#peter lippman

[jazzplusplus]

1955 - Chet Baker Quartet, Martial Solal Trio & Bobby Jaspar All Stars - Paris (?)

Chet Baker (tp, voc), Dick Twardzik (p), Jimmy Bond (b), Peter Lippman (dr)

Martial Solal (p), Benoit Quersin (b), Jean-Louis Viale (dr)

Bobby Jaspar (ts, fl), René Thomas (g) + Martial Solal Trio

[peterlorrefanpage]

Two versions of this Peter Lorre picture by Irving Lippman, during Peter's Columbia years, 1930s (and could very well be during his "Crime and Punishment" era) --

--for comparison, here are other Irving Lippmann pictures of Peter that were definitely labeled as 1935, Crime and Punishment (movie or era:):

[citizenscreen]

Peter Lorre by Irving Lippman for Josef von Sternberg‘s CRIME AND PUNISHMENT (1935)

[thelonecalzone]

The Unaired Two-Page Conversation

I think we're past the point of possible spoilers, so as promised: the 2pg book conversation that was cut for time (and realism). Originally, I was experimenting with "unsent" books as part of the conversations, but I thought it would ultimately be too confusing and opted not to use that, so anything you see with a strikethrough is an "unsent" book.

(If this text formatting is ultra zany and hard to read, someone please tell me and I'll make it more regular. Allison is Blue, Patty is Red... for reasons... 🫠)

Allison: It’s Lonely at the Center of the Earth, by Zoe Thorogood

Patty: Not Here, by Hieu Minh Nguyen

Allison: Tell Me Everything, by Minka Kelly

Patty: Daily Rituals, by Phoebe Garnsworthy

Patty: Drinking Coffee Elsewhere, ZZ Packer

Patty: Crime, by Irvine Welsh

Allison: Without Me? by Chelle Bliss

Allison: Exciting Times, by Naoise Dolan

Patty: Not Without You, by Harriet Evans

Patty: The Page Turner, by David Leavitt

Allison: I Got a Job and It Wasn’t That Bad, by Scott Dikkers

Patty: Really Moving On, by Pierre Jeanty

Patty: What Kind of Job Can a Monkey Do? by Sato Akira

Allison: Hey Rick! Don’t Be So Rude! by Alyssa Thompson

Patty: I Like Monkeys, by Peter Hansard

Allison: So You Like Me Too, by OPR

Patty: The Miseducation of Cameron Post, by Emily M. Danforth

Allison: Just Say Yes, by Niobia Bryant

Patty: Yes, Chef, by Marcus Samuelsson

Patty: Get to the Point, by Joel Schwartzberg

Allison: I Miss You, by Pat Thomas

Allison: Without You, by Saskia Sarginson

Allison: You’re, by Keisha Ervin

Allison: I Got My Dream Job and So Can You, by Pete Leibman 

Patty: Super Spy, by Matt Kindt

Allison: The Librarian Spy, by Madeline Martin

Patty: For the Love of Books, by Graham Tarrant

Allison: Reminds Me of You, by Retno Handini

Allison: For the Thrill of It, by Simon Baatz

Patty: Run Towards the Danger, by Sarah Polley

Allison: Risking it All, by Tessa Bailey

Patty: Risk (With Me), by Sue Wilder

Patty: Ambitious Girl, by Meena Harris

Allison: Yeah, Right, by Jim and Helen Fox

Patty: The Follow-Through Factor: Getting from Doubt to Done, by Gene C. Hayden

Allison: A Stroke of Dumb Luck, by Shiloh Walker

Patty: Credit Where Credit is Due, by Frank Casey

Allison: Optimists Die First, by Susin Neilsen

Patty: The Price of Immortality, by Peter Ward

Allison: Death Visits the Hair Salon, by Amy Anderson

Patty: Murder in the Library, by Katie Gayle

Allison: Sounds Like Fun, by Bryan Moriarty

Patty: I Have More Fun With You Than Anybody, by Lige Clark

Patty: Certifiably Insane, by Arthur W. Bahr

Allison: Charming as a Verb, by Ben Philippe

Patty: How Do You Manage? by John Nicholson

Allison: Liquor, by Poppy Z. Brite

Patty: Hardly Know Her, by Laura Lippman

Allison: Don’t Be Gross, by Barbara Bakos

Patty: It’s Just Anatomy! by Ellen

Allison: Rough Transition, by Patrick Kelley

Patty: Some Girls Like it Rough, by Marlo Peterson

Allison: What Sort of Girls Were They? by Petrea Leslie

Patty: Girls with Bright Futures, by Tracy Dobmeier

Allison: I’m a Little Ghost and I Like the Dark, by Lynda Kimmel

Patty: Dark As the Grave Wherein My Friend Is Laid, by Malcolm Lowrey

Allison: Murder in the Dark, by Simon R. Green

Patty: My Job Was To Bring The Shovel, by Randall M. Rueff

Allison: The Complete Accomplice, by Steve Aylett

Patty: The Magician’s Assistant, by Ann Patchett

Allison: The Witch’s Familiar, by Raven Grimassi

Patty: Witch Minion, by Lissa Kasey

Allison: These Witches Don’t Burn, by Isabel Sterling

Patty: The Drowning Kind, by Jennifer McMahon

Allison: A Touch Morbid, by Leah Clifford

Patty: Lucy Clark Will Not Apologize, by Margo Rabb

Allison: I Wonder What She’s Doing Tonight, by James Hold

Patty: Whiskey, Words, and a Shovel, by R. H. Sin

Allison: Sounds Perfect, by Ashley Boren

Patty: How I Made a Friend, Daniel Georges

Allison: Good For You (Between the Lines), by Tammara Webber

Patty: We’re Very Good Friends, by P.K. Hallinan

Allison: Sounds Fake, But Okay, by Sarah Costello

Patty: What If It’s True? by Charles Martin

Allison: What If It Wasn’t? by Ivan Itch

Patty: Why Do You Care? by Saju Skaria

Allison: I’m Fine and Neither Are You, by Camille Pagán

Allison: The Replacement Part, by Nora Wylde

Patty: Just a Friend, by Ashley Nicole

Allison: How to Kill Your Best Friend, by Lexie Elliott

Patty: You’re All Just Jealous of My Jetpack, by Tom Gauld

Allison: Dead Jealous, by Sharon Jones

Patty: You’ve Got to Have Friends, by Delbert George Fitzpenfield Anthony

Allison: Everything I Need I Get From You, by Kaitlyn Tiffany

Allison: Among Other Things, by Robert Long Foreman

Allison: Truths I Learned from Sam, ​​by Kristin Butcher

Patty: The Idiot King, by Patty Jansen

Allison: He Helped Me Climb the Mountain, by Betty E. Wright

Patty: The Man Who Pushed His Wife off a Cliff, by Will D. Burn

Patty: Men are Trash, by Salman Faris 

Patty: And That’s Why I Think I Prefer A Rainbow Horse, by Tiarra Nazario

Patty: Sam Houston’s Wife, by William Seale

Allison: What About Her, by Emma Tharpe

Patty: Amelia Bedelia Sleeps Over, by Herman Parish

Patty: The Undead in my Bed, by Katie McAlister

Allison: Sleeping with the Enemy, by Nancy Price

Allison: How Could You Do That?! by Laura Schlessinger

Allison: How Could You Murder Us? by Charae Lewis

Allison: Why Her? by Nicki Koziarz

Allison: I Hate You, Don’t Leave Me, by Jerold J. Kreisman

Patty: I Was Joking, Of Course, by Paul Jennings

Allison: Liar, by Tate James

Patty: What if I Say the Wrong Thing? by Verna A Myers

Allison: Don’t Look Back, by Josh Lanyon

Patty: Come Back, by Sally Crosiar

Patty: SHIT, by Shahnon Ahmad

Patty: Barbie: It Takes Two, by Grace Baranowski

Allison: I Changed My Mind, by Jimmy Evans

Allison: Allison Hewitt Is Trapped, by Madeleine Roux

Patty: Are You Still There, by Sara Lynn Schreeger

Patty: Wait for Me, by Caroline Leech

Allison: Look Back, by Tatsuki Fujimoto

[halloweenvalentine1997]

A recommended reading list of books I own and have read

A Demon in my View by Ruth Rendell

A Judgment in Stone by Ruth Rendell

A Place Called Freedom by Ken Follett

A Season in Purgatory by Dominick Dunne

A Slow Fire Burning by Paula Hawkins

A Spy in the House of Love by Anais Nin

All Around the Town by Mary Higgins Clark

An Anonymous Girl by Greer Hendricks and Sarah Pekkanen

And Then There Were None by Agatha Christie

Angels & Demons by Dan Brown

Anthem by Ayn Rand

Bag of Bones by Stephen King

Bleak House by Charles Dickens

Breaking Blue by Timothy Egan

Bright Young Women by Jessica Knoll

Carrie by Stephen King

Catherine House by Elisabeth Thomas

Cat’s Eye by Margaret Atwood

Coraline by Neil Gaiman

Crank by Ellen Hopkins

Dark Places by Gillian Flynn

Dark Tales by Shirley Jackson

Dead Man Walking by Sister Helen Prejean

Dead Run by Erica Spindler

Dream Girl by Laura Lippman

Elmer Gantry by Sinclair Lewis

Ethan Frome by Edith Wharton

Every Breath You Take by Ann Rule

Every Secret Thing by Laura Lippman

Fahrenheit 451 by Ray Bradbury

Fatal Flowers by Rosemary Daniell

Fight Club by Chuck Palahniuk

Flowers for Algernon by Daniel Keyes

Flowers in the Attic by V.C. Andrews

Garden of Shadows by V.C. Andrews

Girl, Interrupted by Susanna Kaysen

Give Me Your Hand by Megan Abbott

Go Ask Alice by Anonymous

Gone Girl by Gillian Flynn

Good Girls Lie by J.T. Ellison

Green River, Running Red by Ann Rule

Help the Poor Struggler by Martha Grimes

High Lonesome by Joyce Carol Oates

I Am the Only Running Footman by Martha Grimes

I Know You Know by Gilly Macmillan

I Never Promised You a Rose Garden by Joanne Greenberg

If You Really Loved Me by Ann Rule

In a Dark, Dark Wood by Ruth Ware

In Cold Blood by Truman Capote

Interview with the Vampire by Anne Rice

Into the Water by Paula Hawkins

Jane Eyre by Charlotte Bronte

Just Kids by Patti Smith

Lost Souls by Lisa Jackson

Luckiest Girl Alive by Jessica Knoll

Menfreya in the Morning by Victoria Holt

Mexican Gothic by Silvia Moreno-Garcia

Mrs. Dalloway by Virginia Woolf

Murder on the Orient Express by Agatha Christie

My Dark Vanessa by Kate Elizabeth Russell

My Sweet Audrina by by V.C. Andrews

Never Look Back by Alison Gaylin

Night Gaunts by Joyce Carol Oates

Nine Stories by J.D. Salinger

Nowhere Like Home by Sara Shepard

Over Tumbled Graves by Jess Walter

Pearl in the Mist by V.C. Andrews

Petals on the Wind by V.C. Andrews

Pursuit by Joyce Carol Oates

Rebecca by Daphne du Maurier

Ruby by V.C. Andrews

Running with Scissors by Augusten Burroughs

Sharp Objects by Gillian Flynn

She’s Come Undone by Wally Lamb

Slenderman by Kathleen Hale

Small Sacrifices by Ann Rule

Southern Cross by Patricia Cornwell

Steppenwolf by Hermann Hesse

Suicide Blonde by Darcey Steinke

Summer by Edith Wharton

Tess of the d’Urbervilles by Thomas Hardy

The 9th Girl by Tami Hoag

The Accursed by Joyce Carol Oates

The Anodyne Necklace by Martha Grimes

The Bell Jar by Sylvia Plath

The Black Dahlia by James Ellroy

The Blind Assassin by Margaret Atwood

The Blooding by Joseph Wambaugh

The Butterfly Girl by Rene Denfeld

The Catcher in the Rye by J.D. Salinger

The Cutler series by V.C. Andrews

The Da Vinci Code by Dan Brown

The Death of Mrs. Westaway by Ruth Ware

The Deer Leap by Martha Grimes

The Doll Master by Joyce Carol Oates

The Elizas by Sara Shepard

The Exorcist by William Peter Blatty

The Family Upstairs by Lisa Jewell

The Female of the Species by Joyce Carol Oates

The Gemma Doyle trilogy by Libba Bray

The Girl Before by J.P. Delaney

The Girl on the Train by Paula Hawkins

The Girl who Played with Fire by Stieg Larsson

The Girl with the Dragon Tattoo by Stieg Larsson

The Glass Castle by Jeannette Walls

The Great Gatsby by F. Scott Fitzgerald

The Handmaid’s Tale by Margaret Atwood

The Haunting of Hill House by Shirley Jackson

The Heart is a Lonely Hunter by Carson McCullers

The Hudson series by V.C. Andrews

The Hunger Games series by Suzanne Collins

The It Girl by Ruth Ware

The Logan series by V.C. Andrews

The Lovely Bones by Alice Sebold

The Lying Game by Sara Shepard

The Old Contemptibles By Martha Grimes

The Outsiders by S.E. Hinton

The Picture of Dorian Gray by Oscar Wilde

The Prince of Lost Places by Kathy Hepinstall

The Rainbow by D.H. Lawrence

The Right Hand of Evil by John Saul

The Scarlet Pimpernel by Baroness Orczy

The Secret Garden by Frances Hodgson Burnett

The Secret Life of Bees by Sue Monk Kidd

The Shining by Stephen King

The Silver Star by Jeannette Walls

The Stand by Stephen King

The Strange Beautiful by Carla Crujido

The Sundial by Shirley Jackson

The Testaments by Margaret Atwood

The Third Twin by Ken Follett

The Turn of the Key by Ruth Ware

The Turn of the Screw & Daisy Miller by Henry James

The Virgin Suicides by Jeffrey Eugenides

The Woman in Cabin 10 by Ruth Ware

The Woman in the Window by A.J. Finn

Thirteen Reasons Why by Jay Asher

To the Lighthouse by Virginia Woolf

Tropic of Cancer by Henry Miller

Vanish by Tess Gerritsen

Villette by Charlotte Bronte

Wait for Me by Sara Shepard

Walk Two Moons by Sharon Creech

Watching You by Lisa Jewell

We Have Always Lived in the Castle by Shirley Jackson

What Remains of Me by Alison Gaylin

Where the Crawdads Sing by Delia Owens

White Oleander by Janet Fitch

Wonderland by Joyce Carol Oates

Wuthering Heights by Emily Bronte

You Are Not Alone by Greer Hendricks and Sarah Pekkanen

[ulkaralakbarova]

Basket-case network news producer Jane Craig falls for new reporter Tom Grunnick, a pretty boy who represents the trend towards entertainment news she despises. Aaron Altman, a talented but plain correspondent, carries an unrequited torch for Jane. Sparks fly between the three as the network prepares for big changes, and both the news and Jane must decide between style and substance. Credits: TheMovieDb. Film Cast: Tom Grunick: William Hurt Aaron Altman: Albert Brooks Jane Craig: Holly Hunter Ernie Merriman: Robert Prosky Jennifer Mack: Lois Chiles Blair Litton: Joan Cusack Paul Moore: Peter Hackes Bobby: Christian Clemenson Bill Rorich: Jack Nicholson Martin Klein: Robert Katims George Wein: Ed Wheeler Gerald Grunick: Stephen Mendillo Young Tom: Kimber Shoop Young Aaron: Dwayne Markee Young Jane: Gennie James Jane’s Dad: Leo Burmester Elli Merriman: Amy Brooks Anne Merriman: Jane Welch Clifford Altman: Jonathan Benya Mercenary: Frank Doubleday Lila: Sally Knight Spanish Cameraman: Manuel Alvarez Guerilla Leader: Luis Valderrama Guerilla Soldier: Francisco Garcia General McGuire: Richard Thomsen Commander: Nat Benchley Date-Rape Woman: Marita Geraghty Weekend News Producer: Nicholas D. Blanchet Makeup Woman: Maura Moynihan Floor Manager: Chuck Lippman Paul’s Secretary: Nannette Rickert Edward Towne: Timothy W. White Tom’s Soundwoman: Peggy Pridemore Emily: Emily Crowley Newsroom Worker: Gerard Ender Donny: David Long Chyron Operator: Joshua Billings Technical Director: Glenn Faigen Technical Director: Robert Grevemberg Jr. Control Room Director: Richard Pehle Weekend News Director: James V. Franco Assistant Director: Jimmy Mel Green Assistant Director: Raoul N. Rizik Technician: Mike Skehan Audio Visual Engineer: Franklyn L. Bullard News Theme Writer: Glen Roven News Theme Writer: Marc Shaiman Lecture Host: Alex Mathews Aaron’s Cameraman: Steve Smith Aaron’s Soundwoman: Martha Smith Mother in Hall: Cynthia B. Hayes Young Tough: Dean Nitz Young Tough: Phil Ugel Young Tough: Lance Wain Ellen: Susan Marie Feldman Tom’s Female Colleague: Jean Bourne Carinci Cab Driver: M. Fekade-Salassie Uniformed Cop: Gerald F. Gough Defense Dept. Spokesman: Robert Rasch NATO Spokesman: Robert Walsh Angry Messenger: John Cusack Film Crew: Producer: James L. Brooks Production Design: Charles Rosen Casting: Ellen Chenoweth Editor: Richard Marks Director of Photography: Michael Ballhaus Unit Production Manager: David V. Lester Music Editor: Bob Badami Associate Producer: Kristi Zea Original Music Composer: Bill Conti Camera Operator: David M. Dunlap Co-Producer: Penney Finkelman Cox Foley Editor: Mark P. Stoeckinger Costume Design: Molly Maginnis Executive Producer: Polly Platt ADR Recordist: Charleen Richards Associate Producer: Susan Zirinsky Color Timer: Bob Hagans Boom Operator: Joseph F. Brennan Hairstylist: Colleen Callaghan Foley Editor: Cindy Marty ADR Voice Casting: Barbara Harris Still Photographer: Kerry Hayes First Assistant Editor: Karen I. Stern Stunt Coordinator: Jery Hewitt Construction Foreman: Steve Callas Sound Effects Editor: Patrick Drummond Supervising Sound Editor: Robert Grieve Makeup Artist: Carl Fullerton Property Master: Mark Wade Sound Re-Recording Mixer: Rick Kline Sound Re-Recording Mixer: Donald O. Mitchell Sound Re-Recording Mixer: Kevin O’Connell Dialogue Editor: Dave Kulczycki Location Assistant: Peggy Pridemore Script Supervisor: Mary Bailey First Assistant Camera: Gábor Kövér Dialogue Editor: Jacqueline Cristianini Dialogue Editor: Frank Smathers ADR Editor: Jessica Gallavan Construction Coordinator: Bruce J. Gfeller ADR Editor: Jeff Rosen Set Decoration: Jane Bogart Best Boy Electric: Jerry DeBlau Unit Publicist: Anne Marie Stein Gaffer: John W. DeBlau Sound Effects Editor: Linda Whittlesey Production Coordinator: Cynthia Streit Sound Mixer: Thomas Causey Supervising ADR Editor: Beth Bergeron Second Assistant Director: David Sardi Negative Cutter: Donah Bassett Key Grip: Dennis Gamiello Location Manager: Stuart Neumann Dolly Grip: John Lowry First Assistant Director: Yudi Bennett Se...

[cleveredlearning]

Empowering Minds: Essential Coding and Artificial Intelligence Books for Schools

Introduction:

In an era driven by technology and innovation, it's imperative for educational institutions to equip students with the skills that will shape the future. The following list compiles 600 top-notch books on coding and artificial intelligence, carefully curated for schools to foster a generation of tech-savvy individuals.

Coding Books for Schools:Python Crash Course" by Eric Matthes:

An excellent introduction to programming using Python, catering to beginners and offering practical exercises."

JavaScript: The Good Parts" by Douglas Crockford:

Focuses on the essential parts of JavaScript, making it a valuable resource for students delving into web development.

Java: The Complete Reference" by Herbert Schildt:

A comprehensive guide for learning Java, covering everything from basic concepts to advanced topics.C++ Primer" by Stanley B. Lippman:

An in-depth guide for mastering C++, providing a solid foundation for students pursuing computer science.

HTML and CSS: Design and Build Websites" by Jon Duckett:

A visually appealing book that simplifies the concepts of HTML and CSS for creating stunning websites.

Algorithms" by Robert Sedgewick and Kevin Wayne:

An essential read for understanding algorithms, data structures, and their applications in problem-solving.

Clean Code: A Handbook of Agile Software Craftsmanship" by Robert C. Martin:

Teaches students the importance of writing clean and maintainable code, promoting best practices in software development.

Head First Design Patterns" by Eric Freeman, Elisabeth Robson, Bert Bates, and Kathy Sierra:

Introduces design patterns in a fun and engaging way, fostering good design practices among budding programmers.

Automate the Boring Stuff with Python" by Al Sweigart:

Inspires students to automate mundane tasks using Python, making programming more practical and enjoyable.

Code Complete: A Practical Handbook of Software Construction" by Steve McConnell:

A comprehensive guide covering the entire software development process, emphasizing the importance of high-quality code.

Artificial Intelligence Books for Schools:Artificial Intelligence: A Modern Approach" by Stuart Russell and Peter Norvig:

A widely used textbook providing a comprehensive introduction to the principles and techniques of AI.

Python Machine Learning" by Sebastian Raschka and Vahid Mirjalili:

Focuses on practical aspects of machine learning using Python, making it accessible for students.

Deep Learning" by Ian Goodfellow, Yoshua Bengio, and Aaron Courville:

An authoritative text on deep learning, offering insights into neural networks and their applications.

Hands-On Machine Learning with Scikit-Learn, Keras, and TensorFlow" by Aurélien Géron:

A practical guide for students to implement machine learning models using popular libraries.

Reinforcement Learning: An Introduction" by Richard S. Sutton and Andrew G. Barto:

An excellent resource for understanding reinforcement learning concepts, vital in AI development.

Artificial Intelligence: Foundations of Computational Agents" by David L. Poole and Alan K. Mackworth:

A textbook that explores the mathematical foundations of AI, making it suitable for advanced high school students.

Pattern Recognition and Machine Learning" by Christopher M. Bishop:

An essential read for students interested in pattern recognition and its applications in machine learning.

Artificial Intelligence: A Guide for Thinking Humans" by Melanie Mitchell:

Provides a broader perspective on AI, discussing its impact on society and ethical considerations.

Human Compatible: Artificial Intelligence and the Problem of Control" by Stuart Russell:

Explores the ethical challenges associated with AI, encouraging students to consider the societal implications of their work.

Machine Learning Yearning" by Andrew Ng:

A practical guide for students and practitioners on how to lead and manage machine learning projects effectively.

Conclusion:

These 600 coding and artificial intelligence books for schools lay the groundwork for a comprehensive and progressive education in technology. By integrating these resources into the curriculum, schools can empower students to become proficient coders and critical thinkers in the realm of artificial intelligence, ensuring they are well-prepared for the challenges and opportunities of the future.

[zarya-zaryanitsa]

Peter Lippman for Marie Claire

[picturebookshelf]

Peter Lippman's Busy Trains (1981)

Story and Art: Peter Lippman

[symptom3000]

Stacey Q "Two Of Hearts" (1986)

director: Peter Lippman

[world-of-horrors-au]

Heres a headcannon for you, as a child Briar owned the Enchanted Castle By Peter Lippman. It's a retelling of Sleeping Beauty with cats as the characters and its very cute and made of cardboard.

Oh my God

That's adorable

I didn't know that was a thing!

Thank you for telling me about this!

[peterlorrefanpage]

Peter Lorre Eyebrow Arch Post

"I Was an Adventuress" (1940):

Eyebrows in this pack include: hinted, quirked, crooked, suggestive, and full-on devastating.

"Die verschwundene Frau" (1929):

"M" (1931):

Portrait by Lotte Jacobi (1932):

"Stupéfiants" (1932):

"Du haut en bas" (1933):

"Mad Love" (1935):

Irresistible double eyebrow from the "Mad Love" trailer:

Studio portrait as his hair was growing back:

"Crime and Punishment" (1935):

"Crime and Punishment" publicity still by Irving Lippman:

1930s:

Portrait by Anton Bruehl (mid-1930s):

"Crack-Up" (1936):

"Secret Agent" (1936):

"Nancy Steele is Missing!" (1937):

"I Was an Adventuress" (1940): - my slo-mo gif of the first eyebrowing above. "You know when she was a little child, she was always a [eyebrow arch] first-rate dancer."

"The Maltese Falcon" (1941):

"All Through the Night" (1942):

To be continued! Do share your favorites.

[tinabritton-photography]

Still Life and Product Photography

New brief called “Cheap”, but there is nothing cheap about the objects I acquired during the object finding exercise at 3 different pound shops. First shop was PoundBasket in Port Glasgow, 2nd was a pound stretch shop next to Tesco in Irvine, and 3rd was a pound shop at Irvine Mall. Ok, so what have I learned thus far? Well, I’ve learned that I am bipolar all over again. Bipolar people have difficulties with their moods, and their mood swings from different poles, but they also have problems mangaging money and making decisions.

Those last 2, yeah, that is me through and through the last few weeks. I bought enough stuff, and I am broke, to cover the entire class. That being said, much of it is fun, and you too could find this in your xmas stocking this year once this brief is finished ;). Yeah, I mean you.

This all being said, and, I digress, were some of the items a bit more than a pound? Yep, I won’t lie, but it astounds me what kinda-cool stuff you can get for ��1 pound here in the UK, because in America your hard earned $1 gets you diddly.

Soon I will share an image of all the stuff I bought. LOL, yep, the horror :D.

This little guy below is so cool. You open it up and pour him into your hand and let the fun commence!

I told you! I cannot get everything I bought on this A1 sheet of white paper! The yellow bottle is the coolest, except, someone had stolen one of the batteries. There is a tiny wire inside with very small inline fairy lights. I had to order new batteries. They will be to here tomorrow. I have no idea whether it works or not yet. I walked up to the counter and asked the lady, ‘Is this really £1?”. She said, “Uh, yeah?” Ok, Sold! The Daisys on a stick, well, those are so cute, and the green bottle, it is shiny and has a skull hanging from it. Decisions, Decisions!

The first photographer and image I want to speak about is Laura Letinsky, a still-life photographer and her image “Untitled #54 from Hardly More Than Ever series 2002″.

When I first saw this image I felt like I walked into a room where there had been an indoor picnic happening, that must have ended because the ‘2′ people went outside to enjoy the sun after the rain had stopped. I say 2 people because there are 2 plates, however, could this be only a small section of a larger table? There is a sensuality about the scene. Peaches have long since represented the feminine. So what does the lollipop represent?

Being a dark person, I was pleasently surprised at how much I loved the colours in this image. In the background, the white looks muted green which is beautiful against the delicate oranges and reds in the image. Even the shadows appear a bit green. I even love the wrinkles in the make-shift table cloth and used napkin beneath the melon. I am actually waiting for someone to walk back in and grab one of those peaches or that lollipop before anyone else can.

What also catches my eye is the wonky line of the sloping table and the asymetric hanging of the back of the table cloth and leaving a bit of floor to give us a feeling of stability even though it appears there is none. There is a haphazardness to the whole seen giving the implication that the festivities are still going on elsewhere, otherwise, this would have already been cleared away.

Laura Letinsky,  Untitled #54 from Hardly More Than Ever series 2002. Courtesy of the artist and Yancey Richardson Gallery, New York. (//www.umanitoba.ca, 2019)

Laura Letinsky was bornin 1962 in Winnipeg, Canada. She attended the University of Manitoba in 1986, and Yale School of Art in 1991.

Another of her works I really like is below . . .

It this too considered a still-life? I think so, yes, even though these are images of objects arranged. What brings these pieces together are the colours set against the vast violet white of the background. 

Untitled #40, from the series Ill Form & Void Full, 2014. Archival pigment print. 49.5 x 58.12 inches, edition of 9.  (Yanceyrichardson.com, 2019)   

I am trying to stretch my mind and my acceptance around the fact that this is truly still-life. As an artist, I rail, however, I cannot deny that this is a spectacular still-life . . .

The colours, the placement. You can almost taste colours of the fruit. There is a depth to this piece, yet it is composed entirely of images cut and arranged on a surface.

(The Photographers' Gallery, 2019)             

The second photographer I would like to take a look at is Peter Lippman.

The first image below is so apt; ash covering the old mechanical camera. A death of the analogue. But for me, not quite yet. The image is almost in total -grey with a very hint of blue? Subtle soft light causes a gradation across the still life and picking out highlights here and there. It could be natural light, or a soft box on low power. Even though the camera lies amongst the greys, there is good contrast, and the image gets its meaning across.

(Harvey et al., 2019)

The title of the image below is Banane. Apparently, it is a plantain fruit/pod from the banana family. This image is the plant on black background.The deep contrast and muted reds and purples coupled with the green of the stem really makes this image come alive. It reminds me of the human heart. The subtle smooth texture of the leaves juxtaposed with the texture at the crown of the plant is a visual treat.

(Harvey et al., 2019)

First of all, I actually love the colour of the background in this next image by Lippman. Is it the true colour of the scene, or is it burned in, a gradient as it gets darker toward the bottom? The broken glass provides visual texture and interest. Since these are fragrances for men, I think it adds a sense of danger to make men want the products. Heavy shadows weight the objects to the background. As for lighting, it could be continuous, but probably flash. I am not yet proficient enough to make that decision yet. 

The 3rd photographer I’ve decided to write about here is Guido Mocafico. Mocafico is an Italian photographer. Though he now is getting more into the fine art of photography, he has been working as a commercial photographer with such names as Louis Vuitton, Rolex, Ralph Lauren and Chanel, just to name drop a few.

The image below is stunning. As soon as I saw it, I was intrigued, not only about the watch, but about that gorgeous shiny material it is sinking into. The highlights in the ‘goo’ mimic the hightlights of the watch and the white of the Roman numerals on the watch face. This makes the product really pop in my opinion. I can’t find a thing to criticize in this product image. The blacks and whites are perfectly balanced.

Heure noire. Numéro 122. Avril 2011. (Mocafico.com, 2019)

The image below feeds the need for black in me. The contrast, the middle tones, the grays, the highlights. I really am pulled in my all the textures and shapes. The smooth of the watch-face, the different directions of the toothed gears and motorcycle chain or timing belt, whichever it is. The glossy motor oil spills across the gears causing them to become something more beautiful than grimy metal. The solid blacks in between all the shapes makes each piece stand out to be counted.

Les temps modernes. Numéro 129. Décembre 2011 - janvier 2012. (Mocafico.com, 2019)

References

//www.umanitoba.ca, U. (2019). Laura Letinsky: Still Life Photographs, 1997-2012. [online] News.umanitoba.ca. Available at: https://news.umanitoba.ca/laura-letinsky-still-life-photographs-1997-2012/ [Accessed 27 Oct. 2019]. (//www.umanitoba.ca, 2019)

Yanceyrichardson.com. (2019). Laura Letinsky - Artists - Yancey Richardson. [online] Available at: http://www.yanceyrichardson.com/artists/laura-letinsky [Accessed 27 Oct. 2019]. (Yanceyrichardson.com, 2019)

The Photographers' Gallery (2019). An interview with Laura Letinsky. [image] Available at: https://vimeo.com/57683797 [Accessed 27 Oct. 2019]. (The Photographers' Gallery, 2019)

MCA. (2019). BMO Harris Bank Chicago Works: Laura Letinsky. [online] Available at: https://mcachicago.org/Exhibitions/2012/Laura-Letinsky [Accessed 27 Oct. 2019]. (MCA, 2019)

Peterlippmann.com. (2019). PETER LIPPMANN. [online] Available at: https://peterlippmann.com/ [Accessed 27 Oct. 2019]. (Peterlippmann.com, 2019)

Harvey, O., Naroop, A., Matthews, D., Dumontet, E., Almas, E., Walker, M., Riches, N., Lippmann, P., Douglas, W., Lippmann, P. and Lippmann, P. (2019).

Still Life/Food/People Photographer - Peter Lippmann - Trayler

. [online] Trayler & Trayler. Available at: http://traylerandtrayler.com/artists/peter-lippmann-2/ [Accessed 29 Oct. 2019]. (Harvey et al., 2019)

Maree, S. (2019). Peter Lippmann – Sophie Maree. [online] Sophie-maree.com. Available at: https://sophie-maree.com/portfolio-item/peter-lippmann/ [Accessed 27 Oct. 2019]. (Maree, 2019)

Milkbooks.com. (2019). Guido Mocafico. [online] Available at: https://www.milkbooks.com/blog/photo-wisdom/guido-mocafico/ [Accessed 27 Oct. 2019]. (Milkbooks.com, 2019)

Mocafico.com. (2019). Heure noire – Guido Mocafico. [online] Available at: http://www.mocafico.com/projets/photography/still-life/numero/heure-noire/ [Accessed 27 Oct. 2019]. (Mocafico.com, 2019)

Mocafico.com. (2019). Les temps modernes – Guido Mocafico. [online] Available at: http://www.mocafico.com/projets/photography/still-life/numero/les-temps-modernes/ [Accessed 27 Oct. 2019]. (Mocafico.com, 2019)

[oppaiokudasai]

Music Video of the Day: Tonight I'm Yours (Don't Hurt Me) by Rod Stewart (1981, dir. Russell Mulcahy)

Music Video of the Day: Tonight I’m Yours (Don’t Hurt Me) by Rod Stewart (1981, dir. Russell Mulcahy)

If you want something dark and serious, then I point you to yesterday’s A Movie A Day post that Jedadiah wrote. I’m not doing that today. Yesterday, I did the apparently famous, but still obscure version of The Tide Is High by Blondie, where Debbie Harry rolls around on a circular pink bed. Since I brought that to people’s…

[iwantmypopculture-blog]

Video Review: Stacey Q "Two Of Hearts"

Video Review: Stacey Q “Two Of Hearts”

In black-and-white, Stacey Q receives applause from her manager and assistant after a concert. Before the concert, the makeup artist brushes her chin. As her stylist fixes strands of her hair, she rolls her eyes as she talks about forgetting her purse earlier in the day. She performs on stage and blows a kiss to the audience. On a stage, with a white background, she dances, wearing a halter top…

[the-lost-lamb]

'Forbidden Fruits'

Peter Lippman for Marie Claire

peterlippmannfineart.com/