#peter lippman
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1955 - Chet Baker Quartet, Martial Solal Trio & Bobby Jaspar All Stars - Paris (?)
Chet Baker (tp, voc), Dick Twardzik (p), Jimmy Bond (b), Peter Lippman (dr)
Martial Solal (p), Benoit Quersin (b), Jean-Louis Viale (dr)
Bobby Jaspar (ts, fl), René Thomas (g) + Martial Solal Trio
#jazz#poster flyer#chet baker#dick twardzik#jimmy bond#peter lippman#martial solal#benoit quersin#jean-louis viale#bobby jaspar#rené thomas#1955
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Two versions of this Peter Lorre picture by Irving Lippman, during Peter's Columbia years, 1930s (and could very well be during his "Crime and Punishment" era) --
--for comparison, here are other Irving Lippmann pictures of Peter that were definitely labeled as 1935, Crime and Punishment (movie or era:):
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Peter Lorre by Irving Lippman for Josef von Sternberg‘s CRIME AND PUNISHMENT (1935)
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The Unaired Two-Page Conversation
I think we're past the point of possible spoilers, so as promised: the 2pg book conversation that was cut for time (and realism). Originally, I was experimenting with "unsent" books as part of the conversations, but I thought it would ultimately be too confusing and opted not to use that, so anything you see with a strikethrough is an "unsent" book.
(If this text formatting is ultra zany and hard to read, someone please tell me and I'll make it more regular. Allison is Blue, Patty is Red... for reasons... 🫠)
Allison: It’s Lonely at the Center of the Earth, by Zoe Thorogood
Patty: Not Here, by Hieu Minh Nguyen
Allison: Tell Me Everything, by Minka Kelly
Patty: Daily Rituals, by Phoebe Garnsworthy
Patty: Drinking Coffee Elsewhere, ZZ Packer
Patty: Crime, by Irvine Welsh
Allison: Without Me? by Chelle Bliss
Allison: Exciting Times, by Naoise Dolan
Patty: Not Without You, by Harriet Evans
Patty: The Page Turner, by David Leavitt
Allison: I Got a Job and It Wasn’t That Bad, by Scott Dikkers
Patty: Really Moving On, by Pierre Jeanty
Patty: What Kind of Job Can a Monkey Do? by Sato Akira
Allison: Hey Rick! Don’t Be So Rude! by Alyssa Thompson
Patty: I Like Monkeys, by Peter Hansard
Allison: So You Like Me Too, by OPR
Patty: The Miseducation of Cameron Post, by Emily M. Danforth
Allison: Just Say Yes, by Niobia Bryant
Patty: Yes, Chef, by Marcus Samuelsson
Patty: Get to the Point, by Joel Schwartzberg
Allison: I Miss You, by Pat Thomas
Allison: Without You, by Saskia Sarginson
Allison: You’re, by Keisha Ervin
Allison: I Got My Dream Job and So Can You, by Pete Leibman
Patty: Super Spy, by Matt Kindt
Allison: The Librarian Spy, by Madeline Martin
Patty: For the Love of Books, by Graham Tarrant
Allison: Reminds Me of You, by Retno Handini
Allison: For the Thrill of It, by Simon Baatz
Patty: Run Towards the Danger, by Sarah Polley
Allison: Risking it All, by Tessa Bailey
Patty: Risk (With Me), by Sue Wilder
Patty: Ambitious Girl, by Meena Harris
Allison: Yeah, Right, by Jim and Helen Fox
Patty: The Follow-Through Factor: Getting from Doubt to Done, by Gene C. Hayden
Allison: A Stroke of Dumb Luck, by Shiloh Walker
Patty: Credit Where Credit is Due, by Frank Casey
Allison: Optimists Die First, by Susin Neilsen
Patty: The Price of Immortality, by Peter Ward
Allison: Death Visits the Hair Salon, by Amy Anderson
Patty: Murder in the Library, by Katie Gayle
Allison: Sounds Like Fun, by Bryan Moriarty
Patty: I Have More Fun With You Than Anybody, by Lige Clark
Patty: Certifiably Insane, by Arthur W. Bahr
Allison: Charming as a Verb, by Ben Philippe
Patty: How Do You Manage? by John Nicholson
Allison: Liquor, by Poppy Z. Brite
Patty: Hardly Know Her, by Laura Lippman
Allison: Don’t Be Gross, by Barbara Bakos
Patty: It’s Just Anatomy! by Ellen
Allison: Rough Transition, by Patrick Kelley
Patty: Some Girls Like it Rough, by Marlo Peterson
Allison: What Sort of Girls Were They? by Petrea Leslie
Patty: Girls with Bright Futures, by Tracy Dobmeier
Allison: I’m a Little Ghost and I Like the Dark, by Lynda Kimmel
Patty: Dark As the Grave Wherein My Friend Is Laid, by Malcolm Lowrey
Allison: Murder in the Dark, by Simon R. Green
Patty: My Job Was To Bring The Shovel, by Randall M. Rueff
Allison: The Complete Accomplice, by Steve Aylett
Patty: The Magician’s Assistant, by Ann Patchett
Allison: The Witch’s Familiar, by Raven Grimassi
Patty: Witch Minion, by Lissa Kasey
Allison: These Witches Don’t Burn, by Isabel Sterling
Patty: The Drowning Kind, by Jennifer McMahon
Allison: A Touch Morbid, by Leah Clifford
Patty: Lucy Clark Will Not Apologize, by Margo Rabb
Allison: I Wonder What She’s Doing Tonight, by James Hold
Patty: Whiskey, Words, and a Shovel, by R. H. Sin
Allison: Sounds Perfect, by Ashley Boren
Patty: How I Made a Friend, Daniel Georges
Allison: Good For You (Between the Lines), by Tammara Webber
Patty: We’re Very Good Friends, by P.K. Hallinan
Allison: Sounds Fake, But Okay, by Sarah Costello
Patty: What If It’s True? by Charles Martin
Allison: What If It Wasn’t? by Ivan Itch
Patty: Why Do You Care? by Saju Skaria
Allison: I’m Fine and Neither Are You, by Camille Pagán
Allison: The Replacement Part, by Nora Wylde
Patty: Just a Friend, by Ashley Nicole
Allison: How to Kill Your Best Friend, by Lexie Elliott
Patty: You’re All Just Jealous of My Jetpack, by Tom Gauld
Allison: Dead Jealous, by Sharon Jones
Patty: You’ve Got to Have Friends, by Delbert George Fitzpenfield Anthony
Allison: Everything I Need I Get From You, by Kaitlyn Tiffany
Allison: Among Other Things, by Robert Long Foreman
Allison: Truths I Learned from Sam, by Kristin Butcher
Patty: The Idiot King, by Patty Jansen
Allison: He Helped Me Climb the Mountain, by Betty E. Wright
Patty: The Man Who Pushed His Wife off a Cliff, by Will D. Burn
Patty: Men are Trash, by Salman Faris
Patty: And That’s Why I Think I Prefer A Rainbow Horse, by Tiarra Nazario
Patty: Sam Houston’s Wife, by William Seale
Allison: What About Her, by Emma Tharpe
Patty: Amelia Bedelia Sleeps Over, by Herman Parish
Patty: The Undead in my Bed, by Katie McAlister
Allison: Sleeping with the Enemy, by Nancy Price
Allison: How Could You Do That?! by Laura Schlessinger
Allison: How Could You Murder Us? by Charae Lewis
Allison: Why Her? by Nicki Koziarz
Allison: I Hate You, Don’t Leave Me, by Jerold J. Kreisman
Patty: I Was Joking, Of Course, by Paul Jennings
Allison: Liar, by Tate James
Patty: What if I Say the Wrong Thing? by Verna A Myers
Allison: Don’t Look Back, by Josh Lanyon
Patty: Come Back, by Sally Crosiar
Patty: SHIT, by Shahnon Ahmad
Patty: Barbie: It Takes Two, by Grace Baranowski
Allison: I Changed My Mind, by Jimmy Evans
Allison: Allison Hewitt Is Trapped, by Madeleine Roux
Patty: Are You Still There, by Sara Lynn Schreeger
Patty: Wait for Me, by Caroline Leech
Allison: Look Back, by Tatsuki Fujimoto
#kcfh#kevin can fuck himself#kevin can f himself#kevin can f**k himself#kcfh fanfic#there'll be some changes made#tbscm#pattison#patty x allison#little victorian lesbians#allison mcroberts#patty o'connor#the orpheus of it all
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A recommended reading list of books I own and have read
A Demon in my View by Ruth Rendell
A Judgment in Stone by Ruth Rendell
A Place Called Freedom by Ken Follett
A Season in Purgatory by Dominick Dunne
A Slow Fire Burning by Paula Hawkins
A Spy in the House of Love by Anais Nin
All Around the Town by Mary Higgins Clark
An Anonymous Girl by Greer Hendricks and Sarah Pekkanen
And Then There Were None by Agatha Christie
Angels & Demons by Dan Brown
Anthem by Ayn Rand
Bag of Bones by Stephen King
Bleak House by Charles Dickens
Breaking Blue by Timothy Egan
Bright Young Women by Jessica Knoll
Carrie by Stephen King
Catherine House by Elisabeth Thomas
Cat’s Eye by Margaret Atwood
Coraline by Neil Gaiman
Crank by Ellen Hopkins
Dark Places by Gillian Flynn
Dark Tales by Shirley Jackson
Dead Man Walking by Sister Helen Prejean
Dead Run by Erica Spindler
Dream Girl by Laura Lippman
Elmer Gantry by Sinclair Lewis
Ethan Frome by Edith Wharton
Every Breath You Take by Ann Rule
Every Secret Thing by Laura Lippman
Fahrenheit 451 by Ray Bradbury
Fatal Flowers by Rosemary Daniell
Fight Club by Chuck Palahniuk
Flowers for Algernon by Daniel Keyes
Flowers in the Attic by V.C. Andrews
Garden of Shadows by V.C. Andrews
Girl, Interrupted by Susanna Kaysen
Give Me Your Hand by Megan Abbott
Go Ask Alice by Anonymous
Gone Girl by Gillian Flynn
Good Girls Lie by J.T. Ellison
Green River, Running Red by Ann Rule
Help the Poor Struggler by Martha Grimes
High Lonesome by Joyce Carol Oates
I Am the Only Running Footman by Martha Grimes
I Know You Know by Gilly Macmillan
I Never Promised You a Rose Garden by Joanne Greenberg
If You Really Loved Me by Ann Rule
In a Dark, Dark Wood by Ruth Ware
In Cold Blood by Truman Capote
Interview with the Vampire by Anne Rice
Into the Water by Paula Hawkins
Jane Eyre by Charlotte Bronte
Just Kids by Patti Smith
Lost Souls by Lisa Jackson
Luckiest Girl Alive by Jessica Knoll
Menfreya in the Morning by Victoria Holt
Mexican Gothic by Silvia Moreno-Garcia
Mrs. Dalloway by Virginia Woolf
Murder on the Orient Express by Agatha Christie
My Dark Vanessa by Kate Elizabeth Russell
My Sweet Audrina by by V.C. Andrews
Never Look Back by Alison Gaylin
Night Gaunts by Joyce Carol Oates
Nine Stories by J.D. Salinger
Nowhere Like Home by Sara Shepard
Over Tumbled Graves by Jess Walter
Pearl in the Mist by V.C. Andrews
Petals on the Wind by V.C. Andrews
Pursuit by Joyce Carol Oates
Rebecca by Daphne du Maurier
Ruby by V.C. Andrews
Running with Scissors by Augusten Burroughs
Sharp Objects by Gillian Flynn
She’s Come Undone by Wally Lamb
Slenderman by Kathleen Hale
Small Sacrifices by Ann Rule
Southern Cross by Patricia Cornwell
Steppenwolf by Hermann Hesse
Suicide Blonde by Darcey Steinke
Summer by Edith Wharton
Tess of the d’Urbervilles by Thomas Hardy
The 9th Girl by Tami Hoag
The Accursed by Joyce Carol Oates
The Anodyne Necklace by Martha Grimes
The Bell Jar by Sylvia Plath
The Black Dahlia by James Ellroy
The Blind Assassin by Margaret Atwood
The Blooding by Joseph Wambaugh
The Butterfly Girl by Rene Denfeld
The Catcher in the Rye by J.D. Salinger
The Cutler series by V.C. Andrews
The Da Vinci Code by Dan Brown
The Death of Mrs. Westaway by Ruth Ware
The Deer Leap by Martha Grimes
The Doll Master by Joyce Carol Oates
The Elizas by Sara Shepard
The Exorcist by William Peter Blatty
The Family Upstairs by Lisa Jewell
The Female of the Species by Joyce Carol Oates
The Gemma Doyle trilogy by Libba Bray
The Girl Before by J.P. Delaney
The Girl on the Train by Paula Hawkins
The Girl who Played with Fire by Stieg Larsson
The Girl with the Dragon Tattoo by Stieg Larsson
The Glass Castle by Jeannette Walls
The Great Gatsby by F. Scott Fitzgerald
The Handmaid’s Tale by Margaret Atwood
The Haunting of Hill House by Shirley Jackson
The Heart is a Lonely Hunter by Carson McCullers
The Hudson series by V.C. Andrews
The Hunger Games series by Suzanne Collins
The It Girl by Ruth Ware
The Logan series by V.C. Andrews
The Lovely Bones by Alice Sebold
The Lying Game by Sara Shepard
The Old Contemptibles By Martha Grimes
The Outsiders by S.E. Hinton
The Picture of Dorian Gray by Oscar Wilde
The Prince of Lost Places by Kathy Hepinstall
The Rainbow by D.H. Lawrence
The Right Hand of Evil by John Saul
The Scarlet Pimpernel by Baroness Orczy
The Secret Garden by Frances Hodgson Burnett
The Secret Life of Bees by Sue Monk Kidd
The Shining by Stephen King
The Silver Star by Jeannette Walls
The Stand by Stephen King
The Strange Beautiful by Carla Crujido
The Sundial by Shirley Jackson
The Testaments by Margaret Atwood
The Third Twin by Ken Follett
The Turn of the Key by Ruth Ware
The Turn of the Screw & Daisy Miller by Henry James
The Virgin Suicides by Jeffrey Eugenides
The Woman in Cabin 10 by Ruth Ware
The Woman in the Window by A.J. Finn
Thirteen Reasons Why by Jay Asher
To the Lighthouse by Virginia Woolf
Tropic of Cancer by Henry Miller
Vanish by Tess Gerritsen
Villette by Charlotte Bronte
Wait for Me by Sara Shepard
Walk Two Moons by Sharon Creech
Watching You by Lisa Jewell
We Have Always Lived in the Castle by Shirley Jackson
What Remains of Me by Alison Gaylin
Where the Crawdads Sing by Delia Owens
White Oleander by Janet Fitch
Wonderland by Joyce Carol Oates
Wuthering Heights by Emily Bronte
You Are Not Alone by Greer Hendricks and Sarah Pekkanen
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Basket-case network news producer Jane Craig falls for new reporter Tom Grunnick, a pretty boy who represents the trend towards entertainment news she despises. Aaron Altman, a talented but plain correspondent, carries an unrequited torch for Jane. Sparks fly between the three as the network prepares for big changes, and both the news and Jane must decide between style and substance. Credits: TheMovieDb. Film Cast: Tom Grunick: William Hurt Aaron Altman: Albert Brooks Jane Craig: Holly Hunter Ernie Merriman: Robert Prosky Jennifer Mack: Lois Chiles Blair Litton: Joan Cusack Paul Moore: Peter Hackes Bobby: Christian Clemenson Bill Rorich: Jack Nicholson Martin Klein: Robert Katims George Wein: Ed Wheeler Gerald Grunick: Stephen Mendillo Young Tom: Kimber Shoop Young Aaron: Dwayne Markee Young Jane: Gennie James Jane’s Dad: Leo Burmester Elli Merriman: Amy Brooks Anne Merriman: Jane Welch Clifford Altman: Jonathan Benya Mercenary: Frank Doubleday Lila: Sally Knight Spanish Cameraman: Manuel Alvarez Guerilla Leader: Luis Valderrama Guerilla Soldier: Francisco Garcia General McGuire: Richard Thomsen Commander: Nat Benchley Date-Rape Woman: Marita Geraghty Weekend News Producer: Nicholas D. Blanchet Makeup Woman: Maura Moynihan Floor Manager: Chuck Lippman Paul’s Secretary: Nannette Rickert Edward Towne: Timothy W. White Tom’s Soundwoman: Peggy Pridemore Emily: Emily Crowley Newsroom Worker: Gerard Ender Donny: David Long Chyron Operator: Joshua Billings Technical Director: Glenn Faigen Technical Director: Robert Grevemberg Jr. Control Room Director: Richard Pehle Weekend News Director: James V. Franco Assistant Director: Jimmy Mel Green Assistant Director: Raoul N. Rizik Technician: Mike Skehan Audio Visual Engineer: Franklyn L. Bullard News Theme Writer: Glen Roven News Theme Writer: Marc Shaiman Lecture Host: Alex Mathews Aaron’s Cameraman: Steve Smith Aaron’s Soundwoman: Martha Smith Mother in Hall: Cynthia B. Hayes Young Tough: Dean Nitz Young Tough: Phil Ugel Young Tough: Lance Wain Ellen: Susan Marie Feldman Tom’s Female Colleague: Jean Bourne Carinci Cab Driver: M. Fekade-Salassie Uniformed Cop: Gerald F. Gough Defense Dept. Spokesman: Robert Rasch NATO Spokesman: Robert Walsh Angry Messenger: John Cusack Film Crew: Producer: James L. Brooks Production Design: Charles Rosen Casting: Ellen Chenoweth Editor: Richard Marks Director of Photography: Michael Ballhaus Unit Production Manager: David V. Lester Music Editor: Bob Badami Associate Producer: Kristi Zea Original Music Composer: Bill Conti Camera Operator: David M. Dunlap Co-Producer: Penney Finkelman Cox Foley Editor: Mark P. Stoeckinger Costume Design: Molly Maginnis Executive Producer: Polly Platt ADR Recordist: Charleen Richards Associate Producer: Susan Zirinsky Color Timer: Bob Hagans Boom Operator: Joseph F. Brennan Hairstylist: Colleen Callaghan Foley Editor: Cindy Marty ADR Voice Casting: Barbara Harris Still Photographer: Kerry Hayes First Assistant Editor: Karen I. Stern Stunt Coordinator: Jery Hewitt Construction Foreman: Steve Callas Sound Effects Editor: Patrick Drummond Supervising Sound Editor: Robert Grieve Makeup Artist: Carl Fullerton Property Master: Mark Wade Sound Re-Recording Mixer: Rick Kline Sound Re-Recording Mixer: Donald O. Mitchell Sound Re-Recording Mixer: Kevin O’Connell Dialogue Editor: Dave Kulczycki Location Assistant: Peggy Pridemore Script Supervisor: Mary Bailey First Assistant Camera: Gábor Kövér Dialogue Editor: Jacqueline Cristianini Dialogue Editor: Frank Smathers ADR Editor: Jessica Gallavan Construction Coordinator: Bruce J. Gfeller ADR Editor: Jeff Rosen Set Decoration: Jane Bogart Best Boy Electric: Jerry DeBlau Unit Publicist: Anne Marie Stein Gaffer: John W. DeBlau Sound Effects Editor: Linda Whittlesey Production Coordinator: Cynthia Streit Sound Mixer: Thomas Causey Supervising ADR Editor: Beth Bergeron Second Assistant Director: David Sardi Negative Cutter: Donah Bassett Key Grip: Dennis Gamiello Location Manager: Stuart Neumann Dolly Grip: John Lowry First Assistant Director: Yudi Bennett Se...
#journalism#journalist#love triangle#neurotic#television producer#Top Rated Movies#tv news anchor#USA#washington dc#workaholic
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Empowering Minds: Essential Coding and Artificial Intelligence Books for Schools
Introduction:
In an era driven by technology and innovation, it's imperative for educational institutions to equip students with the skills that will shape the future. The following list compiles 600 top-notch books on coding and artificial intelligence, carefully curated for schools to foster a generation of tech-savvy individuals.
Coding Books for Schools:Python Crash Course" by Eric Matthes:
An excellent introduction to programming using Python, catering to beginners and offering practical exercises."
JavaScript: The Good Parts" by Douglas Crockford:
Focuses on the essential parts of JavaScript, making it a valuable resource for students delving into web development.
Java: The Complete Reference" by Herbert Schildt:
A comprehensive guide for learning Java, covering everything from basic concepts to advanced topics.C++ Primer" by Stanley B. Lippman:
An in-depth guide for mastering C++, providing a solid foundation for students pursuing computer science.
HTML and CSS: Design and Build Websites" by Jon Duckett:
A visually appealing book that simplifies the concepts of HTML and CSS for creating stunning websites.
Algorithms" by Robert Sedgewick and Kevin Wayne:
An essential read for understanding algorithms, data structures, and their applications in problem-solving.
Clean Code: A Handbook of Agile Software Craftsmanship" by Robert C. Martin:
Teaches students the importance of writing clean and maintainable code, promoting best practices in software development.
Head First Design Patterns" by Eric Freeman, Elisabeth Robson, Bert Bates, and Kathy Sierra:
Introduces design patterns in a fun and engaging way, fostering good design practices among budding programmers.
Automate the Boring Stuff with Python" by Al Sweigart:
Inspires students to automate mundane tasks using Python, making programming more practical and enjoyable.
Code Complete: A Practical Handbook of Software Construction" by Steve McConnell:
A comprehensive guide covering the entire software development process, emphasizing the importance of high-quality code.
Artificial Intelligence Books for Schools:Artificial Intelligence: A Modern Approach" by Stuart Russell and Peter Norvig:
A widely used textbook providing a comprehensive introduction to the principles and techniques of AI.
Python Machine Learning" by Sebastian Raschka and Vahid Mirjalili:
Focuses on practical aspects of machine learning using Python, making it accessible for students.
Deep Learning" by Ian Goodfellow, Yoshua Bengio, and Aaron Courville:
An authoritative text on deep learning, offering insights into neural networks and their applications.
Hands-On Machine Learning with Scikit-Learn, Keras, and TensorFlow" by Aurélien Géron:
A practical guide for students to implement machine learning models using popular libraries.
Reinforcement Learning: An Introduction" by Richard S. Sutton and Andrew G. Barto:
An excellent resource for understanding reinforcement learning concepts, vital in AI development.
Artificial Intelligence: Foundations of Computational Agents" by David L. Poole and Alan K. Mackworth:
A textbook that explores the mathematical foundations of AI, making it suitable for advanced high school students.
Pattern Recognition and Machine Learning" by Christopher M. Bishop:
An essential read for students interested in pattern recognition and its applications in machine learning.
Artificial Intelligence: A Guide for Thinking Humans" by Melanie Mitchell:
Provides a broader perspective on AI, discussing its impact on society and ethical considerations.
Human Compatible: Artificial Intelligence and the Problem of Control" by Stuart Russell:
Explores the ethical challenges associated with AI, encouraging students to consider the societal implications of their work.
Machine Learning Yearning" by Andrew Ng:
A practical guide for students and practitioners on how to lead and manage machine learning projects effectively.
Conclusion:
These 600 coding and artificial intelligence books for schools lay the groundwork for a comprehensive and progressive education in technology. By integrating these resources into the curriculum, schools can empower students to become proficient coders and critical thinkers in the realm of artificial intelligence, ensuring they are well-prepared for the challenges and opportunities of the future.
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Peter Lippman for Marie Claire
#Marie Claire#Simonetta Vespucci#renaissance#renaissance art#photography#Sandro Boticelli#Peter Lippman
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Peter Lippman's Busy Trains (1981)
Story and Art: Peter Lippman
#peter lippman#busy trains#vehicles#trains#picture books#children's books#kidlit#children's literature#kid books#1980s#80s
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youtube
Stacey Q "Two Of Hearts" (1986)
director: Peter Lippman
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Heres a headcannon for you, as a child Briar owned the Enchanted Castle By Peter Lippman. It's a retelling of Sleeping Beauty with cats as the characters and its very cute and made of cardboard.
Oh my God
That's adorable
I didn't know that was a thing!
Thank you for telling me about this!
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Peter Lorre Eyebrow Arch Post
"I Was an Adventuress" (1940):
Eyebrows in this pack include: hinted, quirked, crooked, suggestive, and full-on devastating.
"Die verschwundene Frau" (1929):
"M" (1931):
Portrait by Lotte Jacobi (1932):
"Stupéfiants" (1932):
"Du haut en bas" (1933):
"Mad Love" (1935):
Irresistible double eyebrow from the "Mad Love" trailer:
Studio portrait as his hair was growing back:
"Crime and Punishment" (1935):
"Crime and Punishment" publicity still by Irving Lippman:
1930s:
Portrait by Anton Bruehl (mid-1930s):
"Crack-Up" (1936):
"Secret Agent" (1936):
"Nancy Steele is Missing!" (1937):
"I Was an Adventuress" (1940): - my slo-mo gif of the first eyebrowing above. "You know when she was a little child, she was always a [eyebrow arch] first-rate dancer."
"The Maltese Falcon" (1941):
"All Through the Night" (1942):
To be continued! Do share your favorites.
#just wanted to capture some of#THE ARCH#peter lorre#peter lorre eyebrows#peter lorre eyebrow arch#peter lorre movies#peter lorre pictures
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Still Life and Product Photography
New brief called “Cheap”, but there is nothing cheap about the objects I acquired during the object finding exercise at 3 different pound shops. First shop was PoundBasket in Port Glasgow, 2nd was a pound stretch shop next to Tesco in Irvine, and 3rd was a pound shop at Irvine Mall. Ok, so what have I learned thus far? Well, I’ve learned that I am bipolar all over again. Bipolar people have difficulties with their moods, and their mood swings from different poles, but they also have problems mangaging money and making decisions.
Those last 2, yeah, that is me through and through the last few weeks. I bought enough stuff, and I am broke, to cover the entire class. That being said, much of it is fun, and you too could find this in your xmas stocking this year once this brief is finished ;). Yeah, I mean you.
This all being said, and, I digress, were some of the items a bit more than a pound? Yep, I won’t lie, but it astounds me what kinda-cool stuff you can get for £1 pound here in the UK, because in America your hard earned $1 gets you diddly.
Soon I will share an image of all the stuff I bought. LOL, yep, the horror :D.
This little guy below is so cool. You open it up and pour him into your hand and let the fun commence!
I told you! I cannot get everything I bought on this A1 sheet of white paper! The yellow bottle is the coolest, except, someone had stolen one of the batteries. There is a tiny wire inside with very small inline fairy lights. I had to order new batteries. They will be to here tomorrow. I have no idea whether it works or not yet. I walked up to the counter and asked the lady, ‘Is this really £1?”. She said, “Uh, yeah?” Ok, Sold! The Daisys on a stick, well, those are so cute, and the green bottle, it is shiny and has a skull hanging from it. Decisions, Decisions!
The first photographer and image I want to speak about is Laura Letinsky, a still-life photographer and her image “Untitled #54 from Hardly More Than Ever series 2002″.
When I first saw this image I felt like I walked into a room where there had been an indoor picnic happening, that must have ended because the ‘2′ people went outside to enjoy the sun after the rain had stopped. I say 2 people because there are 2 plates, however, could this be only a small section of a larger table? There is a sensuality about the scene. Peaches have long since represented the feminine. So what does the lollipop represent?
Being a dark person, I was pleasently surprised at how much I loved the colours in this image. In the background, the white looks muted green which is beautiful against the delicate oranges and reds in the image. Even the shadows appear a bit green. I even love the wrinkles in the make-shift table cloth and used napkin beneath the melon. I am actually waiting for someone to walk back in and grab one of those peaches or that lollipop before anyone else can.
What also catches my eye is the wonky line of the sloping table and the asymetric hanging of the back of the table cloth and leaving a bit of floor to give us a feeling of stability even though it appears there is none. There is a haphazardness to the whole seen giving the implication that the festivities are still going on elsewhere, otherwise, this would have already been cleared away.
Laura Letinsky, Untitled #54 from Hardly More Than Ever series 2002. Courtesy of the artist and Yancey Richardson Gallery, New York. (//www.umanitoba.ca, 2019)
Laura Letinsky was bornin 1962 in Winnipeg, Canada. She attended the University of Manitoba in 1986, and Yale School of Art in 1991.
Another of her works I really like is below . . .
It this too considered a still-life? I think so, yes, even though these are images of objects arranged. What brings these pieces together are the colours set against the vast violet white of the background.
Untitled #40, from the series Ill Form & Void Full, 2014. Archival pigment print. 49.5 x 58.12 inches, edition of 9. (Yanceyrichardson.com, 2019)
I am trying to stretch my mind and my acceptance around the fact that this is truly still-life. As an artist, I rail, however, I cannot deny that this is a spectacular still-life . . .
The colours, the placement. You can almost taste colours of the fruit. There is a depth to this piece, yet it is composed entirely of images cut and arranged on a surface.
(The Photographers' Gallery, 2019)
The second photographer I would like to take a look at is Peter Lippman.
The first image below is so apt; ash covering the old mechanical camera. A death of the analogue. But for me, not quite yet. The image is almost in total -grey with a very hint of blue? Subtle soft light causes a gradation across the still life and picking out highlights here and there. It could be natural light, or a soft box on low power. Even though the camera lies amongst the greys, there is good contrast, and the image gets its meaning across.
(Harvey et al., 2019)
The title of the image below is Banane. Apparently, it is a plantain fruit/pod from the banana family. This image is the plant on black background.The deep contrast and muted reds and purples coupled with the green of the stem really makes this image come alive. It reminds me of the human heart. The subtle smooth texture of the leaves juxtaposed with the texture at the crown of the plant is a visual treat.
(Harvey et al., 2019)
First of all, I actually love the colour of the background in this next image by Lippman. Is it the true colour of the scene, or is it burned in, a gradient as it gets darker toward the bottom? The broken glass provides visual texture and interest. Since these are fragrances for men, I think it adds a sense of danger to make men want the products. Heavy shadows weight the objects to the background. As for lighting, it could be continuous, but probably flash. I am not yet proficient enough to make that decision yet.
The 3rd photographer I’ve decided to write about here is Guido Mocafico. Mocafico is an Italian photographer. Though he now is getting more into the fine art of photography, he has been working as a commercial photographer with such names as Louis Vuitton, Rolex, Ralph Lauren and Chanel, just to name drop a few.
The image below is stunning. As soon as I saw it, I was intrigued, not only about the watch, but about that gorgeous shiny material it is sinking into. The highlights in the ‘goo’ mimic the hightlights of the watch and the white of the Roman numerals on the watch face. This makes the product really pop in my opinion. I can’t find a thing to criticize in this product image. The blacks and whites are perfectly balanced.
Heure noire. Numéro 122. Avril 2011. (Mocafico.com, 2019)
The image below feeds the need for black in me. The contrast, the middle tones, the grays, the highlights. I really am pulled in my all the textures and shapes. The smooth of the watch-face, the different directions of the toothed gears and motorcycle chain or timing belt, whichever it is. The glossy motor oil spills across the gears causing them to become something more beautiful than grimy metal. The solid blacks in between all the shapes makes each piece stand out to be counted.
Les temps modernes. Numéro 129. Décembre 2011 - janvier 2012. (Mocafico.com, 2019)
References
//www.umanitoba.ca, U. (2019). Laura Letinsky: Still Life Photographs, 1997-2012. [online] News.umanitoba.ca. Available at: https://news.umanitoba.ca/laura-letinsky-still-life-photographs-1997-2012/ [Accessed 27 Oct. 2019]. (//www.umanitoba.ca, 2019)
Yanceyrichardson.com. (2019). Laura Letinsky - Artists - Yancey Richardson. [online] Available at: http://www.yanceyrichardson.com/artists/laura-letinsky [Accessed 27 Oct. 2019]. (Yanceyrichardson.com, 2019)
The Photographers' Gallery (2019). An interview with Laura Letinsky. [image] Available at: https://vimeo.com/57683797 [Accessed 27 Oct. 2019]. (The Photographers' Gallery, 2019)
MCA. (2019). BMO Harris Bank Chicago Works: Laura Letinsky. [online] Available at: https://mcachicago.org/Exhibitions/2012/Laura-Letinsky [Accessed 27 Oct. 2019]. (MCA, 2019)
Peterlippmann.com. (2019). PETER LIPPMANN. [online] Available at: https://peterlippmann.com/ [Accessed 27 Oct. 2019]. (Peterlippmann.com, 2019)
Harvey, O., Naroop, A., Matthews, D., Dumontet, E., Almas, E., Walker, M., Riches, N., Lippmann, P., Douglas, W., Lippmann, P. and Lippmann, P. (2019).
Still Life/Food/People Photographer - Peter Lippmann - Trayler
. [online] Trayler & Trayler. Available at: http://traylerandtrayler.com/artists/peter-lippmann-2/ [Accessed 29 Oct. 2019]. (Harvey et al., 2019)
Maree, S. (2019). Peter Lippmann – Sophie Maree. [online] Sophie-maree.com. Available at: https://sophie-maree.com/portfolio-item/peter-lippmann/ [Accessed 27 Oct. 2019]. (Maree, 2019)
Milkbooks.com. (2019). Guido Mocafico. [online] Available at: https://www.milkbooks.com/blog/photo-wisdom/guido-mocafico/ [Accessed 27 Oct. 2019]. (Milkbooks.com, 2019)
Mocafico.com. (2019). Heure noire – Guido Mocafico. [online] Available at: http://www.mocafico.com/projets/photography/still-life/numero/heure-noire/ [Accessed 27 Oct. 2019]. (Mocafico.com, 2019)
Mocafico.com. (2019). Les temps modernes – Guido Mocafico. [online] Available at: http://www.mocafico.com/projets/photography/still-life/numero/les-temps-modernes/ [Accessed 27 Oct. 2019]. (Mocafico.com, 2019)
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Music Video of the Day: Tonight I'm Yours (Don't Hurt Me) by Rod Stewart (1981, dir. Russell Mulcahy)
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If you want something dark and serious, then I point you to yesterday’s A Movie A Day post that Jedadiah wrote. I’m not doing that today. Yesterday, I did the apparently famous, but still obscure version of The Tide Is High by Blondie, where Debbie Harry rolls around on a circular pink bed. Since I brought that to people’s…
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Video Review: Stacey Q "Two Of Hearts"
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In black-and-white, Stacey Q receives applause from her manager and assistant after a concert. Before the concert, the makeup artist brushes her chin. As her stylist fixes strands of her hair, she rolls her eyes as she talks about forgetting her purse earlier in the day. She performs on stage and blows a kiss to the audience. On a stage, with a white background, she dances, wearing a halter top…
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'Forbidden Fruits'
Peter Lippman for Marie Claire
peterlippmannfineart.com/
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