#photography sam
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seenoversundown · 1 year ago
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Dueling Cameras
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Warnings: N/A
Word Count: 1.2k
Oh Klahoma - Jack Stauber " Go on and hand me your clothes, Take a picture or two, I can see you"
“Come on Willa,” Sam yelled from across the house. 
“I’m grabbing my shoes and I’ll be ready!” I responded. 
As I come to the front of the house I find Sam squatting down to put Penelope's leash on. Those two are always inseparable. 
“Y’ready?” He says when he notices me watching them. 
“Absolutely, let's go.” I say as I give him a quick kiss.
As we ride to the fair, I look out the window while Sam sings along to what’s playing over the speakers.
“Workin’ on our night moves.
Tryin’ to make some front page drive-in news.”
I look over to him sitting in the driver's seat. “Still stuck in your head?”
“I’ve spent too many nights helping Jake close the bar,” Sam says with a laugh. 
We drive the rest of the way that’s only broken when Penelope starts to whine. When we finally park, Sam is quick to get to Penny and let her out the back door. I get out and start to close the door when I notice Sam’s camera bag sitting on the back seat. Knowing he was too focused on Miss P and will probably be upset when he notices he's left it behind, I grab it. 
Sam’s a little bit ahead of me when I finally do catch up to them. Before catching up completely, I pull out his camera and take a quick photo of them from behind. He’s always been attractive to me, but it wasn’t until a year or so ago until I finally admitted it to myself. 
Click. 
It isn’t long until the three of us step foot inside the state fair. I take the lead and start heading left, straight to the pumpkin patch. 
“You really want to carry around pumpkins for the rest of the day?” Sam asks, giving me a questioning look.
“Well, if we wait until later all of the good ones will be gone.” I said matter of factly. 
A hearty chuckle comes from Sam as he throws his arm over your shoulder. “Whatever you want, my little bird.” 
We walk like this until we reach the patch full of yellows, oranges and whites. Penelope's quick to pull us towards a cluster of decent looking pumpkins. 
“Good work, Penny-girl.” I say, leaning down to pat her between the ears. 
Click. 
Hearing that soft click, I’m a little surprised. I thought I had Sam’s camera. Turning to look at him, I see a shit eating grin spread across his face. 
“New toy.” Is all he says while holding up a small film camera. 
“I should’ve known.” I reply while playfully rolling my eyes. 
“Yes, you should’ve.” Sam presses a kiss to my cheek. “Always gotta document my girls.” 
My heart always does a little flip when he calls us that. His girls. I run ahead and whip out the other camera. 
Click. 
A bewildered look crosses Sam’s face while Penelope just watches, her tail whipping the air. 
“Fancy a game of dueling cameras?” I say in my best posh accent. 
I’m rewarded with a deep belly laugh from Sam that liquifies my insides. My favorite sound, I can’t help but think. 
“Game on.” 
I take off running father into the patch, Penelope's barks trailing behind me. Sam’s laughing out loud, and I can’t help but laugh along with him. One of my favorite things about this man is how free he lets me be. Never once has he tried to clip my wings, he’s only interested in helping me fly. 
Throwing my arms up in the air I stop where I am and spin, laughter is tumbling out of me in waves. 
Click. Click. 
Sam lets go of the leash and she’s quick to join me, her happy barks filling the air. 
Looking back at Sam, I realize he isn’t standing in the same place anymore. The pumpkin patch is steadily getting busier, and I can’t spot him as I glance around. 
Suddenly, arms are on either side of me and my feet are whisked off the ground, I can’t stop myself as I scream upon take off. 
“Got you,” Sam says in my ear. 
“Unfair!” I say as he puts me down. I cross my arms across my chest and give him a fake pout. “You came outta nowhere.” 
“Always gotta keep you on your toes.”  A quick kiss is pressed on the tip of my nose. “Now, let’s get what we came for. Those roasted seeds are calling my name.” He’s quick to grab the leash as we finally settle on an area of pumpkins to choose from. 
“How about this one?” Sam holds up a classic orange pumpkin that’s perfectly round. 
Click. 
“If that’s your choice. This one’s mine, I think.” I take my turn to hold up a yellow pumpkin that’s more oval-like. “I have a great idea for the face I wanna put on this bad boy!” 
“I think I need to reevaluate my choice,” Sam says with a laugh. “How about this one instead?” Similar to my yellow oddball, he’s found one of similar shape but in orange. 
“Oh, Samuel. That’s a fine specimen indeed.”
A bark cute through the air, we both look to find Penelope sniffing a smaller white pumpkin. 
Click. 
“It seems as though Penny-girl has chosen her pumpkin, too.” I say. 
We make quick work of purchasing our small family of pumpkins. , excited to get them back home. I have Penelope's leash in hand as we walk back through the fair. Admiring the rides and all the bright lights that are seemingly getting brighter as the sun goes down. 
“Willa,” 
With a smile, I turn my head quickly at the sound of Sam’s soft voice cutting through the noise. He’s only a few paces behind me with his camera up to his face.
Click. 
“What do I get for winning this round?”, Sam says in a cheeky little tone, a smile plastered across his face as he catches up to us. 
“Mmm.. I have an idea”, deciding to play along, I hit him with a little wink. I motion for him to lean down, planting a kiss on his lips, holding him there for an extra beat. Maybe two beats. 
“Well”, he starts, “let’s get you home then, shall we?” Grabbing my hand and taking off to the car, moving a bit quicker than before. Rose and I trailing behind him as we approach the car. Letting her into the backseat before I get in, Sam’s already starting the car. 
As soon as I slide into my seat, he throws the car in drive. His right hand immediately intertwined with mine, resting on my leg. The sight makes my heart swell, until I look over at him in the last minutes of daylight. His hair is a little disheveled from the wind and the brisk walk, but the soft smile resting on his face as he focuses on the road was really the prize for me. 
Click. 
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389 · 5 months ago
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by Sam Johnson
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artschoolglasses · 1 month ago
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Imane Khelif photographed by Sam Rock for d la Repubblica
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thecinamonroe · 3 months ago
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Marilyn Monroe photographed by Sam Shaw on Fifth Avenue in New York, NY, 1957.
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pro-royalty · 5 months ago
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Doechii x PAPER Magazine
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kitsunetsuki · 5 months ago
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Sam Haskins - Pentax Calendar, 1979 (Photographis '80)
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ente-lab · 7 months ago
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blondebrainpowered · 2 months ago
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American musician, singer and actor Burl Ives in a promo photo for 'Rudolph, The Red-nosed Reindeer', 1964.
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bixels · 26 days ago
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As cameras becomes more normalized (Sarah Bernhardt encouraging it, grifters on the rise, young artists using it), I wanna express how I will never turn to it because it fundamentally bores me to my core. There is no reason for me to want to use cameras because I will never want to give up my autonomy in creating art. I never want to become reliant on an inhuman object for expression, least of all if that object is created and controlled by manufacturing companies. I paint not because I want a painting but because I love the process of painting. So even in a future where everyone’s accepted it, I’m never gonna sway on this.
if i have to explain to you that using a camera to take a picture is not the same as using generative ai to generate an image then you are a fucking moron.
#ask me#anon#no more patience for this#i've heard this for the past 2 years#“an object created and controlled by companies” anon the company cannot barge into your home and take your camera away#or randomly change how it works on a whim. you OWN the camera that's the whole POINT#the entire point of a camera is that i can control it and my body to produce art. photography is one of the most PHYSICAL forms of artmakin#you have to communicate with your space and subjects and be conscious of your position in a physical world.#that's what makes a camera a tool. generative ai (if used wholesale) is not a tool because it's not an implement that helps you#do a task. it just does the task for you. you wouldn't call a microwave a “tool”#but most importantly a camera captures a REPRESENTATION of reality. it captures a specific irreproducible moment and all its data#read Roland Barthes: Studium & Punctum#generative ai creates an algorithmic IMITATION of reality. it isn't truth. it's the average of truths.#while conceptually that's interesting (if we wanna get into media theory) but that alone should tell you why a camera and ai aren't the sam#ai is incomparable to all previous mediums of art because no medium has ever solely relied on generative automation for its creation#no medium of art has also been so thoroughly constructed to be merged into online digital surveillance capitalism#so reliant on the collection and commodification of personal information for production#if you think using a camera is “automation” you have worms in your brain and you need to see a doctor#if you continue to deny that ai is an apparatus of tech capitalism and is being weaponized against you the consumer you're delusional#the fact that SO many tumblr lefists are ready to defend ai while talking about smashing the surveillance state is baffling to me#and their defense is always “well i don't engage in systems that would make me vulnerable to ai so if you own an apple phone that's on you”#you aren't a communist you're just self-centered
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helena-bottom-farter · 4 months ago
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The Evil Dead, originally titled Book of the Dead, premiere at The Redford Theatre in Detroit, October 15, 1981.
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guzgecesi · 1 month ago
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stella-grier · 5 months ago
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How they look at each other 😊
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thecinamonroe · 9 months ago
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Marilyn Monroe eating a hot dog at an outdoor table in New York, NY, 1957. Photo by Sam Shaw.
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sharon-tate · 7 months ago
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Audrey Hepburn being photographed by Sam Shaw in Paris, 1957
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kitsunetsuki · 6 months ago
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Sam Haskins - Pentax Calendar, 1979 (Photographis '80)
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dollyiia · 7 months ago
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