#perfection indeed

[boomerangguy]

Sukka? Wonderful.

Pajama onesies? Cozy.

Foo Foo Cuddly Poops? Adorable.

Sokka and Suki in their Foo Foo Cuddly Poops pajama onesies???? Perfection.

Thanks so much to @jasminedragonart for the commission!! 👏🤌🙌

[khaopybara]

i have nothing to say in my defense. just look at them.

FIRST KANAPHAN as KANT PATTANAWAT and KHAOTUNG THANAWAT as BISON music video for DESTROY LOVE and episode 3 of THE HEART KILLERS

[canisalbus]

I made them out of clay to turn into pins or something but just as I was about to finish, Maschete CRACKED

Kinda on brand for the poor guy

I’ll fix him soon lol

.

[odetojupiter]

so, we know that abuse and victim responses to abuse are very central to aftg, but what i find interesting is how other characters respond to the victim’s reactions, especially when it comes to mourning their abuser. there’s something about kevin mourning riko, aaron mourning tilda, neil mourning mary, andrew mourning cass, thats so important to me because it really truly highlights how even when people are united through similar traumas, the differences in their situations makes it impossible to fully understand the relationship a person has to their abuser. neil, aaron, and andrew are united through the abuse, neglect, or - what the fuck is the word i’m thinking of? permit? condone? i mean, knowingly allowing it to happen and not intervening - stemming from a maternal figure. but neil can’t understand why andrew would hold on to cass for so long - he refused to let her go until aaron came into the picture. and andrew can’t understand why aaron would mourn for tilda, potentially viewing aaron’s grief as a betrayal of their promise. and they all ridicule kevin for his reactions to riko. of course, neil and andrew are also abused by riko, but they still can’t understand the complicated relationship between kevin and riko because, at the end of the day, they just weren’t there.

i mean this is primarily an observation but i really love how trauma and trauma response is depicted as nuanced, complex and overall just difficult to understand from an outsider perspective in the books. it reads as really real, and though it can be frustrating when a character doesn’t understand a different character’s response, you have to understand that their perception of said character’s response is warped by their own experience of abuse.

andrew bounced from home to home, never had stability, so obviously he held tight on to the first mother-figure that didn’t outright hurt him. his self-worth was probably low enough that he thought living with drake was a fine price to pay to keep cass.

neil only ever had his mother, and he’d willingly accept her harsh hands because he believed she was just keeping him safe from the very real dangers that were closing in on them.

aaron was dealing with an addiction, and so was his mother; he was equally dependent on her to avoid withdrawal as he was scared of her anger.

i don’t really have a point anymore but you get what i’m saying

[ingravinoveritas]

David and Michael at Pub in the Park in Chiswick today!

[lunareclipses-moments]

Tokyo debunker fandom is more unhinged in Facebook than on Tumblr

That's only a small example

Credits to the artist if you are here on Tumblr since I didn't find the original one

The original artist is here !!! @xaanhv

My friend added me to a Tokyo debunker group on Facebook I hate her for it because I will never see the characters in the same way again ever ☠️😭😭

[mizgnomer]

David Tennant at the Evening Standard Theatre Awards - November 2023

for Tennant Tuesday (or whatever day this post finds you)

[rosalie-starfall]

Agatha: House of Harkness Agatha: Coven of Chaos Agatha: The Darkhold Diaries Agatha: The Lying Witch with Great Wardrobe

Agatha All Along

[leclercskiesahead]

your favourite barista is on shift / a perfect Monday morning wake up ☕️

— Scuderia Ferrari

[severemiraclefest]

Takemura Tuesday 🏵️

with komorebi vibes

[fizzigigsimmer]

Steve: *proposes randomly in bed* I think I wanna marry you.

Billy: Fuck you Harrington!

Steve: Wha…?

Billy: *muttering obscenities* Now I gotta cancel the gondola and the birds. We’re still going out to eat though cause I’ve had this reservation for like six months.

Steve: Oh… well I wasn’t really proposing, I guess? We could still -

Billy: Fuck you! No take backs. You’e marrying me. End of story!

[fisheito]

@dancermarianne ok. ok so. when i got this:

i thought, oh, did you send me a pic of yaku's new sprite expression? haha! well. joke's on you, i've already seen-

*FACESMASHES INTO MY KNEE FROM THE FORCE OF MY SUDDEN LAUGH*

[happy-mokka]

The perfect house (TM).

[talesfromthebandgeekmafia]

David Tennant’s performance in Much Ado About Nothing is perfect but specifically his delivery of “For man is a giddy thing, and this is my conclusion.” where he looks straight at Beatrice with all the adoration in the world and it becomes a declaration that she is his conclusion. Beatrice is the whole point purpose and end of all. This moment is the rest of his life laid out ahead of him and he is so completely content with his choice.

It’s such a beautiful bookend because this is a play. Benedick is a character and his marriage to Beatrice is literally his conclusion. It’s the end of his story. But it’s also an assertion of the characters’ love and devotion in a beautiful poetic metaphor, and not only is it one of the lines that solidified the 2011 production as my favorite, but it’s also just one that I think about and it scrambles my brain a bit with its sheer romanticism.

[ingravinoveritas]

David is all of us looking at the new photos of Michael...

[kingslionheart]

Just so some king in this world may have driven one of his favourites from him, or he may have been forced from the king against both of their wills; then hath he many torments and many mishaps in his exile, yet he may come to the same lord whom he before was with, and there be much more worshipful than he was. Then he will recall the misfortunes which he had there in his exile, and yet not be the more unhappy — Alfred the Great's translation of St. Augustine's Soliloquies