#plastilina records

[daggerzine]

Cloudberry Records Europe’s Biggest Import: An Interview With Roque Ruiz by Eric Eggleson

I’ve been a fan of his website for years. I always find something to snag if not something new to listen to. The variety of independent music is amazing. Roque has always been on the cutting edge of indiepop. (Even his Gmail is from the Would-Be-Goods song “Pinstriped Rebel”) If you read the Dagger review of Blind Terry’s The Beautiful Youth And Everything That Follows, you may not have known that it is the final release from the Cloudberry Records catalog. Cloudberry has released over fifty releases over many decades. I contacted Roque and he was kind enough to share the history of the label. When did you start the label? The first release was in February of 2007. Truth be told the label as an idea had started much earlier. I had released a tape the previous year called C-06, which did really well. I think this was sort of the seed that became Cloudberry Records, a label with a DIY approach. On the other hand, since 2005 I had been running with a friend a label that was called Plastilina Records, which wasn’t that DIY as Cloudberry was at the start, with handmade-sleeves, hand-numbered, etc, etc. Plastilina was releasing proper CDs, professionally made.  Why did you start the label? As I was saying I wanted to do things my way. A label with my vision of what indiepop is. On Plastlina, I ran the label with my friend Jalito. We discussed and decided together what we wanted to release, how things should look like, and I didn’t always agree with that. So, Cloudberry was a way for me to run things the way I wanted, the way I thought an indie label should be run. I have a big love for indiepop and I wanted to help bands and fans, introduce the music to more fans, share my love for it. Really, that was it. That’s why I wanted to do this label.  

(Friends' William Jones and Roque) Where did the name come from? It just came to me. Trying to analyze my subconscious I could say that I am a big fan of Swedish indiepop (Sweden in general), and I knew and had cloudberry jam of course. Also, I know the band Cloudberry Jam and I like them. I also thought the name of this berry had the potential for a cool logo, as it had the word cloud that has all these dreamy connotations, so yeah, I thought it was a good name.  Anybody help you along the way? (Or just you?) Just me. But, of course, had the help of all the bands, illustrators, and friends.  Which came first, your fanzine or label?

The label came first. But yeah, I did a few fanzines, 10 in total, that are part of the Cloudberry catalog. There’s also the blog.

That also came out after, in October 2008 (though I had another blog before the label which sadly doesn’t exist anymore, it was hacked… sad story). It was called Mira el Péndulo. It was a blog exclusively written in Spanish where I and some friends reviewed new bands, new releases, did interviews, etc. It was more of a traditional blog at the time. It started in 2004 and lasted until 2007. In 2006, I released a compilation tape that was tied to the blog, called “C-06” which was very successful. This was the seed that started the label, as a few bands that were on this tape would later release on Cloudberry. The blog did well. Not only Spanish speakers followed us. It was quite international. But then suddenly one day I opened the URL and the blog was gone. There was a message saying it had been hacked. I guess now in retrospect there were probably ways to recover. But at that point, it didn’t even cross my mind, I was pissed and sad and made the decision that it was time to move on.  Any interesting stories to share that happened with artists? Too many. Not sure where to start! I didn’t personally meet all of the bands, but many I did. The Felt Tips; I saw them in England play live, never in Scotland.

(Roque with Felt Tips' Miguel and Zipper) But we did hang out in Glasgow of course. The Spook School; I saw them here in New York a couple of times. But also, in the UK a few times. I remember taking the train with some of them from Edinburgh to Glasgow, to see The Aislers Set. The Secret History are from New York, so yes, have hung out with Michael a few times. One time even meeting Anne Hathaway outside a bowling place. Oh, and yes, I was at Indietracks when they played, too. Alpaca Sports is probably the band I have hung out the most from your list. US, France, Spain, Sweden, England… stayed at theirs, they stayed at mine.

(Roque with Alpaca Sports' Andreas) Happy to be friends with them. So many stories to tell. So many beers have been had. Would you know that Andreas is a big fan of J. Lo’s “Waiting for Tonight” track? That also reminds me, we had a superb karaoke time with Alpaca Sports and Very Truly Yours once.

(Roque with Kristine and Lisle of Very Truly Yours) Nixon is one of my indiepop heroes. And I met him many years ago, after releasing the 7” in Stockholm. I went to Roger’s place and we talked for hours about music surrounded by his amazing music and VHS collection. It was one of the most special days for sure. Sadly, never met in person with Stephen’s Shore, Den Baron, or Blind Terry. I do hope when I am next in their countries we can grab a beer.  Your musical background. (Do you play an instrument? In a band?) No, don’t play anything. Had a few short-lived bands while in my teenage years and early 20s, I was the lyricist and sang. Nothing amazing, but there are some recordings on the web. How many concerts do you go to? What are some of your favorites? These days very little! I went to Heavenly last week and will check out Swansea Sound this week.

(Roque with Amelia of Heavenly and Swansea Sound) I now only go to very special gigs. Since I became a father, going to gigs is something I don’t do that often. Before that, I would even travel to see the bands I wanted to see if they weren’t coming to NYC.  

DON'T MISS PART TWO NEXT SUNDAY!

[sanchezsacco]

Agustín Valero continúa presentando su tercer disco “Impresiones” y lanza sello

Toca el 23 y 24 de Mayo en Tole Tole Teatro

Lanza el sello Plastilina Records

Participa con nueva obra “Cielo Negro” en el Festival cordobés

Agustín Valero continúa presentando su tercer disco solista “Impresiones” en teatro. El jueves 23 a las 21 y el viernes 24 de Mayo a las 22 hs. lo hará en el Espacio Tole Tole de Pasteur 683, CABA. El cantautor, compositor y productor musical tocará con su banda, integrada por Agustín Valero en voz, guitarras eléctrica y acústica, pedal board, técnicas extendidas y piano; Luciano Cossettini en bajo eléctrico y sintetizador y Martín Hernández en batería y guitarra acústica, con quienes se presentó en abril en Fandango Teatro. 

“Impresiones” es el disco que inaugura el sello de grabación independiente “Plastilina Records” del propio Valero, que también lanza la edición física del LP “Axipendra”, su primer disco solista. El sello lleva el nombre raíz de su estudio de composición, producción y educación y a partir de esta segunda edición propia se abre a las propuestas de nuevos músicos con ansias de componer, grabar y editar música original con experimentación sonora y formal o de insertarte en el mercado audiovisual en cine y teatro. 

Por otra parte, Agustín está preparando “Cielo Negro”, una nueva obra performática sobre la afroargentinidad, que será presentada el 8 de junio a las 19 hs. en la jornada de cierre del festival multidisciplinario homónimo que se desarrollará en la galería Piso 5to de Córdoba Capital. Encargada por el curador del evento, Mariano Barrera, la obra fue compuesta para guitarra eléctrica, percusión, voz y electrónica acompañada por el registro de la Misa Luba que se grabó en el Congo Belga en la década de 1960.

Acerca de “Impresiones”

“Impresiones” ya está a la venta en la disquería Mondo Rabioso, el Espacio Tole Tole y el estudio Plastilina Records y por whats app al +54 9 11 6506-6565. Próximamente se sumará a Spotify, Youtube e I-Tunes. Y ya está en Bandcamp: https://agustinvalero.bandcamp.com/album/impresiones

Los temas de “Impresiones” se mueven entre la canción y la composición académica, lo popular y lo clásico. Mantienen rasgos del formato canción al tiempo que dan relieve a lo experimental, la electrónica y las técnicas extendidas en las guitarras eléctricas, buscando dialogar con la música electroacústica académica y la performática de mediados del siglo XX. El álbum sintetiza el repertorio de Valero resolviendo la tensión entre sus discos anteriores: "Axipendra" focalizado en la canción y "Electroagústico" en la electroacústica. Agustín Valero es su compositor e intérprete con guitarras eléctricas procesadas y acústicas, piano Rodhes y voz. Fue grabado, mezclado y producido en febrero de 2019 por Ezequiel Morfi en Estudios Titanio. El arte de tapa son grabados de la artista plástica Anto Ricagni sellados personalmente. Track list: 1. Primaverano|6:44 - 2. Porqué|2:29 - 3. Invisible|2:38 - 4. El hijo de la Luz |3:34

El videoclip del disco, sobre el tema "Primaverano", se encuentra en pre-producción y será dirigido en el Tigre por el cineasta Hernán Alvarado, quien también realizó el clip La hija de la Libertad. Asimismo, Valero compuso la banda sonora del cortometraje de Alvarado “Nada de todo esto” (Historias Breves 16, Diciembre/18) y actualmente preparan el documental “Sangre Negra” sobre las renegadas raíces africanas en Argentina.

Redes: IG: @PlastilinaRecords  | FB:@PlastilinaRecords | YTB: https://www.youtube.com/playlist?list=PLz7m2gxWEDZLnJmSEC2M90x607oXKERAu

Acerca de Agustín Valero

Agustín Valero es compositor, intérprete y cantautor. A los once años tomó el piano y la guitarra y empezó a componer instintivamente hasta convertirse en su actividad profesional. Compuso más de 510 piezas entre canciones, piezas incidentales, bandas sonoras para teatro y cine y música electroacústica. Tiene tres discos solistas, “Impresiones”, “Axipendra” y “Electroagústico”, uno en dúo con Luciano Beccaría y cuatro junto con las agrupaciones de rock Juan Pluma y los Cinema e Interzona. Se desempeña como compositor de piezas incidentales y bandas sonoras de cine y teatro, productor musical y docente. Su tesis de graduación en la Licenciatura en Composición Musical con Medios Electroacústicos de la UNQ Final del Juego -incluida en su segundo disco solista- fue dirigida por el reconocido compositor Martín Liut, quien dijo sobre ella: “Música de cruces y encuentros entre la cultura rock y lo mejor de la investigación vanguardista, ‘Final de juego’ es ahora su propio faro, que le ilumina el camino en el que se encuentra desarrollando su propia poética”.

Discografía de Agustín Valero

- Impresiones, EP (2019). - Electroagústico (2016). Piezas académicas, experimentales y performáticas. - Axipendra (2015). Nanas, elegías y sueños hechos canción. - Agustín Valero–Luciano Beccaría (2012). Cancionero. A dúo con Luciano Beccaría en Bolivia. - Interzona (2010). Con Interzona. - Los Hermanos Celuloide (2007). Con Juan Pluma y los Cinema. - Caravana - Paseo Ma non Tropo (2009). Con Juan Pluma y los Cinema. - Trasnoche (2014). Con Juan Pluma y los Cinema.

Prensa y difusión: Lorena Sánchez | Sánchez-Sacco Prensa y Comunicación. Cel/wapp: +54 9 11 5818 1800 | lorenasanchezprensa@gmail.com  | http://sanchezsacco.tumblr.com/

[murallamuerta]

¿Por qué elegiste esa carrera? no te tomes mal mis preguntas,i love u

Buena pregunta, no se si vieron mis post sobre la PSU; bueno la cosa es que no fue la primera carrera que elegí, primero estudie Ing Comerla, pero a finales de primer año vi un vídeo sobre “vivir tus sueños” y me cambio completamente lo que quería para mi vida, no quería elegir algo en lo que me fuera bien económicamente pero no terminaría siendo feliz. Y ahi recorde que cuando pequeño siempre me gustaba crear cosas, creaba personajes con plastilina y jugaba mucho con legos y es cuando encontré animación digital y dije, esto si es para mi y aun que no sea fácil podría vivir feliz con esto.

Les dejo aquí el vídeo si les interesa (Esta con subtitulos): 

https://www.youtube.com/watch?v=2kAdHfznPwI

[ghdhrhr]

que perdieron el tercero de los últimos cuatro partidos disputados

Otro enigma que rodea a Kobe es su estado físico. Acabó la pasada temporada con lesiones y ya brassiere garcon cuenta con 32 aos. Su padre, Joe Bryant, confía en que Kobe juegue al más alto nivel de tres a cinco aos más. Pero su carrera ha dejado claro que en él existe un talento inigualable. Cada temporada, mejor que en la anterior, salvo aquella en 2012 marcada por sus problemas en un tobillo. Siempre una proyección constante. ghete galbene piele Marvin Williams y Kemba Walker encestaron 18 puntos cada uno y guiaron a los Hornets a su tercer triunfo seguido tras vencer por 99 81 a los Heat de Miami en el duelo por el liderato de la División Sureste. El francés Nicolas Batum que aportó un triple doble de 10 puntos, 11 rebotes y 11 asistencias, que sería decisivo. El point de croix chalet reserva zara pantalon chinoTyler Johnson, con 20 tantos, fue el líder encestador de los Heat, que perdieron el tercero de los últimos cuatro partidos disputados. By playing in these Olympics he could ruin his career and perhaps even Chicago's coming season. Several British media outlets have reported the cost of that policy to be 300,000 pounds, which is roughly $472,000. Because basketball is not an important sport in England, the basketball federation does not have a great deal of money. Destaca el equipo, no meten dos 80 puntos y el resto recojen migajas. 13Y se me olvidaba, Memphis con Durant sería candidato al anillo SERIO SERIO SERIO, la pieza que nos falta y a Durant un equipo como Memphis es lo que le falta para jugar más desahogado. Agree 10Partido trabado y muy trabajado por TOR. At one point, he even took to mocking the entire thing. With Wimbledon week upon us, the subject of McEnroe's comments emerged once again on ESPN only forChris Evert to end the conversation emphatically with what can only be described as the perfect response. Asked by McEnroe on ESPN where Serena would be ranked among men, Evert responded. Royce Young at Daily Thunder, via Pro Basketball Talk, detailed the happy news on Friday, pointing out that Thunder fan Charlie Bright took his

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fiancée Rachel Haycraft to an OKC game for their first date, which made a Thunder styled proposal all the more pointed. Bright hatched the plan earlier in the week for

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Russell to aid in his efforts. Bright hatched the plan earlier in the week for Russell to aid in his efforts. Pero a mi me mosquea bastante que lleve toda la segunda parte en el vestuario. Si no tiene nada lo normal sería que hubiera vuelto al banquillo hace rato aunque no fuese a jugar más. Me parece bastante raro. Leroux, who holds dual citizenship, made her national team debut in 2011 and earned winner medals at the 2012 Olympics and 2015 Women World Cup. National soccer team. Think it the coolest thing. No hay perdido ni un balon. Las asistencias que da. La seguridad que da a sus compa los puntos que hace( xq kuando quiere. A falta de 1:20 y perdiendo de 2 es JR el que da un pase al tendido, perdiendo el balón de forma absurda. Después fallan los Mavs un tiro y en un rebote Parsons le da en el brazo a Calderón, que había cogido el rechace, nike jean jacket y pierde la bola a manos de JJ. Mete canasta Dirk ante Prigioni y en la jugada siguiente Calderón le intenta meter un balón a Amare, que con sus manos de plastilina lo deja escapar (como durante todo el partido).. Though Jackson smartly won't re engage on that postseason promise this time around, and backup center Andris Biedrins received some criticism for not working out with the team prior to training camp (a practice he's kept up every other year of his frustrating Warriors career), talking tough probably will help shake the cobwebs. The Warrior franchise has gotten too used to acting as part of the bunch over the last few years, even with ownership and regime change. And with rookie Harrison Barnes possibly rounding into the sort of NBA talent that could put a team over the top, Bogut is trying to stir the echoes a bit. En el NB2K le hice unos arreglitos, (para que estuviera mas cerca de la realidad. Pues baby nike trainers me parece que le han dado muy poco valor a S. Curry. Corey Brewer llegó a los 15 puntos antes de quedar eliminado por personales. Y en la segunda Corey le golpea rodilla con rodilla pero no debería ser falta. Un robo clamoroso vamos. 4. When Berry Gordy dreamed up a record company that would spread the Motown Sound to the world. But he still didn't have the financial camara sony cybershot dsc w810means to open his own business, Gordy told "Oprah's Master Class" last year. The Heat put Game 2 away quickly in the fourth with straight 11 points in the run. With 8:18 left in the game, Splitter tried to spark the Spurs with a big jam. James, however, was much higher and swatted it away to the delight of Heat fans. El cient fico pudo comprobar que las mujeres m s bajas y de mayor corpulencia tend an de forma inequ voca a tener m s descendencia que las dem s, m s altas y delgadas. De la misma forma, las mujeres con una menor presi n sangu nea y con ndices de

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colesterol m s bajos tambi n ten an m s hijos que la media. Pero lo que termin de convencerle es que todos esos rasgos pasaban a la siguiente generaci n, de forma que tambi n las hijas de esas mujeres ten an m s hijos que la media.. También puedes cubrir la parte que desees con cristal lacado, de acabado mate o brillo, como los vidrios de la marca Lacobel. Se pega directamente sobre el azulejo, tapándolo, y tienes una gran cantidad de colores a tu disposición. Es facilísimo de limpiar con un pao húmedo y su brillo hará que el espacio aumente ópticamente, gracias a la profundidad del efecto espejo..

[autoplacer]

AUTOPLACER 2017

VIII FESTIVAL AUTOPLACER - 2017

SÁBADO 21 DE OCTUBRE 12 A 24 HRS. ENTRADA GRATIS

CA2M CENTRO DE ARTE DOS DE MAYO Avda. Constitución 23, Móstoles. Metro Pradillo L12 Cercanías C5

Con los conciertos de: EL COLETA / COSMO K / TRONCO / LA PLATA / HUIAS / KOU KERI KOU / AARON RUX / LA URSS / LIDIA DAMUNT / VVV - Ganadores del Concurso de Maquetas Autoplacer 2017

Pista de Baile con: FEMUR / A_MAL_GAM_A

Proyectos invitados: LA INTEGRAL / INSTITUTO DE TRANSICIÓN ROMPE EL CÍRCULO / LA NEGRA / BOMBAS PARA DESAYUNAR / ÚLTIMO MONO / EL RAPTO / LA FONOTECA / LAS LINDAS POBRES / PLASTILINA RECORDS / COCOARS / COLECTIVO LAIKA / LEVADURA SALVAJE

Durante todo el sábado 21 de octubre, tendrá lugar la octava edición del Festival Autoplacer, una iniciativa del colectivo Autoplacer/Sindicalistas que cada año celebra la música autoeditada a través de conciertos de bandas emergentes y/o sumergidas, sesiones de música electrónica y la presentación de proyectos relacionados con la autoedición de discos, fanzines, libros, diseño, etc. Una fiesta gratuita para todos los públicos a lo largo de todo un día en la que disfrutar de un auténtico festival de música… pero dentro de un museo de arte contemporáneo.

Además el Festival Autoplacer contará un año más con la colaboración de AC/E Acción Cultural Española para recibir a responsables de algunos de los mejores proyectos de música independiente de Francia, festivales, centros y agentes culturales: Un Je Ne Sais Quoi (Tours), Festival Soy (Nantes), Cabaret Aleatoire (Marsella), La Pleiade (La Riche) y el Fraca-Ma (Orleans). 

¡PRONTO MÁS INFORMACIÓN!

EL COLETA 

Ramses Gallego aka El Coleta logra desarrollar un tipo de rap social (rap macarra de Mortatalaz) que a la vez que fotografía la cultura quinqui de los últimos 35 años con estribillos inmediatos, genera la sensación de estar tocando fibra a golpe de verdades como puños. El mundo de las canciones de El Coleta son los bloques de la periferia, el barrio, las tardes muertas en los bancos de la plaza con litros de cerveza y el 'loro' a todo volumen.

COSMO K

Cosmo K son María, Ángela y Álvaro. Hacen pop acelerado y rabioso. Sus letras, autobiográficas, recorren relaciones de amigos, amantes, ex-amigos y ex-amantes, cigarros, cervezas, cementerios y muchos territorios comunes.

TRONCO

Tronco son Conxita i Fermí. Conxita i Fermí son hermanos y hacen canciones. Conxita canta y Fermí toca la guitarra y hace los coros, aunque esto a veces también es al revés. Normalmente ensayan en la habitación de Fermí. Les gusta escuchar música, ver pelis e ir a la playa.

LA PLATA

La Plata es un conjunto musical formado en 2016 en la ciudad de Valencia por Miguel Carmona, Salvador Frasquet, María Gea, Patricia Ferragud y Diego Escriche que hacen pop “nueva ola”. Pese a su juventud —rondando los 23 años de media—, han sabido escoger los elementos de este género y aunarlos con la herencia valenciana de los años 90. Pop vitaminado con mucha mala hostia y con un gusto impecable.

HUIAS

HUIAS surge en Gijón tras rescatar una serie de canciones que María, su vocalista, había grabado utilizando su voz y una guitarra. Santa no tardaría en mezclarlo todo con sintes, acordeón y mucha reverb. Han actuado en varias salas y festivales como el BBK, FIB, L.E.V. Festival o el Mutek. HUIAS vuelve con nuevos sonidos que pronto verán la luz a través de su nuevo disco “Father” que será descubierto muy pronto de forma autoeditada. Su sonido oscuro y bailable, bebe del trip-hop y el R&B.

KOU KERI KOU

Kou Keri Kou son cinco personas totalmente dispares que viven en Barcelona y forman un grupo musical. Ander Agudo (percusiones y ritmos), Jordi Gegé (guitarra y coros), Juantxo Agudo (bajo), Olatz Azcona (voz) y Pope (trompeta y fliscorno) llevan dos años tocando juntos y creando canciones que antes no existían, incitando al baile y cantando sobre temas importantes de su actualidad, que también puede ser la tuya. Sus primeras diez canciones se compilaron en un álbum homónimo, editado por El Genio Equivocado a principios de 2017, y desde entonces no han parado de tocar ni de componer, ni piensan hacerlo jamás. 

AARON RUX

En 2015 Aaron Rux, compositor de bandas sonoras y miembro del colectivo de cineastas Canódromo Abandonado, empieza a colaborar con Joe Crepúsculo, en su álbum Nuevos Misterios. Poco después llega Pacific Princess (2016, El Volcán Música), el debut de Rux en colaboración con Lorena Iglesias, una propuesta de pop anacrónico concebida como un viaje en crucero donde siempre es happy hour. La saudade de la bossa-nova juega un papel importante y su derivación, el lounge, junto con el soul de los años 70 y la inocencia de las bandas sonoras de los Giallos más luminosos crean un ambiente de una nostalgia alegre.

LA URSS

La URSS es un grupo  de música satánica fundado en Granada en torno al 2007. Inspirado en el punk de los años ochenta, y en cualquier forma de expresividad radical.Influenciado por bandas como Eskorbuto, Familia Real, Larsen, Último Resorte o KGB han creado su propio estilo, sonido e imaginario personal que habla de absurdos cotidianos y miserias sociales. Mid Tempo, 0% Hardcore. Oscuro y melódico, pero no post-punk. Dramático pero no sobreactuado.

LIDIA DAMUNT

Lidia Damunt inició su carrera musical en 1997, al frente de la banda punk-pop Hello Cuca y no es hasta 2006 cuando comienza a componer las canciones que conformarían su primer disco en solitario. Acompañada de una guitarra acústica, una pandereta en el tobillo y una armónica, se reinventaría a sí misma como “mujer orquesta” y “cantautora rockabilly”. Desde entonces ha publicado varios trabajos en sellos como Subterfuge, Austrohúngaro o el suyo su propio, Tormina Records. Sus discos han estado en varias ocasiones entre los mejores del año en la revista Rockdelux y ha tocado en diversos festivales como el S.O.S en Murcia, el Primavera Sound, el Lemon Pop, el Primera Persona o el BAM en Barcelona. Desde el 2014 Lidia ha compaginado su carrera en solitario con su participación en Arre! Arre!, grupo sueco en el que toca la guitarra solista. A finales de 2016 se edita “Telepatía”, quinto disco de Lidia Damunt en solitario con muy buenas críticas entre público y medios.

VVV - Ganadores del Concurso de Maquetas Autoplacer 2017

VVV son Meursault, Karènine y Adrian Bremner. Nacidos como homenaje a la cultura del frío, el ruido, la modernidad y los parkings. Hace un par de años publicaron Dirty Leeds EP, y posteriormente Dance'n'cry EP (1&2) en el invierno de 2016-2017, acompañados de algunos videos, bolos y bakaladas en el circuito madrileño (Jueves Subterráneos en La Central, Sala Caracol con Tropic of Cancer, Polygon…). Su sonido está a medio camino entre la coldwave francesa y la zapatilla de Espiral. Están más enfadados que tristes.

PROYECTOS INVITADOS

LA INTEGRAL 

La Integral se ocupa desde hace años de agrupar en un mismo espacio el trabajo de varios artistas y diseñadores, con el fin de promover su obra y otros productos de difícil cabida comercial. Se organizan temporalmente exposiciones con aportación musical en cada una de ellas. A Autoplacer llevarán su género de producción más independiente, como son los libros, fanzines, revistas o camisetas. Y cómo no, pasarlo muy bien.

INSTITUTO DE TRANSICIÓN ROMPE EL CÍRCULO

El Instituto de Transición Rompe el Círculo es un colectivo que busca promover la transición ecosocial desde una perspectiva poscapitalista a través de tres vías: la investigación, la difusión de discursos bien ajustados a los retos del presente y, por último, con la puesta en marcha de experimentos prácticos que ensayen, en el ámbito local, respuestas adaptativas y liberadoras ante las transformaciones en curso. El proyecto Será una vez Móstoles 2030 tantea este horizonte mediante la exploración de un imaginario colectivo utópico que se atreva a pensar el decrecimiento como una aventura estimulante bajo el signo de la lujosa pobreza.

LA NEGRA

La Negra es una tienda de discos, libros, fanzines y ropa que abrió sus puertas en 2015 en la calle Eugenio Salazar 9, en el madrileño barrio de La Prospe. Especializados en punk y hardcore, también dan a todos los palos de estilos como rock, garage, pop, reggae, experimental o soul, tanto en primera como segunda mano. Y para rematar, también vendemos camisetas, chapas y parches de grupos molantes: de Blitz a Black Flag, de Eskorbuto a Discharge, pasando por Siouxsie and the Banshees o Bauhaus.

BOMBAS PARA DESAYUNAR

Bombas para Desayunar es una microeditorial de fanzines que nació en 2010 de mano de Andrea Galaxina. Afincada en la actualidad en Madrid es firme defensora y difusora del DIY y el feminismo. Sólo publica fanzines hermosos hechos con amor y este año ha llegado a la referencia número 50... que es un libro... sobre fanzines, claro.

ÚLTIMO MONO

Último Mono es un taller de impresión en serigrafía y risografía, editamos estampas y fanzines sobre todo con artistas locales afines. Empezamos con esto en Sevilla en 2012 y también hacemos diseño gráfico, cursos y a veces organizamos exposiciones.

EL RAPTO

El Rapto es un estudio de Granada nacido en 2014 formado por un equipo de diseñadores, artistas plásticos e impresores en serigrafía. Tratamos de conciliar el trabajo de diseño con las técnicas de impresión. Pensamos que el diseño se retroalimenta positivamente conviviendo con las técnicas que determinan su materialización. Los nexos comunes que nos unen son el diseño, el arte contemporáneo, la producción editorial, la serigrafía y la implicación en la vida cultural de la ciudad.

LA FONOTECA

La Fonoteca es una plataforma para la promoción y difusión de la música española. Lo que comenzó en 2008 como una página web colaborativa a modo de archivo histórico online compuesto por biografías y discografías de elaboración propia. Además, están afianzados en el terreno de la edición discográfica y bibliográfica con más de una decena de referencias en vinilo y varios libros musicales. LaFonoteca también está involucrada en diferentes actividades relacionadas con la música, como son la producción de eventos corporativos para marcas e instituciones y programación en espacios públicos y privados.

LAS LINDAS POBRES

En el verano del 2014 Las Lindas Pobres era un montón de archivos sin editar, mails que iban y venían, gente que nos atraía y nos identificaba, cajas de papel para reciclar. Hasta que por fin Autoplacer Sindicalistas marcó un deadline a la vista y nos invitaron formar parte de aquel octubre en el CA2M. Allí y en la habitación que nos prestaron Eva y Camilo para recortar fanzines -uno a uno- nacimos. Unos años después la historia se repite y para celebrar el cumple de Las Lindas volvemos a ocupar en el festi, pero esta vez con una querida MINIRAVE LLP en donde sacaremos un line up con fogonazos. 

PLASTILINA RECORDS

Plastilina Records es un sello discográfico y productora que nace en el 2006 con el fin de compartir y promover lo mejor de la música independiente. Siguiendo una línea estética y musical enfocada en el indie, Plastilina Records ha editado hasta el momento más de 28 álbumes con bandas de países como: Inglaterra, Escocia, Estados Unidos, Argentina, Indonesia, Suecia, Perú, entre otros; y producido los conciertos de artistas como Christina Rosenvinge, CocoRosie, Silver Screen, Los Planetas, Molly Nilsson. 

COCOARS

COCOARS, equipo formado por María Espada y Alfredo Rodríguez, presenta los resultados de un experimento: transformar el objeto fotográfico en prenda para vestir el cuerpo. La base del proceso está fundamentada en la interacción de la luz, ciertas sales de hierro y el agua sobre tejiidos. El resultado son prendas confeccionadas a mano, de patrones sencillos y únicas.

COLECTIVO LAIKA

El Colectivo Laika es una asociación cultural sin ánimo de lucro surgida en el año 2006 con la intención de dar cabida en Valladolid a propuestas culturales que las programaciones habituales no contemplaban. Después de once años y más de doscientos conciertos, Laika se ha convertido en uno de los colectivos culturales de referencia en la ciudad, gracias a actividades que han trascendido a la prensa especializada nacional e internacional. Al margen de la programación musical, también desde el 2006, aunque con menor asiduidad, el colectivo ha publicado varios fanzines autoeditados, que han contado con notables colaboraciones como Barry Gifford, Roger Wolfe, Nacho Vegas, Antonio Luque, Paula Bonet, Cristóbal Fortunez, Jorge Lawerta, Pablo Und Destruktion, Fee Reega, Jorge Tabanera, Juan Santaner, Martxel Mariskal etc. 

LEVADURA SALVAJE

Levadura salvaje es un proyecto de Mónica Iglesias celebrando la fermentación. Obrador itinerante, eventos, colaboraciones, etc. Estará preparando algunos bocados y pinchos para tomar con el vermú. En su cocina, panes caseros naturales, ingredientes cocinados muy despacito, un poco de jugar y mucho de comer rico.

VIII FESTIVAL AUTOPLACER - 2017

SÁBADO 21 DE OCTUBRE 12 A 24 HRS. ENTRADA GRATIS

CA2M CENTRO DE ARTE DOS DE MAYO Avda. Constitución 23, Móstoles. Metro Pradillo L12 Cercanías C5

Diseño de imagen Autoplacer 2017: http://oscaranha.tumblr.com/

[marcoshassanlevy]

Written by

Marcos Hassan

| 11 months ago

Looking back on 1998, it’s clear that it was an important year for music. Not because it saw a particular genre peak or sociopolitical barriers crumble, but because it was a transitional time. The year was full of releases that represented new bold artistic steps, as well as the rise of accomplished artists into better songwriters who were accepted by broader audiences.

1998 proved to be an important year for consolidating reggaeton, as the genre grew out of its local contexts in Puerto Rico, Panamá, and garnered international visibility, thanks to some pivotal releases. 1998 was also the summer of “La Copa De La Vida,” Ricky Martin’s official World Cup anthem and a major step in the explosion of Latino pop on mainstream U.S. radio. Rock en español got weirder, as both newcomers and established artists charted new territory with eclectic and brilliant releases. Latinx rappers and producers made their mark on one of the golden eras of hip-hop, and pop music in Latin America yielded hook-heavy earworms to soundtrack proms and quinces the continent over.

Things were about to change, with sounds and artists rising to fame or going out of style, and we got some amazing music thanks to that. Here’s a list of some of the most influential albums released in 1998. Of course, we’re missing a ton, so feel free to leave a comment with your personal favorites.

1

Plastilina Mosh - Aquamosh

Listening to Aquamosh might make you think Plastilina Mosh comes from another dimension where all kinds of music gets mashed up together. Nothing sounds quite like it. Its range – from the riff-heavy but melodic “Monster Truck” to the kitchy weirdo rap pop collage of “Mr. P Mosh” – still makes it an album for all occasions.

2

Shakira - ¿Donde Están Los Ladrones?

After the massive success of her previous album Pies Descalzos, pre-platinum blonde Shakirareleased what is arguably her most accomplished record. The title was inspired by the thieves who stole her lyric book. Who knows what those lyrics were about, but the ones that made the album made it one of the most quotable records of the decade.

3

Ivy Queen - The Original Rude Girl

Following her debut, 1997’s En Mi Imperio, la reina del reggaeton decided to expand her repertoire and focus on hip-hop. The album features a collaboration with Wyclef Jean, which was born during a Wyclef show where he invited audience members to freestyle with him. Ivy killed it, naturally. The career-defining Diva was still a few years away, but TORG proved that Ivy Queen could succeed at anything she tried.

4

Manu Chao - Clandestino

After the group Mano Negra split, Manu Chao spent subsequent years researching street music by buskers around the world, as well as bars in different cities. The songs were recorded by Chao on his laptop. Clandestino, which featured beloved singles like “Je ne t’aime plus” and “Welcome to Tijuana,” became the first stop on his way to legendary status as a solo artist.

5

Big Pun - Capital Punishment

Capital Punishment could very well be the best hip-hop album to come out of New York in the 90s, or at least a formidable contender. Pun’s excellence as a rapper and his penchant for hooks demands Capital Punishment’s place in the pantheon.

6

Elvis Crespo - Suavemente

It’s easy to dismiss “Suavemente” now that your white friend’s grandma knows it, but it shouldn’t detract from the fact that the song bangs and there’s a reason it became so big. The ubiquitous song became the highlight and namesake of his debut album, which spawned three other charting singles.

7

Juan Gabriel - Celebrando 25 Años de Juan Gabriel: En Concierto en el Palacio de Bellas Artes

In 1990, Juan Gabriel made history by playing Mexico City’s Palacio de Bellas Artes. Eight years later, he returned with a setlist mostly comprised of songs he had written for other artists, like Rocío Durcal and Vicente Fernández. The result was one of Juanga’s best albums.

8

El Chombo - Cuentos De La Cripta Vol. 2

In the 90s, producer and radio personality Rodney Clark assembled a compilation series featuring street sounds that were resonating in Panama. The second installment found its way to ears around the world, thanks to tracks like “Quieren Chorizo” and “Que Se Agarren,” and marks a formative moment in reggaeton history.

9

A.N.I.M.A.L. - Poder Latino

Produced by Max Cavalera, the Argentine trio’s fourth album proved to be one of the most successful of their career, thanks to original cuts and covers. With nu metal making big strides worldwide, A.N.I.M.A.L. showed that Latin America could hold its own.

10

Noreaga - N.O.R.E.

Victor Santiago, Jr. embarked on his solo career a year after debuting with his partner Capone. N.O.R.E. featured tough-talk street anthems, but it was The Neptunes-produced anthem “Superthug” that proved to be the album’s most enduring track, preceding the game-changing “Oye Mi Canto” by a few years.

11

Pastilla - Vox Electra

Hailing from the homegrown Los Angeles rock en español scene, Pastilla made an instant impact. Produced by Caifanes’ Diego Herrera, the band’s second album saw them peak commercially and creatively, thanks to songs like “Morta,” “Tatú,” and the title track. The record signified a shift towards melody in Latin American rock.

Tuesday, June 5, 2018 at 3:31 PM EDT

[vaniaes]

Duelos | Nubes en mi casa Plastilina Records

[fridaynightbordercrossing]

Timeline of the Tijuana Rock Music Scene 1980-2016 (Part 2)

1997 - Julieta Venegas debut album, Aquí, appears on the record market and would become an artistic and commercial success. Since then, she would transform into one of the most important artists at the international level.

1997 - Heavy metal band Armagedon would perform their last show at the Tijuana Rock series. They would reform as Armagedon X in 2003.

1997 - The Reliquia Moderna tape is launched on a limited basis, dedicated to artists from the experimental/electronic scene such as TIDE, EVM, Rubella Badoglio, Minuit and Spellbinder. The KCT was released through DFP / Kolibry and Wave Of The Future Records.

1997 - The scene has a look at the energetic first shows of The Kung Fu Monkeys, who bring the influence of punk rock and Californian ska and it’s DIY ethic. This era also includes bands like Dead Panchos, Scrambleds, Esos Gueyes, and others.

1997 - The Genital Productions label (Cd. Victoria, Tamaulipas) releases  the Mexican Folk Antipop compilation, where along with artists

from all over the country, Ford Proco participates. In 2001, they also will part of the Holocaust Paradise compilations in the volumes Red

Wire and Blue Wire, as well as Frown Complex and Into Ether from Tijuana.

1998 - The legendary second edition of Cha Cha Cha: El Nuevo Sueno De La Gallina would appear, featuring a compilation of tracks that would be considered pre-Nortec. Among those who contribute tracks are: Bostich, Hiperboreal, Clorofila, Aqua Dolphin, V.Rama, Monithor, Mambo 2000 and Monodrama.

1998 - The Premios Cultura award ceremony is held, organized by the Municipal Institute of Art and Culture. Within the categories are Best Rock Group and Best Record Production, being winners in these awards, bands like Tiui, Ohtli, and Nona Delichas. In the other category, among the winners, is the compilation Motivos Del Sitio 29. The awards ceremony is held in 98, 99 and 2000.

1998 - There is a boom in Tijuana of Neo-Metal -the combination of heavy metal sounds with hardcore, hip hop, rap and more- with the appearance of bands like Wrecked Engine, NADA, Replica - who recorded with the label Denver Records with national distribution-, MAD and others, that laid the foundations for bands that appeared later. It is worth mentioning that some of these bands called this the Benton Sound since they emerged on the avenue of the same name.

1998 - A controversial concert takes place in the Palenque de Agua Caliente. Plastilina Mosh was ending their set when keyboardist/producer Alejandro Rosso would be hit in the head and the security guards attacked the whole audience in respond with pepper spray. The duo would not return to Tijuana until 2007.

1998 - The IMAC begins, the Local Rock Encounter, taking place four editions in spaces like Playas De Tijuana and Parque Morelos, among others, with the participation of bands like Los Karma, No Hope, Almalafa,  and others.

1998 - Lumbre magazine appears, in luxury format, combining the commercial aspect with the urban and alternative culture, giving place in all editions to plastic artists, musicians, and local pens, achieving an interesting alternative regional publishing.

1999 - In the middle of a story where groups and soloists of electronic music such as Fussible, Panóptica, Bostich, Hiperboreal, Terrestre, DJ Tolo, and Plankton Man discover that they can generate a fusion between what they do and the traditional music of the northern region of Mexico and cumbia, they publish the first records of Nortec and they set up the bases of the border cultural phenomenon that it gives enough material for documentaries, books, and music, recognized internationally until these days. The first disc is a vinyl, courtesy of DJ Tolo and Tlahuilia.

1999 - Revista Ruido Local appears, releasing several issues, including legendary and controversial interviews with Luis Guereña from Tijuana NO! and Nona Delichas. It was the first local magazine to be published through its own website. In addition, they were the first local media that drove the launch of Nortec.

1999 - Tijuana NO! celebrates in a concert their first decade in Zool, accompanied by BeAm, The Alex, Jambo, Natural, DJ Max and DJ S.Chuy.

1999 - In the Municipal Palace Esplanade, the Tocada Por La Vida charity festival was held, coordinated by the Municipal Youth Institute with the support of Bulldog Productions, with the presence of groups and artists such as La Gusana Ciega, La Dosis, La Red, Celeste Carballo, Pastilla, Natural and Nona Delichas.

1999 - The Club Orbit electronic music club emerges, the first sessions being at the Casablanca nightclub, later having events in venues

such as Jai Alai and Rosarito until the middle of the next decade.

1999 - Contrarrevolución Ave. appears.  Its the third album from Tijuana NO !, who by this point was now signed by BMG Latin. The disc does not receive virtually support in Mexico, but it has important collaborations of figures like Kid Frost, Kim Deal and more. This would be the last album of original music of the band and it would be a more sonically adventurous record than the first two.

1999 - The journalist and writer Rogelio Villareal publishes an article about fanzines in the counterculture edition of the magazine Complot Internacional, where, citing Rafa Saavedra, talks about Tijuana and fanzines like El Centro de la Rabia, Velocet, El Olor del Silencio , El Kolibry, Sueno De Venus, Los Terceros, Laiko, La Red De Dialogo y Distribucion, Matuz, Acamonchi, Perdidos En La Linea (East Los Angeles) and La Pecera De Los Ahogados.

1999 - The book Banquete de Pordioseros from poet Roberto Castillo Udiarte appears, where he gives a review of the 76 favorite albums of his collection, alongside list from his friends.

1999 - The Motivos del Sitio 29 compilation is released, including tracks (some unreleased, remixes and new) from Nona Delichas, Sonios, Aural, Ford Proco, Bostich, Panoptica, Fussible, Irradia, Terrestrial, Tiui, Sonic Zoo, Minuit, Hiperboreal, Aquadelfin, Ohtli, Arboles, Staura, Loopdrop, Plankton Man, and Mexican Jumpin Frijoles (featuring Manu Chao). As part of its promotion, it is stated that “… It confirms the myth that the riskiest music in Mexico has always been made in Tijuana, Ensenada, and Mexicali …”. The label that edited it was Nimboestatic in conjunction with Francisco “Tico” Orozco.

1999 - As part of the 110th Anniversary of Tijuana, the Municipal Institute of Art and Culture presents the Alternative Encounter cycle, where has six concerts held in different forums in the city, Wahala (Venezuela), Caradura (USA), Las 15 Letras (USA), Almalafa, Orto,Minuit, Into Ether, The Alex, Scavenger BC, Rene Arauz and the Jazz History Band, Natural, Jambo (Tecate) are part of the encounter alongside more groups of different sound genres.

1999 - The book Ilusiones y Destellos, Retratos Del Rock Mexicano by the renowned photographer Fernando Aceves is published. Javier Batíz, Alberto “Pájaro” Isiordia, and Julieta Venegas appear, among others.

1999 - The Skate & Rock  Fest 99 is held, featuring as special guest the legendary skater Tony Hawk, as well as the presentation, among other bands, of Solucion Mortal, LHC, Juventud Enferma and Sick Chamuco.

1999 -  Zoo Sónico: Ruidos, Sones and Beats De La Frontera, is an experimental record of urban sounds produced by journalist Octavio Hernández and Pepe Mogt (Fussible), next to a group of collaborators. The album appeared as part of the binational art project Insite.

1999 - After having been in its first location since 1994, Last Temptation Rock Shop opens on a new location at Revolution Avenue. Alongside various concert promoters, they have organized greet and meet and autograph signings with renowned bands and artists like Cuca, Misfits, Rata Blanca, Lvzbel, Transmetal, Dos Minutos, Angeles Del Infierno, Marky Ramone, Gorgoroth, Marduk, Garrobos and more.

1999 - After being a pioneer in Baja California cultural radio with frequencies in the cities of Mexicali and Ensenada (both in Modulated Frequency), the Universidad Autonoma De Baja California begins transmissions in Tijuana of Radio Universidad through 1630 Modulated Amplitude with programming that includes the first programs of Local Invasion, Static Radio, DiJazz Radio and others, latter adding Mil Radio and Selector of Frecuencias after the exit of the pioneer programs to Fusion 102.5. Currently, programs generated throughout the state are broadcast under a new branding, UABC Radio and with the slogan Para Tus Oidos and more diverse programming.

1999 - The movimientotijuana.com and psonica.net websites appear, with information of local bands and projects. Some of the minds behind of these sites would become influential persons on the local and national scene behind projects like the Tijuana Jazz And Blues Festival and the international festival NRMAL.

1999 - The Spanish magazine Zona de Obras publishes its special Calaveras y Diablitos, with contents referring to music in Latin America. The article Tijuana Para Principiantes is published, while Julieta Venegas and Tijuana NO! would appear in number 16 of the same magazine. A CD with artists from the Mexican label Opcion Sonica is given free on another edition, featuring, among others,   Almalafa and Artefakto.

2000 - In edition 39 of the magazine La Banda Elástica (Los Angeles) appears a special on alternative music in Tijuana, featuring bands and characters such as Minuit, Tiui, Almalafa, Cast, among others, as well as interviews with Ford Proco, Nimboestatic Records and articles on the development of the scene of the region. Those who contributed the information are Tico Orozco, Rafa Saavedra, Ejival, David Cortes, José Luis Paredes Pacho, and José Angel Rincón. Later, articles on the regional scene would appear in Californian magazines such as Retila and Al Borde, courtesy of Octavio Hernández and José Angel Rincón.

2000 - The nights of NAZA Space Club in Marko Disco begin. They would go through several spaces and events, in which Perry Farrell, DJ Dan, Donald Glaude, and much more top DJ's have participated.

2000 - Manuel Rojas publishes his book La Cicatriz, El Rock En La Ultima Frontera, related to the sixties rock scene in Tijuana and Mexicali.

2000 - Borderhack is held. It was an international festival-camp that brought together bands of various genres, as well as digital art, conferences, multimedia and more with artists from America and Europe. This was at the Playas de Tijuana Lighthouse.

2000 - The book Oye Como Va appears, coordinated by Dr. José Manuel Valenzuela and Gloria González. The book has interviews with Manu Chao, Carlos Santana and several other local, national and international characters that have to do with rock music in Tijuana. The book is accompanied by an album with music, among others, Tijuana NO !, Javier Batíz and Julieta Venegas. Those who provide essays, interviews, and comments are Maritza Urteaga, Rafael Molina, Omar Foglio, Tico Orozco, Roberto A. Mendoza, Luis Rojo, Cynthia Ramirez, Rafa Saavedra, Octavio Hernandez, and Charlynne Curiel, with a prologue by José Luis Paredes Pacho.

2000 - The national final of the Escenario Rock competition takes place at the Hipódromo de Agua Caliente, with the first three places being Luna Nueva, Plomo and Taxi Libre. Javier Batíz, Cala De Villa (Rostros Ocultos), Alejandro Marcovich (Caifanes) and Cecilia Toussaint, among others, participated in the jury. As musical guests were El Tri and Resorte.

2000 - The book Sirenas Al Ataque by Tere Estrada is published, which recounts women in Mexican rock, including the participation of Tijuana figures Baby Batíz and Ginny Silva.

2000 -Nortec 2000 festival was a week-long event that took place in the Tijuana Cultural Center,  celebrating the first anniversary of the Nortec Collective, with the holding of conferences, workshops and a closing concert with the collective itself plus special guests. Great events like Nortec City, Maquiladora de Sueños, and Nortec En Las Pulgas, among others, would be carried out later.

2000 - Carta de Tijuana: 100 Topics Para Una Agenda En Mexico was a document presented by the Municipal Institute of Art and Culture on the wake of the new federal Mexican government. Within the document, El Rock En La Cultura Nacional appears, mentioning that rock is “… a vital area, to understand the youthful orb and contemporary culture …”. Proposals of support, exchange and the realization of nomenclature are presented, while in the corresponding to support for independent record labels, it is mentioned that “… co-financing and co-production, multiple cultural achievements…”. The work of Nimboestatic is mentioned as an example, mentioning that “… it has supported the musical process, in its orthodox dimension and also in the new tendencies of electronic music …”.

2000 - Within the XIII National Survey of Rock En Español, the debut album of the band Replica, Actitud, wins the prize for Best Debut of Metal.

2000 - After a great controversy in relation to naming the Tijuana freeway in his honor -which was discarded-, Carlos Santana appears in Tijuana to receive the keys of the city in a tribute.

2000 - The Spanish version of the magazine No Cover appears in the Tijuana / San Diego region, where space is given to local talent. In 2004 it is transformed into Acceso Revista.

2000 - Club Respekt opens in Leyva’s, dedicated to spreading the darkwave and synthpop rhythms. During this time, artists such as Hocico, Amduscia, Dulce Líquido, Manufactura, Deus Ex Machina and Noisex among others, as well as local talent such as DJ Mos [k] -creator of the club- have performed at the events they have done. Noiz & Zilenth, Epidemic, Electrovot, Exemia, Laplace, Motoróxido and many more. In the celebration of his 10th. Anniversary, a commemorative record is released, with music, among others, from Larva, Art Deko, HIV +, Mos [k], Antemortem and Andro Dioxin.

2000 - With the support of the IMAC, the Guadalajara Ska Tour was held in Tijuana and Rosarito with the presence of the bands  Uno Menos, Rockelvise, Mala Leche and Basta Paciencia, as well as the Mexicali bands Barra Brava and Arsenal. They performed at the local stages of La Caja Bar and the Cultural Tianguis within the Old Municipal Palace, as well as at the Peanuts And Beer in Rosarito.

2000 - The book of chronicles Tijuana-Mesopotamia from Octavio Hernández Díaz is edited by the Municipal Institute of Art and Culture. In some of his texts, references are made to characters, bands, and movement in that era.

2000 - The binational disc compilation Mexamerica appears where bands and soloists like Rubén Guevara, Maldita Vecindad and Los Hijos Del Quinto Patio, Los Illegals, Luis Guereña (Tijuana NO!), Claudia Morfin (Nona Delichas), Quinto Sol, Mercado Negro, and others are featured. The album was introduced with a concert at the Placita Olvera in Los Angeles, CA.

2001 - The record Psicodelic Ska appears, this being local ska band Almalafa first album that was released in Mexico, the United States and Europe, under the labels Pepe Lobo Records (Mexico), Sonic Option (Mexico / EU / Europe) and Übersee Records (Germany).

2001 - Aires De Bocacalle is released, it is the second album of Nona Delichas, who also participate in the disc tribute to Caifanes, Antes De Que Nos Olviden. Months after this, the band splits. Surprisingly, the band returns in 2011 for a charity event and after that, makes sporadic appearances in special events.

2001 - Ohtli’s first album called Somos Uno appears, as well as his subsequent participation in the soundtrack of the film If Dog, Rabbit.

2001 - Manu Chao performs in concert in December at the Municipal Auditorium. He would repeat his visit until 2006 with two presentations at the Monumental Plaza and an acoustic one at the Multikulti.

2001 - The charity festival Trac.Fest.01 is held, where the most important happening was the last official performance on its original run by Nona Delichas. Others performing were: Mal Paso, Superstar Mixer Milton Pacheco, Fax, Into Ether, Volbox, Mr. Ejival, Dr. Duarte and Umbral.

2001- Tijuana NO! announces his farewell with their last concert at Zoo`l

2002 - Bye Sami is a melodic punk band that formed in the after the departure of its founder bassist Jaime Salinas, while the rest of the band members, at that time Los Alex and in full recording of their first album, decides to continue, now with the name of Bye Sami. Their style is very influenced by punk/skate. The debut album, Otro Día Mas, appeared on SourPop Records. The band would stop performing live in 2004, for a later return starting in 2007. Jaime Salinas, for his part, formed one of the pioneering metal-core bands in Tijuana, Nuestra Sangre, an influential band in the development of the hardcore scene, launching his debut album and performing at various festivals and events with an important career. From the initial separation of Bye Sami, the members splinted into different projects, the most important were Canseco and Mae Machino, but also of notice the ones that emerged later from this other bands like Machino, Loud Noises, Late Nite Howl, and Fake Zebra.

2002 - The pop culture magazine SubeBaja is published. Only two issues would be released, with multiple references to artists from various disciplines in the region and articles on Nortec, Murcof / Fax and the New Mexican Pop, where some of the bands name-dropped were Nona Delichas, BeAm, Super 8, Globo and others.

2002 - The Bulbo television program appears, broadcasted in Tijuana, California and nationally on Channel 22 of Conaculta. Among the various short documentaries, several would appear dedicated to music in Tijuana, highlighting those dedicated to Bye Sami, DJ Tolo, Julieta Venegas, Las Otros, LoopDrop, Ambiente, Luciferion and La Banda De Los Sonoritmicos and more. As for bands from outside of town, Lucybell, Kinky and more were featured.

2002 - The Editorama event is held in the Multiforo of ICBC, coordinated by SubeBaja and Bulbo, where in addition to exhibiting both projects, others such as TJ Toons and Mil X El Rock Local were presented. A documentary made by Bulbo about the event was edited live.

2002 - The plastic artist Rodolfo Arana organizes Plasma Jam, an event where visual art meets music. Among the bands that participate in these sessions are Los Chunkys and Ambiente, among others.

2002 - Television projects appear, such as Revolucion En Movimiento ( on Channel 45) and Tijuana Underground / Desde El Underground (Síntesis TV 21 Cablemas) -this one in 2003-. The first would reappear later as a channel on YouTube as a pioneer of vlogs and later with live sessions via the Internet. The second as a producer of events and making videos for bands. Over time, some internet projects would appear, such as JarCore Radio TV, AudioTijuana 75 TJ Superestación and No Comments, among others.

2002 - The Horizontes Juveniles Colectivo 1 compilation album appears, from the radio program of the same name that played on Radio Tec 88.7 FM. Those who appeared in the recording were: Emile Pessoa, Raiz Humana, Dr. Jeckill, Volvox, Nuestra Sangre, 4Eli, Scrambleds, Minuit, Transmission, and Laplace. In addition to greetings from, among others Julieta Venegas and Ohtli, as well as fragments of the daily program.

2002 - On the initiative of a group of journalists and musicians, the project Mil X El Local Rock appears, an organization that appears with concerts, radio programs, publications in the press and record releases. The project would last until 2004. Ten official festivals (some with pre-festival), two-anniversary concerts, special festivals, charity concerts and state tours with more than 107 bands - from Tijuana, Mexicali, Ensenada, Tecate, and Rosarito, as well as Los Angeles, San Diego, Guadalajara, Monterrey, Cd. Juárez and DF- of various genres in the cities of Tijuana, Rosarito, Tecate, and Mexicali. There are two conferences, two compilation discs are edited, two radio programs are carried out, one on Radio Universidad 1630 AM and the other on the Internet through Radio Global,

2002 - Goliath Productions began their sessions, which made several concerts in different venues with the metal scene bands in all its different sound modalities.

2002 - Nortec Collective’s debut album, The Tijuana Sessions Vol. 1, is edited by Palm Pictures.

2002 - The live album Tijuana NO! Live At Bilbao, is a document that collects the best of a performance by the band in Basque Country, this being the last record of Tijuana NO!.

2002 - The first Tia Juana Music Fest is organized with the presence of bands like Babasonicos, Union 13, Panda, Nortec Collective and more at the Hipodromo of Agua Caliente, a venue that also hosted the next edition in 2003 where Lucybell, Panteon Rococo, Voodoo Glow Glow Skulls, Los Tetas and more appeared. The third edition took place in 2004 at El Foro with the presence of Lucybell, Plastiko, Genitallica, Cartel De Santa and more. For the third edition, an audition of bands was made, from which some would play in the event.

2002 - El Foro officially opened, formerly known as Jai Alai. The historic building has been the venue for presentations by Gustavo Cerati, Los Pericos, Vince Neil, Zoe, Misfits, Lucybell, Morrissey, Enrique Bunbury, Los Tres, Cultura Profética, Enanitos Verdes, Los Cafres and more. Attached to it, a small bar called Box Underground is installed, which sees performances among others of Santa Sabina, Pastilla, Zoe, Nana Pancha, Sekta Core, Rata Blanca, Transmetal, Lucybell, and others.

2002 - Once again the hardcore scene emerges with force, with the appearance of bands like Bumbklaatt -who would tour in the US, in

addition to bringing foreign bands to Tijuana-, No Hope - a very influential band in the movement-, Nuestra Sangre -band of metalcore of

great respect and acceptance-, among others. It is important the work that begins to do with its shows XFuerza BookingX,  presenting shows in all possible spaces with bands, among the visiting bands, legends like Terror, Agnostic Front and Death By Stereo stand out. Years later, the scene would continue with the work of The Uprising AD, Red Awakening, The Sacrifice Theory, Billy Brown, DON, MYPAQ,  Never Look Down, and others. The kick-off event of this stage was the HardCore International Fest, which was held on December 02 at Café Juglar with the presence of XChampionX,

2002 - The album Tijuana Live Tianguis Cultural is presented, recorded live at the closing of the Cultural Tianguis 2001, coordinated by the Municipal Institute of Art and Culture. In the recording appear Orto, No Hope, Hijos De Sancho, Skunkx, Los Elementos, Sol Azul, Relicario, Mama Cachimba y la Mujer Del Moco Verde, La Mesa Redonda, and Los Karma.

2003 - Tijuana Roots and Culture, a store that sold items related to reggae music and lifestyle such as records, clothing, accessories and more, also organizes events in various venues in the city, including the Latinoamerica Por Una Vida Mejor Festival, anniversary events, and others,  promoting the work of local bands such as Yumanos and Natural, among others and with the foreigners who have brought are  Gondwana, Los Cafres, Cultura Profética, Zona Ganjah, Antidoping and more.

2003 - The first formal internet radio station in Tijuana, Radio Global, appears with 24 hours of alternative music: rock, electronic, experimental, world music and more. Subsequently, there would be a proliferation of stations that would also include rock, such as Radio Media, RadioFuzion, Bulbo Broadcast, Burrotopya, Radio Organyca, Radiografia TJ and many more.

2003 - The traditional Bob Marley Day concerts begin, organized by Reggae Makossa, in which groups and soloists such as Mad Professor, Ky-Mani Marley, Alpha Blondy, Cultura Profética, Horace Andy and more have participated, taking place in venues such as El Foro, La Sexta House Of Music and others.

2003 - Recognizing that there was a need to recognize and promote the work of metal bands in the region, Tijuana Metal Fest arises, also having an awards ceremony.  

2003 - Appears through Mil Records, Colores, a Latin American electronic compilation, with the presence of the other side of Nortec Collective with Mendoza, Las Cajas Del Ritmo, and others.

2003 - A collective integrated  made up of Alex Zúñiga and Jorge Jiménez from Tijuana NO!, Dardin Coria from Triste Jobim, Jenny Herrera , Carlos Juárez  and Rodrigo López from Dubus, Jesús and Martín Hernández from Mercado Negro, with the addition of journalist Octavio Hernández as chronicler of the tour under the moniker Colectivo No Identificado, starts a tour of Europe (Switzerland, Czech Republic, Belgium, Germany, Austria, France and Spain). The band performs a set of Tijuana NO !, Mercado Negro and NUPA  songs, including a set of Joe Strummer songs too.

2003 - The Revolution-Evolution Festival takes place, where the album Revolution-Evolution was released, edited by One Shot Records, a split disc recorded by Los Karma and California band Destruction Made Simple.

2003 - On August 16th at Mulas Bar, Armagedon (now as Armagedon X) and La Cruz made their return to the local stages after 6 and 14 years of their last shows. Alternating with them were X-Specimen, Torno and Cambio De Humor Violento.

2003 - The CD of the Mosquito studio-only project by Octavio De La Torre (Mexican Jumping Frijoles, VoySeryo, Vagabundo Inn, La Tercera  Persona) and Minuit De Lacroix appears. It's a very important record, with a long list of musicians involved as guest vocalists and performers.

2003 - Mil X Rock Radio presents its Acoustic Session CD, with the presence of Dr. Jeckill, Los Kakos, Skunkx, Strap and more. The album was recorded live on one of the Mil Radio broadcasts on 1630 AM.

2003 - Taking as stages El Foro,  the CECUT and the Avalon nightclub, the Tijuana version of the prestigious electronic music festival Mutek @ Mexico is presented. Among others, internationally renowned performers like Akufen, Nortec Collective, Murcof, Álvaro Ruiz, Leandro Fresco, Ford Proco and Childs were performing. Among those who collaborated and had a strong presence after this were Static Disks, Mil  Records, Kimika, Naza Space Club, Trancelucid, Cosmikal Records and many more, which would continue to perform first level events,  eventually rivaling other important cities.

2003 - Invasion Local presents the Invasion Fest, being one of the few and rare occasions where Delux, The Kung Fu Monkeys, Bye Sami, No Hope and 4 Eli share the same stage. The venue was the ICBC Multiforum with a sold out.

2004 - The first edition of the Latinoamerica Por Una Vida Mejor festival is held, with the presence of Los Cafres and more guests at the Cortijo San José/ Casa De La Cultura - of Playas de Tijuana. Since then, it has been produced on seven occasions, including bands

like Antidoping, Ganja, Zona Ganjah, Almalafa, Gondwana, Los Pericos, Yumanos, Natural, Pablito Molina, Los Cafres, Nano Bravo & Mad

Lions, Cultura Profetica and more. The venues that this festival has had, besides the aforementioned have been: El Foro, Roots and Culture Theater and Coliseo.

2004 - The debut album of the melodic punk band Delux, released independently, appears. Later, they will be signed by BMG, a label in which their second album will appear in 2007. In 2009, their third album, Entre La Guerra y El Amor is released with a greater reception in the United States, appearing in the 2009 edition of the 100 bands to follow of the Alternative Press magazine. In 2011, a new album appears, edited independently with an edgy sound. They are the only local rock band that is in the Paseo de La Fama of Tijuana. Those who are also on this celebrity walk are Julieta Venegas, members of the Nortec Collective and journalist-DJ Ejival.

2004 - In front of an unexpected full house at the ICBC Multiforo, the band Nevermind: Tributo a Nirvana debuted. It unleashed the current tribute band trend since then.

2004 -Discos Invisibles and Eklegein Recordings appear. The first Label proposed “electronic noises from Tijuana”. Records of the Peruvian artist based in the city El Lazo Invisible appeared, as well as Miel, Asteroide, Dasein and other artists. Eklegein Recordings was an experimental electronic label, editing albums by Rugitus Eternam, Minuit, Heibeg and more.

2004 - Luis Güereña, promoter of punk rock and musician of the group Tijuana No, died at age 45 on Sunday, January 11, 2004, victim of a cardiac arrest while watching television inside his home in the popular North Zone of Tijuana. Since then, tribute concerts are held in his memory, with performances in some of them from Tijuana NO!, which includes as vocalist Lengualerta, in keyboards Dardin Coria (Triste Jobim / Casa Wagner / Sonidero Travesura),  Mayumi Toyoda on vocals and several guests, but it is almost never possible to match the original alignment. The first tribute was held at El Foro on Saturday, March 13 with the presence of bands like Ohtli, Nuestra Sangre, Solucion Mortal, Mercado Negro, Mexican Jumping Frijoles, Aztlan Underground, and others.

2004 - Oxigeno Rock Shop opens its doors, selling clothing, accessories and more; developing Oxigeno Records, distributing and supporting the release of albums by Delux, Dr. Jeckill, Agent Calavera and Debajo Del Promedio, among others. They promoted concerts with bands like Tolidos, Thermo, Blue Mind and others. They worked the Oxigeno House venue, in addition to promoting the Oxigeno Alley before the closing of the store, where two festivals were also held and some bands such as Ruido Blanco and TJ  Suicida performed.

2004 - The Tijuana Libre Tour with Dr. Jeckill, Los Karma and Agent Calavera takes place in several cities of Mexico. The launch event takes place at the Cerveceria Tijuana Wherehouse with Union 13, La Matatena Royal Club and De La Kalle as guest sponsors.

2004 - The first Naza Space Circus, an event of DJs, musicians and circus artists within the circus facilities, was held, with five editions, with the participation, among others, of Point Loma, Fussible, Faca, Messie, Bostich, Lázaro Casanova, Madame Ur Y Sus Hombres, Surkin-Paraone, Maria Daniela Y Su Sonido Lasser and Disco Ruido.

2004 - Tijuana rap scene begins to grow and be valued within the music scene in general. Among the exponents include Tyjuas Steelo (gangsta rap, which also was a member of Sociedad Café, one of the most important rapper duos in Mexico), Legion Marvel, Sociedad Anonima and others. Subsequently, projects such as Tijuana Rap Sessions, festivals and more emerge. However, in the end, an underground urban circuit has been established within rap and hip hop culture.

2004 - FACA appears. It is a duet between Valeria (Tijuana) and Facundo (Bariloche, Argentina). They achieved a surf, pop and electronic sound project together with graphic art, done by distance over loops and electronic sounds. Over the years, FACA edited 2 demos and participated in several compilations such as the  Escuadron Alpha comic, as well as having been on the label Nuevos Ricos, where they released their first and only album Mi Deporte Favorito. Ironically, they split after finally meeting in person.

2004 - The Rolitas De La Frontera compilation is released by Disco Bulbo. Among others, Dodecameron, Tyjuas Steelo, Bye Sami, Murcof and Los Karma appear. Later, a Vol. 2 would appear, where Childs, Babel Fish Trio, Tokadisks, Yumanos, and others would be included. The presentation of Vol. 1 in Voodoo House, coincided with the last performance of Bye Sami in their first run.

2004 - Fuerza Musikal concerts are held. The main idea was to gather several genres in a single concert. Among the bands that participated are Koñorteño, Ika, Nuestra Sangre, Minus One, Soxiedad Anonima, Los Karma and Bajo Kontrol, among others. The venues of the concerts were VooDoo House, Multiforo of ICBC and Espression Coffee House in 2008.

2004 - The first edition of Rock En Resistencia is held at Cortijo San José with the presence of Union 13, Destruction Made Simple, Tokadiscos, Almalafa, Los Karma and more. There would be a second edition in 2007, with the presence of Bye Sami, Pastilla, Cicuta, Aeroplanos, Debussy, and others in Box Underground. A television program is planned under this name but never made it to the air.

2004 - The celebration of 100 Static Radio programs is at Box Underground with the presence of Pepito, H. Amezquita, Fax, EjiVal, and Robert Proco.

2004 - The Supermarket event, organized by The Box and Radio Global, takes place at Cortijo San Jose in Playas De Tijuana. Azul Violeta, Terrestre, Ohtli, Faca, Antrobot, BN Loco, and Semper are featured, among others.

2004 - La Embajada appears. It is a  club where, through monthly events, an interesting generation of projects and bands from that period  appear, such as Dasein, Permutaciones, Casa Wagner, Madame Ur Y Sus Hombres, Vía Mushgo, Ford Proco, Polardroids, El Niño Helado,  Orlando, Aeroplanos, Miel, Yamamoto, Vagabundo Inn, L'Indigo and Loopdrop. among others, besides the organization of events with international acts such as Aviador Dro and Coco Silvana, as well as festivals such as Electrofiles and others.

2004 - The multimedia book Paso Del Nortec: This Is Tijuana appears. The book was launched in the United States, Mexico, and Europe. Its author is Dr. José Manuel Valenzuela.

2004 - It takes place in the Salon SOS  of Hipodromo De Agua Caliente, the Tijuana Winter Fest, with the presentations of Las Ultrasonicas,  Acteal, Koñorteño, Los Karma, Mae Machino, Lipstick Terror, Golden Gloves and Soxiedad Anonima.

2005 - The extreme metal scene continues. Diverse organizers present shows with international bands like Marduk, Unleashed, Hirax and others. Within the bands that go from trash, grind and gore are Infinitum Obscure, Visceral Carnage, Ignis Ocultis, Fetal Gangrenal Legrade, Stregoika, El Santo, Dodecameron and more. Later, bands like AfterLife TC, Shattered Eyes, Sadiko, Voces Sin Rostro,  Daedra and more would appear.

2005 - Multikulti opens its doors, as a restoration project for the historic Cine Bujazan building, inaugurating it, Maldita Vecindad gave a concert. After three  administrations, the place continues active -under the names of Planeta Tijuana and currently Coliseo- while being the venue for concerts  of figures such as: Manu Chao, Zoe, Gondwana, Tijuana NO !, Insite, Canseco, The Adicts, The Exploited, Marky Ramone, Infected  Mushroom, Maria Daniela y Su Sonido Lasser, Julieta Venegas, Andrés Calamaro and Zona Ganjah, among others.

[lanetasiempre]

¿Alguien ha estado a punto de morir diez veces y ha sobrevivido? Quizá sí o quizá no.

Pero en el caso de Luis Armando Bottini Herrera (Puerto Cabello, Venezuela), sí la ha librado.

CEO de Cuaima Team, presidente de Cuaima Records, productor del reality show Chicas de calendario, entre otras actividades, dice a La Neta “mi filosofía de vida es que sea lo que sea, por más mal que estemos sí podemos salir adelante siempre, solo hay que fijarse una meta y no dejarla de buscarla”.

En días pasados se firmó una alianza estratégica entre La Neta, la comunidad más grande de influencers emergentes de Latinoamérica, y Cuaima Team, equipo profesional e internacional de las mejores atletas de bikini fitness y fisicoculturismo, el mejor conocido como representante, Luis Bottini, te cuenta aquí sobre su vida personal, su filosofía de vida y su manera de trabajar…pero también de su carrera profesional.

Eres una empresa que requiere hacer campañas con influencers, esto te interesa, dale click aquí

“Yo soy venezolano, soy de la ciudad de Puerto Cabello, a dos horas de Caracas, 200 kilómetros por Caracas. Cabello es el principal puerto de allí, de Venezuela, donde llega la mayor cantidad de mercancía, entonces es el puerto más grande, pero también la base militar más grande”, dice.

Afirma que aunque nació en Caracas, a los tres días de nacido sus padres lo llevaron a Puerto Cabello, ciudad y puerto muy ligada al deporte, por consiguiente desde niño se ligó al beisbol, a la lucha olímpica, al karate, esta última arte marcial que lo marcó a los 13 años porque se dedicó durante mucho tiempo a esa disciplina.

Recuerda que en Puerto Cabello estudió, pero luego fui saliendo de la ciudad y en la distancia tiene claro que “que el deporte no es solamente para entrenar o verse bien, es salud, no solamente física, sino también mental”.

Bottini, como un acto heroico cuenta que “yo he estado a punto de morir diez veces, la última vez fue la vez que caí en coma por una deshidratación y descompensación y bueno a mí me falló el pulmón, un riñón, el páncreas y el corazón; no me daban posibilidades de sobrevivir solamente del 10% y recuerdo cuando me recuperé, si hubiera tenido un vicio… solo me funcionaba un pulmón, y un riñón, vegetativo… mi filosofía de vida es que sea lo que sea, por más mal que estemos sí podemos salir adelante siempre, solo hay que fijarse una meta y no dejarla de buscarla y que el deporte no es solamente para entrenar o verse bien, es salud, no solamente física, sino también mental, te fortalece mucho el cerebro, tus pensamientos y eso es lo que yo busco, gente fuerte, gente que transmita y gente buena que a través del deporte y la salud pueda levantar y ser imagen para otras personas, que los ayude a salir”.

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Las expresiones anteriores del también productor de los realitys A lo maya y Cocina ancestral, definen los perfiles de las y los atletas del mundo fitness con que trabaja: Su Aramayo, Fabi Martínez, Yéssica Yépez, Elena Hernández o el ex Acapulco Shore, Fernando Lozada, entre muchos otros.

¿Te preguntas por qué? Porque como explica en sus propias palabras, “nosotros por lo general no agarramos una chica que sea bonita o que sea modelo, nuestras chicas tienen que tener un valor, más allá del ejercicio, o sea, tienen que tener algún estudio, tienen que tener un estilo de vida, tienen que hacer algo más allá, no nos sirven simplemente que sean hermosas y bonitas y todo… sino que tiene que ser atleta, pero tiene que tener una historia de vida para que les sirva a las seguidoras y seguidores de ella, que sepan que lo que ella hace se puede lograr”

Luis Bottini comparte vivencias de algunos de sus atletas, como Su Aramayo, pues dice que “pasó de ser una simple profesora universitaria a ser la máxima estrella del fitness, prácticamente en el mundo, te digo, también tenemos un chico que se llama Abe Cruz, que estuvo preso, es un chico nacido en el este de los Ángeles de padre cubano y madre mexicana, su padre lo abandonó a los cuatro años de edad, pasaron muchas penurias durante su vida, ya estando en la high school, estuvo a punto de entrar a la universidad, pero como pasaba muchas penurias se puso a vender drogas, la agarra la policía, la iban a meter 30 años de cárcel, su mamá es muy religiosa y la iba a ver a la cárcel, le decía que rezara y todo lo demás, hizo una promesa durante 40 días de ayuno hablando con Dios, que si le bajaban la condena él iba a dedicar su vida en ayudar a los demás y a Dios, entonces la condena que tenía planeada en 30 años, se la pasaron a 3, esto fue en la cárcel y ahora es toda una personalidad, yo lo metí a la tercera temporada del Exatlón, ahora es muy conocido en Estados Unidos, tiene una fábrica de ropa, joyas, tiene proteínas, diferentes cosas, entonces la gente que nosotros buscamos es gente así”.

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Sobre su carrera profesional, Bottini señala que al dejar Puerto Cabello, comenzó a vivir en otras ciudades como Maracay, Caracas, en éste lugar logró entrar a trabajar en la compañía disquera Sony Music, lugar donde aprendió el arte de la promoción de artistas. “Yo fui porque yo tenía un grupo de música y quería ver si conseguía un contrato con Sony y lo que conseguí fue un trabajo como promotor, entonces no sabía que ese trabajo existía, entonces aprendí allí, luego me cambié a la disquera Emi Music y este fue donde perfeccioné el estilo de promoción, allí trabajé con artistas como Manu Chao de Mano Negra, trabajé con Los Pericos, con Enanitos Verdes, con Los Paralamas, con Jhon Secada y con muchos otros artistas”.

Asimismo que trabajó en Emi Argentina, en Estados Unidos, en México, en el año 2001 estuvo en una gira con Plastilina Mosh, año en el que vino a radicar a ese país donde montó su disquera Cuaima Records, en 2004. “Pero en 2006 me enfermé, en un viaje a Miami me deshidraté, me regresé a México, me deshidraté y me descompensé, entonces caí en coma, estuve 10 días, cuando salí del coma…me llevaron a Venezuela porque me decían que prácticamente yo estaba desahuciado, no podía caminar, casi no podía ver, me había fallado un pulmón, un riñón, el hígado, el páncreas y el corazón, entonces los médicos aquí me dijeron que mejor me fuera con mi familia a Venezuela porque ya iba a estar muy mal de por vida”.

“Llegué a Venezuela y bueno, los médicos me dijeron lo mismo y yo, al principio me deprimí un poco, pero después dije que no afectaba que me iba a quedar en esa situación y yo tenía mi empresa en México, con mi disquera, con mis artistas y todo lo demás y yo iba a tratar de recuperarme ya. O me recuperaba o me quedaba en el camino, no pensaba sin quedarme sin hacer nada y fíjate que me fui recuperando al punto que la doctora no creía que ya pudiera caminar, caminaba completo, podía correr, retomé mi práctica de karate y todo lo demás y regresé a México en 2008”.

¿Eres influencer y quieres pertenecer a la red más grande de influencers en Latinoamérica? Esto te interesa, dale click aquí

Pero volver a México le tuvo otra jugada, “cuando regresé a México me di cuenta que las disqueras la estaban pasando muy mal, la piratería había acabado prácticamente con la industria musical y yo tenía ese problema, recién llego después de haber estado dos año fuera y con mi disquera, dije, bueno, qué es lo que voy a hacer ahora y entonces había hecho muchas amistades con los medios de comunicación en México, porque bueno, llevaba a los artistas a los canales de televisión, a los periódicos, a las revistas y pensando y pensando, ya la disquera sabía que no podía seguir, decidí montar una agencia porque conocí a una chica en Facebook y la chica era atleta fitness, ella veía que hacía gira con aristas, me dijo que porque no la promocionaba a ella, entonces hablando de eso, traté de montar una agencia de atletas fitness, no de modelos porque no conocía, siempre pensé que para tener una agencia de modelos hay que tener contactos y todo, puede ser en el ambiente de la publicidad y yo no tenía eso, yo tenía la relación con los medios de comunicación y además había muchas agencias de modelaje y lo que yo podía hacer era hacer algo nuevo que en ese momento no estaba muy explotado, que era representar atletas”.

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Así empezaría Cuaima Team, de acuerdo con Bottini, “comencé en 2010, a finales de 2010 empecé a agarrar atletas, Miss bikini México, poco a poco fui creciendo en el ambiente y se me fueron acercando atletas de otras partes porque por lo general no hay manager ni agencias que se dediquen a representar atletas, ‘¿para qué?’ Para modelos, no para atletas, de la manera como yo la manejo porque además de ser representantes de ellos, también soy su promotor, sus relaciones públicas y todo lo demás, entonces buscamos la manera de que las atletas, estas grandes campeonas, hacerlas conocer a través de los públicos, a través de los medios de comunicación”.

Hasta ahora Cuaima Team tiene 75 atletas, varias campeonas del mundo, quienes de acuerdo con Bottini, se acercan a él por el tiempo que tiene trabajando como representante de fitness y que por accidente terminó trabajando con ellas y ellos porque la piratería acabó con la música.

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via La Neta – La comunidad más grande de influencers emergentes y creadores en español

[daggerzine]

Coming up for air….Phil Sutton of the Pale Lights opens up.

A few years ago I began hearing the name Pale Lights in NYC indie pop circles. Then, leader Phil Sutton was nice enough to send me a package that included the band’s terrific debut LP, 2014’as Before There Were Pictures, plus a single and a cd by his other band, Soft City (see below). Well, I had been playing that Pale Lights record constantly until earlier this year when Sutton and Co released their as good/maybe better sophomore effort, The Stars Seemed Brighter released at the tail end of 2017. Listening to the records it seemed like Sutton wasn’t just some newcomer on the scene and as it turns out he’s not.  He cut his teeth (into fangs) in DAGGER favorites Comet Gain back in the early 90’s and then with some other bands in between. In his music you’ll hear the classic songwriting style of The Smiths, Felt, Orange Juice, Go-Betweens, etc. A breezy pop sound that Sutton and Co. make seem effortless. Honestly, The Stars Seemed Brighter might by my most listened to record this year so far. These days the lineup of Pale Lights seems pretty solid with bassist Maria Pace, drummer Lisa Goldstein, guitarist Andy Adler and keyboardist/vocalist Suzanne Nienaber (who also plays in the Great Lakes) and Sutton singing and playing guitar as well. Phil took some time while healing up after an illness and was more than happy to elaborate on my questions. Take ‘er away, Phil!  (**also, if you happen to be in Brooklyn, NY on 8/4/18 try and catch their show with The Essex Green and Adeline Hotel at the Knitting Factory- link at the bottom of the interview).

Pale Lights gettin’ some sun  (L-R- Andy, Suzanne, Phil, Maria and Lisa)

 Where did you born/where did you grow up? 

I was born in Germany, an army brat for the first ten years of my life. When my Dad left the army we settled in a village in Oxfordshire. I ended up in London as soon as I could manage it, via a shortish stays in Banbury and Oxford. The village, which I for the most part hated, was inspiration for the Pale Lights song, Coming Up For Air, which gets it’s title from the George Orwell novel, which is about someone returning to their childhood home, a village in Oxfordshire. 

Whar was the first instument you picked up?

Drums, playing for Comet Gain, in 1992. Well, I say drums, I didn’t own a kit until 1995. I was always borrowing one. I didn’t pick up a guitar until I was in my 30s. I think it shows!

What was your first ever gig? 

The first live music I ever heard was Ultravox, at the Oxford Playhouse. I went with a schoolfriend. We had gotten the tickets about 8 months before. The BMX Bandits were playing the same night, but I had committed to Midge and the boys. It was pretty terrible. The set ended with the band all standing in line playing bodrums. Not very synthesizer-y. The woman next to me spat in my ear as she screamed “Go Billy!” when the Billy Currie caught a violin shown to him by a roadie to play the solo in Vienna. It was pretty swish, but seemed…not cool. My next show was, I think, The Soup Dragons with The Thanes, a great Scots 60s inspired garage band. Then it was, I think, Felt with the TVPs and many, many indie pop types after.

What was your initial entry into the world of indie/punk music?

Comet Gain was my first band. David, the groups founder, was my flatmate. He asked me to drum, even though I couldn’t, and I said yes, because I think it was me or no one. I didn’t really learn to play drums until after I’d left! We made a series of terrible DIY tapes in his bedroom which were sold in the Rough Trade shop. Comet Gain completists go nuts for that stuff.

I’d heard you were in Comet Gain. What year was that? How long did your tenure last? 

I was in Comet Gain from 1992 to 1997. I played on the first 2 LPs, and a bunch singles, compilation songs, and a couple of BBC sessions, one for John Peel, and one for the Evening Session. I left when the original lineup split and played drums for Velocette. I did a couple of singles and a Peel session with them, before I left to form my own group. Even though I quit the group, Comet Gain were super important to me, and together with the whole riot girl movement shaped how I think about music, if not directly (I’m really not very punk) then at least in spirit, that isn’t sexist, cliched, macho. The idea of being independent, DIY, creating art that tries to be about something. I always try and play in mixed gender groups, for instance. For me music is more interesting when it’s not a boys club. I’m still a big fan of Comet Gain’s music. It was sad that the first lineup was too dysfunctional to stay together (mostly because we were two groups), but Comet Gain improved by leaps and bounds when the focus shifted solely to David’s song writing. I think their last LP was their best.

The Soft City (that’s Phil far right)

In between Comet Gain and The Soft City (I know , a looooong gap) what bands were you in?

I formed Kicker with Jill Price (then Jill Drew), Andy Jones, and Laura Bridge (Harper Lee) in 1998. We were joined later by Jax Coombes (Comet Gain, Velocette), Beatrice Hatherly, Cat Cormack, and Ben Phillipson (18th Day of May, Comet Gain, Bonnie Dobson’s band). Kicker was the first band where I wrote and sang (sometimes). Jill was the main singer. I’d been fired by Velocette, and decided to start my own band so I couldn’t be fired. But I had to write some songs! So I did. I couldn’t play an instrument, so I sang the songs to the others, who worked out the chords, etc. We did OK, got played by Peel and the other BBC evening types, recorded a couple of albums for the London label Track and Field, and played a lot of shows. We were label mates with people like Essex Green, The Projects (for whom I played drums for one LP), Ladybug Transistor, Great Lakes, Tom Paulin, The Loves, Saloon. Lots of great bands. Kicker split in 2007 when I met my wife and immigrated to the US. I was strumming a Kicker song called Blue the other day, which I’m thinking of playing out at some point. David (Comet Gain) told someone (not me) that it was a proper song. Which I think it is.

Tell me about the Soft City? Were you mostly the drummer? Is the band still together? 

When I arrived in New York City I didn't know many people. Kevin Pedersen, who runs What’s Your Rupture? was a good friend I’d met through his love of Comet Gain, and was a real good host, introduced me to some lovely people, including Andy Adler, and I got to know Gary Olson. I wanted to start a new group, so pretty much put together Kicker USA, The Soft City. I put an ad in Craigslist, and it was answered by Jason Corace, who made records as A Boy Named Thor, and Dora Lubin. I say Kicker USA because it was mostly me writing the songs (Jason wrote some too, which I think may have been superior songs! Plane In The Sky from out 7” EP is lovely), and I played drums too, although I was writing on the guitar by this point. I decided not to sing though, to give the audience someone to focus on. We played our debut show at the Cake Shop, at the NYC Popfest 2008. It was great! We had already recorded our album, I think. Or had nearly finished it, maybe. Kyle Forester, who we met through Gary Olson, played bass and keys on the first record. Incidentally Knight School played that show, and Lisa was their drummer I decided that if I stopped playing drums, she would be The Soft City’s drummer. It was kismet! Or something… The Soft City made an LP for Plastilina Records, and an EP for my own label, Calico Cat. The Lp bombed, but the EP sold out. C’est la vie! Turner Stough joined us for the EP as bass player. Jason then got tenure in Baltimore, and Andy Adler and Lisa joined. 

When did you move to the states? Was it right to NYC or did you live anywhere else?

2007. I’ve always lived in New York City, in Manhattan, then Brooklyn, and now Queens.

Pale Lights debut from 2014

When did the Pale Lights come together? How did the current lineup come about?

Dora left NYC in 2011, so The Soft City stopped. I decided I wanted to sing again. The first The Soft City release was recorded in the UK just before I left, as a sort of demo, a 3 track affair. It got released by Roque Ruiz’s Cloudberry Records. So I started Pale Lights, initially with Lisa and her friend Maria Pace, and very soon after Andy Adler joined. We recorded our first EP pretty soon after that, with a librarian friend, Brooke Watkins on keyboards. One of our earliest shows was the NYC Popfest, in 2012. Comet Gain played that year, so we got to hang out I had a ball! 

Tell me about the recording of the latest record, The Stars Seemed Brighter. How did the recording differ from your debut?

Perhaps not that much? I think it’s a stronger set of songs, maybe. We recorded with Gary Olson at Marlborough Farms, and Kyle Forester did the keyboards. The main difference is that Suzanne Nienaber joined us and now sings on all of the songs. Maria’s bass playing has come more to the fore too.

What about your recent tour of Germany, did you get sick? Were you able to play any of the shows?

Yeah, I got sick right at the last minute. I delayed my flight, but it was no good. very sad about that, as we had been planning it for months. The group was already there, so, with a little persuasion from our label boss, Ronny at Kleine Untergrund Schallplatten (KUS), Suzanne was persuaded to sing lead vocals. She did a great job. The group was joined onstage in Augsburg by Kenji Kitahama, who’s currently in Clay Hips, Friedrich Sunlight, and The Golden Eaves, and Shaun Charman, who plays in Jetstream Pony, our label mates. (Shaun was in the Wedding Present and The Popguns). They’re from the UK. Beth Arzy is their singer. They’re very good. They have a new EP out on KUS soon. Beth is in Luxembourg Signal too. Who are also our European label mates! Anyway, they all took care of my group, coaxed everyone along, and were generally lovely hosts. So though I wasn’t there, and didn’t get to meet everyone, I know that everyone at the label and on the label is lovely. I tour managed from my sickbed, wrote some new songs, did social media. 

Pale Lights- cleaning up the streets of NYC.  

Tell us about your day job, are you a librarian? 

Yes. So is Lisa. Have been since 2010, at The New York Public Library, in Genealogy and Local History division. It’s not very indie pop, but I do love it. I mostly do reference and instruction. Actually, it probably is pretty indie pop. Lots of cardigans and spectacles. It’s not twee though. I hate that word. 

What are some current bands that you love that we might not know about?

I’m terrible at new bands. Lake Ruth I love. Great Lakes aren’t new, but their new LP is really great. Jetstream Pony, I mentioned. Jeanines is a very new band I like. We played with them at our LP launch in the Spring. Very catchy, jangly, old school indiepop, but not twee. Jed from My Teenage Stride drums, and Alicia is the singer. Alicia writes short, neat pop songs that are very catchy. I had one song in my head for about two weeks. I started going a bit mad, actually. I’ve mostly been listening to Francoise Hardy and Microdisney lately. I really need to listen to some new music. I spend all my money on buying 60s-80s records though, to be honest. I have been listening to The Dentists a lot too. A group I missed first time out. I’m going to buy the new Clay Hips LP. That’s Kenji’s new band. Kenji sings like an angel. He got us signed to KUS. But I’m not biased. My wife thinks I listen to a lot of old man music, but her ears pricked up when she heard me playing the Golden Eaves, one of his other bands. She was “Who’s this?!” She’s from the same small town near Los Angeles as Kenji. Small world.

What’s next for the Pale Lights?  More shows? More recordings?

We open for Essex Green at the Knitting Factory in Brooklyn, August 4th, which I am excited about seeing as we are old label mates. Their new LP sounds very good.  KUS is releasing a split 7’ featuring ourselves and Lake Ruth doing each other’s songs, that should be out in the Fall, and we have a song on a KUS compilation coming out later in the year. We’re working on new songs for a 7” for Slumberland Record’s 30th anniversary singles club, and a 12 EP/mini LP too.

 Final words? Closing comments? Anything you want to add that I didn’t ask?

If you don’t have a library card, people, get one. Use it or lose it. Also Pale Lights are available for shows. Book us! 

 https://palelights.bandcamp.com/

***ALL PHOTOS BY LEIGH FOX

 ***Upcoming gig in Brooklyn with the Essex Green. See info here:

http://nyc-shows.brooklynvegan.com/events/2018/8/4/the-essex-green

Album #2

[cminoldo]

En su segunda edición, el Festival sobre Ruedas superó su primera marca convocando a más de 7500 personas entre las dos jornadas. Con 5 carros más que en la oportunidad anterior, la propuesta fue más variada y permitió abastecer a todo el público presente. Asimismo, el haber duplicado la disponibilidad de mesas y sillas fue un acierto para quienes se dispusieron a disfrutar de la comida y de los espectáculos sobre el escenario. El intendente Rubén Ferreyra se mostró muy feliz por el exitoso desarrollo del evento y afirmó que seguirán trabajando para lograr una tercera edición. Desde la Municipalidad de Sinsacate se agradeció a quienes colaboraron acercando útiles escolares a la segunda edición del Festival Sobre Ruedas. Lo recolectado será distribuido entre las escuelas rurales de la zona. En total, se juntaron 46 papeles para forrar cuadernos, 17 cartucheras, 1 resma de papel de imprimir A4, 41 cajas de lápices de colores, 11 cajas de crayones, 1 set de plastilinas, 34 sacapuntas, 9 blíster de fibras, 2 cajas de tizas de colores, 70 gomas de borrar, 9 reglas, 161 lápices negros, 8 planchas de rótulos adhesivos, 2 blíster de lapiceras de colores x 4, 23 lapiceras, 11 block de separadores para carpeta tamaño Rivadavia, 576 hojas rayadas tamaño Rivadavia, 192 hojas cuadriculadas tamaño Rivadavia, 9 cuadernos de hojas lisas, 7 cuadernos de hojas cuadriculadas; 121 cuadernos de hojas rayadas, 4 boligomas, 1 plásticola de 1 kg, 1 tapa de carpeta para dibujo tamaño oficio, 13 carpetas bibliorato tamaño Rivadavia, 1 block de hojas lisas tamaño Rivadavia, 1 librito para colorear.

[sanchezsacco]

Agustín Valero cierra la Gira “Axipendra” de su primer disco solista

AXIPENDRA: Nanas, elegías y sueños

Función especial #25 canciones al piano de cola

Domingo 12 de noviembre a las 16 hs. en Al Escenario

Lamadrid 1001 esquina Irala, La Boca

Entradas: $150. Reservas al Tel. (11) 4303-3346

El 12 de noviembre el compositor y cantautor Agustín Valero culminará la gira de presentación de su primer disco solista, “Axipendra”, con una función especial al piano de cola en Al Escenario. Valero interpretará obras propias para piano y canciones para piano y voz del disco y adelantará temas vocales e instrumentales de su próximo álbum. Será la actuación número 25 de la gira, que el cantautor brindará como solista y en formato acústico luego de presentarlo durante dos años junto a músicos invitados en diversos escenarios de Capital Federal, Córdoba y la provincia de Buenos Aires. 

Axipendra es una colección de nanas, elegías y sueños hechos canciones. En su interior, formado por mundos paralelos en miniatura, habitan niños, animales e ídolos que se comunican entre sí transitando distintos estados de ánimo entre la nostalgia y la epifanía del alumbramiento. La incógnita de su título surrealista se devela en la escucha de la propuesta onírica del disco, cual tránsito ágil de un ser con caparazón que al llegar al otro extremo del eje se descubre almendra.  

Agustín Valero es compositor, intérprete y productor musical.  Su tesis de graduación como Licenciado en Composición Musical con Medios Electroacústicos de la UNQ, ‘Final del Juego’ (incluida en “Electroagústico”) fue dirigida por el reconocido compositor Martín Liut, quien dijo sobre la obra de Valero: “Música de cruces y encuentros entre la cultura rock y lo mejor de la investigación vanguardista, ‘Final de juego’ es ahora su propio faro, que le ilumina el camino en el que se encuentra desarrollando su propia poética”.

En su propio estudio, Plastilina Records, Valero produce música para grupos y solistas y brinda talleres de instrumentos, producción musical y audiovisual. Creó más de 500 obras propias entre canciones, piezas incidentales y bandas sonoras para teatro y cine y música electroacústica, y tiene 7 discos editados: los solistas “Axipendra” y “Electroagústico”, en dúo “Agustín Valero-Luciano Beccaría”, y otros cuatro junto con las agrupaciones de rock Juan Pluma y los Cinema e Interzona. Además, es docente en la Universidad Nacional de Quilmes y la Facultad de Bellas Artes de la Universidad de La Plata.

El disco Axipendra agotó su primera edición y actualmente está disponible en la web, en formato digital.

Axipendra en Bandcamp https://agustinvalero.bandcamp.com/album/axipendra

Corte de difusión: La hija de la Libertad https://www.youtube.com/watch?v=k13ebepyD5o

Electroagústico:  https://agustinvalero.bandcamp.com/album/electroag-stico

Acerca del disco Axipendra

Sobre el proceso creativo 

La palabra Axipendra remite a los sueños, tanto a los nocturnos como al trabajo del inconsciente y a las ilusiones propias y proyectadas. El nombre apareció en un sueño de su autor y fue enlazando las 12 canciones del disco, agrupadas a modo de nanas, elegías y sueños. Desde hacía tres años cada día al despertar, Agustín tomaba nota de lo que pasaba en sus sueños y los bocetaba con estructuras musicales surgidas de experimentaciones que mixturaban la música electroacústica, la canción pop y la canción folk. El repertorio se fue conformando entre estas canciones y otras escritas tiempo atrás.

“Axipendra significó buscar la identidad del juego propio. Las temáticas de las canciones se relacionan con los sueños, la vida y la muerte, las ilusiones, los amores y desamores, los seres queridos, lo cotidiano y lo social. Musicalmente el disco explora la sonoridad experimental que fui elaborando en mi trayectoria académica sin abandonar el formato de la canción, que es un ámbito en donde me siento feliz y cobijado. De eso se trata Axipendra. Somos un cuerpo ilusionado; el inconsciente te canta la canción”, expresa Valero. 

Así dialogan en el álbum temas dedicados a nacimientos, como el de su hija (Hijitus) y sus sobrinos (La hija de la Libertad y Tortuguita con alitas) y homenajes a seres queridos que se fueron, entre los que se encuentran Spinetta (Para Luis) y su padre (Más allá del mundo), con otros nacidos durante su formación académica. El último tema del disco, Axipendra, es un paisaje sonoro que a modo de canción extendida, emerge como manifiesto del mundo musical del compositor. 

Para componer Valero prefiere los temas con variaciones y en forma de suite por sobre los estribillos. En ese sentido crea canciones no tradicionales que van desarrollando técnicas tímbricas y formales personales a modo de canción electroacústica. Entre sus influencias, amplias y eclécticas, el autor reconoce desde el clasicismo vienés y el romanticismo alemán al tango, el folclore latinoamericano y la psicodelia londinense, The Beatles, Bob Dylan, y la música de vanguardia de posguerra, además de Jorge Fandermole, Luis Alberto Spinetta y Charly García. “Todas estas espacio-temporalidades intentan confluir en mis obras. A veces la brújula me lleva un poco más hacia una u otra estética, pero resulta evidente que nunca puedo quedarme con una sola”, agrega el músico. 

Lista de temas de Axipendra

Todos los temas, compuestos por Agustín Valero.

1. Hijitus 02:07 | 2. Caballito de Madera 02:18 | 3. Rita 03:31 | 4. No puedo encontrarme 02:26 | 5. Laberintos del alma 02:34 | 6. Pesadilla en Nueva York 04:21 | 7. La hija de la Libertad 03:17 | 8. Tortuguita con alitas 02:33 | 9. Más allá del mundo 02:56 | 10. El Sonido de tu corazón materno 03:08 | 11. Para Luis 02:25 | 12. Axipendra 05:59. 

Ficha técnica

Músicos: Agustín Valero: Voces, Guitarras, Pianos, Bajos, Técnicas extendidas, Percusión, Composición. | Martín Hernandez: Batería. | Guillermo Casal: Piano en 1 y 2. | Santiago Leibson: Teclado Rodhes en 10 | Juliana Turull: Arte de Tapa. | Laura Cutufia: Edición gráfica.

Grabado y editado en Plastilina Records por Agustín Valero. | Mezclado en Plastilina Records por Agustín Valero y en Estudios Titanio por Ezequiel Morfi. | Producido por Agustín Valero, con la colaboración de Martín Hernández. 

Biografía de Agustín Valero 

Agustín Valero es compositor, intérprete y cantautor. A los once años tomó el piano y la guitarra y empezó a componer instintivamente hasta convertirlo en actividad profesional. Es Licenciado en Composición Musical con Medios Electroacústicos de la Universidad de Quilmes (UNQ) y sus instrumentos principales son el piano, la guitarra y la voz. Su tesis de graduación, Final del Juego, fue dirigida por el reconocido compositor Martín Liut e incluida en su segundo disco solista, “Electroagústico”. 

Dijo Martín Liut sobre su trabajo: “’Un final que resultó comienzo’. Agustín Valero le puso como título “Final de juego” a la música que compuso para obtener su licenciatura en composición con medios electroacústicos en la Universidad Nacional de Quilmes. Si el cortazariano nombre parecía hacer referencia al cierre de una etapa, unos años más tarde constatamos que se trataba de una bisagra en su carrera como artista. Agustín logró encontrar una síntesis entre toda la información que la universidad le aportó del campo de la música contemporánea, con su propia experiencia como músico práctico. La obra está resuelta como una versión “de estudio”, que resultó ser su propio estudio de grabación, con la ayuda y complicidad de varios de sus compañeros de ruta musicales y él mismo como intérprete. Música de cruces y encuentros entre la cultura rock y lo mejor de la investigación vanguardista, Final de juego es ahora su propio faro que le ilumina el camino en el que se encuentra desarrollando su propia poética.” Martin Liut, compositor y docente (Director de la tesis de Agustin Valero en la UNQ). 

Valero se desempeña como compositor de piezas incidentales y bandas sonoras para teatro y cine, productor musical, intérprete y docente. Lleva compuestas más de 500 piezas musicales y editadas 60. Entre otras obras realizó el diseño sonoro del “Poema Ordinario” teatral, de Juan Ignacio Fernández con dirección de Lisandro Penelas, que actualmente se presenta en el Teatro Escuela Moscú, y fue productor musical y/o compositor de cortometrajes como Nico y Tina, de Rodolfo Pastor, El Colchón de Hernán Alvarado y Flores de regalo de Sebastián Scholand. 

En su estudio Plastilina Records, Valero brinda talleres de piano, guitarra, producción musical y audiovisual y produce música para grupos y solistas que se inician en su carrera discográfica. Algunos de los discos realizados en Plastilina Records son Totoral del grupo homónimo, El espiralado tobogán del amor y de la vida de Ignacio Joaquín y las mudanzas, y Hoy ya formo parte de Lapso. 

Además, es docente de Audioperceptiva y Apreciación Musical en la Universidad de Quilmes e integra la cátedra de Educación Auditiva en la Facultad de Bellas Artes de la Universidad de Plata. 

Discografía 

Agustín Valero tiene tres discos propios, editados en Plastilina Récords, y otros cuatro grabados junto con agrupaciones de rock, que fueron presentados en distintas ciudades de Buenos Aires, Córdoba, Entre Ríos, Jujuy y Tierra de Fuego.

Electroagústico (2016). Piezas académicas, experimentales y performáticas.

Axipendra (2015). Primer disco solista.

Agustín Valero-Luciano Beccaría (2012). Cancionero compuesto en Bolivia a dúo con Luciano Beccaría.

Interzona (2010). Con Interzona.

Los Hermanos Celuloide (2007). Caravana. Paseo Ma non Tropo (2009). Trasnoche (2014). Con Juan Pluma y los Cinema.

Links

Axipendra en BandCamp https://agustinvalero.bandcamp.com/album/axipendra

Corte de difusión de Axipendra: La hija de la Libertad: Videoclip, corte de difusión de Axipendra, producido por Hernán Alvarado (2015).  https://www.youtube.com/watch?v=k13ebepyD5o

Agustín Valero en YouTube:  https://www.youtube.com/playlist?list=PLz7m2gxWEDZLnJmSEC2M90x607oXKERAu

Discos solistas de Agustín Valero en BandCamp: https://agustinvalero.bandcamp.com

Contacto de Prensa  

Sánchez-Sacco Prensa y Comunicación

Lorena Sánchez: 11 5818 1800 | prensalorenasanchez@gmail.com

Marta Sacco: 11 4973 8558 |  marta.sacco@speedy.com.ar

http://sanchezsacco.tumblr.com/

[indierockdj]

JUAN GRIS - Heavy

[getwellsoongiftbasketsunive-blog]

The Ultimate Strategy For Get Well Soon Gift Baskets

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[domkmv]

#Repost @rooms_karaoke_bar with @repostapp ・・・ Ruslan Diazz-Dj,промоутер,автор серии видеоподкастов Ma Boogie,сеты Руслана отличаются тщательной селекцией материала,и обычно начинаются с мягкого и мелодичного хауса плавно перетекая к более агрессивному и андеграудному тек хаусу,и техно,Руслан постоянный гость различных мероприятий,один из самых гастролирующих диджеев Ставрополя,в прошлом арт-директор легендарного клуба Impreza,в настоящее время является успешным промоутером и организатором мероприятий Decadance в котором пропагандирует идеологию Tech-House звучания, за плечами Руслана более 100 успешных выступлений в различных клубах и барах России, участник Record White Party 2015, участник Record White Party 2016 Record White Party 2017 в городе Ростове (Которые являются официальными pre-party фестивалей Sensation,а так же AZOV FEST 2016. В 2013 году вместе с Dimaskas Razovska создают андеграудный видеоподкаст Ma Boogie,в котором пропагандируют грувиcтое звучание различных House направляний,и запускают серию вечеринок с одноименным названием,которые пользуются популярностью и по сей день. В разное время гостями авторских вечеринок Ma Boogie стали: DaSmokin’Frogz aka Patrick P (Ростов-на-Дону) / Dirtylover (Ростов-на-дону) / Terez (Краснодар) / Sergey Sanches (Propaganda,Москва) / Polo (F2 РОСТОВ-на-Дону) / Юлия Говор (Берлин/Москва) / Plastilina (Краснодар) / SERGEY SEXTON (Краснодар) / JENIA WHITE AKA LACOSTA (Новороссийск) / M.PRAVDA (МОСКВА) /ANGE (Москва) / DJ BAKS (Градусы,Москва) / Goodman Globe проект Data Mc (Берлин,Германия) /Alik Goch (Москва) /Dj Mike Love (Ставрополь) /Dj Артем Сеин Aka Red (Ставрополь) /Dj Dennis Great (Пятигорск) /Dj J Superstar (Пятигорск) /Dj Niko Fly (Ростов-на-Дону) /Dj Tanit UK (Пятигорск) /Imprezaboys (Ставрополь) /DataMode (Нижний Новгород) /Guru (Guru's Kitchen-Ростов) / Tim Loco/Wan Roux/Katerina (Все DEEP Family/Москва) / SVETA CADY (КРАСНОДАР) / SENSOR AKA HARMONIQUE (РОСТОВ-НА-ДОНУ) / GARIY & HACKER (РАДИО РЕКОРД РОСТОВ) / ASAGA (HIGWAY REC/МОСКВА) / QOOBS (BAR 13/КРАСНОДАР),NICK SLIDE (НОВОРОССИЙСК) / ARSEN AMORALEZ (ПЯТИГОРСК) / ERICK KEY (KDB REC / YOUR FOR / РОСТОВ-НА-ДОНУ) И МНОГИЕ ДРУГИЕ

[fcha]

 Chico Unicornio - Si Te Vas; Te Vas (Jeanette Cover)