

You’re automatically entranced by them. They’re tattoos, each expertly painted on his skin with a careful hand. The black outline makes the rich hues pop even more against his body, and while you tiptoe forward to catch a better view, you can only make out the better part of one of the bigger roses. The rest are covered by his uniform, and you can see the hint of inked thorns traveling away from the flowers and towards his arm. 

Kaiser instantly caught the shift in energy from you. He wisely kept his mouth shut, but some prideful part of him was celebrating inwardly. He let you step closer to admire the handiwork on his body, your curiosity delighting him to no ends.

You wanted to touch them. To touch him. Oh, you could imagine the feeling of soft rose petals under your fingertips while you were utterly mesmerized by his tattoo, almost forgetting that it was just an inked drawing rather than real flowers.

“Well? Isn’t it lovely?” 

You flinched, snapping back to life. Dumbfounded, you were at a loss for words. It was completely unlike you to not have some kind of mean comeback to snark at him with, but the secret weapon Kaiser had on hand was too much. His tattoo had overwhelmed you in a heartbeat, the artistic touch only making you want to see it again.

But unfortunately for you, he adjusted his uniform back into its regular position with a cruel smile. “See? I knew you’d like it. Do you want to look at it again? Oh, I know you do. C’mon, tell me. Tell me you want to see it again. It’s not like I’m going to refuse.”

You bit the inside of your cheek, and very hesitantly, you swallowed back your pride. “Can… Can I see your tattoo again?”

“With pleasure, darling.” He cooed. He paused for a moment, and he pulled you closer towards him. You gulped nervously when he peered down at you, clearly savoring the victory he had earned by pulling wool (or in this case, a lovely tattoo) over your eyes. 

“But why don’t I take you to my room instead? I’ll take off my shirt for you. That way you can see the entire thing. And then you can fawn over me properly. You just said you wanted to see my tattoo again. Those pretty roses,” he leaned in, tempting you over and over with the fleeting memory, “Those pretty, pretty roses that are in your absolute favorite color.”

You were torn, and Kaiser reveled in that tormented expression of yours.

He held his hand out. “No need to be shy. Let me show you all sorts of beautiful blue things, my darling.”

x

[vaggieslefteye]

MORE THAN ANYTHING - REPRISE ↳ from Hazbin Hotel Season One (2024): 1x08 - "The Show Must Go On"

[yeetusthemighty]

Little reference sheet thing for Zane because I physically cannot draw characters without adding a ton of extra details that just don’t exist

Alt with my doodles under the cut

[dw-flagler]

In this post, I will attempt to calmly, reasonably, and in-a-good-faith-manner argue all the points raised by tumblr user @library-bat-girl in the following posts. I am starting a new thread so as not to further destroy the original poster, @skitterenjoyer's, tumblr notifications. Worm (+MHA) spoilers ahead. This will be a long post.

Firstly, I would like to apologize on the worm fandom's behalf. We will not engage in ableism of any kind. I sincerely hope that this was a singular incident and @skittersdrippygirlcock will be better about this in the future.

"MHA has better characters,"

My Hero Academia's primary achievement, I think, is managing to make many decently well rounded characters in a fairly short time-span. It certainly has very good visual character design, with easily memorable character designs, like Mina Ashido or Tsuyu Asui. Most of Class 1A is shown to be more than single-note gimmick characters. For a story with such a tight schedule, and only so much page real-estate, that's impressive! For instance, a character decidedly outside of the main cast, Fumikage Tokoyami, is shown to have more to his personality than "is an edgelord," showing a humility and friendliness that is highly against-type. This is very different than a lot of its peers, especially in Shonen manga, where side characters (and sometimes even main characters) are never more than their tropes (see Fairy Tale, One Punch Man*, The Seven Deadly Sins, or Black Clover). My Hero Academia does clear that bar, by making side characters little more than their tropes. This is to say nothing of the primary cast, who, again, is largely defined by tropes and easily slotted into standardized interchangeable Shonen roles. Rival, Love Interest, Rival but Nice About It. Additionally, MHA has an uncomfortably sexualized main cast, for one composed primarily of minors.

This is compared to Worm, in which many characters are fully realized and could have been the protagonist (and often were in older drafts of the story, due to Worm's 10-year development hell). Every character that gets an interlude, and most that don't, all have fully realized interiority, traumas, and wants. In fact, this is one of the major themes of Worm. Every character, from the protagonist Taylor, to characters so minor they're seen only once (see Damsel of Distress, Dauntless), to major antagonists and monsters (see Jack Slash, Bonesaw) all have their own story, even if this is never shown on-screen. There are no "side characters" in the same manner as in My Hero Academia, because every character is a protagonist of their own story, and not in a trite "life is so beautiful" way.

Taylor isn't the center of the universe, there's an entire world outside of her 3-block bubble. The mechanism by which all characters get their superpowers means that the mere fact of having powers implies this about them. Even the seeming exceptions, aren't (see Alexandria, Garotte). Taylor is a good character. I don't even know how to elaborate on that. She just is. Worm does not have the character Minoru Mineta.

"a better plot,"

What... what is the plot of My Hero Academia? For the life of me, I can't seem to recall. I can tell you the general formula of most of the arcs for the first ~2/3rds of the story. Class 1A goes to do a hero high school thing, like do rescue training, or on-the-job training, or on-the-job-training, or on-the-job-training (they do it like 4 times for some reason), the League Of Villains shows up (even when it's seemingly not the league of villains it actually is the league of villains) they fight about it, the class beats all the villains, and Deku beats up strongest bad guy and also breaks his bones. Repeat step 1. But like. What's... the plot? The League of Villains is evil and wants to kill people and do bad stuff. They explicitly do not have greater motivations. There's generally themes of passing-on-to-the-new-generation, so there's Tomura Shigaraki as the arch nemesis to Izuku Midoriya, just as All Might's Nemesis is All For One. Eventually they fight a big fight about it and I stop reading because I find out about Worm. From what I understand (I have not read the conclusion) the series ends without addressing any long-running questions, wrapping up any character arcs, or concluding anything in a narratively satisfying manner. As if severely rushed.

Worm, there are maybe 15 main stories going on simultaneously, which are all tied into the final confrontation with Scion. The most obvious is Taylor's and the Undersiders' story, about taking over Brockton Bay and defeating Coil, which is a smaller part of Coil's story about taking over the bay, until their confrontation with him in arc 17, when it supersedes Coil's story, and then intersects with Cauldron's story, the Traveler's story, the Case 53s' stories, the Wards' story, all of it, in arcs 18-19. This is one example. A great deal of attention is spent making sure the reader knows that Taylor, the Undersiders, Coil, all of them, are bit players in a very large game. Despite this, it's never hard to follow, because Wildbow, while lacking some of the more flowery prose, manages extremely well at making his stories easy to understand.

"I feel like even people who like Worm can agree that Worm is not the most consistent piece of fiction ever written. The disjointed way it was written meant that emphasis was primarily put on 'What Wildbow thought was cool in the moment', [sic] and the story RADICALLY shifts gears every time a new arc starts."

What? Huh? Worm is extremely consistent. Like. 1.1 to E.x. It's, like. Not disjointed? Oh my god, are you talking about interludes? Is that what you mean? The interludes shift gears? Because that makes sense. It's one of the hardest things about worm, yeah. It's gripping! The interludes are a great idea to expand the world of worm, but the problem is that taylor's story is so intriguing that stepping away from it to focus on something else is hard, no matter how individually interesting. I want to read about taylor's escalation spiral, not the travelers! (As opposed to My Hero Academia having random escalation and de-escalation between arcs with no real explanation. We're reading about lives-on-the-line battles with child-slavers and then move to playing on a playground with little kids? Best I can think of is that this whiplash is intentional, but this is never communicated to the reader. Worm does not do this. Any de-escalation is met with the explicit understanding that this is merely a period of calm before things get even worse). Taylor's story wraps up in an extremely narratively satisfying fashion, following her story to its logical conclusion. There were so many ways it could have been avoided, but there was really only one way that it could have ended.

"better worldbuilding,"

This actually offends me. MHA could have had great world-building. It doesn't. Every potentially interesting bit of world-building is backpedaled out of or stopped before it could get anywhere. Or it's just never elaborated or expanded upon. Everyone having a superpower could have been cool, but the implications of this are nonexistent. The reasons for this having no real implications, that being the banning of quirks, also has implications that are also immediately backpedaled out of. It's been hundreds of years since our time, yet life is exactly the same. Nothing ever happens. Endeavor is a cool concept. I like Endeavor. his existence implies such interesting things about the world, how important hero ranking is to these people's lives, that he would create this horrific system of domestic abuse to try and get to the #1 spot. What does this say about this system of heroes that operates like a popularity contest? It could have said a lot. It says nothing. What does the League of Villains, a league of people who call themselves out-and-out villains, who base their ideology in opposing this system of heroes, say about society? Nothing. On purpose. Worm does something with this. One Punch Man does something with this. My Hero Academia puts it in the story, and lets it sit, unused, for a decade.

Worm has... unique world-building. Because it's both good and bad at the same time. Worm's #1 feature is its world. It's brilliant, full stop. Triggers, The Birdcage, the PRT, Exclusion Zones! Why does the status quo exist? what does it say about that society? What does it say about our society? Why hasn't society radically changed from how it is in our world? This is explained. This plays into the themes. The story wants to say something about this world, and so it does. There are characters whose stories explicitly delve into these themes that are set up in the worldbuilding, like Armsmaster, or Battery, or Bonesaw, or Coil, or Piggot or Alexandria or Taylor herself or Brian or Lisa or ANY OF THEM THEY ALL DO THIS. Sorry.

Anyway, the bad part is that the actual world is not well built (and is kind of racist). What's going on in Europe? There's a 3 blasphemies! a 3 what? never explained. What's going on in Asia, aside from Japan? China is a monarchy for some reason. Why? It's never elaborated on. India gets a little bit of elaboration, we're told its different but not how it's different. Wildbow uses machine translation wrong and names some guy caliph of dogs. This is like worm's #2 problem honestly (#1 is Amy). Wildbow tries to make the implication of a well thought out globe without actually making a well thought out globe.

"stronger themes,"

It really doesn't. As I said in the worldbuilding section, MHA makes a point out of not saying or doing anything. I don't know if editors made Horikoshi walk back the more ambitious story beats or what, but there are multiple points in the story where the author pretty much looks you directly in the eye and goes "This Story Isn't Saying Anything At All Even Though It Looked Like It Would. Lmao."

Worm has lots of themes. I think Armsmaster/Defiant's story is my favorite. His entire character arc (which is fully realized despite him being a background character for nearly the entire story) has a point to it. It says something. It's misanthropic and uplifting simultaneously, and manages to feel like it earns both. It's a shared theme with Bonesaw/Riley's story, explored in two different ways.

"Meanwhile MHA establishes an actual overall theme/message right from the start that expands and develops throughout the story. The worldbuilding is informed by the message, which informs the characters arcs and the people they become by the end of the story."

I notice that you never actually say what that message is. What is it? Like, for real. I'm not being confrontational or anything, like what is the message? Cuz' I can't think of one. My Hero Academia, at its very core, is a defense of the status quo. Much like its world-building, but much less forgivable, because it does do something new and unique with its world-building. MHA could have done some extremely interesting stuff with its early implicit critique of heroic society as shown with characters like Bakugo, or Shigaraki, or Endeavor, or Overhaul, or Midoriya himself! It just doesn't! It doesn't do stuff that Worm does do!

Worm does have a message. It has a lot of messages, actually, some that the author disagrees with somehow. Prison abolition, for one. We know Wildbow loves prison. Anyway, the big one is in the subtitle: doing the wrong things for the right reasons. Taylor's constant spiral of escalation, her dwindling attachments to her friends and greater focus on treating herself like a soldier is prevalent, and it is to be avoided. Taylor isn't a sin-eater. They don't exist. From what I remember, this is sort of explored in Deku's character arc for a short period of time, but much like everything else in MHA, it is backpedaled out of.

The funniest is "don't text and drive" though.

"Just on a basic level the way that the audience is meant to feel about Taylor oscillates wildly between being directed to think of her as a misunderstood victim of circumstance, or history's greatest monster."

That's kind of the point. Like. the audience isn't meant to look at Taylor the same way throughout the entire story. It's meant to change as she changes. Taylor's opinion of Taylor changes. The mistake here is saying it "oscillates wildly." it doesn't. It's a slow and steady change for the worse, as Taylor gets more violent and starts throwing away greater and greater parts of herself to become more like a robot and less like a person.

"But a bigger issue in general is tone. It's very focused on being dark and gritty and edgy, and it makes the mistake a lot of consciously edgy media does. IE: it thinks that all it has to do to be smart is be bleak and/or graphic. It doesn't really try to say anything, in fact it contradicts itself throughout the book as I mentioned before, it just throws in extremely graphic scenes and content periodically to remind the audience how fucked everything is."

Did you read the boys and think it was worm? What? It's not being smart when it's bleak or graphic? I actually personally like the endbringers or the slaughterhouse 9, and not because I like watching people suffer. These things exist for a reason. It's not being dark for the sake of being dark. The heroes could stop the slaughterhouse 9. We see that, when they almost stop the slaughterhouse 9 (it's explicitly shown that they are stopped from destroying the slaughterhouse 9). The question then becomes why don't they? It's a grim, brutal calculus, and one that wasn't worth it. That's the point. The Endbringers are different. It's not until arc 27 that they're really explained. You could either read them as a criticism of Eidolon or of ableism, honestly. I mean, it wasn't intentional, he didn't create them on purpose, he needed something to fight, because without that he's nothing. His powers are all he has.

"Worm spends so much time trying to be edgy that as with a lot of edgy media the edginess loses all impact quite quickly and becomes sort of cringe."

I don't really think so, but like. Okay. I don't think this is a reconcilable viewpoint (none of this is really but this especially), so like we're probably gonna have to agree to disagree. The only thing I can really think of as edgy for the sake of edginess is Amy's arc. But even that's not really true. It's meant to be an utterly avoidable tragedy that could never have been stopped because of the people involved. Much like Taylor, actually. Amy could have stepped back from the brink, but she didn't, because Amy could never have done that, and nobody else was willing/able to help. It's supposed to be a thing where you sit back and think of all the tiny ways this could have easily been avoided, but wasn't.

"When body horror happens it still has impact because it's not happening constantly."

I mean, I guess. But like. I never got desensitized to the body horror in Worm. It hit pretty consistently for me throughout. As opposed to MHA, where it was usually walked back by the end of every arc. I never felt much tension or suspense because it felt as if there weren't actual consequences. In Worm, when Brian was strung up on his nerves, it felt disgusting because I was fully aware Worm would explore the ripple effects of this. It felt entirely possible he would die there, or never recover, because Worm didn't pull its punches. MHA did. This is a matter of opinion. We'll just have to agree to disagree about it.

"But most importantly - you root for the heroes because the world actually seems like it's worth saving."

that's just, um. sorry. I'm really trying here. That's just. Uh. Dumb. Do you root for Batman cause Gotham is a nice city? Everything's worth saving, that's, like, at its most basic what the concept of a superhero is about.

"Not only that but MHA simply does villain protagonists objectively better than Worm."

um. No? There straight up aren't villain protagonists in MHA. The villains are the POV characters for, like, one arc? You know what, here's a good spot for it. It's stated throughout the story that Shigaraki and the League of Villains have a goal, beyond just death and destruction. They're here to stop the corrupt society of heroes (that MHA hints at the existence of before backpedaling away from), and bring about a fairer society. But then, and this part pissed me off, one of the characters, I think Bakugo, says: "you're just using that as cover! you just want to kill people, you have no noble goal!" and shigaraki's like "dang you caught me." and then it happens again with Deku! Because My Hero Academia is allergic to saying something. Nope! They're villains! No moral depth here! They're Villains, We're Heroes, Go Put Them In Jail.

This is opposed to Worm, where- "The characters of the villains and their origins are used to highlight the flaws in the Superhuman society"

"Most of the villains are only villains because society failed them in some way, and the specific ways in which that happened become big plot points that then play into the future arc of our heroic characters."

I had to walk away from my computer for this one. It's hard to be civil. It's really hard. Polite and reasonable.

So Worm is about this. To even say this without a shred of irony makes me thing you've never once read a single word of Worm and are doing this purely as bait. Or you've read all of Worm and are doing this purely as bait.

"They're actually extremely complex in a way that ends up being fundamentally important to the overall story - where in Worm the villains are either based heroes fighting a corrupt system or they're histories [sic] greatest monsters... until they're presented as heroes again."

I think I get it now. I really think I do. You're not supposed to agree with all the characters. Like. Worm is inconsistent, in that it follows the perspectives of inconsistent people. Of course Triumph and Armsmaster don't agree on what is right! They're different people, they have different perspectives!

"See. Worm fans keep saying "This is Bait." It's not Bait, you all are simply ridiculous and obsessed with this series to such a degree that you feel compelled to say "This is Bait" instead of just... ignoring it, because you have no actual counterargument."

Perhaps worm fans are inclined to believe you posted rage bait because you brazenly walked into another fandom's post and wholeheartedly proclaimed that the thing they liked was Stupid Idiot Bullshit For Fucking Morons, and refused to elaborate until prompted, at which point you said several things that are demonstrably false about Worm.

"Your only response to anything I've said is pedantry, bigotry, and deflection. If it was obviously just bait why are you engaging?"

Well, I'm engaging because I've been in a foul mood since I woke up this morning. Also because you, again, said some very rude and patently false statements about a story that I really enjoy and find narratively rich, even in its faults.

"MHA's characters do fall into archetypal shounen character roles - but they are all given a solid amount of focus explaining why they are like that and developing them into something bigger."

Again, as I said, it's a genuinely impressive feat to have an ensemble cast like what My Hero Academia has, and give so many of the characters a degree of depth, with such little manga to work with. I think worm does it better, but worm doesn't have to be economical about it. MHA does. The problem I have with this statement is that it becomes a question of scale. How much bigger? They're no longer defined by their tropes, instead defined by their opposition to their tropes. It's still a one-note character, you've merely changed the note from C to C sharp.

"so almost every member of the cast has an arc that either develops them past the person they initially seemed to be or explains why they're like that."

This is probably my favorite part about MHA. They do have arcs! I love ensemble casts! it does a much better job in this than all of its contemporaries, even One Piece. However, they are comparatively simplistic arcs that all follow a similar formula.

"I've heard people say MHA is neocon or pro-establishment but the story literally concludes by showing that society HAS TO FUNDAMENTALLY CHANGE or the same problems that created the villains in the first place will keep happening. The entire time skip specifically focuses on the fact that for eight years the main characters have been forcing change in the world and addressing the issues the villains brought up."

Now, I'm going to be clear. I stopped reading My Hero Academia around chapter 275. I don't know the exact number, but it was the latest chapter in ~mid 2020. I would occasionally attempt to reread, in an attempt to catch up, but give up around chapter 200 out of boredom. I don't know exactly how the story ends, but I have read ~2/3rds of the story. I feel this gives me a pretty good understanding of the general tone of the story, unless it wildly changes tone at the 3/4ths mark, which you have explicitly said it does not, as it is extremely coherent and consistent. Therefore, I believe I can state with some degree of confidence that MHA does not do that.

I would certainly believe that it tries (and fails) to SFP it, but SFP does not promote a fundamental societal change. That's the problem. Strong Female Protagonist was willing to come up and say that Alison lived in a fundamentally unjust world, even if it was never willing or able to offer real change. And hey. You do what you can. I sincerely doubt My Hero Academia is even willing to call its world fundamentally unjust, from the 200+ chapters that I did read.

"In the case of the actual main characters, they have extremely comprehensive character arcs."

Adding this behind the last point just so that I don't have to reiterate I haven't finished the book. I am, however, very much not inclined to believe the actual main characters had extremely comprehensive character arcs.

Which plays back into the initial theory that ANYONE CAN BE A HERO.

man, spider-man did that better (not a real argument, but like, spider-man totally did that better). Not least because midoriya specifically could not become a hero were it not for all might giving him a power.

No, the Villains don't get happy endings,

Why not? Why do they go to jail, even the ones who changed and wanted to redeem themselves? Endeavor never goes to jail. He did some horrible stuff. He's redeemed himself in the eyes of the story, right? Anyone can be a hero, right? So why not them? Why haven't they redeemed themselves in the eyes of the story?

You may wish to turn this back on me and ask why doesn't Armsmaster go to prison? Because he's similar in some respects. But worm never calls prison justice. (for some reason, even though wildbow totally loves prison). Prison is punitive, a tool for those in charge to control those it manages to capture. Maybe some deserve life in the birdcage. Many don't. It doesn't matter. Because the birdcage isn't a tool of justice. It's not meant to be. it's a box to put the uncontrollable capes in, until they can be used as meat shields. So Armsmaster doesn't go to prison because the story says explicitly there is no point to it. But MHA? MHA says there is a point to it. Endeavor needs to go to prison if he wants to atone. He's escaping justice every second he's outside.

I have actually read Worm, and for the first half to two thirds I loved it.

Weird. That's exactly how long I really enjoyed MHA. Not, like relevant, to anything. Just odd. I mean, I don't actually dislike MHA. I think it's fine, actually. It feels like Indiana Jones and the Last Crusade to me. Funny (when Mineta isn't around), bombastic, and a good time, even if I don't think it's super thematically rich.

I'm not coming at this from the perspective of someone who has never seen any of the merits of Worm, I'm coming at it from the perspective of someone who really liked it, gave it a fair shot, and was eventually disappointed when it ended up not tying together right.

See, this makes me more inclined to think it's bait, actually. since you said "Oh yeah. MHA is published. MHA's been an ongoing publication with a large following for ten years, in a notoriously competitive industry. Now this might seem kind of unimpressive, it's a very low bar to clear I know. But it's one Worm hasn't, so. I dunno, I'd say that's fairly objective. Now you may think "Yeah, but Trash fiction gets published all the time." And that's true but again - Worm hasn't. The worst piece of fiction you can think of got published and Worm didn't. You wanna be an asshole about this? The thing you love is so mid that it was self published in 2013, couldn't get picked up for professional publishing until 2019 and as far as I can see has stayed in development hell since then." in your previous post. Sure, perhaps we can say you were pissed at the time, but "the thing you love is worse than trash fiction, an altogether nothing piece of literature that isn't even worth the paper it would hypothetically be printed on" does not strike me as the words of someone who "really liked it, gave it a fair shot, and was eventually disappointed when it ended up not tying together right." In fact, going back through your other statements on the story, you seem to have genuinely disliked it from the very beginning, on grounds of being too edgy (which I can fully understand the logic of): "IE: it thinks that all it has to do to be smart is be bleak and/or graphic," thematically incoherent: "It doesn't really try to say anything, in fact it contradicts itself throughout the book as I mentioned before, it just throws in extremely graphic scenes and content periodically to remind the audience how fucked everything is," and utterly devoid of purpose or meaning. "When it does introduce new lore that new lore is almost always overly convoluted and acts as a catalyst for things happening, but not really things happening that play into a wider theme or message. It's just "Oh and here's this team of god-level serial killers who are gonna string a dude up by his nervous system." Like yeah, cool visual, but what is any of this actually saying?" This does not sound like a ringing endorsement of the first half of Worm to me. In fact, this sounds like you hated every second of it.

"And frankly given the number of comments that are just people saying "Bait" - I don't think any of y'all have engaged with this in a fair or honest way"

I'm going to reiterate on my previous statement. I like my hero academia. Capeshit is my favorite genre, it probably always will be. They're my favorite genre of story. While I find the themes—or lack thereof—extremely frustrating, I still think of it as fun. I gave it a fair shake. I would probably really enjoy the ending if I didn't have a reading list that was 300 books long.

[autistic-katara]

icl i would be at least a little happy with almost any ending for stranger things but one thing that would ruin all of it would be an epilogue (of a decade or more later)

[thefirstknife]

After recovering from the doomed yuri (he said, like a liar), I had a moment to think about a little detail that I'm not sure was seen again or addressed at all?

In the mission where we go into the cache copy of the Infinite Forest, there were 4 doors in the central room.

One led to Saint-14's Tomb and the other led to what would be the Encore area. But I recall the other 2 doors had some distinctions from the others (clearly remember one having what seemed like scorch marks and/or ice?) that were inaccessible.

....What's up with that?? There was speculation about where those could lead, but then I don't think we ever went back there to check?

Of course, I could just be misremembering things (it's not like my heart was mercilessly torn out from my chest, no no. I'm very capable of rational thinking at the present, yes)

No you remember right! They're there, I went batshit insane about this when I first got there. Took additional screenshots on my other visits and wrote up my observations in one of the posts, but I'll drop the screenshots here again because they're better quality/angles.

The icy gate is Europa gate. It literally uses the same textures and ice and snow:

Normal Sol Collective Vex come out of that gate during the fight, aka the ones you'd find on Europa. This isn't too big of a deal overall because those Vex are just the standard Vex units in the system. However, the other gate? The grassy one? That's the Black Garden gate:

During the fight, Sol Divisive Vex come out of it. This means that the Europa gate doesn't just have random Vex, it's like that on purpose, otherwise this one could've also had the Sol Collective, rather than Sol Divisive. The distinction between them does matter. Could just be for the purpose of showing off different units and all; not necessarily some huge hint but still. I don't think I'll ever stop thinking about it.

It's a really big area with a lot of stuff that's really unique, such as these various gates. It hasn't been used for anything other than this mission. Was it just a nice setpiece for a really important mission or is there something more here that might be revisited? No clue, but it looks like something that could be used at a later date.

You can return here from Encore, but I don't think it's intended. You can't come back when you're at the start of the mission; there's a turn back zone. But when you return to the starting area while doing the secret chest, you can go back fully to this room. And it's a little weird. The radiolaria pool on the floor is not moving or damaging you, for example, which means that it's not intended to go back. But if you want to go explore the area, you can!

I have no idea if they ever plan on expanding on this. The whole idea is super intriguing to me. Nessus has these "archives" that can apparently go to different places? At least Vex-controlled ones like the Black Garden and Europa (I'm thinking it's possibly connected to the Nexus/Glassway). Can these be tuned to make other areas accessible, even if they're just archived? And obviously a really peculiar detail is that they specifically use the Infinite Forest portal, including being able to go to the Infinite Forest archive, in the case of Saint's tomb at least.

Obviously this went beyond the scope of this season, but when it comes to the Vex and their abilities and options, I am very intrigued by this whole area and what it may be capable of. Also, better image of Descendant Wyverns which are unique units made only for this mission (that I am aware of):

Used only once, here. They have to have made them to be used at some point again in the future.

Certainly one of the most fascinating areas that just looks like something other than simply a setpiece for a one-time mission. The whole concept of it is really intriguing as well because if we could possibly access some of these other archives, could we learn more about the Vex and their plans? Uncover some of their secrets? Find a way to fight them better? Do these archives contain information about the actual places like the Black Garden and Europa, or are they just archives of simulations from the Forest? Or both? Also, which collective controls this archive even? One of the gates leads to the Black Garden and Sol Divisive isn't on good terms with the rest of the collectives, so how are they dealing with that?

These are questions for another day, I suppose. *punches through the drywall*

[seilon]

please don’t by k.will did more for the gays back in 2012 than any boy group can possibly do with fan service and crop tops in 2024

[eshtaresht]

if any of my american friends see this, I understand what you're going through and I care you

but jesus fucking christ is it annoying to watch every social media feed just. flooded with doomerism and whining... I know this is just a sub product of american global influence as a whole but it's just frustrating and tiring to have to be invested in one single country's politics cause they're gonna bite everyone's ass. this behavior isn't unique either, this happens after any election, it's just when it's other countries they do that in their segregated "side of the internet" and americans are the whole internet so that's literally all everyone is seeing right now

and I don't wanna say this, cause I get the panic, I really do, been there done there but guys.... you're not special. your fascistic government didn't become suddenly fascistic overnight and it certainly isn't a Unique brand of evil, it's as conservative as the rest of the world's major powers right now! you just didn't care about that as long as you had the illusion of personal safety. congrats! it's gone now. welcome to the real world, oh Regular White American who just suddenly realized they don't have as much say in the order of things as they thought they had! ! you're gonna be fiiiine. you're gonna be fucked over but you're gonna survive just like the rest of the world being fucked over by your stupid government (except for the people it had and continues to kill, obviously)

fuck, this sounds really evil and mean and everyone and their mother are already at each other's throats but ghrrrrrhh I just need to get this frustration out somewhere

[kyouka-supremacy]

Well.

[bumblingbabooshka]

One of the best Voyager scenes to indicate Tuvok & Neelix's dynamic and how I think Tuvok is just as if not more 'annoying'(positive) than Neelix is when Neelix pours Tuvok a fresh squeezed glass of a fruit juice blend and Tuvok's like (paraphrased) "I don't want to drink this." and Neelix is like "Can you please try it?" and Tuvok's like "I don't want to, you're really bad at this sort of thing. It's going to taste bad." and Neelix says that Ensign XYZ said she LOVED it, she even had a second glass! And Tuvok says Ensign XYZ could drink poison without a second thought and Neelix is like "Tuvok could you please just TRY it? Just try a little SIP of it PLEASE??" and Tuvok sighs and rolls his eyes and sniffs it before taking a sip and it turns out he loves it. Turns out it tasted good actually. And then after all that Neelix tries to talk to him over eggs (which he's again cooking fresh for him) and Tuvok tells him he doesn't wanna hear "the life history of his breakfast." Absolutely insufferable this man I would have burned his eggs on PURPOSE!!!!

[cuteniaarts]

Digitalised + coloured + redesigned version of my Suiren and Vaatu sketch from two days ago, as promised!!

Coming up with Suiren’s design was a very long process of trying and failing because after you’ve drawn 9+ different versions of one character, the creativity starts to run a little dry, but I’m actually really proud of this one, she looks absolutely adorable <3

(Also yeah I did mostly just scribble Vaatu’s pattern because who has the energy to draw the all out accurately. Not me, that’s who, I’m chronically tired. People who draw him on the regular have my utmost respect. He’s still a funky little guy though :D)

Bonus, Raava incessantly screaming inside Suiren (and being completely ignored because Suiren is tired of her) while all this is happening:

[memento-morri-writes]

This is far from my best work, but it's 1:30am, and I needed to get this down before I slept or lost my mind. So here, take a snippet of Rook seeing Zara again for the first time in 3 years.

Trying, and failing, to keep his voice from shaking, [Rook] said “Hello, Captain.” Mouth still open in surprise, [Zara] replied “Well, hello yourself.” The reality of what she was seeing seemed to hit her as she rounded the desk. “Rook, is that really you?” He nodded. “It’s me.” Zara ran towards him, stopping just short of touching him, and said “What did she do to you?” Rook’s heart stuttered and he had to brush his fingers together to confirm Sigmar’s ring was still in place. Could she possibly see through its illusion? But then he remembered what Lanny had said. She knew where you were. His throat clenched and he choked out “Two years.” A wave of grief swept across Zara’s face as she said “I’m so, so sorry.” Rook shook his head vigorously. “It’s not your fault.” Zara ignored him. “It is my fault. I failed you. As your captain, it’s my responsibility to keep you safe, and I failed you.” Rook wanted to say something, to reassure her, but she pushed on. “She sent me letters, told me all the terrible things she was doing to you. I… I let you down.” Those words hit Rook with the force of a dozen cannonballs. Lanny had said that Zara knew Wolf had him, but knowing that Zara had been aware of what Wolf was doing to him… somehow that was more painful than any wound Wolf had ever inflicted. He barely managed to force his next words out around the lump in his throat. “Where were you?” And why didn’t you come? “She said she’d kill you if I came to get you. Or if I hired anyone to get you. You’re standing here because I stopped sailing.” 

(honorary one-time tag for @space-writes bc I remember you enjoyed my other bits about Rook and Zara.)

[nejackdaw]

A collection of memes I made while rereading the Inkheart trilogy, of varying effort (incl. the inspirational quotes)

Inkspell 📜

For the life of me I can't find the exasperated lines from both of them that sparked this but this was the vibe (<- forgot to write it down)

+

(Dustfinger) "'But I will not take a sword in my hand, if that's what you're hoping. You know I'm no good with such things.'" // (Mo) "And Mo felt a dragging sensation in his breast, as if his hatred had given birth to something, something that wanted to kill." // (Resa) "It was Mortola who taught her to hate." // (Farid) "'We can cut their throats before they make a sound. It will be easy!'" // (Meggie) "I hope you catch the plague here and drop dead like flies."

+

"'There's a story... Roxanne knows it,' he said. '... Tell her I'm going to find out if the story is true.'"

❤️📜💀❤️📜💀❤️📜💀❤️📜💀

Inkdeath 💀

"Loving someone merely meant pain. Nothing but pain."

"'Write what you like,' replied Mo, cutting through the leather again. The bookbinder wouldn't feel the words."

+

"It sounded as if his mother were breaking into small pieces... But he wanted to keep her... He wanted to go back to Ombra. That was his castle. He was frightened of his grandfather..." // "'Your grandfather has a son now. So his grandson doesn't count for much...'"

+

He wished them all to hell. Orpheus and the Piper and his grandfather. He wanted to be like the Bluejay and the Black Prince--and then he'd kill them all. Every last one of them." // "He opened it, and Mo forgot to breathe. Pages soaked in blood. Jacopo was looking at him... Mo clutched the pencil in his fingers and opened the White Book."

"His mere name used to quicken her pulse, but now she hardly listened as he told her about his plans... Her heart leaped only when... Doria was suddenly standing there in front of her." (Girl if I had to play second fiddle to my bf he'd be gone too)

[camellcat]

WTFFF I thought thirteen would be my new girl crush love of my life heart eyes wife you-came-after-twelve-you-must-be-better-than-they're-all-saying bbygirl and then I had to sit down and watch as she told a man who (if he were not a murderer, of course) literally every regeneration before her would've LOVED and FULLY SUPPORTED that "the systems aren't the problem. how people use and exploit the system, that's the problem. people like you" </33333 !?!?

[monards]

everytime i find out someone has assumed i had a crush on them because i treat them with (normal) platonic affection i die a little inside. i fear people have unnormalized just being decent and kind a little *too* much