#people who know i write things but who i can't share other stuff with

[arcanewhoosh]

hiii how are you? I hope ur doing well!

I dont know if your requests are open or not so if they aren’t feel free to just ignore this :)

i was wondering if you could write a jinx X female reader (if not female gn is totally alright whatever you’re comfortable with) a soulmate au with jinx where it’s the reader who goes to the alternative universe instead of ekko, but instead of just going to one universe, the reader ends up going to multiple ones. she/they find out that jinx is her/their partner in every universe, in every timeline, in every possibility, making them soulmates.

I actually made a post about this idea, asking if anyone could write it, but I also wanted to ask you as well because I just adore your writing so so sooo much. I could honestly read your work for hours without getting bored or tired.

I Think We're Kind of Made for Each Other

This work will be posted (with an additional scene) on AO3 here. Please note that the work posted there will be tagged as Explicit

24.3k words

Proofread? Y/N

Relevant Tags: JinxXReader, Female Reader, Soulmates AU, Multiple timelines, Violence, Major character death, Suicide, Self-Harm, Alcohol consumption, Original side character, Canon compliant, LoL characters

When the anomaly at the Hex Gate transports you and your friends across realities, you're forced to confront the different lives you live in each one. But will you be able to accept a hard truth when you face the only constant thing in every timeline?

A/N: I just wanted to say, that this has to be my magnum opus. I don't think I can write another oneshot this long. To be fair, the idea had been floating in my head for a while, so when the request came, I kinda went crazy. And to think I thought I could write this in a day lol.

Nevertheless, I had a lot of fun writing. I highly encourage you to read some of my other stuff, purely because there are a few references in this story.

Please enjoy. And if you like it, feel free to share with your friends.

One

The feeling of wetness on the side of your face wakes you up—your entire left side, actually—as a dull ache starts to throb in your head. Barely register the rain pelting down on you, as you open your eyes and try to catch your bearings.

There's a loud ringing in your ears, but you can make out muffled shouting and gunfire, the sizzling in the air followed by a boom. It triggers the fight or flight response in you, but everything is hurting and you can't remember how you even ended up here. You should be doing something right now, but for the life of you, you can't figure out what. Your hand wipes at your ear as you open your eyes to inspect it, an unsurprising streak of red on your fingers is starting to smear as the rain continues to pour. Your vision swims for a few seconds, and you figure a concussion is going to be added along with the possible ruptured eardrum in your list of injuries.

Thankfully, your gaze focuses on the sight in ahead of you. The familiar bridge dividing Piltover and Zaun, cracked and blown off at sections. There are armed people hiding behind a barricade on your side of the bridge, shooting at enforcers at the other end of the bridge.

You plant your hands on the concrete and try to push yourself up, getting to about knee level before a sharp pain in your foot knocks the wind out of you and fall back down.  It only occurs to you now to look down and inspect the rest of you. Banged up, caked in dirt and blood—Whose blood was that?—0and your clothes torn at odd places. Your foot is still there, and it's not dangling off at an awkward angle, at least. You grit your teeth and try to move the injured limb. The pain wracks through your body, but your foot moves nonetheless. Sprained, not broken; good.

An explosion next to you pulls you back into reality and starts up your sense of urgency as you crawl away to cover. You hide behind a fallen pillar and try to get your bearings. A number of people run past you, all carrying guns and explosives from what you can make out—Why are we in a gun fight with the Pilties?—all ignoring you as they erect more barricades and set their weapons up. It might be the adrenaline, but you can't for the life of you remember how you ended up in this situation. What the hell were you doing here?

You close your eyes and try to block out the pain from your head and ankle, willing yourself to recall the events prior this firefight.

This was all planned. Carefully planned over the course of years.

The painstaking effort it took to build weapon factories in the fissures to stay out of Piltover's radar.

the underground hand-to-hand combat classes.

"You know, you say we should feel like we're all one people—"

Expanding Zaun southwards to facilitate growth for the future.

"Is that a wild rune?"

"I have no idea what that is."

Noxus antagonizing you for trying to build a better city for your people.

"No, don't touch it!"

"Ekko--"

Your thoughts are interrupted when a pair of hands grab you by your shoulders. Your eyes snap open at the figure in front of you, her pink eyes all too familiar with you. She looks worried—about you, no less—and affection blooms in your chest the same time a feeling of repulsion comes over you. Jinx, you try to say, but you're still reeling from your injuries and your attempt to recall what had just happened, and you're not able to utter a word. She's speaking, but you can barely make out what she's saying because of the ringing in your ears. You try to read her lips, but your mind is too hazy to make sense of her words.

She realizes that you're not understanding her at all, and she spots the blood still coming out of your ear. She gingerly wipes off some of the blood with a gloved hand, and you instinctively—instinctively??—lean into her touch. She pulls out a small vial with a needle at the end of it. The pink glow of its contents immediately tells you that it's shimmer, as Jinx takes off the  cover with her mouth and spits it out to the side.

"No." You say. At least you think you do, you can't really hear yourself. You hand grabs her wrist holding the needle, but she's faster and leans her hand away just out of reach from you. She grabs your own with her free hand, and gives you an apologetic look. You're not sure why, but you can almost tell that she's trying to say this'll help, I promise.

The smile alone is enough to make you relent, and a part of you is bewildered at the fact. Still, you put your hand down and let her stab the needle into your thigh, its contents seeping through.

You lurch forward at the sensation, but she catches you and holds you as you tense up from the high that shimmer delivers with it. You grab onto her as you wait for the effects to subside.

"It's okay, you're okay, I've got you." She whispers into your hair. You relax, slowly but surely. Besides the fogginess you still feel, you're a million gold coins. You gently push yourself away, taking a look around, your sense suddenly heightened. A short side effect of shimmer, if you remember right.

"Jinx." You finally manage. "Are you okay?"

She scoffs, but you know that it's not out of hostility. "Don't you think I should be asking you that?"

She has a point. A part of you wants to contradict her for the fun of it, but this isn't the place, or time. You peek over the side of the pillar, the barricades are holding strong, even gaining ground over Piltover. The momentary safety provided by cover is enough for you pull Jinx and yourself on your feet.

Her face if covered in dirt and grease. She was supposed to be working on Fishbones, away from the front lines. "You're supposed to be on higher ground."

"I'm not gonna sit on my ass while you're all here risking your lives. Besides—" She pushes a rifle onto you. "Fishbones is ready. Once the Noxian's ship is even an inch within range, they're done for."

You shake your head. "You're better if you're--"

"No." She starts. She has a determined look in her eye, the same one she sports when she wants you to drop an argument. And you drop it, every single time.

"I'm just as good as a shot as you. And we're winning." She gestures toward the bridge, where the line of enforcers and Noxians troops are slowly but surely backing away. "We'll need as many boots here as we can. You said it yourself, the hardest part is gonna be holding the line once they call for negotiations."

Your grip tightens on the rifle. You were so close to freeing Zaun. Wait what?

Freeing Zaun? No, you needed to save your tree, with the firelights, and all the refugees. You needed to find Ekko, and Heimerdinger, and Jayce. Jinx… Jinx was the enemy. She killed your friends before, blown up your safehouses, let Silco flood the streets with shimmer—

"The Noxians ships are here!"

You both turn to the east side of the bridge, and spot the fleet approaching. Their pace glacial because of the narrow path on the water. They start deploying smaller boats filled with their soldiers, headed for the small docks on your side of the bridge. You turn back to Jinx, her eyes are still trained on you. She takes a breath, and opens her mouth to say something--

"Cap! We're armed and ready!" A blob of pink hair catches your attention; it's Vi, waving over to you from a distance away. "Give the signal!" You look up to the rooftops above her, a group of people rolling three launchers forward, all trained on the large vessels in the water. The blue glow coming from the HexTech gemstone running through lines on the launchers they were all hauling. One for each ship.

"This is it." You say as you grab Jinx's arm. "Go take cover."

"And leave you here? Fat chance."

"Jinx."

"I'm staying." This stubborn little—You sigh, now was not the time for a petty argument. You were about to give the go signal for a possible war-ending—or war escalating—attack. You settle for pulling Jinx with you as you zigzag towards where Vi is, bullets flying everywhere.

"We're armed and ready." She says as she crouches next to you. You know you can't delay the command, but a pit settles in your stomach as the weight of your decisions starts to sink in. The number of lives that'll be lost from this.

But you don't have the luxury in time, not in war. All you have is the culmination of your split second decisions and the consequences that follow.

"Tell them to fire." You state it with such calmness that it surprises the three of you. Vi nods, nonetheless, and gives the signal to the fighters on the rooftop.

In the few seconds that the high pitched screech of the launchers resonate through the air, the battlefields becomes silent. All eyes trained on the rooftops of Zaun, then the Noxian ships.

The first rocket hits a ship. A loud bang is heard as it makes contact, followed by a muffled explosion as smoke starts to billow out of the ship. The vessel stops moving, and a line of soldiers dressed in red start abandoning ship as fires start erupting out of doors and windows. The other two ships follow the same fate. A loud bang, an explosion, the smoke, and people desperately trying to get away.

You stare at the horrific sight in front of you. There are no sounds from the guns firing from each side, no bangs from projectiles being launched from mini Hex gates. Everyone has stopped whatever they were doing and were now watching people on ships, trying to escape the inferno quickly building up.

Your head throbs, and you stumble as you try to walk towards the bridge. Jinx catches you as you fall to your knees, your head suddenly as heavy as lead, the ringing in your ears returning, louder this time. Jinx is trying to tell you something, but your vision begins to blur, and you feel like you need to just… shut your eyes for a few moments.

-----

Two

"Hey, Ms. Port Master extraordinaire? Hello?"

The snap of fingers brings you out of your stupor. You blink a few times before clearing your throat.

"Sorry." You try to flash a smile to the woman in front of you. Her eyes scrutinize you for a brief moment, seemingly trying to figure out what was going on in your mind, before her infuriatingly attractive smirk adorns her face.

"Didn't peg you for a lightweight."

You snort as you take a sip from your glass. "I'm not a lightweight."

"The zoning out is kind of a dead giveaway."

"I wasn't zoning out. I was lost in your eyes."

"You weren't even looking at me."

"I had to look away cause I was getting lost in your eyes?"

She lightly punches your arm—damn she's strong—before leaning against the counter of the busy bar. You sit close to each other, citing the noisy atmosphere and the hindrance that would cause during your conversation, but you both know better. You wanted to sit close because she was, pardon your French, too fucking attractive. Hers, you weren't sure yet, but you'd be able to find out eventually.

"I'm guessing you don't get lost in all of your customers' eyes, too?"

"Just yours." You’re not a lightweight, that much you’re certain. Tipsy, however, you very much are. If the brazen flirting wasn’t making it obvious enough.

"And you weren't out last night with some poor girl who also had engine troubles?" You put a hand over your chest.

"You're breaking my heart here, blue." The feigned hurt in your voice does little to deter the eye roll that Powder gives you. You let out a laugh as you put your hands up as a mock sign of peace. "Hey, I swear I was trying my best to be professional earlier, but I'm off the clock now, so I can flirt as much as I want."

"Oh, we're flirting?" You furrow your brows at her.

"Was that not clear?"

"Nah, not really."

"Do you platonically get lost in people's eyes?"

"Maybe. How do I know you don't take girls here every night? I could ask the bartender."

"Go ahead, he's an unbiased party. Besides," You shrug. "Even if I did, I'm a regular here so he wouldn't snitch on me."

"Don't put words in my mouth you muppet." the burly man working behind the bar walks towards the two of you, refilling your drinks. He winks at Powder. "Don't worry love, I'd sell this one for a sack of potatoes--"

"Hey!"

"But." He says, a thick eyebrow raised at you. "Lil' missy here isn't a revolving door of lovers. In fact, I don't reckon' she's ever brought someone here. Or landed a date, actually—" Powder snorts into her drink, and you take it as a sign that it's time to usher the barkeep away.

"Okay, thank you Ed, for the refills. I think there's some people asking for you over there." Ed laughs as he lumbers over to the other side of the bar. You keep your eyes on him until you're sure that he's occupied, before turning back to Powder. "I do in fact, get dates. For the record."

"Oh, of course, I totally believe you."

"I mean it."

"Completely believe you."

"Okay, now you're just messing me." Your ego is a bit bruised at Ed's interruption, the shit eating grin on Powder's face isn't helping either. But she's smiling, and for some ungodly reason, you consider it as a win. You shake your head and take a longer sip from your drink, why the hell were you so sappy all of a sudden?

"Okay, okay. Sorry, toots." She nudges you with her shoulder. "No more teasing."

You raise an eyebrow at her. "No more bruising my ego?" She shakes her head and crosses over her heart.

"Nope. Serious questions only, from this point forward."

"Oh? Like what?" You turn to her and prop your chin on your hand.

"Like…" She bites her lip and looks at a random spot on the wall of drinks across from you, momentarily in thought. At this point, you're not even trying to hide your staring. She doesn't call you out on it when she looks back at you, but a small smirk plays at her face. “You’re drunk.”

“Just as drunk as you are.”

“I’m not drunk yet.”

“You’re literally slurring your words right now.”

“…I’m tipsy.”

You do your best to hold back a chuckle. “Hi tipsy—“

“Gods, please don’t.” She groans and hides her face in her hands. “I was just starting to find you attractive.”

“I thought we were done bruising my ego?”

“The dad jokes make you free real estate.”

“Okay, alright.” You laugh. Gently prying her hands away from her face. “Just ask me your question.“

She relents, but doesn’t let go of your hand as she sets her hand down the counter. “Hmm…”

“Did you grow up here?”

“Here? No, I only came here about five years ago. Looking for my great perhaps and all.” A momentary ring in your ear causes your breath to hitch, but Powder doesn’t seem to notice.

“Where are you from?” She continues, her eyes slightly glazed but reflecting her curiosity.

“I’m from—“

The Free Nation of Zaun

The Undercity

Why the hell would I tell you?

“Hey.” Jinx gives your hand a gentle squeeze. You do your damn best not to yank your hand away. “I’m sorry, you don’t have to tell me.”

Bilgewater, you’re from Bilgewater.

“No, it’s okay.” You squeeze her hand back before she has the chance to pull away. "Could you give me a second?"

You wait for her to nod before you push yourself off the stool and make your way to the bathroom. You quickly lock the door and rest your head against it. The ringing in your ears returns, and your breathing becomes ragged. "Where the hell am I?" You look over to the bathroom mirror, and you're surprised to see the figure standing in front of you.

Your hair is different; your face—you look healthier? Not someone who grew up in the Undercity. You walk over to the sink, planting both hands on either side, scrutinizing your features further. It's you alright, somehow. Only it's also not.

Born in Bilgewater, left for adventure, ended up here working at the port.

"No." You shut your eyes as you shake your head. "I was born in the Undercity, I'm a firelight, we came across a wild rune and… now I'm here. I need to find Ekko, and Jayce, and Heimerdinger." You repeat the words a few more times, just to make sure you don't forget. The sound of water flowing out of the faucet as you turn a knob offers little comfort, but the cold sensation of the water when you splash your face helps.

You're about to turn and exit the bathroom when you spot something on your arm.  A small thing, peeking out of your sleeve. You gasp as you pull your sleeve back, the web-like patterns of the wild rune threading a line over your forearm.

You needed to find out what was happening, and why you've already encountered Jinx twice, every time you did whatever you were doing. Were you hallucinating? Did you just hit your head and was currently having a really trippy dream? You decide to think this over once you shake off Jinx, Powder, whoever she is. Easier said than done, since you kept acting like some lovesick fool.

When you return to the bar, Jinx is still there. Her back is turned to you, but her shoulders are slumped in a way that you can immediately tell that she's not in a good mood.

"Oi." Ed flicks your ear, ignoring your protest. "What the hell are you doing, making that sweet lass upset?"

I wouldn't use sweet to describe her.

"Sorry, I—uh, I'll fix it."

"Damn right you will. You come across someone like that once every lifetime." He pushes you toward the bar, before going back to clear a table.

"Sorry about that." Her head whips up in surprise, clearly not expecting you to be back. "Lost myself for a bit there."

"I…I thought you snuck out, honestly. It's no big deal, happens sometimes." She shrugs, her shoulders tense. She's trying to be nonchalant about you suddenly excusing yourself, but she was still slurring her words, and her gestures were becoming uncoordinated, so it wasn't really working. She looked more upset the more she tried to play it off.

You reach over the bar and grab a pitcher of water and a glass, filling it up and handing it over to her. "I'm really sorry about that."

She glares at the glass before reluctantly downing its contents "S'fine." A few beats of silence pass, and you unexpectedly feel guilt start to bubble up in your chest. No. No. No.

“I grew up in Bilgewater.”

"Huh?"

"You asked earlier, where I was from? Bilgewater. Terrible place, really." 

She folds her arms on the counter and rests her head on them, closing her eyes. “Why’d you leave?”

“You get sick of the smelly pirates? Though, I do have to give them credit, their wild stories of adventure and conquest is what made me leave in the first place.”

"You didn't just join some random ship?"

You chuckle. "And get myself killed for some dumb mistake? No thanks." You refill her glass with water, before picking up your own and swirling the brown liquid around. You recall working in a bar, up in the higher levels of Bilgewater, where adventurers spent the coin that they made from their exploits, before begrudgingly having to go back down and gather a crew to earn more. A vicious that kept repeating itself. Sometimes, if they were lucky, the whole crew would survive, but those instances were few and far in between.

Memories. You realize. These are all your memories, or, whoever you are here, at least.

A properly functioning Hex Gate was capable of transporting ships across continents in a split second. Does this mean a magically screwed up one could transport you to a different life entirely? Was it because of the remnants of the anomaly on your arm?

You shake your head, this was stuff that Ekko was good at, not you. You needed to find him, fast.

But first, take care of this one.

As if on cue, you hear a light snore come from next to you. Jinx is knocked out, clearly not bothered by how she's awkwardly hunched over the counter. You sigh, you have no idea how to get back home, but you decide to handle that issue tomorrow. Right now, you had a drunk Jinx to take care of.

Thankfully, you remember where you live, because having to haul around a drunk Jinx was difficult enough. Small victories though, as you realize that this is better than being stuck in the middle of a battle field. You settle yourself on your bay window, looking over to Jinx's sleeping form on your bed. Tomorrow, you'd start figuring out a way to get home. For now, you'll try to get your first wink of sleep in Gods know how long.

-----

Twenty-eight

In the indiscernible amount of time that has passed—for you, at least—you've come to realize the following things: 

You are not hallucinating, nor did you hit your head, you are, in fact, jumping through universes and different versions of yourself.

The first hurdle you had to get through was getting your bearings when you'd get thrown into another universe. It took a few tries, but eventually, you were able to come to your senses immediately after jumping to the next plane of existence you were in. You always repeated the mantra you made back in the second jump you did, the last thing you needed was to forget where you came from. The thought of aimlessly wandering through universes, feeling like you've lost your mind, you can't even imagine how terrible that would be. You needed to find the others as soon as you can.

The length of stay always varied and timelines can repeat, but there are always miniscule variations.

This was still a working theory. You've only repeated a timeline once, but you had enough wits about you to realize that some objects were a different color to their preceding counterpart, or that instead of Ekko explaining something to you, it was Scar. With how long you'd stay, there were a few instances when you'd only stay for a few minutes, but the rest spanned to about a week at the longest.

Somehow, some way, you and Jinx are connected in some way, shape, or form. In every. Single. One.

The last one was especially jarring, considering you had never even met Jinx officially back in your universe. Sure, you’ve had run-ins with her because the Firelights would frequently be trying to intercept shimmer routes, but you don't think barely surviving one of her chompers counted as an introduction. On top of that, she was your enemy back home, but in every single jump you've had so far, the two of you had a somewhat established relationship. This was good, in a way, because at least you didn't have to be on your guard constantly while you tried to figure out a way to get home.

"I can hear you thinking from over here."

Speak of the devil.

You ignore the comment from your friend. Emphasis on friend. In this universe it seemed, the both of you were Academy students in Piltover, mercifully platonic. You decided to do your best to study wild runes and HexTech when you could, but it proved to be difficult when you were distracted by that Other You's feelings for Jinx. At least this place gave you access to a literal sea of books and a clear enough mind.

"Hey, don't ignore me." Jinx opts to lightly tug at the top half of the book you're reading, and you can see her blue eyes peek through the space. That's right, no shimmer exposure in this universe.

"I'm studying." You deadpan, hoping she'll leave you alone. You get a mock imitation of your words, instead.

"No you're not, none of our classes are even looking into dusty old books about runes." She has a point. Truth be told, you're supposed to be studying about ethical practices in the field of body modification for utility uses. Which was close to nothing, really. But you can't really tell Jinx why you're reading about runes, now, can you?

"Have you ever heard of this thing called supplementary reading?" You shake the book off of her fingers, and go back to your futile attempt to learn about magic. Not that this book was any use, there wasn't even a list of runes and their definitions on here. The girl in front of you leans back on her chair and lets out an exasperated sigh.

"Ugh, you're boring. Let's go do something fun!" Her foot kicks at your shoe from under the table, and you have to lift both feet up to avoid her kicks.

"Hey! Not everyone can sleep through every class and still get high marks, Jinx." You scoot your chair out from under the table to put distance between the two of you. "Some of us have to actually study."

"What's studying without any field experience?"

"Pipe down. The librarian is gonna kick us both out, again."

She sticks her tongue out at you, but lowers her voice. "Come on, I'm dying of boredom here!" She splays out her upper half on the table, arms toppling over some of the papers and books you—Very neatly!—stacked for reference.

Your mouth forms a thin line, her rowdy, and playful personality had become apparent to you once you went through a few more universes. She'd get pissed if you ignored her for too long, but the structured environment of the Academy hindered a her from having any outbursts. So you opt to continue reading your books instead of taking the bait, quashing any urge from the You of this universe to make a side comment about her behavior.

She continues with her ranting about you not having any fun or having a stick up your ass. Her jabs get progressively more offensive, but that's how her and the Other You here interact. It's not fun for you yourself, because you didn't have the patience to make a jab at her without losing your cool.

You rub an eyebrow with one your hands, before gripping the book, willing yourself to focus on the next few pages in case they provide any useful information. You try to tune out the other girl, who has thankfully gone quiet.

You move book to book, thankful that this version of you could read and absorb information so fast. Sadly, you couldn't find anything about wild runes. Looks like Piltover was strict about distancing itself from magic as much as they could.

You don't look up from your book until you hear a grumbling from in front of you.

"What was that?" You close your book and pile it onto the Useless pile--which was all of them, really--and raise an eyebrow at Jinx, whose arms are crossed and is looking off to the side.

"doyouwannageticecream" You blink.

"Jinx, I'm not gonna understand a word you say if you keep grumbling like that."

She rolls her eyes. "I said, do you wanna get ice cream? or something."

Huh, how random.

"I made you upset earlier, and ice cream makes people feel better so..."

"I wasn't upset" You were.

"Yeah you were."

"I was annoyed."

"I know your annoyed face from your upset face."

"There's a difference?"

"So you were!" She slams her hand on the table, and is met by an irate librarian shushing her. You're once again taken aback by how different each Jinx behaves from the others. Where you were sure your universe's Jinx would have shot that poor woman, this one sheepishly rubs the back of her neck and throws a peace sign at her. If you weren't exposed to your universe's Jinx, you would have found her behavior cute. But you were exposed, so it absolutely isn't, and you're not going to play along with her to make her feel better.

"Thank for the offer jinx, but I'm not really in the mood to get ice cream." Good. "...and I'm not mad at you, or anything." You swear the last part was added in by Other You. Nonetheless, this seems to work as Jinx relaxes, resigning to making paper airplanes with the notes you had made while you went back to reading.

"Wanna break into Giopara's lab?" She starts.

"No."

"I think you'd want to—"

"No."

"If you say so." the singsong tone in her voice and the in caring shrug sets off alarm bells in your head. She's baiting you again.

Your eyes narrow at her. "You're being weird."

"No I'm not. I just thought—seeing as you're all interested in runes all of a sudden--you'd want to look at Giopara's vast  book collection on that very subject."

"How the hell would you even know that?"

"Cause," She shrugs again. "He keeps saying I'm not living up to my potential and tries to make me read more Hex Tech origin stuff."

Your mouth hangs open, but you manage to close it before Jinx calls you a blubbering fish. "Wait a second. You're saying you've been reading about runes and Hex Tech?"

"Yup."

"So you know that the books here in the library are useless?"

"Mhm."

"And you've been letting me waste my time reading through them like an idiot?" 

She sits back in her chair and crosses her arms. "They're not useless. They're just... Not useful."

"You're such a dick sometimes." Your remark is loud enough that the librarian to shush you as well. You whisper a sorry before turning back to Jinx.

"And you always have a stick up your ass." She whispers loudly.

"Yeah cause someone has to keep you from getting yourself killed, or worse, expelled!"

She snorts. "Really toots? Getting expelled is worse than getting killed?"

"The chances of getting expelled are higher with you, unfortunately."

She leans forward conspiratorially, a grin on her face. You don't notice yourself mirror her. "So come with me to break into his office, so I don't get expelled. Don't you want to read all those rune books? He doesn't even keep track of what gets taken out of there."

"Then why don't you just borrow them during lab hours?"

"What fun is that?"

"Jinx!"

"We'll be quick, five minutes, tops. And you'll have your dumb rune books." You grit your teeth. On one hand, You could just ask her to teach you what she knows. But you've known her—Other You!—your whole life, so you're a hundred percent sure that you'd have to pry that information out of her cold, dead, hands. On the other, Jayce's head was so far up in his own ass that Jinx was probably correct in saying he wouldn't notice any missing books.

I also don't know when I'll be yanked into another universe. There was also that.

"How sure are you that you can get us in and out that fast?"

"A million percent. Dude forgets to lock the door sometimes." She's already standing up and shoving all of your notes into your book bag, your eye twitches just the tiniest bit, before your head snaps up to look at her.

"How do you know that?" You ask as you start carrying the books to the book trolley.

"You're asking too many questions here. Less talking, more walking. Go, go, go." She ushers you out into the hallway, and the both of you start walking towards the east wing of the academy. The sun had already set, so there were much less students loitering. Still, the both of you err on the side of caution and stick to the lesser used hallways where the custodians had already turned off the lights.

You eventually find your way to the front of Jayce's lab, and Jinx wastes no time kneeling on front of the door and pulling out what looked like tools and shoving them into the door knob. This is definitely not her first breaking and entering.

"Where the hell did you get lockpicks?!" You do your best to keep your voice down, the allure of learning about runes slowly dissipating, panic replacing it.

"What did I say about less talking?" She whips around and raises her eyebrows at you, right as she turns the doorknob and opens the previously locked door.

"We're so fucked."

"You know, if we weren't stretched for time, I'd be celebrating you breaking your curse word quota for the day." She yanks her tools out of the door knob, and pushes you into the lab.

The room is nearly pitch black. Thankfully, the unlit hallways were enough for your eyes to adjust to the darkness. The low light from the moon streaming through the windows the only thing helping with your vision. Somehow, Jinx is able to navigate just fine.

"Okay, how often do you actually break in here?"

"How often is underground robot fight club again?" Robot fight club. The only thing Jinx is willing to wake up early for. Wait a second—

"Jinx!" You don't bother lowering your voice. Hoping that the closed room would be enough to muffle any sounds from coming into the hallway.

"What?"

"That's twice a week!"

"Where did you think we were getting our parts?"

"You said you knew a guy!"

"Clearly." She gestures around the room, where there were plenty of scattered machinery parts. Your face pales slightly; this Jinx was going to get You expelled, surely.

"You made me an accessory!"

"And now you're committing the crime. Congratulations, you've been promoted." She opens another door and theatrically gestures at the room. "Your little rune books await, oh great stuck-up one."

You roll your eyes at her and enter the room without any fanfare. Immediately you see that the all four walls of the room are lined with bookshelves as high as the ceiling. In the middle, a large wooden table with charts and books scattered across. Jinx stops next to you and nudges you with her shoulders. "Told 'ya. Worth the risk, right?"

"That's still up in the air."

She scoffs. "You totally think it is."

You don't want to give her the satisfaction of a reaction, but you don't even notice that you're grinning back at her until she puts an arm around your shoulders and waves her hand flippantly at the shelves. Other You's stomach does a backflip.

No. Absolutely not.

"So what are we looking for?"

You once again quash whatever physical reaction you're having. Now was definitely not the time. You walk out of her arm's reach and resort to looking around the spines of the books, already trying to spot their titles. "Wild runes."

There's a beat of silence before you hear her walking around the carpeted floor. "Wild runes huh? Yeah, I think I've seen a few of those around. Don't think I read them, though."

"That's fine." You start rifling around the shelves. Reading through anything that looked promising.

Jinx is the first to break the silence. She usually is. "So what are these books for, again?"

"I told you, supplementary reading. Also there isn't much to read on out ethics class so might as well fill my time with something fun."

Jinx doesn't reply, and you're happy to keep on reading through your books until you get a nagging feeling that you've just done something wrong.

You turn around to look at Jinx, who was plopped down on the floor and half-heartedly pulling books out, before seemingly placing them somewhere else at random. You mentally kick yourself when you notice that her shoulders are slumped. Opting to put the book search on hold, you walk over to her, hesitating for a moment before sitting down next to her.

"You know you can tell me stuff, right?" Her voice is quiet, and it's unsettling that you have the sudden urge to comfort her.

Yes, yes of course. This version of you felt completely at ease with Jinx. But you can't afford to be distracted by affection that wasn't even yours to begin with. If only you could explain that you've been universe-hopping and that in every single one of them you were in love or falling in love with her, and that you were trying to at least stall in this one so you could get as much information as you could before you got dragged into a different timeline again.

You can't, not really. But you know better than to try to lie to her.

"I think there might be another side to Hex Tech that we haven't discovered yet."

She stops rearranging the books and turns to you slightly. "What do you mean?"

"Like... Equal and opposite reactions."

"You think Hex Tech might have negative effects?" You feel your guilt lift at the curious glint in her eyes as you nod.

"Something like that. It's just a theory, though. I don't have anything to back it up."

"Well," She stands up and heads over to a shelf at the far wall. Pulling out an old looking tome. "I think this is just the book you're looking for." She blows off dust from the cover, coughing lightly from the cloud that forms. You quickly stand up and walk toward her, looking over the tome.

My ticket home—

"I don't care if they think I'm hogging too many testing hours, my methods actually work."

The door in the other room slams shut, you and Jinx immediately crouch down and move to turn the light off. Your eyes barely have time to adjust before Jinx pulls you over to the window.

"Are you crazy? We're on the second floor!" You whisper as she tries to pry it open.

"Less talking, more helping." As if on cue, you hear ruffling near the door. Less talking, more helping.

You help Jinx open the window, one hand still clutching the tome. You pray to every God out there that Jayce actually won't realize he's missing a book. The both of you swing your legs over the edge, and you grab onto the wall, suddenly feeling very nauseous. Jinx on the other hand, is grinning like a maniac.

"Aim for the bushes."

"Aim for the wha—"

You're unable to finish your sentence as Jinx pushes you out the window. You were wrong, the chances of getting killed might actually be higher than getting expelled.

While this was the first time Other You was getting pushed out of a window, this was fortunately—and sadly—not your first. Your instincts kick in and you're able to land on your feet, using the momentum to tuck and roll safely on the ground. All with the tome still clutched on one hand.

You're about to give Jinx a piece of your mind when she mouths catch me and you panic and free up your hands, just in time for her to land right into your arms. Sadly, however, strength doesn't carry over between universes as well as technique. Your knees buckle and you fall backwards. You barely have time to recover before Jinx is tucking the tome under her arm and pulling you up to your feet, already running away from the building.

You follow suit, quickly discovering that cardio was also not transferrable between timelines. Still, you keep running until your legs are burning and you see the dorms come into view, only stopping once you're both safely hidden at its side entrance.

You somehow beat Jinx to the door, your hands on your knees as your chest heaves. She comes to a stop right next to you. Planting a hand on your shoulder and using you for support.

"That was—"

"Fucking stupid."

She slaps your shoulder and laughs, commenting about how she likes this new, cussing, version of you. You take a second to compose yourself, huffing before standing to your full height, ready to give her a piece of your mind. Instead you stop short, your faces only a few inches apart. Thankfully, she seems just as surprised at the proximity, enough that she drops the infuriating grin on her face.

Her eyes flit to your lips, then to your eyes. A pointed look in hers. A challenge more than an invitation, really.

Your mind goes haywire.

There are many, many—actually so many—reasons why you should not, at all, kiss Jinx. Different timeline or not, you, specifically you, cannot do it. It would be the greatest betrayal to your people, your friends, everyone you know and love, your moral code, your promise to take down Silco's empire and clean the Undercity, Ekko, Heimerdinger and Jayce; have you mentioned your friends?

A tug at the front of your shirt, her biting her lip to stop a smile that reaches her eyes anyway, and your resolve begins to slip.

You can feel her breath on your lips.

"Stop thinking."

You will swear on your grave that it's the Other You that grabs her and closes the gap.

-----

Ninety-five

Timelines can have profound disparities from each other, but they could also have nearly miniscule, insignificant ones as well. This means that you could jump from one timeline where you were wearing a blue shirt, then a red one in the next, with everything else staying the same. Be a firelight in one, and next thing you know, you're an enforcer.

Sometimes, the big and small changes can mix things up. While they haven't been a huge inconvenience to you in the past—present, future?—they sure as hell were now.

Exhibit A: You're an enforcer.

Exhibit B: You're thrown into the mix on the day of the bridge explosion.

Exhibit C: Instead using a chomper to blow herself up, Jinx rigs the underside of the middle of the bridge with explosives.

At this point, ninety-five jumps in, you should really learn to be more vigilant when it comes to tackling unpredictable situations. Not that you can fully put yourself at fault, of course. You just wanted to make sure Ekko and his friends survived.

…And arrest Jinx so she didn't blow herself up. Then nothing else!

So why the hell am I lugging an unconscious Jinx into my apartment? You wonder as you set Jinx down on your bed. The panic and anxiety of the Other You understandably building up, seeing as she and Jinx haven't met yet. That and you're an enforcer harboring a wanted fugitive. And she killed Other You's friends, so the grief and anger are really making things confusing.

You roll Jinx onto her back, checking to see if she has any injuries. There's a deep cut on her side—courtesy of you while you were fighting—but nothing you couldn't stitch up yourself. Granted she doesn't wake up and shoot you, first.

Lumbering over to your bathroom where you kept your first aid kit, you flip the lights on. There's a semi-concerning pool of red on the front of your jacket, and your undershirt. You turn to the mirror, and spot what looks like a gash right under your breast. No big deal, it'll stop bleeding on its own. Must've been a sharp part of the bridge that nicked you as it collapsed, or maybe you cut yourself while fishing yourself and Jinx out of the harbor. Something I can fix later.

You grab a chair and settle on the side of your bed, taking out your suturing kit and disinfecting your hands. This shouldn't take too long, but that was never the problem. The problem was what would happen after Jinx wakes up.

You initially thought of just taking her to her hideout, but you ran the risk of running into Silco's people. While you could've just left at the docks—well, you don't really have a reason to not have left her at the docks, now do you?

You shake the thought out of your mind and get to work on closing the cut. It wasn't bleeding as much, but leaving it alone could get it infected, plus it would take forever to close.

Not that I care. You futilely tell yourself. As if saving her from dying, carrying her back to your home, and stitching up her wounds were normal activities between an enforcer and a fugitive—a fugitive of your creation!—on any given day. You weren't even originally planning on stopping her from dying. You know she comes back, pumped full of shimmer and allegedly a thousand times faster. Your only concern was getting Ekko to safety, but then one thing led to another, and you had your gun pointed at her as you were telling her she was under arrest. Everything should have worked out fine, if only the bridge didn't blow up.

Once her cut's been stitched up, and you change the bandage on an injury on her leg. You do a once over to check if she has any other life-threatening ailments. Once you deem that there are none, you decide change into a clean set of clothing. After slapping on a bandage over your cut—also bleeding a lot less—and putting on a sweater, your eye catches the mark the wild rune left on your forearm. You're reminded about another discovery you made: The mark was slowly fading.

You hypothesize that it had something to do with the number of times you were jumping through timelines. Did that make it a timer? Or was it a limited number of lives that was counting down to zero? And what does that mean when it runs out? Will you be stuck in that timeline forever? Or will it return you back home?

Learning about Hex Tech and runes was proving to be difficult jumping around to different timelines every few days. You'd have to pick up right where you left off every jump, and even then your access to resources was limited depending on the timeline. Not that you were making any progress, anyway. You were convinced that you needed to be a proper magic user before you could make sense of what you were learning.

You put your first aid kit away and head back into your room. It's not without difficulty, as you feel the adrenaline rush you had back at the bridge slowly ebb away; you're surprised it even lasted this long in the first place. But now you needed to rest a hand against your dresser for support, a feeling of lightheadedness starting to take over. Staying steady was actually becoming a bit difficult.

The hand you're using for support shifts to the side, as you struggle with your balance, and tips over a small container. The familiar rattling of pills catches your attention. You pick up the bottle and rattle it again before reading the label. A nagging feeling at the back of your mind is telling you that you've forgotten about something.

...Iron supplements. It read.

Uh oh.

"Fuck"

You suddenly feel like the best course of action is to close your eyes for a bit and sit on the floor to collect yourself, as you vaguely register the pill bottle clattering onto the ground.

Five seconds. That's all you need and you'll be back in tip top shape.

One.

Two.

Three.

A weight on your stomach, pushing out all the air you're trying to breathe in.

Four--

Click.

Your eyes open blearily, barely registering the barrel of a gun right in front of your eyes. Your gun, in fact. Panic and dread start to fill your senses, and for the first time since you hopped into this plane of existence, you agree with Other You's

feelings. If this was any of the preceding timelines, you would've been confident that Jinx wouldn't harm a hair on your head.

But not in this one.

You look past your gun and spot blue eyes staring at you. Some of the panic you feel dwindle when you see the curious look in her eyes—you can read her like a book at this point—and the slack of her grip on the gun. At least she isn't planning on shooting you immediately.

"Hello." You croak out, your voice hoarse from sleep. Oh no, were you a mouth breather in this timeline too?

Her hold on the gun straightens; your attention is immediately rapt and trained only on her. "Silco got you in his pocket, or something?"

You hesitantly swallow. Saying yes to buy yourself time was certainly one way to do it, but on the off chance that this was a test, that was a one way ticket to getting a bullet in your cranium.

"No."

The tip of the gun leaves your vision for a second, but you're spared no relief when you feel it jammed under your jaw. Wrong answer, then.

She comes into full view, sitting on your stomach—so that's why you couldn't breathe—boots on either side of your chest. "So what, you some kind of sicko? Saving poor 'ol me, patching me up? Or are you one of those delusional Pilties that think you can save some misunderstood girl from the Undercity?" Her head tilts to the side, a lilt in her voice as she says the last part.

"No." You struggle to get the next words out. "I swear." Your hand ball into fists as she jams the gun in deeper. Wait a second, my hands are free. I can take her do—no. No. I am not going to escalate the situation.

An oversight, or a challenge?

"You had a clear shot at me, you didn't shoot. I try to blow you up, you fish me out of the harbor and stitch up my wounds." Your eyes flit to her bandaged side She leans her face closer to yours. "Why?"

Well you see, I think we're kind of made for each other. You're tempted to say, but you doubt she's in any state to believe you. In any case, you'll actually come across as some sicko. Not that Other You would have shot her, either. You could feel the hesitation on her end when you had the gun trained on Jinx. If Marcus hadn't pulled his gun on Kiramman, she might have, but she thankfully had some sense of justice, and seeing the sheriff's true colors come out was enough to view everything with more scrutiny.

You have an inkling feeling that Other You would still end in the situation you're currently in. One way or another.

"I…I don't kno—"

"Liar!" The butt of your pistol connects with your temple, and you're nearly knocked out again. The room spins, and you're barely able to focus on Jinx again before her nails are digging into the skin on your cheeks, forcing you to face her. There's frustration written all over her face, but you know that she's just trying to make sense of the situation, if her shaking hand is any indication. Your fault, really, Other You is confused as hell, too.

She moves a foot back, and shifts so that her knee is carrying her weight—you're half thankful that it's not on your stomach anymore—as she leans forward. Her face closer now.

Your eyes focus back on hers. A mix of emotions swimming on those pools of blue; frustration, hostility, anger. But you also see panic, vulnerability, regret, and confusion. Her grip on you face loosens marginally. And then it hits you.

She didn't want to hurt you.

One thing constant in every timeline that you've been to, is the almost magnetic pull you felt towards her; the need to always have her in near proximity, and the sense of calm that would come over you if she was. And try as you might, you couldn't ignore the wave of affection that you would feel while you were with her.

Is it possible she feels this as well?

It's a risky thing to test, especially since you didn't know what would happen to you if Other You died. But it is kind of your own doing at this point.

You say nothing, hoping that she'll fill in the silence.

Her hand continues to shake, but you can tell that her anger is already wavering. You almost miss her asking you why again, she probably meant to keep it to herself.

"I don't want to hurt you either."

Risky. But you don't have a lot of options left.

She lets out a breath at your words, the gun retracts.

"Who are you?" Her voice is quiet, unsure.

Your soulmate, apparently. "Nobody." You answer semi-honestly. You were, technically, she hasn't had the chance to know you in this timeline yet.

She shakes her head and looks away. "No you're not." The softness of her tone catches you off guard. Her hand moving away from your cheek to clutch the collar of your sweater, doubly so. "You…you're familiar."

"Like we already know each other." Her eyes meet yours again, the surprise in them evident. She said those same words to you in a few past timelines. You always thought they were just little variations in those particular versions of her, but now…this just supports your hypothesis that she also cycles through the same sensations you do.

Your eye catches a faint streak of light manages to slip through your closed curtains, providing a miniscule amount of light into your dark room. "It's morning." You muse out loud, looking back at the still speechless girl on top of you. "Enforcers are going to be everywhere. You need to get out of here."

Her sense of urgency is seemingly stirred by your words, and she pulls you up along with her. Confusion still litters her features, you hope the smile you offer her is enough for comfort.

"Can you walk okay?" her mouth opens and closes a few times, still at a loss for words. You decide to push your luck, slowly reaching a hand over to touch her free arm. "Jinx."

Her brows furrow. The question of your knowledge of her name accusingly reflected in her eyes.

"I heard Kiramman say it, at the bridge." Thank goodness she actually did. Otherwise, this would've been very confusing for Other You in the future.

"I—" She starts. "I have to go."

You nod. "There's a fire escape out the bathroom window. Hold on—" You go to your dresser and pull out a hooded coat, moving to drape it over her, only to stop short when her shoulder tenses. Her eyes are trained on you, a slight air of hostility between them. You don't push to put on the coat, but you don't lower your arm either; waiting for her make the decision for you.

Her eyes flit around the room, seemingly trying to find her words around your home. She lets out a sigh, her shoulders drooping slightly. You take this as a positive sign, and gently place the coat over her shoulders. You see her hand tense around your gun, not in a threatening way, instinctively.

You slowly back away from her to give her space. She looks away from you as she slips her free hand into one of the sleeves, before grabbing the gun and slipper her other arm into the remaining sleeve. It's a little big on her, but the size and the addition of the hood is enough to hide anything that could immediately identify her.

There's uncertainty in her eyes when she looks back at you; she hesitantly lifts the hand holding the gun, the barrel clutched in her hand. "This is yours."

You shake your head. "As much as I hate to say this, you might need it."

She mutters an oh before holstering the gun in her hip. You gesture to an open door and lead her into the bathroom, pulling the window open and checking if there was anyone in the alley below. The sun was slowly but surely rising, it's rays already illuminating the dim streets in the main road.

"Coast is clear, stick to the alleys and you should be fine." You stand aside and let her climb out, her hand resting on the windowsill. The look she gives you tells you that she's trying to find an ounce of deception in your features. But she won't find any, not when it concerns her, not ever.

"I'll…I'll get you your gun back."

"Don't worry about it." You shrug. "I'll find you."

You see the ghost of a smile on her lips as she turns around and climbs down the ladder, disappearing into an adjacent alleyway.

"I always seem to find you." You mutter to yourself.

-----

One Hundred Sixty-Eight

The familiar smell of grease and burnt metal fills your nose as you enter your old workshop. Jayce had been kind enough to hand you the keys after you had asked if you could see the old place. Don't go too crazy he said. You rolled your eyes at his comment, of course. It wasn't as if you were going to steal anything as a souvenir; maybe draw something inappropriate on a whiteboard, sure. But as you drew closer to the lab, you spotted Jinx's car, and well, now you were going there for two reasons. You should have just turned around and not indulged Other You's—not yours!—thoughts. The length of time you spent in each timeline was getting longer on average, and you had to make the best of it while you could, especially with the mark slowly fading with each pass.

You walk towards the wall of the shared space, everything was still as messy as you—Other You—remembered. Diagrams and papers still littered table tops, probably permanent coffee stains on tables. But the hanging photos were new.

The first one was of Viktor and Jayce when they first started working on Hextech, just two young adults that barely knew what they were doing. The second one was of you three right after they had officially hired you. The third one was Jayce, Viktor, Ekko, and Jinx. Your eyes stray back to the middle photo, the one with you in it. The moment felt like lifetimes ago.

It's strange, looking at the person cheekily smiling back at you, already older than you in your original timeline. This body felt terribly tired, like the Other You here went through the ringer trying to get here.

The sound of a chair screeching and shuffling around one of the rooms grabs your attention. Your eyebrows furrow. Jayce didn't say anything about someone else being here, especially nearing midnight. You cautiously make your way to the room, trying not to make too much noise in case they'll think you're an intruder. The door is ajar, letting light seep through the darker main floor. There's a pull in your chest again, and you're reminded of your second objective here. Other You had wanted to speak to Jinx earlier, but couldn't because there was a line of other people that wanted your attention. By the time you broke free from the others, Jinx had already left.

A familiar warmth fills your chest. It looked like she had gone straight back to work after the party, still in her dress, heels discarded on the side, twirling a pencil as she looked over notes. Her headphones were on, and the couch she was lounging on was turned away from the door, so you doubt she'd hear or see you moving around.

You open the door fully and lean against the frame, deciding to wait until she notices you standing there. Not like you'd go unnoticed long, she probably felt the tugging too.

It's not even a minute before she stops what she's doing and turns around. There's a split second where surprise crosses her features, but she quickly recovers, raising an eyebrow at you instead.

"Come crawling back to the slums have we?" She says as she takes off her headphones and leaves it at her neck. She wears her hair down nowadays. It's also shorter here, only reaching the middle of her back. It's refreshing to see, and you find yourself brushing off the question of whether or not the older Jinx in your timeline would cut her hair the same one day.

"Something like that."

She scoffs, turning back to look at her work. Her words are friendly, but there's tension in the air. You're not sure if you should move into the room, or leave.

"Don't stand there like a creep, come sit." She pats the space next to her. There's no edge to her words either, so maybe the tension is coming from you. You're aware that there's a significant amount of history between her and Other You, but you're not sure whether this is the time or place to be settling past issues. What you do know, is that you shouldn't wait any longer before sitting down next to her.

There's a metal box in the coffee table in front of you, next to where Jinx has propped up her legs. "It's a prototype for a gemstone case." She says before you can ask. She takes the small box and twirls it in her hand, small prongs are protruding on the inside. "The goal is to make sure the gemstones only work if they're in these. So we can start using them for the more dangerous jobs around here; stop people from stealing them, since you have to break the case to get the stone."

You take the box when she offers it, testing the weight of it in your hands. "Did you go straight here after the party?"

"Not much to do there for me." She shrugs. "I'd rather work on this. Besides, you went here after the party, too."

"Fair point." You set the case back down on the table, and watch Jinx place it on a small stand to the side. "You work until midnight often?"

The corners of her lips quirk into a smile. "Talis is drowning in debt with the amount of overtime he has to pay me." You're about to laugh along with her, till you remember Jayce's comment earlier. Jayce you little—

She nudges you with her shoulder. "You're thinking again, that can't be good."

"Jayce."

"What about him?"

"Some dumb comment he said earlier when he gave me the keys to here."

"Oh?" A mischievous look in her eyes. "What did my boss say, exactly?" You grimace. This isn't fair, she fully knows Jayce said something completely out of pocket.

"Nothing."

"Bull. Tell me so I can take it out of context and bully him into giving me a raise." At this comment you actually laugh. You don't doubt that Jinx has probably done that at least once already. Jayce's tendency to say things without thinking is the worst thing to have when working with someone like Jinx.

"Tell me." She nudges you again, this time with a little more force. "Or else."

"Or else what?"

"I'll kick your ass." Just like that, the tension in the air lifts. You remember the times this version of yourself was at odds with Jinx, only to make up after spending a few minutes together. It's terrifyingly so easy, how fast she can disarm you—literally and figuratively—like it's nothing. How she beckons you over and you oblige with desperate speed. But Other You isn't as experienced in resisting Jinx's charms—ie your souls being tied together, apparently—so you still have the audacity to push her buttons.

"Aren't you too old to be threatening to kick people's asses?" She leans back, mouth agape, you snort at her expression, but the entertainment is short lived as a throw pillow connects with your face. You huff, genuinely surprised that she'd hit you. She throws her head back and barks out a laugh at your expression.

"Can't believe you're still a brat at thirty."

"Watch it, buster. You're the same age as me."

"You know what they say about growing up being a choice." You duck this time when she swings, grabbing the throw pillow next to you and decking her in the face with it. For a second you think that you hit her too hard—and these throw pillows were notorious for being harder than regular pillows—but the second you drop the one in your hand, she tackles you.

You're momentarily disoriented as your back lands on the seat. Jinx hits you a few more times, before she pins you down with the pillow, legs on either side of your waist, chest heaving. You sink further into the couch as she leans in close.

"Take that back."

The logical side of you knows that you should just say sorry, but the prideful side of you refuses to relent. "Which part? Growing up being a choice, or you being a bra—" The pillow thuds against your face. "Ow! Hey! Those things hurt."

You sit up to grab her wrists before she can land another blow. She pushes you in response, getting herself pulled down with you in the process. You lean a bit to side to stop your heads from hitting each other, Jinx pressing flush against you. The last thing Jayce needed was one of his employees getting a concussion because of a pillow fight. Though, you could use that as an excuse to get rid of the old throw pillows, but that would come with the price humiliation for you and Jinx. Not to mention relentless teasing from your other friends.

You shake your head at the train of thought. You were thinking too much about this, you really should have just turned around earlier.

The sound of her laughter brings you out of your musings. The way her chest rumbled with each breath. She rests her head in the crook of your neck, it doesn't even occur to you that you've let go of her hands, instead moving your them to her back and keeping her close—so she doesn't roll off and hurt herself, of course.

You yourself were out of breath, and probably flushed—because you were getting older and tire easy, nothing else!—as you felt yourself laughing with her.

When she lifts her head to look at you, she makes sure that she's still close enough her lips brush against your jaw. The both of you know it's a proven and effective way for your mind to go blank, for you to focus solely on her. You keep telling yourself you be able to resist it, eventually. You never do.

The logical part of your brain once again reminds you that it's not a good idea to be this close, to prolong the time you two are in close proximity to each other. That you need to prioritize finding a way home, that there are people that depend on you and that this is irresponsible behavior. But for some reason, you find yourself not wanting to listen for once.

Maybe it's just because your souls might be tied to each other. Maybe it's because you spent the last one hundred sixty-seven timelines watching other versions of yourself being in love or falling in love with her. Maybe it's because of the Other You here, and her relationship with this Jinx. The both of you are older in this timeline, you've known each other longer, know each other better, seen each other grow together and apart, only to find your way back to her, over and over again.

It's not just that, though.

It's the softness in her eyes whenever she looks at you, the way she brushes your hair out of your face. It's every time she checks on you if she senses that you're not alright. It's her knowing what you want to say before you say anything. How immersed she gets in her work, drowning out the rest of the world while she works on a project. Every morning that you've had to wake up next to her, watching her sleep peacefully. It's her temper, and how passionate she gets when arguing over something. It's finding her doodles and notes that she's left for you every single timeline. It's the urge to find her when you end up in a timeline where she isn't immediately by your side.

It's her, all one hundred sixty-eight versions of her, and every version after. Honestly, how many versions of yourself do you have to watch love this girl before you finally admit it to yourself?

Too many.

"Got something to say to me?" The corner of her eyes crinkle as she smirks at you.

It's how she knows you.

"I love you." You breathe out. She doesn't try to hide her surprise this time, or isn't able to. She blinks a few times, and you smile at the fact that it's her mind going haywire for once.

You take advantage of her being momentarily stunned, sitting up, keeping your hold on her so she actually doesn't fall over.  She instinctively holds onto your shoulders for support.

"It's getting late." Her eyebrows furrow at your words.

"You just told me you love me, and now you're dipping?"

"I mean…You haven't answered, and I'm getting sleepy. Plus, the bed at the hotel I got is really ni—"

She doesn't let you finish as she yanks you into a kiss. You happily oblige, sighing and pulling her closer. Sadly, it doesn't last long as she breaks the kiss with a start, pushing your shoulders back when you try to chase after her lips.

"You really need to learn when to shut up sometimes." You take the hint and stay quiet, trying to bite back the smile already forming on your face. She rolls her eyes at your expression, having trouble hiding her own smile.

She doesn't need to say it back, not really. You understand that she hasn't seen Other You in a long time, and although the latter felt the same, your confession was more of a selfish move for yourself, really.

You can wait. As long as she wants, as long as she needs.

Her eyes flit back to your lips, before returning to your eyes. The mischievous glint returning.

"What's this about your hotel room having a nice bed?"

---

Two Hundred Fourteen

Meetings at the Firelight hideout weren't unusual.

In fact, a lot of your meetings with the group were often held here. Especially once Jinx had found out where you lived. So when you received a message from Ekko asking you to head over there because they had gotten a tip about a shipment of Shimmer, there were no alarm bells ringing in your head. A rookie mistake on your part, really.

To be completely fair, you had taken advantage of the two months you were here. You've never stayed anywhere over ten days, and the fact that you still had some semblance of the mark on your forearm meant that you were still going to get pulled into a different timeline at some point. But in the meantime, you started tinkering with equipment you could use to build your own Hex gate. The only thing missing was a gemstone.

Also in order to be completely fair. You were busy with Jinx, who you were slowly trying to convince to leave Silco's employ entirely. Which was a complicated thing to tackle, because you were an independent contractor that often worked with the Firelights. This meant that when she started showing up to your home unannounced, you had to switch up your dead drops and meet up points with the group, if only to keep the peace while maintaining your most consistent client.

And now you're in this predicament.

Surrounded by Firelights, plus Vi and Caitlyn.

You had hoped, foolishly, that this was as similar to your timeline as it was gonna get, at least with the limited amount of jumps you probably had left. You were lucky enough that Other You here and Jinx had met previously, and already kickstarted the inevitable chain of events that would have brought them together. You thought you had time before Vi and Jinx would meet, which was due in a few days from now.

You thought a lot of things, but at the end of the day, that was all they were. Two Hundred timelines in, and you still had trouble dealing with unpredictable situations.

"Piltover is one bad day away from sending enforcers to find Jinx."

"Damn, I hope they find her, then." Ekko groans, clearly not in the mood for the clueless act. Caitlyn steps forward a bit too abruptly, you draw your gun, everybody draws their weapons. Caitlyn glares at you, daring you to make the first move. You're a good shot yourself, but you know from past experience that there was no way you'd beat her in a gunfight.

"Hey—hey! Easy!" Vi gets between all of you, arms up, trying to lessen the tension. Ekko nods at his people—your people—and they lower their weapons. You shake your head for a second, before lowering yours. Other You was being protective and reckless, you had to control yourself. The last thing you want to do is hurt your people.

Caitlyn keeps her rifle trained on you, you maintain your glare towards her until she puts her gun down. "This is pointless." She looks towards Vi. "I say arrest her, and lure Jinx out."

"Can't arrest me if you're out of a job." Caitlyn narrows her eyes at your response. Fuck, wasn't supposed to know that.

"What, you think I don't have eyes and ears topside?" You're fairly sure that she'll buy your bluff, purely because there's no other explanation for you to know that. Thankfully Vi calls for everyone's attention.

"Look, we won't get anywhere arguing." She looks over to you, a silent plea in her eyes. You feel terrible about all of this, of course. You know she's just trying to find her sister after years of being locked up unfairly, in Stillwater no less!

"I know you care about her, and that you're the reason she's been quiet the last few months." It takes a bit of effort to keep your face neutral, your mind already working to figure out just how exactly they knew about you and Jinx. Had you become careless these past few months? Was she careless?

She moves a bit closer to you, arms in a placating gesture. "But if she doesn't return the gemstone, or worse, Silco gets his grimy hands on it, then Piltover will flood the streets with enforcers, and it'll be another civil war."

You wish you could tell them that Piltover wouldn't be able to handle the Undercity now, not with shimmer already being weaponized.

"I don't know where she is." You answer truthfully. As close as you two were these last couple of months, you didn't make it a point to know her whereabouts at every single hour of the day.

Caitlyn interjects. "Six enforcers are dead because of her, even more people wounded. Are you really going to protect someone who was willing to kill so many people in cold blood?" She makes a move to grab you, but Vi holds her back. Your jaw clenches. You thought you had swayed her enough that she wouldn't have gone through with the Progress Day attack.

Vi looks over to Ekko, who has mercifully stayed quiet. There's a disappointed look on his face, either for your involvement with Jinx, or your indirect betrayal on the Firelights, you're not sure. He nods over to the other FIrelights, who all lunge at you.

You try to fight back, easily sidestepping to avoid the first person to lunge, then using their momentum to launch them into the next person. A third person tries to hit you with their club, and you narrowly duck under their swing, springing to push them off their feet, and make your way to the door. On any other day, this would've been a fun sparring session, but sadly it wasn't any other day. And this was quickly becoming a one-on-seven fight.

Ekko grabs you from behind and bear hugs you. You feel the air being pushed out of your lungs as you struggle out of his grip. You drop to your knees, using his temporary loss of balance as leverage, and swing your body forward, he stumbles enough that his grip loosens, and you throw the rest of him over your shoulders. You turn around to make your way to the door again, before a fist connects right on your jaw. That's right, Vi is here, too

You quickly fall to your knees, the room is already spinning. you pitifully try to maintain your balance while on all fours, hanging onto a nearby chair for support. Two people grab you by the arms and begin to drag you away, you try to pull your arms free, but are met with a kick to the gut. You relent, letting them drag you into a dark room.

Their version of a holding cell, tying you down and taking your holsters and your coat. You're still a bit disoriented, but you're lucid enough to recognize Ekko's shadow when he approaches you.

"I'm sorry it has to come to this," He starts. "But if Silco gets his hands on Hextech, the Undercity will lose a lot more people. Good people."

You feel your chest ache at his words. You've been fighting for the Undercity your entire life, that's the last thing you want. But never in a million lifetimes would you betray Jinx. "You have to let me find her, Ekko." You plead.

"I can't trust your judgment on this."

"Try." He purses his lips, for a second you think he'll let you go. You weren't as close her as you were in your timeline, but you hope that your reliability in this one is enough to convince him.

He sighs, and the spark of hope you have is snuffed out. "This is for the best." He stands up and leaves the room, two guards replacing him.

Normally, you would be flattered. Two people guarding you even though you were already unarmed, and it doesn't even look like they're changing shifts soon. They don't take your eyes off of you either, so you pass the time counting the seconds. They probably already left to go find Jinx, which meant you had to give them at least a half hour head start before you could try to escape.

The minutes pass by quickly, and once you're nearing the thirty minute mark, you start prepping your escape plan.

They took away your coat and your holster with your weapons, but they didn't take away your belt. Which was a good thing because you actually needed it to pull your baggy pants up, but also because you had jammed a blade in between the leather. A knife was also welded into the buckle, built to quick release with the push of a button.

You carefully start to pry the blade out of the leather, being mindful not to cut yourself. You successfully get your knife out, quietly cutting your hands free. your next order of business was your feet. You'd have to time it with taking out both guards, who were both about six steps away from you. If you were lucky, you'd be fast enough to cut your feet loose and take them down at the same time.

You hedge your bets on yourself, and quickly lunge forward, cutting your feet loose in one swift motion. Both guards stand up, and you toss your knife just close enough to one of them that they freeze. You grab your other knife from your buckle, meeting the one still running towards you halfway. You slide downwards, jamming the butt of the knife into his knee, then following up by clocking him in the jaw with it as soon as he falls down. The one that was momentarily stunned launches himself at you, but you expertly roll out of the way and jump from behind him, putting him in a headlock. You tighten your hold, hoping to knock him out quickly. He struggles for a few moments, before his arms go limp, and you let him fall to the floor.

"Not bad." You say to yourself, impressed. You take the keys off of them and their mask, hoping it'll help you sneak out. Thankfully, you find that your stuff is just in the next room, and you hastily put your gear back on before sneaking out to find Jinx.

She wasn't in any of her usual haunts, or any of your haunts for that matter. You realized halfway through your search that she was avoiding you as well. It made sense; you had gotten her to stop with the over the top antics for Silco, and you were sure she knew that you didn't want her to continue working for him anymore. So this… whatever this was, you were probably not supposed to find out. Unfortunately for her, you're keenly aware of at least some of the events about to transpire. Which meant you didn't have a lot of time left; maybe the timeline of events was sped up somehow? The butterfly effect tended to go crazy, who knows what got kicked into gear when you showed up here?

You're halfway to giving up and going straight to Silco when you catch sight of blue smoke come off of one of the taller buildings in The Lanes. A flare?

"She told me that if I lit this up, she'd find me."

"Anywhere?"

"Anywhere. She promised."

Your feet are already kicking the ground before you even register it.

She had to have heard about Vi being back. How the hell did you forget? The most important thing you didn't take into consideration before running around the Undercity like a headless chicken. Of course she would find out. If they had met Ekko this soon, that would've meant that this timeline had an entirely different flow from yours.

So much for considering variations in the timelines.

The entrance to the old building is bolted shut, so you start climb up pipes and rooftops, anything to get there before the others did. Your arms were burning, but you sure as hell preferred that than having to fend off Vi and the others if they got there first. From the last time this happened, Jinx did not have the best reaction.

You're barely able to shout her name once you get half onto the roof, but you push yourself up and run towards her, swatting the flare out of her hands. Her shock lasts only a second before she rams you in the stomach with Pow-pow. It only occurs to you now that you're still wearing a firelight mask.

"It's me, it's me!" She recognizes your voice before you can even take off the mask. Her hostility quickly dissipates, before being replaces with hesitation.

"I—What are you doing here?" Her tone is accusatory, but it's only half meant. You know she's nervous because she thinks you haven't heard about the Progress Day explosion. You pull her into a hug, hoping to provide some comfort, if any, to make sure she doesn't have a panic attack.

"I'll explain later, okay?" You say as you pull back, cupping her cheeks. "We need to get out of here."

There's a smidgen of doubt at the back of your mind that she'll go with you, but thankfully, she nods as you lead her off of the roof.

The both of you head to her hideout. Not the safest place to go to, but your house was definitely the worse option. You're not even there for a minute before you start questioning her.

"Did Silco ask you to do this?" You say as you set down Pow-Pow on a table. She looks away from you, the shame on her face evident. Your gaze softens at the sight, and you remind yourself that this is Silco's fault, not hers.

"Hey," You walk over to her and gently turn her chin to look at you. "You don't have to go through with what he has planned, alright? I'll return the gemstone, Tell them I found it rolling around in an alleyway."

Fear flashes across her features. "I can't." She pushes herself away from you. "I need to finish what he asked me to do. Then we can…"

You're tempted to reach out a hand and hold her, but you stop yourself short, afraid that you'll scare her away. "What is he asking you to do? I'll do it, just…don't go back to doing the dirty work."

She smiles at you sadly. "He wants me to build something with it." Her launcher.

"Jinx." There's a sudden urgency in your voice that catches her off guard. She doesn't know what'll happen if she makes it, but you do. You know who dies, and what happens because of it.

It's instant, how she recognizes what you want to say, just by looking at you. She walks back over to you and pulls you close, until your foreheads are touching. "It'll be okay."

There's a sincerity in her eyes that nearly convinces you. If you hadn't brought with you the knowledge from your own timeline. Your chest aches for her, how sure she is that things will be fine. "We can just drop this, Jinx." You say softly. She shakes her head.

"No. I can't."

"Why not?" There's a storm brewing behind her eyes. You know she doesn't want to do this. Maybe if you just—

"You just have to trust me."

"I do trust you." You pull away from her, ignoring the instant guilt you feel when you see the hurt flash across her face. You run a hand through your hair in frustration, your hand rubbing the side of your brow. "It's Silco I don't trust! We can just toss the stone into the harbor and call it quits—"

"I told you, I can't!"

"Why?!"

"Because I can't risk it!" Tears prickle at the corners of her eyes. It takes you a few seconds, silence stretching between the both of you, before it dawns on you.

She was doing this for you.

You shake your head. "No. You are not going to do something you don't want to because of me."

She smiles at you sadly. She wasn't going to budge.

A lightheadedness starts to come over you, and you grab onto the desk for support. All of those timeline you had to go through, only for you to cause one to go through the same path yours did. No, you can't let it happen here. There has to be some way to stop all of this.

A pair of arms grab onto yours, grounding you. "Easy there, jelly legs."

You look up at concerned blue eyes, and a thought occurs to you.

"What if we leave?"

She blinks, taken aback by your question. "What?"

"Leave. Start over. Away from the undercity, from Piltover, everything."

"We can't just leave." She tries to look away from you, but you lean towards her.

"What's stopping us? I can get us an airship. Didn't you say you always wanted to ride one of those things?" For a second, you see hope in her eyes. You want to think that she's imagining a simpler life with you—Other You, you quickly remind yourself—away from everything that's ever caused the both of you pain.

And then It's gone, and she backs away from you. "You should go." She turns away from you, idly looking at her notes.

Anything she wants, anything she needs. Your jaw clenches, but you're dead set on this solution. It's the only way to keep everyone alive in this.

"Tomorrow, at the docks. I'll have an airship ready."  

Tomorrow couldn't come sooner.

It could, actually. Because the time between you leaving Jinx's hideout and waiting on your newly acquired airship seemed to have passed in the blink of an eye. And now you were pacing around the outside, waiting for her to show up.

You shouldn't be this nervous, you know she'll show up. It's nearly guaranteed that she'll show up, nothing's stronger than the bond between the two of you. There's a slight pang of guilt as you consider that you took advantage of this, eliminating her choice in the matter entirely. But it'll be fine, this was the best way to avoid a war.

It isn't long before she shows up. She always does, but you feel the weight of the world lift off of your shoulders anyway. You waste no time running towards her and enveloping her in a hug. She holds you just as tight. You know how much she's leaving behind by agreeing to this, her whole life, her memories of her family, everything.

"We'll be okay." She whispers into your ear. You will be forever thankful for how well she can read you.

You pull away just far enough so you can plant a kiss on her forehead. "As much as I want hold you like this." You start. "You'd best get on the ship so I can untie it."

She chuckles a bit before pulling away—not before placing a chaste kiss on your lips—and disappears through the door. You move to hurriedly untie the cleats for the ship.

This is it. You're almost out.

"Stop!"

Almost out.

You whip around and see Ekko, along with some of your Firelight friends. You pull out your gun, absolutely loathing the possibility of having to use it on your own people. The thought of them harming Jinx does little to quell your inner turmoil.

"Just let us go, Ekko." You plead, pride thrown aside. "You and I both know it was Silco who put her up to it."

He shakes his head. "We can't do that. Not when Piltover is threatening to knock down our doors."

"So you're giving up one of your own?!"

"You think I don't understand what that means?" He steps closer to you. "Everything I've done was to help our own. Do you have any idea what it's like having to give up someone you grew up with, to save hundreds more?!"

"So don't give her up, let us leave!"

"She killed half a dozen people—"

"She had no choice!"

"Everyone has a choice!"

"You would've blown up a hundred enforcers if one of them threatened someone you loved!"

"It doesn't change what she did!"

"She only did it because Silco forced her to! Why hell aren't you going after him?" You lift your gun and point it at Ekko, who doesn't back down. All of your Firelight friends lift their own weapons, and you notice some of them gliding around in their hoverboards.

You always wondered what would happen if you died in a timeline.

Maybe it was time to test it out.

"Don't do this." There's hesitation in Ekko's eyes, but the both of you know that there's only one way left for this to end.

His eyes pull away from yours, moving to look at something just behind you.

You hear her call out your name, and you turn, oblige, anything for her.

She smiles at you, The softness in her eyes only reserved for you.

"I love you."

Dread seeps into your bones. There's no reason for her to say it with such finality. You know she loves you, she always does, she always will. You say it back just so she knows that you'll love her in every one, too.

"Take care of Vi for me, okay?" You nod dumbly and she turns around, walking back towards the airship.

The sound of a gunshot echoes across the docks, you think it's you who's been hit, the way the air is knocked out of your lungs, the way your ears start ringing, and everything goes numb.

"It's okay, you're okay, I've got you."

But it isn't you who falls limp onto the floor. It isn't your gun that clatters to the ground. It isn't you who's no longer breathing—not in this timeline.

“I was just starting to find you attractive.”

You stumble towards her, all but falling to your knees.

"Stop thinking."

Tears start to blur your vision, as you try to reach for her hand.

"It's like we already know each other."

Your breath catches in your throat, as you gently pry the Hextech gemstone from her fingers.

"I love you."

A sob escapes your lips. You can't let anyone see her like this.

"We'll be okay."

Your hands shake as you pull off your coat, draping it over her like a blanket.

You don't hear Ekko tell the Firelights to stand down. You don't hear him tell the Firelights to swear to silence.

You found Jinx before she could escape. You were the one who shot her. That was what they were going to tell everyone.

And you—you sit there, holding her hand, as everything else around you falls apart.

-----

Two hundred fifteen

"You need a top up for that, love?"

"No—" A shaky breath escapes your lips. "No, thank you."

How cruel must the gods be,

"Okay, you need anything else?"

To drag you through hell, then bring you back to the start?

"Love? You alright?"

The tears register a bit late, and you quickly wipe your eyes, meeting the concerned gaze of the man behind the bar.

Vander.

"Allergies." You blurt out. "They get pretty bad this time of year."

An eyebrow is raised, clearly doubting your poor excuse. You place your hands on your lap, safely out of his view, just so he doesn't see how much they're shaking.

"That so?"

You let out a nervous chuckle. It's taking everything you've got not to randomly break down at The Last Drop in the middle of the day.

"Yeah, yeah. I uh—I think I'll go blow my nose outside, actually."

"Hold on now—"

Whatever Vander says falls on deaf ears as you slide out of your chair, heading for the side door.

A wave of nausea starts blankets over you as you reach for the door and quickly step outside. You try to take a steadying breath, but there's a painful tightness in your chest, and all you can manage are a few stuttered gasps. Your vision starts to swim, legs collapsing from underneath you—the image of her blood spraying in the air replays in your mind—and you lean against the wall for support. Try as you might, a choked sob forces its way out of you. You clamp your hand over your mouth to keep your cries quiet, as your shoulders violently shake.

She died. Because of me. Because I was brash and reckless.

I shouldn't have tried to run.

I should have waited for things to die down.

I fucked up.

If I hadn't interfered, she would still be alive.

It's my fault.

"We'll be okay."

Your fist connects with the wall. The blooming pain in your knuckles provide a welcome distraction from your thoughts, so you punch the wall again, then again, and again, until red starts to coat the once grey cement. Anything to block out the image of her dying. Anything so you don't see her lifeless body when you close your eyes.

You only stop when you can no longer close your hand into a fist.

You hear the door open behind you, someone stepping out to puking on the side. Poor sap.

There's no way to make any coherent conversation with whoever this drunk person is. So instead, you gingerly cover your injured hand with the uninjured one, and push yourself off the ground.

You stiffen when you see who's throwing up in the corner.

Ekko.

What you'd do just so you could speak to him again. You miss your home, your friends, your people, your tree. Hell, even the grimy smell of the tunnels headed there.

When he's done heaving his guts out, he turns around and flops onto the floor, looking up when he notices you, and you lock eyes.

There's a disoriented look in his eyes, one you're extremely familiar with.

The door swings open again.

"One can't go shouting from the rooftops about being thrust into parallel dimensions without—Oh!" Heimerdinger shuts his mouth when he catches sight of you. He tucks the book he was about to hand Ekko under his armpit. "Hello there miss!" He chuckles nervously. "Quite a day we're having, isn't it?"

No.

No way.

"Ekko? Professor?"

It's Heimerdinger who recovers first. "Oh how wonderful!" He exclaims as recognition flashes in his eyes. "It seems the anomaly which dislodged us from our proverbial reality, also scattered us throughout time!" He throws his hands up, dropping Ekko's book to the ground. "But we're all here now, so everything is fine."

Ekko lets out a sigh of relief, before standing up and dusting himself off. "Man, I thought I was going crazy." Heimerdinger shuts the door again and begins explaining what happened to him while he was in this timeline.

Their conversation barely registers with you; tears once again well in your eyes. You walk forward, barely trying to contain the sob that comes out of your mouth as grab Ekko and pull him into a hug. You don't even try to stop yourself from shaking while you're crying into his shoulder.

The Firelights were a tightknit group, but you were always the less emotional, sometimes cynical one. So Ekko is understandably surprised and concerned when you're clutching onto him for dear life and bawling your eyes out. He holds you and rubs circles on your back either way, and lets you cry.

The door swings open a third time. Heimerdinger lets out a surprised squeal.

"Oh—uh sorry."

You flinch at the sound of her voice. Quickly pulling away from Ekko, you step back a few paces, and wipe your eyes. Your eyes stay glued to the ground, you can't bring yourself to look at her. Jinx's final words start replaying again in your head. There's not much you can do to distract yourself but to try and move your injured hand. It works, and the immediate pain keeps your grieving mind at bay.

"Hey, your hand." She speaks up again.

Fuck.

"It's nothing." You put your injured hand behind your back, grimacing as the pain shoots through you. "I…slipped."

A poor excuse, really. You're sure all three of them can see the blood stain on the wall, but you're not looking at any of them. So who knows, maybe they didn't see it.

"I uh—have something to do with Ekko and Professor." You keep your eyes low as you send a pointed look to Heimerdinger. He shrugs in response. "So we should really go—" 

Ekko thankfully mutters in agreement with you, but Powder doesn't budge. "Ekko! Your friend's hurt, and we have a perfectly stocked first aid kit here."

As if on cue, you hiss as pain shoots up from your hand.

"See?"

"Perhaps it would be better if you allowed Ms. Powder to take a look at your hand." You let out a defeated sigh. Not like you can blame either of them—they don't know what happened to you.

Powder tries to reach for you, but you step away and start walking to the door. She thankfully takes the hint and guides you all through the bar.

------

You're all ushered into the back room that serves as a storage area for the staff, which just meant Vander's children. Powder sets you down on a chair, while Ekko and Heimerdinger whisper in hushed tones in the opposite corner of the room.

Against your request, it's Powder who cleans your hand, and dress it in bandages. She's also the one to put a bag of ice on it to help with the swelling. You're the one blinking back tears or wiping your eyes, claiming it to be pain from your hand.

She's the one to make small conversations, that you give curt replies to.

She's the one to ask you about yourself, that you shut down immediately, claiming to be uncomfortable with personal questions.

She's the one that reaches out, you're the one to pull away.

You still can't look at her, so you settle on staring at whatever interesting item is off to the side or on the ground.

Eventually she gives up, and leaves you with Ekko and Heimerdinger while she goes back to work, claiming she'll be back in a bit.

"What happened to you?" Ekko rushes over to you as soon as the door closes, concern written all over his face. He gestures to your bandages. "And what happened to your hand?"

You shrug tiredly. You could really use a nap right now. "I jumped through one too many realities."

Heimerdinger pipes up. "One too many?"

"Yeah, like, multiple ones…" Your eyebrows knit at his question. "Have neither of you…"

"No." Ekko shakes his head. Moving his chair to sit next to you. "How many realities have you been to, exactly?"

You blink. "This is two hundred and fifteen."

"Two hundred and fifteen?" Heimerdinger drops his banjo and rushes towards you. "And you're still mentally intact?" He drags a chair towards you and hoists himself up onto the table. Pulling out a pen light, he starts shining it on your eyes. "Your pupils looks normal, and I don't see any burst blood vessels…" He continues ramble to you until Ekko steps in.

"Professor, give her some breathing room."

"Oh right, my apologies." Heimerdinger scratches the back of his head sheepishly as he puts away the pen light.

"Okay then." Ekko sits back in his chair, leaning a bit toward you. "So, does jumping through different realities make you beat up a wall and cry?"

Fuck.

"I…I'm fine."

A sigh escapes your friend's lips as he crosses his arms, a frown on his face. "I've never seen you cry, then suddenly you're a sobbing mess."

You let out a shaky breath at his words, muttering a complaint.

"Look, I can't imagine what could have happened to you in over two hundred timelines. I can't even imagine how much time passed for you—"

"Five years, and a few months?" Ekko's eyes widen at the revelation.

"Five years? No wonder you're acting different." He puts a hand on your shoulder. "I can't help you if you won't talk to me—"

"Yeah, well maybe I don't need help." You quip, shrugging his hand off your shoulder. The expression on his face doesn't turn sour. If any, it becomes sympathetic.

"A friend to listen to you, then." He sends you a small smile, and you immediately regret snapping at him.

You tear your eyes at him to stare at the door Powder went through. "It's…illogical and kind of absurd if we're being honest."

"If I may, my dear. We're in an alternate reality where our lives are drastically different."  Heimerdinger says as he picks up his banjo. "I think we've long departed the realms of logic and coherence."

You're hit with a sudden appreciation for your two companions. The familiarity, and the fact that you finally have people to speak with about your timeline jumping, makes you feel less alone after so long. And Heimerdinger is right, you're long past logic, so why not explain to them that you think you're meant to be with one person for eternity?

You run your uninjured hand down your face. "Do either of you believe in soulmates?" Ekko and Heimerdinger exchange looks, before turning back to you with puzzled expressions.

"Soulmates are a thing?" Your friend asks.

You sigh, trying to find the best way to explain. "I'm not exactly sure." A lie, and you know it. "No, wait, I'm sure. Soulmates are a thing, at least for me. I can't confirm for anyone else."

A look of realization hits Ekko. "Jinx... Wait, Jinx?"

"Yeah, that was my reaction too." You say as you pinch the bridge of your nose.

"So you're saying, you're soulmates with one of the Firelight's biggest enemies?" His eyes are wide, you can almost see the gears in his head move.

"You know, enemies to lovers stories are usually a huge hit."

"You don't even read."

"A lot can happen in five years."

"Alright, children, settle down!" Heimerdinger puts his hands up in a placating manner. "I for one, would like to know how you came to find this out. How fascinating! To know your soul is tied to someone." Yeah, fascinating.

"So, how did you find out?" Ekko nudges you with his elbow. You throw him a scowl in response, before rolling your eyes and looking over to Heimerdinger.

"Every timeline. It was always her." You think back to the first time you jumped. "I remember the first jump I did. I was hurt, and she came running over. I remember feeling safe around her; I was only there for a few minutes before I got dragged somewhere else. And then, every jump after, I was either with her already, or at some point headed there. There was never anyone else."

"Was that all? Relationships that kept spanning across timelines?" The professor asks.

"No, not just that. I felt—" Feel. "—this pull towards her. There were times that I'd know where she was if we were close enough to each other."

"How intriguing." Heimerdinger starts pacing the room. "Never in my long life would I have guessed the existence of soulmates. And I've lived a very long life!"

"So something happened in the last one, then?" Ekko cuts in. Your jaw clenches, the reminder hitting you like a bucket of cold water.

"She died, in the last one. Shot herself, to protect me." His mouth falls open at your words, eyes widening slightly.

A heavy silence falls over the three of you; Heimerdinger sighs and walks over, giving you a pat on your knee. "Loss is already such a confounding and jarring experience. I can't imagine it what it felt like to lose one you're destined to be with."

"I didn't even have time to deal with it. I got pulled here right after it happened." Your run your good hand through your hair. "I feel the grief, but I also feel how happy the me in this timeline is when she sees Jinx."

"You coexist with the version of you in this reality?" The professor cocks a bushy eyebrow. You nod.

"Yes, it took a while to get used to. Even longer to manage."

"Well, if that isn't a shining example of your mental fortitude, then I don't know what is!" His enthusiasm softens as he gives you another pat. "You'll make it through your grief, I promise you that." He throws you a reassuring smile. And you feel your spirits lift a bit.

"You and Jinx, huh?" Ekko rubs his chin thoughtfully. "You know, I could see it." He yelps as you punch him in the shoulder with your good hand. "What? I'm trying to be helpful."

"Well you're not."

Heimerdinger ignores yours and Ekko's antics, curious eyes looking at you in anticipation. "So dear, tell me about these realities. Were all two hundred of them different from each other?" You shake your head.

"Not all of them were different, some timelines have very miniscule variations from each other, but are still the same with everything else that's there." You look up around the room. "I've been to this reality at least thrice."

"Incredible!" Heimerdinger exclaims, jumping up from his seat. "And how many unique realities have you been to?"

"Seventy-one, I think?"

"Was there a pattern you followed?"

"No, I just got jumped from one to another."

"How long were you in each reality?"

"I—usually a little over a week."

"Were there consistent behaviors between timelines?"

"I can hear you thinking from over there."

"Got something to say to me?"

You wince, shaking the memory away. "How big did the variations get?"

"Okay, jelly legs."

"Easy there, jelly legs."

"I don’t—"

"Oh, what about the people! How different were we from ourselves?"

"Okay, professor! Breathing room?" Ekko cuts in. Heimerdinger mutters an apology for his excitement. You pinch the bridge of your nose with your uninjured hand and sigh. So much for a distraction. "You okay?"

You nod despite obviously feeling the opposite—if Ekko of Heimerdinger notice, they mercifully don't bring it up—and sink a little further into your chair.

"Let's take a step back from the reality hopping, alright? We still need to figure out how to get home." He looks towards Heimerdinger, who's taken to plucking a tune on his banjo. "Professor, you said that Hextech doesn't exist here, which means there's no anomaly?"

"Precisely."

"Which just means we need to figure out a way to make our own Hextech." The both of them turn to you.

"I'm afraid once just can't go about creating their own Hextech, my dear. Without Jayce's notes, and the crystals—"

"Powder has a stash of them."

"—Excuse me?!"

"—A stash?"

The corner of your lip twitches, and you almost smile. But the crushing reminder that comes with Powder's name quickly grounds you. "She has them at her hideout."

Ekko's eyebrows furrow. "And you know this because…"

You shrug. "She told me, in the other timelines."

"Even so!" The professor gets in between you and Ekko. "Tampering with the Arcane is the reason we're in this very predicament! Who knows what mayhem we'll cause if we try to do it on purpose." Heimerdinger nods over to you. "It's a miracle we didn't have any physical side effects from changing realities."

"Well…" You say before you can stop yourself, causing Heimerdinger's eyebrows shoot up. "I had this thing on my arm." You pull the sleeve of your shirt up, revealing only the faded outline of the mark. "When I first noticed it, it was only my second jump—it was the same pattern as the one on our tree. But now," You run your hand over the faded outline. "It's just this. It was fading every jump I had."

Heimerdinger walks over and pulls out a magnifying glass. "Incredible. To think that the anomaly attached itself to you… Did you take note of any side effects?"

"There weren't any. I was disoriented the first few jumps, but eventually I got used to them."

"Well, if anything. This is a damning reason for us not to further meddle with the Arcane." He pockets the magnifying glass and huffs, Ekko and yourself understandably in disagreement. The latter stands up from his chair, frustrated with the professor.

"We don't belong here, professor. We have people who need us!" Heimerdinger tuts at Ekko and picks up his banjo, idly plucking the strings.

"You two just need to give it time."

"I've been jumping around timelines for five years, I've had more than enough time. I want to go home." The chair you're sitting on screeches as you push yourself off of it, and you start pacing the room. "Besides, I don't know if losing the mark means I stop jumping. I have a little over a week at most. The least I can do is get the both of you out of here."

A frown tugs at Ekko's mouth. "Wait. You mean there's a chance you can't come home with us?"

You sigh. "The conservative answer is yes. Look, we can recreate the anomaly here. We just need the—"

"Am I interrupting smart people discourse?"

You jump at Powder's words, and quickly retreat beside Ekko, eyes glued again to the ground. You don't miss the concerned look your friend gives you.

"Of course not, Ms. Powder." Heimerdinger starts walking to the door, much to yours and Ekko's chagrin. "You two take some time to get situated, clear your minds, and come find me afterwards."

Ekko shrugs from the corner of your eye. "I should get going."

You whip your head around to stare at your friend. "What?"

He puts his hands up. "I have to go uh—look at that thing you told me to check out."

You narrow your eyes at him. Did you miss some code word that was agreed upon? Ekko sighs as he walks behind Powder, you abandoning your quest to avoid looking at the girl in favor of figuring out what the hell your friend is saying.

"You get the thing you told us you needed, and then we can meet back with the professor."

"What?" Ekko looks at you pointedly, then at Powder.

Oh. The Gemstones.

Realization seemingly crosses your features, as Ekko promptly says his goodbye and shuts the door.

Leaving you with Powder. Did they not listen to your grief-filled monologue?

"Well, at least you're finally looking at me." She lets out an awkward chuckle. "Or at least, my general direction."

It's unfair, really; seeing the love of your life die in front of you one second, only for her to stand in front of you—alive and breathing—in the next. Her eyes still alight, curious, inviting.

And you, the mess of you. With your confusion, shock, grief, guilt; melding with relief, and the urge to hold her. The self-conscious look on her face already tearing down the walls you had just put up to protect what was left of your sanity. You couldn't even get away if you tried—and you've tried—because she'd follow you somehow, or you'd inevitably find your way back to her.

The bond of your souls demands to stay intertwined.

"So, do you need help with whatever you were getting?"

You blink. "Huh?"

Her lips curl into an amused smile. "Ekko said you had a thing you needed, that I totally believe exists by the way."

The easiness of how she speaks to you feels like a pair of hands wrapping around your throat. But it was between the friendly approach, or the concerned approach. The latter meant she'd ask why you were crying, so you'll just have to take this one and run with it.

"Uh, yeah." The words come out scratchy, there's an ever-present heaviness in your chest as you look at her, smiling at you. You clear your throat in an attempt to collect yourself. You found Ekko and Heimerdinger, and you have a week to get them—and hopefully yourself—home. You just need to push down the grief until then.

"You know anything about intradimensional travel?"

------

"So let me get this straight. You think you can create a way to transport anything from point A to B at light speed?"

"Not light speed, that's an entirely different can of worms." Powder rolls her eyes at you, leaning back into her bean bag chair.

It surprisingly took no effort for her to take you to her hideout; she even introduced you to Vi. A part of you wonders if this is because she felt sorry for you, but you can't really complain if it brings you closer to the energy crystals.

"Alright hotshot, what is it then?"

"It's more like—" You wince as you try to gesture with your injured hand. "—teleportation." You slouch into your own chair, resting your hand carefully on your stomach. "With magic."

She scoffs. "Can you do magic?"

"Nope."

"Pfft. Get a load of this guy, sis." Your eyes flit to Vi, sitting in her corner. "Sorry." There's a hint of embarrassment in Powder's eyes when you look back at her scratching the back of her neck. Only a second of confusion before you remember that you're a stranger to her here. "You must think I'm weird, talking to a plush of my dead sister. Which I'm not—I mean, I am talking to her. I meant the weird part, but if you ask my brothers they'd probably say I am weird—"

"I don’t think it's weird."

Another roll of her eyes. "Sure you don't."

"I think it helps." You say firmly, sitting up as best you can in a bean bag chair. "Talking to someone who's died, it keeps their memory alive, keeps me sane. Makes me feel like…everything's still normal, even though it's not."

Her eyes soften at your words; an expression you've seen thousands of times. One that used to give you comfort, now also draping you with the blanket of grief and guilt.

"You lost someone."

You tear your gaze away from her, choosing to stare at the drawer you know the energy crystals are stored. "I got her killed."

There's a shifting from Powder's side, and you turn to find her dragging her bean bag next to you, before flopping down and sighing. A few beats of silence pass before she speaks.

"When my sister died, I blamed myself for a really long time." Her eyes glisten as she looks at the altar she made for Vi, distant. "Back when things were harder for us down here, we did odd jobs from tips we'd get from Ekko."

A story you've heard hundreds of times, every version a bit different than the one before, but you'd listen every single time.

"There were these crystals. They looked valuable to me, so I took 'em. Didn't realize I dropped one and I guess it hit something." She sits up, hugging her knees towards her chest. "Next thing I know, half the apartment's blown up, and Vi…she put me under her so I'd be safe." You hear a sniffle as she suddenly looks away, not so subtly wiping her eyes. "We stopped doing jobs after that, focused on making things better here."

"I'm sorry." She snorts.

"Hey, I'm trying to comfort you, not the other way around." She puts her legs down, knocking her knee onto yours. "Anyway. My point is, she would've hated it if I spent the rest of my life blaming myself for what happened. If I just decided to be miserable all the time." A shrug, and she's standing up and stretching. "I sure as hell wouldn’t want her to blame herself, anyone of my family or friends really, if I was the one that died protecting them."

Forgiveness, handed out so nonchalantly. Completely unaware of the weight of her words. You almost hate feeling the weight lift off your shoulders; her forgiveness hadn't been earned, could never be earned. Not for Jinx.

But she still has the same soul.

"Alright, how exactly are we making your non-magic magic machine?" She says as she offers you a hand.

Still the same soul.

"We'll need to clear out some space." You say as you take her hand.

-----

Zero

"How fucking long were we gone?"

"Professor Heimerdinger…"

"There's Noxian's everywhere. What the hell's going on—Ekko!" You grab your friend by the shoulders, shaking him. "We won't have time to mourn the professor if we get sliced in half. We need to get home."

Ekko blinks a few times, before taking a deep breath and nodding. "You're right, you're right." He peeks his head out of the alleyway you're both hiding in, spotting Noxians soldiers pushing people out of their homes. "Why are they all here?"

"Beats me, but this can't be good." He ducks his head back in, unconsciously tucking the Z-Drive closer to him.

"We're you in any timelines where this happened?"

You nod. "Yes, but they were never in the Undercity. We were the ones taking the fight to them and Piltover."

The both of you stick to the wall as a group of Noxians soldiers march past, headed deeper into the Undercity. There was no way the both you could sneak back to the tunnel lines with that many eyes moving around. A curse is muttered at the thought, you needed to know how much time passed, and how much had changed in your absence.

"If only we could've gone back right after we left here." You rub your face in your hands. "I must've messed something up with the runes—"

"Hey, what happened to getting home being the top priority?" Ekko elbows you lightly on your side. "We can refine your rune work later," He points up to the roofs. "If we can't avoid getting to the tunnels from the ground, we'll have to cross the rooftops."

"Rooftops." You nod.

The both of you start climbing up pipes that are sticking out of the ground and around the buildings. Eventually making it onto a balcony, before jumping across the top of a smaller building. It provides you with a clearer view of the Undercity, still looking the same from where you are, despite the obvious changes occurring on the ground. The neon glow from various establishments, the ever present whir of the vents running through the streets, the gloomy allure atmosphere. Hell, even the smell was the same.

Ekko lands next to you, dusting himself off before surveying the skyline. "It's like nothing's changed from up here." He muses, reiterating your thoughts. You let out a breath you didn't know you were holding.

"We made it back...We actually did it." He looks over to you, putting a hand on your shoulder.

"Welcome back."

"Welcome back to you too, Ekko."  He snorts, giving your shoulder another squeeze before letting go.

"Alright, let's head home." Ekko starts moving towards the next roof, and you follow suit. Each step you take giving you more confidence. Son enough, the both of you are running and leaping across rooftops.

You greedily breathe in the air, not caring at all that most people would consider Undercity air to be polluted. This was home. After spending five years trying to find a way back, who the hell could judge you?

"Hurry up!" Ekko shouts from ahead of you. Grinning, you lean forward and start kicking the ground harder.

"I'm just giving you a head start!" You say as you easily speed past Ekko, who huffs and matches your speed.

For a moment, you forget about all of your worries. You forget about the two hundred and sixteen jumps you did, all of the panic you went through, all of the memories you made, the lives you lived. It's just you and once of your closest friends, running through the rooftops of your city—your city. Not a variation of it in some other timeline. It's the place where you grew up, the place you're trying to fix and make better for the people. You run past familiar stores and landmarks, feeling your nostalgia grow by the second. It's a freeing sensation; leaving for years, then coming back home. Seeing everything be both familiar and new at the same time.

There's a billowing of dark smoke from your periphery. You almost miss it, but you turn your head and spot the smoke growing steadily. Unconsciously, you turn and start heading to where the smoke is. Ekko calls out to you, but starts to follow when he sees it as well.

You stop dead in your tracks when you find the source of the smoke. Dread starts to build in your chest.

The Last Drop, engulfed in flames.

There's no thought process involved before you jump down and enter the burning building, telling Ekko you'll meet him back home. You don't even heed Ekko's calls as you slide through a doorway before it collapses behind you.

-----

Your hands feel around for your gas mask hidden inside your coat, a sigh of relief as your eyes stop watering and you're able to breathe. Navigating The Last Drop is easy enough, you've been here plenty of times in the other timelines. But the problem wasn't finding your way around, it was figuring out why you decided to jump in in the first place.

Was it the thought of someone being stuck inside and needing help? Or was it the feeling of dread creeping up on you?

The sound of crackling wood fills your ears as you look up, a supports beam starts to collapse. You quickly duck out of the way before it falls, having no choice but to push in deeper into the bar. You start to think—hope—that no one is inside, since you haven't seen a single soul as you went from one room to the next.

You feel the pull before you register that it's her.

But this one is different, stronger. Enough that you almost stumble forward, as if it's somehow physically pushing you closer. You feel it wrap around your heart, clutching it tight, almost painfully so. The feeling of longing rushes over you, not the small waves that you felt in the other timelines, but a raging current, crashing through you and sweeping you towards her.

You wonder briefly why the feeling was much more intense. Was it because you were in other timelines? Did your soul know that they were Jinx, but they weren't your Jinx? Will she also feel this when she sees you? If this is what every other version of you felt when they were with their Jinx, their Powder, no wonder they can't keep themselves away from her.

She hasn't even seen you yet.

She has her back turned to you, hands limply at her side. Her hair jaggedly cut short, just above her shoulders, which are slumped in defeat. An almost instinctive need to comfort her enters your mind, but you push it down. The first thing you need to do is get her out of here.

She doesn't react violently when you pull her towards you, telling her that you had to get out of there. Does nothing when you pick her up and bring her out the side of the building. The same alleyway where you two would sneak off to steal kisses in one timeline, and mourned the loss of her in another. She's too stunned to do anything really. Maybe she felt the pull, maybe she was just surprised that someone had gone in to fish her out. But she doesn't do anything as you set her down and take off your gas mask. Nothing when you look over her, covered in soot and grime, to search for any injuries.

The second you meet her eyes, you know, you're sure, that her soul is letting her know who you are. That she's suddenly fallen into that same raging river that you find yourself in right now.

The surprise in her eyes softens, the same look you've seen thousands of times, that you'd try to find wherever you are.

The pull makes itself known again, probably ecstatic that you've found her in your own timeline. Not that you wouldn't have, anyway. Not even the omnipotent force that created every timeline to ever exist can keep you from finding her.

CRACK

But maybe a broken nose will.

You stagger backward. A hand over your nose, eyes wide from shock and confusion. She's polite enough to not say anything after she punches you. She awkwardly stands there and watches you curse as you push your nose back into place, wiping off the blood with your gloved hand. Yup, definitely broken.

At this point, two hundred and sixteen jumps after, you should really learn to be more vigilant when it comes to tackling unpredictable situations.

You keep a hand on your nose, one hand up on surrender. She still has her hand closed into a fist, but there's a shocked look on her face.

She Blinks a few times, before a look of frustration is on her face. "Who the hell are you?!" Her eyebrows are knit together; if your nose wasn't broken, you would find her confused frustration adorable.

"I thought you needed help." Your voice comes out nasally, and you can almost feel the bruises start to form.

"I don't need your stupid help."

Stubborn.

"Well who just stands inside a burning building?!" She huffs crossing her arms over her chest. It's now that you notice she's missing a few things from her usual outfit; her choker, the string marking the X on her top, her gloves—and had she been crying?

"First of all, stop looking at me like that, you creep. Second, it's none of your business."

"I literally just saved your—" The sound of clanking armor, and boots hitting the ground cuts you off.

You grab her hand without thinking, and pull her farther into the alleyway, away from the fire and the soldiers that have started to gather. Again, she's surprised, but doesn't protest. She doesn't let go even after you've stopped running.

"We need to get out of here. I have a safe house but it's a bit far. If we start moving now—"

"My place is closer." She tugs at your hand to get your attention—your eyes flitting down the same time as her—and you both realize that they're still clasped together.

You wait for her to let go of you, throw your hand and call you a creep again. For a moment you think she actually will; you see the conflicting emotions in her eyes. But she still doesn't.

"Just... follow me." She says tiredly, nodding down a road and half dragging you to her hideout. She only lets go of your hand when there's a tight squeeze into a tunnel and it would be too awkward to walk in side by side.

Neither of you talk the entire way there. You don't ask her where her hideout is—not that you need to, you could get there with your eyes closed at this point. She doesn't ask you how you can easily navigate through tricky the walkways and hidden passages.

At first you think she's still processing how she's feeling, but you remember the tear streaks, and the way her shoulders sagged as she looked at The Last Drop burning down. You wonder again how long you've been gone, what had happened to her in the meantime. Even now, she has her head down as she walks. Her demeanor completely different from the last time you saw her.

"I can hear you thinking from over here." She says nonchalantly. She sounds tired, her irritation from earlier long gone. "I'm not leading you to some murder house, if that's what you're wondering."

You shrug out of habit. "I know, I trust you."

Her head tilts up just a bit as she stops walking. She turns her head slightly to the side, just enough that she can see you from the corner of her eye. "You shouldn't." She doesn't wait for an answer before she starts walking again, and you're left to follow her in silence the rest of the way.

There's a hesitation in her step once you reach her hideout, stopping right in front of her desk, hands balled into fists. She tries to take a steadying breath, but it comes out shaky and uneven.

You take a look around her space, noticing how brighter everything is. Not like the other timelines where you meet her as Jinx, not like Powder's either. The space was more cleared out, lights had been added, a makeshift fort had been put over her couch.

She picks up something small on the desk, you recognize it as a smaller version of the robots you two made in a few timelines. Her eyes are distant as she turns it over in her hand, before setting it back down on the table. She doesn't look back at you as she speaks.

"Why'd you help me back there?"

"I would've helped whoever was in there regardless."

She scoffs, turning to face you, leaning against her desk. "Figures with you people."

"What's that supposed to mean?" You ask as you walk closer to her.

"You're a Firelight." You halt in your tracks just a few steps away, a puzzled look on your face. She's never figured that part out in any of the other timelines, either. "I've seen you before." She adds. "You always have your stupid mask on, but," A shrug, as she looks off to the side. "I recognized your eyes."

It's almost funny.

You spent the last five years learning that your soul wanted to be with Jinx, and this entire time, she's probably known hers wanted you.

There's a myriad of questions that pop up in your head, but Jinx is still upset about something, and figuring that out was more important.

"Why'd you burn the place down?" She crosses her arms at your question, keeping her gaze on the ground.

"I was breaking the cycle, or whatever that means." She sits down on a chair, and starts tinkering with a chomper on the desk.

"What were you gonna do after?"

"Haven't figured that part out yet."

"What about—"

"Coast should be clear by now, you can leave if you want." Her tone maintains the same aloofness she's had this entire time, but her shoulders are tense, her movements as she works on the chomper almost robotic.

Even though you’re guaranteed that your souls are entwined in every possible timeline, you find yourself at a loss for words. All the bravado and confidence that you’d carried with you with every other version of her, gone out the window. You really shouldn’t be worried, you know she’ll love you, she always does, she always will. Even when she's kicking you out.

Only this wasn’t the Jinx fighting for Zaun’s liberation, wasn’t the mildly annoying Academy classmate that got you into trouble, nor was she the Jinx that waited for you for years to be ready to come back to her.

This was your Jinx. And you know something is wrong.

"Do you want me to leave?"

Her hands stop moving, but you can see that her grip on her tools has tightened, her knuckles going white.

She knows you. Longer than you've known her in your timeline. You're not leaving her knowing that. So instead, you finish walking the last few steps to get to her, your hand hesitating slightly before resting on her shoulder.

The dam breaks, as she drops her tools, hands closing into fists. "You're not safe here." Her voice cracks as she speaks. "Everyone around me—" She clamps her mouth shut and looks away.

Things start to fall into place. "You lost someone."

She lets out a bitter laugh. "I've lost a lot of someones." You see her blink a few times before she turns to you, shrugging off your hand in the process. "So you best get out of here, toots. I'm no good for you."

"I don't know, I think I've survived you enough times." She shakes her head, turning back to the abandoned chomper.

"You have no idea what you're saying." You sigh, getting down on a knee so your eyes are level with her. She's taken aback by your actions, her eyes reflecting a cautious but curious glint in them.

"I do, actually." A questioning look is the only response you get from her. "I'd explain, but I'll have to ask you to not to think I'm crazy."

Her gaze softens, just a pinch.

"Have you even met me?" Yes, you want to say. I've met you two hundred and sixteen times, and I'll gladly stay here until my knee is sore just so I can explain to you how.

"Not yet," You say instead, you extend your hand. "But I'd like to."

Destined souls or not, you're aware that you're pushing your luck. A smidgen of doubt starts to form in your mind, when she does nothing but stare at your outstretched hand. You can see the conflicting emotions in her eyes. Whoever she lost, it was enough that she doesn't want to keep anyone close to her anymore. A sentiment that you can understand, given that you wanted to stay away from any variation of her after you lost her once. But you don't want to leave her, not like this, not when there's a gnawing feeling in your gut that she's not okay enough to be left alone. So you hold your breath, standing by your decision.

Her eyes flit back to yours, and you hope the determined look in your eye is enough to sway her.

"You're gonna regret this." There's a pleading tone to her words, as if she's begging you to turn away and leave her. Fat chance, really.

A soft, reassuring smile. "We'll cross that bridge when we get there."

She searches your eyes for any trace of doubt, or deceit, but she will find none.

Her hand reaches out to yours, and you wonder if she feels the same spark of electricity that shoots through you when your hands touch.

"Grab a chair." She says, but inconveniently doesn't let go of your hand. "You down on a knee is too intimate."

You laugh, and for the first time since you've met her, you see her relax, a smile on her face.

"Fair enough."

And she listens. About Ekko seeing the anomaly on one of the leaves of your tree, the three of you breaking into Jayce's lab, heading to the Hex gate, you idiotically reaching out to the anomaly. You show her the faded outline that the anomaly left on you, and she gingerly traces the mark with her finger.

You tell her about your first jump, how your mind struggled with the Other You, as you crawled your way to cover. How you she came and saved you. You don't outright say that you're soulmates, simply because you don't want to scare her off. Not even if she probably already knows. She doesn't say anything when you first mention you two meeting, but you see her figure it out by the time you're telling her about your eighth jump. Her eyes narrow, but she lets you continue. Patiently listening as you explain, part by part, that in every reality, in every timeline, it's always you and her. It will always be you and her.

You're able to coax a laugh out of her when you tell her about your misadventures as academy students, she even teases you for being a stickler for the rules. She argues with you when you tell her that you always beat her in hand to hand combat "I could beat you any day, toots." Denies it when you tell her that she tended to sulk if you didn't give her attention, when she's be uncharacteristically thoughtful.

She holds your hand when you tell her how you lost her, how she sacrificed herself for your safety. Squeezes it when you tell her that the next version of herself is the one that pulls you out of your grief.

You explain the pull you feel when she's around, and how much stronger it feels when it's her. She interrupts you, then. Confirming that she had already known about it for a few years, right after she first saw you in a firefight. There's a blush on her cheeks as she confesses that she'd always tried to not hurt you after, and that she'd randomly seek you out to mess with you from time to time.

Eventually, she tells you how long you and your friends have been gone. What's happened to her since, about the attack at the Piltover Memorial, Vi and Caitlyn coming after her. How she met a little girl named Isha, and the strange little family she had formed with her and Sevika. You don't miss the sad, faraway look in her eyes when she recounts the adventures they had, their own little robot fight club, them making over her hideout. How they made a good situation out of everything, despite the Noxians and enforcers occupying Zaun.

You're surprised when she mentions Vander, and the short stint of happiness her and Vi had when their little family was able to reunite. She chokes up when she tells you how short lived it was, how she had been reckless in allowing Isha to come with them, that she finally understood why Vi told her to stay out of a fight all those years ago.

You hold her close to you when the tears come, and she shakes in your arms.

By the end of it all, you're both lying on her couch, and she's passed out on your chest. The physical and emotional exhaustion from the last few weeks finally catching up to her.

You spend the time processing all the information you learned; about the war, Viktor, Jayce. How there was a lot more weight now to the sacrifice Heimerdinger made for you and Ekko. You're sure he's already rallying people to join the fight, but from what Jinx had told you, Zaun won't fully unite until she's on board, too.

She's tired of it all, but she'll probably relent if you ask her. But that's an issue for tomorrow. Right now, you settle on holding her close.

And if only you hadn't asked her.

If only you had kept your mouth shut, and let her rest.

If only you hadn't put her in danger, again.

Your lungs burn as you run through smoke, not caring if your eyes can barely see anything, or that your legs are screaming for you to stop and take a break. You can't, not when you didn’t try hard enough to stop her, not when you could've asked her to stay instead. 

You make it to the Hex Gate, the smell of burnt metal and wiring fills your nose and brings you to a coughing fit. You still shout her name, at the top of your lungs, hoping that she'll hear you. You start to lift debris and stray slabs of concrete. There's only a numbness in your hands as you cut and burn them while digging our rubble. Not a care in the world that there could still be explosive hazards in the area. The only thing on your mind was Jinx.

The desperation starts to build with every passing minute, the pull in your chest is painful, screaming at you to find her. Even as the smoke slowly clears, the momentary reprieve from searching blind not stopping you from your erratic search. You continue to clear the rubble, your hands smearing blood on every piece of debris you touch. This does nothing to bother you, though. You'd paint every inch of this room red before you stop looking for her.

You collapse to your knees, grabbing onto a large piece of rubble for support. This wasn't how things were supposed to go. Just when you find your way back, when you finally have her with you. Five years and hundreds of jumps, only for you to lose her again.

You lay your head against the concrete, as the tears start streaming down your face.

Then a cough, the sound of shifting debris and rock hits your ears.

You bolt upright, ears straining to listen. For a few seconds, there's nothing, and you almost thing that you're getting high from the fumes. But you hear a groan, then you're feet are already kicking the ground.

Smaller pieces of rubble start moving around, and you quickly claw away it, clearing everything away until you catch sight of a hand. You've never been happier to see chipped nail polish in your life.

You ignore the ache in your arms as you lift every piece of heavy rock, until Jinx has enough room to grab onto you and you pull her out.

There's a deep gash on her side, a few cuts, and bruises already forming. She starts coughing, but there's no blood. Good. She's breathing, alive.

"You regret meeting me, yet?" She manages a smile, and your heart soars.

"No, not yet, at least." You wipe your eyes with the back of your palms, sniffling.

"Hey, hey, easy." She puts a hand on your chest to stop you from picking her up. "Your hands are bleeding."

"You have a gash on your stomach."

"I heal quick, you don't." She shoots you a warning glare when you try to pick her up again, and you relent.

"I thought I lost you again." The tears well up in your eyes, and her glare softens. She pulls you closer until your foreheads are touching.

"Sorry to disappoint," She starts. "But you're stuck with me forever."

You fail at stifling your laughter. "Sounds like a good deal to me."

She cups your face in her hands, running a thumb across your cheek, and you instinctively lean into her touch.

"Help me up, yeah?"

You oblige. You always do. You always will.

[aparticularbandit]

Haiji is the eleventh (or thirteenth, if we include Hina and Hiro). He'd be there to fight with Makoto for including Monaca; he's the leader of Towa City now, and his arm has never recovered, although it's no longer in a cast. This makes sense: even in backstory, he hated her, and after everything in UDG, he has more of a reason to do so. He's never forgiven her, never gotten over what she did to him or to the city. (Similar to how the Warriors of Hope feel about her, to be honest.) His hair's normally pulled back in a neat ponytail, and he's in a black suit with his rosy button-up unbuttoned the first two buttons.

I also think it's likely that in a similar manner to Byakuya taking Nagisa under his wing, some of the others have taken the Warriors as their not kids but still their kids.

Komaru and Toko have Kotoko (and Hina is her overly involved aunt, especially when she realizes Kotoko is getting into boxing - she's a swimmer, she's athletic, and fighting reminds her so much of Sakura). (It's more like Komaru has Kotoko, though, because while Toko is there frequently, she's also going back and forth between Hope's Peak and wherever Byakuya is. Even if Byakuya doesn't want her. (This leads to Nagisa having mixed disdain and pity for Toko. They know each other really well.))

Hiro has Masaru, because con artist teaching a pickpocket sounds right (even though Hiro mostly doesn't run cons anymore, now that he has a teaching gig at Hope's Peak and their protection; he definitely teaches Masaru to be a lot more careful with his hits so he doesn't run into the same trouble Hiro did). (And Hiro's mom probably also helps parent Masaru, so he's just. all the maybe not great adult role models. But they all love each other, so that's okay, right?)

And while Hina is definitely Kotoko's overinvolved aunt, Jataro is hers, because he needs more than anything the bubbling love and affection that Hina can provide (also donuts, she wants to know how he can eat that many donuts and stay so super thin, where is he putting them), and because Hina's best (lost) friend was also seen as ugly and an ogre and she doesn't want that for Jataro. Toko also helps with Jataro, but more on the art side of things, not because Toko is an artist, but because she's a writer, and she gets that aspect of him better than Hina does.

But Monaca is still, as much as she can be, Junko's, even though Junko isn't around anymore. (Eventually, I'd say she becomes Makoto and Kyoko's, but I don't know if she'd want to belong to Makoto. At all. Ever. He killed Big Sis Junko, after all, and she's never going to forgive him for that.)

And I think in terms of theme, that's kind of what the point would be. Recovering from abuse, to an extent, because that's important re: Warriors of Hope. But also what it looks like to accept multiple facets of someone you love - or loved - how they may have saved your life, but that doesn't mean they were good. How to let go of an obsessive love that's not doing you any favors. How to grow up and adjust.

But also you don't just have that re: the Warriors' relationship with Junko, you also have that with their relationship with Monaca, who definitely did use them and was fine with them dying as long as she got what she wanted. How do you accept that someone who hurt you and who you hate can also grow and change and become someone different? Even if you don't want to be friends anymore, how do you address that? Can you address that? Can you forgive someone for hurting you, even if you don't want anything to do with them ever again?

(And yes, this also includes Haiji and Monaca's relationship because that's baked in there, as well, between the level of abuse he and their father gave to Monaca and her destruction of Towa City - she might say it wasn't for revenge, but there was probably something warm in being able to hurt her brother the way he hurt her. They have never loved each other (and that's the difference between Haiji and Junko or the other Warriors; Junko and the others loved Monaca (and Monaca loved them), but Haiji never did and probably never will) - and can they move on from that? Is that even possible?)

Etc. Etc.

....

Also the idea that Monaca keeps at least one Monokuma with her (and has always kept the Monokumas with her) because she programmed them all with Junko's Monokuma voice and even though Junko isn't there with them anymore, it's a piece of her that still is.

That she's programmed at least one of them to read her bedtime stories in Junko's voice (because she probably has an audio recording of that somewhere), that she's programmed some of them to talk to her like Junko does, but it's hollow and empty because no matter how much she makes them speak Junko, it still isn't Junko. Just the underlying ache of that.

(And the final chapter really has to come down to whether Monaca would bring Junko back or not. Maybe not. But Monaca being able to get everything she's wanted since Junko died - which is having Junko back - and having to decide...is it worth it? After everything in the entire fic, does she still want Junko back? Or does she just want who she imagined Junko to be - who Junko was to her - a Junko devoid of all the other horrible things that Junko is and was? And is it really Junko she wants? Or just someone who stands in the gap and says she's valuable and worthy and chosen and loved?)

I keep going back to the idea of Monaca finally coming back from outer space and ending up being invited to be a student at the new Hope's Peak Academy.

All of the Warriors of Hope would be invited and would be there, maybe, not just Monaca, but she's the most wary of it. (DR3 implies the other four were helping Komaru and Toko, so maybe they've still kept in touch. Monaca, meanwhile, is both Monaca and has been living her best life in outer space, far away from everyone and everything. Except television, which DR3 implies she somehow still has.)

But like. They're all radically different.

Jataro's still some sort of Ultimate Art because that's the best way he knows to express himself, but he's all willowy and thin and never wears his mask anymore and his hair's kind of long. He's kind of a pretty boy, the exact opposite of himself.

Masaru's maybe the Ultimate Pickpocket because it's all a game to him. Sometimes he gives stuff back, and sometimes he doesn't. But he likes the running, likes the chase. He's not a hero anymore, not a leader, but he's still a little bit Peter Pan, and he never wants to grow up.

Nagisa's maybe the Ultimate Manger - not like Nekomaru because he's not into sports, but corporate positions. He's good at arranging people, good at scheduling, good at making businesses better and more effective. He's best at knowing when people need to take time off, when to let them rest and take a break, and because he's so good at his job, the corporations tend to listen to him. His hair's grown long and bushy, like a fluffy cat's tail, and it's always kept back in a ponytail. At some point in the past several years, he's gotten glasses, and while he knows he's good at his job, he's grown more shrunk into it.

Kotoko, meanwhile, has gone full tilt into her fighter class and become the Ultimate Boxer. She hates gentle, hates it, and having something else to beat up, to rough up, to punch has been a healthy way for her to get all of that negative energy out. (I like to think she and Komaru took a self-defense class together, and she liked it so much she kept going with it.) All of her hair has been chopped short, and she has the band-aid on the side of her face that Masaru used to have across his nose. But it's still a cutesy band-aid; she still loves adorable things. (In fact, it's probably the same bunny-covered band-aid that Junko used on the Steering Committee member.)

And Monaca, herself, is also something other, something different, but she's not necessarily better. She's spent all that time alone and away from everyone and everything. I don't know what her Ultimate might be, but they call her the Ultimate Space Case as a joke. And she still knows just what buttons to push to rile everyone up.

Hope's Peak isn't what it was either, so we get to see what Makoto's done with it. It still focuses primarily on the growth of its Ultimates, but it's more about giving them a safe space to continue to pursue their passions while also making sure they get a well-rounded education. There are other students, too, Talentless ones, but they're not treated any different from the Ultimates. In fact, sometimes the Ultimates are asked to teach on their passions, if they want, and Talentless students go and learn intricate stuff from them to get better at stuff they like. (Kotoko teaches a self-defense class primarily for girls; Masaru is not allowed to teach pick-pocketing, but sometimes he does anyway.)

....

And then, of course, because it's Danganronpa, they somehow find themselves locked in the school and Monokuma shows up to start a Killing Game.

The Warriors of Hope immediately pull a DR2 vs. Nagito bit and tie Monaca up and leave her in one of the rooms because obviously it's her. Everything was good and fine until she showed up, and no one wanted to emulate Junko as much as she did, and she's still kind of a bitch, and no one knows what she's been up to in space, maybe she's been planning this for years!

Except it's not Monaca and Monaca desperately wants to figure out who it is because she's pissed off. How dare whoever this is use Big Sis Junko's legacy this way? (Yes, she still loves Junko. The other Warriors still do, too, but they've got a bit of better perspective on her. She could be good to them and still be a horrible person. It can be complicated. There's no such it can be complicated with Monaca.)

And Monokuma comes to Monaca all tied up and talks with her a bit. Asks her what she would do if it actually was Junko. Which Monaca refuses to believe because Junko is dead, Junko has been dead for years at this point, there's no way she's coming back, no way she's alive. But Monokuma plants enough of a seed of doubt that she's left unsure.

Then the story proceeds from there.

I like to think Monokuma untied Monaca. That would give her a lot of extra suspicion from the Warriors, especially if she's honest and says Monokuma did it. She wants to be honest because that's the only way people will believe her, and maybe Komaru and Makoto do, when she says she's not involved, but Kyoko holds off because she's all investigation mode and the Warriors absolutely refuse, absolutely are certain this is her fault, because it's always her fault. And if she's telling the truth, then she's obviously in cahoots with Monokuma because he's helping her! Also who is the one who still has Monokuma servants? Just Monaca. She has to be doing it!

Excepting that this Monokuma is clearly not Towa City design. Toko has seen them both - the ones Monaca used and the one Junko used - up close and personal - and they're not the same. Monaca's are mass-produced copies of the original, and they're servants. Junko's was an exquisitely designed one-of-a-kind original (she had more than one, but there's no Monokumas like Junko's Monokumas). And these are Junko's Monokumas.

Which leads to concern for the Remnants. Whether they've reverted, whether they're involved somehow. And maybe they're able to contact them (or maybe one of them is there with them, too), and nothing points in that direction either.

And so on.

Despite being dead, I think Junko's still involved somehow. Because it's always Junko, at the end. And because the idea of Monaca specifically having a reunion with some form of Junko is just. a very strong pull here. Of a Junko who can look at Monaca and say she's proud of her and who she's become, who maybe can look at the other Warriors and say the same, although that's less important. (The other Warriors would not want her to be proud of them. Monaca still does.)

Anyway, these are the thoughts. Idk if I'll ever actually long form write the thing (between the Warriors of Hope, Makoto, Kyoko, Komaru, Toko, and maybe a Remnant, that's 10. I don't know who the other six would be, unless I rope in Hiro and/or Hina (who could be teachers at Hope's Peak) and/or more Remnants (which I like less). No Byakuya, although I feel like he's been taking Nagisa under his wing. And while it'd be interesting to rope in new characters, new Ultimates, I don't want to "clearly these don't have plot armor but everyone from canon does" you know? So. That's a thing.)

Just. Thoughts.

[lettersiarrange]

Since I just checked my ask box for the first time in a hot minute:

Just a note that tumblr doesn't tell me when I have new asks or messages and I rarely check my notifications. Helpful corrections of misinformation/any messages in good faith are appreciated (though it's possible I won't see them until weeks later, sorry), but if something I reblog angers you enough you feel the need to get hostile in my askbox on anon, I reccomend the unfollow button.

I'm also not comfortable posting asks asking for any sort of donations/directing people to your blog for donation purposes, sorry :// I just don't have time to vet asks like that

[writersrkive]

Don't shut up | Spencer Reid

summary: Spencer is used to people who constantly tell him to shut up, but somehow, he feels even more embarrassed and sad when he thinks you want him to stop talking after looking at the tired and confused expression you have when he's trying to help you. The thing is you hate when people do that to Spence and would spend years just listening to his voice.

genre: fluff

pairing: Early seasons!Spencer Reid x bau!reader

warnings: mentions of the team shutting Spencer down. Derek and JJ being a little mean to him when he's spreading information. Spencer being a cutie potato. Mention of a stomachache and its causes (mention of miscarriage as one of the causes, but nothing happens). Reader not being a native english speaker, but just a slight mention.

a/n: Dr. Spencer Reid is a genius.... I am not. I literally had to search for information and copy-paste here in some parts, so if there's misinformation, it's Google's fault, lmao. I wrote this yesterday when I was about to sleep, so I'm sorry if something is wrong with the writing (even though I already edited). English isn't my first language, please be kind <3.

Masterlist Spanish ver. On Wattpad (coming soon)

Spencer and you arrived early that morning. He hated being late for anything. He couldn't afford to be late if he wanted to stick as closely as possible to his assigned schedule, especially because he took public transport. On the other hand, you had no choice but to arrive early when you woke up at four in the morning thanks to a severe stomachache and couldn't go back to sleep.

That's how your conversation started. Your genius workmate was surprised to see you, first hour in the morning, when he walked in the office, even before Hotch arrived.

“Are you feeling better?” He asked, furrowing his eyebrows. You couldn't deny that the expression was too cute for your own good.

“Yeah… I think so. It's not even the stomach ache that bothers me, it's the fact that even if I was sleepy, I couldn't fall asleep again. You know? That happens to me a lot. Once I open my eyes, I can't go back to sleep. I've also been feeling mildly unwell for a week, but even though the medication is controlling it, it doesn't stop."

At this point, he already set up his desk, leaving his briefcase on his own chair to walk over to you and sit at your desk, next to the chair you were sitting in, to listen to you attentively and answer.

“The brain works with different phases of sleep: light sleep, deep sleep, and REM sleep. The cycle usually restarts every eighty to one hundred minutes, and we typically have four to six cycles each night.”

Hotch came out of the elevator and walked upstairs after both of you waved at him, and he let out a soft “good morning”. Emily arrived a few seconds later. You greeted her too, as she took place on her desk, but that didn't stop your conversation.

“So, it's completely normal that we wake up in the middle of the night because of that process, but if it is frequent, for three months or more, it may be a symptom of insomnia.”

Your view went to the floor, and your head nodded in a semi-unconscious movement, because although you knew that your sleep cycle was ruined by work, you had not come to that conclusion, maybe that was it.

“Now, the stomachache…” He said, taking one pen from your pencil case to concentrate. He usually never took other people's belongings or shared his own stuff because of the germs, but somehow, after a few years of working together, he had come to have a good amount of closeness with you to borrow some stuff from you. Months ago, it hadn't gone unnoticed by Penelope that Spencer had a box full of pens reserved for you, in case you needed one, nor the fact that he denied JJ one of them once, when the blonde girl needed something to write with quickly.

“The causes can be the most common, such as gas, indigestion, a muscle injury, or stress. Although there are also more serious causes: gastrointestinal infections, inflammatory bowel disease, irritable bowel syndrome, ectopic pregnancy or miscarriage..."

“Wow, what are you trying to do? Scare her?” Derek's voice invaded the place and Emily smirked.

“What? No, I'm just saying the possibilities…” Spencer whispered, looking down, a little worried that he might actually scared the person he cared more, besides his mom.

“It's okay.” You answer loud enough so your friends and coworkers would hear. “Thanks, Spence. I already went to the doctor, so I have none of… those.” I gave him a little smile. “But about stress…” The sentence hung in the air, so Spencer looked up and continued speaking automatically.

“Stress can cause stomach pain because the autonomic nervous system of the gastrointestinal tract reacts to the same hormones and neurotransmitters as the brain. This is because the digestive system is connected to the nervous system, and the enteric nervous system, which is located in the digestive system, is able to send and receive impulses and assimilate emotions.” He started to talk faster.

Your focus on the genius boy and his explanation was sincere, but maybe it was the fact that you didn't rest well, plus the fact that he was speaking too fast and not vocalizing all the syllables, that for a moment your brain didn't process what he was saying.

It was weird. At some point you didn't even hear words, just sounds from his mouth. That didn't happen to you for a really long time because you already had experience with the native speakers, even if english wasn't your mother language. The exhausting feeling of not being able to sleep well was definitely to blame.

While your brain was coming to that conclusion, Spencer could only see your furrowed brow, tense jaw, tilted head, and dissociated look.

“You want me to shut up, right?” That whisper was enough for you to come back to reality. His cheeks were red and his eyes looked a little sad, not to mention the way his mouth formed a line like whenever he felt awkward.

“Yes, please!” Derek answered instead, leaning back in his seat and looking up with his arms outstretched as if he'd had to deal with seven unsubs in the five minutes he'd been there, listening from his place to the information Spencer was giving you.

“Little genius boy got excited… again.” JJ said, looking at some documents in front of her, opening her eyes wide in an expression of tiredness and disinterest.

The young profiler stood up from your desk thinking about returning to his chair, a little embarrassed, but you took his pinky with yours —that way you wouldn't make him feel uncomfortable in case he wasn't in the mood for physical touch, something he refused unless it was you. Again, another special treat—. “Wait. It wasn't like that.” Hazel eyes looked at you intently, still with a bit of doubt. “I'm sorry Spencer. Yes, you got excited, but that's not something bad.”

“It isn't?” He questioned.

“No, but you started to speak fast, and the fact that there are some words that I have a hard time processing in English and I couldn't quite catch what you were saying because I didn't sleep enough, well, that distracted me. Would you mind repeating it again, slower?” This time, you were the one with warm cheeks.

“Oh. Are you sure you don't want me to shut up?” The boy was actually intrigued and a little surprised.

“Why would I want that?” The fact that your teammates often shut Spencer up when he tried to share extra information, or information that he had been asked about, was something you had noticed from the moment you started working with the team. You thought that was rude. You understood that sometimes Spencer got excited, gave information that was perhaps better saved for another time since you were investigating a case, or people could be tired and want silence, but the team either silenced him or made fun of him most of the time. Plus, there weren't many other things you liked more than hearing his voice.

The sweet, soothing tone of his words helped you sleep on the jet after a long case, or made you want to hear more about whatever he was talking about. Feeling like he was sharing with you, a mere mortal, some of the vast knowledge he had was nice.

“I'm always happy to hear whatever you need to say, even if it's about something I don't understand. And, right now, you are helping me a lot, so, please, don't shut up.” The crimson color returned to the tall boy's face, this time not because he was uncomfortable. Your kind and somewhat complicit smile made his heart race, like almost every time he was with you. Spencer knew that no matter how tired he got, he would never shut up if you wanted him to keep talking.

[ancientgoddessofegypt]

Astro Notes : Short N Sweet - The power lilith holds <3

Lilith in the 1st - Very strong personalities. Gifted in using the eyes to seduce others. Magnetic. Can fight the demons off of you so please be weary of getting to close if you don't want them to see what hides beneath the surface. There angelic, believe it or not. They're not here to see the world as you see it, they have a taboo personality, yes, but its also because they must learn how to live for themselves and not for anyone else.

Lilith in the 2nd - Cash cow. Can basically get any man to give them what they want. They have to be comfortable in getting under peoples skin, because they can trigger people with how they talk. Insensitive? Not exactly. Just doesn't budge and cares to be 'nice'.

Lilith in the 3rd - Creative freaks. Can use the mind in a million ways, but they still seek out one thing that works for them as they are very passionate people and whatever keeps their attention the most they'll go at it forever. They are use to the attention from people since primary school. So they like to hide a lot. They have a weird mind and they don't care to share it with too many people. If they ever considered writing, they could make some pretty interesting stuff. Sibling rivalries are a thing here.

Lilith in the 4th - Tumulous relationships with family & friends. It's because they're the outcast of the group. I mean, they know a lot and they can't stand for nothing but the truth. But sometimes the truth kills, even when they don't mean for it to be. Can be a hard knock life but they make it worth something. They're no angel, just the universe in the flesh. <3

Lilith in the 5th - Captivating presence. Lovely auras, and amazing bodies. Could be good at dancing. Could be a lil promiscuous. Could be a little dangerous. You never know. Secretive/private about their affairs.. But the stories they have I promise you its like reading a novel. Naturally sensual & can't get enough of them, even if you tried ;)

Lilith in the 6th - Goes hard for groups that aren't seen enough. Can have jealous coworkers or people who want to annoy them and get them out of character. Could also have sensual experiences with co workers. Demands compensation. Could be extremely well liked or hated no in between.

Lilith in the 7th - Spicy individuals. People love to hate them. Could have bisexual allegations from time to time. Most people like to be around them but despise them after a while. Sweet as a pie though, most people allow the rumors to get to them but usually these people are naturally sweet and empathetic. Popular loners.

Lilith in the 8th - Strong personalities. Capable of seeing beyond the veil. Has issues with society due to their daring nature but they do come out ready and swinging. Hypnotic presence. Can heal as much as they can poison, so be careful wit em ;)

Lilith in the 9th - Very beautiful spirits who are the epitome of being carefree. The universe takes them wherever their hearts want to go, and the journey is always something that last a life time. Being connected to someone with this placement could give you the feelings of something amazing. Always hold their hand tight because once their gone its over.

Lilith in the 10th - Dreamy auras. Have a knack for the public and the audience can feel their raw energy. Have haters from all area codes, this just makes them more confident. They know how to appease society well, and they can take on roles that others are too afraid to. This is great placement for lilith to be in.

Lilith in the 11th - Could had to fight to keep their self esteem in check. Due to being outcasted alot, they could of been the scapegoat for a lot of reasons that didn't pertain to them much. With time, they learn to accept that their energy isn't for anyone, and that their value is more than what you can define it. Helpful sweethearts who just wants to be around community that gets them.

Lilith in the 12th - The dream world is a nightmare. My apologies to y'all cause I'm suppose to start it off a little sweet. But this is placement of a witch/warlock. You guys have many gifts that go past the ordinary. And you more than likely come up with some ish down the line. There is a time where you will undergo a lot of spiritual refinement to keep your head going. Don't be afraid of what shows up, it might teach you something!

[venomhoundfanworks]

Hazbin Hotel - Sleeping Habits

NOT TALKING ABOUT DIRTY STUFF. We talking about actual sleep-sleeping. Vent post I guess. Been feeling lovesick and missing having another person in the bed. Which inspired this post. Post about what its like to share a bed with Alastor, Vox, and Lucifer and their overall sleeping habits.

My other work can be found on my masterlist >>HERE<<

Contents/WARNINGS: Gender neutral reader; SFW except like one suggestive thing in Lucifer's section; I can't tell if writing Lucifer is making my own depression worse or better Actual brainrot below the cut ˋˏ✄┈┈┈┈

✿°•∘୨୧∘•°✿‿✿°•∘୨୧∘•°✿‿✿°•∘୨୧∘•°✿

Alastor ₊˚ ‿︵୨୧

I know alot of people headcanon that Alastor doesn't sleep or sleeps very little. But Hot Take™ here: Alastor sleeps a completely normal amount. Like, 7-8ish hours. He just hides when he does.

I mean think about it. What emotion does Alastor hate expressing more then anything? Vulnerability. When are you (arguably) at your most vulnerable? When you are sleeping.

So I have it in my head that Alastor throws himself into special hiding places when he needs to rest. His room in the hotel with the bayou pocket dimension is a great example. Alastor probably has a hidden cabin in those woods. He actually considers the cabin his "room" and goes there to sleep. But good luck finding it.

Sleeping in front of someone/with someone is kinda a phobia of Alastor's. I wouldn't be surprised if this started developing after he killed someone in their sleep during his mortal life.

Anyway. When you and Alastor become a thing, there really is no defined point where he 'moves in'. It happens more like your boiling a frog. Gradually. Until you reach a point where you don't even know when things changed exactly.

Alastor slowly spends more and more time with you. More time with you inevitably results in him spending more time at your house. Which results in Alastor bringing, and leaving, more of his stuff at your place.

This cycle keeps going and going until one day the culmination hits you. It happens when your looking in your closet, the once messy and haphazard storage space is now tidy and perfectly split between your clothes and Alastor's. Thats when it hits you. The fact that Alastor is practically living with you now. Yet, not only have you two not talked about it, but Alastor doesn't spend the night. Ever.

Don't get me wrong, Alastor will spend all day with you. But when you tell him your getting tired or are about to go to bed, he bids you farewell, kisses your knuckles, and just kind of... leaves.

At first, you attributed his behavior simply to the time period he was from. But as time goes on you realize its something deeper then that. Although you are never fully sure if Alastor doesn't feel comfortable sharing a bed, or if the demon actually needs less sleep then you do.

There have been multiple times where you started falling asleep beside Alastor late at night. When Alastor got up to leave, you would grab the edge of his coat and plead with him to stay. Alastor would then settle beside you, gently caressing your forehead, and tell you that he would stay until your asleep.

During these times, Alastor will often gently hum if not outright sing to you in an attempt to lull you to sleep. One of Alastor's new favorite things to do is to settle in next to you with a nice book while you snuggle into his side and fall asleep.

Once your sleep, Alastor will gently put his book down and turn to look at you lovingly. Alastor is very much that type of weirdo who likes to watch you sleep. He finds everything about your sleeping self utterly adorable; and will happily gush about whatever you do just to embarrass/fluster you. When I say everything, I do mean everything. If you snore, drool, whatever it is, Alastor finds it endearing.

He will usually stay and bask in your sleeping glory for awhile before leaving. But Alastor always kisses your forehead goodbye. Its a little moment of vulnerability only he knows about.

Alastor is an enigma. While he has no problem staying with you until your sleeping soundly, he refuses to actually stay the night. The only time you can reliably get him to stay in bed with you is during his ruts. Otherwise, the stars just have to align right.

If you actually do manage to get him to sleep in the bed with you, Alastor is very much a big spoon. He likes to protectively wrap his arms around you and embrace you. Pulling your bodies flush together and assuring you both of the other's presence. Alastor will tangle his legs with yours as well; throwing one leg over your hip to pull you ever closer, and sliding the other one in between your legs for even more contact

Alastor won't complain too much if he is already laying there and you decide to wrap your arms around him, spooning him instead. But Alastor's preferred position is as the big spoon by far.

The big downside of sleeping with Alastor is that he will not let you go once he is asleep. I hope you don't have to pee in the middle of the night because this man's arms have you in a deathgrip you cannot escape from. It feels like his subconscious mind is afraid that if he let you go, he would lose you forever.

Alastor also nuzzles his face into the back of your neck and shoulders while he sleeps. Your not sure if this is actually an affectionate gesture or a deer scenting thing.

Alastor's ears always seem to be moving. They twist, turn, and flick around. Reacting to the smallest of sounds and listening for danger while he snoozes.

Overall Assessment: An acquired taste. Just like cannibalism.

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Vox ₊˚ ‿︵୨୧

Has the best internal clock out of the entire Hazbin cast (and thats not a pun). Vox is very consistent with his sleep schedule. He is in bed around 11pm-midnight, and naturally wakes up around 6ish. No alarm needed. Unless he has to wake up extra early for a meeting of course.

Honestly, this guy's internal clock is rock solid. The only times it gets fucked up are when Velvette and/or Valentino (mostly Valentino, lets be real here) drag him out to a party, bar, or club late at night. Vox never has a good time anyway, so he doesn't even know why he goes.

Vox always ends up trashed and staying up until like 3-4am. Not exactly a good idea when your body has been trained to wake up early. His body will wake him up only a couple hours after he went to sleep whether he likes it or not.

This usually ends up with Vox being super sick for a day. Because he is still kind of drunk, but also kind of hungover, living on two hours of sleep, and drinking coffee like its water just to remain standing. Vox is just a complete mess and no one knows why he came into work to be honest.

Vox goes to bed early that night (at 10pm; thats "early" for him), and wakes up the next day mostly recovered and reset. Mostly.

Once you and Vox get together, you help Vox's sleep immensely. Whether purposely or not, you start teaching Vox to prioritize his sleep more and how to get actual rest.

Vox can actually *gasp* take a nap if you do it together. He doesn't even remember the last time he was able to have one. But now he loves it and siestas become a regular thing the two of you share.

You also mess up Vox's internal clock. But in a good way. Yeah, Vox still wakes up like clockwork every morning. But if your snuggled into him and still sleeping, Vox can actually go back to sleep.

Vox's preferred sleeping position by far is the Nuzzle/Cradle. His widescreen forces him to sleep on his back so there isnt exactly many options... But Vox really wants to cuddle and touch you.

So youll inevitably end up draping yourself practically on top of him like a weighted blanket. Your head on his chest, listening to the steady rhythm of Vox's pulse, with his fingers gently petting you… Also like a weighted blanket, you comfort Vox in a way he cannot begin to explain.

Vox will get pouty if you don't like sleeping on his chest or its too hot to do so. He will deny through and through that he does it though. Vox is one of those people who is like 'IM NOT POUTING' as their bottom lip is sticking fully out.

But once you two start sharing a bed, Vox actually has to be touching you in some way. He doesn't know what it is, but he just cant get comfortable and starts getting restless when you two arent touching. So other good sleep positions that work well with him are the Tetherball or the Leg Hug.

For the Tetherball; Vox will just simply rest his hand on your hip while you sleep. This works best if your a side sleeper, cause then Vox can gently hold the curve of your hip. Drawing mindless shapes into your skin with his claws as you both go to sleep. This simple contact is more then enough to assure Vox that your there and safe so he can rest peacefully.

As for the Leg Hug; Vox feels weird about it at first. Sticking his leg out to the side, hoping for some contact. God, he feels desperate. But he needs to feel you. When he does, all his anxiety immediately melts away. When you reach your leg back and tangle it with his, Vox feels butterflies rise into his chest. You really do love him.

Once Vox is asleep, he is... odd, to say the least. He is simultaneously a light sleeper and a heavy one. You figure it has something to do with the technological parts of him and what they deem 'safe' or not. Like, what triggers his internal alarms.

For example, you can easily just get up from the bed, shake the bed, bounce off it, and Vox wont budge. Won't even move. But then someone sneezes outside his hotel room and he is up instantly.

Because of how light of a sleeper he is, it takes Vox forever to go to sleep. He is one of those people who has to lay there for a solid hour. Even then he rarely goes into actual deep sleep. Vox tends to go into this weird rest mode where his screen will start doing that old dvd logo bounce thing. If his screen is completely black however, it means that he actually managed to fully power down for once.

For the love of god, if Vox actually fully powers down, do not jolt him awake. Vox going into deep sleep like that is rare enough as it is. But waking him up suddenly from it makes him incredibly groggy. It honestly completely ruins his entire day because he feels like he never fully wakes up.

You can always tell when Vox is awake (or semi-awake) because he will be gently petting you, tracing circles into your skin as a way to sooth himself. The moment Vox goes to sleep, he stops. You've also noticed that when this happens, his hands tighten slightly into a protective grip on you.

Overall Assessment: The best one to sleep with on the list if your looking for actual rest. Too protective for his own good even in his sleep.

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Lucifer ₊˚ ‿︵୨୧

I hope you don't like actual rest too much. Because this guy has no idea what a sleep schedule is. I mean, he kinda did when Lilith was around. But since she has been gone everything has just been out the window.

As my fellow depressed people will know, it wreaks havoc on your sleep. One day you cant get out of bed and sleep twenty hours. Then you cant sleep at all and go days with only three hours of sleep total. This guy does that.

Not to mention this man is certainly, most definitely, somewhere on the spectrum. Thats also gonna fuck with his sleep massively. Lucifer will hyperfocus on a project and forget that 'oh yeah, food and sleep are things I need'.

Lucifer will hyperfocus on a new duck he is making and not leave his workshop for over 15 hours at a time. When he DOES leave, its only to make snack/food runs. Passes out on his workbench or tea-table constantly.

So uh. Yeah. Poor guy has no actual sleep schedule. When he starts staying at the hotel, Lucifer is commonly wide awake at 3am and highkey will scare the shit out of people like a ghost. Insomnia to the nines.

Once he is actually asleep, Lucifer sleeps like a dead man. Nothing can wake him up. This is a learned trait. In the height of his depression after Lilith left, Lucifer stopped seeing a point in getting up most days. He started sleeping through alarms, sirens, explosions... He just stopped bothering. What's the point? Its not like he has anything good to wake up to anyway.

Lucifer starts... trying to fix his sleep schedule once him and Charlie reconnect so he can spend more time with her. Well. Attempting would be a better word for it. Lucifer keeps doing that thing where he goes, 'oh yeah I should try going to bed early tonight', then proceeds to stay up past four in the morning. So no progress has actually been made.

Once YOU come around however, Lucifer actually starts sleeping normally again! Eh, kind of. Its a work in progress. But its progress! Which is MUCH further then he has gotten before!

The problem is, you have to trick Lucifer into sleeping. Otherwise he will keep trying to say he is busy, say 'just one more thing' to infinity, or start whining that he isn't tired.

So what do you do? Start kissing him and entice him to bed with the promise of cuddles. Or you can start kissing and nipping at Lucifer's neck with a different kind of sleeping in mind... (｡•̀ᴗ-)✧ He is sure to stay in bed with you if you wear him out first, right?

Another tactic that works everytime is to pretend to fall asleep next to him in his workshop. Sometimes this plan fails right away because you actually do end up falling asleep; but thats not the point here. Lucifer gets the most loving smile on his face as he picks you up bridal style and takes you to bed, only for you to grab his arm and pull him into the bed with you.

You thought it was a pain getting him into bed? Well he is a pain once he is in the bed too.

Lucifer is an actual koala. He can't just be touching you, oh no. He has to be embracing you. He has to be having as much contact as physically possible in order to sleep. It seems like every night his goal is to see what new shape of human knot he can tie you two in.

I hope you run cold or can tolerate heat well. Because like I said this is the ONLY way Lucifer can sleep. Lucifer will do whatever he can to make it work though. If you tell him your uncomfortable, he will change how your limbs are intertwined. If you tell him your too hot, whelp. Time to start losing some layers. And blankets are overrated anyways!

If you tell Lucifer you legitimately cant sleep like a pretzel, it will actually break his little heart. Lucifer will 100% take it as a personal rejection. He will stop sleeping in the bed with you all together so he doesn't "bother" you.

On a much happier note; once you two are tangled up and somehow manage to fall asleep, Lucifer is the cutest thing once he is sleeping.

Lucifer does that thing where he will half wake up in the middle of the night and kiss you before going back to sleep. If you do the same thing (or just generally kiss Lucifer while he is asleep), he will make little happy sounds in his sleep when you do so. You swear they sound kind of like bird cheeps.

Also thanks to >>this combo post<< by @poisned and @heart-of-the-morningstar I now have it permanently in my head that Lucifer talks/mumbles in his sleep.

Before you two got together, it was mostly nonsense or things about his ducks. But now you often hear him muttering your name, how much he loves you, or just saying other lovey-dovey junk in his sleep.

Overall Assessment: Lucifer is extremely difficult to handle, but doing his best. That's what really counts right?

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AN: Just a disclaimer, the thing about tricking Lucifer into bed by pretending to fall asleep in his workshop so he carries you isnt my idea either. It was from a cute fic here on Tumblr but I cant find it at all. ๐·°(⋟﹏⋞)°·๐ Please lmk if you know what fic Im talking about! I literally spent hours looking for it.

FURTHER READING ₊˚ ‿︵୨୧

Check out this ADORABLE fic about Vox trying not to wake up his very sleepy s/o >>HERE<< by @timeslugarts

One of my favorite posts is this super cute bedtime and pajama headcanon post by @activesplooger that can be found >>HERE<<

[mostlysignssomeportents]

Proud to be a blockhead

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2024/12/21/blockheads-r-us/#vocational-awe

This is my last Pluralistic post of the year, and rather than round up my most successful posts of the year, I figured I'd write a little about why it's impossible for me to do that, and why that is by design, and what that says about the arts, monopolies, and creative labor markets.

I started Pluralistic nearly five years ago, and from the outset, I was adamant that I wouldn't measure my success through quantitative measures. The canonical version of Pluralistic – the one that lives at pluralistic.net – has no metrics, no analytics, no logs, and no tracking. I don't know who visits the site. I don't know how many people visit the site. I don't know which posts are most popular, and which ones are the least popular. I can't know any of that.

The other versions of Pluralistic are less ascetic, but only because there's no way for me to turn off some metrics on those channels. The Mailman service that delivers the (tracker-free) email version of Pluralistic necessarily has a system for telling me how many subscribers I have, but I have never looked at that number, and have no intention of doing so. I have turned off notifications when someone signs up for the list, or resigns from it.

The commercial, surveillance-heavy channels for Pluralistic – Tumblr, Twitter – have a lot of metrics, but again, I don't consult them. Medium and Mastodon have some metrics, and again, I just pretend they don't exist.

What do I pay attention to? The qualitative impacts of my writing. Comments. Replies. Emails. Other bloggers who discuss it, or discussions on Metafilter, Slashdot, Reddit and Hacker News. That stuff matters to me a lot because I write for two reasons, which are, in order: to work out my own thinking, and; to influence other peoples' thinking.

Writing is a cognitive prosthesis for me. Working things out on the page helps me work things out in my life. And, of course, working things out on the page helps me work more things out on the page. Writing begets writing:

https://pluralistic.net/2021/05/09/the-memex-method/

Honestly, that is sufficient. Not in the sense that writing, without being read, would make me happy or fulfilled. Being read and being part of a community and a conversation matters a lot to me. But the very act of writing is so important to me that even if no one read me, I would still write.

This is a thing that writers aren't supposed to admit. As I wrote on this blog's fourth anniversary, the most laughably false statement about writing ever uttered is Samuel Johnson's notorious "No man but a blockhead ever wrote but for money":

https://pluralistic.net/2024/02/20/fore/#synthesis

Making art is not an "economically rational" activity. Neither is attempting to persuade other people to your point of view. These activities are not merely intrinsically satisfying, they are also necessary, at least for many of us. The long, stupid fight about copyright that started in the Napster era has rarely acknowledged this, nor has it grappled with the implications of it. On the one hand, you have copyright maximalists who say totally absurd things like, "If you don't pay for art, no one will make art, and art will disappear." This is one of those radioactively false statements whose falsity is so glaring that it can be seen from orbit.

But on the other hand, you know who knows this fact very well? The corporations that pay creative workers. Movie studios, record labels, publishers, games studios: they all know that they are in possession of a workforce that has to make art, and will continue to do so, paycheck or not, until someone pokes their eyes out or breaks their fingers. People make art because it matters to them, and this trait makes workers terribly exploitable. As Fobazi Ettarh writes in her seminal paper on "vocational awe," workers who care about their jobs are at a huge disadvantage in labor markets. Teachers, librarians, nurses, and yes, artists, are all motivated by a sense of mission that often trumps their own self-interest and well-being and their bosses know it:

https://www.inthelibrarywiththeleadpipe.org/2018/vocational-awe/

One of the most important ideas in David Graeber's magisterial book Bullshit Jobs is that the ground state of labor is to do a job that you are proud of and that matters to you, but late-stage capitalist alienation has gotten so grotesque that some people will actually sneer at the idea that, say, teachers should be well compensated: "Why should you get a living wage – isn't the satisfaction of helping children payment enough?"

https://memex.craphound.com/2018/06/20/david-graebers-bullshit-jobs-why-does-the-economy-sustain-jobs-that-no-one-values/

These are the most salient facts of the copyright fight: creativity is a non-economic activity, and this makes creative workers extremely vulnerable to exploitation. People make art because they have to. As Marx was finishing Kapital, he was often stuck working from home, having pawned his trousers so he could keep writing. The fact that artists don't respond rationally to economic incentives doesn't mean they should starve to death. Art – like nursing, teaching and librarianship – is necessary for human thriving.

No, the implication of the economic irrationality of vocational awe is this: the only tool that can secure economic justice for workers who truly can't help but do their jobs is solidarity. Creative workers need to be in solidarity with one another, and with our audiences – and, often, with the other workers at the corporations who bring our work to market. We are all class allies locked in struggle with the owners of both the entertainment companies and the technology companies that sit between us and our audiences (this is the thesis of Rebecca Giblin's and my 2022 book Chokepoint Capitalism):

https://chokepointcapitalism.com/

The idea of artistic solidarity is an old and important one. Victor Hugo, creator of the first copyright treaty – the Berne Convention – wrote movingly about how the point of securing rights for creators wasn't to allow their biological children to exploit their work after their death, but rather, to ensure that the creative successors of artists could build on their forebears' accomplishments. Hugo – like any other artist who has a shred of honesty and has thought about the subject for more than ten seconds – knew that he was part of a creative community and tradition, one composed of readers and writers and critics and publishing workers, and that this was a community and a tradition worth fighting for and protecting.

One of the most important and memorable interviews Rebecca and I did for our book was with Liz Pelly, one of the sharpest critics of Spotify (our chapter about how Spotify steals from musicians is the only part of the audiobook available on Spotify itself – a "Spotify Exclusive"!):

https://open.spotify.com/show/7oLW9ANweI01CVbZUyH4Xg

Pelly has just published a major, important new book about Spotify's ripoffs, called Mood Machine:

https://www.simonandschuster.com/books/Mood-Machine/Liz-Pelly/9781668083505

A long article in Harper's unpacks one of the core mechanics at the heart of Spotify's systematic theft from creative workers: the use of "ghost artists," whose generic music is cheaper than real music, which is why Spotify crams it into their playlists:

https://harpers.org/archive/2025/01/the-ghosts-in-the-machine-liz-pelly-spotify-musicians/

The subject of Ghost Artists has long been shrouded in mystery and ardent – but highly selective – denials from Spotify itself. In her article – which features leaked internal chats from Spotify – Pelly gets to the heart of the matter. Ghost artists are musicians who are recruited by shadowy companies that offer flat fees for composing and performing inoffensive muzak that can fade into the background. This is wholesaled to Spotify, which crams it into wildly popular playlists of music that people put on while they're doing something else ("Deep Focus," "100% Lounge," "Bossa Nova Dinner," "Cocktail Jazz," "Deep Sleep," "Morning Stretch") and might therefore settle for an inferior product.

Spotify calls this "Perfect Fit Music" and it's the pink slime of music, an extruded, musiclike content that plugs a music-shaped hole in your life, without performing the communicative and aesthetic job that real music exists for.

After many dead-end leads with people involved in the musical pink slime industry, Pelly finally locates a musician who's willing to speak anonymously about his work (he asks for anonymity because he relies on the pittances he receives for making pink slime to survive). This jazz musician knows very little about where the music he's commissioned to produce ends up, which is by design. The musical pink slime industry, like all sleaze industries, is shrouded in the secrecy sought by bosses who know that they're running a racket they should be ashamed of.

The anonymous musician composes a stack of compositions on his couch, then goes into a studio for a series of one-take recordings. There's usually a rep from the PFC pink slime industry there, and the rep's feedback is always "play simpler." As the anonymous musician explains:

That’s definitely the thing: nothing that could be even remotely challenging or offensive, really. The goal, for sure, is to be as milquetoast as possible.

This source calls the arrangement "shameful." Another musician Pelly spoke to said "it felt unethical, like some kind of money-laundering scheme." The PFC companies say that these composers and performers are just making music, the way anyone might, and releasing it under pseudonyms in a way that "has been popular across mediums for decades." But Pelly's interview subjects told her that they don't consider their work to be art:

It feels like someone is giving you a prompt or a question, and you’re just answering it, whether it’s actually your conviction or not. Nobody I know would ever go into the studio and record music this way.

Artists who are recruited to make new pink slime are given reference links to existing pink slime and ordered to replicate it as closely as possible. The tracks produced this way that do the best are then fed to the next group of musicians to replicate, and so on. It's the musical equivalent of feeding slaughterhouse sweepings to the next generation of livestock, a version of the gag from Catch 22 where a patient in a body-cast has a catheter bag and an IV drip, and once a day a nurse comes and swaps them around.

Pelly reminds us that Spotify was supposed to be an answer to the painful question of the Napster era: how do we pay musicians for their labor? Spotify was sold as a way to bypass the "gatekeepers": the big three labels who own 70% of all recorded music, whose financial maltreatment of artists was seen as moral justification for file sharing ("Why buy the CD if the musician won't see any of the money from it?").

But the way that Spotify secured rights to all the popular music in the world was by handing over big equity stakes in its business to the Big Three labels, and giving them wildly preferential terms that made it impossible for independent musicians and labels to earn more than homeopathic fractions of a penny for each stream, even as Spotify became the one essential conduit for reaching an audience:

https://pluralistic.net/2021/03/16/wage-theft/#excessive-buyer-power

It turns out that getting fans to pay for music has no necessary connection to getting musicians paid. Vocational awe means that the fact that someone has induced a musician to make music doesn't mean that the musician is getting a fair share of what you pay for music. The same goes for every kind of art, and every field where vocational awe plays a role, from nursing to librarianship.

Chokepoint Capitalism tries very hard to grapple with this conundrum; the second half of the book is a series of detailed, shovel-ready policy prescriptions for labor, contract, and copyright reforms that will immediately and profoundly shift the share of income generated by creative labor from bosses to workers.

Which brings me back to this little publishing enterprise of mine, and the fact that I do it for free, and not only that, give it away under a Creative Commons Attribution license that allows you to share and republish it, for money, if you choose:

https://creativecommons.org/licenses/by/4.0/

I am lucky enough that I make a good living from my writing, but I'm also honest enough with myself to know just how much luck was involved with that fact, and insecure enough to live in a state of constant near-terror about what happens when my luck runs out. I came up in science fiction, and I vividly remember the writers I admired whose careers popped like soap-bubbles when Reagan deregulated the retail sector, precipitating a collapse in the grocery stores and pharmacies where "midlist" mass-market paperbacks were sold by the millions across the country:

https://pluralistic.net/2021/07/04/self-publishing/

These writers – the ones who are still alive – are living proof of the fact that you have to break our fingers to get us to stop writing. Some of them haven't had a mainstream publisher in decades, but they're still writing, and self-publishing, or publishing with small presses, and often they're doing the best work of their careers, and almost no one is seeing it, and they're still doing it.

Because we aren't engaged in economically rational activity. We're doing something essential – essential to us, first and foremost, and essential to the audiences and peers our work reaches and changes and challenges.

Pluralistic is, in part, a way for me too face the fear I wake up with every day, that some day, my luck will run out, as it has for nearly all the writers I've ever admired, and to reassure myself that the writing will go on doing what I need it to do for my psyche and my heart even if – when – my career regresses to the mean.

It's a way for me to reaffirm the solidaristic nature of artistic activity, the connection with other writers and other readers (because I am, of course, an avid, constant reader). Commercial fortunes change. Monopolies lay waste to whole sectors and swallow up the livelihoods of people who believe in what they do like a whale straining tons of plankton through its baleen. But solidarity endures. Solidarietatis longa, vita brevis.

Happy New Year folks. See you in 2025.

[melminli]

what would it be like to be in a romantic relationship with cho hyun-ju? l headcanons

short summery - a few scenarios about dating the one and only, cho hyun-ju! (w/ fem!reader)

a/n: i’m not a trans person so i obviously can't know what that feels like, but i also never want to ignore that part when writing smth w/ her since it's an integral part of her identity! lmk if there ever is something that i should fix!

dating hyun-ju would probably have to happen either before her transition or quite a while after because she just wouldn't be in the right headspace to meet someone new during the early stages of all that change. it just would be a period in her life where she needs a lot of space and time for herself, so romantic relationships would definitely not be one of her priorities.

however, dating hyun-ju before she starts her transition would give you both several options on how to manage this step in your relationship. firstly, you would have to think about your sexuality a bit, if you haven't already done so. especially, if you would still want to be with her! it would obviously be difficult for hyun-ju to finally decide to come out to you because she loved you and didn't want to risk losing you, but of course, she would still respect any decision you made! sometimes you just have to let go of the things you love, even though it would break her heart if you decided to stay friends. but, either way, she was glad that she could trust you with this!

dating hyun-ju after she came out to you would lead to you helping her as much as you could through the steps of feeling more comfortable in her body and standing by her side after losing family and friends. you were ready for her to share her mental problems and more with you, so that you could support her, but hyun-ju would try to burden you as little as possible with all that stuff. having you by her side was enough for her and she also just didn't like complaining to the one person who made her forget about all the negative things in her life. so, maybe after a while, you two would agree that she should try therapy! it would be something that could reinforce her in a way that she felt more comfortable with when it came to her problems, and it would help her tell you about some things in a way that wouldn't overwhelm you or her.

dating hyun-ju would generally mean that you would always feel safe by her side, not only because she was a very understanding person and a good listener - but also because she was well aware of her own physical strength! there was a time when she was very ashamed of it and it wasn't her fault that society didn't consider muscles and stuff to be 'feminine', but you didn't want her to dislike herself for something that you loved about her. so, you did some research and discovered some great female personal trainers, wrestlers, and the like to show them to her! self esteem wasn't something that could be built overnight, but seeing other women who were like her and confident should still help somehow, right? besides, you two eventually started being fans of these people!

dating hyun-ju would mean that she would unconsciously take care of you in different ways. whether that meant taking you out somewhere or cooking for the two of you. honestly, you would have a hard time returning the favor because hyun-ju would insist that she liked giving more than taking, but she also deserved to sit back and relax sometimes! so, there would be more moments over time when she would let you take the lead and let herself get spoiled a bit.

dating hyun-ju would involve, that you only had to mention something you liked in a conversation once for her to buy it for you. she's pretty observant when it comes to things like that!

dating hyun-ju would mean that when you went to bed at night, you would often have long pillow talks until one of you fell asleep. the length of the conversations always varied, of course, but you both especially cherished the time on days when you were recovering from a busy week. you would just lie close to each other for quite a while, whispering quiet things to each other while the nightlight was on, and find comfort in each other's presence.

[onmyyan]

(ive been spottily active lately and missed soooo much amazing stuff I'm trying to catch up still but the one thing someone mentioned to you is now running circles like an energetic puppy in my brain) yandere batfam angst with (yandere?) superfam fluff. The savior complex. The rivalry. I love your writing so much. I love how so many cool people message you and share ideas. You're awesome.

A/N: First of all you're so sweet ❣️ thank you!! I so appreciate this request and how it made my brain turn!!

In this situation let's say you've already done the whole 'neglected so you leave and trigger their yandere instincts' thing, so you've been kidnapped, bound to the manor for months at this point, but Bruce decides you've been behaving well enough to deserve a treat. He knows how cooped up you feel, he's not as delusional as the rest of his family who believe you love it there, so he takes you with him to the hall of justice, he isn't worried about you escaping after all the hall of justice is in outer space, and you're surrounded by experienced heros, you're not going anywhere.

That's his first mistake.

Clark takes to you immediately. You've got the Wayne charm but so clearly your own person, you stand away from Bruce, asking Clark earnest questions, listening oh so intently, he knows you're an adult, but your so much smaller than him, (the man is 6'3 he's bigger than most people.) he noticed the way your heart rate picked up when Bruce so much as touched you, you were scared of him, he could tell, and this is what ignites that dangerous flame inside him.

He starts by inviting the whole Wayne family over for dinner, can't draw suspicion by inviting only you, (despite that being exactly what he wanted to do) Lois makes a feast, that night you meet Clark's entire family, his son's Conner and Jon, Kara his cousin, and of course Lois his wife, they all focus on you despite trying to play it cool, Kara's around your age and asks if you'd like to go shopping with her in metropolis some day, you smile starting to nod before Bruce answers for you, "Her studies are taking up most of her time nowadays, some other time." He grins taking a bite of his steak.

Clark sets his silverware down, grinning that friendly smile of his, "Well surely she can take a little break, one day away from her studies won't kill her, besides she'll be safe as can be with Kara by her side." Bruce glares at him, he can't outright deny the claims because his own possessive need to have you by his side at all times, and because they're true, so he relents, and that's how you find yourself spending time with her, and in turn the superfam.

It doesn't take long for them to fall in love with the idea of you being there, with them, at their dinner table.

The second they're all in agreement,(about a week after getting to know you) they quickly decide you're better off with them, and when Superman breaks into the Manor one day and sweeps you off your feet, the batfamily can't do anything but watch in horror.

[goldfades]

𝐆𝐈𝐑𝐋𝐅𝐑𝐈𝐄𝐍𝐃 ─ PB⁵

౨ৎ ─ summary | paigey being your girlfriend - a list of relationship "headcanons"

─ warnings | in a bullet-point formatting, i hope you guys like it! fluff (lmk if yall want nsfw ones bc i can provide), paige being DOWN BAD, social media tingz, maybe alluding to being outed but not really, some angst but you can skip over it, paigey being protective (duh), nothing else?

─ taglist | @xocherishxo @iienstein @yazmunson and here's a link to my taglist if anyone would like to join!!

─ ev's notes | THIS IS SUCH LONG MESS BECAUSE I'M HAVING PAIGE BRAINROT RN, but i hope y'all enjoy nonetheless LOL being in my paige era i've read so many of these and i'm sure you guys have as well, so i'm making this as unique (or descriptive) as i possibly can to make it because it's more fun to read (and write cus im a sucker for details)

PRE-RELATIONSHIP STUFF

when you guys first started dating, i feel like paige would be kind of secretive about it

maybe secretive isn't the right word but very... private but not secret type of vibe (at least irl)

not because she doesn't want to show you off, because believe me, she wants to (she's a bragger what can i say)

but just because she wants to keep you all to herself for a while

she knows that as soon as people find out about it, everyone will be talking about it and making assumptions and she just wants to keep you to herself

at least for a couple months

she doesn't care about the public's opinions but she wants to make sure that y'all are LOCKED IN before she makes it public on social media

but it's clear to paige that y'all are very much locked in after the first couple weeks

she's not new to relationships and she's had her fair share but she can tell that it's different now

so the whole "not sure if i wanna hard/soft launch her cus what if we're not a long term" sentiment turns into "i wanna keep this special thing to myself ONLY for at least a couple months"

and of course the entire team knows paige is down bad for you, they've never ever seen her this WHIPPED

because paige seems like she'd be nonchalant and SHE IS... for people she doesn't give a fuck about

so when she likes someone, she LIKES someone

she is extra what can i say

they tease her about it and in any other situation, she would be annoyed but she loooooooves it because it's like "yeah i'm in the best most awesome relationship with the cutest sweetest and kindest girl in the PLANET"

you and paige would've definitely known of each other since freshman year but like... she's kinda intimidating so you sorta tried to steer clear of her

you were really close with some of the girls on the team, specifically azzi so you saw paige kind of a lot

but sophomore year, azzi kind of pushed you guys to be close and since she knows you guys so well, IT WORKED!

you guys clicked so quick and that doesn't happen a lot with paige, it takes a lot to earn her friendship

but you practically ripped down all her walls within like an hour of talking to her

definitely the first one to catch feelings

at least... to her ;)

very much friends to lovers trope with lots of sexual tension cus who doesn't love that?

i feel like after 3 months of being really close friends, you guys would spend like a shit ton of time together

you guys were ALWAYS together

she even tried to convince you to come to practice with her but you said no cus... what the heck

everyone knows... EVERYONE knows that paige likes you

and it kind of becomes like cemented (for paige at least) after she realized you were her literal COMFORT PERSON

like after every terrible, long practice or after losing games all she wants to do is be AROUND YOU so she could forget about everything

especially when she gets injured, she's such a wreck and the only person who made her feel better was you

it wasn't even what you said or what you did, it was simply just you

and after going through such a bad time with you, she realized that she liked you and she can't keep pretending

and she asked you (yaya!) and you said yes cus you liked her back (yaya!) and everything is just YAYA

so it's safe to say she knows she's found her soulmate within a month of knowing you

but she doesn't wanna seem like she's love-bombing you or whatever so she pretended to be nonchalant

which of course FAILS because she's down bad

so she tells you she loves you within like a month of dating

i KNOW it seems bad but you guys both felt it because of the whole injury and spending every moment together

when you know, you know vibes

she told you she loved you after you were there for her through some of the worst times of her life and you said it back of course and it's all cutesy

paige's love language is TOTALLY quality time and touch

even before you were dating, she just liked having her hands on you whether it was like holding your hand while walking through a crowd, or braiding your hair, or putting her head on top of yours or something as simple as just HUGGING you

but she kept it cordial of course cus y'all weren't dating

yeah that was all thrown out the window as soon you became her girlfriend

hands on you at ALL times, it becomes so subconscious neither of you even know you're doing it anymore

so remember that whole secret relationship thing?

well... everyone kind of figures it out online after like 3 months of dating

it was because of paige, poor girl couldn't keep her hands and lips off of you after a particularly hard game and somehow 🤨🤨someone gets a picture and it was all over twitter and tiktok the next day

literally "paige bueckers girlfriend" trending after an hour of getting posted

but neither of you cared too much about it because A. it was totally worth it cus the kiss was 😫😫😫 and B. she finally doesn't have to turn off her girlfriend mode when she's with you at games

cus she has the prettiest and best gf in the world and she wants everyone to know that

the only reason she was slightly annoyed was because she couldn't hard launch you on instagram :( poor girl had potential captions in her notes :( cus she's our little drama queen:(

but that doesn't stop her cus she ends up doing it! (shameless plug right there hehehe)

now that she can freely touch you and just be herself finally, she literally doesn't GAFFF

of course nothing like over the top because sure she loves PDA to a certain extent and she's an athlete so she needs to keep it civil

RELATIONSHIP STUFF

we've already covered how paige is a physical touch and quality time girly

and paige loves spending literally all her free time with you because you just recharge her

but it isn't in like an overwhelming way

paige understand that sometimes you need quiet time (or vice versa) but the thing is she doesn't even need you to talk just being around you is enough

so idk if it's necessarily QUALITY time but just being around you and spending every free second she has with you tells you that she is in love with you

paige is the most protective person IN THE WORLD, not just with you like in general

it doesn't even have to be someone she knows, if she sees someone giving someone else a hard time SHE WILL STEP IN!

and with her friends, y'all have seen her... she does not back down and will literally murder anyone who comes for the people she cares about

so if that's with people she doesn't know, and her friends, you guys can imagine how crazy she gets over you

if somebody says something even slightly consendecing or mean, slap. someone looks at you the wrong way? slap. somebody breaths wrong around you, slap.

obviously she won't lay a hand on them first but likeeee would she back down, nope

she is actually your guardian angel

like at parties, her hand is always on you and she never ever leaves your side

you need to get a drink, she's coming to

if you need to pee? she'll wait in the bathroom for you

yeah don't expect her to leave your side

because even when she IS by your side, there is always a weirdo in your guys' ear trying to get with one (or both!) of you

but yeah she's not afraid to defend you when it comes to literally anything

and this doesn't only apply to strangers, if there is someone that you know (your friend, her friend, etc) she WILL stand by you and defend you

like she doesn't shy away from confrontation, she will say something but only if you want her to

and GOD HELP THEM if you shed a single tear, cus the next morning you bet she's saying something

like i said, paige is a confrontational person and that means she's the biggest communicator

if she has a problem, she will tell you so that you guys can fix it

but sometimes she can come off a little argumentative and like she's just attacking you

she uses a lot of "you" statements so it seems like she's pushing the blame all on to you

so that can be the root of a lot of your guys' arguments when paige is only trying to solve the issues

but of course paige doesn't back down so she will be arguing with you even if she doesn't even know why, she just hates being wrong

but she doesn't let you leave or go to sleep unless the problem is fixed (or at least on the road to being fixed)

she'll give you space, she'll go another room to take a breather but she will not let you leave until it is fixed

usually after the breather you guys can come to an agreement and then paige usually hugs all the anger outta you

cus who could resist her?

if the argument lasts a couple days (it usually doesn't unless it's something serious) paige will talk it out with her mom or her friends

and you'll usually do the same

and paige will force you to sit down and talk about it until it is FIXED because she hates not being able to talk to you

and when you guys do eventually talk about it, especially if it's a serious topic, it will end with tears with both parties

but you guys always make up and everything will be better

okay okay no more angst ... for now hehehe

i feel like paige's nervous tic would be braiding the ends of her hair so i feel like that would transfer to YOU somehow

she just likes braiding your hair!!!!!! or just running her hands through your hair, it would help her relax

and if you're like me, it will help you relax as well

if you're black/have braids, she would only touch your hair if you let her!

paigey takes pictures OF EVERYTHING so obviously that includes you

her camera roll consists of ONLY you atp, like... 20% pics of literally anything else, and the rest would just be pictures of you or something to do with you

and oh my gosh don't get me started on the damn .5's of you, some of them are HORRENDOUSSSS and paige uses them as reaction pictures sometimes

and you found out from azzi that she does indeed use them in the girls groupchat

but she argues that you just look adorable which you respectfully disagree

oh and don't get me started on her tiktok drafts, she has at least 1,000 (rip her storage)

and when y'all started dating she just makes cute relationship tiktoks but she never posts them

EXPECT the "you're spinning me around, my feet are off the ground one" cus she wants to prove to the world that she has muscles

and the tiktok girlies will cry but WHO CARES!

oh and if you're on the basketball team, they will started to fan-girl over you as well

HELLA TIKTOK EDITS

and paige will favorite, repost and comment on them

like the most down-bad, insane comments you can think of

"GET THE STRAP GET THE STRAP!" is one of many ✨✨

if you aren't on the team, trust the tiktok girlies will find a way and they will make edits of you

and paige will do the same

obviously you do the same for her, your favorites are just paige edits atp (mine too)

ESPECIALLY THE GET IT SEXY ONE OMLL

and everyone will make ship edits and cutesy things like

"omg the way paige looks at her" and like a slideshow of paige being like all 😍😍😍

after paige gets more comfortable with like the media knowing about you two, she posts you every five seconds

usually like stories and stuff and especially if you’re also a basketball player, she reposts ALL your stuff

she is a proud gf !!!

she also has a highlight FOR SURE, she loves

also she def has like 10 diff wallpapers of you and her, some are really cute and some are really… 🫣

also paige strikes me as the type to like be texting you ALL DAY

and girl doesn’t care if you reply, she will send you 8 consecutive messages of different things

“omg look at the group chat 😂 *insert screeshot*” “baby they ran out of fucking caramel at dunkin, how does that happen ?” “i ended up going to a local cafe why did this shit cost me 9$” “baby you’re coming to my game on saturday right?” “HAHA look at this meme 😂” “why haven’t you responded to my tiktok’s in 2 days?”

yes she 100% uses the laughing with tears emoji argue with the WALL

or skull emoji

she also sends you 20 minute snapchat vlogs and they’re so chaotic, especially when she’s at practice or something

kk will steal her phone and say hi then you’ll hear them play fighting for like 80% of the vlog

also she does grwm’s on snapchat too when she’s at away games and her morning voice is SOOOO SEXY CUTE

↳ make sure to check out my navigation or masterlist if you enjoyed! any interaction is greatly appreciated !

↳ thank you for reading all the way through, as always ♡

[tinyfantasminha]

I don't want to keep clogging my blog with vent posts but uh... I guess this is a more general concern/observation

But it's getting real hard to stay motivated in fandom spaces when there's little compensation, and annoying occurrences are more frequent than good ones.

Mainly there's been less engagement/people showing interest in creators and their art (such as sending asks, making comments and reblogging with tags) and MORE parasocial interactions. This goes for both artists and writers.

Over this year I've noticed a vast disinterest within my public in general. Asks about ocs, my art, or just nice simple comments of ''I love your art'' has been getting more and more scarce. My follower number is bigger than 2-3 years ago sure and I get more likes on my posts but they are feeling more like just numbers and statistics than actual people who supposedly like my stuff.

And while people being parasocial with creators has always been a thing, I feel like it's gotten way worse... in general? People sending personal pictures out of the blue in hopes of being validated, unwanted psychological advice or assumptions about the creator without any established connection first ( <- these happened to me in the same week.) ventdump, just insensitive/lacking of common sense comments in general, unreasonable demands (mostly with writers)... I wondered at first if it was just me, but a handful of mutuals/acquaintances who are artists and writers seems to be going through it as well.

It's annoying. It's tough. It's getting exhausting. Creators pour so much of themselves into their work—countless hours, effort, and passion, all to share something meaningful or entertaining with others (and for FREE) The LEAST anyone can do is show respect, even if opinions differ. When a writer posts a fanfic, don't just say ''omg post next chapter!'', when an artist posts a drawing of their favorite character, don't just say ''omg draw (character) next!'' as if they're faceless content machines that are expected to churn out more '''content''' for you without acknowledgment, encouragement, or appreciation.

''I want to support creators but I don't know what to say and I feel intimidated by their talent so I just lurk silently :((('' I swear to you, no creator (at least not the majority) is making up an intimidating persona to discourage you from interacting with them. They WANT your comments. A single ''I love your art/writing/videos'' or even something as silly as ''I want to eat your art'' is enough to keep a creator sighing dreamily for WEEKS. It doesn't have to be deep! It's heartfelt and that's what it matters!! (Just remember to keep it relevant and thoughtful... It takes just a bit of common sense NOT to comment things like ''this looks like (another character)'' or ''this but with (another unrelated ship/character/show)''. No one wants to hear comparisons or unrelated ideas when they’ve poured their soul into something.)

In fact, the ''I like your art but I think you're intimidating'' feels more hurtful than flattering. It makes me feel like I'm doing something wrong, acting wrong. 💀

If you love that fanfic that changed your brain psyche forever and want to gush about it, go tell the writer. If you loved so much a piece of art that you saved it a million times in your phone and can't stop thinking about it, go tell the artist. Push away the ''they probably won't care about my comment/it won't make a difference'' thoughts. DO IT NOW. You won't know when they might go inactive forever or deactivate. You can't know if that is the last piece they will ever post. Make sure you show appreciation to creators NOW, while they are still here. While they're still not being replaced by AI.

[mono-dot-jpeg]

boy failures for u - i. yoichi, s. nagi, s. ryusei, b. meguru

summary; in which some boys just love you so much, they simply can't function

genre/extra tags; scenarios, fluff, comedy, projecting my love for dog energy boys, they're so pathetic /pos, bachira is clumsy, ryusei is an embarrassingly horny dude (can confirm, he gets no bitches, absolutely ZERO play!!), nagi... is perfect as he is, yoichi,,,, is just socially awkward around people he has a crush on

[gender neutral reader]

a/n; look at me being fancy this one panel banner, slay. tbh i couldn't think of a good three photos to use for it so i tried this which is kind of nice. anyways i had a sudden thought hit me and it must be done. and what better anime to write for than the one where everyone has unexplainable gay tension between each other. i swear im as caught up as possible i think and i swear the gay tension is like,, crazy.

isagi yoichi is endearing. he's so bad at being normal around you. his face flushed a cute red, and his words barely managing to leave his mouth as you talk to him so sweetly. he doesn't know how to handle a crush. and it's so cute to tease him because he just doesn't know how to respond properly.

the times where he does manage to gain enough confidence to talk a conversation with you, he's never taking the lead in any of them. he's talking [somewhat] normally to you, answering your questions and [attempting] to reply to your thoughts and responses. of course, just don't flirt with him too hard. there's like a 50 percent chance he will understand it or not.

he can't even admire you correctly. when he attempts to give you a compliment, he's saying all the wrong words and apologizing profusely like he offended your entire bloodline. he's so utterly enchanted by you, he wonders if you're an angel sent just for him.

"you're so nice, y/n." "huh?" "i-i mean you're really cute! wait- i didn't mean that! fuck- not that i don't think you look cute! you're really a great person, you know?! sorry! i'm just gonna go back to practice...!"

nagi seishiro is so lazy that you can't help but watch over him. you understand why reo adores him (a little too much). he's a boy with pretty privilege and talent. he talks to you with such honesty that he unintentionally flirts with you. he doesn't know a lot of things well, but even he's had his fair share with understanding liking people (but that's only with the random dating sims he's tried).

when he manages to get on his feet, whether it's for a soccer match or you, he's stuck by you like a cute koala. he whines about everything being "too much of a hassle." but he finds himself walking around looking for you, no matter how far you are. he whines to you about how he had to get up to find you, and he's cuddling close to you. his mouth turned into his signature X shape as he pouts at you, annoyed that you just had to be away from him for more than a minute.

he tries so hard to be around you but at the cost of his laziness, he mutters to you about how much easier it would be if you just stay with him all the time like his purple-haired companion or his cactus pet. he fell for you first, but he makes it so easy for you to fall harder.

"why do you always have to do stuff?" "it's my job, sei." "you should just stay with me all the time. you take care of me so well."

shidou ryuusei is annoyingly desperate for you. if isagi was endearing, shidou was insolent. he speaks before he thinks. he has no shame in chasing after you. it's quite a feat that you haven't even shooed him away as much as sae has. you sort of find a friend in sae because of that. he always rolls his eyes when you mention him. he wonders why you keep being around the blonde jock, and you tell him, "who doesn't love a pathetic man?"

when he talks to you, he just can't read a room with you in it. he's the type of guy to say "this shot is for you." and it hits the goal post and then to his face. of course he'd never actually miss in a real match but i can guarantee that it would happen during a practice match. he unintentionally humiliates himself every time he tries to be cool. if sae is there, it's even worse. he's trying to bump up the flirting up to a 200 and failing miserably to woo either of you.

he's like those tweets where it's like, "how did i pull them? easy. i just went, PLEASEPLEAPLSEPWPLEAPLELA-". without fail, he basically tries to re-enact that but he doesn't even pull you because you'd much rather wait for him to actually be a decent man and grow the rest of his brain. though it doesn't seem he'll learn his lesson anytime soon.

"did i ever tell you how hot you look right now?" "yes. you have. multiple times. today." "please go out with me." "no."

bachira meguru is confusing. he's clingy, blunt, teasing, a little stupid but has the spirit, and an absolute cutie. he's passionate about what he likes. and surprise, surprise, he likes you. he's an infodumper but you don't mind at all. but sometimes those talks take a hard left into just telling you how much he likes you. you better hope you're strong because he will be jumping on you for a hug.

when he's just buzzing with excitement, he can't help but scramble by your side to cling onto you in any way that you will allow him to. he's not as boy failure as the others on this list because even when he fails to capture your heart, he's still succeeding in his book. he loves when you give him any sliver of attention. that's probably his thing as a boy failure. he is a hyper and needy dog who's too big to cuddle with but doesn't care. and you can't say no because then they just stare at you with those big eyes until you cave.

he's the type of guy to be confused when people ask if you're dating him and you say no. "what do you mean we're not dating? i thought this was the dating." he's never actually confessed, but he considers his "s-tier affection" to be confession enough. but he's kind of coward whether he realizes it or not. he's scared to actually say that he wants to be yours, but that's like an angsty story for another time, SO SHUT.

"what if we kissed? like right now?" "but we're not dating, meguru." "we're not? we should." "i'll think about it." "no think! just do!"

[wandussyfantasy]

request (i hope its still open)

powerbottom!Wanda x Beefy G!P reader

(this is gonna be kinda long and dirty so be prepared)

Reader and Wanda are both college students who have been mutual pining each other, Wanda tells Nat that she likes reader and really wants to get down and dirty with them but doesn't know what to do Nat gives Wanda these chocolates (which is like those sex Viagra chocolate things) and tells Wanda to invite reader over for a movie night and share the chocolate, and that leads to hella sexual tension and they both can't hold it in anymore and fuck, Wanda rides readers abs and also handcuffs reader to the bed and she teases reader a lot and after a while reader just wants to touch Wanda so bad that they break the handcuffs which turns Wanda on even more and they fuck hard, lots of overstimulation and maybe some breeding (also maybe some fluff at the end as well as reader wants to live in this moment forever so reader uses Wanda's polaroid cam to take a pic of her naked and saves it in their wallet)

sorry this is long but if you do decide to write it just have fun with it and add your own stuff as well, love your fics <3

Study Date

Summary: Wanda and Reader have wanted each other for so long. Natasha, being the good friend that she is, helps the two speed things along and realize just how much they want each other.

Pairings: Wanda x NB!AMAB!Reader

Word Count: 4,767

WARNINGS:

18+ ONLY, MINORS DO NOT READ & DO NOT INTERACT!!!

smut, gn!reader shapeshifter, powerbottom!lwanda, fingering, dirty talk, fluff, fantasies, teasing, foreplay, and creampie.

𝐌𝐀𝐓𝐔𝐑𝐄 𝐍𝐒𝐅𝐖 𝐂𝐎𝐍𝐓𝐄𝐍𝐓. 𝐏𝐑𝐎𝐂𝐄𝐄𝐃 𝐖𝐈𝐓𝐇 𝐂𝐀𝐔𝐓𝐈𝐎𝐍

“Hey Wanda, I noticed you weren't in class today. I thought I'd lend you my notes,” you say as you hand the pretty girl from your expository writing class your notebook. She smiles as she accepts your offering. 

“Awe, you're so sweet! You didn't have to do that! Thank you, I'll type this up and get it back to you as soon as possible,” she says. You smile back and tell her to take her time. The conversation falls flat but you don't want to stop talking to her. You stand there awkwardly as you try to think of something to keep the conversation going. Wanda was doing the same, she didn't want you to leave. She wanted to keep talking to you. She always wants to talk to you. “Hey, I heard there is going to be a party this weekend. My brother is hosting it so I'm going to be there and so will other people. Because it's a party! And that's how… anyway are you going?” Wanda asks nervously as she fiddles with the notebook in her hands. Natasha tries her best to not be repulsed by Wanda’s bad attempt at asking you out. She had no idea that her friend was crushing so hard on someone, let alone you. 

“Nah, I have a lot of studying to do,” you reply without giving the invitation much thought. “Maybe another time? This semester has been kicking my ass and I might lose my scholarship if I don't get my grades up.” You admit as you shift on your feet awkwardly. 

Wanda frowns and looks hopeless. Natasha rolls her eyes and then cuts in. “Wanda is a fantastic tutor,” she says. “Maybe you should ask her to tutor you,” she spells it out for you when all you said was cool. 

“I mean. Um. Would you have time to? I would really appreciate it,” you say as you gesture at Wanda. 

“Uh,” she looks at her friend.

“She is available tonight,” Natasha offers up. “I have plans so she’ll be alone in the dorm.” Natasha scribbles down information on a piece of paper and hands it off to you. “Let’s go,” she grabs Wanda and pulls her away. 

“See you later!” You shout at them as they leave. 

Natasha shakes her head as they continue to walk away. “That was pathetic,” she says to her friend. “I know you’re new to flirting but,” she starts as she opens the door for their dorm building. “That was not flirting. That was just… sad.” 

Wanda shakes her head, “I know. I know. I’ve never liked anyone the way I like Y/n before. I want them in ways that I’ve never wanted anyone before.” She presses her palm to her forehead as she blushes.  

“Like, losinging your v-card type of want?” Natasha’s eyes widen as her voice lowers while they walk to the elevators. “You hardly wanted to lose it to your Vision! And you were with him for three years!” 

“I know!” Wanda says as they enter the elevator. “But gosh, there is something about Y/n that has me,” she stops as someone enters the elevator. She puts her hand on Natasha’s shoulder and sends her a mind message to continue the conversation privately. “I’ve had several wet dreams about Y/n since I saw them running around the track field shirtless.” 

Natasha looks at Wanda with wide eyes and thinks, “They had their titties out on the field?” 

Wanda shakes her head. “No, they have a shapshifting ability. It’s why they prefer they/them pronouns because they can shift their physical appearance to how they feel they that day. And that day it was a male chest and it was strong and sweaty and-”

“Ok! I don’t need to know anymore. But that is quite an ability, I’m sure a lot of gender nonconforming people would love to have an ability like that.” She said out loud as they stepped out of the elevator. Wanda agreed. 

“I think they can do more but I could hardly focus. I started to imagine the possibilities and I was just happy mind reading isn’t one of their abilities.” Wanda says as they enter the dorm. 

“I’m glad it’s not an ability of mine either,” Natasha says as she opens the mini fridge. She flips through the different types of chocolate bars that she owns and smiles when she finds the one she it looking for. “I’ve been saving this for a rainy day and honey, it’s getting pretty cloudy.” She hands the chocolate bar over to Wanda. 

“Oh, I’ve been craving chocolate all day!” Natasha stops her roommate from eating the candy.

“Woah, not so fast. Wait for your date tonight. Share it with Y/n,” she suggests. 

“Why?” Wanda makes a weird face as she tries to figure out what is special about the unlabeled candy. 

“Just trust me,” Natasha quickly puts on a special bracelet that prevents anyone with telepathic or empathic abilities from entering her mind and she smiles as she flashes it at Wanda. “The less you know, the better.” She starts to gather her belongings. “I will be out all night. I gave Y/n your phone number so you should be receiving a text or something soon.” She looks around the room to assure herself that she has everything she needs. “Good luck, Wanda. I hope it all goes well. Just please don’t use my bed.” 

Wanda rolled her eyes at the bracelet and smiled at her friends departing words. The hug each other, “Thank you.” Natasha leaves the room. Wanda flops onto her bed as she waits for you to text her. She thinks about the times she’s seen you half-naked and sweating. How she’s wished to have your body on top of hers. Wanda bites her bottom lip as she fights the urge to slip her fingers between her legs and imagine that they are yours. 

Her phone pings with a notification and she springs up to look at it. It’s you asking what time you should arrive. She licks her lips she tries to make a flirty response but she ends up cringing at everything she types. She settles on just telling you to meet her an hour from now and flops back onto her bed with a sigh. She needed to get it together because in anhour you would be in her room and you needed tutoring. And some how she needed to work in sharing the mysterious chocolate bar with you. 

Wanda changed into something a little more suggestive and flashed on a set of lingerie underneath, just in case she became brave enough to try something with you. She cleaned up the room a bit and lit a candle that was enchanted to keep sound in any room that it was lit in. She doesn’t know why but she has a feeling she’s going to get her way and she won’t be quiet about it when she does. 

“Smells nice in here,” You say as you enter Wanda’s room. She shuts the door behind you. 

“Thank you, it’s a new candle I made. I kind of got into the trend,” she says sheepishly as she stands behind you. There wasn’t room for a sofa in the dorm room so there isn’t one. There was only beds and desk chairs as seating options. “You can sit at my desk,” she points to the desk that is between the beds. 

“Thanks,” you say with a blush, “Um, if you’re selling your candles, I would love to buy some from you.” Wanda’s cheeks flush bright pink as well as she sits on her bed. 

“I think I have a couple that I can gift you,” she smiles as she gets comfortable. “Alright, so what subject are we starting with?” She asks as you are pulling assignments out of your bookbag and setting them on her desk. She looks at the chocolate bar that was left on her bed and tries to think of how she can offer it to you without it seeming weird. 

“Um chemistry has been brutal,” you say as you organize yourself. You try to keep your eyes on the work in front of you because her shirt was tighter than the one you saw her in a couple of hours ago. It was hard enough to be around her when she had loose fitting clothing on. Now that it was accentuating her chest, you thought you might pass out. 

“Chemistry happens to be my strongest subject!” Wanda says as she leans over to look at your papers. She quickly gets into helping learn the formulas that you struggled with as well as a lot of the vocabulary that you had mixed up. Deep into the study session, Wanda starts to mindlessly break off pieces of the chocolate bar and eat it. 

You accept the pieces that she offers and by the time you've moved onto math, the chocolate bar is gone. You start to feel even hornier than when first walked in but you try to focus on the subject.

“It's kind of hot in here,” Wanda says as she fans herself with her hand. She doesn't know why but her body is on fire. Her clothes feel horrible on her skin but she can't take it off. Not with you here. Oh but she wishes she could convince you to take your clothes off. 

“Yeah, it um it is,” you shift uncomfortably as your eyes land on her glistening chest. Wanda’s eyes are glued to your chest as well. The sweat on your body was causing the white fabric of your shirt to become see through. The shirt was clinging to your abs, exposing your six-pack. “Maybe I should um-” 

“Fuck me,” Wanda gasps out as she bites her lips. “I'm sorry, I don't know where that came from I-” You cut her off with your lips. Finally kissing her after spending the past few years pining for her. Wanda responds to the kiss just as eagerly. She pulls on your shirt to pull you closer to her until you land on top of her. Your body against hers on her bed. She couldn't think of anything but your lips and your body. She needs you. She needs you now. 

“Are you sure,” you try to slow down your kisses. “We can stop at any moment,” you say as you try to catch your breath. Her lips start sucking on your neck and you let out a soft loud groan. 

“Why would I want to do that?” She says as she rips your shirt in the middle. You are surprised by her urgency. You didn't know that Wanda even liked you. “Wow,” Wanda gasps as she admires your naked chest. She unhooks your bra and her eyes grow hungrier at the sight. You get rid of the rest of the fabric of your shirt and toss it to the floor. You roll off of Wanda and lay next to her to start to get rid of your pants. You had most of your abilities down but when it came to sexual urges, there was one thing you couldn't control completely. That was the cock that is currently growing and will soon be straining against your jeans. 

But before you can unbuckle your belt, Wanda climbs onto your chest and kisses you on the mouth again. “I have an idea,” she says against your lips as she holds your face in her delicate hands. 

“Mmm, please share,” you say as you kiss along her jaw. She maneuvers you so that you are laying properly on the bed. Then with magic, she chains you to the bed. Wanda removes her tight shirt and short shorts to reveal the red lace bra and the black thong. Your eyes widen at her lingerie. You never thought in your wildest dreams that you would be here. 

Wanda straddles your hips and you groan at the contact of her skin against yours. Her thighs rest against your sides. Her pussy juices drip through her thong and land on your stomach as she starts to gyrate her hips on your abs. You watch her breasts bounce as she moves on your abdomen and you lick your lips as you think about touching her. About sucking on her breasts. Licking her smooth stomach. Wanda puts her hand on your breasts as she continues to use your abs to create friction. You moan as she plays with your nipples. She makes eye contact with you as she leans in close to you. She makes you think she's good to kiss you but then her hips slide down and her pussy starts to ride your bulge as her lips kiss your neck. 

“Fuck” you his as her lips move to your collarbone. She sucks on your skin lightly as she makes shapes with her tongue. You imagine her sucking your cock and it causes you to thrust your hips into her middle. She yelps and looks at you. Her pupils have taken over her emerald eyes as she takes your breast into her mouth. “Wanda,” you beg as you thrust your hips up again. She takes her mouth off of your chest as she sits up again. Teasing you by slowly removing her bra. You groan again as you fight against your magical restraints. When her breasts are exposed, Wanda drops her hands to your belt. She unbuckles the accessory and unbuttons your jeans. She pulls your zipper down and stops there. 

Wanda drags her fingers at the top of the waistband of your boxers. She is driving you crazy. When she slips her fingers into your boxers you can't take it anymore. With your super strength, you break the magic handcuffs off and grab Wanda and flip the two of you so that you're on top. “That was hot,” Wanda says as she kisses you again. 

You get lost in her lips as your hands touch her everywhere. You have them on her hips then on her breasts then on her ass. Her skin is so soft and you want to touch every inch of her. You begin to suck on her neck as you move to explore her body with your lips. She sighs and moans when you reach especially sensitive spots on her body. Her hands continue to trace the ridges of your chest. You drop her breast from your mouth and grin. “You like what you feel?” 

Wanda blushes as she grows a bit shy. “I’ve been dreaming about them,” she says with pink cheeks. “I’m sorry, I just want to appreciate them while I have them.” She reaches up and kisses your neck. Your eyes roll to the back of your head as she starts to suck on your neck again. Her hands start to trail further down your body. She starts to push your pants and underwear further down until your cock bounces out. You moan from the relief. Her eyes widen at the sight. Her ex-boyfriend was a super computer that looked like a Ken-doll in the private area. She’s only seen dicks online and none of them come close to what is laying against her stomach. She couldn’t imagine how it was supposed to fit inside her virgin hole. She is surprised that fear isn’t controlling her nearly as much as it has in the past. But she can’t keep the thought as you roll your hips and the base of your cock grazes her clitoris just right. Her lips latch to yours again. You are typically someone that likes to take it slow but something has your body buzzing with energy and taking over your actions. 

Wanda’s hand wraps around your cock and you roll your hips into her soft hand. You have imagined her jerking you off before. It was in a car or in a closet or at a movie and it was always after or during a date. It wasn’t this fast, or this amazing. Your hand doesn’t compare to hers. You have to pull away as you feel yourself near your edge. 

“I’ve dreamt about you too,” you whisper against her lips. You fall lower on her body until your head is between her thighs. You kiss her left thigh first then her right. Wanda wimpers each time your lips press against her thighs. With your tongue you trace letters along her thighs claiming her as yours. “I’ve wanted to be in this position since I saw you at the freshman mixer,” you admit as you drag your tongue along the crevice between her thigh and vulva on her right side. “But you were taken for two  more years after that.”  You lick the left side and Wanda licks her lips as she watches you tease her. 

“Now I’m yours,” she says desperatley, “I’m all yours.” Her fingers lock into your short hair as she pulls you closer to her pussy. “Show me your deepest desires, Y/n.” You nod as you put your mouth on her entrance. You slip your tongue inside of her and use your abilities to have a deeper reach. Wanda’s eyes widen at the sensations as she feels your tongue wiggling inside of her. You feel a wall as you extend your tongue further and your eyes widen as you shrink your tongue to it’s normal size. 

You pull away and ask, “Are you a virgin?” Wanda grows shy again and tries to hide her face in her pillows. “It’s okay to be it’s just, are you sure you want to… with me… like this?” You say as you crawl up her body and remove the pillow from her face. “I just don’t want you to regret your decision later if there are reasons you waited this long,” you tell her softly. 

Wanda gazes into your eyes and takes your hand and brings it close to her. She kisses the palm of your hand as she holds eye contact and then places your hand over her heart. “I'm sure,” she answers softly. Then she pushes you back so that you lay on the bed. She pulls your pants and boxers all the way off and tosses them behind her. “I want you so bad right now, Y/n. I've wanted you for a long time.” She says as she moves her hands up your thighs until they meet in the middle to give attention to your cock again. She kisses the tip of your penis. Her soft plush lips send shivers down your spine just before she wraps them around the bulbous head. Your head falls back as she deep throats your cock. Taking as much as shee can down her throat without gagging. You’ve never seen that before. You can’t believe it. Wanda removes her mouth and you lift your head back up to watch her. “I don’t have a gag reflex,” Wanda smirks. You make a confused expression and Wanda giggles. She taps her temple, “Mind reader.” 

You sit up on your elbows, “Hold on,” you stop her from sucking your cock again. “You’re telling me that you’re more than a witch?” You shake your head. “Oh gosh, I’m sorry for what you saw today. I promise, I like you for more than-”

“No, I don’t… I didn’t read your mind earlier. I,” she crawls up your body and sits on your chest again. She holds your face as she tries to explain her abilities. “I don’t like to know what other people are thinking so I take something that decreases my ability to read peoples minds. I can only read your mind when I’m touching you. I wasn’t doing that earlier,” she explains. 

A slow smile graces your lips. You move your fingers a long the length of her arms. “Does that mean you’re seeing what I’m thinking about now.” You take the palm of her hand and press your lips against her soft skin. The hitch in her breath is enough to let you know that she can see exactly what you intend to do with her tonight. “And what do you think?” 

Wanda leans in close to your lips and whispers, “I already told you to show me your deepest desires. So stop stalling.” She meets your lips in a slow, deep, kiss. Every time she kissed you she felt the effects of something grow stronger. She couldn’t place where it was coming from but she has a sneaking suspicion it has something to do with that chocolate that Nathasha was being so weird about. It didn’t matter anymore. She was so close to having exactly what she wants. 

“Yes, ma’am,” you say with a raspy voice as you kiss her back. You move your hands down her body and rip her thong off of her. You aim the tip of your penis at her entrance and slip just the tip in to tease her as the two of you continue to kiss. You pump in her softly, slowly stretching her out with your girthy cock. Wanda’s mouth falls open as you slip inside her previously untouched walls further. You move your kisses from her lips to her cheeks then to her neck. Her hands move from your face to your shoulders as she helps you lower her further onto your throbbing rod. Her nails start to dig into your skin and it causes you to lose control of your thrust as you break her hymn in one strong thrust. 

“Holy shit,” she gasps. “I can feel you,” she says as you lick the sweat off from her collarbone. “You’re stretching me,” she moans as you thrust further into her. “I’m so full with your cock,” she continues and you groan as you bring her breast into your mouth. You get the full length of your dick inside of Wanda’s tight walls and you nearly bust a nut from how amazing she feels around you. “It feels so good,” she says while she moves her hips. You smile with your mouth full of her boobs. Then you drop it with a plop as you grab her hips.

You begin to pump inside of Wanda and fuck her as hard as you can. She is shocked by the pleasure she is feeling from such force but she is far from complaining about it. “Yes!” She screeches out as you pound her pussy with your thick meat. “Yes! Yes! Yes!” She pulls you closer to her by wrapping her both arms around you. “Fuck you’re in so deep! Oh fuck! It’s so good! Fuck me Y/n! Fuck me!” She shouts as she continues to ride your cock while your hips slam into her. 

Your thrusts get so erratic that your cock slips out of her hole and you have to stop your hips from moving. You flip the two of you so that you are laying on top of her before you enter her again. “Ah fuck your pussy is so good, Wanda,” you moan as you enter her tight wet walls that is gripping your dick and pulling you further inside of her. “I’ve never done it raw before. Oh my gosh this feels amazing!” You say as rock your hips into Wanda. The sensitive skin on your penis is feeling every inch of her and you can’t believe any of this is real. 

“I’m so close,” Wanda gasps as her nails start to dig into your back. You didn’t know that you’d enjoy that feeling as much as you do. It drives you to speed up your thrusts again as you rub her clitoris with your thumb. 

“Cum for me,” you tell her and watch as her eyes roll back and her chest arches up into yours and feel as her walls squeeze the life out of your cock as if her body was trying to milk you. She screams out as she rides the waves of her orgasm. You don’t stop playing with her clitoris even after her body falls limp. 

“Don’t stop,” she says as she enjoys the over stimulation. You continue to rub her bundle of nerves while you pump your cock into her. 

“I’m, fuck, I’m close,” you warn her. “Don’t, mphm, worry. I’ll pull out,” you grunt out as you start to slow down your thrusts. That’s when Wanda’s legs wrap around your waist and lock you in. “Wanda what are you-” 

Wanda pulls you into a deep kiss. She dances her fingers along your jaw as you try to pull away. “Cum inside me,” she whispers. You head starts to shake but the request is too delicious that your eyes roll back as your cum starts to flow out of you and flood her pussy. “Mmm I can feel you pulsing inside of me,” she says as your cock empties inside of her. When you stop erupting, you try to pull out but Wanda shakes her head. “Not yet,” she says, “I don’t want to feel empty just yet.” You nod as you keep the two of you connected and sigh as you lay your head on her naked chest. Your limp body laying on top of hers. She is combing her fingers through your sweaty hair. “That was amazing,” she kisses your forehead. 

You give her a lazy smile with your eyes still closed, “It was. I wish we could live in this moment forever.” 

“I’ll allow it,” she responds softley. “But you’ll have to promise that you won’t want to be with anyone else.”

You make a face, “That’s an easy promise.” You lean up and kiss her cheek. “There is no one I’d rather be with.” You grab her hand and lay it on your chest over your heart. “You can even scan my mind. Sure, I’ve slept with people in the past. But I’ve always wanted to be with you. No one has ever invaded my mind the way you have.” 

Wanda bites her lip and sighs. “I don’t have to search your mind. I trust you.” She kisses your lips. 

After an hour of laying in her bed, connected to each other, you eventually pull out of her. Some of your cum flows out when you do and Wanda catches some on her fingers. She sucks them clean and you almost get hard again. But you manage to control yourself since you’re no longer under the influence of whatever you were under. You grab her polaroid camera from the top of her dresser and you point it at her. She gets shy and pulls some of her sheets over her body. She covers her face with her long light brown hair and you snap a picture. You wave it to help develop the image even though you know it doesn’t really do much. 

You smile as you look down at the image a year later when you’re getting ready for your wedding. You put the image in your wallet again and it’s still there when you’re racing Wanda to the hospital to deliever the babies. You glance at it when you’re sitting with her in the nursery as you remember the first time you got to have the most wild sex with Wanda and think about how the chocolate her best friend gave her led to all of this. Natasha confessed to what she did in her maid of honor toast. You have it with you on your tenth wedding anniversary and show it to Wanda during the special dinner. She blushes as she remembers how things used to be before the two of you became parents. Although she still made enchanted candles, the Tommy and Billy were quite disruptive with nightmares and bedwetting. It made moments that the two of you wer alone long enough to have sex that much more special. 

“You still have this?” Wanda asks as she was looking for cash to pay the pizza guy for the twins fifteenth birthday party. 

“Babe, I will carry this in my wallet until the day I die,” you tell her and give her a sweet kiss before running the pizza boxes over to the insatiable teenagers. Wanda paid the man and smiled to herself as she admired her younger form. She kept herself quite fit and so did you, but she couldn’t help but think that some areas were tighter in the picture than they’ll ever be again. She puts it back into your wallet so that you can keep your promise and you do. 

The End.

[trashfangirlsworld]

Hello! I've been inactive due to the current events in the mcyt community, but I've been keeping up with the qsmp admin situation and I thought I'd share some opinions because the amount of doomposting I've seen the last few weeks has been more than I've seen in any fandom in a while and I feel like it's reached the point where people really need to chill the fuck out because they're not thinking straight and actively not helping. Everything I'm gonna say is based on stuff I've seen on both tumblr and twitter.

they should not promote/release merch! : one of the things that baffles me the most tbh; how do you expect any employee to be payed then? Merch is so far the only big source of income for the server besides q's own cc salary or whatever income they get through the official qsmp channel on twitch and youtube (which I don't think is a lot). "I get that they said they have no funds, but still it doesn't feel right"... sorry but at this point I don't know what to tell you, do you expect them to pull money out of their asses? You can't demand that they stop making merch and then complain that they can't afford the twitter admins at the same time. If you don't feel comfortable buying anything from them it's fine obviously, but if your reason for it is that you're helping the admins then I have bad news for you. I have seen people propose that quackity sets up a patreon, and while I think it would be a good idea, I understand why he's not doing it, since with the merch he can at least give something back to the people that choose to support his project instead of people just giving him money for free, especially with what's happening now. Also with how much hate he's been receiving simply for the merch I can't imagine that a patreon would be recieved well.

we don't know if the money is going to the admins/ they should not use pomme's likeness! : the money is definitely going to go to the employees and admins because otherwise the server would not last. And as much as I understand people feeling protective over pomme's admin, quackity studios is very much allowed to sell merch of the character because it is not the likeness of the admin, it's a minecraft model made by the people that work there. Would you have rathered they skip her character entirely? Do you really think that would have been okay?. Also correct me if I'm wrong, but I've seen posts and tweets saying that pomme's admin has been confirmed to come back with the other eggs whenever it happens by pierre, who talked with her admin.

the admins of the update accounts got fired, it means they want to fire everyone, they aren't making things better! : it sucks that the updates accounts had to end and I feel bad for every twitter admin that clearly cared a lot about the project, but unfortunately it had to happen if there simply isn't enough money to pay them adequately like they deserved and ultimately the update accounts were not essential to keep the project going, so it makes sense that they were let go unfortunately. This is not gonna be the case for the egg admins because if they got fired (which they didn't), the server would basically end. Just because a cc does not know when they will be back does not mean it's not gonna happen. Just because tubbo randomly said that he's not sure if they will be back does not mean they were fired; tubbo is normally not a reliable source of information, even less so when he's been live nonstop for the past 20 days, which is prior to everything happening. If you genuinely didn't expect a reduction in non essential staff considering everything, then you have unreasonable expectations on how this stuff goes. As I write this, I'm seeing people saying that "they would understand this decision if q had set up a patreon to pay the admins", and once again I don't understand how people don't realize why quackity might not be keen on the idea of having his fans pay his own employees for his own project instead of, you know, doing it himself; and, again, do not fool yourself into thinking it would be recieved well. That being said, it's fair to criticize how everything was communicated to the admins, but I'll get to this in more detail later.

quackity should not have uninstalled social media, he's trying to avoid everything! : he's not avoiding anything, he's been off social media for a while now, which is why it took him that long to remove wilbur from the server. He has every right to not want to look at social media, as his focus should be on restructuring his server instead of doomscrolling on twitter because people think he needs to see how much people dislike him. The only people that he should talk to are those that have important information to tell him, like josè with the document. He explicitly said on stream where to contact him if you have helpful information and I'm sure that despite multiple well liked posts saying not to spam his email, people are definitely doing it anyway, which is probably gonna slow the whole thing down even more. I hope josè's document is able to be seen with pierre's help as well.

quackity studios is not communicating with their employees and leaving them in the dark and that's not okay : I agree with this. i think a huge chunk of doomposting lately has been due the lack of communication not with the audience, but with the admins, and they deserve to know what is happening behind the scenes more then us since this is about their current or future job.... that being said, I do kind of understand why they're being so secretive and shutting everyone out, and that's due to all the "leaks" that have been spread online. I understand the anger but I really wish some people would realize that discussing leaked bts lore stuff in ccs discord servers does not help the situation at all and instead makes it seem like they're only doing this to rile up the fandom against quackity studios by using the lore of people's fav characters.

At the end of the day, I think people just aren't used to dealing with a situation that does not have a clear cut solution and someone to clearly hate, so the result is this doomposting and the over aggressiveness toward anything related to the project. Personally, I haven't witnessed anything that made me lose faith in the qsmp like some people have been saying, as every change that we've seen so far coincides with what quackity said on stream a while ago. I only wish things were communicated properly to the admins clearly, as they're the ones most affected, so I hope that's resolved soon. Ultimately quackity is singlehandedly restructuring the server from basically zero, has had to fire people that were misusing money and power and, depending on what josè's document said, is probably gonna have to fire some more. This is not an easy process, nor a quick one, you're not gonna hear about sunshine and rainbows for a while and doomposting about everything you hear because you expected quick change is useless. Think before you speak, have a clear head and most importantly have empathy.

[am-i-the-asshole-official]

AITA for not having time to read my mutual's writing?

Met a mutual on here, bonded through fanfic, have been tight with them for a few years with pretty much no bumps in the relationship, just overall had a really good time hanging around them when I could. We both write a lot and share our writing, and occasionally we talk about that writing/workshop it in passing.

In the past few years I've gone through a ton of life changes. Most notably I went from a multi-person household to a single-person one, and I've been living alone in a prohibitively costly city for a while now working 40 hour weeks and barely scraping by. As soon as the transition started I spent the last of my free income on a shitty little laptop so I could still write, putting down words on my bus/train commutes in the morning and quite literally writing on my breaks at work because I feel insane when I can't create. I bring this up to really stress that I don't have the time for the hobby, I force myself to make the time and even then it never feels like enough.

The only thing I can really stand to do with my 3 hours of free time at night is hang out with my moots online. I'm an extrovert so being around people recharges me. If I don't have designated social time I get super depressed and can pretty much feel my soul withering away. I also feel like I should probably mention that I kinda have a slew of mental issues, personality disorders and PTSD and AuDHD and the works. Point being, shit is rough my dude, but I am a person who likes to work hard and face challenges head on and even though we strugglin, we doing it with a positive outlook.

But! I am an incredibly solution-oriented person and I have found what I personally believe to be a good balance. No one should have to live like this, but I do, and I have found a way to be happy. My writing and my social time is all load-bearing. It is not something I just choose to do on a whim, it's all planned and scheduled and I adhere to those routines very strictly because, I cannot stress this enough, I will go fucking bonkers if I don't.

I'm mutuals with a lot of writers obv, and I sadly don't have time to read their work anymore, unless I get some extra time on my days off or something gets cancelled or like, I end up taking a vacation. I carry a great amount of guilt for this, though, even though I logically know it's reasonable. I try to support them where I can, cheer them on when I see them writing and tell them how cool their ideas sound, hype them up even when I can't actually read & review.

One of the things I do is sometimes I leave a kudos on fic I haven't read. I'm not trying to be ingenuine, and if they asked me I'd tell them like 'Oh I didn't read it yet, just wanted to show support!' but to me it's kinda like ripping a paper tab off a poster so that other's feel inclined to do the same. Plus my pals get a little email and a hit of serotonin.

Except one of my acquaintances, the one I mentioned at the start here, saw that I left kudos on a couple pieces another mutual of mine wrote this year. They more or less blew up my DMs with a ton of accusatory (like, literally presented like a 'GOTCHA!') stuff about how I was selective in who's fic I read, more or less implying that I secretly held some sort of grudge or negative feeling toward them and was making the conscious decision not to read or interact with their writing because of. Something, I don't actually know what they were trying to say. They also told me they vented to their friends about this MULTIPLE times, but they never once approached me to let me know they were feeling paranoid or neglected, they literally just took the most bad faith reading of it possible and then presented that to me like it was something I intentionally did, while the whole time I was unaware.

I tried to explain to them the kudos thing, that I didn't do it to every story, just ones I caught/noticed in my busy schedule. And I laid all this out and asked, multiple times, what free time am I supposed to read with? They didn't answer, and doubled down, kept trying to show me 'proof' that I was shorting them and no one else. Once they started to realize how wrong they were they backed down, but they didn't really apologize, or admit they were wrong, and they tried to end our relationship and left every single server we were in together. Because of some other unrelated stuff going on in my life, I didn't really consider them to be a close friend, but they were someone I really held dear and would've walked through hell for if they'd asked.

I still feel like there is something I'm missing here, and that's why I wanted to ask if I'm TA. I'm a pretty good communicator but one of the things I told myself when talking down my disordered thoughts (guilt about this prior) was "no one in their right mind would use reading fanfic as a metric for friendship." Now that I've had that exact thing happen, I'm starting to think maybe those thoughts weren't so disordered. Maybe this IS a big deal, and I should think about it more, but I don't even know what the solution to that would be. I just. Don't have time to read something lovingly crafted and appreciate it for what it is. All the hours in my week are used up, I'd have to lose sleep for this and with my mental health the way it is that is not an option.

Feel free to be a brutal, my skin is thick. Thanks!

What are these acronyms?

[kneelingshadowsalome]

Ok this is very random but how do you think Ghost would deal w an s/o who is still a virgin at a very big girl age 🥴 maybe they’d be seeing each other for a while, and when things heat up and she confesses, how would he deal? Would he be honored and accept being her first or would he reject her altogether bc she is inexperienced?

(Because I’m in my 20s and safe to say on top of everything else in my life except this, I haven’t come across anyone with whom I’d like to be intimate with yet and though I try not to let it get to me, some part of me sometimes feels like a freak or like something is wrong with me)

I hope I did not cross any boundaries or make you uncomfortable by sharing this, if I did I apologize and please feel free to delete this ❤️🕊️

Ghost x FVirgin!Reader Word count: 2,9 k Tags/warnigs: Mild smut, light angst, fluff, comfort, praise & size kink Summary: Reader tells Ghost they’re a virgin while things are about to go down. 

A/N: Oh anon!! No boundaries crossed here at all! Your request (or at least I took it as such and got inspired to write a brief oneshot about it) was very sweet. This of course is my HC but Simon would only and only take pride in being your first. He would get a huge ego boost from this and feel absolutely privileged to hear he's worthy of such trust.  I think he would want to imprint himself in your head as the best man and the best sex partner you will ever have – he would do his all to eradicate even the very thought of wanting to try others after him. Again, an ego thing, but also a desperate wish to please his partner and make them feel safe. This man screams service top to me. I think Simon has a wild side – not mean, just wild, as in he might be into rough sex and certain types of kinky stuff every now and then but only if his partner is willing. He would be very gentle and considerate (passionate as hell though), knowing you're inexperienced, he would make you feel as safe as possible and wait until you were ready and willing to explore things further.  Also, I can't help but be moved by what you told me in this message. I understand where you're coming from with these "is there something wrong with me" thoughts, because gosh, I feel you! And speaking from experience… it's 110 % worth it to wait for the right person to come along! Sex can be awesome, mind-blowing, one of the best things – with the right partner. Not worth it with just whomever, imho. Stay safe and trust yourself! And I hope you like this short drabble I made for Ghost x Virgin!Reader ❤️❤️❤️ much love 😘

Simon Riley was a one of a kind man. 

He put every guy on every dating app to shame, and not just with his size. He was manly, in a word, even if you never knew you wanted such an overly masculine man. At least, not until you met him. 

Simon was not only sturdy and mature – he was armed with calm rage and dark humor. Just one look in his eyes told you he was not the life of the party. Actually, he was Death himself: one of those four horsemen that heralded the Apocalypse.

Perhaps unintelligibly, the same man was also extremely considerate. A true gentleman if there ever was one. He always placed you and your needs first. But underneath the calm, cynical surface you sensed fierce intensity: fire and smoke, something that screamed Danger, high voltage.

And you could not keep away. Quite the opposite, really. The combination of a wildfire and a tornado roaring upon this solid bedrock of a man was simply alluring.

Things had gone a little too far without you meaning them to. You were not a woman of one night stands, actually, you had never had a stand. But Simon changed that, too. Because now you were thinking about sleeping with him. 

After years and years of waiting for someone sensible to come along, you had begun to lose hope, especially when people seemed to fuck left and right while you wanted something real.

A bedrock. 

With that wildfire. Perhaps a tornado thrown in as well.

After weeks and weeks of flirting, the man asked you out, and after weeks and weeks of going out, you came to the conclusion that if someone deserved to be your first, it was Simon Riley. If there was any guy you wished would take you against a wall until you begged for mercy, it was him. At least in your fantasies, which were starting to get out of hand.

In real life, things were not that breezy.

Because what would he say if – no, when – you told him you were a virgin at this age? What if he would be bothered, what if things would get awkward between you two? 

What if he decided you were simply too much trouble than you were worth? 

It seemed like a miracle that the guy was still around, having been left blue-balled date after date. Either he was hellbent on conquering you, or then… Well, you didn't even dare to think about or's and then's and what if's. Especially when your own feelings were getting equally out of hand as those fantasies.

He probably had plenty of experience, and the thought certainly didn't make you feel any better. How would you compare, being not only inexperienced but a whole goddamn virgin? And it would probably hurt on top of everything. This man must be pretty damn big downstairs if 6 '4 feet and large hands were any indication.

Still, all fears flew out the window in record time every time he pulled you into a kiss. Your body molded into his already: the broad shoulders closed in around you, and it only felt thrilling. His warmth, his arms and scent enveloped you like the sweetest prison, and you held onto him as tightly as you could. Not because he wasn't clutching you with the same–if not greater–fervor, but because you wanted to make sure he was real.

And you realized what the allure of Simon Riley was. 

He felt safe.

In fact, he was safe. He represented safety in all its aspects. 

Who would've thought that death and wildfire could feel so good, so reliable?

You wondered if he thought this was some game; that you kept him waiting. The unwritten rule seemed to be that it was ok not to jump into bed on the first date. If anything, it was only a decent move. But what did the rules say about the second, third or fourth date? Not to talk about tenth? 

Things were starting to resemble some prudent high school romance. Well, perhaps not prudent, the way you two practically ground against each other while making out after every date. Without being vocal about it or pressuring you in any way, you could tell he wished for things to go further. Hell, every fiber in this man begged for more. He would soon burn your clothes off simply with that searing gaze alone. 

Watching the door close on that heated stare after at least 15 minutes of wanton, wicked kissing followed by clumsy Good night's and shy, apologetic smiles just wouldn't do anymore. The poor man was left breathless and puzzled in the cold night with nothing but a hard-on and the crumbs you gave him to keep him warm. 

Things were getting ridiculous, criminally so, and you felt pity for those pants trying to keep him in confinement. You felt pity for your own soaked underwear as you climbed to a lonely bed all hot, bothered, and wet.

Which was why this evening would end with you asking him to come inside. 

.  .  .

Lately, his hands have started to roam; they even cup your ass as he moans in your mouth – and hearing that raspy, low sound leave him forces the final decision. It's the final prophecy that tells you he is the one. You should’ve known it was only a matter of time with him.

The man hides his surprise well as you invite him in.

"Thought you'd never ask," he gives you a soft chuckle before stepping over the threshold to not only your apartment but also your life and privacy. 

You barely get out of your shoes before his shadow engulfs you and strong hands lift you in his lap like you weigh nothing at all. You instinctively reach for support by clasping your hands behind his neck. 

"You really know how to torture a man, don't you?" The brown in his eyes is nearly swallowed by warm darkness as he carries you to the bedroom. 

"I'm sorry," you whisper, and he gives a short laugh of gravel.

"Don't be. This has been fun." 

He sets you down next to the bed, and your heart is thumping so bad you fear he can hear it banging against your chest. 

"But it's about time I torture you, right?"

Oh God…

Things happen so fast that it’s hard to tell who undresses who, but somehow, you find yourself standing in your bedroom with nothing but knickers and a bra on while he's taking off his pants. The man has definitely waited for this to happen for god knows how long, and it only makes your stomach lurch.

He thinks you know what you're doing, your brain offers when it should know when it’s time to shut the hell up. You can see the generous bulge this man is packing, and while perhaps compelling to other women, to you, it mainly looks intimidating. Threatening, almost.

He doesn't take his boxers off, seeing you're just standing there like some statue, still in your underwear and almost shaking from thoughts running rampant. 

His form swallows you as he steps closer; wide hands slide up your arms, then draw you against him – against that demanding pulse that gets trapped between you two. Even through the black cloth, you can tell he's thick and big, just like you feared.

The man is blazing, and seems to have grown another foot in height as he towers over you with all that muscle. His shoulders are almost the size of your head, and you already know the hand that runs down your spine is experienced in crushing windpipes. It makes you breathe in shivers, and of course he notices something is wrong.

"Everything good?" He's eager and breathless, the erection pressing against you like a threat. He’s a man who has fashioned a weapon out of himself, so it shouldn't be a surprise that everything in him speaks violence.

"Yes," you try to assure him – a lousy lie only punctuated by the audible gulp that leaves your throat as you try to swallow your nerves back down.

"You afraid…?" 

"Just a little nervous," you tell him, a half confession.

"Mm. That makes two of us." 

He draws down into a kiss, the hands of a soldier and a killer nearly drawing you up from the ground as he pulls you close. You don't really buy his claim of being nervous too: you can feel how he throbs between you, heavy and impatient. 

Hesitantly, you reach to hug him as well, and you feel so small, so insignificant when wrapped around this… giant. The knowledge that you're about to be trapped under all this crushing weight leaves you both faint and needy. 

He’s a good kisser, but as he moves to devour your neck, you start to freeze from the middle.

"Alright… Come here."

He half carries, half lays you down on the bed, then crawls between your legs and changes his tactic a little. Gentle kisses are ghosted down your throat, and soon, he's at your breasts, soft as a whisper. But as he draws the fabric of your bra aside, your nipple is caught inside a hot, wet mouth, and the wildfire surges forth. There’s no way out from under him anytime soon, and you realize the colossal body is already spreading your thighs wide. 

The way he already looks so damn good there between your legs: big, the epitome of raw, masculine power… It's almost sinful that a man like him is here with a virgin. It's a whole new hell how he's kissing you gently as fuck while blazing like a bonfire about to engulf and devour you. You want to wrap your legs around his middle, attach yourself to him in any way you can, but your thighs are weak pudding. 

You feel both lost and found with him. In him.

He sucks and kisses your breasts like they're the only thing he's here for – and it feels good, heavenly, to be honest. But then he starts to travel down.

Shit… You need to tell him – and soon, or else there will be no time to say anything before the last of the shielding fabric is gone.

"Simon…?"

"Mm-hm?" 

He doesn't even stop with the kissing, merely hums on your skin as his mouth reaches your stomach.

"You're my first," you finally force the truth into the night; a soft and desperate fact. It's only the faintest breath, but he halts abruptly like he has been stabbed between the ribs.

Great… 

Here comes the awkward.

He rises. Softly, slowly, like a shadow, just a second away from getting to what's between your legs.

"Is that so?"

His voice is hoarse and dark from arousal. The whole man is intoxicating, and your heart is hammering in your chest, both from hunger and dread.

"Yes…?" 

A broad hand comes to rest on the dip of your waist; gently, like you're some frightened animal about to dart off from under his touch. 

"Love… Are you sure you want to do this?"

Are you? You almost ask, then bite your lip.

He just called you love, something he has never done before. You can see your breasts rising with the breaths you try to calm down with sheer willpower. 

He lets out a small sigh, then crawls beside you and takes you in his arms. The bed sags and wails under his weight before your body is pulled into a delicious bear hug.

"Sweetheart."

His voice is so smooth, so different from the intense, rough smoke that has followed you up until this point that you feel vehement tears burn your eyes. First love, and now, sweetheart…

"There's no need to rush things," he says while keeping you close. Ever the gentleman, but you fear that you've ruined everything.

"We haven't exactly been rushing," you mutter somewhere in the plates of his chest. You both feel and hear how another sigh travels up his throat and is breathed into the crown of your head.

"Now… listen to me, ok? I've wanted you ever since we met. Can't deny it. But the last thing I want is to force you to do something you don’t wanna do."

You squeeze your eyes shut from what he says. Ever since you met… You can remember the lingering gazes, the way his eyes lit up with something hopeful and pure, how it drove away the exhaustion that seemed to have made a home in this big, brooding man. You remember how he stole a few stares up and down your body, too; remember the hunger he never even tried to conceal – not until now.

He is the most enthralling being you have ever seen, a mystery and a force of nature, an indomitable man, and to say that you haven't thought about him that way ever since too would be a lie.

"But I want it," you look up at him slowly, feeling much safer now that he's holding you like this.

I want you.

You realize you're pouting when the warm look in his eyes gains a playful glint as he laughs softly.

"You want it?"

"Yes."

That little twinkle turns into a downright gleam as he looks at you like you're the most adorable thing he has ever seen.

“You want it with me?”

“Yes.”

"How much do you want it?" The charred voice is so soft now: it washes over you in generous waves. His hands keep you in safe custody – and you're the most willing prisoner there ever has been.

"Pretty badly?" You breathe into the air between you and see the corner of his mouth tug.

"Well, in that case…" His hand sweeps down your back and comes to reside on the swell of your hip. "I'm glad I'm here to help."

Pale eyelashes drop to your lips just before he kisses you again. You arch in his arms, like a flower leaning towards sunlight; your mouth, your whole being unfurls under his leadership. He rolls partly on top of you, then moves to kiss you all over as you lie on your back: he kisses your chin and neck, your collarbones and the hollow little crevice between them. The hand on your hip brushes down your thigh, then back up, up, until his fingers meet the folds already soaked through the fabric of your underwear. 

His touch is soft, but gains more weight as he sweeps slowly up, then brushes a thumb over the exact location of your clit.

"Oh–" 

He knows what he's found, even without the evidence of your voiceless shake of a breath. He brushes another stroke over it, and it doesn't matter that you still have your undies on – you can feel his weight, the gentle pressure he applies as he draws a circle to usher another soft moan out of you.

"You like that?"

"Mhm," is the only thing you are able to answer.

"That's it…" he cheers you on with calm assurance. "Gonna make you feel good. And that's a promise."

You catch a hint of ego in that promise, but there's something else, too. A fervent devotion, a bottomless need to please you no matter what. The right man, definitely: not someone who is only after their own satisfaction. You don't exactly need the answer anymore, but you ask the final, burning question nonetheless.

"Simon?"

"Speak your mind, love."

"Are you disappointed…?"

He stops again, a breath away from you. 

"Disappointed?" He sounds quite shocked, almost appalled. "...Disa–"

He huffs, then reaches to cup your face. You raise your eyes to his and see that he's…ardent, and very, very serious.

"Love, I'm honored."

You can only blink at the solemn vow, and he slowly shakes his head.

"Silly little thing…" 

It's something he muses almost to himself before he drags his fingers over your sternum and down your stomach, reverently, like you're a piece of precious porcelain. But the heat in his eyes is back, and your fingers curl to grasp a fistful of sheet as his hand disappears underneath the cloth, when he finally touches you with nothing in between.

You suppose it's his middle finger that sweeps over your clit this time, then slips between your folds without effort. It coaxes your thighs open to give him better access, and access he has: he curls the finger until it almost dips inside. Your lips part with a quiet sigh as your chin climbs toward the ceiling.

"Look at that… All wet and sweet for me already."

The way you expose your neck is like an invitation: he buries his face in your neck, tries to drown in the scent and feel of you while gliding across the wetness down below. He spreads moisture on the tight bud, and you jerk a little from how sensitive it is – he huffs a smile in your ear. It makes you release the sheet and reach out to grasp him by the neck, to make him stay precisely where he is, close like this, so close…

"Do ya even know how bloody sweet you are?"

The last of your wits make a vanishing act as he breathes more praise on your skin. You're languid in his arms, feeling both weightless and heavy, like you're sinking into the mattress, and then his hand moves lower; one thick finger is plunged slowly inside. 

Oh God oh God–

You feel him, all of him, filling and spreading you. And it's not enough… not nearly enough.

"We'll take it nice and slow, alright?" He whispers in your ear, and you tighten around him like on command. "Got all night to make a mess of you. That sound good?"

You can't help it: your lips draw into a smile when thinking about all the things he will do to you, all the sweet things you've always waited to happen. 

"Yes."