#persona original soundtrack

[leelreallylikespersona]

Been playing Super Monkey Ball (trying to get to Master- it's absolute hell but it's fun)... Haven't made it to the storm floors yet but felt like applying the motif of the stages to Yaldabaoth (❁´◡`❁)

Non-bg/effects version plus some refs since a total of three people have played the original SMB

[100percent-chipotle]

Guys listen to the megami ibonroku persona and persona 2 ost it saved my life from falling off a cliff and turned my pet hamster gay

[everythingassongs]

If we say goodbye today

I'll ask you to be true.

Cause the hardest part of this

Is leaving you.

[gentyjack]

not to actually have faith in atlus of all companies but I feel like people REALLY heel face turned immediately at p3r yesterday unnecessarily

1) I’m actually pro re-casting. As much as I love (most of) the original cast, the game DID come out nearly 20 years ago. Some of the original actors have also had a lot of controversy attached to them as well. It’s really great to see new faces, especially such a diverse group. These guys deserve your faith in them, because they are probably already aware that they have big shoes to fill and y’all saying “not my Akihko” or w/e is not helpful. I totally understand if people are wary if the original cast was not asked at all to come back, because that’s shitty. But seeing as how I’ve heard that some of them retweeted the new actor’s announcement tweets it makes it feel like there’s no bad blood there.

2) I may be wrong, but I (like Faz) interpreted “No FES content” as there wouldn’t be The Answer as opposed to No Aigis/Elizabeth social link and other in-base game FES content. Apparently someone saw weapon fusion in the minimap in a screenshot, which IS something that was introduced in FES. We’ll see if I’m just engaging in wishful thinking there….

3) I am also sad about no FemC. But even in P3P the devs made it clear that the game was written with the male protagonist in mind. They outright state to NOT play as FemC unless you’ve played with the male protagonist first and that she was meant for more “experienced players.” Considering they’re rebuilding this entire game from the ground up as well, it unfortunately makes sense for them to want to focus on one for now. I’m not a game developer, so I don’t know how difficult and time consuming this is, but it seems to me that it would be very much so. Now if they DO eventually release her as paid DLC that would be a mega dick move, I will say.

4) guys there’s no way in hell with a remade game that they’re going to keep forced romance in social links, you all are jumping to conclusions lmao

5) while this is a fun surprise for older fans of p3, I can’t help but think this remake is intended for folks newer to the series. OR (god forbid) folks that started with p5 and are intimidated by the more SMT grindy style of the earlier games. like it or not, those people exist. and they should get to experience the game too.

idk. again, atlus has hurt me before. MANY TIMES. but I feel like everyone is freaking out over ONE article that doesn’t have a lot of context. the game has had ONE trailer. Let It Cook.

[starfirexuchiha]

"Battle Hymn of the Soul" is the soundtrack that plays on this battle?! 😱 Bruh I'll be too distracted bobbing my head to this banger, how can I focus?! 😭 Gawdammit Ryoji

PLEASE DON’T SPOIL ME ABOUT THE ANSWER! I haven’t reached there yet.

[dumbshyanon]

Can I rant about the P4 soundtrack real quick?

I just took a good liking to Deduction/Reasoning. You know why? Because of how both versions of this track portray the situation.

Deduction (Another version) repeats the first part of the track, over and over, as well as losing some instruments like the Investigation Team trying to figure out the "killer's" method and a few of their ideas being scrapped. But, when they figure out something else great, the actual song picks up, adding more instruments, due to their new deductions.

[lcewarden]

apparently "I'm in the house like carpet" wasn't originally written for persona, it was actually a sample from a german royalty-free stock sound library that also includes vocal samples. to quote genius.com

The song’s lyrics are lifted from the track “Swiny House” by the German sample CD company Masterbits. Masterbits provides musical and vocal samples and is heavily used by Japanese video game soundtracks

this has led me to a startling discovery

im in the house like carpet. isolated vocals

[italianraviolos]

THOUGHTS I HAD DURING MY MANY RE-WATCHES OF HAZBIN HOTEL & HELLUVA BOSS

Why Vivziepop has an obsession for top hats? No hate, I love the design, just have seen lots of hats

I love that vaggie is the toughest of them all, but she dresses so preppy

Adam gives the same vibe of Andrew Tate (my red flag is that I would Adam anyway)

Charlie deserves the world

I'm afraid that huskerdust could become a bromance (I know it's canon, but I'm scared anyway) I hope we will see more of them in the second season

Vox gives the same vibe of a friend of mine

I hate Val, but his VA did an incredible work, to me he sounds really natural

Alastor has a Karen haircut

The girls who fancy Alastor, are the same who fancy Dr. Thredson from AHS

Emily deserves more credit

I don't like Lilith

I like to think the Vs are all in a poly relationship with eachother

Sir Pentious is the coolest dude (would)

I don't know how to feel about Nyfti

The Italian VA is done so amazingly I prefer it to the English version, I love the original, but this time, Italians did the best

If you watch it while high (I'm not suggesting anything and I discourage any sort of consumption) the soft music as a very low soundtrack in every scene is so silly I love it

For the Italians: Val ed Enzo Miccio sono la stessa persona

Rdj and Vox are the same person

It breaks me that Alastor claims he has to go to the tailor meanwhile he always went around with a worn out jacket

Alastor announcing a podcast is like those old TV stars opening their podcast (I can only find Italian examples, so for my people: come il poretcast)

Stolas such a himbo I LOVE HIM (he's so me I can't)

Kid Stolas is soooo lovely, so squishy I wanna hug him

I love that there are a lot of correlations between Carmilla Carmine and Vaggie

Carmilla Carmine is one of those mothers who make videos of themselves with montages of tiger and lions defending their kids

Blitzø smash

I love that both Helluva Boss and Hazbin Hotel have such display of healthy relationships and relationships that grow through time, like vaggie and Charlie, Fizzarolli and Asmodeus, Moxxie and Millie, also the dynamics of Father and daughter

[doyoulikethis-videogame-song]

Ask Masterpost 10/12/2024

I will be answering all the BLOG RELATED asks I have received since opening my inbox here :). Going forward, this is how all asks will be answered (if they are not time dependent or something). I will make a new post with new asks every saturday.

my friends and i have been including youtube links in our submissions. is that helpful or annoying?

It's helpful! Thank you :)

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Have you gotten a lot of repeat submissions? Like, songs requested by multiple people? If so, what’s the most requests you’ve gotten for a single song? (You don’t need to say what song it is if it’s one you haven’t posted yet)

I don't remember the name, but I've received a song from 'In Stars and Time' about seven times now

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I submitted a song from an indie game listing the author as the composer, but then I realised that's not exactly true, as all the music in the game is from a public free gallery. because of that, there's no official upload on youtube. would that still be ok? p.s. thank you for your work, I've come to really love this blog and i look forward to the new polls every day 💕

I'm going to say no, even though the song is in a video game it's not technically intended for the video game itself. I'm curious as to what game this is though.

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@kaerran said: Speaking of which: I avoided submitting a game earlier because the only versions I found on a quick search were entire-soundtrack-as-one-video and I wanted to make things easier on you. Is it okay if I submit my mid-90s games even if they don't have nice convenient Youtube links?

Of course that's okay, I'll find a way to work around it even if I have to crop the specific song out myself.

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Say a song that's made for a game and is in said game gets an official release of an alternative version that *isn't* in a game. (Ex: an extended version or a version with vocals) I assume that the in-game version of the song is acceptable, while an alternative version that isn't in any games are not. Asking because I've already submitted a couple in-game versions of songs that have official extended/vocal versions that aren't in-game.

Both are acceptable, for two reasons:

It's an official, original release/remix, presumably on an official album, for a video game, so it is technically a form of VGM even if it's not in the video game itself

I wouldn't be allowed to post the official NieR remix albums if I excluded these types of songs

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@moonlight-fox said: Hey. Question for when you reopen submissions - For songs that have lyrics, do you want the name of the lead vocalist as well as the composer, or just the composer?

If you know both, feel free to include both! Specifying would help a ton as well. Submitting the artists is optional as I'll almost always go verify it myself but it is very much appreciated.

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are there any games with more notable soundtracks that you're surprised HAVEN'T been submitted yet (if any)?

As of writing this, I haven't seen a single song from Persona 5.

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Hi, love the blog! Is there any way you could tag similar series? Like, tagging all the soulsborne games with a from software tag, that sort of thing? If not, it’s cool, I would just find it useful. Have a great day, keep up the awesome work! <3

I started doing this when I saw this ask, I hope the way I've categorized things is good so far! If anyone has any suggestions for further categorization feel free to send them in my asks (within reason, lol)

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can you put the number of the song in the anonymized title? would help us keep track of which song we're listening to if we're also scrolling

I also started doing this as soon as I saw this ask, thank you for the excellent idea.

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Are songs from live-service video games that have ended service permitted? I'm guessing that the answer is yes because I think I saw Dragalia Lost here but I just wanted to be sure before preparing songs to submit next month. Also, I noticed in your pinned post that it still says "submissions are always allowed" - since the rules are different now, you might wanna change that just in case some ppl get confused :3

Yes, songs from live service games that have ended are permitted :) (provided I can access the songs somehow of course)

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are we allowed to submit official live versions of video game songs? does its availability online matter (like how the splatoon concerts were officially uploaded, but the kirby 30th anniversary concert was only livestreamed once and has to be pirated now)?

If it's on an official album, I'm going to say yes. So no to the kirby concert -- but if the splatoon songs are on an album, they're allowed.

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i cant find if youve answered something like this already, but whats the verdict for songs thatare in video games, but werent made for them? like for example the inclusion of pre-existing low roar songs in death stranding.

As of now, I'll only accept songs that were intentionally made to be included in the OST/album/music of a video game series -- so no preexisting non-VGM songs or anything like that.

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out of interest, how far along the submission queue has been posted? when were the most recent posted songs submitted?

3.8% of the entire submissions I have received have been posted. Everything in active vote right now was submitted in July, hence the need to severely restrict submissions...

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are we allowed to ask if certain games/series are in the queue? because i cannot for the life of me remember if i submitted something a while ago and dont want to accidentally send it again when submissions reopen ^_^;

You can DM me for this as to not publicly post any spoilers :')

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@disgustedorite said: Um, when were the most recent songs submitted? I submitted a batch a while back when submissions were open and there's been no sign of any of them...I hope Tumblr didn't eat it @_@

Tumblr may have eaten it, but it's probably just as likely that I got a million gazillion submissions ahead of you :')

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genuine question did someone submit the entire destiny franchise at once or is it that popular and i just never see anything about it

Yes, in the very early days of this blog -- about the tenth submission -- someone submitted ~30 destiny songs.

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Do you accept music from mods? I mean, obviously you dont accept anything right now, but ykwim

Yes, as long as it's an original composition/remix :)

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@woolooism said: has any song won with any of the "i don't like it" results? if no, which one has the biggest relative percentage of it?

I'll have to check, but I think (off the top of my head) the song with the most "I don't like it" results is the Ao Oni chase theme

Edit: Apparently, it is actually this song from Lisa the Joyful!

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@violetsquare111 said: i'm curious, do you know when exactly the currently-running polls were submitted? curious just how far off mine are lol. (but i would guess mine are still a few months out based on the insane number of submissions you shared. 3000... oh god...)

July, so... yours are far off :')

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Do songs created for an event in a community engine driven rhythm game (i.e. original songs for custom charts in a rhythm game/community driven game engine) count for submissions? If so, how will they be counted?

I think I'm going to need an example of this scenario because this seems REALLY highly specific, haha

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A suggestion. When a song has lyrics, use a video that shows the lyrics in the reveal post. Please and thank you.

I'll do my best, but these aren't always the easiest to find, and I try to use songs from official sources as much as possible to prevent the risk of the video getting copyright stricken off the playlist.

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@only-blogging-2-save-rock-n-roll said: Would you ever consider doing joke polls for April fools day? Stuff like those MIDI remakes of song from Franchise A in the style of Franchise B

Probably not, only because it's not an official remix. I may post funny songs depending on submissions.

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would you be willing to maybe make a tag for just the polls, even if they're already over? i like going through them all without knowing what game they're from and i also dont keep super on top of checking this blog for new polls. thanks!!

There is one! It's #closed vote :)

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@sparrow-va said: Hi! I've had the hare-brained idea of possibly making some Youtube vids of listening to & reacting/trying to identify songs from this blog starting from the oldest submissions for my channel (LaserBearCat Gaming), is that something you'd be okay with? Obvs we would credit & link your blog for the source of the tracks c:

Go right ahead!

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I noticed the rules about submission has changed to one song per period per person, which I can totally understand given the amount and when trying to keep a fair chance for everyone will this rule be applied retrospectively too? just wondering because I had been submitting more than one song and just would like to know if I'd need to submit them again one per month now if I would like them to be considered as a submission eventually Also thanks for running this blog it's become one of my favourites and I check it out almost daily

No, It's not going to be applied retroactively -- I don't even know if I'd be able to enforce that because the sheet doesn't record who submitted what (right now).

[ateez-himari]

ATEEZ AT THE ELLE STYLE AWARDS

Nyang-Teez members steal an entire nation's attention after both received awards

October 19, 2024 (11:09PM)

The Elle Style Awards ceremony held in Seoul offered awards to two members of the performance powerhouse group ATEEZ, with Best K-Pop Icon being handed to main dancer Choi San and Artist of The Year going to lead vocalist Min Himari. The masters of ceremony praised the bandmates for their numerous achievements in the past year alone, ranging from the unforgettable Coachella performances that carved them in the industry's history to their influential fashion.

The older member is known for incredible duality between his soft everyday demeanor and the demonic stage persona that seemingly takes over his entire body, contrasting with a golden voice that reverberates through one's soul. San's visuals look crafted by the most skilled sculptor and have taken over the internet more than its fair share of times along with a simplistic sense of fashion that somehow seems like high couture on him. The dancer released an unforgettable performance to the song 'Warriors' by Imagine Dragons which showcased his incredible acting talents and bodily control, prior to co-choreographing the group's most recent comeback 'Work'.

He is the very first idol originating from Namhae and was later selected to be its public relations ambassador in 2021, undoubtedly inspiring young people from small towns such as his to pursue their dreams through hard work just as he has. While there had not been an official announcement from the fashion house yet, he made his fashion debut at the Dolce & Gabbana Alta Moda show and later went on to attend Fashion Week with them.

The maknae without doubt embodies the word artist itself, having several paintings on permanent display in galleries along with the series Death's Game using her largest artwork in a pivotal episode all the while obtaining the valued title of Ace in reference to her mastery of the industry's every facet. Holding the position of lead vocalist with an angelic voice gifted by the heavens themselves the young woman gives life to their tracks and even simple covers, though she is also able to deliver sharp raps riddled with flow changes. Performance cannot be overlooked as her ease in various dance styles makes every movement of her body impossible to look away from, the powerful stage presence from such a delicate looking idol made her the last 'Demon Line' member, known for hypnotizing the audience akin a siren.

The acting scene saw her impressive debut alongside bandmate Jeong Yunho the previous year in the drama 'Where We Fall', her performance shattering the heart of many while her vocals on the original soundtrack brought tears to viewers' eyes. House Versace also recently released the Ephemeral Collection designed entirely by their global ambassador, and most jewelry pieces along with exhibition dresses were made by her hand after nearly a year of intensive learning.

The painting 'Red Cloud';

Image Source: Death's Game, Episode 5

At the mere age of twenty two, the vocalist has accumulated over 200 KOMCA credits to her name, surpassing production giants such as 3Racha, Woozi, Zico, and rapidly approaching RM, which makes her the youngest artist in the site's top 10 list. Himari's contributions to the music industry are so significant that four years into her career, in 2022, she became the first fourth generation idol awarded full membership and many prominent artists have already expressed wishes to work with her in the future. Suga was given the title 'Hand of Midas' for exceptional musical skills, which was later passed down to his younger sister as people began noticing their shared lyrical genius and carefully crafted harmonies that intertwined perfectly with each track without ever overshadowing it.

Please congratulate these hard working idols warmly and we hope to see more recognition for ATEEZ in the future as every single member holds unique qualities worth an entire nation's attention, creating what feels like perfect synergy. Remember to cast your votes on the the MNet Plus app for Worldwide KCONers' Choice and Fan's Choice to give the group the appreciation they deserve!

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[kaoskuantico]

In case someone hasn’t seen Act III yet, ARCANE ACT III SPOILERS

Mirroring my previous post about things I hated about Season 2 (click), here's another list with the things I LIKED

The art, animation, soundtrack...I think we can all agree Arcane created a before and after in the Animation industry and artists all over the world (although I only liked Ashes and Blood, Isha's song and Remember Me. The rest are a bit meh for me)

Jinx realizing she can be a good person when she met Isha. And she almost realized she doesn't have to choose between Powder and Jinx personas, she's both.

Sevika bonding with Jinx, both of them mourning Silco and getting to work together. Jinx making a whole new arm for her, basically.

Vi realizing Jinx has good in her when she saw how Jinx treated Isha.

Ekko stopping Jinx from killing herself five times and being patient with her.

I don't like Timebomb, but the dance scene being at 4 fps representing Ekko's ability to rewind time 4 seconds was on top.

Ekko not even hesitating to find the way back home, choosing to leave this perfect life and timeline behind.

The pianist who went to the war. He wasn't made for this, but he chose to be there.

Loris leaving Vi when she pushed him away. Loris tried to help her, but she refused it, so he had to leave for his own good.

That Jinx's follower who first touched her shoulder in prison, dying just like that during the attack. I liked how they showed people were dying without it being spectacular, they're just gone.

Vi trusting in Jinx when Vander/Warwick found them in the mines and was berserk. Vi chose to hug him instead of fighting, as she has always done with every conflict.

Jinx's first action when she found out Vander is alive being to look for her sister and find him together, not wanting to commit the same mistake.

Jinx being unable to shoot Vi when she had the opportunity to do so, in Act I.

Sevika ignoring the original plan and protecting both Jinx and Isha.

The Jinx vs Vi fight from Act I, they weren't trying, at least not as hard as Sevika and Cait. Vi had Jinx at her mercy a few times but didn't kill her, and in the second half of the fight, Jinx basically only slaps her face.

Jinx and Vi's interaction in Act II. It felt refreshing, seeing them 'fight' in a much lighter tone.

Jayce telling Viktor there's beauty in imperfections, that he admired him. It contrasts with Viktor's desire to make everything perfect (but including Viktor's terminal disease was weird).

Viktor and Jayce meeting in every timeline, Jayce being Viktor's salvation.

Viktor saying that trying to heal Warwick was a risk worth taking.

Isha seeing Jinx beyond the Powder/Jinx dichotomy and being the one to bring that happy nature from her (I loved Jinx acting as commentator just to make it fun for Isha).

Jinx being OFFENDED because an enforcer insulted her pants.

Jinx using her new mechanical finger (with a face painted on it) to give the middle finger to the enforcer who hit on her.

Sevika knowing how much Isha meant for Jinx, and Sevika not making fun of her when Jinx had another hallucination (after months of not having them). Sevika looked concerned.

Jinx protecting Caitlyn in Act II (although Cait never did something similar for her).

Mel's story centered on her family and not any romance.

Jinx's skills with her gun and her enhanced abilities thanks to the shimmer. She's so cool with her gun and managed to stay on her feet against Warwick at the beginning.

Jinx writing her name on her cheek just like Vi did (and it's funnier because Jinx did it by following the image in the mirror).

The voice acting. Especially Ella Purnell (Jinx's voice actress). They're all perfect for the roles, and Ella's raspy voice is the cherry on top.

Powder in the other timeline still having the hallucinations but showing she became Jinx because of her environment. She's much healthier and se's a genius in both timelines, it's her environment which decides if she'll use it to create weapons or to have a fun science competition.

In Act II, when Jinx and Sevika go to save Isha and the others, when the Enforcer they want to use to get arrested and taken to Stillwater: I liked how she relaxed once she saw Jinx, not firing at her immediately and even...Having a normal conversation with her

The designs. They made Vi SO MUCH BETTER. And I absolutely love Jinx's design as well, they're so perfect

When they were fighting in the mines and Jinx slaps Vi's cheek, the cave glows. And then they start fighting pathetically on the floor like actual sisters and the cave glows at the rhythm of their hits xd

I'll keep updating the list for a few days.

[adachimoe]

Persona Stalker Club Eps 2 + 4 Q&A

For a rundown on what these are and the origin of the name, check out my post about episode 1.

From episode 2:

Q: Please tell me where the eyes are on Yosuke's Persona, Jiraiya. A: The two holes in the middle (next to the yellow stars) are the eyes.

Q: What music does Yosuke listen to during battles? A: Western music so he can pretend to be an expert in western music, Japanese music so he can talk to girls about it, movie soundtracks like Trial of the Dragon, etc.

("Trial of the Dragon" is the DVD Chie lent Yosuke. It's named after the Japanese TV drama about a female martial artist called "Seiryu Densetsu" or "Legend of St Dragon" but replaces the characters for Seiryu with the characters for Jackie Chan's name.)

Q: Why does Mitsuru's father wear an eyepatch? A: It seems that he was injured by Shadow(s) while exploring Tartarus.

Episode 3 had no Q&A segment. (I think due to the extended segment where the hosts showed off Persona Q.)

From episode 4:

Q: Since Tartarus used to be a school, does it have stuff like air conditioning? A: The school's original AC units might still be there, but it's highly unlikely that they still function since electronics quit working during the Dark Hour. Q: During the crossdressing contest, Teddie got 1st place during the story, and Kou mentions during his evening hangout that the protagonist got 2nd place, but what about Kanji and Yosuke? Personally, I'd vote for Kanji; he's sexier. A: We'll leave that to your imagination, but for Yosuke and Kanjis' sakes, we recommend you not dwell on it too much. Q: What causes the sound effect that occurs when a Persona is summoned? A: The sound effect represents the summoner breaking the boundary between the conscious and unconscious to use their Persona's powers.

[dizzymoogle]

I recently went on a soundtrack/cd buying spree. These either came from CD Japan. Play Asia, Amazon Japan, eBay, or Mercari Japan. Any used ones (the ones purchased from Mercari Japan and eBay) had their catalog number and barcode checked against the VGMdb site for authenticity (I do not purchase bootlegs)

Pictured:

Final Fantasy XI soundtracks

Distant Worlds Albums 1-6

Final Fantasy X-2: Vocal Albums, International soundtrack, Arrangement CD, Piano Collections

Final Fantasy VII Remake INTERGRADE Original Soundtrack, Kingsglaive Soundtrack, Final Fantasy Tactics Soundtrack

Final Fantasy VII Remake Original Soundtrack Plus, Persona 4 soundtrack, Persona 4 Golden Soundtrack

Persona 3 Reload Soundtrack

Kingdom Hearts III, II.8, Unchained χ & Union χ [Cross] Original Soundtrack (I already owned the soundtracks for KH 1 & 2)

Final Fantasy Piano Collections VII, VIII, IX, X-2, XII (I already owned the Piano collections for X, XIV, and XV)

[theoneprecioustome]

Aikoto Moments Masterlist: Episode Aigis

This list will focus on the remake. To see how it fares in comparison to the original, check this post.

Notes:

Since Makoto isn’t actually in the game, most of the list will focus on Aigis' side of their bond as well as the little things that connect them.

There will also be third party quotes about Aigis’ bond with Makoto.

I bolded the most important moments.

The post is image heavy & contains spoilers for the entire game.

When that person died, there was nothing she could do to bear the pain. The machine girl found herself thinking that she had no use for a heart that did nothing but let her feel pain. And thus, the girl's heart became a blue butterfly, which took flight, and the pain in her chest disappeared. However, in its stead, there was now a large, gaping, empty hole in her chest. The emptiness in her chest didn't hurt, but it also did not let her feel anything. She wasn't alive anymore. Nothing but an empty shell, devoid of emotions, cursed to stand still in time where she was forever with no place to move forward to. — Episode Aigis Epilogue, Persona 3 Official Fanbook. Translation by Nenilein.

PROMOS

✤ The Key Visual of Episode Aigis features Aikoto. What's more, it reveals that Makoto in the original P3R art was meant to be looking at Aigis all along, like two halves of a whole.

✤ Soejima released an illustration to celebrate Episode Aigis. The illustration features Aikoto & Metis.

✤ The First Edition of the Episode Aigis soundtrack comes with a double-sided Aikoto box featuring the Key Visual and their AOA attacks. This is what Lotus Juice had to say about it:

"In the cover, you see P3HERO and Aigis looking at each other... if you open it, they'll be separated... like they're almost within reach of each other, but aren't. I wonder if that feeling gets across to fans as well? It's very beautifully done."

✤ SEGA Korea welcomed September with an Aikoto Calendar featuring the Episode Aigis Key Art (alternative link).

✤ HINEMOS released two more Aikoto Sake bottles to commemorate the release of Episode Aigis.

OPENING

✤ Episode Aigis features an exclusive opening & song focused on Aigis' feelings after Makoto's loss. Full lyrics here and Analysis in the post linked above!

(Lost without you) But little things like the scent of his cologne Is a painful remindеr that he’s gone It feels like my heart is suffocating How do you make amends when you’re gone from me? Even though with a win, how come I feel so lost? Nothing makes sense to me I’m so numb, so lost without you

BATTLE SONG

✤ The new Battle Song, Don't, is also from Aigis' POV. While it focuses on Aigis' feelings through her conflict with SEES, it also has references to her feelings towards Makoto. Full lyrics here!

Already lost my keys to the door wide shut Only had one wish now it’s never gonna come true Trapped in time Forever in remorse How could I ever be in peace when nothing else matters to me?

MENU & UI

✤ In the menu, Aigis is shown holding a blue butterfly who flies away from her. According to the old devs, blue butterflies are used to symbolize Aigis' heart, which is the perfect imagery for Episode Aigis. Curiously, blue butterflies also often used in relation to Makoto, which carries very meaningful implications they're soulmates your honor.

✤ P3R's UI is meant to represent "the Protagonist's Sea of Souls", and it reflects their psychological state. True to form, Aigis is shown looking sad and lonely in hers, which is how she has felt since she lost Makoto. In the Equipment menu, we can even see her reach out before sadly retreating into herself, as if she were trying to catch someone who is now long gone.

PROLOGUE

✤ During the anime cutscene, we see a new rendition of Makoto's and Aigis' last moments together.

MARCH 31ST

✤ Aigis is the one who kept Makoto's Evoker after his passing.

✤ Aigis says that the one thing she feels certain of is that Makoto wouldn't have blame any of them for what happened, showing how well she understands him.

✤ Junpei comments that he’s glad Aigis has been “hanging in there” (spoiler: she isn't) because "It really seemed like you cared about him more than anything in the world."

✤ Aigis reveals that she remembers her last moment with Makoto whenever she closes her eyes. Depressed, she kept having the same dream over and over again: running after him, calling his name but never being able to catch up.

✤ She also recalls the promise she made him during the rooftop scene: "I promised to protect him, and I made that my reason for living. But now... that promise can never be fulfilled."

✤ Aigis says that one day, her sadness "mysteriously" left her. She stopped dreaming and requiring sleep. Unbeknownst to her, this is the event that draws The Abyss of Time to the dorms.

✤ When Aigis is scared of losing more precious people, she sees Makoto walking away from her and desperately tries to reach out to him. Then, Athena metamorphoses into Orpheus. It's interesting to notice that the effect used when Makoto disappears is the same effect used when Orpheus appears.

✤ Aigis and Makoto have the exact same Velvet Room and Aigis can even access his entire Compendium. In other words, they must share the same space “between dream and reality, mind and matter.”

✤ Elizabeth also explains that a Persona "represents one's heart and soul." Aigis can use Makoto's as if they were her own. Let that sink in!

✤ When Aigis thinks that reaching the Answer to Life may lead to her death, she is surprised to "discover how little the possibility bothered me." With Makoto gone, Aigis has lost her reason to live. It's to the point that when Aigis believes that she may die if she loses her key, she says: "If I did, then that would be fine..."

✤ During one of the activities with Metis, she comments on how fulfilled she feels whenever Aigis trusts her with something. If the player lets Aigis say "I think I understand", Metis will say: "Then you must have someone in your life who's just as important to you as you are to me." Which is quite big, because Aigis is literally Metis' everything lol

✤ Aigis getting Makoto’s power means she "inherited" something from him.”

✤ Aigis says early in the game that normally, people have a reason to awaken to their Persona, but that for her it was backwards. She had a persona and then she gained a reason (protecting Makoto). Later, we discover that the reason for her awakening to the Wild Card was that with Makoto gone, she has lost her purpose and her reason to live.

✤ The door that lies in the deepest part of The Abyss of Time leads to Aigis’ past and the moment she awoke to the "Persona abilities" Makoto had. In here we see Aigis' dream, the one where she runs after Makoto, trying to reach him in vain. We also find out that she was in so much pain and so lost after his passing that she wished she could go back to being just a machine again.

It was so painful losing him... I couldn't bring myself to do anything, so... I just hid in my room. For a while, I did nothing but chase after him in my dreams...

✤ Aigis' trophy is called "The one who dreamt", after her dream of Makoto.

✤ After the fight with Shadow!Makoto, he disintegrates into blue butterflies as Aigis desperately reaches out for him.

✤ Aigis can't decide whether she wants to go back to the past, or respect Makoto's sacrifice and remain in the present. Irritated by Aigis' predicament, Yukari accuses her of running away from her own feelings for Makoto.

✤ Metis explains that she would do anything to protect Aigis, because she is "all she has". This prompts Aigis to say that she, too, once felt the same way about someone.

✤ Aigis being willing to lay down her life to not have to fight her friends makes Metis break down. She echoes all of Aigis' buried feelings at Makoto's sacrifice. "Why do you have to die? Why does it have to be you...? Why can't it... be me instead? Please don't leave me behind... I'll give my life for the key, too! And if that doesn't work... then I'm coming with you! So we can always be together... Please, don't leave me all alone!" 😭

✤ Aigis realizes that she has been running away from her own feelings. Before going back to the past, she needs to know why Makoto did what he did—because she won't give up on what's important to her.

✤ After that fight, Aigis finally acknowledges that she wants Makoto back, too, and explains that she needs to know exactly what he did before she can make a choice. Despite her own feelings, Makoto's come first to her 😭

✤ Aigis screams "No!" as Erebus aims for Makoto. We also get two new shots of Aikoto's last moments together, showing Makoto smiling peacefully on Aigis' lap.

✤ After the final fight, Yukari acknowledges her jealousy over Aigis inhering Makoto's power and says that just like Makoto, Aigis is the one who knows how to move forward.

✤ Aigis reaches the very same Answer to Life that Makoto did: Friendship and Bonds are what give people life.

✤ Metis tells Aigis that there's still a way for Aigis to keep her promise to protect Makoto, and that is by fostering connections with others, so that they may one day reach the same answer they did.

✤ Metis is revealed to be Aigis' Shadow: the manifestation of the heart Aigis wished away after losing Makoto.

✤ Once Aigis regains her heart, she breaks down crying at last, finally processing her grief at losing Makoto.

✤ Before she fully fades away, we hear Metis' voice talking to Aigis and telling her how she can reach Makoto so he won't have to carry on alone anymore.

ENDING

✤ Aigis goes back to the rooftop for the final cut-scene. Just like that last day she spent with him, there are cherry blossom petals blowing in the wind.

✤ The credit song, Brand New Days, is once again from Aigis' POV. It focuses on her feelings towards SEES and Makoto as she walks forward into a new tomorrow.

There are days when I tire of calling out the meaning of my life, and my head droops But still, in my heart (So look up to you) Is your smile

✤ During the credits, we see Aigis looking back over her shoulder as she walks through the Moonlight Bridge (the place that started it all for her and Makoto). Lastly, cherry blossoms once again welcome her when she reaches the school. Considering their meaning (Don't forget about me), I'd like to think they're yet another reference to the fact that Aigis will go on living—forever carrying her memories of him.

✤ The Clear Data Save features Aigis' portrait over a cherry blossom background. If you beat the game on Heartless, a cherry-blossom-colored butterfly is added and placed over Aigis' heart.

EXTRAS

✤ In Orpheus' myth, he descends to the underworld in search of his dead wife, Eurydice, but ultimately fails and finds his own death. Knowing this makes Aigis having Orpheus as her main Persona even more meaningful. Not only is Orpheus' Makoto's Persona—so it's like he's left a piece of himself with her, his own version of I'll Never Leave You—it also represents Aigis' plight during Episode Aigis: either moving forward or going back to the past in search of Makoto. Unlike Orpheus, Aigis is eventually able to move forward carrying her memories of her beloved with her.

✤ Aigis' Compendium is signaled by a bookmark with a red butterfly, while Makoto's is the same bookmark but with a blue butterfly.

✤ Two dictionary entries evoke Aikoto. The first is That Day, which mentions it's "the last day Aigis ever spoke to him." The second is Aigis' Past.

✤ One of Elizabeth dialogues is "Do you posses the power to overcome any adversity as well? Just as he did...?" Another of her dialogues foreshadows Elizabeth wanting to ask Aigis to help her free Makoto's soul from the seal ("When the time comes, I may ask you to..."), just like in Persona 4 Arena.

✤ When Fuuka learns that Aigis may die if her key is taken, Aigis explains that she didn't want SEES to worry over her, too, when they're all "doing what they feel is best... for him..."

✤ Just like in The Answer, Yukari spends the game jealous of Aigis because she heard Makoto's last words and inherited his power—although this time she luckily handles it a lot better. This leads Mitsuru to explain that Yukari doesn't mean Aigis any malice; as she does so, she acknowledges Aigis' feelings and says that Makoto did no mean any less to Aigis than he did to Yukari. Later, Yukari herself ends up acknowledging Aigis' feelings and suffering over Makoto, strengthening their friendship.

✤ It's revealed that both Mitsuru and Yukari made promises to Makoto, or rather, to themselves after Makoto's passing. This bears mentioning because Aigis' promise to Makoto is never described in such terms in the game. At the contrary, in the original game, Yukari even goes as far as comparing them to say that unlike Aigis' promise to Makoto (あなたと違う), hers was one-sided (一方的に), highlighting that Makoto was there to acknowledge Aigis'.

✤ Metis tells Aigis that "The souls of all living things are connected through a plane similar to a sea." The Seal of Souls is likely where Makoto & Aigis are shown together in the opening, and the storyboards even describe it as an "unexpected reunion" 😭

✤ Mitsuru decides to give everyone their Evokers back, so it’s fair to assume Aigis still has Makoto’s.

✤ The Persona 3 Official Fanbook holds a short story about Aigis and Metis (I included an excerpt of it at the top of this post) and a column on the symbolism behind Aigis getting Orpheus (Orpheus, just like Aigis, went to the underworld in search of his lost beloved). While it's not material that came out with this version of Episode Aigis, it's still as relevant (and touching) as ever, so I really recommend reading it.

[0heartangel0]

PERSONA 5 TACTICA IS NOT GREAT: A VERY ODDLY-CONSTRUCTED RANT

Pt. 3: This Is Not My Jam

Originally, I was gonna talk about the gameplay next, but I realized that in order for my argument of it to make sense, be accurate and fair, I'm currently stuck in a rather long bit of "research", so to speak. So, for the time being, I'll move on to my next complaint that doesn't require extensive comparisons, which I hope to be short and sweet: The music!

....it's very forgettable-

OKAY! Like I said from the beginning: I'm not here to judge people's tastes! If you enjoyed the music, that's great! Flippin', blast that crap while doing a power study at 3am all you want, I ain't stopping you (except for your neighbors likely filing noise complaints).

But, for me personally, they just didn't click with me.

As of me writing this, I had JUST listened to the full version of the opening theme ('Revolution In Your Heart'), and have immediately forgotten most of how it goes. Not to be harsh, but it sounds like someone trying to write what they think a Persona 5 song sounds like. It just doesn't have the *oomph* factor that would classify it as a Persona 5 song to me.

It doesn't have the high energy of 'Wake Up, Get Up, Get Out There'.

It doesn't have the excitement of 'Colors Flying High'.

It doesn't have the motivational feeling of 'You Are Stronger'.

Unlike those openers, Tactica's opening theme doesn't give me that feeling - the feeling of wanting to move, and not just in dance. It doesn't get me hyped to play a game, where I'm overthrowing tyrants for the sake of

And the same is sadly true for the rest of the soundtrack.

(Update: Listening to Revolution In Your Heart again made me realize that in comparison to the other openings, Lyn here is getting drowned out by the music. The other openings leave her crisp and distinguishable from the instrumental. I haven't touched it, yet, but the mixing in this game is not very good....)

I'm glad almost everything is original music, apart from this one rendition of 'Beneath The Mask' at the very beginning of the game, as well as - of course - the Velvet Room theme. However, once again, almost none I remember too well and don't sound like Persona 5 songs. And yeah, I know that sounds contradictory to what I just said about liking that we're doing original music, but what I meant by it was that they don't sound like songs that would *come* from a Persona 5 game. It's just....eh.

What makes it most astonishing about all of this, mainly in regards to the battle music, is that unlike P5 or P5S, you'll be listening to these songs for about 5-10 minutes per level due to the nature of Tactica being a tactical rpg, so battles would run longer. And yet, despite P5's and P5S' battles running shorter (as a turn-based rpg and Musuo-styled rpg respectively), I still remember 'Last Surprise', 'Take Over', 'Axe To Grind', and 'What You Wish For'. Once again, I think it comes back to those songs having more energy and oomph in them by comparison.

You could try to make the argument that they probably wouldn't try as hard with the soundtrack due to it being a spinoff game, and to that, I say that that's a bad faith take to make, because A) that's a harsh assumption on the song writers for this game's soundtrack, as much as I dislike it. Looking it up, there's over a hundred tracks for this game, so they'd be obviously busting their butts on this soundtrack. It's just disappointing to me that I myself didn't find it worthwhile to listen to, personally. Besides, I already know there are people out there who disagree with me on this, so on that front, the songwriters succeeded.

And B) have you not listened to a single track from *any* Persona spinoff?

I already talked about some of Striker’s songs, both PQ and PQ2 have bangers in there, especially since they're balancing the song styles from all three modern Persona games due to the nature of them being crossovers, and Arena created themes for every fighter there, and they all fit them and *slap*! I don't include the Dancing games, since they're already based solely around the music, and most are just renditions or remixes of already existing songs.

(God, I just reminded myself of that terrible remix of 'Mass Destruction' they did in 'Dancing Moon Night', and now I have to apologize to the Tactica soundtrack, because its only crime is being just forgettable, unlike....that thing.)

There's only ONE song I remember, albeit, rather repetitive. It's called 'Abyss Of Despair', and it plays when you fight the Eri monster thing. However, there's only *one* reason I remember it: it reminds me SO much of 'Memory' from Undertale.

It's probably just me, but I just wanted to point it out.

But...I don't get it? Apart from the energy, I feel like there's this other "thing" that's missing in these songs. I've been trying to wrack my brain to come up with the explanation. What is the secret ingredient that makes a Persona 5 song *feel* like a Persona 5 song?

So, I've been listening to some tracks from P5, P5R, and P5S to maybe find that secret sauce. And after listening to the openings of all three back-to-back...it hit me.

It's.....

THE VIOLIN!!!

Think about it! A vast majority of P5 tracks have the violin as a major component in it. There are a few exceptions, mainly the palace and jail themes, but I let those pass because they're supposed to represent the rulers of those places, so they themselves would be given specific instruments ('Price's' zurna, my beloved). To me, I feel the Phantom Thieves themselves are represented by the violins in the music, which is why you mainly hear it in their battle tracks and infiltration themes.

You immediately hear it in 'Last Surprise:'

You hear it in 'Life Will Change' about 45 seconds in:

You can hear it in 'Daredevil' a few seconds in:

Hell, I got curious and looked at 'Counter Strike' to see if they had it (for I only recall the electric guitar), only to immediately be hit with that violin:

And going back to the beginning of this post, you can hear it in all of the openings.

All of them, except for Tactica's. And that's when the crux of my argument becomes realized.

I went back, and listened to random tracks on the Tactica soundtrack, and I didn't hear a *single* violin. No even a cello...

Even the songs done by Lyn don't have them ANYWHERE! Not 'Got Your Tail', not 'Inextinguishable', and definitely not 'Truth Or Dare' (I might do a reblog that adds these three Lyn tracks to show it, because I've run out of space, according to meany Tumblr....).

How could they forget the violins???

I get they're trying to go for a more "revolutionary" sound to the music (which is why you hear a lot of marching drums and guitars (mainly of the electric variety) in them. And a low synth, apparently...), but P5 was already about revolution in a sense. It's a bloody synonym to REBELLION, P5's main theme! And even then, they still could've kept the violins to keep the P5 sound. But, they chose not to for reasons that escape me.

So, in conclusion, I'm not big on the soundtrack to Tactica, and my findings have led me to conclude that it's because some lone bandit snuck into Atlus' headquarters, and stole all of their violins. The only thing they had left was little Ami's drumkit, so worked with that.

Pt. 1

Pt. 2

Pt. 4

Pt. 4.5

Pt. 5

Pt. 6

Pt. 7

[veskscans]

Persona Sketches by Kazuma Kaneko

Long post today. I recently picked up Megami Ibunroku Persona Club, a fan book that includes 12 of Kaneko’s rough sketches for the game’s original Persona designs. Here’s scans of them that I did over a couple of days, they were printed tiny so these were the best that I could get (there are also textless versions in the link).

https://drive.google.com/drive/folders/1waKTLvlDJb3DJAHWOUSgYVUEyXYiBiUO?usp=share_link

I’ll provide translated commentary too... translated by me, so it might not be that great. I’ll give my own input underneath as well, but I won’t be translating the handwriting on the art. It’s hard to read, for one, and it just outlines basic features and colours, likely for sprite artists to use as reference.

‘Vesta, the goddess of hearths in Roman mythology. The shape of her hat is somewhat reminiscent of a jester's, and her lack of legs is a distinguishing characteristic. Her entire body is covered in leather’.

Vesta also reappears in P2 EP, and is Yukino Mayuzumi's initial Persona in both games. You can also spot Vesta behind some text in the Persona Original Soundtrack booklet here.

‘Gozu-Tennō, deity of the Gion Shrine in Kyoto. According to some legends, he his sometimes equated with Susanō. The horns extending from his mask and intertwining with each-other are quite impactful’.

The cape is meant to be coloured red... definitely inspired by Spawn. Also in the  Persona Original Soundtrack booklet, here.

‘Aizen-Myōō, the love deity of Esoteric Buddhism. She can transform sentient beings' lustful desires and troubles into spiritual enlightenment. Buddhist statues often depict Aizen-Myōō with the face of a scary-looking man, but the female image used here is perhaps the most human-like’.

Kei Nanjo's initial Persona in P1. Also in P2 EP, with a couple of additions to her design. Aside from her heels and long, black coverings, it’s essentially P1′s design replicated underneath.

“Lakshmi, the goddess of beauty in Hindu mythology. The protruding back of the head looks a bit like an alien. The rubber material used in these designs comes from Kaneko-san's favourite clothes”.

Not in P2 IS, but she does reappear as a sprite in P2 EP, with different colours. The head was definitely inspired by the Xenomorph from Alien.

“Kali, the goddess of war in Hindu mythology. The protruding design of her breasts is quite striking, but their bellow-like shapes are less noticeable in-game”.

Also seen controlling Maki in the 'Dolls' artwork.

“Shiva, the god of destruction in Hindu mythology. Both Shiva and Kali had different rough designs than the versions shown on page 4”.

The art on page 4 is just the finalised art of Shiva and Kali. The designs are the same as they are in the sketches, I think they just meant the art is different.

“Garuda, the bird god of Hindu mythology. The cape, pose and mask are reminiscent of old-fashioned anime”.

The anime in question seems to be ‘Science Ninja Team Gatchaman’ from 1972. Thanks to @RustyVanBurace on Twitter for pointing this out. Notice the G on their belts, which I suppose stands for Gatchaman (I haven’t watched it). Garuda also has the G on his stomach, but in this case, I guess it just stands for Garuda, lol.

“Vishnu, the main deity and god of creation in Hindu mythology. He has appeared in commercials and other media, so you might recognise his face, but few people actually identify him as Vishnu”.

Here’s a link to the commercials in question. He probably has the most art of any Persona in the game, which might be why the only text in the art is his name. There might have already been public material that the sprite artists could have used for reference, or maybe this art was done earlier on, and Kaneko didn’t think about outlining colours just yet.

"Durga, an incarnation of Kali. Her hat-like mask and the design of her clothes, which seem to be made of a rubber material, make for one of the most daring outfits in the series”. 

Yukino Mayuzumi's ultimate persona in both P1 and P2 IS. If anything, it got even more daring in IS, with robo-hands cupping her boobies and being used as high heels.

"Shōmen-Kongō is prominent god in the Kōshin cult. Kōshin-tō monuments can often be found along roadsides. He is the initial persona of the protagonist, who you will see many times during awakening scenes. He has somewhat of a Tokusatsu design".

Better known as Seimen-Kongō. The name means 'Blue-Faced Vajra-Yakṣa'. I know next to little about any Kōshin stuff, so don’t trust my translation for this one particularly. Sometimes he’s depicted with three monkeys, as seen below. The monkeys are the origin of the phrase “see no evil, hear no evil, speak no evil”, which is why one has a mask over their eyes, another has a mask over their mouth, and the last one has... headphones, lol. Shōmen-Kongō has a tail in the art below, but not in the rough art.

On the Tokusatsu note from that last sentence - I don’t know enough about Tokusatsu to guess what it’s from, but the face, including the lack of mouth, looks like a mask in particular. The yellow lines going down his body also look like something from Ultraman.

"Urvashi is a prominent Apsara (celestial nymph) in Hindu mythology. Her design strongly expresses the dancing aspect of the Apsaras”.

Cool design, but she’s not all that notable in-game. She’s meant to be the ‘main’ Apsara, so it’s surprising that the only other game she appeared in was Majin Tensei II.

"Hanuman, the heroic god of Hindu mythology and the original form of Qitian Dasheng. The only motif remaining from the monkey figure is his tail. The shape of his head is quite familiar...”

Last one! AKA Sun Wukong, Seiten Taisei, Son Gokū, etc., you know the drill. The shape of his head is quite familiar indeed, since it comes from Ultraman. Ultraseven, in particular. Also notice the similar plated design on the neck and shoulders. Thank you AtmaFlare for finding this dude (or on Twitter, @atmaflare).

^ Is this Kaneko’s magnum opus?