#people usually don't like it when you talk about process in art so I will not say anything but still

[nierreplicantver122474487239]

It's benjamin day in class and I'm just sitting here like They Don't Know About Techno Or Digital Art For That Matter

[loveemagicpeace]

🦋Mercury & Communications🦋

Mercury in Aries - your way of expressing yourself is very direct and you can be harsh with your words. You focus a lot on topics that interest you. You can have a strong opinion when it comes to things that involve you. You can be very impatient when it comes to information and you want to know it right away. At times, your communication can be more aggressive and you don't like so many details. You use highly expressive language and throw a lot of slang into your speech.  You are not so attentive to things around you. Criticism or negative feedback can be taken personally. Still, they are not afraid of a fight or a challenge, on a mental level. They like to talk about sports. In life, they can be involved in many sports activities. Mercury-in-Aries people suffer from headaches, especially in a raucous and noisy atmosphere.

Mercury in Taurus- your way of communicating is more slow, monotonous. You like to have conversations (especially you like to talk about food, music, money, movies), I also noticed that they like debates that are of better quality and include rich content. They stubbornly stick to a certain opinion and give in only when they have good arguments for it. They like to talk about clothes or beauty in general. They also like to talk about nature or plants. These people rely on their senses when it comes to processing information. Smells, noises, and mood are all employed. Mercury in Taurus people have an overall pleasing manner of communicating. These natives learn best when they see real-world uses for the theories they’re trying to absorb. They will not talk with all people , but only with those they feel comfortable with. Taurus are often successful art and antique dealers.

Mercury in Gemini-your communication is very fast and variable. Also, your way of expressing yourself can be too fast for some people. You can absorb a lot of information, but you are not a person who would think about something for a long time. You can quickly change your mind and decide on something else. You like to change topics and get information from several different sources. Many times you are more interested in the opinions of others and can make decisions based on them. You can quickly get bored and replace your energy. Gemini people pick up more from their environment than most, and they can process information at lightning speed. At times there is a distinct lack of order in your life. You would make a wonderful debater, public speaker, or ac- tor, and you have lots of friends because of your infec- tious good humor.

Mercury in Cancer-your way of expressing yourself is usually emotional. A lot of your words come from emotions and how you feel at a certain moment. You put a lot of emphasis on family and their opinion. There can also be a mother here, who in some way affects how you think and communicate. You have to be careful not to rely too much on your mother's opinion. You like emotional conversations that cover many deeper topics. Most of all, you like to talk in a comfortable place, such as at home, on a comfortable chair, on the sofa, while drinking your favorite drink. You can quickly become emotional in a conversation and if someone hurts you, you can be rude with your words. that Mercury in Cancer natives will remember almost anything — from their own past, to your conversation two months ago. Mercury- in-Cancer people are successful as scholars, historians, teachers, and writers. You are likely to make a profit in real estate and may inherit money from the maternal side of your family.

Mercury in Leo- your way of communicating is fast but superficial. Many times, if you are not interested in the topic, you will no longer listen or give importance to it. Sometimes you can say things that are out of place and only later realize that you may have exaggerated. Your way of expressing yourself is also dramatic. You like to talk about others, gossip, love dramas. In conversation with others, you often find yourself in it. You are excellent at promoting ideas and getting their message across. These people can be very attached to their opinions, taking pride in their beliefs, which are often rather idealistic. You are also very confident in everything you say.  You have a sunny side that is always with you. Though you would rather play than work, you are determined to be successful.

Mercury in Virgo- your way of expressing yourself is stable, sometimes judgmental, firm, realistic, even political. You like to talk about serious topics. Many times the topics can be politics, the world, work or general happenings in everyday life. When you speak, you always tell everything in detail and you can go very deep into the details of certain things. You can also be conflicted when it comes to expressing opinions. Many times you can give advice to people even if they don't ask you for it (you always want to find a way to solve a problem). They generally pick up a lot of facts and figures, and learn their own trade well, but have trouble truly absorbing the knowledge they collect on a deeper level. Mercury in Virgo natives may appear humble at times, but they get quite protective when it comes to handling day-to-day affairs. A fault is your eagerness to take on too much work or too many projects. You wear yourself down, and at times become nervous and hypercritical. As a Mer- cury-Virgo you have a superb talent for creative crafts.

Mercury in Libra-your way of communicating is beautiful, gentle, warm, pleasant. You can talk to any person and you can create a way of talking to any person. Although you can be a bit judgmental at times. You can talk a lot about your partner and the relationship. The theme of love is primarily in the foreground with this Mercury. If you are interested in anything, it is the relationships of others or what is happening with others. You can also have the quick influence of others (which means that sometimes you think with the head of others or rely on what your partner says). Your partner's opinion can be very important to you. You are also always looking for harmony and peace in conversation. You are good at solving other people's relationships because you know how to look at things from an objective perspective. You are especially successful if you team up with a strong person who can direct you.

Mercury in Scoprio-your way of expressing yourself is through depth, emotion, directness, truth. You are always looking for the way to the truth, no matter what the situation is, you will always want to know the truth, because that is what will set you free in a way. You can have obsessive thoughts, and especially if you like something, you can only think about it for days. You like long emotional and deep conversations. You like to have a really open, real conversation with someone. You like it when the person tells you their secrets and that you can share a dark side with the person. You don't like small talk. You are direct and sometimes very harsh, especially if someone makes you angry or hurt. You can say the harshest things to a person without a bad conscience. Your way of communicating is also very passionate, inspiring and dedicated. You always know how to empathize with other people. You probably have a volatile temper, and Mercury-Scorpios are known for their biting sarcasm when crossed or upset. You have an emotional intelligence. You will fight for a cause even if it is hopeless, or sacrifice your time and ener- gies for someone you love.

Mercury in Sagittarius-your way of expressing yourself is very energetic, intellectual, optimistic and happy. You always know how to find the good side of a situation and you know how to see the key things in a conversation. You can help others with your words. You give good advice to others. You can also help others find their way. You are open-minded and honest. You're a life-long learner who loves discussing deep, philosophical questions. You also have an expressive nature and a great sense of humor, which often make you the life of the party. Your opinionated and honest personality can sometimes hurt peoples’ feelings, and your visionary way of thinking can make it hard for you to focus on small details. Your mind naturally absorbs new information, and you love pondering life’s deep questions. Some people find you too blunt and outspoken, but that quality springs from Sagittarius’s basic honesty.

Mercury in Capricorn- your way of expressing yourself is usually very realistic, serious and maybe sometimes more cruel. You can also have a pessimistic view. This makes you a practical person; your thoughts are more realistic and down to earth; and communication over concerned matters is precise and clear. You don’t waste time and get down to the point, earning people’s respect. You speak when you have something to say and choose your words carefully to ensure you appear well-spoken and knowledgeable. You can talk a lot about work and this could be the theme most of the time. Mercury-Capricorns often at- tain positions of leadership because they are so dependable and have an air of authority. Life is serious to Mercury-Capricorns and you see its dark side—though a redeeming trait is your dry sense of humor.

Mercury in Aquarius-your way of communicating can be very different from others. Many times you can emphasize things that involve society and friends. You can also look a lot at your friends and what they think about a certain thing. You are rebellious when it comes to your opinion. You can talk about very strange, unusual topics (such as: aliens, robots, etc.). You are intelligent, idealistic, humanitarian, open-minded, eccentric, and unconventional. • You spend a lot of time in the realm of your mind, and you’re always searching for logical, rational explanations for things. You love to analyze character and motivation, and with your finely tuned powers of observation are able to predict accurately how someone will react in a certain situation. Sometimes you may seem eccentric, for your ideas are ad- vanced and you also enjoy saying things that shock other people.

Mercury in Pisces- your way of expressing yourself is very poetic, dreamy, cute and loving. You can have a very friendly way of communicating with others and you never want to hurt other people. Many times you pay more attention to how others feel than how you feel. When you talk about a certain thing, you really get into it and your mind really opens up and you usually have a sparkle in your eyes. You like when someone listens to you and you are happy to talk about it. Because you can often be misunderstood, you don't like to talk to many people, but only to those who bring you warmth and give you the feeling that they understand you. You are also sensitive, imaginative, and open-minded. You think in colors, shapes, and feelings and express yourself through abstract ideas and art. ou prefer to live in your fantasies rather than deal with facts, logic, and details. You are big on feelings and impressions rather than words, trusting your inner voice to tell you what’s going on rather than what’s right in front of your face.

🎸For personal readings u can sign up here: https://snipfeed.co/bekylibra 🎸

-Rebekah🩷🧚🏻‍♀️

[guxciestone]

🔮 ❛ SR JUPITER THROUGH THE HOUSES ༉‧₊˚ ˚୨୧

(solar return chart)

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❝ what is your abundance for the year? ❞ ✧ ೃ༄

‎i hope you’re having an amazing day. if you have an post suggestions i’m glad to consider them. enjoy <3

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jupiter in the 1st house

This is an indication that you’ll find abundance and expansion in your outlook, appearance, personality, and how others and life treat you this year. You might notice that your mindset is leaning towards positivity, faith, and optimism this year. It may be easier for you to look on the bright side and for things to go your way. More luck than usual is usually what comes with this placement. This year you’ll feel like you can take on the world. You might want to expand your horizons and try new things, whether that be your social circle, career life, family life, spiritual life, or emotional life. During this time you’ll notice that you don't take things as seriously. It can be easier for you to recover from setbacks. On the other hand, be careful about overindulgence because this placement is notorious for allowing you to gain weight easily or become lazy and arrogant.

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jupiter in the 2nd house

This shows that you’ll find abundance and expansion in your finances, material possessions, and skills. It is possible that you might land a new job opportunity or discover an incredible source of income for yourself. Perhaps you experience some type of financial windfall. You might suddenly gain more physical items as well such as a new house, a new car, or or new clothes. This placement is useful for when you want to build on your skills or abilities to land your desired career because it is easier for you to do so. For example: If you want to get a job as a chef, this is the perfect year to enroll in culinary arts classes and practice. However, be careful with how you handle your possessions this year because it could easily fluctuate and you could become impulsive with your spending habits. Do not overspend or buy things that are unnecessary.

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jupiter in the 3rd house

This year is the year in which you find abundance and expansion in your mind, learning processes, communication, and peers. You’ll see that this year you’ll feel a strong need to expand your mind and learn things. Perhaps you’ll begin to read more books, study harder in school/college, enroll in a class, or watch more informational videos in your freetime. If you are in school, your grades may be significantly better than usual and there’s luck in your academic opportunities too. There is a possibility that you seem to be more extroverted and desire to be more social this year. You are charming and more witty, perhaps making friends through your peers. You could expect yourself to want more reflective and thoughtful talks with people this year. You might also be capable of handling more tasks than usual. You are able to be busier in your daily life because you mostly have a lot to do. However, it is almost impossible to get to know everything at once. It is important to slow down this year, and don’t overwhelm yourself with tasks.

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jupiter in the 4th house

This is an indication that you’ll find abundance and expansion in your family, home life, and sense of security. It is possible that your family life is relatively happier, brighter, and more stable. There could be increased peace in the home as well. It could be that most family troubles are going away significantly. There could be something expanding your family life as well–perhaps a new baby, new money, or even a new home or home renovation. There could even be small changes in the home such as making a new flower garden, painting the walls of your room, and much more. For the older individuals, perhaps you are considering retirement to where you can finally enjoy the fruits of your labor.

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jupiter in the 5th house

This shows that you’ll find abundance and expansion in your joys, self-expression, and casual relationships. It is possible that you could be trying new hobbies and aspirations, expanding your personal interests to learn more about things. This placement also calls for you to enjoy yourself more often. Perhaps you are going out to parties more, spending time with friends, having more crushes, or engaging in casual relationships. You could also notice that you are yearning to show yourself more, taking yourself out of your comfort zone and trying new versions of expression. It could be that you might get a new tattoo, a new style, or try different people than what you are used to. This placement is useful for you if you want to win the lottery within the year. This placement is also great for when you want to win the lottery.

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jupiter in the 6th house

This year is the year you’ll find abundance and expansion in your daily life, health, work, and routine. This is a time where you probably want something more out of your day-to-day habits, perhaps you strive to become more busy and fill up your to-go list during this time. You could be busier this year, especially at your work. Perhaps you are working more often and get recognized at your job for your hard work. It is also the case that you could even start an exercising regime, schedule more meetups with peers, or eat more exciting foods. On the other hand, it is important to be careful about overindulgence and laziness in your routine. There could be overeating involved and weight gain is more possible.

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jupiter in the 7th house

This is an indication that you’ll find abundance and expansion in your interpersonal relationships, your environment, and others. This placement is victorious for bringing in a new relationship or even a proposal if you are in a long-term relationship. If you are already married, the benefits of being with your spouse will show this year. You’ll notice that in general all of your relationships with others will improve. You are getting along with others and others are getting along with you. You may even meet significantly more new people this year. There is a possibility that you are more social, charming, talkative, and extroverted too. If there are any business partnerships or alliances, you’ll see that you’ll reap the success of it when you cooperate with them.

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jupiter in the 8th house

This shows that you’ll find abundance and expansion in other people’s possessions. During this year, it is possible that you’ll receive a gift from someone at some point. This could be an inheritance, monetary settlement, or even something you begin to own after a divorce–such as a house, car, kids, or even huge sums of money. If you receive huge amounts of cash this year, make sure to manage it successfully by hiring a financial manager or putting all of the money into an account. This placement is also known for when you are making huge purchases such as buying an estate. Your intimate relationships are also more apparent this year, especially towards your spouse or loved ones.

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jupiter in the 9th house

There is a strong need to search and expand on a higher understanding of the divine this year. Perhaps you are stepping into a new religion, learning about new religions, becoming a meditator, or getting more in touch with your higher self or spirit guides this year. You’ll find that you also desire peace and sanctuary more too. This is one of the perfect placements for when you need guidance and messages from your guides because you are more than willing to connect with them. There is also the possibility that you are willing to learn much more in general. You might engage in learning new things on your own. Perhaps you found new academic opportunities such as joining a college or enrolling in a new class. You could feel the urge to travel as well.

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jupiter in the 10th house

This year is the year you’ll find abundance and expansion in your reputation, image, and career life. It is notable that you’ll more likely find better career opportunities within the year. Perhaps you get a job promotion and land a new job with better payments. You could have a chance to expand your career as well. If you own a business, you are more than able to expand your business success and popularity. In regards to your reputation, your image is in luck because you’ll notice that you are more popular and this could help with any venture you are pursuing. This placement is great for fame in extreme cases.

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Jupiter in the 11th house

This is an indication that you’ll find abundance and expansion in your goals, friendships, and dreams. It is possible that you have more prominent goals than usual and you will benefit from these goals directly. There’s an opportunity to go after this goal only after a significant sacrifice in an area of the individual’s life. There is a possibility you will have to fight for what you want, but since luck is on your side in this area, it’ll be much easier and worth it. You’ll also find that your social life is more apparent. You might gain new friends or your friend group is more stable and tranquil right now.

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Jupiter in the 12th house

This shows that you’ll find abundance and expansion in your spiritual self, unconscious, and hidden parts of yourself. This placement indicates that the universe will most likely have your back entirely this year. You’ll feel more connected with your higher self and your spirit guides. Your shadow work journey, discovering ignored parts of yourself, self-discovery journey could be significantly easier to go through and deal with since the universe can give you more apparent messages during this year. At the same time, you are more willing to dive into those parts of yourself even without the help. Self-isolation for concentration for oneself is common.

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[cowgurrrl]

Something in the Orange

Pairing: Joel Miller x art teacher!reader

Author's note: this might become a mini series idk idk

Summary: A parent-teacher conference leads to trouble [4.0k]

Warnings: no outbreak! au, teacher things, Ellie being a little loner, Joel the Menace making a return, Joel gets both his daughters in this one because it's what he deserves, flirty flirt, i think that's it???

You feel like you've been running a million miles a minute since you got in this morning. The second you could unlock the door, at least three students spilled into your room and chaotically ran to the kiln to collect their most recent pottery projects. One of them ended up shattering (the exact one you warned Colin about, but he didn't listen), and, as per high school custom, they were all screaming about it. You consoled the students just in time for your principal to walk by and ask about lesson plans which made you scramble through your backpack for your notebook even though you knew damn well there wasn't a single lesson plan in there. "Do you always have those lights on?" Principal Martinez asked, gesturing to the room's fairy lights and orange lamps. Leave it to administration to want to avoid art classrooms so much that they don't even know about the Big Light Philosophy. 

Since then, it's been class after class. You only have one more period before your planning period and then, finally, the end of the day. There are a hundred things to do, but you can't focus on any of them. You got so caught up in managing your classroom and helping students with the hardest parts of their portfolio work that you almost forgot you had a parent meeting scheduled during your planning period. 

Calling in parents for meetings about their children may be your least favorite part of your job. It makes you feel like a bad teacher, and parents usually don't feel great about getting called in on a workday to talk about their kid. Luckily, Ellie's dad, Joel, seemed more than happy to take time to talk about her. You rack your mind for his occupation as you add some detail to a canvas you've been hiding in your office and working on when you can. Was he a blue-collar worker? Or was he another stuck-up Austin transplant parent who's gonna accuse you of lying? He'd make the fifth parent who's made you cry this semester.

A knock on your locked door pulls you from your thoughts, and you quickly put away your painting before answering the door. "I told you she was in here!" One of your students, Dina, announces as she and a posse of three other kids you don't recognize push their way into the room. "Miss, you've gotta take that thing off your door; otherwise, people are gonna think you went home!"

"You mean the sign that says, 'planning period. Do not enter?'" You ask, and she snaps her fingers.

"That's the one." She says as she and her friends start putting their backpacks down at one of your high tables. You sigh and kick the door stopper into the threshold.

"You guys can't stay here. I have a meeting in five minutes."

"With who?"

"None of your business." 

"Miss!" Dina acts wounded, and you cross your arms over your chest, your keys jingling around your neck in the process.

"I am an adult with a college degree and the debt to show for it. You are a teenager with a still-developing brain. You have to listen to me," you say. "Wait, whose class are you supposed to be in right now?"

"Mr. Flynn's."

"Guys!" You groan before walking over to your desk and quickly writing up a hall pass for them. "I know you don't like math-"

"No, we don't like Mr. Flynn." Dina cuts you off.

"Or math!" One of her friends adds, and you shoot them a (loving) disapproving look. 

"Whatever you don't like, you can't keep hiding out here. Mr. Flynn is two seconds away from trying to get me fired for how often I let his kids in here during class, and I actually like this job, so," you rip the hall pass off the pad and hand it to Dina. As they pack their stuff up, a tall, bearded man steps into your classroom and makes eye contact with you. "Out, out, out! I love you. You're gonna change the world one day, but please get out." You blow them kisses as you usher them out of the room. 

"Are you Ellie's art teacher?" He asks, a confused look on his face, and you nod.

"Yes, I am. Sorry about that. They're still figuring out that I have work to get done even when I don't have a class," you explain, a little breathless from running all over the place and getting caught off-guard. You really do try to act a little more professional with parents, but the kids threw you off. The kettle whistling behind your desk doesn't make it any better. "Is there anything I can get you? Coffee? Tea?" You pick up a random mug off your desk but find it full of murky water. "Paint water?"

"Are you allowed to have an electric kettle in here?" He asks, and you laugh nervously as you find a clean mug and your tea box. 

"I won't tell if you won't." You say. He stands there awkwardly as you pour yourself some tea, and you realize you didn't pull a chair up for him. "Um, we can sit..." you glance around your messy classroom until you find a clear table and gesture toward it. "Here." He follows your lead, and you take a deep breath as you sit down.

"You gonna be okay?" He asks, the hint of a smirk on his lips. His curly hair looks golden brown in the low light, and his round eyes have a little knowing twinkle. You take another breath to compose yourself and nod. 

"Yes. Sorry. It's been a long day." 

"Don't worry bout it. I'm sure they run you ragged."

"Is it that obvious?"

"Well, you do have paint in your hair." He says, and panic seizes in your chest. You're never more aware of how crazy your job can be until you meet Real Adults. Even if you can't remember what he does for a living, you still have to admit that you look a little silly next to each other: you, with your paint-stained sunflower dress and markered hands, and him, with his black shirt and jeans. He doesn't have any apparent stains or splatters on his clothes, but he's broad with thick biceps. He must work with his hands or something within that capacity. You clear your throat and try to get back on track with the meeting.

"Uh, so Mr. Miller, the reason I called you here today was to talk to you about Ellie," you start. "First, I just wanna say that she is an amazing student. She always does her work and engages thoughtfully with the material. I really do enjoy having her in class." 

"Well, that's certainly good to hear. She talks a whole lot bout this class and you, so... it's nice to place a face to the name," he says, adjusting his position on the stool. "But I have a feelin' you didn't call me down here just to tell me how great my kid is." 

"She is great. She's extremely talented, smart, and funny, but she spends more time in my classroom during lunch than anything else. I'm worried about her making friends and finding a community here at school. I've tried convincing her to join the art club, but she's hesitant. During class, she just sits with her headphones in and draws. She really doesn't like talking to anybody but me." You wait for blame to be assigned to you or get lectured, but it never comes. He just sighs, and he deflates a little in his chair.

"She's been through a lot this year. Well, her whole life, really, but 'specially recently," he says dejectedly. "What can I do for her?"

"There's an art show this Friday night here at the school. It'll all be student work from across the district. I thought if maybe you or... whatever adults she has at home came with her to this, she might feel more comfortable talking to her peers or even want to submit some of her own stuff."

"We can do that. I'll get off work early and ask her uncle if he wants to come," he's quick with his solution, and you're a little shocked. You rarely get parents, let alone fathers, who act this swiftly when something is going on with their kids. "Is there anythin' else goin' on that I should know bout?" 

"Uh, no. Like I said, she's a great kid. You should be really proud." You say, and the concerned wrinkle between his eyebrows disappears with a proud smile. 

"Thank you," he mumbles, suddenly shy. "And thanks for carin' so much bout her. It's nice to know she's got someone lookin' out for her here." You don't know what to say, so you just nod and stare at him. You know, like an idiot. It takes a chuckle from him to snap you out of your thoughts, and blood rushes to your cheeks.

"Yes, of course. She's a good kid." You say. 

"You said that already." 

"I bet you'd be a little scatterbrained if you were at the mercy of two hundred teenagers all day."

"You're absolutely right. I would be," he says, smirking devastatingly. "Someone ought to get you a coffee or somethin' if you're dealing with all that." 

"People like you should go argue with the school board. I'm sure you'd be popular with all the teachers." 

"That'd be a first. I think I might've been the least favorite parent for all of my girls' teachers." 

"Well, I find that hard to believe." 

"Yeah?" He asks, leaning forward just a little, and you nod, smiling. Your brain struggles to come up with something to say, and you're a little embarrassed at your silence, but luckily, your projector saves the day by buzzing loudly and making the picture on the board cut in and out. You mumble a quick apology before getting up and climbing up on a desk to jiggle a piece back into place. You hear Joel curse behind you, and when you turn to see what the problem is, you see him holding his arms out behind you. "Do you stand on desks often?" 

"Only every day. I haven't fallen yet this year." You laugh at his exasperated expression and turn back to the projector. It's still making a weird noise, so you move it around a little more, moving the desk under your feet, and Joel stabilizes it with a sigh. 

"How long has it been doin' that?" 

"Couple months. I keep putting in maintenance requests, but nobody ever comes to fix it."

"I can fix it for ya," he says simply, and you look down at him. "I've got tools in my truck. It wouldn't take long at all."

"Really?" You ask, and he nods. 

"It'd make me feel better knowin' you're not almost breakin' your neck every day."

"You mean, standing on a decades-old desk to mess with an ancient piece of equipment isn't OSHA compliant?"

"Please," he says, grabbing your ankle when the desk wobbles under you, and you laugh at his worry. "Let me fix it for you before you give me a heart attack." You think about declining and just putting in another work order, but the likelihood that anyone would actually come and fix it is slim to none. Plus, you really shouldn't be climbing on top of desks every day. You pretend to think it over for a few more seconds just to watch the worry play across his features as his grip on your ankle gets tighter.

"Only if you really mean it." 

"I really mean it," he says, offering you his other hand. "Now, would you please get down?"

"Fine." You say and take his hand. You bend to safely get yourself down, but Joel moves his other hand from your ankle to your waist and basically hoists you to the ground. Once your feet touch the floor, he doesn't let you go immediately like he's trying to figure out if you somehow got hurt when he wasn't looking. There's a part of your brain that's aware of how inappropriate this would look to any passersby, but you're also highly aware of how warm his big hand is on your hip. 

"Ya alright?" He asks softly, and you nod, taking a conscious step back from his arms.

"Yes, thank you."

"Good," he says, also taking a step back. "Let me go get my tools, and I'll get that fixed for you." 

"Perfect. I'll be here." You stand there, staring at each other awkwardly, for another moment before he turns on his heels and walks out of the classroom. The second he's out of your line of sight, you bury your head in your hands and start silently freaking out. 

What the fuck are you doing? How did a parent-teacher meeting turn into him hauling you off a desk and offering to fix your projector? Technically, nothing incriminating has happened, and it needs to stay that way. It doesn't matter if you think he's attractive or like how he worries about everything. He's Ellie's dad. Teachers have gotten fired for much less than this, and you're not willing to risk your career because of one guy. 

When he gets back with his toolbox, you're sitting at your desk and sorting through assignments like a reasonable adult. He doesn't say anything as he climbs up on the same desk you were standing on and begins messing with the mechanics of the equipment. You each work in silence for a few minutes before a screw clatters to the ground, and he grumbles something under his breath. "Do you mind..." he starts, pointing toward the lost piece. 

"Not at all." You cover your anxiety with your chipper teacher voice and search for the screw with your phone flashlight. You find it tucked between canvases, carefully pick it up, and walk over to where he's standing, waiting for him to be ready for it.

"It looks like it's just an old piece in here. I'm sure you can order a new one, and I can come back and install it if ya want," he explains, looking down at you. You probably look stupid just standing there with a tiny screw in your hand, but he doesn't laugh. "D'you mind handing me that tool to your right?" He asks, and you blindly reach for the tool you think he's talking about. "Your other right." He corrects, and you flush in embarrassment. 

"Sorry. I never was a very good woodshop student." You say, and he laughs once he has the tool in hand. 

"My girls are the same way. Just askin' ‘em to hold a flashlight while I work on their car is like pullin' teeth," he says fondly. "Speaking of which, is there a reason the lights aren't on in here?"

"The lamp light is less harsh, and it helps students focus. Plus, nobody likes coming into a bright classroom first thing in the morning." You explain, and he hums.

"If I'd had a teacher like you growing up, I would've been at school much more than I was."

"You didn't like school?"

"Hated it," he says, opening his hand for the screw. Once you drop the tiny thing into his large palm, he straightens up, and you can barely hear it going back into its rightful place. "'S a miracle I graduated." 

"That was me in college." 

"Now, I don't believe that for a second." 

"Really?" You laugh, and he nods.

"Someone like you, with your pretty dresses and all that empathy, was meant to be a teacher." 

"I wasn't always like this," you evade the compliment despite the butterflies in your stomach. "Being a teacher was never on my radar until I graduated. A lot of my life was never on my radar until then." He puts the hood of the projector back on and climbs down from the desk until he's standing in front of you again, wiping his hands on a red handkerchief from his toolbox. 

"Well, with the way you carry yourself, I never woulda guessed." He says. He opens his mouth to say something more, but the sharp tone of the bell ringing cuts him off. You jump at the sound and look at the clock as if it were wrong. 

"I'm so sorry. Time must've gotten away from me. Thank you so much again, Mr. Miller, for coming in to talk with me and looking at the projector. I hope to see you and Ellie on Friday." You say quickly as the sound of rowdy kids fills the hallway, and you hold your hand out to him. He takes it and squeezes it firmly.

"You can call me Joel. Mr. Miller makes me feel old." He says, and you smile. He doesn't look old, unlike the other dads you've encountered. Sure, he's got some gray at his temples and in his beard, but it suits him. 

"Joel, it is then." You resolve. His hand lingers in yours for a little too long before finally pulling away. "Well, Joel, unless you want to elbow through teenagers, I'd suggest you hide out here for a few more minutes." He does happily, even helping you carry supplies to your car once the hallways have cleared out enough. He's a proper gentleman, slinging your backpack over his shoulder and opening doors for you. You part only once everything is in your trunk, and he bids you goodnight with a charming smile that fills your thoughts on your drive home.

Ellie surprises you the next day as you're setting up the classroom. Normally, she isn't in until right before the bell rings, so seeing her this early is a little bit of a shock. The ink staining her hands is not. "Hey, dude. What's going on?" You ask. "Did you get breakfast from the cafeteria today? I heard Mrs. Hodges has those French toast sticks that everyone loves. You can probably get two servings if you run." 

"No, I already ate. My dad and uncle had to leave early this morning, so we got breakfast. Speaking of which," she says as she takes off her backpack and pulls a cup of iced coffee out of her water bottle pocket. "This is for you. We didn't know what you liked, so we got a vanilla latte or something." 

"Oh, El! You didn't have to do that. Thank you, honey." You say, and she sets it on your desk for you to enjoy once you don't have paintbrushes in hand. "If this is your way of getting a good grade on your piece, I already told you that you have nothing to worry about."

"It wasn't my idea. It was my dad's." She says nonchalantly before moving to the back of the classroom to get her sketch book. You, however, are confused and secretly pleased that Joel thought of you when he didn't have to. You find a message scribbled on the side when you reach for the cup to take a sip. 

Thanks again. See you Friday. -J

You turn to hide your smile from Ellie, but she's so deep in her work that you doubt she would've noticed anyway. You put some music on, and you and Ellie work silently on your projects until the bell rings and the day starts. 

The rest of the week goes by without a hitch, meaning that nobody accidentally ingested paint, and you only had to have one Come to Jesus talk with your Art 1 class. When Friday night rolls around, you're excited to see all the students work and treat yourself by wearing a new shirt with black scribbles all over it and black dress pants. You figure you should look as art teachery as possible for an art teacher event. 

By the time you get to the school, the hallways are buzzing with students dragging their parents from one piece to another and administrators praising their art programs even though you know not one of them has seen the inside of an art classroom in months. You make small talk with some of your students and their parents before finding a way out of the conversation and letting yourself wander through the makeshift gallery. You love your kids, but you really don't want them breathing down your neck as you look at all the art. You're almost at the end when you hear a familiar voice calling your name, and you turn to find Ellie walking toward you with Joel and, who you assume to be her uncle, next to her. 

"Hey, kid! I'm so happy to see you here!" You say sincerely, and she smiles shyly. You turn to her uncle and hold your hand out to introduce yourself. 

"Tommy. We sure have heard a whole lot bout you at home." He says with a smirk, and you laugh. 

"All good things, I hope."

"Of course. Ellie just bout worships the ground you walk on," he says. "Joel was singin' your praises, too." 

"Alright, I think that's enough. Why don't y'all go walk around, and I'll catch up with ya?" He suggests, and Tommy chuckles. Another teacher calls Ellie's name from down the hallway, and she's quick to drag Tommy off to meet him, leaving you and Joel alone. He's replaced his black shirt with a light blue dress shirt, and it looks like he's recently trimmed his beard. He looks nice.

"Singing praises, huh?" You raise your eyebrows at him, and he smiles sheepishly. "Thank you for the coffee the other morning, by the way. It was a really nice surprise." 

"Figured it was the least I could do to thank you for takin' such good care of my girl." 

"Well, thank you. I owe you." 

"You don't owe me a thing," he says. "Although, Tommy was a little upset that I didn't bill you for lookin' at the projector." 

"Was he?" You ask, and he nods.

"Oh, yeah," he laughs. "Said next time I should, at least, ask you on a date."

"Mr. Miller-"

"I thought you agreed to call me Joel." He raises his eyebrows in a silent challenge, and you shake your head, fighting a smile.

"Joel, while I'm flattered by the offer from someone so handsome-"

"You think I'm handsome?"

"I can't date my students' parents." You say, ignoring his question, but even then, the playful look on his face doesn't fade. "Well, I can leave you to it. I know Ellie will probably want to show you around." 

"Right. Of course," he says. "It's really nice to see you."

"You, too. I'm just glad I didn't have paint in my hair this time."

"I don't know. I thought it was kinda cute." You feel yourself blush at his words, but you have to shut it down before it can become anything more than flattery. You take a deep breath and try not to let that stupid smirk weaken your knees as he watches you.

"Goodnight, Joel."

"Goodnight, ma'am." He says, tipping his head politely before sauntering down the hallway like he owns the place. Trouble, you think to yourself. But you can handle trouble. It's in your job description, for Christ's sake. 

So, you brush off the flirting and try to ignore how his kindness and sweet words made you feel. You absolutely cannot flirt with the parent of one of your students. Dating is completely off the table. You can handle this like an adult. You have to. 

After a cold shower and a leftover dinner, you check your email once more before going to bed that night. Sitting in your inbox with alarming clarity is an email from Ellie with the subject line: Art Club. Her email is somehow just as short as her subject line. 

Simply, "When can I start -E." 

TAGLIST: @abbyhaslongshorts @kiwiharrykiwi @sumsworldz @myloveistoolittle @anavatazes @marantha

[petite-madame]

just so you know, it’s very obvious to actual artists that you’re posting AI and then lying that you’ve done it all by hand. kind of embarrassing, and more than a little fucked up.

Hi anon

This kind of nonsense usually ends up in the trash with a laugh but as it's my first "your art is AI", let's go! (It was just a matter of time, as practically all my artist friends got this kind of messages at this point)

it’s very obvious to actual artists...

Actual artists ? You mean, like me, a professional illustrator in her 40s, who has started drawing at the age of 8 and who has been drawing with a consistant art style for the past 15 years (with some improvements, thank god 🤓) ? People like you have accused me of tracing using tracing paper when I was a kid, tracing in Photoshop 15 years ago when I started to post on the internet and now my art is "AI". I should be used to it by now: when I posted this one 14 YEARS AGO, people told me it was traced and that "I wasn't a real artist, actual artists could tell"

I've consistently posted step by step, WIPs, vids, reels, gifs, shown the number of layers I use by art (sometimes more than 100) but apparently, it's never enough. And my art is AI generated ? Which one ?

So much for the Loki one, I apologize for the 0,3%…

Which is also funny is that fans of Supernatural, Good Omens, Sherlock, etc…have been able to say exactly which reference pictures I used for each drawing, not only for faces but sometimes also for the pose and the clothing (because yes, omg, I use reference pictures, the horror 😲)

However if you want to talk about my technique, and I've never hidden it, I sometimes use photos or 3D models for backgrounds because I hate drawing backgrounds. For instance the background of the Superwholock one is composed of a couple of stock pictures (a pub).

Same for a "Sherlock Harry Potter AU" I'll post in a month or so: some parts oh Hogwarts are screenshots from the movie because I didn't feel like drawing a room full of students.

Also, is there sometimes mistakes in my art that don't make sense ? Yes, nothing new, I make mistakes, I've been doing it for years and I still do it, particularly when it comes to anatomy. I want to pull my hair out when I notice them weeks (sometimes months) later but here we are.

Anyway, people like you who throw "it's AI" accusations all over the Internet better think twice because the result is this.

Don't get me wrong, I get the AI paranoia but instead of sending messages to artists like this one, ask kindly about their process, their technique, etc…and also, have a look at their archive, it could help.

I'm leaving you now, I have AI art to generate (= spending 10 hours per drawing using reference pictures, finding inspiration from classical painting, using about 100 layers and stressing about the art not being good enough).

Have a great weekend!

[tofupixel]

Thank you for getting me to finally try pixel art! I‘ve always wanted to get into pixel art but I never knew what to start with and always ended up procrastinating. Your blog and the post you made on learning pixel art were what finally pushed me to give it a go. It was really helpful and I managed this little animation in Libresprite.

I definitely want to improve and your art is like the ultimate goal lol. Do you have any tips or instructions for how to get better or on what to focus on in the future? I‘d appreciate any kind of criticism/input you are willing to give! How do you manage to make such gigantic and beautiful landscapes?

thank you!! and i'm so happy you decided to give it a real go, you're doing great already!! the rendering on the body and the pink shading is really nice.

i can help a little with animation stuff but i'm not an expert, ill write something out about backgrounds at the end

i hope you don't mind but i edited the sprite a little, just to illustrate some stuff

🤺Animation stuff

i added an extra frame near the top of the arc so it slows down. this is called ease or slow in/out and usually happens at the beginning and end of movements. u can do even more slow but this is just a quick version

i also removed the middle frame (where the tail is straight down) to make the swing appear a bit more powerful. this could be the principle of timing in the same video. you can exaggerate smears if you do this, its up to you!! lately i tend to exaggerate stuff a lot, things arent super noticable in motion

i also got a good bit of advice from nickwoz that helped me, basically when you begin to animate, it really puts the rest of the sprite being still into focus. try to think of how you could animate other parts of the body, even subtly. and sometimes if individual pixels stay still they can catch the eye in an unintended way as well, just keep it in mind!!

if you want to learn animation more, you could take a look at duelyst sprites, they have incredible idle and ability animations, i study them a lot

heres one i downloaded a long time ago. i recommend just downloading stuff you like and looking at it!! i have a huge collection of pixel inspo. slowing animations down can really help you understand whats going on. its just a bunch of simple elements put together that makes it look so good.

IF U WANT MORE RESOURCES/ARTISTS I REOCMMEND TO GO AND STUDY LMK!!! IM LIKE A WIKIPEDIA, I AM A BIG FAN of pixel art and love to share

🌿 OK lets talk about landscape stuff

it looks like you have art experience already, but im gonna talk as if youre a complete noob cos it might help some other people who read this!! ur doing great 👍

❓ how to learn: study (and practise a lot)

what i mean by study: draw it, copy it, try to understand it. you can try to change characteristics about it. changing the angle or lighting can help u understand how something works in 3 dimensions.

sometimes it takes time, dont worry, you will figure out your own style through doing studies, its all a process

❓ how to draw landscape details?

study pixel artists and how they do it recommendations: fool, slym, jubilee, deceiver

also please look at real world references!! you got to build that visual library

❓ how to learn composition?

study traditional artists or animation. i did a ton of studies of ghibli backgrounds which i think helped my growth a lot recommendations: arcane, studio ghibli, traditional painters

im gonna break down a piece as well and maybe that will help. this is one from 2022 but its still one of my most popular and its pretty simple too!!

if we remove all the fancy stuff what we have is actually really simple. just a few large, overlapping shapes that all point towards our focal point. it's the brightest area with the most contrast and many edges point into it.

go to pinterest or google and just search "pretty landscape" or "mountains" or something and you can see what i'm doing is nothing special or unique!! break it down into bigger shapes to begin with, its just different areas of material mostly.

and heres how you can make any landscape from any colours. purple sky or mountain? orange grass? ok !! it all works, it doesnt matter. i just blend the colours.

when parts of the landscape are in the distance they become closer to the sky colour as there is more "sky" in between you and it. its called atmospheric perspective. so if the sky was red, the clouds would fade towards red.

OKKK i dont know what else to say so i hope that helps!! honestly 90% of what i do is intuitive and hard for me to really explain, so you dont have to know The Rules, you just kind of pick up stuff as you go.

GL and thanks so much for showing me your art!! please keep going!! 💕💕💕💕

[shalotttower]

Permanence

Title: Permanence Fandom: Hunter x Hunter Summary: A simple evening at an art gallery turns into a daring decision to slip away from Chrollo's grasp. Word count: 2400+ Characters: Chrollo Lucilfer x Reader Notes: yandere, kidnapped reader, exploration of power dynamics, power imbalance.

Tonight you spend in the shower longer than you normally do. There're no tears, no, just exhaustion, both mental and physical that seems to be seeping into your bones deeper than ever. Waiting is the worst part. You don't know whether there will be any kind of consequences after the stunt you've pulled. You don't know if the extent of Chrollo's composure has stretched to anger - and that's after you've tried so hard to keep yourself from pushing him - or it's just annoyance. Which is not ideal, but workable.

It was supposed to be a nice, as much as it can be, evening. Just a walk through the gallery, a little bit of art admiration here, a little bit of talking there, maybe getting some dinner.

After the shower, you sit on the closed toilet lid, naked, and stare at the mirror that's still fogged from the steam. You don't like looking yourself in the eye lately, or rather what you see there. Fear doesn't become you. Neither does hopelessness. Your reflection seems foreign, unrecognizable at times when it should be familiar and safe, a thing you grew up with and are supposed to know by heart.

***

"I want to leave," you whispered when Chrollo put his arm around your waist. Yet another painting by an unknown artist; names that didn't ring a bell and suffering deities depicted on canvas twirled in an odd dance.

He didn't react immediately, so you repeated yourself. Something hinted that you should keep quiet and admire in silence, but something else entirely urged you to push. Perhaps it was too hot. Perhaps too many people were surrounding you and Chrollo's touch felt stifling rather than reassuring.

"Can we get out of here?"

He looked down at you, expression calm, and you could almost call it considering. The hand on your hipbone tightened just a notch, as if making sure you won't slip away.

"Not yet, dear. We haven't seen everything."

A sigh died somewhere in your chest before it got the chance to escape your lungs. "We've been here for over an hour," you managed. And while art usually caused pleasant emotions in you, right now it did nothing of sorts. People brushed past, paying little mind to the couple blocking one of the main hallways. You tried to not fidget under Chrollo's gaze.

Maybe he would've granted your request - who knows? Chrollo wasn't the type to deny you anything reasonable, not after almost four months of compliance - if a man had not appeared right next to you like a ghost out of thin air. You remembered him from a fine dinner, one of many. The memory was hazy, you had a glass of martini at Chrollo's indulgence which proved to be a bit stronger than expected. But the feeling, that sinking sensation of unease you got back then from the man's presence remained. As well as the smell of his cologne, leathery; it lingered behind him even after he left the table.

One look of his dark eyes was enough to make your stomach clench.

And then they started talking.

When you were a child you hated shopping with your mother. Groceries or clothing - no matter. It was not the process itself, but rather occasional encounters with other adults she knew. The chit-chats about everything and nothing could last forever, and you stood there, tugging on her hand to remind about your existence. Can we go? Can we go home, are you finished?

You weren't a child anymore, yet the impression of your own invisibility and being a silent accessory to Chrollo, although he occasionally looked down at you, brought those memories back.

The gallery room was too small. There were too many people.

The nape of your neck tingled.

You wrung your hand out of Chrollo's hold faster than any reasonable thought could stop you. He blinked in surprise, and that was the only time in four months you saw him taken aback for a small particle of a second. Before having a chance to see his composure settle back or properly regret your actions, you slipped through bodies like a fish. Stupid heels of elegant shoes with ankle straps and pointed toe tips hindered your every step. Your heartbeat hammered in your ears as if someone hit them with blunt force repeatedly. The dreadful dress he chose rustled against your legs, black velvet fabric clinging to your thighs when you tried to maneuver between visitors. You wanted to get out. Just to have some air. Just to take a breath.

"Dear," Chrollo's voice reached you from behind, but you didn't slow down. You passed paintings one by one. Saints screaming at your hasty steps and angry expressions seemed to judge you. "Dear." Louder now. People were throwing curious glances at you both.

You did not spot a waiter who stopped abruptly before you with a tray of wine glasses in time.

It was really supposed to be a nice evening.

***

You towel dry your hair until it feels acceptable enough and pull the pajama on, a silky set Chrollo gifted (replaced yours with). It is more comfortable than anything you've ever owned, but still too short on your frame and reveals way too much skin for your liking. He won't let you sleep not in the bed tonight, this much is obvious. The makeshift mattress you've made on the floor is nowhere to be seen just like you expected.

So be it.

Quietly you slip under the covers and turn on your side, facing the window. The sheets smell fresh and clean and there's even a hint of lavender underneath if you focus hard, but right now all you can focus on is getting through this night. Sleep comes quick. Or so you think because when Chrollo lies down next to you, you jerk awake. His body radiates warmth, not close enough to touch just yet, but the knowledge that it'll change soon causes a surge of nausea within you.

He shifts with a faint rustling of silk sheets. An arm comes to drape around your middle like a shackle; you move closer to the bed edge, curling yourself into a ball. It almost seems like you might fall off, and perhaps you will, really, your leg is already hanging in part.

A delicate kiss is placed at the top of your spine, bare where the shirt doesn't reach your shoulder blades. Another one follows on your vertebrae and then he pulls you flush against him. Your heartbeat speeds up and palms become cold; his - is slow and steady, like always.

"You're going to fall off," he whispers.

"Fine by me." You whisper too for some reason, despite there being nobody else to hear you.

There's a soft exhale from behind and his hand begins to rub circles on your tense stomach, lazy motions that go up to your rib cage and down to the belly button. Chrollo's breath tickles your nape and you know that if it wasn't for four months of constant touches, caresses and brushes, you would've pushed him away. Careful conditioning - that's what it is, you're not stupid. Your body knows him, his scent, his hands and voice now, even though your mind screams at them to keep their distance.

He hums when you shudder.

"Cold?" Chrollo asks. One of his fingers traces the hem of your shorts. Your hand comes over it and halts it midway.

"Please stop," you say, and it's the first time since this all started your voice is actually cracking, like an eggshell. Fragile at the edges.

He doesn't say anything but the motion ceases. Slowly, his hand retreats to come rest on your hipbone where it grants you a gentle squeeze.

Chrollo kisses the back of your head.

"Sleep," he tells you.

Easier said than done.

***

The new penthouse looks pretty much like any other you've stayed in – large bed and luxurious decor. It even has a grand piano standing in one of the corners which you have no idea how to play. Chrollo releases your hand and heads into the bathroom while you wander around, poking at things just for the sake of having something to do. A glass figurine of a little ballerina catches your attention. She seems frozen in her sorrowful stance, looking downwards to the ground beneath her tiny pointe shoes. You turn it this way and that, watching light catch on the shiny surface.

The shower starts running.

It's been only three days after the incident in the gallery and Chrollo hasn't commented upon it in the slightest. Maybe he's simply biding his time, you wouldn't be surprised.

Eventually you settle down onto the soft mattress and grab the first random book from the side table. Reading helps. Immersing yourself into fiction distracts from reality.

You thumb through the pages and find out that it's some sort of a romance novel, a period one judging by the writing style. Some duke-like character seems to be enamored with one of his maids but can't do anything about it because of social stigmas. The woman herself is poor as a church mouse yet beautiful beyond words - a bit cliché if you're honest, still there's nothing wrong with it per se, everyone can enjoy their guilty pleasures.

Chrollo emerges from the bathroom after some time, drying his hair with a towel. He moves about the room: unpacking your luggage, hanging up clothes in the closet, etc. Your eyes follow him without meaning to. There are times like this when Chrollo almost feels like a normal person. What he is doing seems domestic enough to trick your brain into short periods of blissful ignorance. Then your gaze falls onto the cross tattoo on his forehead and the illusion breaks like a soap bubble on a sunny day.

You turn another page and read half a paragraph before realizing you've absorbed absolutely nothing.

"What are you reading?" Chrollo sits by your side after he's finished unpacking. His voice is light, almost casual. Almost playful. It puts you on edge.

"Something I found." You close the book and show him the cover. "It was next to the bed."

He leans forward, glancing at the words written on the page. When Chrollo speaks, there's amusement in his tone. "Interesting."

Interesting. What's that supposed to mean? You keep your eyes trained on the text, but try as you might, the words seem meaningless, jumbled. Chrollo rests his hand on your calf. He keeps it there for a few moments before sliding it upward, slowly, toward your knee. You give him a look. "What are you doing?"

"Getting your attention," he responds with the simplicity of someone stating the weather outside.

"You have it. What is it?" It's that type of a stare he gives you that had almost transformed into his personal form of art. One that takes everything in without any effort – from your eyebrows furrowed in suspicion to the corners of your mouth turned downward into a frown.

"You know," Chrollo says thoughtfully. "I've been thinking."

Isn't he always?

He squeezes your leg under your knee, where skin is more sensitive and then you're cornered - right between him and the headboard.

"Your behavior in the gallery, dear. It was rather unexpected," he tells you and the sinking feeling turns into full blown nausea in your throat.

You knew it. Knew that he was going to get back to this, sooner or later. Fuck. "You've been behaving so well these past months and I wonder what prompted this."

Chrollo tilts his head.

"I'm sorry." You reply and shift. "I got anxious."

"Go on," he says when you don't elaborate, not sounding angry or upset, just curious. The warm thumb traces patterns on your knee cap - you hate how Chrollo does this, makes you talk when he could leave you alone and drop the subject.

You have to continue now.

"New spaces isn't really my thing, and yesterday I felt... Pressured. It wasn't intentional, I simply," you shrug your shoulders, "got overwhelmed and acted on impulse. I shouldn't have."

Your voice doesn't crack once and you're proud over that.

"Hm." Chrollo hums but it's neither approving nor disapproving, more like pondering. He moves closer so your knees bump against each other. This is dangerous territory – him being close while questioning you, you know better than to pull back now.

"You're sorry," he says, a strand of damp hair falls onto his forehead. "Are you sorry because you understand what you did wrong," each word is precise as if to drill into your head. "Or are you apologizing because you're afraid of the consequences?"

You stare at his shirt instead of his face. The top three buttons are undone, revealing a patch of pale skin. You want to button them up - knowing him, it's hardly a coincidence.

"Both, I think." You opt for honesty, because lying to Chrollo would most likely end with him seeing right through it, regardless of your efforts.

His frame effectively blocks out everything else from view: up close like this he's handsome, there's no denying it. Dark eyes framed by long eyelashes and soft lips and high cheekbones that make him look like a model out of a fashion magazine. And yet there's also coldness underneath it all, hidden behind those charming smiles and polite remarks. It sometimes gives you an uncanny impression: Chrollo seems frozen, suspended in that state of perpetual calmness, like time stopped ticking inside of his chest.

"What now?" You ask, heart thrumming somewhere deep near the bottom of your rib cage. The book lays forgotten next to you, pages bent after it slipped from your grasp and hit the mattress.

Chrollo cups your cheek with one hand, "Now we continue the evening."

Continue?

The confusion must show on your face because he chuckles. "You apologized," it feels patronizing but you try to ignore it for the sake of getting over with whatever this is. "And admitted your faults. I can overlook a single instance of defiance–especially since you explained yourself so well."

Relief washes over you, making your shoulders sag. You take the book, careful not to let your fingers brush, he seems to like skin on skin contact.

"I expect better behavior next time, dear."

"I'll try," You mutter under your breath.

His hand slips away from your thigh and moves to grab the remote - news, of course, - Chrollo watches news almost religiously every night before going to sleep. "I appreciate when you behave," he adds smoothly. "It makes everything much easier for both of us."

He settles his head on your lap, and it feels heavy, and his damp hair tickles, but you don't dare push him off.

[littlemoondarlingarts]

Did an artstyle study of the gorgeous art of @iliothermia and I genuinely learned alot so I'm very thankful that he gave me permission to do this 🙏🏻🙏🏻

As usual, rambles and process pics under the cut, be warned that I talk alot because this drawing was a true labor of love both for his art and Rouge

I wanted to use elements from his art but at the same time i know how deeply personal his art is to his own life and struggles and culture so i tried to be as respectful as possible (and if I failed at that please tell me I have no problem in deleting this) and tried to minimize my use of direct elements from his art to keep it to the skull which was heavily inspired by a drawing he has done, the waves which are such a beautiful staple of his art that I just couldn't not put it and the use of candles and small floral patterns and the style of the mold, but I tried to keep the rest to things that are symbolic to the character.

While he may have restraint to not explain everything, I'm not famous for that lol, so I will be explaining the symbolism behind my choices.

Part 1: the symbolism:

The red rose is Rouge's flower and it is heavily associated with him. The meaning of it being romantic desire and passion mixed with the thorns of it perfectly sum up his position as a beautiful black widow.

Voyeurism is a big part of this drawing and it is first noticed with the eyes motif on the roses' leaves, this symbolises his response to his trauma which left him feeling like an unwanted pervert on his own self. I can talk about this aspect of his story for hours but I'll spare you lol.

The X-ray cutouts are his complicated relationship with his own body and death, it is a thing that is constantly on his mind as he suffers from suicidal thoughts but at the same time he is always running away from it in fear, but he knows that eventually, he will have to stop running.

The candles melting represent him being only wanted when he is useful, when he is giving parts of himself up for others to use and abuse, when he is lighting their lives by slowly draining his own.

The piano is one of the rare things that bring him happiness and peace, but he needs to be heavily dissociated to be able to enjoy it which is represented by the hands being disconnected from the rest of the drawing and just floating in their own reality.

The snake represents two things, one is him being venomous to those around him, the mistakes he's made, the promises he's broken, the pain he's caused etc. But it also represents those who slowly wrap themselves around him in a warm embrace, presenting themselves as a saviour in his most dire times only to end up being the ones who will hurt him the most.

The book is about his obsession with keeping track of everything and of studying people, accidentally turning himself into an unwanted voyeur on their lives to the point where he has written the life stories of many people who would never want to be remembered through his eyes in his little books.

The butterflies are him, both in the way they are seen as "the good insects" and the beautiful delicate ones despite the fact that they eat flesh sometimes, it is also related to the way his simple presence for a few minutes in someone's life can create a whirlwind of change that will leave it unrecognizable, or he can simply be another body in their bed.

The hair turning into waves is meant to reflect the way he is always drowning in his own thoughts, a hand crafted constant state of misery.

The beta fish are some of the most beautiful and colourful fish out there, yet they are seen as cheap and easy first pets, leading to them being neglected and given environments that are too small and crammed, making their beautifully slow death the only thing they can offer to their owner. I don't think I need to explain more..

The skull is probably someone he's loved, or someone he's killed, or both.

The heart is his, it is rotten and covered in mold, any love he offers is tainted by his inability to heal and it is spreading to infect every aspect of his life.

Part 2: the inspirations:

The roses are a homage to the way Rachamim always places flowers in his art, either in the background or as a focal point of the illustration, most of the flowers he uses are cultural in nature, so I opted to not reuse any of them and changed it to a flower related to my oc.

Eyes are a repeated theme in his art, whether it be angel eyes, the evil eye or anything else, and as you can tell both of these are cultural and religious and while the evil eye exists in my culture, it does not in my oc's so I didn't use it. Instead I opted to pay homage to one of his beautiful merman drawings in which he used the plants to make an eye-like shape that stares at the viewer.

I thought I was being real smart in turning the hair into waves but yesterday I saw an illustration where he did the same so rip to me thinking i was being original lol.

The snake and butterflies are my way of replicating his use of animals while trying to not directly copy any animals that have a connection to himself or his culture/religion.

The beta fish is just to reference the ever present fishies in his art. I know he uses them because they represent friendship for him and they are the only animals safe from the evil eye (thanks for the fun fact) so I uh... I don't really know if this was disrespectful or not to be honest but I tried to use a different type of fish, idk this might still be slightly problematic and again I'm always ready to delete this if it makes anyone uncomfortable.

The waves are a direct copy of how he draws the gorgeous waves in his art, another case of something I fear may be crossing the line because the waves are drawn in the style of cultural jewelry 😭

The tiny flowers are an obvious reference to his own tiny flowers that decorate his art and characters.

The skull with the candles is heavily inspired by a specific drawing of his.

The cutouts are my way of paying my respects to my absolute favourite piece of art he's done without directly copying its concept because as far as I can tell, it is a very personal and emotional piece.

The mold style is a reference to his mold man (I forgot his name I'm sorry).

And the candles are another repeated motif in his art as well as the pillars and the pant style.

And ouf I sure do talk alot don't I? I just really love the amount of things I was able to cram into this piece and I haven't even mentioned everything😭😭 I will NOT be doing this again because I'm simply not as patient as he is and as proud as I am of the result, this was torture. I hope I didn't disrespect him, his art or his culture and I genuinely tried my best to be as respectful as possible but I might have some blind spots due to our experiences being so vastly different so again, please don't hesitate to inform me if you want this deleted!

[togglesbloggle]

In Defense of Bad Things

'Bad' here meaning mostly 'amateur'; stuff made enthusiastically by people at an unprofessional level. Art with visible gaps between what the artist imagined and what they achieved, products of flawed craftsmanship. I suppose everybody can appreciate them to some extent, it's a rare parent that doesn't put up their kid's drawings on the fridge in one way or another. But it turns out to be a fully general skill you can cultivate, and the more I do, the more I'm glad I did.

Partly, it's the teacher thing; finding delight in amateur work is one of the ways to find delight in the process of learning. Cultivating a love of striving-qua-striving can help make you a force for good in the world, as people start to feel safe trying to do things when you're around, even when their efforts are wobbly. You get to participate a little more in the process of atoms spinning themselves into ideas, even when there aren't any illusions about whether you're helping cultivate some revolutionary genius in the field.

And partly it's a fabulous way to build community. By necessity, our professional-level skills tend to be at the service of other people, performed for economic benefit; that's kind of how you get professionally good at something in the first place. When we're acting for our own sake, and among friends, most of what we do with one another is amateurish. I only cook middling-okay, I can't hold a tune that well, I'll never be a speed runner for anything. If you can only enjoy singing from the hundred best singers in the whole world, manufactured and polished by major studios, then you and your friends will sit shoulder-to-shoulder and passively listen to music. But it's so much richer an experience to sit face-to-face, actually singing together, even badly; you expose yourself to so many new ways to appreciate and respect one another, building relationships on what you've accomplished and not just by witty criticism or liking the same things.

And partly it's because some of the most powerful and innovative artistic experiences are in high-churn environments with low expectations and low barriers to entry, if only because those catch the passionate and driven young people that have been otherwise overlooked by our systems. The golden age of webcomics meant that a ton of the actual art involved was pretty lousy, but it also produced work that people still talk about today. D&D began as a profoundly unpolished collection of handmade rulebooks sold at cons in a plastic baggie. By the time these products of enthusiastic amateurs filter themselves through various levels of popularity and absorb mainstream cash influx, they're often risk-averse and missing a lot of the bold spark that inspired their fans in the first place; others will simply never drift towards the mainstream at all. I'm not saying you should be the person who goes out to dig through the slush piles of the internet looking for overlooked art, unless you want to be-- but sometimes a work of actual staggering genius also happens to be a Supernatural fanfic by a first-time author who's a little hazy on commas, and if that's a dealbreaker, you're going to miss out on some profoundly valuable experiences.

And hiding behind all of these things is, like...

Our appreciation of beauty has an odd structure, right? When things are done very skillfully, by brilliant artists with years of training, we can usually appreciate those accomplishments. And when we're looking at nature without human influence, and especially when we think very deeply about natural processes and understand them in context, we often rediscover that sense of beauty. There's just this bizarre hole in the middle where we declare things 'ugly'; as if a little skill is worse than none at all.

I really don't trust that gap. It feels like a trick my brain is playing on me, you know? It has me suspicious that a lot of what I consider 'ugly' or 'bad' is not a very direct experience of the world at all, or an informed judgment. That it is, rather, a declaration of (self-, social-) identity; a desire to be seen as a person of good taste, or as somebody who does things well, or just more primitively as one of the monkeys who is in the good-stuff-tribe and not one of the monkeys who is in the bad-stuff-tribe.

[inlovewithquestionablecharacters]

Hey,

could you write a Hannibal one-shot (platonic), where he somehow becomes friends (FBI work) with a teenager, who has a dark sense of humor and overall quite to his liking, but is harmless?

Hannibal X Platonic!Reader: The friends we make along the way

Warnings: murder, death, talks of trauma, crime scenes, teenagers being teenagers, Hannibal being annoyed by you, no use of y/n, not proofread, gn reader.

Word count: 1K

“What can you tell me about the person in the picture?”

“Well, they’re dead.”

Hannibal closed his eyes, his hand moving to put pressure on his brow bone. He knew you were being annoying on purpose. He didn't know why he expected for you to be different from any other teenager he’d ever met. Perhaps the fact that you'd been through a traumatic event. But then again who hadn't. 

All though he was sure usual people's traumatic events weren't anything like yours. Normal people don't find themselves in a situation where they have to stab their best friend to death. When he’d first met you you’d been covered in blood. Your eyes were wide and you had a knife in your hand. You stuttered something out but Hannibal hadn't quite understood what you were saying. It was only later, on the drive to the FBI, that he’d realized you had said: I didn’t want to.

They’d been trying to catch the killers for days and you've managed to kill him with a kitchen knife. The whole experience sent you into a bad place mentally. You’d never hurt anyone before and finding out your best friend of ten years had been killing people who matched your appearance as a tribute to you was difficult to process. The FBI ruled it off as self defense and they let you go but not without suggesting you seek therapy. Hannibal had been of great comfort to you so it was only neutral you requested him as your physiatrist.

Hannibal tapped on the images on the table.

“I’m serious. You want to become an agent, you need to be able to find the clues.”

“Hannibal no offense but I doubt this is going to help me get into the academy.”

You walked over to his ladder, hanging yourself on it with one hand.

“Plus wouldn't it be better if Will was helping me with this. Since, you know, he works for the FBI.”

“Will works for the FBI because his condition gives him something they consider valuable he-”

“Can go into the killers mind. Yeah yeah I know. You’ve only told me that about a thousand times.”

Hannibal steeled himself. Gosh he did not have patience for children. He sat down on his desk watching you continue to swing on his ladder.

“Be careful you’ll end up hurting yourself.

“Okay Dad.”

The annoyance was clear in your voice. You hopped off the ladder landing on the floor with a dramatic flair.

“See i’m fine.”

Hannibal watched you walk over to his drawings taking them in. You’d always liked art and Hannibal was quite good. Since your first session Hannibal noticed you had trouble staying still. He didn;t mind it as long as you managed to focus. Something that was proving rather difficult at the moment.

“Did you always wanna be a psychiatrist?”

“No. I was a surgeon before.”

“What made you stop? Did you kill someone or something?”

An uneasy silence filled the room. You had a morbid sense of humor which often made people uncomfortable but Hannibal had never seemed to mind it. So when you felt the atmosphere shift upon your words you could tell you’d said something that had upset him. You turned around, catching the sullen look in Hannibal's eyes.

“Shit Hannibal. I’m sorry i shouldn’t have joked-”

“It’s fine. You didn;t know. And it was a long time ago.”

You fiddled with your hands, suddenly feeling on edge. You knew you had to change the topic. 

“It’s the bite marks.”

Hannibal raised his head, giving you a curious look.

“I beg your pardon?”

“That's how they caught the killer.”

You walked over to the opposite side of the desk. You leaned over the various crime scene photos until you found the one you wanted. You raised the picture up so that Hannibal could see it. Your finger moved to point out the clear bite mark in one of the victims legs.

“He didn;t let himself bite the other ones but he lost control with this one. He let the animal take over and that was his mistake.”

Hannibal gave you a proud smile.

“Well done.”

“I’m smarter than I look.”

“Well then you must be quite the genius.”

You beamed at him taking in his words as a complement. 

“Coming from you that high praise.”

“Only telling the truth.”

You helped Hannibal gather the pictures off his desk, placing them neatly inside a folder. Jack had allowed Hannibal to borrow the evidence so he could work it out with you but he needed to give it back. Even though the case had been closed it was still FBI property. You glanced at the clock seeing the time. 

“Well my ride should be here any minute. Walk me out?”

“Of course.”

Hannibal walked behind you, both of you moving towards the door. He opened it for you and you gave him an exaggerated bow of thanks. Hannibal watched you pick up your bag from one of the chairs. 

“We still on for dinner with Will next week?”

“Yes.”

“You sure you don’t want me to bring anything.”

“Your company is more than enough.”

“Well that's going to go straight to my ego.”

You laughed causing Hannibal to smile. You thought about it for a second before moving forward and giving Hannibal a hug. Despite the slight surprise Hannibal wound his arms around you returning the gesture. He caressed your head for a moment before you pulled away. You gave him one last smile before turning to go out the door.

“See you later alligator.”

Your foot was out the door and Hannibal remained silent. You turned to face him, using your hip to keep the door open.

“Come on! You’re not gonna leave me hanging are you?”

Hannibal let out a deep sigh, shaking his head briefly before looking at you.

“After a while, crocodile.” 

You grinned at him.

“See that wasn’t so hard.”

A honk came from outside telling you your ride was here. You gave Hannibal a small wave as you exited. He watched the door close behind you. He’d never expected to become friends with a teenager but you’d surprised him. And in a positive way at that.

[batmanisagatewaydrug]

heyy I have a question but I'm kinda embarrassed about it so idk?

how much of a high libido is normal for a teenager? around 15 years? because like I've been taught that puberty makes you horny, but all everyone was always talking and making jokes about was cus males going through that, and I'm not a cis dude

I was just wondering because like it feels wrong sometimes to think about it that much even though it feels good to but like -I also don't really know how to say this- it also feels like I'm using sexual thoughts and fantasies and stuff to distract myself and to repress the stuff going on in my life? like I can feel my brain switch from "I'm gonna have a breakdown" to "how about horny?" in a couple of seconds and idk if that's normal? or healthy for that matter lol

idk what to say have a nice day and any advice is appreciated<3

(do you do named anons? if so, can I be fox anon?)

hi fox anon,

I'm actually going to direct you to an ask from a shrimp anon, where we had a little chat about hypersexuality and how to know if your sex drive is too high. (spoiler alert: if you're not actively ruining your own life in the pursuit of sex, it's probably not!)

there are definitely the most stereotypes about cis teenage boys being horny, but it's very normal for people with any gender identity, genitalia, and hormones to be extremely interested in sex during their teen years. (and of course, it's also normal not to be interested at all!) this is the part of your life where everybody's bodies are reaching sexual maturity, and it's extremely EXTREMELY normal to have a burning curiosity to go along with that.

it's also very normal to have a lot of Large emotions and feel like they can switch on a dime; that's the power of Hormones, babey! you're experiencing a lot of internal hormonal situations and external social stresses for the first time, and your brain is learning how to process all that.

I have a friend who's only a few months old, so when he gets overwhelmed he doesn't know how to handle that and usually just cries about it because he's brand new and doesn't have any other coping mechanisms. of course, you have a lot more experience than a guy who's brand new and you know way more coping mechanisms than he does, but you're in a somewhat similar position of having to handle a LOT of new shit and not knowing how to cope with it yet. sometimes what's going to happen is just pivoting hard from one big feeling to another - in some cases, from the pits of despair straight to horny jail.

is it possible to become overly reliant on sexual stimulation as a form of self-soothing? sure, of course. it's possible to become overly reliant on anything; absolutely any positive behavior can become detrimental if it's performed to extremity. again, read that ask I linked!

but pivoting from a breakdown to jacking off isn't a bad idea. it can help you calm down, can be a great transition into a nap or sleep, and pops off a little burst of dopamine and oxytocin that's probably very badly needed if you're on the verge of a breakdown. of course it's ideal to have other healthy outlets for when you're feeling bad - making art or doing something else with your hands, doing some enjoyable physical activity, talking with friends or family, keeping a journal - but as one part of a larger diet of support and coping mechanism, horny behavior is great, normal, and very healthy.

[vroomvroomwee]

Goddamn all of you lovely Good Omens artists are fucking incredible do you know that? And I don't just mean the skill and talent and range you all possess in drawing cute adorable comics all the way to renaissance masterpieces because I won't be able to shut up if I start talking about that.

No, I mean who you are as PEOPLE.

You are all absolutely wonderful. Every single piece relays the refreshing and comforting views and opinions you have as well as your kindness. Drawing Aziraphale chubby and big but as well as soft and sexy and desirable and magnificently ETHEREAL. It has made me love my belly and thighs. It's made me view them as adorable and cute. The utter ADORATION you have for Crowley's nose. I went from despising mine (which is slightly crooked) to flaunting it and being PROUD of it. Because, guess what? ITS FUCKING CUTE.

As a result of all the love you all show towards these characters and the traits that society would call "unattractive", the ones that people should be ASHAMED about and try to hide, I have genuinely started to love my body. Traits that would cause me to feel inferior and pathetic are now causing me to feel giddy and affectionate towards myself. Went from "ew" and "uhhgg" to "tehe" and "eee" every time I look in the mirror.

If there's anyone that feels that their art isn't being appreciated, therefore that means they aren't good enough, I want to remind you that there's probably a person out there somewhere, too shy to like and reblog, who accidentally stumbled upon it and now has a smile on their face. There could also be another individual at a different corner of the planet who comes back to your art when they feel down and need some comfort and happiness, their confidence receiving a momentanious boost, and to be reminded how lovable and worthy they are.

And what's even more amazing is how we don't have this revelation: "My body/face is ugly, but I love it anyway." NO!! It has the "My body is a body. I'm human. There's no such thing as an ugly body. " And that's so so so so important.

People always talk about how Good Omens completely warps your view of gender and sexuality and makes you realise how abstract they both are. But it also has that effect for bodies and facial features.

Changing your opinion and feelings on something doesn't usually happen in the blink of an eye like they depict it in the movies where the characters have this memorable dramatic revelation. In real life, it happens gradually. Because we're human, and we need time to process things. So the Good Omens artists doing this to so so so many of us is incredible because they pop up these gorgeous pieces of art constantly. Over and over and over and over, and it's such a breath of fresh air and freedom from being suffocated by the media and society everywhere you go. And I say this with 100% seriousness, Good Omens has some of the most wonderful people in its fandom.

[chronicbeans]

Romantic Husk x Maladaptive Daydreamer Reader

Brought to you by: I feel like you two would get along. Also I feel like I made the Reader much more depressed in this one so heads up lol.

TW: Maladaptive Daydreaming, Alcohol/Alcoholism, Mentions of Drugs, Depression, Derealization/Dissociation

• When you first stepped into the Hazbin Hotel, being dragged around by an excited Charlie and smiling Vaggie, he thought you'd be like all the rest. A bit more on the bold side, being able to make snarky comments, violent... Just, overall, like most other sinners he's seen. He was quickly proven wrong, however. You look over to him as you're dragged by the bar, but you don't look like you process him. He simply assumed you didn't get the time to process him, but once Charlie loops around back to him in order to introduce you two, you have that same look to you.

• "Hello... um, I'm (Y/N)." You wave a little to him as you speak, looking a bit awkward. Possibly from Charlie dragging you around from excitement, and making you meet everyone. He waves to you, nodding. He doesn't look very enthusiastic, or sound it, as he introduced himself. "The name's Husk. Now, are you going to get a drink while you're here? Otherwise, that's all you'll need to know, for now."

• Alright... so, first impressions were definitely something. They aren't his forte, at least. However, you succeeded in surprising him a little. Not with your words or gestures, but just by how you didn't seem to be paying full attention. He's great at reading people, as a gambler, and it's bled into his day to day life. He could easily tell. Now, could he tell why? No. His first thought is drugs, since Angel has a drug problem and so do a lot of people in Hell, but you didn't show any visible signs of being on something. So, he isn't going to assume anything. Perhaps you were just having a bad day, or were overwhelmed...

• The next time he sees you, though, is when you are having a group exercise with the rest of the hotel residents. Plus a few staff members, since there's not a lot of people here, yet. Lucky for him, he was chosen to join in. After all, who's going to be going to the bar when everyone is doing an activity? Once again, everybody is introducing themselves since there's a new person. That person being you.

• You sit there, clearly spaced out, as Sir Pentious, Angel Dust, and Niffty all do their little greeting... thing... that Charlie is making everyone do. Then, once it's your turn, you take a moment. Actually, you didn't notice it was your turn, until Husk gently elbows you, wanting to get it over with. You flinch, before giving a halfhearted greeting, embarrassed. You say your name, with your favorite thing being "being creative", and your last thing being that you don't like sharing it. It was odd to listen to, compared to everyone else's introductions. He just gave his, not thinking about it... much.

• Okay... maybe "not thinking about it much" isn't the right wording. He's thinking about it a lot. Mainly because he's worried about whatever the hell "being creative" means. In Hell, it could mean violence, drugs, and a lot of other horrific things alongside art, music, and writing. He wants to make sure Angel Dust is safe, too, if it is something involving drugs. He doesn't want him to get hooked on something new. So, he's going to keep a close watch whenever you two are together.

• You don't visit the bar often. Though, when you do, you usually have a few drinks and don't talk much. You kind of just stare at the table, the bottles on the wall behind him, or just into space while making different expressions. A lot of the time you kind of look empty, though. Husk sometimes crosses his arms and asks what you're thinking about, only for you to look up to him and shrug. "Hard to explain... Just a story I heard."

• You're clearly hiding something and he doesn't like that. He's not going to pry, though. While it could be something bad, it could also just be some personal stuff. Maybe you're just depressed or something...? Doesn't explain the odd expressions... maybe you're just hallucinating? Yeah. He'll just guess it's a mental health thing. Which, well, he's on the right track. Just the wrong answer to what is causing the specifics of what he's trying to figure out.

• Sometimes you talk about your stories when you get drunk, which isn't as often as a few other people in the Hazbin Hotel, but is usually a treat. He assumes these are those "stories you heard one", but he can already smell something fishy. You explain them in far too much detail than someone normally would. You can even explain miniscule things, like the psychology of certain characters, the way the world building works to the smallest ant's role, to even the biology of certain creatures. Nobody who simply "heard a story" would know this much. These are things the writer would know.

• "You made these, didn't you?" You immediately tense up at that, but slowly nod. Now, he's even more confused. Why would anybody lie about it? These stories are interesting. They actually kind of distract him from his problems, that's how much they hook others! Before he can ask, though, you shrug. "I kind of... don't like how attached I am to them. They're why I'm spaced out. I also don't want others to know about it. Don't tell anyone."

• Husk doesn't tell anyone. However, he kind of thinks you're overreacting when you talk about how much you daydream and how it's a problem. It's nothing against you. He doesn't think you're a lier, now. He's pretty sure you're being truthful, with just a little bit of exaggerating. See, he's from the 1970s, and whatever you're going through wasn't discovered until the 2000s. He just can't imagine how daydreaming could become a problem. Everybody daydreams. However, just in case it actually is a big issue, he won't voice it. The most he'll say is just that he hasn't heard of anything like what you are describing.

• He likes you. Now that you're being more open, he has genuinely started to enjoy your company. Your stories are nice to listen to, your expressions fun to watch, and even if you are having problems listening to him talk, he can at least understand why and not hold it against you. You're entertaining. He'll ask questions about your characters, and actually engage in your storytelling when you ask.

• However, it all changes once Charlie comes up to him one evening. She looks a bit worried as she asks Husk for help. "See... They've been in their room all day, and when I knocked and asked if they needed anything, they asked to get you." Get him? Well, alright.

• Once he gets to your room, he begins to realize just how bad of a problem it can get. You seem to have broken down into tears over something, and when he asks what, you just let out your every frustration. You've forgotten to eat today, you can't focus on anything due to daydreaming taking over, you feel a bit disconnected from reality... while before, you seemed to be able to talk about these things so easily, now that you're breaking down over it? It really puts it into perspective. Especially when you mention feeling disconnected from reality... He somehow never thought of that being an issue, but it makes sense to him. How could you feel connected to reality, when your mind is never focused on it?

• As much as he tries to understand what is going on inside your head, he knows he'll never understand it entirely. So, he tries to understand it in a way through his own experiences. With how much this unstoppable habit has been causing you distress, the closest thing he can compare is to is his alcoholism. He feels like he can't stop drinking, even if he knows it's bad for him... Husk is very much aware that it's not exactly the same, but he feels it's the closest he'll get to understanding your experiences.

• He keeps his promise of not saying a word about it to anyone. If somebody ever asks about what is going on with you, he'll pull what he calls "a Niffty", saying "You don't even want to know what's going on with them." He also becomes a bit more protective over you. He's seen Alastor staring at you, and he recognizes the look in his eyes. Alastor wants to try to manipulate you, like he does everyone else. Husk plans to prevent that as best he can, despite Alastor owning his soul.

• Husk might try to find ways to ground you. He would normally recommend going to a therapist, psychiatrist, or to get some medications for your mental health... but considering that you're both in Hell, the place filled with the worst people, that might actually be the most dangerous thing you could do. If you were on earth, sure, since those people can be trusted more often than not. Hell's mental health professionals are untrustworthy, though. So, he's going to try finding a grounding technique that works for you. Be it holding some ice cubes in your hand, taking deep breaths, or some random thing Charlie brings up one day he thinks will help.

• Now that he's dedicated to protecting you from Alastor, he might be a bit more open about how awful that deer demon can be. Well, as open as Alastor's leash allows him to be. It's his way of subtly warning you not to trust that smiling monster. Husk's gotten too attached to let not warn you of him.

• As you both spend more time around each other, he begins noticing that he's grown to love you as more than a friend. The little things you do cause him to blush, as much as he hates it. It's only when Angel Dust teases him about having a crush on you that he actually realizes that he's in love, though, and Husk immediately shuts him up. He's genuinely growing frightened that Alastor might hear it, and begin using you against him. That man has taken his soul, his power as an overlord, his freedom, and he knows that he'd be willing to take you away, too.

• Despite that fear, Husk is rather quick to tell you how he feels. He knows he'll have to tell you at some point, so he might as well get it over with. He also doesn't really expect you to like him back, in large part due to his attitude and the cat-like form he's taken in Hell. He doesn't like it, himself, so why wouldn't you see it as off-putting? However, he doesn't argue when you tell him you love him back. He is just a bit shocked, in a good way.

• Now that you're both together, your actual relationship doesn't change much from when you were just friends. The only real difference is the occasional kiss or snuggle sensation. You're actually a bit shocked by how much he likes to cuddle, even if he only wants to in private. He isn't really the type of guy that likes public displays of affection.

• All in all, life's pretty good with your protective boyfriend. He may not entirely understand what is going on in your head, but he's one of the most patient people at the hotel when it comes to hearing people out on their problems. He's probably one of the best if you're looking for a partner who'd rather give you grounding skills, rather than going along with your daydreams and using outlets like art and writing to cope.

[mari-lair]

I got some asks about aoinene before so i may as well get my view on them off my chest.

( warning: I have a negative bias toward this ship and despite trying to be brief and unbias, I very very likely failed.)

To me, Aoinene makes each other worse, not as people, but as characters.

It's the kind of ship that the more I look at it the more empty their friendship feels, and yes sure they have their problems, but I don't mind when a ship have issues (hakubo and sumire are such a cool dynamic, 10/10 for me and they are a million times more 'toxic' then aoinene will ever be), but the aoinene problem is that they feel like fanservice. There is no conflict. There is nothing. They become shadows of themselves.

Aoi isn't stuck in the "I am an exposition girl :D" role because she is oblivious to the bigger story, and all they need is communication, Nene put her there. Iis insane that they've known each other for 2 years but she don't know anything about Aoi. Every time we learn something interesting about Aoi, is when she is seen in other's people's pov, even characters that barely interact with her like Teru and Mei have a better understanding of Aoi than Nene.

To Nene, Aoi is the troupe of a perfect friend. Nene cannot process her flaws, she rejects the idea, and Aoi can't make Nene talk, face her own issues. So there is never conflict. Their friendship is a love that morphed into a horror situation. A staged friendship.

"Aoi is cute and nice and kind. I refuse to believe she wouldl ever be anything else, let's not think about how i was thrown in the trash by her, that aoi was mean, she was a fake. I will not accept her being the real aoi. I won't even think about it."

"I know Nene is going through a lot but I need to play the happy girl with no troubles role for her. I won't ask about her problems or even show hints that I know something is off after learning about supernaturals, and that her crush is dead, and human sacrifices are a thing that happen. That's not what she wants from miss popular me."

It reach the point where their fluffy arts feel like fanservice to me, more of a 'look! cute girls doing cute things!! Aren't they such good friends??' photoshoot magazine than a genuine bond.

Look at this beautiful and cute art for exemple.

You would imagine the chapter is about them, that they will have some form of talk about their feelings in it, so much happened since the last time they talked after all!

Maybe Aoi apologize for throwing Nene out while Nene apologize for planning to die without Aoi's consent, making the same selfish mistake Hanako had done to her when he sacrificed Aoi so Nene could live. Maybe is just a quiet talk about how much things changed? A lighthearted but warm chat of how disorienting seeing supernaturals are as former girls that never had to deal with it? Something, anything, to connect them. Maybe the oposite, a big conflict that gets ugly now that the masks are down...? We had a lot of those in this arc, like kou and teru in chap 87, aoi and akane in chap 69, nene and hanako inc hapter 91! But no.

There is nothing. Is always nothing when they talk.

This beautiful cover art is from the chapter where Aoi issues were immediately brushed aside when she tried to bring them up and the usual bubbly Aoi was forced to come back.

They are bafflingly shallow for how much time they spend together and how much potential is bubbling under their mask, keeping their basic dynamic from their introduction even when the characters are begging for something to change.

So that's why I dislike them, they don't make each other better, they don't even have the gall to make each other act worse, they just make each other boring. Aoi is only allowed to be a fleshed out character when we get away from Nene's pov.

Is only through her interactions with other characters that any hint of dept, or hell, even fun quirks and overall aspects of her personality that are hinted with her friendship with nene, are explored or allowed to shine.

There is potential though! And I could see myself enjoying writing a one-shot exploring how painful for both parties the shallowness of their relationship is in some alternative universe, but unfortunetely the fandom ruined it for me. Which is a shame, since Nene is aoi only other friend, and their charade friendship is genuinely valued/loved by the other.

I tried to read fics and analysis to see if I was missing something but the fandom have a 'omg they are so cute and can do nothing wrong! All their issues will disappear if they hold hands <3' take on them, with so much mischaracterization both girls become unrecognizable. There is also a lot of Akane and aoikane hate, even masked aoi hate, cause god forbid their dear girlboss angelic lesbian queen have any negative feelings towards her bestie or likes a boy whose main flaw used to be the same as Nene (idolizing her to the point of dehumanization), and while that is not the manga's fault, it does affect my negative bias for this ship, make it far stronger.

After 2 years in the fandom, I just don't have the patience for this ship anymore. I don't think people are secretly evil if they ship aoinene or project themselves onto the girls, but it just isn't my thing. I am not looking for a fight either Anon, I block people cause I want as much peace as i can, and if what they ship makes me uncomfortable, is not their problem, is mine. Let them have fun out of my sight so we both strive pls.

[songmingisthighs]

Oddeleny

introduction pt. i | pt. ii | pt. iii

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ch. xxx - peeking

ghost!yeosang × reader

genre : ghost!au

wc : 1.6 k

rating, warning : mature; crude jokes and filthy language, depiction of an accident; electrocution, head injury

buy me coffee ?

a connection once had, broken with the expectation that the ending is final. but life has an odd proclivity of making attachments from detachments. in the end, we don't know what we lost until we look at what we have

For a moment the room was quiet and cold.

Mingi had come in with cake and coffee and you both had been silently taking a bite, waiting for the other person to talk. Well, the people who could talk at least. You didn't realize it but you kept glancing at your phone, worried that Yeosang might accidentally make a noise as you had put him on a call.

"Waiting for someone?" Mingi asked after taking a sip of his latte.

You shook your head and offered him a polite smile, "Nope, just don't want anyone to disturb us while we talk," and you cleared your throat, deciding that you should be the one who directed the conversation, "And I guess we should start talking now." Agreeing, Mingi straightened up and nod, "If you don't mind, I would like for you to explain your side first. Not because of anything, but I would like to get all of the information so I can process my feelings accordingly with the information I will reveal." He sounded so stocky and it made you crack a grin because he didn't sound like his usual self while simultaneously being his absolute genuine self, someone who is just curious.

"Fair enough," you agreed, taking a moment to think where you should start your story.

"So you know that I grew up with Wooyoung and I befriended Yeosang in middle school. It was safe to say I was one of the less popular crowd because I was trying to excel in school in hopes that my parents would give a shit about me if I had an achievement of my own. I didn't realize then that no matter how many prizes I won for math, science, art, debate, English, and more, they would simply not care because I'm not Wooyoung, the child they actually want and the child who's actually theirs. They didn't want me so much that they just pawned me off to my grandma and took Wooyoung to wherever he wanted so it became GLARINGLY obvious they didn't care about my existence at all. So I was bullied and while Wooyoung was a bystander, at age 9, he suddenly turned on me and joined in on the bullying, even giving ammunition, leading the bullying, and sending people at me. I don't know what changed but I do know that when we got to middle school, he became more vicious because I got close to Yeosang. See, Wooyoung wanted to befriend Yeosang because everyone likes Yeosang. I befriended Yeosang because we're the top 2 in the high-achieving class and this pissed Wooyoung off because he couldn't get to the same class because all of his work, all of his tests were copies of mine. So he became resentful of me and my parents allowed it. One day, sometimes during gym class, Yeosang came up to me and asked for my water because he had finished his and couldn't bear the walk to refill his water so I did, I gave him my water bottle and he downed it in one go. I didn't think much of it but not even 15 minutes later, while we were resting by the court, Yeosang fell to the ground looking pale and clammy, he was shivering and he was crying saying that his stomach was hurting so he was rushed to the hospital and I went with him. While he was being treated, I was suddenly called out and brought back to school, to the principal's office where I was informed that Yeosang had gotten alcohol poisoning from my water bottle. Long story short, I was told that Yeosang no longer felt safe with having me around the school and I was expelled within a day."

Mingi didn't even try to hide the surprised look on his face. His jaw was practically on the ground by the time you told him how you got expelled so easily. "Wait, they can't just expel you like that without any evidence," he was getting emotionally involved. Mingi didn't like hearing injustice in general and hearing what happened to you made his blood boil. You shrugged, a little too casually for someone who was retelling her shitty past, but at that point, you had to shield yourself from feeling the negativities all over again. "There were eyewitnesses around, everyone saw me handing him my water bottle before he dropped to the ground so it seemed like the case was clear. To them at least. I tried pleading my case, I tried telling them that I knew nothing but they wouldn't hear. Not even my parents. In fact, My dad dragged me to the hospital to face the Kangs, well Yeosang's parents at least because apparently Yeosang was terrified of me, and forced me to bow and apologize. Then that evening he kicked me out of his house without saying anything else and I cried in front of the gate for a solid two hours before giving up and leaving to go to my grandma's by myself."

You didn't realize how it happened but Mingi pulled you into an immediate hug, his body shaking from anger because he couldn't help but think of the younger version of you being treated worse than trash by the adults in your life.

"Thank God you're okay now," he said in a whispered tone. It surprised you because you had imagined that Mingi would be siding with Yeosang and Wooyoung despite saying that he trusted that each story has two versions. You absolutely thought that he would simply accept that there was your side that he could hear if he wanted to but not to this extent, not him taking your pain personally. It didn't even occurred to you that you shed a tear or two, or five until Mingi pulled back and frantically trying to reach the tissue on your desk.

"Yeosang's situation was odd even to the police," Mingi started, knowing that it was his turn to talk without having to be urged by you.

After wiping your tears, you cleared your throat and prepare yourself to listen to what Mingi had to say.

"They were suspicious of the circumstances because Yeosang was admitted due to electrocution but they couldn't figure out the head injury he sustained. The doctors analyzed him and declared that Yeosang sustained the injury before he was electrocuted, so it wasn't like he banged his head due to being electrocuted. Heck, they even found where Yeosang injured his head and it wasn't the ground, it was the wall. They theorized that Yeosang must not have completely lost his consciousness and was trying to get up only to electrocute himself on the open wires dangling by the electricity pole."

Your head was trying to make sense of things but instead of getting answers, it generated more questions. "Couldn't he have fallen or slipped or something?" you questioned and Mingi nodded firmly, "That's what they think. Based on the height of the area where they found the trace of impact, it seemed possible that Yeosang had slipped and hit his head. But it still doesn't answer a crucial question, why was Yeosang in the alley in the first place? His car was on the left side of the building and the alley was on the right side, logically speaking, Yeosang had no business being there unless maybe he was urinating in public or something but we all know Yeosang would never do that. He wouldn't even chew gum in public places." You may no longer know Yeosang, but you knew him enough to agree with Mingi.

Then another question popped into your head, "Well were there CCTV around? They must've seen something," "They're still trying to get the footage from the establishments around but the thing is, the police are not even investigating this properly, Yeosang's situation is not a priority so they've just been passively looking things over." Your eyebrows furrowed in confusion and disbelief, "That makes no sense, they agreed that the circumstances were suspicious so why wouldn't they do anything?" "According to them, while it is suspicious, there were no evidence of foul play so they can't really do anything because, and i quote this directly from them, "there are more pressing cases they need to pursue", whatever the hell that means," Mingi huffed annoyedly.

Sure, you wanted to be as objective and as detached as you could towards the issue as this involved Yeosang, the same person who was part of the worst pain you've ever felt in your life. But you couldn't help but feel frustrated over the situation. You'd like to believe that it must have been because it would probably mean that you would be involved for longer than necessary. But you knew yourself well enough to acknowledge that the human side of you was trying to protest the unfairness.

"Hey," Mingi called out after a long pause, catching your attention. "I... This might mean nothing but I want you to know that I believe your side, I trust you," he looked abashed saying that and to be fair, Mingi didn't even know why he said that. What he knew was that you had been hurt by enough people, even people who were supposed to be your family. He didn't realize how much his consideration meant to you. Though you barely knew him, he had proven himself to be a trustworthy person who is capable of finding his own truth. So you gave him a small smile and reached forward to pat the back of his hand gently, "It means a lot to me, Mingi. Thank you," and Mingi, in return, broke out into a big smile.

Truly if life had taught you anything even after the worst of rain came down, completely drenching you and ruining your whole day, the sun will come out. It might take some time, and it might be infuriatingly slow, but it will. So with a glance at your strategically placed phone, you could only hope that your faith would not be shaken because boy oh boy it's going to be one heck of a rain.

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[brotrustmeicanwrite]

I fucking hate AI but heavens would it be useful if it wasn't such an unethical shit show

First, just to be clear, I'm talking about actually using AI as a tool to support your writing process, not to generate soulless texts made from stolen data instead of writing yourself.

Back when ChatGPT first became available it was still pretty useless so I had a lot of time to learn about how it's made, how it works and the ethics of it before ever touching the technology. I decided pretty quickly to never use it to generate text (or images) for actual writing and art but I still wanted to experiment with what else it could do (because I'm a nosy bitch that needs to know and poke everything).

And HEAVENS was it a blessing for writing with adhd

The last time I wrote more than 200 words in a day (outside of school work obviously) was 7th grade. I wrote over 8k just in notes the day Google's "Gemini" (formerly "Bard") became available to the public.

In order to not jeopardize my existing work I decided to make a completely new story with Bard's help that wasn't linked in any way to anything I had made before. So I started with a prompt along the lines of "I need help writing a story". At first, it immediately started generating a completely random story about a green tiger but after some trial and error, I got it to instead start asking questions.

What do you want the theme of your story to be?

What genre do you want to write in?

What time period do you want your story to take place in?

Is there magic?

Are there other sentient creatures besides humans?

And so on and so forth. Until the questions became extremely specific after covering all the bases. I could tell that all I was doing was essentially talking to an amalgamation of every "how to write" blog and website you've ever seen and telling it which part I wanted to work on next but it still felt great because the AI didn't actually contribute anything besides a few suggestions of common tropes and themes here and some synonyms and related words there; I was doing all the work.

And that's the point.

Nothing in that exchange was something I couldn't easily do on my own. But what happened was that I had turned what is usually a chaotic mess of a railway network of thoughts into a clear and most importantly recorded conversation. I can sit down and answer all those questions on my own but what usually happens when I do, is that every thought I have branches out into 4-7 new ones which I then attempt to record all at once (which obviously doesn't work, yay adhd) only to end up lost in thought with maybe 20 lines of notes in total after 6 hours at the table. Alternatively, either because I get bored or just because, I get distracted by something or my own thoughts about a different unrelated topic and end up with even less.

Working within the boundaries of a conversation forces you to focus on one specific question at a time and answer it to progress. And the engagement from the back and forth is just enough entertainment to not get bored. The six hours I mentioned before is the time I spent chatting with what is essentially a glorified chatbot that day, way less time than what I spent on any other project, and yet I have more notes and a clearer image of the story than I do about any of my real work. I have a recorded train of thought.

In theory, this would also work with a real human in a real conversation but realistically only very few people have someone who would be willing to do that; I certainly don't have a someone like that. Not to mention that someone doesn't always have time. Besides that, a real human conversation involves two minds with their own ideas, both of which are trying to contribute their own thoughts and opinions equally. The type of AI chat that I experimented with, on the other hand, is essentially just the conversation you have with yourself when answering those questions, only with part of it outsourced to a computer and no one else butting into your train of thought.

On that note, I also tried to get it to critique my writing but besides fixing grammatical errors all that thing did was sing praises as if I was God. That's where you'll 100000% need humans.

tl;dr writing with AI as an assistant has basically the same effect as body doubling but it’s an unethical shit show so I’m not doing it again. Also I forgot to mention I did repeat the experiment for accuracy with different amount of spoons and it makes me extra bitter that is was very consistent