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#please do not argue with me about any of these because i'm correct
clary-jace · 9 months
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dawson's creek characters as taylor swift albums (insp.)
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kurokoros · 1 month
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first of all, the duffers absolutely didn't have the full series planned out from the start because Stranger Things was originally pitched as a limited series with 1) the potential for a direct "sequel" that would follow the younger kids as adults (basically, they pitched "It") or 2) an outright sci-fi horror anthology. second of all, even if the duffers did have everything mapped out from the start that doesn't mean that plan isn't garbage.
#strangerthoughts#sorry ST reddit is driving me INSANE. please crawl back out of the duffers' asses#these guys literally lost the plot back in S3 and course corrected so hard that everyone collectively experienced whiplash#if they had any kind of plan in mind it definitely wasn't until after S2#I would argue it wasn't until after S3 tbh#like. S1 was definitely intended to stand alone#S2 was a direct continuation that only happened because netflix saw the show as profitable#and the duffers scrambled to yeet something out in a little over a year#which is why the justice for barb plot is a thing and el's plot is so disconnected from the rest of the season#they had no idea what to do with her when she was SUPPOSED TO DIE#S3 feels like the duffers pitched an anthology season and netflix said no#like. I could have liked S3 as a standalone campy action comedy#but it being a wacky season in the midst of non-wacky seasons makes me wonder what the duffers were smoking#and if the duffers had a solid plan for vecna before S3 I'll give them my left kidney free of charge#because S4 is a messy season. they crammed things in there that did not need to be crammed in#they bloated the cast and clearly had no idea what to do with 75% of said cast#and when I talk about the episodes being too long I'm directly referring to how in the last episode the kill vecna crew are being#STRANGLED BY VINES and PINNED TO A WALL for like thirty minutes straight#at that point someone should have suggested they reevaluate what they just wrote. because what they wrote sucked#I genuinely don't think the duffers will ever be show runners again#I think they'll continue to direct. which they are pretty good at. but I don't see them ever writing anything majorly successful again
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vettelsvee · 2 months
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ALMOST CAUGHT | Oscar Piastri
f1 masterlist | wattpad | ao3 | requests or let's talk!
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oscar piastri x gf!reader
word count: 1151
summary: oscar and his gf get a little bit horny, but they need to do things quick before someone catch them having sex
warnings: +18, smut (p in v, protected sex), dom!oscar, risk of getting caught
a/n: idk how this turned out because i don't think i'm good writing smut. however, i'll try to improve! feedback is appreciated, as well as reblogs <3
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© VETTELSVEE (2024). please, do not steal, copy or translate my works. thanks for reading!
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You were lying on the sofa, in your living room, watching a movie as your family had gone shopping at the local mall. Oscar wasn't there either because he had taken Blueberry, the puppy you both recently adopted, for a walk. You had decided not to go because you weren't feeling well. Nevertheless, you were lying on that sofa, eating M&M's and watching a Turkish TV show out of sheer boredom, where the newlywed couple protagonists argued about who would do the shopping.
"When will you be back, Piastri?"
Just as you were thinking about that, Oscar sent you a video of himself and your pet along with a message:
"I might have a little surprise for my girl :)"
You didn't know what he meant, so you asked him what for. Minutes later, he replied that he was saying nothing until the correct moment. Despite your desperation to know what the Australian man had planned, you resisted the urge to keep asking him.
You fell asleep and didn't even realize it, so it was the sound of the front door opening that woke you up. Then, you noticed how small but quick steps were moving back and forth. Alongside them, larger steps slowly approached the couch where you lay.
"Hello, love," you composed yourself a bit from sleep and noticed it was Oscar. "Are you okay?"
"What... what time is it?" you asked curiously. You had completely lost track of time, and you didn't know when you had fallen asleep or how much time had passed since then.
"It's eight twenty-five," the brown-eyed guy replied with a smile.
You noticed he kept smiling, so you kissed him. It was a short but passionate kiss, in which both of you realized that every day you were more in love.
"And what's that about?" Oscar smiled again and positioned himself on top of you, while you couldn't stop telling yourself that he was perfect for you and wondering what you had done to deserve him.
"I'm waiting for the surprise you were going to give me."
You were giving him a too enticing look, and slowly he was starting to get aroused. He wanted to have sex, just like you, and both of you knew each other's thoughts as if they were your own.
"You'll have to wait, darling, but I think we can do something else while you wait."
As soon as Oscar answered, he began kissing you, something that as it progressed became faster and more desperate. You followed along with your tongue, but you were worried that your parents and siblings might appear at any moment.
You decided to stop. Or at least try to.
"Oscar…," no matter what you said, he kept kissing you, now going all the way down on your neck, making you release small moans every time you spoke. "Piastri..., stop..."
Seeing that he wasn't going to stop, you forgot about the possibility of your family catching you having sex and that became the least of your concerns.
With a quick change of position, now you were the one on top of your boyfriend, making movements to further provoke his excitement. Meanwhile, he began to remove your shirt, leaving only a pink bra with blue teddy bears exposed. You knew that wasn't the best attire for situations like the one unfolding, but at that moment you didn't care because there was enough trust - besides, there would be other moments to wear better lingerie.
His kisses trailed down your neck again, but with the main difference this time being that he was leaving marks. You removed his sweater, but it wasn't enough for you: you wanted more, so you didn't hesitate to unbutton his pants, struggling a bit to take them off.
You immediately started playing with the waistband of his boxers, and both of you felt the nervousness growing, although you didn't pay much attention to it. In the end, it wasn't the first time you risked getting caught, and to be honest, you got very horny at that thought.
He removed your pants just as you had done to him earlier, taking the opportunity to position himself on top of you. You knew it was about to begin when he took a condom from his pocket.
You were eager for him, so you removed his underwear, leaving him completely naked, while you remained in your underwear.
"This can't keep going on like this, babe..." the boy said, eager to enter you.
He started removing your bra, immediately moving down between your legs, where he began to touch over your underwear before taking it off.
"Oscar..." you moaned once again.
"For God's sake, shut up already," he demanded, which only aroused you more. "I need you to stay calm, not acting like a desperate whore. I thought you were better than that."
At his words, you got absolutely in shock, but in some way it turned you on hearing Oscar speak like that. 
"Are you sure you want to do this? Will you stop acting so desperate if I enter you this quick? With no previous games and…"
"Of course. You better shut up now and start fucking me," you interrupted him, answering without hesitation.
Once again, and as if he didn’t kiss you on the forehead and began to insert himself into you.
At first, he was going slow, but as the minutes went by the speed increased. Unfortunately, you tried to control your moans, something that Oscar seemed to do perfectly just in case your parents arrived, but you couldn’t hold them. It was great, and you didn’t want it to end.
"Damn it, Oscar!" you screamed, but you still hadn't reached orgasm.
"Wow, I didn't know I was that good at sex," he said proudly, surprising you. "I thought you always faked your moans."
"Shut up and keep going," you answered with a voice slightly interrupted by Oscar’s moves. "I'm close."
A few minutes later, both of you were lying on the sofa, after cumming without much difficulty.
However, your post sex kisses and talk ended as soon as, after getting dressed, you saw you twins brothers standing next to the living room door, seeing you both in absolute shock. 
"Come on, you gotta be kidding me!" Louis, one of the twins, yelled, while you kept signaling him to be quiet.
He started running up the stairs quickly and shouting without hesitation while Liam, your other brother, was sending a voice message to his best friend telling him that he caught his sister and her boyfriend having sex. 
"I guess we won’t be having any more surprises at home for now, love," you said, seeing the commotion you had caused in a moment. "I hope they don’t tell my parents, because if they freak out…”
“We’ll freak out, I know,” Oscar said. “Really, I get it, Y/N. I guess I’ll have to take you to Disneyland to fuck you in one of those Marvel hotel rooms full of Spider-Man merch. Maybe we could try something with some kind of costume on and...”
“You’re taking me to Disneyland?!” you screamed, interrupting him fully surprised.
“I couldn’t keep it anymore so… surprise, babe? Any ideas on what I have just said to you?”
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Wingwoman (Spencer Reid x Fem!BAU!Reader)
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Pairing: Spencer Reid x Fem!BAU!Reader
Summary: You take your good friend/coworker, Spencer, out to the bar to find him a girl to hook up with. Things do not go as planned.
Word Count: 5107
Warnings: Romantic/sexual tension! Mentions of drinking / sex
A/N: Hi! I haven't written posted fanfic in like, 8 years, please be nice xD I would love to know your thoughts - if you have any requests or anything, I'm happy to oblige. ALSO -- I have only seen up to Season 7 of Criminal Minds because I'm a fckn loser. Anywayyyyy enjoy! Not my gif btw, all credit to the owner :)
———————————
It was kind of your fault, now that you were thinking back on it. 
Actually, it was definitely your fault, now that you were thinking back on it. 
It had been your suggestion to go out. It had been your idea to act as Spencer’s wingwoman, some last-ditch effort to try to get him out of your mind. He was your coworker, for Christ’s sake. And your best friend. And you’d thought about him desperately for eight of the nine months that you’d known him. 
Emily, Derek, and Penelope had all agreed to tag along, but as the work day went on, each of your coworkers had found some kind of excuse to opt-out. Derek’s niece wanted to Facetime. Penelope forgot Kevin’s birthday was next week and needed to go shopping for a present. Emily had a headache. 
Finding Spencer a romantic prospect on your own was certainly not the plan, but, stupidly, thoughtlessly, you’d decided to go along with it. You could do this. Just one night in a bar, chatting up women for the man you’d slowly been falling for the past eight months. As good of an idea as any, right? 
You and Spencer took an Uber to the bar the group frequented. Ski-ball and pool in one corner, a vintage jukebox and small space set aside as a makeshift dance floor in the other. But the best part - half-off drinks for federal agents. You’d never been one to abuse the badge before, but… 
Three Jack-and-Diet-Cokes later, your moral code had a bit of a crack in it. 
Spencer stood next to you - towered over you, actually, because that man was a fucking beanpole - and you felt his eyes on you as you scanned the crowd. “What about her?” you suggested, jerking your chin to the woman at a high-top table against the wall. She had her nose stuck in her phone and an untouched martini on the table in front of her. 
“She’s clearly waiting for someone,” Spencer pointed out, and you realized he was right just as the woman looked up from her phone and towards the door for the third time in the past minute. “I also don’t understand why you’re so dead set on finding someone to hog me up with.” 
You snorted into your drink. “Hog you up with?” you repeated, turning in your barstool so you faced him. Your knees brushed his thighs. 
“Yeah, is that not…” realization dawned on Spencer and he grimaced. “That’s not the phrase, is it?” 
“Hook,” you corrected, but not impatiently. You made a little hook with your index finger, like a pirate. A little giggle escaped you. “And I’m not dead set on it,” you argued. “I just didn’t want to be the only one leaving the bar with someone.” 
Your eyes flickered up to Spencer’s to gauge his reaction. He seemed surprised by this implication that you planned to leave with someone - someone who was not him. 
“Yeah? Who are you leaving with, matey?” Spencer countered, arching a brow and pointedly looking at your index finger, still in its hooked position. You dropped your hand. 
“It doesn’t matter right now,” you blushed furiously, desperately trying to drive the conversation back to his romantic conquests. Your thought process was that if you actually saw Spencer with someone else in any sort of romantic capacity - dancing, flirting, kissing - you’d finally hurt yourself enough with the sight for those stupid feelings for him to dissipate. “We’re looking for you.” 
Spencer merely hmm-ed in response, an indecisive non-answer, and you noticed he shook his head. Like he was annoyed, but trying not to show it. You swallowed the lump in your throat and polished off your drink before returning to examining the patrons in the bar. You nudged Spencer’s elbow with your own and your gaze landed on the group of three women giggling around one of the tables. “Any of them? The blonde is cute,” you pointed out. 
“Not really into blondes,” Spencer muttered, and you glanced back at him. You could have sworn his eyes were locked on your brunette hair. You opened your mouth to say something, but Spencer cut you off. “But, sure, if watching me strike out will amuse you, Y/N.” Before you could protest, Spencer set his glass down on the bar and started towards the trio of women at the table. 
You leaned down to sniff his glass, curious as to what he’d been drinking. Clear liquid. No smell. Was he… totally sober? 
You watched with narrowed, studious eyes as Spencer approached the women. You could only see the back of his head, but the three women’s faces were perfectly visible. They smiled, friendly, unassuming, and then something came out of Spencer’s mouth that changed their expressions. The blonde in the middle furrowed her brows, and the two women on either side cocked their heads slightly. Spencer’s hand tapped the table and he earned awkward smiles as a goodbye was bid, and when he turned around to head back towards the bar, he just shrugged his shoulders and shook his head, like what are you gonna do? 
“What happened?” you asked as he returned to you. 
“I blew it,” Spencer said matter-of-factly. Too accepting of his defeat. Further supporting your theory that he’d gone over there and purposefully botched it. 
“Right,” you flagged down the bartender to order another drink. 
“You’re getting another one?” Spencer asked. 
You whirled your face to meet his and didn’t see judgment, but rather, concern. “Why does it matter?” you asked, no, dared. 
Spencer shook his head, defeatedly. “It doesn’t,” he grumbled. 
“What about that girl you were talking to earlier by the jukebox?” you asked, nudging his shin with your foot. “The grabby one. She seemed really into you.” 
Spencer visibly gritted his teeth. “I’m not interested.” 
“Are you interested in anyone in this bar tonight?” You asked. The words came too quickly for you to stop them. They were too real. Especially as Spencer’s frown hardened just slightly and you watched him look away from you. 
You took in a sharp inhale, the realization hitting you, the possibility that Spencer might actually feel the same way about you. And that you’d dragged him out here tonight to try and set him up with someone else. You were selfish and thoughtless and stupid. 
You hopped off the barstool, your feet wavering beneath you. “I’d better go home,” you said suddenly, grabbing your bag. You had to leave. You had to go home before you said something stupid, something irreversible. 
You stalked out of the bar and onto the brisk, late-autumn sidewalk. You’d forgotten your coat at the office and insisted you’d be fine. The chill smacked you in the face and you tucked your bag beneath your shoulder so you could cross your arms over your chest and hug yourself for any semblance of warmth. 
Thirty seconds hadn’t even passed before the door creaked and Spencer appeared at your side, throwing his coat wordlessly over your shoulders. “What did I do?” he asked. You looked up at him and saw his eyes - hurt, frustrated, confused. 
Your lips parted and there was a small shake of your head. “No,” you breathed. He furrowed his brows and you explained further. “You didn’t do anything.” 
“Then why the hell have you been so weird around me lately?” Spencer asked, scuffing his shoe against the sidewalk. Like a temperamental first-grader. 
“Weird how?” You asked, trying to pretend like you had no idea what he was talking about. Like your stomach didn’t flip every morning when you saw him. 
“Like you’re… like you’re mad at me. Like you don’t want to be around me,” Spencer looked at the street ahead of the both of you rather than at you. “You always find an excuse to leave the room when it’s just the two of us. You pull Derek or Emily or Penelope into the conversation so you don’t have to interact with just me. You’re out here trying to find me someone to hook up with?” he phrased the last sentence as a question, shaking his head. Your heart lurched. He let out an incredulous laugh. “It’s either you’re trying to shrug me off as a friend entirely, or -” 
He stopped himself. His eyes were fixed on the streetlamp a few feet in front of you. They widened and you felt your heart pound as he slowly met your gaze. The realization hit him, the second half of his sentence lingering, heavy and palpable between the two of you. 
“Or,” you repeated, not phrasing it as a question. Your voice was soft as you said it, your tone anything but a question. 
“Or?” Spencer asked, and you could see his chest start to rise and fall more slowly. 
“Or,” you confirmed, taking in a sharp breath. 
Spencer’s throat bobbed as he looked at you, his gaze piercing and soft, studious and lazy, hungry and satiated all at once. “Oh.” 
Oh. 
“How long?” he asked, turning his feet towards you. 
Your face went red and you lifted your chin, refusing to make yourself feel ashamed of it anymore. There wasn’t any point, not when he knew now. “Since March,” you admitted. Your voice was squeaky. 
“March?” Spencer repeated, incredulous. It was early October now. 
“Yeah,” you exhaled, shrugging his jacket off your shoulders and bunching it up by the middle. You handed it to him. “You don’t have to say anything,” you said. Your body felt like it was on fire. “You don’t have to-”
“I’ve had feelings for you since the day we met.” 
You thought maybe you were hallucinating for a second. Your mouth fell open and despite your three drinks, you remembered clearly that Spencer had been drinking water. This was not some drunken confession, not for either of you, because the second he’d asked you why you had been so weird lately, you had instantly sobered up. “Oh,” was all you managed to choke out.
Oh. 
“Yeah, oh,” Spencer’s mouth twitched up into a smile. That playful, friendly, teasing little smile you’d learned to love on him. He stepped towards you. 
You let out this little half-garbled laugh. Spencer reached for your hand, and you let him. Your fingers spread, allowing his in the spaces between. You looked up at Spencer and little fires shot up your hand. How could merely holding hands feel so monumental? 
“What do we… what do we do now?” You asked, your mind in a haze, like a computer awaiting command. 
Spencer let his jacket fall to the concrete and used his other hand to slowly, almost hesitantly, cup your cheek. He looked down at you and your entire face reddened. “Well,” his voice was soft, crackling, like a fireplace, and he met your gaze with searching eyes. “I’d like to kiss you now, if that would be okay,” he said finally. Your lips turned up into an idiotic smile. 
“I think that would be okay,” you whispered. 
His hands were so soft, you realized. His grip on your hand loosened and he was now cupping your face on both sides. And every nerve in your cheeks was firing off signals - Spencer is touching my face, Spencer is touching my face. Like it was some forbidden thing. But then, as if in slow motion, he ducked his head down and his lips touched yours. Gently, at first, tentative and wobbly like a foal taking its first steps. Your hands rested on his torso - taut beneath that stupid little sweater vest. 
He pulled back after just a moment. It was really only five or six seconds at the most, but you were red-faced and breathless by the time your eyes fluttered open, into his. Spencer’s smile was now a full-blown grin, and your expression mirrored his. “Yeah?” He asked, the word carrying more meaning. You’re into this, right? 
“Yeah,” you exhaled as Spencer dropped his hands from your face, but your hands remained on his torso, not wanting to step away just yet. The syllable meant more coming from you, too. I’m really, very much, super into this. Please, for the love of god, kiss me again. 
Spencer arched a brow ever so slightly, and you nodded your head. 
Just like a dance, Spencer’s hands moved to your waist, and at the same time, you slid yours around his neck. He backed you up, completely disregarding his jacket on the sidewalk, until you were flush against the brick wall belonging to the bar. The brisk October breeze ruffled through his hair and yours, yet, suddenly, neither of you were terribly concerned about the weather. 
He kissed you again, and this time it wasn’t as timid. Slowly, at first, his lips pressed against yours, and then his tongue darted out. It teased your lips in silent invitation, and you opened them to grant him access. His hands were everywhere, your hips, your hair, your face. You had moved your own down to his torso again. He coaxed the tiniest little mewl out of your throat, a completely uncontrollable and inevitable noise. 
Spencer’s low, gravelly groan reverberated through your mouth. Your hands gripped the bottom half of his shirt, balling it up in tight, white-knuckled fists. An unmistakable hardness brushed against your thigh. You were perfectly content to stay right there, pinned against the exterior wall of a D.C. bar, but the sound of a car honking its horn peeled Spencer off of you. 
His face was flushed and you released his shirt from your grasp. He let out a small grunt, stepping away from you to grab his jacket off the ground, wrinkling it haphazardly in his hand, holding it strategically over his middle. 
Oh, he liked you a lot. 
“You okay, Spence?” You asked all-knowingly, cocking your head to the side, leaning against the wall, lifting a foot to plant against it. 
Spencer shot a set of narrowed eyes at you, as if noting your smirk and storing it for later. “Yeah, I’m great,” he said, obviously struggling a little bit. His eyes quickly left yours and looked everywhere but at you. 
You didn’t want to embarrass him too much. So you just crossed your arms over your chest and looked at the sidewalk. But the smirk on your face wasn’t going away quite so easily. You considered briefly trying to talk to him about baseball or something to try and help him out, but you decided pointing it out would just humiliate him. Plus, it was a nice little ego boost, knowing you could get him like that with just a simple touch. 
He took a second, but he finally cleared his throat and met your gaze. You sucked your front teeth with your tongue and then bit your lip. “Want me to call an Uber?” You asked. 
Spencer just nodded, and you pushed yourself off the wall, stepping over to join him, digging your phone out of your pocket to order the car. “You okay?” You asked him again after submitting the request on your phone. Spencer’s face was still flushed, but he just nodded and reached for your hand. “Careful,” you warned, unable to resist the opportunity to tease him. “Don’t want you having an-“
“Shut up,” Spencer cut you off, and you snickered. 
——————————————————
You had never been in Spencer’s apartment before. It was unmistakably his, with stacks upon stacks of books in lieu of furniture. 
There was a sofa in his living room, along with a coffee table, a couple of lamps, and a television on a stand. The remaining space, besides a few spots here and there and a clear path with which to maneuver the room, was filled with books. 
You had never seen so many books in someone’s possession before. And sure, you were an avid reader yourself. But nothing like this. Your heart fluttered at the sight, not only because books simply just made you happy, but because it was an incredibly endearing detail about Spencer. Your Spencer. 
He shut and locked the door after you stepped inside, looking around with a childlike, awestruck grin. The TV had a thin layer of dust over the screen - he clearly didn’t use it often. And as you trailed a finger along the top of the nearest stack of books, you felt a pair of eyes watching your every move. 
You and Spencer had both been quiet in the Uber ride here. He had simply held your hand, swiping his thumb across the back of your palm every few seconds. You would occasionally meet his gaze, but then quickly, bashfully, look away, like the two of you were teenagers. 
It was so strange to think of what he had said to you - I’ve had feelings for you since the day we met. How had you not figured it out before now? 
You supposed you had been hiding your true feelings as well, so he was allowed to, too. 
There wasn’t any point in wishing to change the past, you reminded yourself. All you should be focusing on is right now. 
And right now, the street lamps peeked in through Spencer’s living room window, glinting off of his endless brown eyes and making them look like he had the moon in his irises. 
“So,” you said softly, not nearly as wicked as you had been when you were teasing him on the street by the bar. “This is where you live.” 
“Uh-huh,” Spencer bobbed his head, that awkward, straight-line smile crossing his face.
“Lot of books,” you pointed out. 
“Yep.” 
You arched a brow, a teasing smile crossing your face once again. “What’s with the monosyllabic conversation?” 
Spencer clenched and unclenched his fists at his side. “It’s just… really difficult to just stand here and not touch you,” he admitted, a sheepish smile crossing his face. 
You grinned. “You can touch me,” your voice dropped an octave, without you even really thinking about it. 
Spencer licked a canine with the tip of his tongue. God, that tongue. You remembered how he’d teased you less than an hour ago outside of the bar. “Maybe I will,” he shrugged, and you rolled your eyes. 
“You can’t really play it cool, right now, Spencer. Not when I just gave you a-“
“Please stop talking,” Spencer laughed, crossing the room and cupping your cheeks in his hands all in the same movement. You snickered and he kissed you and anything you might have been wanting to make fun of him for was forgotten about. 
You pressed your hands against his chest - holy pectorals, Batman - and craned your neck up so you could reach him. Spencer slid his own hands down your arms and to your hips, and you looped your arms around his neck. One palm flattened against the back of his head, holding him in place, fingers curling around pieces of his soft hair. 
Your heart was hammering away, and there was this aching, hot feeling that was pooling in your core and you all of a sudden felt hungry. Starving for Spencer, for every piece of him, for fully and finally crossing that line from friend to lover. An insatiable hunger for nearly every moment since you’d known him.
Finally you broke away from him, simply because oxygen was a necessity, and he rested his forehead against yours. Your eyes were still closed and your fingers ground into his scalp. “Look at me,” he requested, his voice low. 
Your eyes opened obediently and one of Spencer Reid’s hands curled under your chin. His face moved away from yours but his gaze was locked on yours, a pinpoint, a Northern Star. 
And when Spencer spoke again, your knees buckled. 
“I want you.”
Your mouth fell open, ever so slightly, and you nodded. “I want you, too,” you whispered. 
“Are you still…?” He asked, his eyes searching yours. You’d had three drinks earlier that evening, after all, but you’d polished the last one off nearly an hour ago. Maybe not fully sober, but sober enough to know what you wanted. 
“I’m fine,” you assured him. 
Spencer inclined his head to the side. “You’re sure? Can you pass a sobriety test?” 
You narrowed your eyes at him before you realized he was being sarcastic. You stepped back from him, shrugging off his hands, and extended your arms, touching your nose with your left hand, then your right. Spencer just laughed, and reached out for you, tugging you back to him. “Okay,” he chuckled, planting a kiss on your neck. You let him. “You’re fine, then?”
“I’m fine,” you agreed, shrugging him out of his sweater vest, and then reaching for the buttons on his shirt underneath. 
Spencer kissed your neck as you fumbled with the buttons - how were buttons suddenly impossible to undo? Your head craned back just slightly on instinct, wanting - needing - to allow Spencer more access. Your dexterity had become abysmal at this point, and Spencer’s lips were kissing your neck, down your throat, teasing at your collarbone. “Spencer,” you managed to groan out, a wave of annoyance present in your tone. 
“What?” he asked, pulling back, concern filling his face. 
You realized you had actually worried him. “Oh, no, no,” you waved it away, and he visibly relaxed. “I’m just really frustrated, because… because your shirt,” you stammered, and Spencer’s mouth twitched up into a smirk. 
“My shirt,” he stated. 
“That one, right here,” You laughed softly, curling your fingers around the buttons. You managed to wiggle one free, then another. Spencer leaned forward to continue kissing your neck, but you held a hand up to stop him. “Hang on,” you murmured, working through another button, and one more. “I’m concentrating.” 
“You’re sticking your tongue out,” Spencer snickered. Your eyes met his and your cheeks flushed.
“I’m concentrating!” Your voice rose slightly in self-defense. Spencer’s hands went to your hips. 
“It’s adorable,” he told you. “You make the same face at work. When you’re in the middle of filling out a form or trying to open a new bottle of coffee creamer without spilling it,” Spencer rubbed circles in your hips and your fingers stopped working again. 
“You noticed that kind of stuff?” You asked softly, looking up at him with doe eyes.
Spencer just nodded. “All the time.” 
I’ve had feelings for you since the day we met.
You inhaled sharply, finally undoing the last button.The skin beneath the shirt was pale, smooth, and perfect. And when he slid his arms through the sleeves and the shirt fell to the ground, you bit your lip, unable to help it. 
“Y/N?” 
You met Spencer’s gaze and let out this awkward little laugh. Embarrassing, really, if you hadn’t been in the company of your best friend. “You okay?” he asked, and you felt a little giddy as you nodded, moving your hands to his neck and standing on your toes to kiss him again. 
You didn’t know which direction the bedroom was in, so you just took a guess, pushing him back towards one of the doors. He kept his hands on your hips and his lips pressed against yours as he guided you, walking backwards, to the right door. You entered the bedroom and could not possibly be bothered to look around right now, not when Spencer was guiding you in a circle by merely touching your hips, not when the back of your knees hit what was unmistakably a mattress, not when you fell back against it. 
Your eyes were shut, unwilling to take in your surroundings as Spencer guided you onto your back. You toed off your shoes before lifting your legs, and Spencer hovered over you. Your lips were locked with his the entire time. And when you finally opened your eyes and you saw only Spencer, you grinned like a fool. 
Spencer’s fingers were like taking a shower. They were all over you - your hips, first, then your stomach, and you had to resist the urge to giggle because they tickled as he teased the bottom hem of your shirt up. You sat up slightly to get the blouse over your head and you watched him discard it onto the floor. And then his hands were over your chest, thumbs teasing under the wire of your bra, outlining the shapes of your breasts. 
Your breathing had gone heavy and staccato by this point, your body sinking into the mattress, shipwrecked as Spencer touched you. His eyes wandered over your and that little smile on his face was enough for you to know that he was immensely enjoying himself. 
“Can I…?” Spencer’s hands wandered down and gripped your pants as he looked into your eyes, a brow arched. 
You swallowed a lump in your throat and your blush appeared over your cheeks at the same time as his. “Yeah,” you whispered, and Spencer helped you wiggle out of your pants - black slacks, since you had gone straight from work to the bar. They were soon tossed to the floor, and you were only in your underwear and your bra. And Spencer’s brown eyes did not make you feel objectified or embarrassed, but safe. 
“You’re so beautiful, Y/N,” he told you, seriously, and your breath hitched in your throat. 
“You-”
“I’m not done,” Spencer cut you off, lifting a hand to run his thumb down your chin. “You’re so beautiful. And you’re so kind, and smart, and funny. And I’d really like to show you how much I care about you,” he looked into your eyes as a sort of request. 
“I’m not on birth control,” You breathed out in response, feeling your cheeks redden for even bringing it up. Way to damper the mood. Still, you wanted to be responsible. “Do you have a c-”
Spencer’s soft smile turned into a wicked grin and he shook his head. “We’re not going to need one,” he promised, and after looking into his eyes for a moment, you understood. 
________________________________________
Spencer had thoroughly worshiped you, until you quaked and cried out with absolutely no thought to how thin his apartment walls might be. Usually, you didn’t allow yourself to be the center of attention for too long, but Spencer had insisted, and, well, you couldn’t very well deny him what he wanted, right? 
Covered in a thin sheen of sweat, your hair matted to the back of your neck, Spencer finally lay down beside you. Your breathing was just starting to come back to you as you turned on your side to face him. Spencer’s body mirrored yours, the tips of his fingers - those fingers - trailing up the side of your arm. “That was…” his voice was soft, gravelly, and he looked at you like you had anything to do with it. It was literally all him. “Incredible.” 
“Yeah,” you managed to breathe out, unable to really focus on anything besides the curve of Spencer’s lips, the way the apples of his cheeks appeared when he smiled like this. Spencer kissed your lips, unlike any way he had before. All the other kisses tonight had been hungry and excited, exploratory and new. This one was lazy and slow and you let his tongue dance across yours, and when he finally pulled away, your nose scrunched up in delight. 
Your eyes traveled from his lips, down his neck, his collarbone, then back up, taking him in. The glow of his skin, the tired yet exhilarated look in his eyes. So different now than at the beginning of the night, when he’d looked at you with that slightly annoyed expression as you had tried to set him up with other women. You recalled how he had gone off to that group of three women right before you’d abandoned the bar, how he had struck out on purpose just to satiate your nagging. “What’d you say to those women tonight?” You asked him curiously, furrowing your brows at him. 
Spencer, in turn, arched his brows at you. “Why?” 
“Because I’m curious,” you said as his fingers continued to trail, feather-light, up and down your arm. You traced your thumb along his jawline, stopping at his chin. “You were obviously blowing it on purpose.” 
Spencer rolled his eyes. “I actually do have some game, despite what Morgan might say,” he said, his tone defensive. 
You snickered. “Sure you do, Spence. Took you, what, eight months, to get me in your bed?” 
Spencer shot a playful glare at you and pinched the skin on your arm. You squeaked in response and he just laughed. “I just asked them how they were doing tonight,” he said finally, and you knew just from the look on his face that he was lying. 
“You did not,” you pushed back. “Come on, Reid, spill it.” 
“Ok, fine,” Spencer heaved a sigh and rolled his eyes, sitting up in the bed, his back against the headboard. You sat up, too, looking at him with concern. Why was he so embarrassed? “I told them… Jesus.” Spencer rubbed the space between his brows with his thumb and his forefinger. “I told them I was here with a coworker that I had a massive crush on, and that you were trying to set me up with someone else,” he began. 
You started to smile. 
Spencer continued. “I told them that I had absolutely no interest in going home with anyone tonight, and that I had been purposefully striking out all night long because I couldn’t stand the thought of even trying to look at someone the way I look at you.” 
Your smile grew and you moved to sit on your knees, inching closer to Spencer and throwing one leg over him, effectively straddling him against the mattress. “So I asked them,” Spencer continued, his lips turning slowly from an exasperated frown to a small smile. “I asked them if they could just look at me like I had said something stupid, and then I would leave them alone.” 
“Did they say anything to that?” You asked as Spencer’s hands found your hips, contouring to match the curves into the small of your back. 
Spencer’s voice got slightly lower, more serious, when he said, “The girl in the middle did. She said ‘that girl definitely has feelings for you, too’. And then they did what I asked, and I walked back over to you.” 
“She did not say that,” you rolled your eyes, just as Spencer kissed your lips. 
“I have an eidetic memory, Y/N,” he reminded you in a low whisper, as his lips lingered against yours. “Would I lie to you about that?” 
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vivwritesfics · 9 months
Text
10 Things I Hate About You
Sirius Black x Evans!Reader
Lily Evans isn't allowed to date. Not until her big sister does. At least, James Potter thinks so. What better way to rectify this than to get Sirius to date her. That shouldn't be hard, right?
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Lily Evans was not allowed to date. At least that was what James believed. He believed the reason she wouldn't date him was because of her sister.
Her crazy twin sister who was a loner freak. She was pretty, sure. Just as pretty as Lily. But she was abrupt, aggressive and, quite frankly, scared most people off. She was unashamed in voicing her opinions, not giving a crap on what anybody thought.
Lily Evans wasn't allowed to date because Y/N Evans wasn't dating. It wasn't a jealousy thing, it was a protective older sister thing.
"You don't need to waste you time on the guys at this school, Lils. You should just be focusing on your studies and getting the best grades you can," she said as she sat, stretched out on the couch in the Gryffindor common room, book open in her lap.
Lily let out a huff and returned to her homework. She knew there was no point arguing with her sister. And, it wasn't even like she wanted to date anybody, it just would have been nice to have the option. Especially when James Potter ramped up the flirting.
James Potter. He stared at her across any room they were both in. Pranks had gone wrong because he was too busy staring at Lily.
He'd asked her out several times. But her answer was always the same. She always turned him down and blamed Y/N.
So, James had to come up with a solution. He liked Evans, so damn much, he just had to get her sister out of the way.
Moony would never go for it. He was already sort of friends with Y/N. Academic rivals who had found friendship. They compared homework, attempting to correct each other. Which worked out great for James, Sirius and Peter.
Peter. Y/N would never go for him. Especially not after she'd caught him peaking into the girls hanging room after quidditch practice.
That left James with one last friend: Sirius. And might have well as been perfect for the job.
Sirius accepted. If it finally got James with Evans, he'd do it. Plus, Y/N was a challenge. If he managed to date her, he'd hate dated the biggest bitch in Hogwarts.
Of course, Sirius had the impossible task of getting her to agree to go on a date with him first.
On Sirius' first attempt, he waited leaned against the wall beside the doorway into charms. It wasn't a class they shared, and Sirius only knew where she was because he'd asked Lily.
So, he'd skipped his own class and waited outside of hers.
The girls in Y/Ns year giggled and batted their eyelashes at Sirius as the walked past. He flashed that ever charming smile, but that was the only attention he was going to give them. They weren't the one he was looking for.
"Hey," Sirius said as Y/N walked past.
She spared him a single glance and kept walked, not answering him.
It was a good thing thing Sirius was a persistent person. He followed Y/N away from her classroom, towards Muggle studies. "You got muggle studies?" He asked.
Y/N snorted. "What do you think?" She mumbled. "Haven't you got any classes whatsoever?"
"I might," he replied, leaning against the wall.
Y/N finally turned to look at him. She wouldn't admit it, but she noticed it, noticed his rolled up sleeves, his loose tie, the way he wasn't wearing his robes.
Sirius Black was undeniably attractive, sure, but Y/N wasn't looking to date. And good facial features weren't the only thing that mattered to her. So far, Sirius was all aesthetically pleasing facial features.
"I might want to stay here and walk to you."
Y/N scoffed and walked into Muggle Studies, leaving Sirius where he was.
***
"I'm telling you, James, she doesn't want me. She wants nothing to do with me," Sirius said as they lounged around in the common room.
James shook his head. "Come one, Padfoot. Every girl wants you, so why doesn't she?"
Before this whole ordeal, Sirius had wanted Y/N, but it was in the same way he wanted every girl. It meant nothing and the feeling would pass as soon as something had happened between them. But the more she rejected him, the more he wanted her.
So, with the help of Remus, the boys devised a plan. They were going to throw a party in the common room. And if Y/N and Lily came, and Lily saw Y/N with Sirius, maybe James might have a chance.
They spent the afternoon preparing everything, getting records together and sneaking alcohol into the grounds. Using the tunnel that led to the shrieking shack, Sirius and Remus managed to get to Hogsmeade. From there it was easy enough to by something to drink and get it back to the castle.
By the time the Gryffindors got back from dinner, the boys had the party in full swing. All that was missing was people.
It didn't take much to convince people to join their party. First, second, third and fourth years were ushered up to bed, since the marauders didn't want to be responsible for a bunch of drunk Fourteen year olds.
It was Peters job to make sure they stayed upstairs while everybody else partied. Sirius' job was handing out the drinks and Remus' job was to keep things rolling while James flirted with Lily.
Y/N was one of the last to make it back from dinner. Her sister had gotten to the common room first, and was already sat on the couch beside Marlene McKinnon, drink in hand.
Once Y/N walked into the common room, she scoffed and went to make her way up to her bedroom.
But Sirius caught her, getting in her way and handing her a drink. "Stay for a while," he said over the music and the chatter. "Have some fun with your housemates."
"I'm busy," said Y/N as she stared at him.
Sirius insisted, pushing the drink into her hand. "One drink, that's all I ask," he said. "Just one drink."
Reluctantly, Y/N took it. But one drink turned onto two, and two drinks turned into three. Soon Y/N was dancing on the table to the Queen records Sirius had put on.
Other students gathered around, laughing and watching as she danced. But Sirius could see it, see her slipping and falling from the table. So, he strode over, pushing his way passed the other Gryffindors, who let him pass without protest, and grabbed a hold of Y/Ns hands.
"Let's get you some air," he called over the noise.
"But I'm having fun!" Y/N shouted back, throwing her head back as she swayed from side to side. "Isn't this what you wanted?"
Sirius practically pulled her from the table. He wrapped his arms around her, leading her out of the common room.
Sneaking through the halls of the castle was hard enough on a full moon. But, with a drunk Y/N Evans clutching onto his arm, it was damn near impossible.
Sirius hid her in an alcove with him, holding his fingers to her lips as Slughorn came past. Y/N let out a giggle and licked Sirius's finger, but he quickly placed his hand over her mouth.
Once Slughorn was gone, it was easy enough to get Y/N outside. Sirius walked her down to the Black Lake, sitting her down against a tree. "How are you feeling?" He asked, sitting down beside her.
Y/N let her head fall against his shoulder. "My head feels fuzzy," she complained, shutting her eyes.
"That's because you've had too much to drink." Sirius pulled a carton of cigarettes from his pocket and pulled one out. He put one between his lips and lit it.
As soon as Sirius took the first puff, Y/N reached for the cancer stick. He gently batted her hand away, wrapped his arms around his shoulders. "You'll throw up if you smoke this," he said and Y/N just nodded his head.
***
She didn't want to talk about it.
Some Gryffindors laughed as they passed her in the hall, but Y/N's harsh glare was enough to shut them up.
She hid herself away in the library, in the darkest corner as she read through books. For one she wasn't studying, reading for the pleasure of it.
When somebody walked towards her, Y/N turned away.
When Sirius Black walked towards her, Y/N scoffed and shoved her nose deeper into her book. If there was one person she didn't want to talk to, it was the person that got her drunk.
He sat opposite her, drumming his black nails against the desk. "How you feeling today?" He asked, using his finger to lower Y/N's book.
She glared and lifted it back up. "Go away, Sirius."
"I'll go away," Sirius replied, "If you go to Hogsmeade with me."
Again, Y/N scoffed. But this time she stood up and walked away from him. She checked her book out of the library and strode out, all while Sirius watched her go.
Goddamn he wanted her.
He needed Remus's help.
Sirius met his friend in the Gryffindor common room. "We need to do something," he said as he paced in front of the fire place.
Remus was sat back, looking cool, calm and collected. Of course he was, he had virtually no part in this whole Lily and Y/N plan. "Do you think it's really fair that you're chasing her just so that James can date her sister?"
Stopping his pacing, Sirius stared at his friend. He wanted Y/N Evans and he wanted her bad.
Remus let out a sigh. "Have you ever noticed that she's always reading these romance novels?"
"So?"
"You'll need to do some sort of gesture, something big and romantic," Remus replied, running his hands through his hair.
Some big, romantic gesture, huh? Sirius could do that.
***
Y/N had never received a howler before. Never, not in her entire life. With her parents being Muggles, they didn't know how to send them. So, when the owl dropped the red envelope into Y/N's lap, her sister stared at her. "Who on earth sent you that?" Asked Lily as Y/N picked it up.
She shrugged her shoulders and unsealed it. Immediately, the red envelope and letter inside became a mouth. A mouth that started singing. "Oh my god," Y/N mumbled, hiding her face from everybody else in the great hall, eating their breakfasts. She'd never been this embarrassed in her life, not even when she'd gotten incredibly drunk last week.
The Howler sang Good Old-Fashioned Lover Boy by Queen as Sirius came and sat opposite her, smirking with his ring covered hands clasped together. "This is from you, isn't it?" Y/N asked over the singing.
Instead of answering, Sirius climbed up onto the table. He sang along with the howler, kicking dishes of food away from the table. And, when the song was over, he held out his hands towards her. "Y/N Evans, will you go out with me?"
The embarrassment had turned into laughter. As embarrassing as it was, Y/N loved it. It was amazing. It was the most Sirius Black thing in the world.
But Y/N didn't get to answer him, not when Professor McGonagall came striding towards him and pulled him from the table. He waved at Y/N as he was dragged away to detention.
"What on earth," Lily muttered, shaking her head as Y/N stood up from the table.
"I don't know, Lils," Y/N said and ran office.
She knew exactly where to find Sirius. McGonagall had him in her office, writing line while she watched over him.
Y/N knocked on the door and waited for McGonagall to let her in. When she shouted, Y/N strode into the office. "Hey, Professor. As a Muggleborn student, I have some questions," she said and walked over to the window, pulling McGonagall's attention away from Sirius.
It took Sirius a moment to catch on. So, Y/N kept talking, kept holding McGonagall questions. "So, do how do Muggleborn students come to be?" She asked.
Sirius's eyes went wide. He stood carefully pushing his chair back while McGonagall was turned around.
But she went to turn back. "Like, do I have a magical family member from a few generations ago?" She asked as Sirius tiptoed towards the door. "And, how come Lily and I are both magic but our sister isn't?"
"I'm sorry, Miss Evans," McGonagall said, keeping her eyes on her as Sirius made it out of the door. Y/N got herself ready to run. "But I don't have time for this right now. Can't you see I'm busy?"
"You're right, Professor. I'm sorry," Y/N said and swiftly walked out of the office.
She got away quickly, before McGonagall could call her back and ask about Sirius's whereabouts. Y/N wasn't sure, anyway. Sirius was long gone by the time she got out of the office.
Suddenly, Sirius appeared out of nowhere. He strode forward and tapped Y/N on the shoulder. She turned quickly, ready to tackle her attacker, but when she saw Sirius, she relaxed. She went to say something, but he beat her to it. "Meet me on the astronomy tower later," he said and walked off again.
***
James walked towards Lily and placed his arms around her shoulders. "Word on the street is your sister is seeing Sirius," he said as they walked.
Lily didn't remove his arm, but she didn't give him the time of day, either. She just kept walking, as though James wasn't there. "So, now that your sister is dating, how about I take you on a date?"
"A date, James, really?" Lily asked, finally pushing his hand away.
James nodded his head. "If Y/N is dating, why can't you?"
Letting out a huff, Lily turned to face him. "Okay, if I go on one date with you, will you finally leave me alone?" She asked and James nodded.
One date. All he needed was one date.
***
Y/N made her way up to the astronomy tower. She was dressed in a simple pair of jeans and a knitted sweater, keeping herself warm as she walked through the castle.
Sirius was already up the astronomy tower, a picnic set up in front of him. He had the blanket, the basket, a candle surrounded by food. It was simple food, sandwiches and snacks.
"Wow," Y/N whispered as she walked over to him.
Sirius grinned and spread his arms. "Surprise," he said and sat on one side of the blanket, gesturing for Y/N to sit opposite him.
She took her seat and Sirius passed her a biscuit. "So, what is the deal with James and my sister?" She asked as she leaned back, looking across the castle grounds.
Sirius shook his head. "He really likes her," he said and ran his fingers through his hair.
Y/N let out a snort. "I think the whole school knows that."
"No, I think the whole school knows that I like you," Sirius muttered with a smirk.
They spoke the whole evening long. Even once the food had been eaten and they were comfortably full, Y/N and Sirius stayed where they were, talking about their lives. Y/N learned about his home life and just how shitty it was. She told him about being Muggleborn and how spiteful her sister was.
They were sat beside each other, Y/N leaning against him as he watched the stars. "So, why don't you date?" Sirius asked her. "You're gorgeous, I know so many guys that would be so happy to be in my position right now, so why am I the lucky guy?"
Y/N shrugged her shoulders. "I've just always wanted to be more focused on my studies," she said.
Suddenly Sirius placed his finger under chin and tipped her towards him. He kissed her, slowly gently, eyes closed as his lips moved against hers. He tasted of smoke and mint, the taste intoxicating. Y/N couldn't get enough.
She ran his fingers through his hair, scratching at his scalp. Sirius let out a whine and pulled away, resting his forehead against hers. He couldn't stop the smile crossing his face as they just sat there.
There were footsteps, making their way up towards them. Y/N and Sirius pulled away to look at who was approaching.
"Lily," Y/N said as she stood, moving away from Sirius. "What're you doing up here?"
And then James appeared behind her. He grinned when he saw the two of them, both of them breathless. "Thanks, mate," he said as he and Lily came up the stairs.
Y/N stared at Sirius. "What does he mean?" She asked, picking up her things. "Sirius, what does he mean by that?"
"Y/N, listen, you've got to understand-"
But that was enough for her. Y/N turned on her heel and walked away from him, running down the steps and back to the common room.
Sirius spent the next few weeks trying to speak to her. He waited outside of her classrooms and tried to corner her in the common room, but Y/N marched away from him, a furious look on her face.
She was furious. Furious that Sirius had just asked her out for James' benefit, furious that she had fallen for him.
She was hurt, incredibly hurt.
She hated the way she felt around, the way he made her heart flutter. She hated the way his gaze heated her cheeks, hated the way her hand felt in his. She hated the way he smelt like cigarettes, hated the way he tasted of smoke and mint, and hated the way she loved it. She hated that he'd taken her on her first ever date and hated the way she loved it. But, most of all, she hated the way she didn't hate him.
Y/N sat in the common room, reading her book. She was constantly looking around, making sure Sirius didn't appear in front of her.
Suddenly, a couple of books appeared on the table in front of her. They were held together by a piece of twine, held together in a neat bow. Beneath the bow was a small note, her name written on it. Y/N grabbed a hold of it and turned it around.
'Forgive me? - S'
Y/N looked across the common room, meeting his gave. She gave him a quick nod and went back to her book, a grin splitting across her face.
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genderkoolaid · 3 months
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Hi. You always post a lot of info so I'm wondering if you might be able to help me. Is there a difference between radfems and TERFs? Are they both bad? If so, why are they bad? Are there any dog whistles to look out for when it comes to these groups? Please ignore this if it makes you uncomfortable. I've seen a lot of people pointing out that they're bad, but never really saying why. I want to make sure I follow intersectional feminism and not those groups.
Radical feminism is the name of a branch of feminism. It originally got its name because it advocated for extreme changes to society to address female oppression, but developed into a specific worldview which I (off the top of my head) would define by certain traits:
Oppositional sexism. Men and women (or "males" and "females") are fundamentally opposed. Oftentimes this is bioessentialist, arguing that this opposite comes from biology, but it may also be framed as a political necessity; a radfem might argue that gender and sex are fake BUT we need male vs female as political identities in order to identify our "allies" and "enemies". Regardless, males and females are physically distinct and political enemies. You can tell a man from a woman, either from their body or their behavior, the two categories cannot overlap, and no other gender/sex-labels are relevant.
Fatalistic perspectives on patriarchy. Not only are males and females opposed, but this cannot be changed. This may be bioessentialist (the opposition comes from something in our nature, which cannot change) or gender-essentialist (the opposition comes from socialization which occurs as a child due to outside pressure and/or internal gender identity, and cannot change.) Focus is not placed on an ideal future where men and women are equals and social partners. Instead, there is a sense that there is no way to truly have a society with men and women where males do not oppress females, or try to. Sometimes this is more implicit and other times you have people who explicitly believe in creating & enforcing female-only societies.
Misogyny as the source of all oppression, or at least the most important & the one people should identity themselves as before anything else. Those who call themselves intersectional generally only really care about other issues to the extent that they affect women in some way. Part of the downfall of the original radical feminists was the fact that the dominant groups were upper-class white women, who ignored racism and classism and silenced poor women & women of color, insisting that anti-racist and anti-classist action distracted from The Movement & that calling out other women's bigotry was anti-feminist.
A general suspicion of sexual desire and sex, often expressing itself as whorephobia (anti-sex work) and anti-kink attitudes, specifically under the argument that they are inherently misogynistic and abusive. Sex is associated with men and maleness, which again, are inherently the enemy. Sex WITH men, or with a person or object that could be construed as male, is especially bad.
The impetus to make your personal life As Feminist As Possible– "The personal is political." That isn't a bad slogan on its own (it's true), but with radical feminists it expresses itself as a high standard of Radfemmaxing. You should be celibate if you are attracted to men, or become a political lesbian, you shouldn't be masculine OR feminine (anti-butch & femme sentiment), you should reject makeup and shaving, you should cut off male relatives and even abort male fetuses– and you must identify with womanhood and femaleness, while rejecting any identity related to manhood and maleness. It's not just that you should examine your desires and choices and question why you feel the way you feel (again, this is a good thing). Radfems have the belief that they already know the correct answer to that Introspection, and if you come to any other conclusion than theirs (I like wearing makeup because it's fun, I want to be a man because it fits me), then it's taken as proof you are still brainwashed.
TERFS are trans-exclusive radfems. They believe that being trans is not real, or at least not healthy or an acceptable feminist stance. TERFs tend to use the language of "sex" and "males vs females." Many use the term "gender critical," meaning they see gender as fake and damaging, while sex is real and the proper platform for feminist analysis. I once saw a TERF define her stance as "it's not degrading because its feminine, its feminine because its degrading." They believe in things like autogynophilia and rapid onset gender dysphoria, and attribute transgender identity with sexual trauma, internalized homophobia and internalized misogyny.
TIRFs are trans inclusive. They believe that transgender feelings are natural and should be listened to and followed, and that feminism should take gender identity into account. However, they still have a "male vs female" worldview. They may argue that transgender men's internal gender feelings led them to internalize male socialization, while trans women internalized female socialization, meaning that all trans people's experiences with gender and misogyny align most with cis people who share their gender identity.
In both cases, anti-nonbinary exorsexism and intersexism are unavoidable. TERFs will label intersex people as "males/females with a disorder" and attribute nonbinary identity either to internalized misogyny (FTX) or to avoid being held accountable for male privilege (MTX). TIRFs similarly fail to acknowledge how someone's socialization can be affected by intersexism. MTX people are either trans women in denial or flamboyant cis men; FTX people are either trans men avoiding their privilege, or cis women avoiding their privilege*.
Not everyone who uses radical feminist arguments or shares the general perspective openly identified as radfem. There are many "cryptos" who purposefully obscure their political identity to spread radfem ideas in queer & feminist spaces. Other people adopt the general ideas of radical feminism without consciously identifying as one, because of cryptos and how pop feminism often adopts their flashier ideas. So it's important to understand these qualities as on a scale, with some versions being more subtle while others are explicit.
Radical feminism always reduces trans experiences (& experiences in general) to a simple, uncrossable binary, based either in gender or sex. Nuance and cros- or non-binary gender experiences are seen as anti-feminist and aligned with the patriarchy, if not part of a targeted plan to hurt feminist movements.
*the idea of "AFAB privilege" is. a thing in some people's analysis of transmisogyny.
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koolades-world · 7 months
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Can you do headcanons on MC being blind but then by some sort of accident or something MC suddenly gets their eyesight back?
I just imagine that MC would be so overwhelmed at first. They’re not use to seeing all these colors 😔
Also the brothers + others would probably look completely different from how they imagined them lol
Nah imagine they go back to earth and because it’s so bright because the earth actually has sun there so they constantly have to wear glasses everywhere 💀
Please and thank you 🙏🙏🙏
hi!! sure thing!
actually, I learnt that with the power of science (and gene therapy), this is possible to an extent! it's for a very specific condition that I'm pretty sure occurs during childhood due to a recessive trait that causes retina cells to die off. it's called Leber congenital amaurosis. if the correct dominant gene is inserted into the eyes, which are a great place to insert them since they're small and direct, the person can regain vision! cool, right??? really wanted to share this with someone other than the people who've already heard me ramble about it
now that you have something cool to tell your friends, please enjoy!
Mc that regains their vision after being blind
Lucifer
very upset with solomon (please see the end lol) but he softens once he sees the recognition that you're looking at such a familiar voice clicked in your face
the first to give you a tour around house before his brothers can argue about it and sweeps you off your feet to give you an arial view of the devildom
also takes the chance to give you a tour of the demon lord's palace
he takes this chance to shower you in even more finery and take you out to do more fancy, fun stuff
Mammon
he seems more emotional about it than you do
tries to hide it but he's almost in tears and hugging you really tight
he's so happy for you and gets excited about all the little things with you
still uses every chance to hold your hand even though it's not necessary <3
Levi
he wasn't present when you got home with the news, but he almost drops the boba he bought for the both of you when you tell him he has pretty eyes
together, you rewatch all of your favorite shows and replay all of your favorite games so you can reexperience everything
he thinks it's very refreshing to see your new outlook on things
he can't wait to show you how great all the conventions are!
Satan
he can't help but take in every moment of your newfound curiosity and help you out at every step of the way
he answers any and all questions you might have
he's relieved (and a little flustered) to hear he's just as handsome as you'd imagined him and that he and lucifer were very different in your mind
reading is your new favorite hobby together since now you can enjoy any book in his collection without the need of a spell
Asmo
he's literally squealing one he hears the news
he can't wait to show you his room and all of the shiny things he loves
fashion show!!! helps you discover what your favorite color and pattern is
if there's something you don't like about your room, he will help you change it until you do
Beel
he hadn't realized how much he'd taken sight for granted until he met you, and now, he was going to help you along every step of the way of getting used to seeing
he walks you to each of your classes and shows you the route you've been used to taking
listens to you and your rants about how great your new favorite color is
once you're more comfortable with seeing, he takes you on nature hikes to see what he thinks is some of the most beautiful sights
Belphie
like mammon, he also won't admit he's a little emotional
while the two of you do have a moment where you stare into his eyes for a while, admiring them, you immediately question his hairstyle afterwards
after this though, he makes more of an effort to stay awake for longer and to sweep his hair out of his face
he takes the time to finally show you his favorite hidden spot to nap in the garden so you can see it for yourself
Solomon (bonus!)
this is 100% his doing, purposeful or not
the first person you see when you see for the first time, leading to a very cute, personal moment
you do tell him you didn't actually think he looked like an old man but the white hair didn't help
not wanting to be alone to break the news to the brothers, and especially luci, you do it together and you keep them from jumping him for using experimental magic
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Look, This is gonna be one of those things that sounds bad until you read the whole story. Please don't read the title and go to 'yta' without reading.
AITA for yelling at our friend that my brother isn't trans?
Look, My brother ISNT trans. He likes to wear kilts and sew, Which is what kind of started all of this. My brother is NOT trans, He loves being a boy (trust me, I can hear him enjoying being a boy in his room all the time. Theres no way he'd wanna chop it off(I mean this as a joke I don't actually know how the surgery works), He's told me multiple times that being told by others what he likes is 'feminine' and 'girly' upsets him because he's proud of being a boy and doesn't like being called a girl. Its not because he hates girls or thinks less of them, He just does not like being called the wrong gender which I'm sure you want to be called the correct gender too.)
Anyways lets begin. I (16F) am my little brothers (15M) best friend, Basically. We grew up together and do everything together, Including sewing. I liked it when I was younger, And eventually convinced him to try it as well. He loved it, And we love just sitting together and making random crap we usually end up selling at our yearly garage sale. (Our mom makes us sell all our unneeded crap every year, But we aren't complaining when we make like $100 for it, Mom and dad even help us figure out what we actually wanna keep (we sometimes see old things and go 'Oh I could never get rid of this' and then throw it away))
Sorry for the rambling, But you'll see why some of this is important to know.
Basically, We were getting our shit together for the garage sale, And invited over a mutual friend of ours, Who I'll call uhhh Ley (16F). Shes kind of obsessed with the LGBTQ and loves to help people 'realize' they're gay or trans or non-binary. By this I mean she'll literally bully people she 'knows' is gay or trans by always telling them they are and spreading rumors about them saying they are. The way she 'knows' these things are from gut feelings. I thought maybe she needed friends who would be honest with her and tell her gently that it needed to stop. She stopped being so bad with it and we even convinced her to admit to the rumors she started being fake. We've known her for around 3 years now, And she's stopped doing it as aggressively for 2 of those years. She still makes jabs and 'jokes' saying things like "Oh thats so girly, Are you sure you're not trans?" and "Oh thats such a boy thing to do, Are you a lesbian?", Both quotes she's said to me and my brother less than a week ago. I am straight and cis, So is my brother. We have nothing against the lgbt, We just aren't apart of it. We support the lgbtq as much as possible (with my part time job I like to donate some of my paycheck towards point of pride so people who need the surgeries or binders can get them), And are very open about supporting them.
While we were cleaning out my brothers room and finding stuff to throw into the 'sell' box (we like to do precleaning before our parents help us, It makes everything faster and less work on the people trying to help), And Ley found my brothers kilt. She did a long exaggerated gasp, Looking at my brother.
"So, How long have you been trans? Why didn't you tell me?? I knew it the whole time!"
My brother tried to explain that it was a kilt for men, And he wasn't trans, But she kept interrupting him saying crap like 'you don't have to lie I know now' and 'Its nothing to be embarrassed about, I knew ever since you started to sew'. The last straw for me was when she continued not listening to him and started to ask about how he was gonna come out as school. I yelled at her to get out, That neither of us were gay, Neither of us are trans, And neither of us are apart of any of the lgbtq. We are allies and nothing more. She tried to argue that he had a 'skirt' which OBVIOUSLY meant he was trans, I basically screamed at her that she was a stupid know it all who made everyone who wasn't apart of the lgbtq's life hell because she made sure everyone knew them as someone they arent (I know, I shouldn't of brought up 2 years in the past) and that I was tired of her trying to force everyone to be in the LGBTQ when its just not realistic. Not everyone is gay or trans, Some people are cis and straight. She started crying and left, We haven't spoken in a few days but I think I'm justified. I'm tired of living my life being told I'm something I'm not, I'm tired of seeing it happen to my brother too.
My brother later thanked me for standing up for him, Telling me it made him really upset when she said those things. To cheer him up we watched his favorite movies and I made him his favorite dinner (mom and dad both work day jobs so we both make lunch and dinner)
And for those who are gonna say that allies are apart of the LGBTQ I strongly believe the A is for aro/ace. Being an ally isn't a gender or sexuality
(unless people identify using ally/allyself of course or whatever it is, I'm not quite sure how neos work or whatever but I love to see how creative people get with it and am happy it gives people who don't identify with any of the normalized(? Idk the correct term but yknow the man woman and nb) genders a chance to be who they actually are)
Extra info on why I think I could be the asshole: I feel like we might've been able to explain it if we got her to shut up for a minute, But she kept talking over us. I feel like I went too far by insulting her, And I feel like I might be TA because she's also autistic (so is my brother though, And I have ADHD).
Why I think I'm NTA: My brother is really quiet and doesn't really defend himself often. He doesn't really know how to stand up for himself and is 'easy' to talk over (soft spoken, Quiet talking voice and nonconfrontational) which is why I believe I had to step in in his place, And I don't believe I did anything wrong defending my brother and making her stop calling him what hes not.
Anyways. AITA for yelling at our friend that my brother isn't trans?
To see later: PINK PANTHER
What are these acronyms?
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oblique-lane · 4 months
Text
Sniper tf2 mentality
Today I will be talking about Sniper's personality because I often see people portraying him DRASTICALLY different abd I wanted to understand what's going on and why all of the interpretations are correct (in my opinion)
Let's name the most prominent thesises:
Sniper is shy and introverted.
Sniper is unhinged and bloodlusty and is annoyed by people.
Why do i think that these aren't exactly contradictory?
I think at this point it's safe to assume Sniper is autistic (I mean lol this is easier to prove than to disprove). As an autistic person myself, I can see why he could be perceived like that.
Sniper doesn't talk to people and mostly observes them and the situation. Very in tune with his profession. That, however, might be perceived as being shy or very introverted or both. People love talking and expect others to share information, yet Sniper never says half of the things he's thinking about.
But let me tell you, it's NOT because he's shy. If he was shy, it would show in his body language as being stiff and rigid. He's not. His body is pretty relaxed and takes enough space. Still crosses his arms, but in a "don't bother me" way, not a "please don't judge me" way.
He's just disinterested.
I relate to it a lot in real life! People at my job think I'm too shy to talk to them, but no, I just DON'T WANT TO. I'm not scared of any if you, there's just nothing to talk about. I don't know your business, you don't know mine, our interests don't collide. If I talked to you about my interests you wouldn't listen anyway. Small talk? Ew, are y kidding me?
However, I like to listen. I'm an extrovert personally (unexpected huh) so I love being around people, but it doesn't mean I have to takk to them. I'll just sponge the information they are babbling about so I know my community better. When I meet new group of people where everyone knows eachother but me, I'm not going to feel awkward, it's perfectly fine to observe.
Sniper seems to fit into this kind of behaviour too. So he's not shy in a social anxiety sense".
NOW LET'S TALK ABOUT THE BLOODLUST!!
Yeah you all know his in-game voicelines. You feel either horny or assaulted after he rolls these sadistic words on his tongue. Yes I said sadistic, are you gonna argue?
"We professionals don't give speeches we just take a shot" he says in the comics. OH YEAH? IS THAT WHY YOU HAVE THE MOST FUCKING VOICELINES OF ALL OF THEM??
Have you ever noticed how much attention he puts into saying how 'professional' he is? Like, yeah no shit, they all kinda are. But why, unlike other mercs, he insists on calling himself a professional with standards and morals, detached from emotions and feelings, so much???
There's literally no reason to be ashamed of being a killer and to admit that you enjoy killing people, you were hired to Mann Co. for that specifically!!!
My assumption: it's a personal disgust towards himself and his anger issues. I've said it before already and I will again.
His so called 'shadow side' that he suppresses so much. It loves to cause people pain, it loves releasing the inner anger, it is being feral and impulsive in nature. Sniper cannot let himself be like that for whatever reason. He's already built a clear picture of what he is in his head and he doesn't want to destroy that.
The only time he allows himself to be a monster is in the battle because it comes naturally. However, when it's not a situation of adrenaline rush, when people want to talk about his persona face to face, he starts to defend himself and bury his face under the lies he believes in.
And THIS is anxiety. To be scared to be truly perceived. Not like many people tried, but I assume he wouldn't like it.
Bro really thinks he doesn't have feelings lmaoooo imagine being so emotionally immature the only way to process your emotions is to shot a human dead.
So, is Sniper anxious? Yes. Is this social anxiety? No, he's not shy. Is he an unhinged murderer? Yes. Does he identify as one? No. It's really a little bit more complicated than the two thesises from the beginning.
He's a person. Obviously not mentally healthy. High dimensional. Can be potentially broken or healed in terms of a good character study.
I might be very wrong though and most of the assumptions are simply guessing by grasping the patterns, but usually when I analyze someone like thus, it turns out mostly right. But correct me if you feel like it.
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nelyos-right-hand · 13 days
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Guys. Guys, we seriously need to talk about kidnap fam and all the arguments surrounding it.
Because the Silm fandom is easily the most peaceful fandom I've ever seen by far, and I love it, it's just so much easier when you don't constantly have to deal with fans bashing heads over their different takes. (To clarify, people do have different takes in this fandom, which is good and exactly how fandom is supposed to be, and sometimes heads do get bashed, which isn't great, but still happens far less than in any other fandom I've ever seen.)
Some people love Morgoth, and some people love the Valar, but they don't argue over it, instead they solve the problem by engaging in deep philosophical discussions or just in so much smut. And that's great. I'm not saying you shouldn't have discussions. It's such a big part of fandom to exchange different point of views, and sometimes people change their minds, and other times you agree to disagree.
And I think we all know that of all the different corners of the fandom, the kidnap fam corner is probably disagreeing the most, and that's alright! You can defend the characters you love, you can voice your own opinion, you can disagree on other people's takes, but please, PLEASE stop insulting the fans.
This isn't everyone, there are so many incredibly kind people in that corner who are always peaceful, but it's also the only corner where I've seen people using opinions on characters as a judge for the fans that have those options.
"People who hate Elwing are so stupid", "People who love Elwing are toxic" Just stop, okay?! Just stop.
Hating a fictional character is not morally wrong. They are fictional, you can't hurt their feelings, they don't care if you hate them or love them or ignore them. Hating real people is wrong. You can hate Maedhros, and you can hate Elwing, you can even hate Elrond (no, seriously, don't hate Elrond, or I will come for you).
Your opinion on a character doesn't have to be morally correct. Even if Elwing was a terrible monster who abused her kids, it still wouldn't be somehow toxic to love her. Why would you even think that? And even if Elwing was a complete saint, it still wouldn't be stupid to hate her. Your opinion on a character doesn't have to be rational. (Example: I dislike Arwen. I know there is absolutely no rational explanation, she's a perfectly written character, she's a strong woman, she's the perfect woman for Aragorn. If she were a real person I would have to get over my dislike for her, but since she's fictional I can keep disliking her, even if I can't explain it. Even if she's a great person this isn't somehow wrong or toxic)
This post isn't about my personal opinion on Elwing, or on how much Maedhros was involved in raising the boys, or whether they called Maglor "Atar". This post also isn't saying that you should stop defending your favorite characters or headcanons, or that you should stop criticising characters you dislike. I'm not telling you to stop saying your own opinion, or to make your post and fanfictions neutral so that no one is confronted with a take they don't like. Please don't do that! You can continue making 10 000 word long posts supporting your opinion, in fact, you should do that, because if it weren't for those posts I would still have all those boring, one-sided opinions that made eleven year old me hate Boromir. It's good to sometimes be confronted with something you don't agree with.
This post is about fans insulting other fans because they don't agree with them. This is about fans making opinions on fictional characters look morally wrong, and therefore make the people behind those opinions look like bad people.
Again, this is a minority of the fans. Most people in this corner of the fandom are great and civil and deserve all the love in the world. But I'm just so tired of all the arguments, I don't even care who's right anymore, I just want us all to get along. Fandom should be about having fun, about enjoying things you love, not about bashing heads with people who disagree with you. Cause you won't get very far in real life if you can't deal with different opinions.
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leaves-fall-down · 6 months
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I’m just very confused on why you guys think Jk Rowling is denying the holocaust. She isn’t denying the holocaust itself.
She said that Trans people weren’t the first ones to be persecuted, and that’s true. The Nazis primarily were against the Jews. She didn’t say that the trans people weren’t targeted at all as far as I know. Im very confused.
Alright. Since you wrote this from what I'm assuming is good faith, I will reply as politely as I can. Sorry if anything comes off as rude, I just have a somewhat blunt way of speaking and talking.
Despite being a best selling author of books with a political message, all of which smack you over the head with it, JKR isn't particularly good at making arguments for her beliefs. So, any confusion is alright, and forgiven, because she herself is a confusing debater.
So, *I* did not say she's denying the entire holocaust. I don't know what other folks are saying, but *I* never said she's denying the entire Holocaust-she was denying the very specific act, an atrocity really, of nazis burning books about trans people. However, denying any atrocity of the Holocaust is still, y'know, bad. To me, denying one aspect of it is just as gross and harmful as denying the whole thing. But that's me and my view.
Second, nowhere in the original tweet is the person in the screenshot that she's replying to saying that trans people were the first victims of the nazis. (see below). They aren't saying that at all, what they're saying is that trans books/research were burned by the nazis (Which. Uh. They were!). In her original post, JKR denied book burnings done by Nazis, specifically books about trans people. Which is verifiable and correct. The nazis did in fact do that. So yes, she's denying an aspect of the holocaust. That is objectively what she's doing.
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Then, later (see below), likely because she was mad at this other girl for pointing out that her tweet is spreading false information (and again, is specifically denying an atrocity of the holocaust), Rowling herself is the one who switches it up from "Uh, nu uh never happened!" to "Well no no I'm just saying they didn't burn all of the books in Germany and that they weren't the first victims!"
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The poster, Alejandra here, calls her out again (see below). Because she never said that! The person there in the original screenshot that she's posting also doesn't say that anywhere in their original tweet!
Then, instead of just apologizing, she decided to move the goalposts and accuse Alejandra of lying, specifically of lying about a point that JKR was the one to switch to, and then used an entirely different tweet to accuse this girl of lying about something she and the screenshotted person never even said. She's doing this because she's embarrassed that someone called her out for denying an atrocity of the holocaust, that's whats going on here.
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Again: the person she was originally responding to didn't say that trans people were the first victims or that every last book on them in Germany was destroyed, and this Alejandra person certainly didn't say that either, so now JKR is quite literally accusing this girl (who she wasn't even originally arguing with!) of lying over a third separate person's tweet, and over a point that JKR herself was the one to switch over to in the first place. Because she's embarrassed and mad that she was called out as a denier of part of the holocaust over her first tweet.
And please don't give me the argument of "oh well technically Alejandra asked where anyone said that, though 🥺". JKR moved the goalposts and accused this girl of lying because she got embarrassed, and then pulled out a third separate person's tweet out, because she's simply embarrassed for being called out as a holocaust atrocity denier. She was so embarrassed and flustered over being a holocaust atrocity denier that she quite literally moved the goalposts of her argument instead of just apologizing for denying part of the holocaust. Like a normal person hopefully would.
If Rowling originally just wanted to argue that trans people weren't the first victims, then she should have posted a response to that second screenshot she had in the first place, instead of the one she originally posted. But we all have eyes here, and can see that what she originally did was deny an atrocity of the holocaust entirely through her original tweet. Everything after came through sheer embarrassment at being called out, and "no I'm just saying trans people weren't the first victims!" is deflection on her end, because she is embarrassed that she was called out and corrected.
TL;DR: JK Rowling is a holocaust atrocity denying bigot. That's it. That's what she's revealed herself as, and when corrected, she simply moved the goalposts instead of apologizing. That's a solid and morally sound reason for anyone to no longer consume her work if transphobia by itself wasn't enough.
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spiderize · 1 year
Text
.・'-✧ :-TORN | LSK. -: ✧.
description: you’re leon’s girlfriend and the gals are fighting!!!! 😒😒😒
warnings: angst. leon is still in love with ada wong (me too) while you guys are dating (he loves you too(i think)). english is not my first language so plz correct me if there are mistakes!! first time posting fics on tumblr so expect disappointment because i don't know what i'm doing. THIS IS A ONESHOT! sorry people :(
word count: ~1k
You’re arguing with Leon, again... Your relationship with him has been rocky this year, with many factors adding to that but mostly due to his mission in Spain. This time, it's about Ada Wong. Just saying her name has left a bitter taste on your tongue.
You know of this infamous Ada Wong. Of course you do, how could you not? You haven't seen her, but you've heard stories from Leon. And he always talks so highly of her. And this time, when he came home smelling like women's perfume… you've had enough. You finally decided to confront him, and was met with the heart-shattering truth.
“Fine! I'm still in love with Ada, alright? Are you happy now, is that what you wanted to hear?”
It's not like you didn't expect that, but to hear it loud and clear coming from Leon… it was like the world went quiet. No loud car noises, not even the TV show that you turned on made a sound. All you could hear were his words that pierced right through your heart.
You pressed your lips together and nodded as tears threatened to fall down your face.
“So our relationship was a lie this whole time? I loved you, Leon! I fucking love you..”
You're cursing yourself, mentally. For being stupid. For thinking he was different from other people you've been with. For thinking that you could get married to him.
Leon's eyes soften as he sees your tears, guilt creeping into his expression. He reaches out tentatively, trying to cup your face.
“Don't touch me! Just don't…”
You're screaming at him because you're mad, but mostly because you don't know what you will do if he does end up touching you. You're scared you're gonna lean into his touch and let him make you forget.
“I care about you. Deeply. But there's something about Ada, she's like a part of me that I can't let go. I wish it wouldn't be like this, trust me… But my heart is torn between two different paths.”
His voice is gentle, filled with a mixture of guilt and sincerity.
And you hate him. You hate him for talking in that soft, gentle voice. The same voice that has told you countless of ‘I love you’s. Part of you wish he was just yelling at you.
“Then choose, Leon! Me or Ada?” You asked him, voice now raspy from crying and shouting.
Leon looks at you, eyes filled with conflict. He momentarily lifts his arms to hold you, before dropping back to his side. The hurt was evident in his face as he remembered your words earlier. He takes a deep breath, gathering his thoughts before he speaks.
“I… can't. It's not fair to you… and not fair to Ada. I can't give you a straightforward answer, because I'm stuck in the middle.”
He pauses briefly, and you can hear his wavering voice.
“But I hope you know that I do care about you and I don't want to hurt you. I love you and my feelings for you are sincere and genuine. And if you can find the heart to bear with me through this struggle, then we can work through this together.” He said, and you can sense the sincerity.
But you can't. As much as you wanted this to work out, you can't stand being the second choice. It happened one too many times and you won't let it happen again.
“You can work through this. I can't! Not when I know that I'm not the only one in your heart. So just choose, please…” You choked the words out, wiping your tears but it's no use. They just keep falling down like it's damn Niagara Falls.
Leon's face falls, as if he's been struck by your words. He tries searching your eyes for any signs of forgiveness or understanding.
“I.. I can't. You deserve someone that will give their whole heart to you. And I don't want to lead you on when I'm still confused with my own emotions.”
His voice cracks. He takes a step closer and talks again, his voice barely above a whisper this time.
“I never wanted to hurt you, but… if you can be patient with me, I need time to figure things out, to make sense of what I feel.”
He begs for the last time, his words hang heavy in the air. And you speak immediately. Because if you don't, you're gonna think about his offer.
“Then I'll leave. I can't look at you—or even be near you right now.” You turn your back and walk away from him.
“I'm going to pack my things, and leave. And don't. Don't try to stop me, unless you have an answer for my question.”
And you do. You thought about leaving some of your clothes behind, but the thought of other women wearing your clothes makes you sick. You finished packing your stuff in the bedroom and as you walk towards the bedroom door to leave, you see a polaroid on the table.
You picked it up to see it clearly. It was a polaroid of you, face covered with chocolate cake, while Leon kissed your cheek. You remember this day, every second of it. It was your birthday, everybody was there. It was Claire who smashed your face in the cake. You remember getting mad about it but then laughing a second later.
You smiled at the polaroid, then put it back down on the table. You leave the bedroom and walk towards the front door of the apartment.
Leon was sitting at the couch, face in hands. When he heard you walk to the door, he stood up and looked at you.
You see him, and he looks like a mess. Probably more than you do. His shirt is soaked with his tears, and his eyes are red. He opens his mouth to speak, and you wonder if he is going to beg you to stay. Because maybe you'll listen, this time.
But he closed his mouth as soon as he opened it. Of course he wasn't going to. You speak to him one last time, “Goodbye, Leon.”
You twisted the door knob and walked out of the apartment without looking back. And as you leave, you felt a tightening knot in your chest, because all you wanted was to be loved the way you loved.
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shuttershocky · 9 months
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There's a thread on the arknights reddit asking why is Eyja so resistant to powercreep. About half the answers were because the devs virtually give no other casters the amount of res ignore she has and she was just made right from the start and casters past her are either meh or Goldenglow.
It's a fun problem to talk about and these answers are correct, but I would argue that fully understanding the issue of Eyjafjalla's effect on Arknights' design and why she's so hard to powercreep comes down to understanding the combination of four things:
Arts damage is calculated by reducing the initial damage by a percentage given by the target's RES
Arknights is a Tower Defense game
Eyjafjalla was first and with a very overloaded S2
Closely related to #3, Arknights is a live service (gacha) game
I'm not sure if I can explain this very cohesively, but I'll try. This is going to be a very long post going over all 4 points in detail, after the cut
I'll go over info you definitely already know to explain Point#1, but please be patient.
Arts damage in Arknights is calculated like how Magic Resistance works in many games—it's reduced by a percentage of the target's RES, vs Physical damage being a flat reduction by DEF or ATK - DEF. Let's explain Physical first.
The flat reduction from DEF means that while Phys damage does almost nothing if it's below an enemy's DEF, slowly slowly increasing the phys damage being outputted will get over the enemy's DEF until it starts being effective. The higher you boost the phys damage over the initial DEF, the more effective the attack becomes. 2000 DEF may be extremely tanky, but if you deal 10,000 damage per hit in one second, you're still dealing 8000 DPS. On the other hand, if you deal 1000 damage per hit 10 times in a single second, you're doing basically nothing (a minimum of 5% damage per hit) to a 2000 DEF target despite having the same DPS.
Meanwhile, Arts damage being reduced by a percentage dictated by enemy RES means that the actual damage per hit doesn't matter. If you make a 10,000 damage Arts attack hit an 80 RES target once per second, you do 2000 DPS. Do the same thing where an attack does 1000 damage Arts hits 10x in 1 second to the same 80 RES target, and you do 200 x 10 or 2000 DPS. This means Arts damage ultimately only cares about DPS, no cares about whether it gains it from boosting ATK or ASPD, it will be the same in the end.
Moving on to Point #2, other games that calculate magic resistance in this way aren't Tower Defenses, but Arknights is. Being a tower defense means that the objective in any stage is to beat all AI enemies in a stage before they finish their set path to your goal, and no matter what strategy you go with the only approach to victory involves killing all enemies in some manner. This foundation means that DPS is inherently king (as in many games, but with Tower Defense's especially), as your only form of gameplay involves destroying the AI enemies with set patterns, everything else only serves that purpose. The hypothetical ultimate Arknights unit is not the one with the best utility or versatility or strategic potential, it's the unit that can kill the most number of enemies onscreen more efficiently than everyone else. So when it comes to units that deal Arts damage, Arts units that can kill the most enemies the most efficiently are the most valuable.
In other games in completely different genres but with the same approach to magic resistance (a very big logical leap I know but hear me out I swear), DPS numbers cannot be the end all-be all. For example, Dota 2's magic resistance works the same way, and they even have heroes with similar approaches to the game, but being a human player vs human player game and actually being unable to win by killing all enemies alone creates nuance.
Lina and Skywrath for (an extremely simplified and obviously overlooking many, many more nuances) example, are both squishy magic damage nukers whose goals are to surprise one enemy and then destroy them as fast as possible with very high magic damage. However, they are usually incomparable, because they're not just fighting set AI enemies walking on pre-determined paths, but human players who will react in different ways to the smallest differences between the two characters (ex: Skywrath has no way to completely stop enemy movement so he'll have a partner nearby to watch out for, Lina has a stun so she's more likely to be alone, but there's no dodging her homing Laguna Blade like you can with Skywrath's ground-targeted Mystic Flare so kill her before she fights back). Also, you can only win in Dota by destroying the enemy's base, so a team with 100 kills can actually lose to a team with 30 kills if the team being beaten up constantly dodges fights but manages to destroy the enemy base still. The ability to kill your enemies must actually be in service of your ability to destroy buildings (which are normally magic immune), meaning a caster that can annihilate enemy players is the blink of an eye but is useless at breaking buildings or defending may become a liability if they don't help their team at pushing faster than the enemy or can't help defend their buildings. To put it short: in other games, the non-linearity of both the objectives and combat encounters means increasing raw magic DPS cannot always be a solution
So now we go into Point#3 and 4, Eyjafjalla was the first 6 star Caster, and Arknights is a live service game meaning it must change over time.
Eyjafjalla having an automatic and powerful skill with RES shred, multiple charges, and even AOE on her S2 spelt doom for the entire Caster class, even more than her infamous S3. With S2, Eyja was cheaper than Casters with AOE, dealt more DPS than them while having their AOE, didn't require any manual input from the player, and even shredded enemy RES.
Now Eyjafjalla's S3 could be competed with, as it was a long cd multitarget DPS skill. Ceobe came with her own machine gun on S2 that could scale off enemy DEF, while Carnelian came with true AOE rather than a 6 target limit (though Eyja's S3 was still better in the end lol). However, her S2 being so easy and so powerful in a tower defense where efficient and strong DPS is the most valuable trait you can possibly have means HyperGryph either have to directly powercreep it with a similar skill, or work around it, which is where Point#4 being closely related comes in.
HG's approach was trying to work around it, which is why other Casters have clearly tried to stay out of her way either via utility or new features. Goldenglow has global range, Ebenholz sacrifices DPS for instant burst (but then eventually got a DPS module anyway), Mostima has big slows, Dusk creates summons to block enemies, etc. But even with all the utility or features being put into other Casters, if Eyjafjalla kills enemies just as quickly and easily as she did at release, then there's no real reason beyond your own fun to use anyone else. Eyja's S2 is still killing everything. That means enemies also have to change.
If Eyjafjalla killing enemies so easily with either S2 or S3 is a problem, then the only solution without being able to nerf her is make enemies harder for her to kill alone. This is why Patriot Phase 1 had 90 RES, so Eyjafjalla couldn't just kill him like she did all other bosses while Amiya's S3 had True Damage. Later enemies would also try other gimmicks, like the enemies in Lonetrail starting with very high DEF and RES that would lower after multiple hits, so strong DPS casters like Eyja can't instantly kill them with S2 (although her S3 will kill them from rapidfire lol).
However, unlike someone like Exusiai who had low ATK but monstrous DPS from multihits and ASPD, simply raising the floor of enemy RES will negatively affect ALL Casters, because of point#1— Arts only cares about DPS because of how it's calculated, damage per hit doesn't really matter. While Exusiai players can still play around with her by attempting to boost her DPH above the enemy's DEF threshold (and run the math on whether they should just try to lower enemy DEF instead), Casters will react the same to boosting ASPD and ATK, while lowering enemy RES will become more and more efficient the higher enemy RES gets, and hey, guess who comes with a RES shred? Eyjafjalla's S2.
Eyjafjalla trapped Hypergryph's design team. Keep raising RES and other Casters quickly become more and more useless without RES ignore / RES shred of their own, becoming a second support class when Supporters already exist for the idea of "Casters but supports". In fact, as RES gets raised, Eyjafjalla and other casters like Ifrit become more and more valuable as DPS units (in a tower defense where DPS is king), since they can ignore / shred RES when most cannot. Keep the game playable for other Casters however, and it means Eyjafjalla will continue to reign supreme.
HG tried to do a balancing act. This is how we got enemies start to get more RES over time, which weakened Casters overall enough that HG made a module for Core Casters to ignore 10 RES (that Eyjafjalla also got LOL). This is also how we got into the current state where Eyjafjalla is still comfortably killing 90% of the game and seen as near impossible to powercreep, because if she can't then people without her (and there WILL be people without her, because it's a gacha game and she's not guaranteed) would be totally screwed. Try to directly powercreep her by making a second Eyjafjalla with bigger numbers, and not only will you be pissing off people that rolled for Eyjafjalla, but you'll be creating an even bigger problem instead of fixing the first one.
So to tie it all together
Point # 1 means that Arts damage is a lot less nuanced than Physical damage, leading to raw DPS by any means coming out on top
Point # 2 means that if the only way to win is to destroy all enemies, then the ability to destroy enemies with damage faster and more effectively will always be the strongest solution
Point # 3 means that since Eyja was first and also very overloaded with features, everyone else was created with the knowledge of that they'll be competing against her, meaning you either had to directly powercreep her, or stay out of her way. HG chose the latter
Point # 4 means that while Arknights tried to address her, by either making tankier enemies or by event game mechanics, they were trapped by their own design. Because of Points #1, #2, nullifying Eyjafjalla too much would be screwing over everyone else because of the end result of Point #3, which is everyone tried to stay out of her lane when it came to DPSing. Not everyone can have Eyjafjalla because it's a gacha game and who you get is all RNG, and while you want new units to be attractive to make money, directly powercreeping old characters screws over your own players and makes them angry, while powercreeping Eyjafjalla directly will not even fix the problems created by points #1 and 2, it just makes an even more problematic, second Eyjafjalla.
Thanks for reading this far! If anything wasn't clear just ask and I'll try to explain it again
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waokevale · 3 months
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A Clarification to Wormwood's Age (And why he's fully fledged without a shred of doubt)
So, as we all know or have heard some at point, there are still people out there, who think the peculiar lunar plantation is an infant, solely due to the way he speaks, behaves and of conviction that he was literally born yesterday. Which by all means is false.
That's why I'm here to finally dismantle that belief. I'll present you with several compelling arguments of mine based on throughout research I did on his character overall, and if by the end of this post, you'll still hold firm to that same opinion, then I'm afraid that's out of my hands by that point.
If you're willing to stay for the duration of this thesis, and hear me out, I'll be very greatful. And please do listen, so we may not make any more misconceptions as such about him in the future.
I'll be splitting this post into 5 segments, one with additional subcategories.
General Appearance
Behavioral Pattern
Intelligence
Character Interrelations
Canon Information
First of, let's start off with the obvious:
General Appearance
If we're going to interpret his appearance based on 'human qualities', then physically, compared to actual child characters, Wormwood's design is vastly different.
The easiest way for me to prove that, lies in one of the recent animations: (Swine & Dine), where all the (live) children are gathered in one place, alongside Wormwood and Wes.
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Here, you can distinctly pick apart the difference between the three preteen characters, Walter, (who's likely supposed to be a teenager on the younger side; around 13-14), and the last two.
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The most obvious difference is the jawline. Wormwood, for one, has a massive jaw, easily rivaling that of Maxwell's (while technically, this feature isn't reserved solely for adults, it is moreso common to see an adult with a define jawline, rather than a child.)
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This, alongside his torso being usually depicted as an inverted triangle (at least in the official animations), seem to be features added intentionally somewhere post his release, as he looks much more childlike in his animation video, where he's still technically a sapling per se.
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Even Several of Wormwood's skins showcase, that he is in no way meant to be seen in a juvenile way.
The best example of that being his Victorian skin.
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Look me dead in the eye and tell me that's a child. That is one of the most indisputable old man portrayals, you can get from an anthropomorphic plant character in media. Do not try and argue, how a child is meant to look like that, because neither of the four actual child characters has a skin, which makes them appear that much significantly older than they actually are.
So what reason would Klei even have to make his skin look so apparently elderly, if they saw him as a child?
More examples of his mature skins could be said for the Roseate and Guest of Honor. While they're not outright elderly, as is the former, the general vibe is similar to that of other adult characters' portraits.
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Now that we've compared him to human characters and their characteristics, we should take into consideration what he actually is. Let's remember, that at the end of the day, he's partially a plant organism and partially an inorganic crystal from the moon , certainly he ages much differently than us humans, or even most other constant species for that matter.
I'm pretty sure he was also formed with a fully developed body (since he seemingly bloomed shortly after forming, which is a trait reserved primarily for mature plants)
But then again, appearance alone isn't enough to make one truly adult, is it? Thus we're moving on to:
Behavioral pattern
Few things you'll immediately realize about Wormwood is his alleged naivety, playful nature and seldom use of grammatical correctness. Due to this, many immediately assume that he's a child, which is understandable, but not a good enough reason to make such an assumption.
There are many factors involved in building one's disposition, and in Wormwood's case, there's plenty of reasonable causes for his behavor:
As previously stated, he's quite literally a sentient amalgam of vines, brought to life by a jewel from the moon. His origin far disparates that of any known being, especially a human.
His mind develops much differently than that of an average person. This correlates with the point above (since its a big green gem in his chest and not an actual brain). Plus, he likely hadn't had the chance to have a proper education. While he seems to have picked up on a lot of mannerisms from the pigsfolk in Hamlet, I doubt anyone went out of their way to actually school him.
He's feral. The majority of his upbringing, he likely spent surviving in the jungle. In a way, he reminds me a lot of Tarzan (A human, who grew up raised by a troop of gorillas after his parents were killed. He can communicate with the local wildlife just fine, but deeply struggles understanding and relating to the outsiders; other humans, who one day arrived on his land.) That's likely the reason why Wormwood refers to certain creatures with mimicking the sounds they make. Perhaps he can understand them to a degree, or at least is trying to.
Just because he doesn't speak English, doesn't mean he's slow. It is plausible he speaks a different language, while English doesn't come naturally to him. As is the case with Wolfgang, who has similar speech impediment issues and struggles with saying full sentences, but that's quite literally because English isn't his mother tongue. It's been a running gag that Wolfgang is the embodiment of a European man, and whichever country/countries he might've originated from, it's definitely not the UK. As might be the case for Wormwood and whatever constant language he actually thinks in.
He has certain traits akin to people with autism/Asperger's or ADHD (Nonverbal communication, delayed language development, lacking social cues, sensitive nose, short attention span, hyperactive and somewhat impulsive behavior, wild or overexaggerated movement, struggle with fitting in, little sense of awareness etc.) And I'm speaking from experience with this one, he's quite relatable to me, and many of my friends on the spectrum.
With that let's move on to the third segment.
Intelligence
Just how smart is he truly?
Wormwood isn't regarded for his high intellect, that's for sure, but remember, intelligence isn't defined by just the book smarts society imposes on us. Therefore it doesn't always correspond to a person's age and experience.
Wormwood, while definitely not on a level of a Harvard graduate, is extremely intelligent and a quick learner at that.
Let's digest what we generally know about intelligence and what it really means for Wormwood.
With the main question at hand : What differentiates a child mind from an adults'?
While he certainly shares some personality traits with Webber, their mindsets are rather different.
I'd like to present my point with a simple method.(From that one Quora post, believe it or not, it was the most convenient out of all the theories and tests I found) Dividing that, which is known as thought process into five subcategories, of which are:
Cognitive Development
Life Experience
Responsibility and Independence
Emotional Regulation
Social and Moral Development
So let's start with Cognitive Development/Psychology
(Definition : The process of growth and change in intellectual/mental abilities such as thinking, reasoning and understanding. That includes: the ability to interpret information, verbally communicate ideas, appropriately apply words and gestures to given situations, recognize and differentiate various sounds, comprehend your surroundings, use past experience to resolve current or future problems more efficiently, etc. TLDR: How thought process changes with age ; Talking, hearing, reading, remembering, problem-solving, understanding, You get the point. )
By this point, Wormwood's acquired plenty of general knowledge of the world around him and what to expect from it. (In some cases, he seems to know things without realizing it, or simply wishes to not provide more info of what he's already aware of.)
He is capable of understanding various different things, applying appropriate words to them, when given the chance. He often struggles to properly phrase what he means, but you can still get around to grasp it.
And you know what? He's especially good at deducing things not every character can point out. Here are some of the more obvious to least obvious things he's mentioned:
Leaky teacup - "Can't drink from it"
Beaten Beater - "Hmm... Can't use it"
Start tower kit - "Need to plant it on the water"
Compass- "which way?"
N- "North
S- "South"
E- "East"
W- "West"
NE- "Northeast"
SE- "Southeast"
NW- "Northwest
SW- "Southwest"
(The direction one would seem pointless to add but let's remember that there literally are characters in this game who don't know which way is which cough cough Winona cough)
Clippings - "Can sell this hair"
Sapphire Medallion/Tenpiece oinc – "Can buy things now"
(the plant understands capitalism 👍)
Winona's GEM-erator (out of fuel) - "Oh. Needs sparky"
Telelocator Focus (missing gem)- "Needs Purple Shiny"
Telelocator Socket (missing gem)- "Where shiny things?"
The Queen of Moon Quay: "Oh...she thinks Night Ball is friend hair?"
(He might know who They are after all)
Beast of Hunger (1) - "Oh. Not alive"
(This, plus any other quote of his mistaking a statue or an object with distinguishable features as alive, does not make him dull; this world literally has statues coming to life. He simply uses a reasoning he acquired from living in the Constant.)
Rose-Colored Glasses – "Friends show Fixer friend secret things"
(Most character, barring Maxwell, Wendy and Wigfrid don't know about the glasses' true purpose)
Ancient chest - "Put stuff in there!"
(One of 4 characters to have an inclining what to do with it)
Greater Gestalt- "Protect"
Enlightened Crown - "Helps hear them"
(Okay, he definitely knows who They are)
Hound Corpse (reanimating) - "Coming back"
(He seems the least bit of surprised or disturbed by this, compared to everyone else)
Antlion (upset) - "Oh no. Needs gifts"
(interestingly, no one else seems to mention why the Antlion is upset)
Mysterious Energy- "Seed"
(...?)
Distilled knowledge- "Plant this in funny floor"
(he's the only one to have figured out what to actually do with it)
I think what we all can realize from going through his quotes, is that he's in no way as clueless as he initially seems. He has his moments, but so do the rest of the survivors.
Life Experience, Responsibility and Independence
This plant has lived through a lot, but then again so have the rest, a lot of them have faced countless hardships most of us can't even fathom.
From what we already know, the fandom generally believes he is very naive and trusting, which really isn't the case. The thing is, it's not that he's naive, he may not react especially negatively to a creature or thing because he's used to seeing bizarre things, or because he's not afraid of them, unlike the majority of the survivor cast, who are alien to the constant.
Barring the in-game mechanics which force characters to be competent regardless of their experience, we're going to focus on his reactions to mobs and items that might pose actual threat to him or others, or are considered as questionable by him.
Inflatable Vest - "Safe?"
Shadowcraft plinth - "Scary hands helping?"
Fish steak - "Watch for bones"
Candy Apple - "Careful! Don't eat stick! "
Platapine (sleeping)- "don't wake it"
Sentrypede husk - "Sleeping. Shhh"
Sea Stack - "Oops! Watch out!
Great Tree Root - "Oh! Don't bump into friends!"
Worm hole (open) - "Deep. Dark"
(When deerclops is near) - "Something scary coming!"
Pressure plate - Hmmm...Odd rock"
Dread mite (about to explode) - "Look out!"
Shadow Reaper - "No...Wants to hurt friends!"
Depth Worm (lure) - "Hmm... not safe"
Depth Worm (burrowed) - "something hiding"
Meat bulb - "Careful!"
[The fish quotes in DST + the candy Apple are giving me an image of him saying that to the child characters (and definitely Woodie for the latter)]
Independence-wise, the one thing I especially took notice of, is how much the child characters seek guidance from the adults in the group, mentioning them by their formal titles too. That's especially frequent with Webber, Wurt, and Walter, though Wendy rarely does this. On one hand, she claims she considers toys and fun to be behind her, but contradictory, enjoys playing with other children and some of the adults. (Besides we canonically know she's 10-11 years old)
Wormwood isn't known for wanting to seek guidance either. He's sometimes confused about how certain things work and thus will ask about it, but that's understandable given his predicament. (As @thebleedingalien once mentioned, he's like an extraterrestrial experiencing bits and pieces from 2 different worlds at once)
He doesn't really care to play with toys either, (barring a couple of instances, one being Bernie and the others; toys with wheels and Antlion's sand castle. But c'mon, I know some of you grown adults own toy cars/collectibles or build sandcastles when the opportunity arises, you can't lie to me and say neither of these things is fun. Plus, this is literally a forum on video games, and those, not too long ago, were considered childish.
Besides, adult characters in this game also goof around. There's the whole sand castle building thing in Shipwrecked, which curiously Wormwood doesn't have a strong opinion on.)
But if we were to compare his maturity to other adult characters…
(Wilson) [aside his many, many jokes]: Silk- "It comes from a spider's butt."
(Willow) Portal Exit - "It's fun to watch OTHER people fall on their butts."
(Wolfgang) Coral Nubbin - "Haha. Rock is bald."
(WX-78) Regular Jungle Tree (normal and stump) - "THIS DUMB TREE HAS A DUMB FACE"
(Wickerbottom) Weregoose - "My! What a silly goose!"
(Wigfrid) Plant (ready to be picked) - "Ugh, vegetables. I'm nöt sure what I expected..."
(Woodie) Ghost - "Boo! Ha ha!"
(Winona) Kingly Figure - "It's BUST-ed! Ha!"
(Maxwell) Frazzled Wires - "I might hide those in WX-78's bedroll if I get bored"
(Wortox) [But if we were to pick an example of many] Potato Sack- "Hyuyuyu, wouldn't it be fun to hide inside and give him a scare?"
Yeah, I think he's good.
In this section I don't really have much else to say. He can be cautious, he can be daft. He joggles the braincells alongside the rest of the survivors. But all in all, I would not consider him any more reckless or goofy than either the child or adult characters. Independence wise, while he can absolutely manage just fine on his own, his desire for companionship far outweighs that.
And since we've already talked about maturity, let's move on to:
Emotional Regulation
Despite common belief, Wormwood is not overly emotional. While, yes, he is excitable and easy to impress, he doesn't usually display intense negative emotions, unless something (more often than not wooden) is destroyed, or unless a plant or a creature he likes, suffers. But then again, in those situations, it's logical to display panic, worry and grief. Imagine if your family member or friend suddenly caught on fire and burned before your eyes... Yeah, I bet no one morally adjusted would be the slightest bit of composed in those kinds of situations...
Worse yet, the majority of the Constant is filled with plants, most of whom are his friends, the closest to his kind, beings which display varying amount of sentience...
In actuality, the children, including Wendy, display a shift in emotions much more often than Wormwood does.
Then there's Willow, WX-78, Woodie (birds) and Maxwell, who all have even less emotional stability.
In comparison, I'd say he handles most situations much more maturely and nonchalantly.
Social & Moral Development
Ah yes, the ability to difference right from wrong, morality, patos or however you would call it. Now this one's a little tricky, on one hand, while he may react strongly to a plant's demise, his reaction varies, when it comes to animals and structures. Sometimes, he doesn't really bat an eye, frankly, other times, he displays intense amounts of grief.
I guess that's the definition of selective empathy.
Curiously, he has 2 separate quotes for a pigeon. One from Hamlet, where he seems a lot more distressed when it perishes, and the other, from The Gorge, where he simply states the fact "Oh. Dead."
I'd like to think this was intentional to sort of give him that fading care many of us experience as we grow older.
Here's another example:
[Hamlet] Glowfly (dead) - "(sob)"
[DST, Host of Horrors update] Koalefant Carcass - "Braump...? Not anymore"
Regarding the other survivors; for the most part, he sympathizes with them. Though he doesn't panic much when they die from average constant shenanigans. He knows it's not permanent or consequential.
He does show sympathy, when some of the others' precious belongings get destroyed or damaged.
Winona's Catapult (burnt)- "Fire bad"
Winona's Spotlight (burnt)- "Oh. So sad"
Mighty Gym (burnt)- "Oh... poor muscle man..."
Or in some instances, when a character strongly disapproves of something/is emotionally hurt and he takes notice of that:
Nautipilot - "Robot friend doesn't like Pull Rock"
Mocking Bird - "Mean tweeters, hurt friends' feelings!"
What's interesting, is that, while he calls many creatures his friends, he specifically avoids calling Maxwell that. He even considers Lucy, Willow and Woodie his friends, which is just... wow. May he harbor a grudge against him for what he did to the other survivors? Something more personal? Or is it moreso related to the fact he's fully siding with the shadows... Most likely the former.
Overall I would say he's definitely more empathetic than not, and one doesn't have to care for every living being after all.
Character Interrelations
Regarding what other characters think of how old he is...
It's debatable, keep in mind, the characters don't have to be fully aware, or can misinterpret his age based on his behavior alone.
Most people just refer to him as "plant", unsurprisingly.
There's characters like Winona, who seem to intentionally downplay his age. Winona in her quotes refers to both Wormwood and Wilson (who's officially in his 30s) as 'bucko' (a lively, young fellow. Or in some cases a friend, or another version of buddy). As for her quotes for Bramble trap and Compost wrap, she refers to Wormwood with the terms 'lil plant fella' and 'little guy'. She pretty much just teases people who are younger than her or seem younger. Or she genuinely believes he's actually that young.
There's plenty instances of people calling him a variation of little, small or sapling, which might just be how they see him. Keep in mind, just because a character may think he's on the younger side, does not mean their interpretation is the absolute firm belief you should uphold.
Then, there's Wolfgang and Wurt, who both firmly believe that he's a grown adult.
(Wolfgang) Generic - "Is leafy green man, %s! Hello!"
Firestarter - "Leafy green man did a fire booboo."
Syrup of Ipecaca - "Will leafy green man be sad if Wolfgang doesn't have a taste?"
(Wolfgang only calls him little once in his quotes, because he calls everyone little, children though, he refers to as very tiny + boy/girl/child, so there's that.)
(Wurt) Attacker - "Ow! You mean old weed!"
You might think; why would I care about what a child and a man who's considered to not be so bright think? Well, my previous point about language barriers explains that. Besides, Wurt is a constant-born creature who builds an entire kingdom in her play style, by no means, is she clueless. She also refers to Deerclops and Antlion as 'She', while most of the other characters use he or it.
What's interesting is that Wickerbottom also tends to avoid referring to him with youthful terms, aside the obvious general one she uses for everyone and everything. If anything, she's more patronizing towards Woodie, Wilson, Winona and Wigfrid. (All of whom are in between their late 20s-40s)
Lastly, we have:
Canon Information
While there isn't much information relating to his age, there are hints in the game canon that explain that.
In the game's compendium, where reside the survivors' profile, backstory and description, three of the four kids have 'young' in their introduction. Barring Walter, who instead has 'boy' which is as much of a youthful term. Wormwood's simply stated as 'an amalgam of vines' not a seedling, sapling nor a young/little plant.
From his backstory, we know that:
"A green gem fell from the moon, landing on an ancient stone monument in the middle of overgrown rubble. Over a long period of time, a vine encircled the gem and eventually formed a humanoid figure sitting on the monument. The figure, Wormwood, opened his eyes and looked at his hands. (...)"
(Now this simply explains, that a lot of time has passed as he was forming, unlike what's shown in his animation, where his body instantly forms.)
There's also this part of his bio.
“Though the circumstances of his creation were unusual at best, Wormwood came into this world full of optimism and curiosity, ready to make new friends and see all that life had to offer. But as time wore on and he experienced the cold sting of rejection, he came to learn what the moon above had always known: Wormwood the Lonesome does not belong here.”
It's implied that a while has passed since his birth. Everyone assumes that he was just created recently and that he doesn't know anything, but as I've shown you previously, he's very perceptive when it matters. He has the knowledge and experience, even insight or a hunch. He is able to determine things others can't. Ever since Hamlet happened, his quotes gradually became somewhat more apathetic towards creatures dying, as opposed to the worry and care he previously displayed.
I wouldn't say he's exactly an adult the same way the human characters are, but he's in no way a child as many presume him to be.
(It actually kind of reminds me of how certain Greek gods are created; some are formed as adults, some grow and then eventually stop, and some come to be under very strange and specific circumstances, Aphrodite. But overall, you can't exactly compare their maturing process to that of a human.) Meanwhile, Wormwood is an alien plant with a crystal for a brain
So by the end of this post, are you still inclined to believe he's a child?
Was this completely unnecessary and took far too long to construct? Yes.
Do I regret making this? Nah.
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thelesbododo · 4 months
Text
This is a headcanon circulating around a sensitive topic and one that you may not agree with so if you don't want to read it please scroll.
This headcanon revolves around the character Osamu Dazai and the concept of sexual assault
I believe that Dazai was sexually assaulted as a child
This has nothing to do with Mori and takes place long before they even meet
While it is true we know little to nothing of BSD Dazai's past, it is also true that it is highly likely the Irl author and his No Longer Human counterpart was SA'd
There are two specific pieces of writing are evidence of this
"My true nature, however, was one diametrically opposed to the role of the mischievous imp. Already by that time I had been taught a lamentable thing by the maids and manservants; I was being corrupted. I now think that to perpetrate such a thing on a small child is the ugliest, vilest, cruelest crime a human being can commit. But I endured it. I even felt as if it enabled me to see one more particular aspect of human beings. I smiled in my weakness. If I had formed the habit of telling the truth I might perhaps have been able to confide unabashedly to my father or mother about the crime, but I could not fully understand even my own parents. To appeal for help to any human being - I could expect nothing from that expedient. Supposing I complained to my father or my mother, or to the police, the government - I wondered if in the end I would not be argued into silence by someone in good graces with the world, by the excuses of which the world approved.It is only too obvious that favoritism inevitably exists: it would have been useless to complain to human beings. So I said nothing of the truth. I felt I had no choice but to endure whatever came my way and go on playing the clown"
- No Longer Human
"I ceased being a child soon after entering grade school. It was then that my younger brother’s nurse taught me something that took my breath away. It was a beautiful summer day, and the grass by the vacant house out back had grown tall and dense. I must have been about seven, and my brother’s nurse could not have been more than thirteen or fourteen. My brother was three years younger than I, and the nurse shooed him off. She said, ‘Go get some leaf grass’ - that’s our word for clover back home. Then she added, ‘And make sure it’s got four leaves too.’ After he left, she put her arms around me and we started rolling around in the tall grass. Thereafter we would play our secret little game in the storehouse or in one of the closets."
- Memories
Both No Longer Human and Memories are semi-autobiographies, meaning they're somewhat based in truth
I can't speak from experience but SA has a big effect on the lives of the survivors
Some of thes effects include;
Sleeping or Eating disorders
Dazai canoniclly has issues sleeping and there are scenes that imply he has issues with and/or doesn't see the point in eating, at one point saying that it is "so much trouble"
Nightmares
There is a specific scene within one kf the light novels where Kunikida asks if Dazai has nightmares.
(Unfortunately I can't find the exact moment so I can't quote it so if anyone can find it please let me know)
Self-hatred
It might not be clearly stated that he hates himself but ay the same time its rather clear that he does
Suicidal thoughts or self-harm
He is a suicidal maniac
Riskier sexual behaviors such as having many partners
He canoniclly has had quite a lot of lovers
Substance abuse
The one scene we see of his apartment we see that there is more alcohol than furniture (it's also a popular hc that Dazai smokes which makes sense considering his past with the pm and that irl author smoked)
Another moment to mention was when he seduced the nurse (which technically counted as SA too but that's not the point of this)
I'm probably gonna end it here because it's late and I'm tired but anyone willing to add or correct anything please go ahead and I hoped you enjoyed my hc
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thecrazyalchemist · 2 months
Text
I've recently seen a post on Tumblr that just, 'broke' something in me (for a lack of a better term).
So I just want to vent about it and another thing that's been bothering me.
(Disclaimer: this is a vent post. I am not an expert in the topics discussed. What I say is knowledge that I have learned from all kinds of places (school, history classes, researching for history projects, reading first hand written material from archives, and other places) and I don't have much the energy to compile everything source into a list (if I can even remember them). However, if you want to add, argue against, or argue in favor of something said here, correct me, you're welcome! Although, please act civil and cite your sources please. (I know I didn't and I'm sorry, but also please remember this is a vent post.) so anyways, here we start)
So, first of all:
Let's talk about Zionism. What does it mean?
To me, it seems that a lot of people think Zionism is something along the lines of 'racist bloodthirsty monstrous baby murderer and cold blooded killer and a rapist pedophile' since I keep seeing the word 'Zionist' in DNI lists next to 'nazis', 'pedophiles', 'minor attracted people', and other stuff like that.
I would love to hear what you think its definition is and I would love to hear where did you learn it, or perhaps any sources for such a definition.
Here's a brief recap of how Zionism was formed and what it is:
Zionism means the desire for Jewish self determination and self governing to exist/continue in the land/country of Israel.
It is an umbrella term, like the term queer, for example.
Zionism has deep roots in Judaism. A lot of practices and rituals in Judaism involve or are related to Israel. The name Israel comes from the name Jacob got from the angel he defeated, and after him the whole tribe of the Jewish people and the area are called Israel. The name Israel is in one of the most basic Jewish prayers - Shema Israel. Also, at the end of every pesach (Passover) Seder we say "Leshana habaa beyerushalaim habnuia" - next year in built Jerusalem. Jewish people have said so ever since the diaspora started.
Before the state of Israel existed, Zionism was about how to create and build Israel.
Three examples:
Political Zionism - create Israel by first getting a charter and international recognition and funding.
Practical Zionism - create Israel by first buying land, building settlements and developing the area.
Synthetic Zionism - a merge between the two movements above. Afaik most of the early political leaders of Israel were from that movement (for example, the first Israeli prime minister - David Ben Gurion).
Nowadays, Zionism is more vague. The reason for is that Israel already exits. The different movements on how to create Israel are kind of irrelevant now, because it exists now. The discussion on how to run Israel is perhaps what one may define as different movements within Zionism in modern time, however yet almost always when one says they are a Zionist, they mean they desire/want/believe that Israel should exist. That's it.
As such, Zionism alone doesn't say almost anything about the political view of the person who identifies as a Zionist.
Afaik basically 100% of Israeli Jews and around 80% of the Jews in America identify as Zionist. Under *this* definition.
Now because Israel exists, it's much harder to talk about different movements within Zionism which aren't basically political movements within Israel.
That leads me onto Kahanism.
Kahanism is an extremist far-right nationalist-racist religious Zionist movement (that I completely do not, I repeat: **do not** agree with). It was founded by the rabbi Meir Kahane, which believed that Jews should rule the whole area which was the kingdom of Israel in the days of the Tanach and should kill anyone who's an enemy of the Jewish people (which according to him, is basically everyone).
Here's an article that sums up some of my feelings about it in relation to the current events:
[https://archive.ph/2024.06.10-191347/https://www.haaretz.com/opinion/2024-06-10/ty-article-opinion/.premium/forget-being-anti-zionists-lets-be-anti-kahanists/00000190-0228-d660-af95-6fbed3e60000]
Now on to the post that 'broke the camel's back', per say.
The post said “I think that all Israelis should go back to Europe” and that it would solve all the problems here.
Let's try to break down the sentence “all Israelis should go back to Europe”. That sentence implies that that's where *all* Israelis came from.
What's "Israeli"? Afaik, since Israel is a country, Israeli is anyone who has Israeli citizenship (and some may even add 'and/or everyone who was born here').
What's Israel's population demographic? According to official government surveys, Israel has around ~9.9 million citizens, out of which ~73% (~7.227 million) are Jewish, ~21% (2.079 million) are Arab and the rest ~6% (0.594 million or 594 thousand) are classified as else.
The Arab population of Israel (which has equal rights as the Jewish population in Israel) and the Arab population of Gaza and the West Bank originate from the same group of people. Some of them originate from Arab people who had been here for hundreds of years (since the empires age) and many originate from Arab immigration between the end of the WW1 and the establishment of Israel.
Even if you claim that the Arab population of Gaza and the West Bank are the actual indigenous population of this area (despite numerous archeological and historical evidence pointing otherwise, although they do have a long history here), you cannot claim that just because a person was born or even just lived on the other (wrong, in your eyes) side of a border they aren't indigenous to the area!
In Israel, there are also a lot of minorities who are persecuted in other parts of the middle east. Such as: Druze, Armenians, Circassians and more. They have to go to Europe too? No, just the Jews? Surely this isn't antisemitism!
And let's talk about the Jewish population in Israel. MOST JEWS DID NOT COME FROM EUROPE! There are Jews who came from diaspora in Iran, Iraq, Yemen, Saudia, Ethiopia and a whole lot other countries through the middle east, south west Asia and north Africa. They have to go to Europe too?
And that's beside two other important facts: first of all, the Jews are indigenous to the levant. We are indigenous to the land of Israel.
And of course, do you now what happened to Jews all over the world, and especially Europe?
To name a few very notable examples: *The Spanish inquisition*, Kishinev pogrom, Jedwabne pogrom, *The Holocaust*, what that happened in the Soviet Union and many more pogroms, expulsions and massacares. (There were of course also pogroms in the MENA countries, however *I* haven't learned about them. Two examples I am told is notable is the farhood pogrom and the Holocaust in North Africa).
All throughout history, the Jews were expelled and massacred from almost every place. You then expectus to just come back to those places as if nothing has happened?
You want us to come so badly. Can you prove that we are safe to come? That we *have a place to come to*? Because so far you haven't shown that.
That when you and the people around you see a Jew, you won't immediately turn them into the scapegoat of every problom you have and then rape and/or expell and/or kill them.
And also, how would that solve more problems than it will create? Exchanging around ~2 million refugees for ~9.9 million refugees? How would that help? And even if you only mean the Jews (which I can't see how it isn't antisemitic) it's ok cause it's Jews? (which is even more antisemitic)
So no, it would not solve any problems. The country of Israel won't go anywhere, the Jews won't go anywhere, because we don't have anywhere to go - we were born here and we are staying.
However, yes, just as well, the Palestinians will probably not go anywhere (*not talking about Hamas and other similar groups here*). The only way to solve the situation is to unpack and deescalate those decades of conflict and escalation and hate, which will take a lot of work.
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