#please don't think you're bothering me!

[enniewritesathing]

[my-cabbages-gorl]

The Chosen One

[tubbytarchia]

My MCYT stuff is available to buy now! (10EUR shipping worldwide)

I've never used Kofi to sell physical items before, so please feel free to tell me if anything is wrong with the formatting etc. It has a few less convenience features compared to Etsy, like shipping variation for the same location (eg tracked and untracked) and no discount code function built in. You'll just have to DM me for stuff like that. Kofi doesn't take like a third of my money like Etsy did though lol

I'll make a more formal post at a later date probably in case there's stuff to file out before then

haggling is acceptable if you buy a bunch of things cough

[ispridestillasin]

So I decided to watch a bit of Bridgerton with my mother, which I'm not really interested in (I don't really like period pieces unless it's a fanfic for a ship I like) but it's a show she enjoys so I sometimes catch her watching it and join her, and literally the only takeaway from the stuff I've seen with her is that Colin, Lord Debling, and Penelope should have all been poly

[finalgirlminamurray]

remember when halloween 2018 (or as i like to call it, halloween h40) came out and people were making those flowchart-style diagrams explaining the various halloween timelines? i like when people try to do that for the texas chainsaw massacre series because it is a fool's errand. you cannot divide that series into distinct specific continuities because there aren't any. there's a good argument to be made that every single film in that series takes place in its own completely separate timeline because it so often does not bother to meaningfully connect them beyond the single recurring character of leatherface.

i've mentioned before that tcm2 is my favorite sequel and the only one i actually like and will accept as a canon sequel to the original film, and part of that is because despite the complete 180 in tone it does, it's the only one that bothers at all to be a sequel. i think it's the only one that makes sense as a continuation of the first movie - the only glaring continuity errors are confined to the opening scroll text, which you can take or leave as part of the films' canon. (by this i mean the first movie's opening implies that the sawyers' crimes were discovered after sally's escape, while the second film explicitly says no evidence was found. also it retcons sally's last name to be "hardesty-enright" instead of just making lefty's last name also hardesty, for whatever reason.) there's one newly introduced member of the family but you can infer why he wasn't there in the first movie, and the one who isn't there this time has a good reason to be absent (he's died.) one of the main characters in this movie is a relative of the first film's final girl and his involvement in the plot is explicitly connected to what happened to his niece and nephew. the events of the first movie clearly happened in this universe. low bar, i know.

this could be attributed to this being the only sequel also directed by tobe hooper, although the original film's screenwriter did not return, and him having more of a vested interest in continuing the story of his own work. most of the original film's cast did not return for this one (can't say i blame them), but they work with that pretty well. i do think the film ends in a way that pretty decisively puts the brakes on any possible continuation from there, which could be attributed to hooper not really wanting to do a sequel in the first place and trying not to get asked back for another one. (i agree this was not a film that should ever have had sequels, much less become a full-on franchise. but you can tell that upon having to do it they were just like fuck it, let's have fun. hence the tone.) not that that stopped the studios from valiantly trying again and again to profit off of this title.

which might explain why the later sequels are so particularly weird. they don't really have a lot to go off of, i guess. i think part of the problem is that this is one of the few slasher films where the villain is actually a group of people, not a single recurring killer or identity various killers take up. they do have a silent, masked slasher who can be played by whichever new stunt guy you get for each film, but what about the rest of the family? it's always felt important to me that there isn't anyone outside of this isolated little unit in the first movie, but sequels keep inventing totally new characters out of nowhere with no explanation as to where they've been in previous installments. doesn't matter - we're in a new continuity now. tcm3 does not logically follow in any real way from tcm2 or tcm1. it's not a sequel despite the number in the title. it's a reboot.

(i've kind of come around on tcm4 aka tcm: the next generation. i used to think it was the worst sequel but now i think i get what it's trying to do a little better, although it is a pretty stupid movie in a lot of ways. some people have described tcm2 as a deliberate parody of the first film but i think that applies way better to the next generation, seeing how it follows a lot of the same plot beats but done in a more outlandish and parodic way. also, hey: same screenwriter as the original, returning this time as director.)

then the remake made a shit ton of money and kickstarted a new direction for 2000s horror (great. thanks for that.) and got a prequel that also actually made sense as existing in the same continuity as the film it was a prequel to. (again it probably really helped that they were able to get most of the cast back. no need to invent new family members when you still have all the same people playing them.) then in 2013 we got a sequel that promised to Finally be a Direct sequel to the original movie and...it made no sense as one. they try to pick up right where the original left off but right away there are once again a whole bunch of new characters who definitely weren't there in the first movie suddenly appearing in the house, including a baby whose existence is crucial to the plot.

(i'm sure everyone knows about the bizarre timeline decisions of this one, namely the main character ostensibly having been born in the same year as the events of tcm1 but only being about 18 years old during the main events of texas chainsaw 3d, despite it seeming to take place in the modern day. however there is an explanation for that! originally the film was supposed to take place in the early 90s when a character born in 1973 would have been that age, but studio meddling forced them to reshoot it to be 2013. you might notice that any mention or depiction of the exact year the opening scene takes place seems conveniently obscured in this film, implying that it is yet another alternate timeline where the events of tcm1 occurred sometime in the 1990s. this also serves as further demonstration that 1. studio executives are the dumbest people alive, and 2. people really don't care that much about the first movie. more on that later.)

leatherface 2017 is an attempt at a prequel that also makes little to no sense as a backstory for its titular character; i wouldn't be surprised if it started out as an original screenplay that got retrofitted into a tcm movie. there are no new sawyer relatives invented for this film (i don't think), but it does seem strangely insistent on keeping its leatherface away from the family for as much of the film as possible, making it feel especially like it didn't actually want to be a tcm movie. (the twist of the titular character's identity is clearly meant primarily to be surprising and not to make sense, but i can only say: there's no way that the original film's leatherface grew up apart from his birth family for that long and also used to be a "normal"-by-neurotypical-standards, verbal kid. different continuity.)

then in 2022 we get yet another attempt at No Guys Seriously For Real, This is a Direct Sequel to the First Movie, and i should have known things weren't looking good when it was announced this was actually getting dumped on netflix in february but my expectations plummeted to rock bottom when that teaser came out that thought the most relevant part of the movie to sell to people was a "canceled" joke. jesus. tcm:tng i'm sorry, this is the clear worst sequel. (if it was just that one dumb joke it might not be, but there's so much more that's awful in this movie - whatever.) anyway continuity-wise i guess this isn't completely disconnected, there is clear acknowledgement that the events of the first movie happened, but it's really not relevant to the main plot at all, when you get right down to it. pro tip: if a slasher sequel advertises the return of the original film's final girl, she will most likely not be in the film for more than five minutes. there's some implied backstory about leatherface running away to this neighboring town and being taken in by the lady who runs the orphanage, but honestly this could easily be yet another different continuity where leatherface is the adopted son of a kindly old lady (who still has a confederate flag in her window, jfc, i think this is the first time that imagery has ever been used in this series and it's associated with a character who's supposed to be sympathetic??) who was keeping a lid on his murderous tendencies before she died. points for effort i guess but i don't think it deserves much.

i really don't know why this series in particular is like this. most horror franchises will have their movies clearly follow each other and exist within the same continuity, sometimes with a reboot or two if they've gone on long enough (see: halloween having at least three different timelines, but all clearly branching from the same source.) if it's supposed to be an anthology series, they'll just...say that. i've heard it said that this series works best when viewed as variations on a theme, like the original film's events are an urban legend of sorts being told and retold around the campfire and every version is different because everyone remembers it differently or makes up their own. i do like that and think it makes the franchise make more sense but i know most people watching these movies aren't thinking about it like that, they're thinking of them all as sequels to the same movie, with the remake and its prequel being the only ones clearly existing in their own separate continuity.

it's a little sad to see how no one making official movies in the series seems to really care that much about the ostensible source material. maybe i'm biased because it's the film my brain latched onto the hardest when i started really getting into horror, but i think this movie is so interesting and there's so much there to explore with the little we're given about these characters and their dynamics and what they do and why they do it, and even if you can't really dive into all that in a movie you could at least use what's already there for your sequel and most of them just...don't. like they don't seem to have watched the original movie even before writing a sequel to it, just going off their own vague memories about that one scary movie about a guy with a human skin mask and a chainsaw. i know i shouldn't be expecting any more from a slasher franchise on its 9th installment but...whatever. it is what it is. this was never supposed to be a franchise in the first place. at least i can shout into the void about my thoughts and feelings on here.

(i think i read somewhere that the filmmakers were actually forbidden from referencing cannibalism in the script for texas chainsaw 3d and if that's true...oh boy. talk about missing the point. if you feel like something significant is missing in the later films in this series that's probably part of it.)

[fennthetalkingdog]

I'm just figuring out how important music is in my life! This is coming from a long while trying to cut down on my music use, mostly because I was listening to it so much that it felt more like I couldn't do anything without popping in some earbuds, and partially because of other personal reasons. Some of my routines changed, forcing me to not listen to music while doing certain things, and it ended up becoming that besides working on homework or drawing, I didn't listen to music at all. But I've given myself a break today since I have nothing to do and since, for reasons, I'm feeling just a lil crappy today—and boy, I'm starting to realize again just why I love music!!

I love the diverse music taste I've developed over the years! My family is not only big about music but big about listening to it loud, so the majority of my music taste for most of my life has just been Christian hiphop (Lecrae, KB, Andy Mineo, Trip Lee, and ironically Tonex, whose album where he was struggling hard with his gayness has been my favorite concert movie since I was 5) and gospel music (Kirk Franklin, Tye Tribbett, etc.). And music was one of the few connections between me and my race (I grew up feeling pretty estranged from my blackness as a kid, but the popular songs they played at the YMCA in the 2010s were some of the few things I could use to feel more connected) and between me and my classmates/friends at the Y (I still have fond memories of playing FNAF songs in mat forts and reciting lyrics at pool parties). But I got tired of knowing I could never bond with anyone besides family friends music taste-wise when I was in high school, and so I started listening to secular music on my own time. And that's how I first found Ghost and Pals, a vocaloid artist and one of the first secular music folks I listened to as a kid (can you smell the religious trauma yet? Lol), and that's how I bonded with one of my best friends in early college (ironically, also my first time being publically queer). Now I listen to Kpop, anime songs, songs from warriors MAPs, songs from musicals (Hamilton and In the Heights <3), latin songs, metal songs, and even some secular songs young me would've been too scared to listen to.

And music has always been one of my biggest sources of stimming! I can't dance to save my life, but music will sure get me to flick my fingers and hit my fist against my shoulder furiously. Music was one of the first clues that I like stimming with vibration too (since I love laying against the car door and turning up the music loud enough to feel the world shake around me). And music was one of the first things that made me look into ADHD or autism (specifically, listening to Ghost and Pals songs for a month straight and getting my friend at early college [who also has ADHD] to start looking at me funny when I was discovered doing chores and listening to one of three songs for the fifth time). Music is so cool it'll get me to wax poetically. It was one of the things that kept me together during my roughest times and soothed me during my best. I listen to it while I write, while I cry, while I hang out with my friends and family and while I chill by myself. It's how I relax after a long day, and it's how I feel safe. I feel kinda emotional finally having music hit that spot in me without feeling like I need it to do stuff.

[llycaons]

i think you might just need to go outside

you're the one who sent three anonymous messages to a stranger on the internet about a reddit sub full of ao3 fans about something she posted two years ago anon so idk maybe I'm not the one who needs to log off

[ghost-of-someone]

literally just saw some radfem bullshit on my dash, & then when I went to their blog to block them not only was it full of anti-trans half arguments & accusations of other people being childish, but one of the very first posts was about how a certain show would be better if one of the main characters was a young woman instead of an old man because they "don't like old people"

[quakiebaka]

I don't know if it's an unpopular opinion but I just,, don't like when people swear at me in my first language?

like, every time it's happened it's from someone who isn't a native speaker. and they're just. swearing at me. for no reason. why are you swearing at me in a language you can't regularly talk to me in? just call me a bitch or piece of shit in english. it's completely different when it's with people who already speak the language and know the culture swear in it because there is a common ground.

and also. stop asking me how to swear in my language. I'm not gonna tell you. it's really uncomfortable because most, if not all the time, it's because they want to use the language as a weapon. there is a whole culture behind it that I cannot properly teach just to let you swear. I have no problem teaching people about my language and culture but please be respectful about it.

again, these are just my opinions. it's been getting on my nerves for a while. another native speaker might be completely okay with it or not care. but ALWAYS check with who you're speaking with because it can come off as incredibly disrespectful

[mxgoldenwood]

For the Artist Asks!

5, 14, and 25! 💜

YESSS thank you for asking!!

5: What’s your favorite thing to draw?

My favorite thing is honestly outfits and accessories! Every couple of years I end up making new paper-doll type drawings of a few of my characters so I can just go wild giving them lots of outfits and I ALWAYS have a blast with it. It ends up being like the Sims character builder screen with all the different outfit tabs for everyday, formal, party, PJs, etc.... except moderately more time-consuming to complete. (Gonna have to do this again sometime soon, come to think of it!)

14: Do you ever collaborate with others?

I have done it a couple times and I LOVE the process, love blending styles, sharing a goal and seeing a project come to life with another artist(s), etc.... but I'm almost always too shy to ask!! ;-; I'm making it a goal to be more outgoing, tho, so I look forward to doing more collabs in the future!

25: Do you like to draw in silence, or with music?

Most of the time I prefer to have background noise! Often I'll put on a show/movie I've already seen, or sometimes music. but also… I'm one of those folks who will pause it to shift focus for a moment, and then forget to hit play again, so then I'm sitting in dead silence hyperfixating on my canvas for like an hour at a time before I notice……

(don't tell my DM about this but I find that I often do my BEST sketching during game/RP sessions where there's some structured, goal-focused conversation happening around me that I can multi-task and jump in and out of to a certain extent.)

[vitamiiiiins]

this is a """msp*c l*sbian""" hate blog btw. to be clear

[fragglerockopinions]

Am I just a bad person. I don't think anything I've done has ever made people bitter and have a years long grudge against me? Or I'm the only person in the entire world who experiences this kind of feeling and I'm just an asshole. I still hold very hard grudges towards even people I like and am friends with because they won't apologize for something terrible and harmful they did to me and I don't want to let it go because it changed the trajectory of my entire life.

[protect-namine]

.

[gasmeros]

"please update" what if i said no ._.

[mahgyu]

──── In the beginning of your relationship, you learned that Satoru was the type who liked to sleep cuddling. Before meeting you, Satoru used to sleep hugging a pillow, even. It wasn't exactly a necessity for him, but just something he liked and that made him fall asleep faster. You, on the other hand, weren't exactly that type.

Hugs before sleeping? Perfect. Having someone on top of you while trying to sleep? Not so perfect. Fortunately, the two of you reached an agreement about that.

But sometimes, like today, Satoru was extremely clingy. He was sleeping deeply, with his body completely on top of yours, his face buried in the curve of your neck, and a leg trapped between yours.

You loved holding him that way, having the strongest man you had ever known so vulnerable curled up in your arms and sleeping peacefully. Satoru slept heavily when he felt that comfortable, and the deeper he slept, the heavier he became on you. As mentioned, your boyfriend is a strong guy, so now it was almost uncomfortable for you.

You feel this pressure against your chest as he rests on you, completely at ease. You thought that maybe, if you tried hard enough, you could fall asleep, but no, it’s not possible.

"Baby..." You whisper, hoping it will be enough to wake him, but he just keeps snoring, each snore reverberating through your body.

"Toru...?" You try again, a little louder.

"SATORU!" Still nothing. He barely moves a bit in his sleep, letting out a particularly loud snore.

OK. Plan B. If you can't get him off, it's time to slide down. Only after two unsuccessful attempts, you somehow manage to do it, taking a big breath as you escape. You haven't even fully turned to the side when Satoru wakes up, confused and abandoned, with the source of warmth under him gone. He moves his hand aimlessly over the sheets until he feels you.

"Where are you going?" He murmurs sleepily, moving closer to you. "No..." A heavy arm wraps around you, pulling you back to him with ease. There’s a soft hum as he feels your body fit into his.

"Toru?" You call him sweetly. "You know I can't sleep like this, hmm? Come on." You pat his arm, signaling for him to let you go.

Satoru doesn't move. Instead, he just makes some whiny sounds before rubbing his face in your hair.

"Come on, let me go, please?" More pleading.

"Nuh-uh, I don't want to." He whines. "Hug me." He pouts, looking so needy and neglected.

"Love, you're acting like a baby" You complain.

"Because I am. I'm your baby!" He says defiantly. "So, you should treat me like one."

At this point, you know it won't help to try to convince him when he's in this mood. You sigh, deciding to give up and give in.

About five minutes pass in complete silence and then Satoru quietly asks: "You really can't sleep?" The thought of this now bothers him. How could he relax knowing that you're not even comfortable?

"Mhm" You respond as he pulls separates from you.

"OK, I'll give up the hug time for you!" He sighs, rolling away from you dramatically. A few minutes later, he sighs again, a bit louder.

This is his cue to tell you that you should give in and cuddle with him. But you can't, having finally found a position that relaxes all the right places in your body, perfect for falling asleep.

"Are you really going to leave me abandoned?" His voice is so stupidly captivating that it makes you melt. You can't say no to that.

Satoru smiles when he hears the rustling of the sheets, your body moving toward him.

With open arms, he welcomes you back as you rest your head on his chest. "I think I can sleep like this..." You admit as he smiles, making sure you're comfortable but still wrapped up in him.

Hiii, long time no see, uh? 👀This time I brought something cute, a thought I had because I've been feeling so needy and missing our Gojo😞

(It is not well corrected, please ignore any possible mistakes.)

Your interaction is very important to me, reblogs and comments are always welcome. 🫶🏻💕

⠀