#people put into video essays honestly

[not-poignant]

Fiona Sangster on youtube gave your Sebastian/Alex fic a shoutout on her Sebastian analysis video.

I'm a big fan of your writing too, so I just wanted to let you know, big kudos to you!

Yes! She reached out and got in touch with me about it and asked for permission in a really lovely way, her video essays have so much research and time put into them.

For anyone curious, the video essay is here! the deepest dive into sebastian from stardew valley - go check it out :D

The shoutout to A Stain that Won't Dissolve is around the 3 hour mark.

It was a really cool experience though, and I've meant to talk about it before now but just *gestures vaguely and tiredly to life in general and all the health things I keep mentioning in author's notes like a parrot that can really only say 'scans'* - Also I think its the first time a fic of mine has ever been mentioned on YouTube so like, *flails quietly*

[wild-at-mind]

Honestly really upset about the James Somerton thing.

[starlit-mansion]

i still keep getting recommended posts about the james somerton debacle (unsurprising) and i swear to god, at this point i've spent more time trying to remember what my reaction was to watching his yoi video a while back while half-sleep deprived or smth than i a) spent watching the video and b) spent thinking about any other creator i watched one mid video from and ignored after

[xinganhao]

🌀 svt reacts to idol!reader having dating rumors.

anon → "could you do ot13 with an idol s/o who’s had dating rumours with another idol/member (/ω＼) big jealousy potential"

‧₊˚✩彡 includes: f!idol reader, mentions of other idols/groups, established relationship, jealousy & sulking 😋, pet names, a kms-adjacent joke (junhui). [short] headcanons under the cut.

🌀 headcanons .ᐟ

seungcheol used to be a lot worse in dealing with your dating rumors. a lot worse. the man would be unbearably sulky for days, but he's since moved on to accept that this is part and parcel with the job. nowadays, he still feels a small itch to be dramatic— but at least he does it with your consent. expect him to rival a kdrama lead with all his lines.

jeonghan gets annoyed. of course he does. he's just prideful enough to feel a little off-put by the rumors, especially how you might've played a role in it. he's learned how to cope, though, through the likes of long-winded video essays and multi-part instagram reels. catch him on his burner twitter account, fighting people over their misconceptions about you. (bonus: he's a one-man team who insists you would look good with "the most handsome member of svt, yoon jeonghan.")

joshua's just chronically offline enough to miss the fact that there are any rumors at all. if he's not hearing it from you, he'll be catching wind of it from the boys who show a little bit of concern. but joshua's the first to giggle at all the ludicrous claims because he just thinks they're all so stupid, honestly. his favorite pastime is dissecting and discussing it with you over a meal, where he makes it his personal mission to have you laughing it off by the end of the night.

junhui thinks he's going to die. no, really. for someone who has gotten into dating rumors himself— co-actresses in dramas, you know how it is— he sure doesn't know how to function when it's you that's in the news. he pouts. he whines. he threatens to blow up the headquarters of every single korean gossip site. it will take him a few days to get over it, and even then, he'll narrow his eyes at any mention of your supposed-boyfriend.

soonyoung will try to play up the jealous act. it's a short-lived thing; he's possessive and territorial when it matters, but not over baseless rumors. he finds it easier to jump on your nerves some other ways— like warning you that he may just be snatched away. "can't blame you if you're in love with lee sangyeon," he'll say with a fake, dreamy sigh, just to annoy you. "i think i am now, too."

cool, cool, cool, cool, cool. there's a litany of that in wonwoo's head. an attempt for him to stay sane about these types of things. on the surface, he's nonchalant. at most, he might look a little miffed. but you know him well, and you know that he's the type who will need a lot a little of affirmation because he's always just a little bit on edge at the prospect of losing you. he'll be good as new after an uninterrupted cuddle session.

jihoon's reaction to rumors such as there are relatively predictable. half an eye roll, a sound like a scoff. he's always made it clear, his distaste for gossip-mongers and the like. he keeps everything on the down low— except his feelings for you— so he has no respect for bullshit articles. besides, his heart is in your hands. which is to say: he has full trust that you would let him know if anything about your feelings might change.

seokmin is one bad day away from making good on his threat of breaking your dating news himself. he'll plant information if he has to! he's just a notch below junhui and mingyu when it comes to kicking up a fuss about the rumors. seokmin is easier to appease— a kiss or two here, a couple of sweet words there— but he's also the first to find out any news involving your name. (he'll never tell you, but he has google search notifications toggled for you.)

'a big baby', you call him, and mingyu would rather die than admit you're right. the man talks like the world is ending any time you're remotely linked to someone that's not him. he's the one you'd have to chase after the most. he'll keep his arms crossed over his chest as he grumbles about 'your other men'. he's never been happy about sharing, and he makes it abundantly clear that includes you.

minghao's chief concern, unsurprisingly, will be how you're doing. how have the rumors affected you? do you need anything to get you buy? everything— the boys' comments, his own feelings— fade into background noise as he focuses on your welfare. he's the picture of composure and self-assurance when it comes to your relationship; you've never given him a reason to doubt your loyalty, so why should he?

it's just like seungkwan to go straight to the source— and, no, he's not talking about you. whoever you might be linked to, he's already sliding into their messages to get the 'scoop'. there's a little bit of manipulation here, in how seungkwan will very 'casually' drop that the two of you are actually seeing each other. if this is his roundabout way of staking claim, then so be it.

vernon's nonchalance can be a little bit terrifying sometimes. these are such instances when you're reminded that he's relatively comfortable in your relationship, enough to ask point blank if the rumors are true. this isn't to be mistaken for him being uncaring. there's still a slight twitch in his jaw, a downturn of his lip when some third party is mentioned. at the end of it all, though? he's quick to shrug it off, because the faith he has in you beats out any stupid rumor.

chan has been working overtime to get the two of you in the headlines. he's matched your phone case! he's shared your music on vlive! and yet, he still isn't your supposed boyfriend, according to dispatch? that's what he's the most upset about, really. that his not-so subtle hints have gone largely unnoticed. chan wants to be loud and obvious about his love for you; he's just waiting for the perfect time to drop that bomb.

[mynameisjag]

Prompt: Ghost are still considered non-sentient, which leads to people playing Pokémon with the ghost and unfortunately for Danny, he's basically a legendary with some high stats and it was only time before someone was able to snatch him up.

Ghost being more beasty or ethereal looking, they communicate through Ghost speak which just sounds like hisses/growls to other species. Danny looks like a Naga and communicates like one.

Warning: The Bats treating Phantom like a wild newly discovered creature species. Scientific discussions about his body in front of him, discussions about Ghosts possibly being able to breed because in Phantom form, Danny is duel gendered.

“How!?”

“Jealous?”, Jason watched in amusement as the youngest in the family fumed and stomped around, the kid honestly looked like an angry kitten. Not his fault he managed to snag the Ghost before the rest of them, besides it was in his Alley, so he had rights to it anyway.

Didn’t stop Damian from glaring and huffing about it being unfair, everyone else was either ignoring them or just rolling their eyes in expiration.

Not that he could blame the kid, catching Phantom was basically hitting the lottery, the Ghost was on the top of the list of most wanted. There were videos, essays, debates, everything on them from species type, to power sets, possible weaknesses, likely Obsessions…and Jason caught them. He pinned them down and snapped the collar on as soon as he saw who exactly was haunting his territory.

Currently Phantom was going through an observation…okay, they were currently being poked at by Tim and Bruce, the Replacement eagerly jotting down things he found or didn’t find, treating procedure like a puzzle.

The Ghost was curled up in the observation table, currently wrapped up in a snake like tail instead of legs, giving off Naga vibes that included hissing and snapping teeth in mock bites.

There was no real threat behind the actions considering the poor things condition, whatever or whoever had tried to catch the feral beastie did a number on them before Jason was able to snatch them for his own.

No matter, Jason took care of his things and he’ll have his new companion looking all shiny and pretty before long.

Dick was lazily spinning in Bruce’s computer chair, legs hanging askew, “Sooo, how are going to register them? Can’t exactly put down Red Hood in the Owner’s signature?”

“Going to go with the ‘Jason Todd and Red Hood being “secret” partners route’, as far as the docs will show, Phantom got caught by Hood in his territory and made a lovely gift to the Alley’s biggest supporter.”

“Nice.”

A silent agreeable silence passed between them as everything started to truly settle for the night.

Phantom was still hissing as Tim held out a device to scan over the Ghost, “Mostly exhaustion, energy drained, malnutrition, probably due to being on the run and unable to get a proper meal. Oh, congratulations, it’s a…hermaphrodite…huh…”

Bruce just hummed in response, taking the device from his son, “Not unusual, there have been reported cases of similar body formations, if you look here in this area, this is very close in resemblance to that of snakes cloaca, given how its been recorded of their ability to shift from tail to legs, it’s a high probability that there is an external and internal shift to match the forms and still keep the functionality of both genitalia.”

“So…wait! That means they can breed! Which means other Ghosts that are similar can too! Which means there are natural born Ghosts?”

“Ghost is only a common used term, coined by the Fentons, real ghosts like Deadman aren’t like these creatures, and given how terrible the Fentons research was…we are unable to fully understand most habits and causes of the species.”

Tim reached back for the scanner, eyes scrolling over the details in excited glee, beings that were basically unknown, improbably recorded, a huge mystery with smaller mysteries within, “I’m going to compare these scans with known species of reptiles, might get a standard bar of health in comparison and possible hints at behavior.”

Another hum came from the Dark Knight, focus turning to watching the youngest move his way in between him and Tim, Damian had came back dressed in civilian clothes and was holding an apple out to the Ghost, “I have brought you a treat.”

They all watched as Phantom hesitated, hissing slowly dissipating as it takes in the fruit, a clawed hand reaching out to take it, sniffing it before taking a small bite.

“So can eat fruit? Can they all eat fruit or just Phantom?”

“Hush, Drake, your voice is grating and might cause them to lash out in hopes of peaceful silence.”

“Excuse you!”

The two continued to bicker, the creature on the examination table just steadily continued eating, bright pure green eyes watching them before taking in the room.

Dick made an attention whistle at Jason, nodding at the way the Ghost was eyeing possible exits, his brother just shrugged in response.

With that collar, there wasn’t any place the other could hide without a Bat knowing exactly where they were.

[evertomorrowart]

Best of YouTube 2023

Yes, I did spend the first week and change of January on this. I wish I could have had it done for New Years, but too many people came out with incredible work in December, so waiting turned out for the best.

What these creators do are a huge influence on my life, I would honestly have difficulty doing what I do without them. That isn't to say that my favorites of the year are *only* on this image--It was almost impossible to narrow down my favorites. Many creators I wanted to include couldn't fit on a single page, and too many of them made more than one video I wished I could draw too!

But, to all of you, thank you for what you do. You're an inspiration.

For those who don't know, further is an explanation.

At the bottom center is an artistic masterpiece by Defunctland: "Journey to EPCOT Center: A Symphonic History." Over the last several years, Defunctland has risen from delightfully-entertaining commentary on decommissioned theme park attractions to occasionally dropping profound statements on the creation of art itself. "Journey to EPCOT Center: A Symphonic History" is worth treating like the cinematic experience it is: No second screen, you sit your ass down in front of a TV, set down the phone, and then you *watch it.* Any Disney, theme park, or independent film fan needs to pay attention to this one.

Bottom left is Caelan Conrad with their piece "Drop the T - The Deadly Consequences of Gay Respectability Politics." While I do think they've done more visually or artistically-daring pieces before, "Drop the T" is one of the most important videos released on YouTube in today's current climate of hate. We as queer folk (and our allies) need to understand how integral every identity of the queer experience has been since the start of the Civil Rights movement (and before!). While we are not identical, we *are* inseparable, and we deserve having our real history easily accessible.

TERFs and other conservative mouthpieces need not reply. Your opinions are trash. 😘

I cannot stop watching and rewatching this video by @patricia-taxxon, "On the Ethics of Boinking Animal People." It's not just a defense of furry fandom and its eccentricities, it's a thoughtful and passionate analysis of what the artform achieves that purely human representation can't. Patricia goes outside of her usual essay format to directly speak to the viewer about the elements that define furry media (the most succinct definition I've ever heard) and just how *human* an act loving animal cartoons really is.

As an artist who can draw furry characters, but never really got into erotic furry art, this video is a treasure. Why did I choose to have her drawn as a Ghibli character, hanging out with one of the tanukis from "Pom Poko?" Guess you'll have to watch, bruh.

Philosophy Tube continuously puts out videos that I would put on this list--I'm not even sure that "A Man Plagiarised my Work: Women, Money, and the Nation" is the best work she released in 2023. However, this video got many conversations going between myself and my partner, and the twist on the tail end of the video shocked us both to such a degree that I had no choice.

At the very tail end of the year, Big Joel released "Fear of Death." On his Little Joel channel, he described it as the singularly best video he's ever done, and I'm inclined to agree. However, for this illustration, I ended up repeatedly going back to a mini-series he did earlier in the year: "Three Stories at the End of the World." All three videos are deeply moving and haunting, and I was brought to tears by "We Must Destroy What the Bomb Cannot." While it may be relatively-common knowledge that the original Gojira (Godzilla) film is horror grappling with the devastation America's rush to atomic dominance inflicted on Japan, Big Joel still manages to bring new words to the discussion. Please watch all three of the videos, but if, for some reason, you must have only one, let it be "We Must Destroy What the Bomb Cannot."

Y'all. Let me confess something. I hate football. I hate watching it, I associate seeing it from the stadiums with some of my worst childhood experiences, I despise collegiate and professional football (as institutions that destroy bodies and offer up children at the feet of its alter as a pillar of American culture)--

I. L o a t h e. Football.

But.

F.D. Signifier could get me to watch an entire hour-plus essay on why I should at least give a passing care. AND HE DID IT. I might think "F*ck the Police," the two-parter on Black conservatism, or his essay on Black men's connection to anime might be "better" videos, but this writer did the impossible and held my limited attention span towards football long enough to make a sincere case for NFL players--and reminds us that millionaires can *in fact* be workers. That alone is testament to his skill.

Sit down and watch "The REAL Reason NFL Running Backs Aren't Getting Paid." Any good anti-capitalist owes it to themselves.

CJ the X continuously puts out stunning, emotional videos, and can do it with the most seemingly-inconsequential starting points. A 30 second song? An incestuous commercial? Five minutes of Tangled? Sure, why not. Go destroy yourself emotionally by watching them. I'm serious. Do it.

Their video Stranger Things and the Meaning of Life manages to to remind us all why the way we react to media does, in fact, matter. Yes, even nostalgia-driven, mass-media schlock. Yes, how we interact with media matters, what it says about us matters, and we all deserve to seek out the whys.

Folding Ideas has spent the last few years articulating exactly why so much of our modern world feels broken, and because of that his voice continuously lives rent-free in my brain. While the tricks that scam artists and grifters use to try to swindle us are never new, the advancement of technology changes the aesthetics of their performances. Portions of Folding Ideas' explanations might seem dry when going into detail of how stocks work in This is Financial Advice, but every bit of it is necessary to peel back the layers of techno-babble and jargon and make sense of the results of "Meme Stocks."

Jessie Gender puts out nothing but bangers, her absolute unit of a video about Star Wars might be my new favorite thing ever, but none of her work hit so profoundly in 2023 than the two-parter "The Myth of 'Male Socialization'" and "The Trauma of Masculinity." There's so much about modern life that isolates and traumatizes us, and so much of it is just shrugged off as "normal." We owe it to ourselves to see the world in more vivid a color palette than we're initially given.

Panels drawn after Kate Beaton and "Ducks: Two Years in the Oil Sands."

"This is Not a Video Essay" is one of the most intense and beautiful pieces of art I've ever put into my eyeballs. Why do we create? What drives us to connect?

I don't even know what else to say about the Leftist Cooks' work, it repeatedly transcends the medium and platform. Watch every single one of their videos, but especially this one.

The likelihood you are terminally online and yet haven't heard of Hbomberguy's yearly forrays into destroying the careers of awful people is pretty slim. Just because it has millions of views doesn't mean that Hbomberguy's "Plagiarism and You(Tube)" isn't worth the hype. Too long? Shut up, it has chapters and YouTube holds your place, anyway. You think a deep dive into a handful of creators is only meaningless drama? Well, you're wrong, you wrong-opinion-haver. Plagiarism is an *everyone* problem because of the actual harm it creates--the history it erases, the labor it devalues, the art it marginalizes--which you would know if you watched "Plagiarism and You(Tube)".

Watch. The damn. Video.

In fact, watch all of them!

Thanks for reading this if you did.

[kaleidohscopic]

SWEET — BBH

PAIRING: baekhyun x female reader SUMMARY: it's one thing to run into the guy you maybe, used to have a little bit of a thing for at your mutual friends' birthday party. it's another thing to find out he maybe, used to have a little bit of a thing for you too. GENRE: friends (ish) to lovers! au, romance, a hint of smut, some pining if you squint WARNINGS: swearing, alcohol consumption, jenkai (humour me), wayyyy too much sexual tension, it gets a little hot and heavy towards the end but nothing super explicit (bc idk how to write that stuff sorry!), general mature content and themes WORD COUNT: 4.4k NOTE: super self-indulgent w barely any plot or characterisation (basically four thousand something words of foreplay lol), i saw that video of baek at one of the lonsdaleite stops unbuttoning his shirt and it drove me a little loopy ngl...

The last time you had seen Byun Baekhyun was two years ago.

Graduation. Gowns. Bouquets. There was probably a photo of the two of you, along with the rest of your cohort, sitting around somewhere in the depths of your camera roll, fresh-faced and eager to take on the exciting new world outside of 3000-word essays and 9 am tutorials. Four years taking variations of the same courses and bitching about the same tutors meant you were far from strangers, but sadly, the friendship had dwindled once you’d left the classrooms for good — something you had been just a little gutted about. These days, his appearances in your life were rare, save for the times he’d come up in conversation with the friends you both shared back in the day, or his sporadic likes on your instagram posts.

Except now, of course, as you watched him climb up the stairs to the rooftop bar, gift bag in one hand and suit jacket in the other.

“Happy birthday!” he beamed, enveloping your best friend in a hug. The fabric of his shirt strained against the movement of his arms, and you caught a whiff of his delicious woody cologne as he approached. 

You had known there’d be a possibility he’d show up today. This year, Jennie had made the enlightened decision to throw a joint celebration with her boyfriend, and obviously that entailed inviting all of his friends — which honestly, wasn’t even that many extra heads since Jongin only ever spoke to the same eight people. You’d seen Baekhyun’s name on the guest list that you had helped her put together, and seen it again listed under the ‘going’ tab of the event, but having the real deal in front of you was another experience entirely.

Crisp white button down with the sleeves rolled up, fitted slacks, and just a glimpse of his toned chest peeking out from where the top few of his shirt buttons were undone.

He looked fucking good. 

Even better than he did two years ago.

Jennie squeezed him back with just as much fervour. “So glad you could make it! Jongin’s been stuck to my side all night with no one to talk to, he’s going to be so happy you’re here.”

He pulled back with a chuckle, and it was then that he finally laid eyes on you, seated next to the birthday girl, holding matching martinis, and doing your best not to look like you had been shamelessly checking him out for the entire 45 seconds since he had arrived. His eyes widened slightly with recognition as your name left his mouth.

“You haven’t forgotten each other, right?” Jennie laughed. The descent of his eyes down the length of you was quick, but not careless, and heat flared in your body all the same. When his gaze returned back to your face, the beginnings of an appreciative smile were shaping the curve of his mouth.

“Not yet, I hope,” he answered her, but his eyes were still on you. “Nice seeing you again. You look good.”

“So do you, Baekhyun,” you replied, because it was the truth. His smile only grew. 

Jennie tipped back the rest of her martini and bade the both of you a hasty farewell, saying something about fixing up the photo zone as she hurried towards the other end of the rooftop. A few of the girls, too excited about the open bar, had knocked the cushions onto the ground, and were doing a poor job of rearranging them back on the wooden swing.

He slid into her now-vacant seat, elbows resting on the bar counter, giving you an excellent view of the shape of his forearms and the veins that adorned it. 

“You’re not going to have that?” he asked, nodding at the sad little olive that sat all alone at the bottom of your empty glass. 

“Not a fan of the saltiness,” you answered, and offered it to him. You watched as he plucked the garnish stick out of your fingers and put the olive in his mouth with no hesitation, eyes lingering a little too long on the movement of his throat as he swallowed it. “I like sweet things better.”

“Yeah, I remember,” he chuckled. “You used to only ever drink vodka cranberries.”

Suddenly, you were twenty-one again, peering through the cafe window and getting a little too giddy at the thought of meeting up outside of the stuffy tutorial classroom to work on the project you had both been assigned to. You’d be lying through your teeth if you said that a crush on Baekhyun was something you never entertained throughout your four years of university together. And maybe it had been reciprocated, for the briefest of times, just after that joint presentation on data structures, where the thought of stepping over from friendly more-than-acquaintances into something more had crossed your mind enough times for you to lose count. There had been something there, or at the very least a hint of something, in the nights spent crammed into a tiny library booth meant only for one person, poring over stale and tedious papers on algorithm organisations in each other’s company.

But nothing had happened. He hadn’t made a move, and neither had you, laden with the fear of rejection that was so indicative of youth. And maybe that had been a huge misplay on your part, because a few weeks after wrapping up the project that had brought you together, he was at your faculty’s monthly pub crawl, introducing you to his new girlfriend, who had actually asked him out just the day before. 

Safe to say that had been the end of that. You were not the type to homewreck.

“How long has it been? I feel like I haven’t seen you since — god, it must have been graduation?” 

“Something like that,” you replied through a smile. “I still have the photos on my phone.”

“So do I,” he said, flashing you a boyish grin. Then, as if doubting the accuracy of his own words, he promptly pulled out his phone and began scrolling towards the top, brows furrowed with determination. It was a few seconds later that he found what he was looking for, turning the screen towards you with a triumphant noise. 

The picture had been taken outside the ceremony hall, set against the familiar sea of graduation gowns, but that was the only familiar thing about it. In the foreground stood just you and Baekhyun, not stiffly posing for the camera as you had been in all of the group shots that existed on your phone, but turned towards each other, faces bursting with elated smiles. Neither of you looked to be aware that there was even a camera on you. The you in the photo had your mouth half open in the tell-tale way it always did when you were about to laugh at the ridiculously corny jokes he loved to crack. His eyes were crinkled at the corners, partially from the glare of the sun overhead — the weather had been phenomenal for the usual gloominess of May — and partially in delight at your reaction, having cracked said joke. 

“I’ve never seen this one before. Did you forget to Airdrop this to me on the day?” you asked, a joking accusation colouring your voice. 

“My mum only sent it to me a whole month later. I didn’t even know she had taken these,” he said, zooming in to better see the expressions on your upturned faces. “We look so happy here,” he added, voice tinged with a hint of nostalgia.

“And young,” you agreed, but not without a sigh. The you of two years ago had yet to know the pains of having seven different bills to pay every month, and watching the money trickle out of your bank account like water from a leaking tap.

He gave you a gentle, teasing nudge with his elbow. “We’re not that old now. We could definitely still pass as twenty somethings.”

“That’s probably because we are still actually twenty somethings,” you countered with a laugh. 

There was an unprecedented ease with which you fell into conversation with Baekhyun. Despite the considerable gap of silence between now and the last time you had seen him, there was nothing in his demeanour or your own that indicated just how much time had passed. It was rather comforting to see a face from your university days, and even better that that face was still as gorgeous as ever.

You watched as he flicked through a few more photos from the day, mostly of him and his friends from university — one of whom was the other main event of tonight — until he landed on a picture of him with his girlfriend. You recognised the photo, seeing as you had been the one who offered to take it. He had an arm around her waist while she carried a huge bouquet with a teddy bear sitting atop the arrangement.

“Didn’t I help you order that thing?” you asked, pointing to the flowers in her hand. He hummed in agreement, but didn’t say much else, scrolling through to the next photos with his parents, which had also been taken by you. They stood on either side of him, beaming with pride, and then there were a few after that with his girlfriend as well, the four of them all standing together and looking picture-perfect. 

Perhaps the you of today would have chosen differently, found the balls to ask him out first — because what was the use in sitting and waiting around for the guy to make the first move? — and maybe you’d be the one in the photo instead, smiling up at the camera, an integral part of the family portrait. Maybe he’d be running his fingers across the inner curve of your wrist, instead of along the rim of the gin and tonic he had just ordered.

“She couldn’t make it today? Or was she not invited?” you asked, having not seen anyone walk in behind him. Although you hadn’t been paying much attention to anything else since he arrived, and if she had been here, you doubted she’d be all too pleased with how close your heads were, even if he was just showing you through his camera roll. With that in mind, you drew back slightly, just enough to catch the expression on his face twisted with an odd sort of surprise.

After a second or so, it melted into an easy-going grin.

“We broke up a while ago. A month or two after graduation, actually.”

Oh.

You and your big mouth.

“I’m sorry, I didn’t know — I shouldn’t have —”

“Don’t be, it’s fine,” he reassured, waving off your clumsy apologies. “Things just didn’t work out and we weren’t right for each other. It was a pretty amicable break, all things considered. But now, I get to sleep however I want in my own bed, so I really can’t complain,” he added, fishing another laugh out of you.

“Nothing beats starfishing in your sleep after a long day,” you hummed in agreement. Wednesday nights in your bedroom after a full day of client meetings could attest to that.  

Baekhyun took a slow sip, pulling the drink into his mouth with a contemplative carefulness, and weighed up his words before he spoke again. 

“What about you? Still with Jinyoung?” he asked, tone light and regarding you with curious eyes. Without meaning to, you let out a groan, and his left eyebrow quirked with interest. 

“Don’t even go there,” you half-grimaced, reminded of the fling you had towards the end of fourth year with the business major. He was pretty, and had been nice enough, but by the fifth time he blew off spending time with you so that he could track the world stock indexes, it had become pretty clear that the two of you were on different paths in life. The sex was okay, but it had not been enough to warrant any more than a few late night rendezvous. For all you knew, he was probably now a very successful investment banker with 90 hour work weeks and making a shit-load of money you could only dream about having. 

You sighed, drumming your fingers against the counter. “Let’s just say, he was more interested in looking at his dividend yields than he was in me.”

Baekhyun’s gaze flickered over the rest of you again, taking in the ridges of your collarbone and the soft curve of your waist, the touch of his eyes hovering above your skin like a tangible thing. You tried your best to look unaffected, forcing yourself to remain still under the weight of his stare despite the way it was melting you down to your bones.

“He definitely did not have his priorities in order,” he said, once his eyes ended their journey and returned back to your face. “You’re much nicer to look at.”

His words settled beneath your skin, pulling a sweet warmth to your cheeks that slowly radiated through the rest of your body. You watched as his mouth curved around the rim of his glass again, and followed the path of the drink down the length of his throat. 

“If I didn’t know any better, I’d say you were flirting with me.”

He rewarded you with a sly smile. 

“Then maybe you don’t know any better.”

Christ. Those were definitely bedroom eyes.

Your lips parted again, though you had little idea as to the words which were preparing to come out of them. Forming coherent and decent thoughts proved to be a great struggle when he looked like he was undressing you with his eyes. His tongue darted out to wet his bottom lip, and you swore you could have crumpled right then and there if it hadn’t been for the bar stool underneath you. 

“Baekhyun, you’re finally here,” said a giggly Jongin, suddenly appearing between the two of you with Jennie in tow.

The tension from seconds earlier dissipated as quickly as it had formed. 

Someone (the birthday boy) had evidently made good use of the open bar to shed the self-imposed shell that came with introversion before the arrival of his friend. “I’m so, so happy to see you. We need to do some shots right now,” he said, now all serious, leaning over to peer at the drinks menu that he himself had signed off on. 

Baekhyun was the first to break eye contact, turning to flash Jongin a fond smile. “Sounds like the best idea you’ve ever had,” he said, before downing the rest of his gin and tonic. 

The birthday girl requested tequila shots, and the bartender was quick to supply, lining up four glasses and filling them with the clear alcohol that was a recurring character in all your worst hangover episodes. You passed them around, but not before turning back around to the bar for one more thing. 

“And a vodka cranberry, please,” you added, catching the amused smile Baekhyun threw your way. 

“For old time’s sake.”

It was approaching the early hours of the morning when the remainder of the party retired to the hotel suite Jennie had booked for the night. One of her chill, moody, late-night R&B playlists had been queued up and was playing softly on the speaker system in the living room — she had a playlist for every conceivable mood and situation — and you could just make out the melody of a Daniel Caesar song, quiet and soothing against the nighttime.

“Okay, you win,” Baekhyun conceded with amusement, sitting up to grab the soju bottle from your outstretched hand. “I’ve never had someone throw up on me, at least not on the first date.” He settled back against the pillows, bringing the bottle to his lips to take a small, slow sip. 

“Thanks, but it’s a victory I’d rather not have. There’s no pride in knowing I’m the only person I know to have a guy spew all over my shoes within ten minutes of meeting me,” you said, leaning back and letting your hands sink into the plush comforter. 

Some thirty or so minutes ago, you had found yourself in one of the smaller rooms of the suite, sitting across from Baekhyun with nothing but a few inches of egyptian cotton separating you. All night, you had felt his presence, whether it was the light brush of his warm fingers across the bare skin of your shoulder to grab your attention, or the weight of his stare from across the rooftop bar while you posed for pictures with Jennie and the rest of the girls. He had infiltrated your senses, occupying his own little space in the corner of your consciousness. Right now, having the whole of him so unobstructed before you, being the sole focus of his attention within the four walls of this small room — it was obvious that the alcohol wasn’t the only thing bringing a heady warmth to your face.

He levelled you with a careful look, and instead of handing the bottle back to you as he had done for the last thirty minutes, he set it onto the nightstand beside the bed with a soft clink. You raised a quizzical eyebrow at him.

“I think you should probably slow down,” he said, catching the curious tilt of your head. “Wouldn’t want you to do something you regret.”

You let a coy smile turn the corners of your mouth upward, shifting your weight off your hands and leaning towards him ever so slightly. “Trust me, I know my limits,” you said, and moved to grab the bottle. 

The hand you placed on the top of his thigh to steady yourself as you reached over him was deliberate, and you failed to hide the deepening of your smile when you felt the muscles flex beneath your fingers. You also didn’t miss the dip of his eyes below the neckline of your dress as you hovered over him, only pulling back once the cool glass of the bottleneck was firmly in your grasp. The glimmer in his eyes, previously light and boyish, had darkened imperceptibly.

You were playing a dangerous game, and you both knew it.

Beyond the door, Jennie’s playlist had changed to something a little more sultry, Kehlani’s honeyed voice now floating among the sounds of the city from below. His gaze remained on you as you raised the bottle to your lips, tilting it back and letting the tartness of the grape soju fill your mouth. 

The song wasn’t the only thing that had changed. There was a palpable shift in the room, a simmering heat gradually seeping into the atmosphere, brought on by your brazen touch. Still, he kept a safe distance, giving you the reins and the freedom to dispel the tension you had created. 

Which you had absolutely no intention to. 

You pulled your bottom lip between your teeth, relishing in the way his eyes immediately left yours to track the movement. “You know,” you began, turning the bottle over in your hands, “I used to have a bit of a thing for you.”

His eyebrows raised with interest, but there was also a hint of surprise layered beneath.

“Third year, that data algorithms project. I thought a lot about asking you out, actually,” you continued, watching as his face slowly took on a smile at your words. A soft laugh escaped those pretty lips, as if he was enjoying some private joke that you weren’t in on. Without meaning to, you leaned in, drawn to the sound, wanting to understand the amusement behind it. 

“You wanna know something?” he asked, to which you weren’t sure if you had actually nodded, or if you had only imagined that you did, too preoccupied by the inviting curve of his mouth.

He was all too willing to comply with the unspoken request behind your curious eyes, moving forward at a languid pace, until his lips hovered just over the shell of your ear, not quite touching, but close enough that you could feel the fluttering pull of air with each of his inhales and exhales. You could smell him too, his cologne now infused with the scent of his skin over the course of the evening, smooth and sweet, and much too dizzying. 

His cheek brushed yours for a fraction of a second before you registered the conspiratorial whisper in your ear.

“So did I.”

You hadn’t even realised your own eyes had closed until they were fluttering open with his departure from your space. He pulled back, eyes gleaming with a furtive satisfaction like he had just let you in on some big, juicy, forbidden secret. It took a while for your chest to start pulling oxygen back into your lungs again. How he could render you so breathless when he had barely even touched you — you would’ve been embarrassed if not for the foggy warmth circling your head and radiating throughout the rest of your body, leaving you oblivious to everything but the sheer force of how much you wanted him.

He reached for the bottle, now almost empty, and you fought the flinch when you felt his fingers close around your hand. This time, you didn’t complain when he removed it from your grasp and set it back on the nightstand. The warmth of his hand did not leave yours, flipping it over to trail his fingers lightly across your knuckles. 

“These are pretty,” he murmured, thumbing at the rings decorating your fingers. You could only manage a noncommittal hum in response. His touch had stolen your voice right out of your chest, along with all the rationality usually contained inside your mind, leaving you with nothing but the feeling of your own blood thrumming in your veins, hot and fast beneath your skin. 

All night, you had danced around each other, stealing furtive glances and exchanging flirty smiles, carefully toeing around the edge of politeness and propriety. And maybe Baekhyun was just too polite, too respectful, letting you take the wheel and steer tonight in whichever direction you wanted, despite the want that was so clearly etched on his face. 

Surely, your face was a mirror of his own. Surely, he could tell.

“Penny for your thoughts?” he asked, looking up at you with heavy-lidded eyes, unfurling your fingers to lace his own through them. The press of his warm skin against yours had you light-headed and almost delirious, but you forced your gaze to stay steady on him while you tried to find your voice again.

“I’m thinking,” you began, low and breathy, “about how you’ve been eye-fucking me this whole night.” 

His sharp inhale was unmistakable above the quiet of the room. A meteor could have landed right outside the building and you wouldn’t even have noticed, held captive by his dangerous touch and the hunger flaring in his eyes. 

“And,” you continued, “how I’ve been waiting for you to do something about it ever since you shut that door.”

The second after the words left your mouth seemed to stretch across an eternity. You watched as he registered them, transfixed by how his whole body seemed to cloud over with desire, pushing out any remaining trace of restraint.

One moment you were sitting on the bed, revelling in the delicious tension you had created, and the next he had pulled you flush against him. His mouth was on yours, hot and needy, the self-control he had been so meticulously keeping to for the entire night disappearing the instant he felt your lips move against his own. You were no better, hands leaving his to fist desperately at the fabric of his shirt. An airy moan left your throat when his tongue brushed against yours, letting you taste the sweetness you had been imagining ever since you laid eyes on him on the rooftop. He swallowed the sound, the plump flesh of his bottom lip tightening into a pleased smile at your reaction.

Baekhyun pulled away first, lips leaving yours to trail across your cheek and down the side of your neck, where you felt the light graze of his teeth over the skin, and then the wetness of his tongue following the same path. His hands had snaked around you, fingers digging into the curve of your waist, keeping you in place while he nipped at you, drawing stilted gasps out of your parted mouth. When he pulled the flesh into the warmth of his mouth and sucked it to a nice, dark bruise, the heat coiling in the pit of your stomach flared, violent and hungry. 

You were going to lose your mind.

“You know, you could just try again,” you managed to get out between heaving breaths. “Ask me out.”

“Would you say yes?” he asked, and you felt his lips shape the words against your skin. They dragged back up the column of your throat, capturing your mouth again with another heated kiss that had your head spinning. He shifted, and your knees came to rest on either side of his leg, the firm muscles of his thigh pressing against the part of you that ached for his touch. In the haze of this moment, you didn’t know much, but you knew you would’ve said yes to absolutely anything to come out of that sweet, tempting mouth. 

Still, you played along, letting a devious smile pull the corners of your mouth upwards. “That depends on how tonight goes.”

He drew back slightly, fixing you with a wicked look that held promises he was nothing short of determined to fulfil. You could see yourself reflected in the darkness of his blown-out pupils, flushed and already wrecked just from the attention of his mouth. Anticipation and thrill jolted through you like lightning, zipping through every cell in your body as your mind drifted to what he might have in store behind those enticing eyes. 

You weren’t left wondering for long. His hands left your waist and moved to your calf, pushing up the silken fabric of your dress as they slowly crept upwards, leaving a trail of fire in their wake. The brush of his fingers against your inner thigh drew another shuddering breath out of you. 

His next words were not unlike an oath.

“Then I’d better make tonight fucking spectacular.”

[frenchgremlim1808]

Why Midori is such a breath of fresh air or how to actually write a Villain.

So the awaited essay, the winner of the FrenchGremlin polls of laziness finally has come! It took some time but it’s finally over. If your choice didn’t get chosen that’s okay! I’ll repost a new poll with old and newer options. Please reblog this one i put a lot of time in it, it's like, five pages long over a silly goose. Also sorry for the grammar i sucks and i'm not native. So let’s begin:

(also here is the link to the video format)

So first let’s make things clear, What IS a villain?

“A villain is a character whose evil actions or motives are important to the plot.” That is why I do want to make a difference between a villain and an antagonist, an antagonist is a character who are a plot devices that creates obstruction to the protagonist. That means that a villain is forced to be an antagonist while an antagonist is not forced to be a villain. For example shin is an antagonist but not a villain, he is driven by selfish desires which are themselves fueled by fear anger and loss, he is the protagonist of his own story and is a sympathetic character despite it all, and Midori is just a bitch. Midori falls under multiple stereotypes of villains. Such as “the mastermind”, “evil incarnate” (lmao),”related to the protagonist” etc. Midori is evil, there is no denying in this, he is purely evil, and he doesn’t have a sad weepy backstory, he doesn’t feel empathy towards other, he is a despicable piece of shit who ruined so many lives. I won’t list everything but here is a list of his crimes, murder, assault, domestic abuse, grooming, verbal abuse, and torture, crimes against humanity lmao, stalking, violent crimes, and participation in a cult. And his worst crime is being a pussy bitch of course. So now that we have put the bases up let’s really begin.

Hollywood has a hate boner against villains and I hate them for that.

Recently Hollywood decided that pure evil bad guys is actually a bad thing, so now they decided to do stupid side story with them, to give them ”””depth””” since I guess how could we like those villains since they are bad. A great example of this is the Disney remakes which I loathe so much oh god I hate them. So first they did a maleficient it was okay honestly, then they did a freaking cruella movie where her mom gets killed by Dalmatians, that’s not a joke, in the peter and wendy movie that nobody saw they decided to have made the captain hook be a lost boy who was abandoned by the lost boys and peter, oh also they decided that PETER CUT HIS HANDS OFF AND LEFT HIM TO DIE BECAUSE HOOK WANTED TO SEE HIS FAMILY. They are going to do a freaking mufasa movie, in no time I can’t wait to have a Ursula movie where it’s discovered that ariel killed all of her family in cold blood or something’s. So you might say what’s the problem? I mean isn’t that supposed to make the story more interesting. No, no it doesn’t, because first they take all of the character personality traits and throw them in the bin, second they are supposed to be the vilain in a musical animated movies, I am not against complex villain, I love them, but by doing this, the original character doesn’t exist anymore. Just create original content with new interesting characters instead of doing stuff like this. Also it’s kind of funny than in all of those interpretation they take all the fun and sucks it out, what do I mean by fun, the gayness, Disney vilain are fun because they are camp, they are fabulous extravagant extra in all the ways possible, and that’s the reason we liked them. Not every character needs something super deep, like “my family was burned down at the stake and my dog was eaten by my ex”, sometimes we just like bad fun people, they are the story, and Hollywood hating them so bad just bothers me a lot. Also now the new thing is to not have a villain at all which can works in some narrative but not all of them, it gets boring after a while. In the past people were angry that villains are bland, but now I kind of miss it. While I will critique villains who have no purpose outside of being evil that’s dumb, like for example Voldemort is bland like white bread because his only motivation is being evil, but evil people do exist compared to what some Hollywood writers think, they should know. So that’s why I will put a difference between evil villains and villains whose only purpose is being evil; we loved Disney villains but they still had motivations, goals, reasons that to them a least were worth everything. World domination isn’t enough, why do you want world domination, what is the true reason deep in your heart, is it an inferiority complex, is it a savior complex fuelled by xenophobic beliefs.

That is how to write a pure evil villain, evil people exist all over the world, but I have never seen one who doesn’t have they own reasons to be so bad, it doesn’t excuse their actions nor really explains them. We do not want justifications we want explanations. If you are justifying evil behavior then do it, but don’t claim that it is a pure evil character. A pure evil character can be fun, can be interesting, he can be deep, it’s all about balancing all of their traits to truly make them greats. Which is why midori succeeds while current villains fail. Current stupid remake/spin off try to justify the behavior because they feel like this is what the audience wants, but it’s not what we need. So I will defend to the grave evil villains.

Creating an evil villain doesn’t make them boring guys.

Why the heck does big budget movies have either the blandest protagonist or the blandest villains sometimes both, like I said evil people do exist but comically evil character only works in satire not in a serious multiple millions of dollar movie. Example that boring ass avatar movie, the one with blue people, none of the characters are interesting the villain is one note. The lords of the rings also suffers from that, but I don’t care because the protagonist are so awesome that sauron being personality less doesn’t matter. Also sauron is more of a force of nature villains so it’s not the same. The recent kingsman movie has a bland one note villain, there is nothing entertaining, funny, about him he’s just evil, borrrrring. Every Disney remakes depiction of the characters are boring. I just feel bored out of my mind. Atla one of my favorite shows of all time has a main villain that’s kinda one note, Ozai, but he is actually intimidating guy, azula is the superior character, but I wouldn’t consider her a villain she is an antagonist though. I honestly don’t get why Hollywood thinks that just creating a character with no personality and whose only goals is to be evil is good.

So back to midori for a second, here is my question, when midori was on screen did you ever feel bored? Never right! Because despite midori being an evil character he has an actual personality, he’s fun, you want to punch him in the balls. Because midori has other personality traits than evil, midori is petty, childish, extremely intelligent, controlling, a natural manipulator, he is a trickster, he doesn’t seem to get some social norms, he is narcissistic, easily angry, and fears death etc See how I counted a lot of traits, traits that in other character would works, midori has positive traits, and I think that is the best thing nankidai could have ever done, midori has traits that a regular person could have. Which is why if I put midori in any settings his character would work.

Example, instead of a death game the cast is under the sea to discover the insane wildlife and supernatural stuff happening, what would midori do in this situation? Well he would very passionate about finding all of what’s happening, he’ll do anything to find out, even sometime sacrificing others, not only will he try to find what’s happening, but he is also going to try to find a way to make this discovery favour him in the end. Or let’s imagine it’s a vampire situation, where a vampire attacks  the city, midori would try to stop it, not because he cares, but to experiment on them to get their biology and finds the real secret of immortality since he fears death.

Here is my second advice, after creating your character try to imagine them in another completely different situation, like normal life, or a fantasy world, ask yourself the question what would they do in that environment? If you can find a real complete explanation of their actions then yes your character has multiples dimensions if not try thinking about it again. Some example of questions I do want to point out are some like “if my character had all the power in the world what would they do first or”, “if my character had only a day left to live what would they do”

Why is Current media incapable of creating good threats like bruhhhh.

Okay so first of all let’s talk about stakes in a story, let’s say you are watching a slasher movie, slowly the cast gets slimmed down and people die in horrible ways, that should set stakes right ? Well if the villain is an absolute buffoon who makes the stupidest actions and decisions in the world, you wouldn’t feel intimidated at all because despite what the filmmaker might try to say the plot armor will NEVER make a character intimidating. It’s just like a detective character who just seems to know everything without a thought, well you won’t really fear the character failing. Worse is the the final girl, who is for some reason always escaping the slasher guy by pure luck every time, she is shown as incompetent but still she survives, which make the villain seem completely incapable so now you feel nothing.

To avoid this filmmaker often use techniques such has unpredictability, I mean good I mean good ones, for example instead of immediately seeing whose going to survive because the black guys always dies first and the virgin white woman is the last survivor, change the status quo, make us think that this character is obviously safe while they actually aren’t at all. Or actually make them menacing by SHOWING to the audience how horrible dangerous they can be. Which is why SHOW DON’T TELL is so important, telling us how dangerous someone can be only to see them get beaten to death at the end of the movie makes us feel nothing.

Midori felt like a impossible person to beat, he is smart, had twenty plans in advance, even in situation where the cast felt like they might have a chance he was always armed, just like the gun he promised to use or the rocket punch. When they felt like they were finally advancing, he put obstacle in their ways, such as the collar game or the moment he put the collar on explode mode for  ranmaru. The entire point in the murder game was to make time pass, it took a long time for the cast top realize that this whole time they were losing precious time not realizing that the dummies were the real problem. The characters that made you feel the most hopeless were the dummies, if you won by killing midori they would die, but if you lost you might lose people you love (keiji or gin). It felt hopeless because they were no solutions in the end. That creates tension so that creates stakes. If we were told how dangerous unpredictable sou was then it wouldn’t hit the same, we are shown that he is that terrible. There is a scene ingame where bbg shin ai tells us that midori tortured and like to destroy people. That’s exposition so TELL, but do you why it works, because we are SHOWN before his behavior. Midori felt unbeatable, so the fact that we were shown his weakness such has his petty behavior, hatred of minors, and fear of death, for the first time it feels like there is a chance that we might survive this. And still after he isn’t shown has an incompetent buffoon, he is one, but the narrative doesn’t show us that he is.

What is also consider is good to make the audience feel actual stakes is to first really develop well the main characters, how can we feel worry for a character if we don’t know them, the audience need to feels emotional connection to the main cast to actually care. You can use things such has moments where there is nothing special happening just character talking getting to know them. Make us feel why we need to care about them possibly losing, instead of being indifferent. Or I don’t know maybe make an entire spin off game where we get to have the cast talk to each other and seeing dynamics between character that died early to get them a chance to shine and make their death even more tragic, or even make mini episodes of characters who only got a single chapter to show off their characteristic, to get us to know them better? But that’s just a silly idea of course, wink, and wink.

My favorite thing about Midori is that he is actually pathetic, like really pathetic, but weirdly realistic?

Midori is the most pathetic character in the cast, yes more than shin, shin is leagues less pathetic. No I’m not saying that midori is not intimidating or scary, I would piss myself if I saw him. He’s a scary guy. But if you look at him more closely you can see that he is a baby brat in a big boy suit.

So let’s start by something clear, Sou Hiyori clearly displays antisocial behavior, or in common terms he is a psychopath/sociopath, this illness is very badly seen in medias, I am not saying that people who lacks empathy like him are inherently bad, he is, a lot of people with antisocial behavior actually suffers a lot and have a difficult life. Sou real issues is not his antisocial behavior, it’s his narcissism and god complex. Sou feels the need to HAVE CONTROL over others, he like the feeling of being in power, he sees the rest of the world has beneath him, toys for his pleasure. He says that he “really like humans” because despite it all he seems to put himself in a different categories than regular people, they are beneath him. When he loses control his calm and cool behavior disappears and we see his true face, a grown man who has throws a tantrum like a baby. One of the best representation of this is midori views on the cast:

Midori hates kanna, like no jokes he has beef with her, a fourteen years old, actually he has beef with a lot of people in the cast. Midori views emotional people has weak, people who are loving optimistic as beneath him and useless. He preferred when sara was cruel and horrible, that’s what he loved about her, he liked seeing her scary emotionless side. But Kanna, kanna is everything he hates. A crybaby who not only puts the group in harmony, is a source of hope in general, is the reason he near got to have closure with shin (killing him), he views kanna as “not fun shin”. We have many proofs for this, if you type the word kanna kizuchi he says this: “Poor Kanna'd weep! I think a more worthless name would be better for someone like me” He mocks her, but also himself (I’lll come back on this later), he calls her worthless. Also in the electric charge minigame, when he can choose who to shocks he chooses two people in particular, kanna who he hates and hinako who ruined his fun by giving the cast a chance in saving ranmaru. But he does also says mean spirited stuff to other people, qtaro and gin. He also says some sarcastic comments about nao and joe, saying that it’s such a shame that they died so young. But you might say why kanna especially? Because he is a petty baby who is jealous of kanna, Yes jealous, of kanna, a fourteen years old. Because he feels like she stole his hubby wubby shin away from him…. God I hate him. And you know what that make him a pathetic idiot, after the scene where kanna beats his ass, he’s all mad and like “uhh I’m going to pout I wanted you to cry like a lot, now I’m gonna cry”. An that’s actually god, because it humanize him, he wants need thoughts, he isn’t one note, and that’s the most important!

Sou is a villain but before that he is a character, a fully developed character, and THAT’S WHAT MAKE HIM GREAT, Sou works because he works realistically, I mean if you forget the robot part, it’s easy to imagine a narcissist man child who needs to feel in power towards other, so his main prey are young vulnerable people.Which leads me to my next point:

Sou is a failure like really, and we aren’t sad for him.

Sou failed everything he worked on, he failed to get the paper from alice, he failed whith shin since he had to leave earlier than he thought he would leave, because of his mistake he lost his position in the death game, then he failed to kill gin or keiji, and then he died like an idiot losing his cool and acting like a toddler. And he knows it that why he is a bit self-hating (he should be). And yet none of us feel any sympathy towards him, why? Because sou is one of the most despicable guy in existence. He is a disgusting pervert, sadistic asshole, and abusive narcissistic cunt who thinks he is better than everyone. From the bottom of my heart I hate him sooooo much he is literally the character I hate the most in existence. He abused shin, ruined keiji’s life, traumatized the entire cast, literally assaulted sara like he physically assaulted her. He mocked nao and joe and kugie life as useless. He is an obsessive jerk AND I HATE HIM. And you know what…… It’s good. Like I actually feel a lot of emotions when I think about him, he fuels me with anger and disgust, and if your characters can make me feel that much rage then you did it, you created an actual perfect character. Hiyori is such a shit person that I think about him a lot, writers shouldn’t be scared to make a character such hittable assholes, example bojack horseman in bojack horseman is the vilest man on earth and I love it, because I genuinely hate him. Just like I genuinely love kanna, like really I really love her, I in the same time despise midori so bad. We hate him because he is horrible to good people that WE KNOW AND CARE ABOUT, not random npcs. There is a lot of… disgusting implications in his story with shin that I will not talk about it makes me really uncomfortable right now. SO HERE IS A VERY TACKY TRANSITION TO TALK ABOUT WHY I HATE JUNKO FROM DANGANRONPA.

Junko is boring, that’s it, she is boring, not funny not interesting, she is a fetish, she is the biggest Mary sue on earth, she is a gross character made to make fun of people with disabilities and queer people. Her only traits is being crazy, that’s it. I wouldn’t call midori that crazy actually, he’s methodical calculated, and precise. Crazyness is a term for people who aren’t in control of their actions and delusional about reality, sou is not crazy, he knows what he is doing, he is in full control, while characters like shin should actually be consider crazy, like shin is actually crazy but sou isn’t.

Conclusion:

Sou is a breath of fresh air, because nankidai had the balls to write an actually interesting deep and threatening character AND make him a villain. He didn’t fall into the trap of making him have a sad backstory or good motives, sou is just selfish, that’s all he is. He make him a fun entertaining guy who you absolutely hates, he made him threatening and at the same time a complete doofus. He made him humane and pathetic.

But the thing that make me love nankidai the most is this

The fact that he actually killed him that takes courage as a writer to just end a character THAT WAY, which is why midori will never come back alive he is forever dead. And that take a lot of talents as a writer to just take one of the most important characters and just get him drilled to death in the anus, like dammn nankidai you are a savage. That fact alone makes him one of the best characters in game, I hate him as a person, but has a character he is a masterpiece.

Though Kanna could solo him

this was posted as a video on my blog this is mainly so people who don't want to stay there reading a 24 minute video of my stuttering can have a bit of quiet

[sneezypeasy]

Why I Deliberately Avoided the "Colonizer" Argument in my Zutara Thesis - and Why I'll Continue to Avoid it Forever

This is a question that occasionally comes up under my Zutara video essay, because somehow in 2 hours worth of content I still didn't manage to address everything (lol.) But this argument specifically is one I made a point of avoiding entirely, and there are some slightly complicated reasons behind that. I figure I'll write them all out here.

From a surface-level perspective, Zuko's whole arc, his raison d'etre, is to be a de-colonizer. Zuko's redemption arc is kinda all about being a de-colonizer, and his redemption arc is probably like the most talked about plot point of ATLA, so from a basic media literacy standpoint, the whole argument is unsound in the first place, and on that basis alone I find it childish to even entertain as an argument worth engaging with, to be honest.

(At least one person in my comments pointed out that if any ship's "political implications" are problematic in some way, it really ought to be Maiko, as Mai herself is never shown or suggested to be a strong candidate for being a de-colonizing co-ruler alongside Zuko. If anything her attitudes towards lording over servants/underlings would make her… a less than suitable choice for this role, but I digress.)

But the reason I avoided rebutting this particular argument in my video goes deeper than that. From what I've observed of fandom discourse, I find that the colonizer argument is usually an attempt to smear the ship as "problematic" - i.e., this ship is an immoral dynamic, which would make it problematic to depict as canon (and by extension, if you ship it regardless, you're probably problematic yourself.)

And here is where I end up taking a stand that differentiates me from the more authoritarian sectors of fandom.

I'm not here to be the fandom morality police. When it comes to lit crit, I'm really just here to talk about good vs. bad writing. (And when I say "good", I mean structurally sound, thematically cohesive, etc; works that are well-written - I don't mean works that are morally virtuous. More on this in a minute.) So the whole colonizer angle isn't something I'm interested in discussing, for the same reason that I actually avoided discussing Katara "mothering" Aang or the "problematic" aspects of the Kataang ship (such as how he kissed her twice without her consent). My whole entire sections on "Kataang bad" or "Maiko bad" in my 2 hour video was specifically, "how are they written in a way that did a disservice to the story", and "how making them false leads would have created valuable meaning". I deliberately avoided making an argument that consisted purely of, "here's how Kataang/Maiko toxic and Zutara wholesome, hence Zutara superiority, the end".

Why am I not willing to be the fandom morality police? Two reasons:

I don't really have a refined take on these subjects anyway. Unless a piece of literature or art happens to touch on a particular issue that resonates with me personally, the moral value of art is something that doesn't usually spark my interest, so I rarely have much to say on it to begin with. On the whole "colonizer ship" subject specifically, other people who have more passion and knowledge than me on the topic can (and have) put their arguments into words far better than I ever could. I'm more than happy to defer to their take(s), because honestly, they can do these subjects justice in a way I can't. Passing the mic over to someone else is the most responsible thing I can do here, lol. But more importantly:

I reject the conflation of literary merit with moral virtue. It is my opinion that a good story well-told is not always, and does not have to be, a story free from moral vices/questionable themes. In my opinion, there are good problematic stories and bad "pure" stories and literally everything in between. To go one step further, I believe that there are ways that a romance can come off "icky", and then there are ways that it might actually be bad for the story, and meming/shitposting aside, the fact that these two things don't always neatly align is not only a truth I recognise about art but also one of those truths that makes art incredibly interesting to me! So on the one hand, I don't think it is either fair or accurate to conflate literary "goodness" with moral "goodness". On a more serious note, I not only find this type of conflation unfair/inaccurate, I also find it potentially dangerous - and this is why I am really critical of this mindset beyond just disagreeing with it factually. What I see is that people who espouse this rhetoric tend to encourage (or even personally engage in) wilful blindness one way or the other, because ultimately, viewing art through these lens ends up boxing all art into either "morally permissible" or "morally impermissible" categories, and shames anyone enjoying art in the "morally impermissible" box. Unfortunately, I see a lot of people responding to this by A) making excuses for art that they guiltily love despite its problematic elements and/or B) denying the value of any art that they are unable to defend as free from moral wickedness.

Now, I'm not saying that media shouldn't be critiqued on its moral virtue. I actually think morally critiquing art has its place, and assuming it's being done in good faith, it absolutely should be done, and probably even more often than it is now.

Because here's the truth: Sometimes, a story can be really good. Sometimes, you can have a genuinely amazing story with well developed characters and powerful themes that resonate deeply with anyone who reads it. Sometimes, a story can be all of these things - and still be problematic.*

(Or, sometimes a story can be all of those things, and still be written by a problematic author.)

That's why I say, when people conflate moral art with good art, they become blind to the possibility that the art they like being potentially immoral (or vice versa). If only "bad art" is immoral, how can the art that tells the story hitting all the right beats and with perfect rhythm and emotional depth, be ever problematic?

(And how can the art I love, be ever problematic?)

This is why I reject the idea that literary merit = moral virtue (or vice versa) - because I do care about holding art accountable. Even the art that is "good art". Actually, especially the art that is "good art". Especially the art that is well loved and respected and appreciated. The failure to distinguish literary critique from moral critique bothers me on a personal level because I think that conflating the two results in the detriment of both - the latter being the most concerning to me, actually.

So while I respect the inherent value of moral criticism, I'm really not a fan of any argument that presents moral criticism as equivalent to literary criticism, and I will call that out when I see it. And from what I've observed, a lot of the "but Zutara is a colonizer ship" tries to do exactly that, which is why I find it a dishonest and frankly harmful media analysis framework to begin with.

But even when it is done in good faith, moral criticism of art is also just something I personally am neither interested nor good at talking about, and I prefer to talk about the things that I am interested and good at talking about.

(And some people are genuinely good at tackling the moral side of things! I mean, I for one really enjoyed Lindsay Ellis's take on Rent contextualising it within the broader political landscape at the time to show how it's not the progressive queer story it might otherwise appear to be. Moral critique has value, and has its place, and there are definitely circumstances where it can lead to societal progress. Just because I'm not personally interested in addressing it doesn't mean nobody else can do it let alone that nobody else should do it, but also, just because it can and should be done, doesn't mean that it's the only "one true way" to approach lit crit by anyone ever. You know, sometimes... two things… can be true… at once?)

Anyway, if anyone reading this far has recognised that this is basically a variant of the proship vs. antiship debate, you're right, it is. And on that note, I'm just going to leave some links here. I've said about as much as I'm willing/able to say on this subject, but in case anyone is interested in delving deeper into the philosophy behind my convictions, including why I believe leftist authoritarian rhetoric is harmful, and why the whole "but it would be problematic in real life" is an anti-ship argument that doesn't always hold up to scrutiny, I highly recommend these posts/threads:

In general this blog is pretty solid; I agree with almost all of their takes - though they focus more specifically on fanfic/fanart than mainstream media, and I think quite a lot of their arguments are at least somewhat appropriate to extrapolate to mainstream media as well.

I also strongly recommend Bob Altemeyer's book "The Authoritarians" which the author, a verified giga chad, actually made free to download as a pdf, here. His work focuses primarily on right-wing authoritarians, but a lot of his research and conclusions are, you guessed it, applicable to left-wing authoritarians also.

And if you're an anti yourself, welp, you won't find support from me here. This is not an anti-ship safe space, sorrynotsorry 👆

In conclusion, honestly any "but Zutara is problematic" argument is one I'm likely to consider unsound to begin with, let alone the "Zutara is a colonizer ship" argument - but even if it wasn't, it's not something I'm interested in discussing, even if I recognise there are contexts where these discussions have value. I resent the idea that just because I have refined opinions on one aspect of a discussion means I must have (and be willing to preach) refined opinions on all aspects of said discussion. (I don't mean to sound reproachful here - actually the vast majority of the comments I get on my video/tumblr are really sweet and respectful, but I do get a handful of silly comments here and there and I'm at the point where I do feel like this is something worth saying.) Anyway, I'm quite happy to defer to other analysts who have the passion and knowledge to give complicated topics the justice they deserve. All I request is that care is taken not to conflate literary criticism with moral criticism to the detriment of both - and I think it's important to acknowledge when that is indeed happening. And respectfully, don't expect me to give my own take on the matter when other people are already willing and able to put their thoughts into words so much better than me. Peace ✌

*P.S. This works for real life too, by the way. There are people out there who are genuinely not only charming and likeable, but also generous, charitable and warm to the vast majority of the people they know. They may also be amazing at their work, and if they have a job that involves saving lives like firefighting or surgery or w.e, they may even be the reason dozens of people are still alive today. They may honestly do a lot of things you'd have to concede are "good" deeds.

They may be all of these things, and still be someone's abuser. 🙃

Two things can be true at once. It's important never to forget that.

[youremyheaven]

Random Astrology Observations

Moon in the 1h is often talked about like 🥺🥺wears their heart on their sleeve🥹🥹uwu softie way but tbh Moon in 1h can make someone incredibly manipulative, they know just what to say and when to say it and know how to work their audience, this is perhaps why this placement is found in the charts of soooo many successful actors. ex: Leonardo DiCaprio, Audrey Hepburn, Henry Cavill, Charlie Chaplin, Priyanka Chopra, Antonio Banderas, Brendan Fraser, Benicio Del Toro, Jared Padelecki, Val Kilmer, Adrien Brody etc

I think this is a very manipulative placement, again manipulation is not in and of itself a bad thing, its what we use it for that matters. Some people completely lack the ability to manipulate at all (they don't have Moon influence)

2. Debilitated placements point to unconventional intelligence & wisdom in that area. I feel like they've cracked the code . They struggle a lot but when they triumph it's magic

3. I've mentioned this in other posts but many notorious sex offenders have Venus influence. Actions of this sort, as well as criticizing others' beauty, not taking care of yourself/surroundings, being shabby or disorderly in general are all things that harm your Venus. Abusing someone is the quickest way to ruin your Venus, you start corroding and that ugliness begins to manifest on the outside.

Ex: Harvey Weinstein looks like a cartoonish villain

4. As I explore the astrology content put out by others across different platforms, I've seen how the nature of the take themselves are so specific and unique to the person making them. Claire Nakti has a tendency imo to focus heavily on romance, sex and women's sexual behaviour and what sort of men they attract.

Going through her website, it's obvious that she's deeply immersed in occult & esoteric philosophy (all of which ties together with vedic astrology, philosophy, Buddhism etc because I truly believe that spiritual truths are universal and different schools of thought/religion/culture/mythology express these same truths in their own way with a LOT of recurring patterns) and Carl Jung as well.

It's studying Jung that helped me understand that what we see or draw from something is a reflection of who we are. As a beginner to vedic astrology, I initially believed Claire's one dimensional portrayal to be the all encompassing truth of a nakshatra until I started doing my own reading and research.

The things I talk about or the patterns I find are a reflection of me and I get a lot of asks about why I don't do xyz nak and honestly it's not as simple as doing research for an essay for uni, you kind of have to have a gnosis or innate knowing of its themes, something to base your search off of. And different naks call to me at different points. I come across content that describes certain naks in lights i could've never imagined which is to say that gnosis or inner knowing is an important aspect of studying anything esoteric, it kind of has to be revealed to you and what you see, what you can discern is a reflection of you.

5. you have to have a strong Rahu to discern patterns and similarities because Rahu is maya/illusion and a well-placed Rahu will allow you to see through those patterns/illusions. it will be very hard for someone without a strong Rahu to find similarities or common tropes, patterns, themes etc. Seeing through the veil or fog is Rahuvian.

6. Claire Nakti made a video about Venusian men where she said they were the ideal type of man and tbh that just confirmed my suspicion that she's Moon dominant because I think Moon dominant people are attracted to Venusians but in my humble opinion both Venusian men and Moon dominant men are some of the most batshit crazy people (manipulative and controlling at the least, psychopathic at worst) basically men who have a lot of Yin tend to be psychotic

7. I've noticed that Revati people tend to speak in a very verbose way. Nigella Lawson, Revati Moon is a really good example. Obviously other placements will also impact speech

8. Moon dominant people hate it when others share sob stories. They're the type to have the least amount of empathy for others and will either react in a neutral way or like they don't understand why you're saying this stuff at all. They're bored by other people's mundane problems and make it known as well. Not people you want to open up to.

My former friend was this way, I once cried in front of her and she showed zero emotion and didn't even try to comfort me lol

9. The way others treat us is the way we treat others. ik this is a basic take but karma is cause and effect. if you're dismissive of others feelings, other people will be dismissive of yours. what you do is what will be done unto you. Its so crazy to see how people who've been treated like shit by their friends will turn around and treat other people like shit. this is sooo basic but genuinely dont do anything to others that you dont want done to you.

[ghosts-and-glory]

Going absolutely insane and feral for your YouTubers au. Not a fan of true crime in the murder way But A fan of true crime in the Cult ways and I think i would go absolutely feral if after hours and hours and video essays about a single cult leader, months later the youtuber and them get together. I'm insane about it.

Because like. Is this their way of flirting?

Have we been strung along??

I'd love to engage in your AUs in any meaningful way but so far it's just blasting lyrics in your inbox and frothing at the mouth alas

Anon, you’ve put it into perspective that the irl equivalent is if Hbomberguy and James Somerton announced they where dating tomorrow and I’m fucking crying lmao.

I have this interaction in my head where after The Lamb’s Narinder hit piece goes up Nari tweets them like “take the vid down or I leak your nudes.” And The Lamb replies with their only fans cause they’re that petty.

Compared to game narilamb where they flirt via murder, flirting via YouTube drama is small potatoes.

And honestly I appreciate every small amount of engagement. The fact that people even want to look my way makes me aaaaa

[roipecheur]

Honestly. While the 'Jason as Tim's Robin' thing can be cute fanon, the ship hits so much better with the closer to canon version of them being each other's number one hater.

Baby Tim seething every time he sees Robin!Jason show up in the news whispering, fuck you fuck you fuck you, I want Dick Grayson back, I could be a better Robin than you, who the fuck do you think you are-- and then being like. Sad when Jason dies because someone died, but mostly caring about how it's hurting Bruce, and seeking out information about Jason solely to help Bruce and maybe Dick. One day he'll watch a video of Jason being a happy kid or read one of his school essays and realize that this was a whole person. That died in a really horrible way. A kid not that much older than him. As soon as Tim's alone, he sobs his fucking eyes out because he's sorry and he's scared it could happen to him and he's guilty for all the stuff that he felt before.

And then Jason comes back, and Tim's angrier at him for not being that kid than he is for Jason breaking into Titans Tower and beating the shit out of him. Like, all the time Tim tried to live up to Jason, and this is how he is when he comes back? This is what he does? It's not right to feel like that, and Tim knows it's not right, and he's just fucking angrier at Jason for making him this way.

Jason hating Tim because he looks at him and sees too much of Bruce, a little rich boy who had everything but still had to go and put on a costume. Who's stupid and didn't take the very pointed warning Jason gave him (beating the shit out of him, easily) and who is definitely going to fucking die. Like, who looks at what happened to Jason and leaves his fucking mansion to sign up to be next? Who does this fucking kid think he is?

When Tim does "die", Jason punches a wall and gets so drunk he throws up and he can't go anywhere near Bruce, if he does he'll rip his fucking head off for letting this happen to someone else. After Tim comes back, Jason gets super protective of him and keeps showing up on patrol, scaring away anyone who gets close to Tim, and then fucking off, and Tim fucking hates it and Jason won't stop doing it because he's the only one smart enough to see it needs to be done.

Tim hates everything Jason represents, and Jason hates everything Tim represents. Mm. Makes me want to put these bitches into a situation where they have to confront each other as people rather than as extensions of their relationship to Bruce or to the Robin mantle, and also fucknasty about it.

[intrepidtrickster]

Moominvalley and Snufmin

S4 Spoilers Under Cut

I’m so disappointed in how they handled Snufkin and Moomintroll this season. I had my worries, but I also had a lot of hope. They did deliberately put in those interactions. The team also kept reacting to mentions of Snufmin with winks and nudges in interviews and videos they put out. It makes me wonder what the point was. I genuinely feel like this was queerbaiting. And I don’t want to use that term because it doesn’t feel like one to use lightly. Even more so since I had such a great love for Moominvalley’s other seasons. Especially 1 and 2. It was genuinely really beautiful and soft and had such lovely queer undertones and moments. But I think it’s more than fair to say that the team knew about the reactions and how many people were introduced to it via Snufkin x Moomin. And they seemingly used that. They gave us build up but didn’t follow through. When it came down to it, they shrugged it off and didn’t address it at all. It felt so removed from Season 4. And I think that that, in essence, is queerbaiting. Because if you keep nodding to something throughout a series, using it to keep your audience waiting for the ‘inevitable’ conclusion to it that’ll certainly play out by the time the story ends only to snatch it away once you’ve secured your viewers and money, that is what that is. And I honestly expected better from the studio. If they weren’t going to commit, then they shouldn’t have kept bringing hopes up and making it seem like the direction it would go in.

(forgive the essay in the tags- I was thinking so many things)

[ohnoitstbskyen]

All of your essays are really well structured and keep me engaged. You come up with such amazing ideas and connections, and convey them exceedingly well, and I think it's really cool. What's your process for when you write?

That's very kind of you to say, thank you!

Honestly, my structuring is nothing special, and it's not very complex or advanced.

I will usually start from having something on my mind that I wish to express, and then I try to figure out: in order to express my thoughts convincingly (and make a good, watchable video), which arguments do I need to make and what examples do I need to give?

So like, this is the structure of the script for my video about Captain Kuro's character design in One Piece:

The thing I want to express is that his glasses are a very well-used piece of character design, and I like how they convey some thematic things about his character and some central ideas in the storyline for which he is the villain.

I believe his glasses visually represent his perspective, his way of seeing the world, and so, when Luffy defeats him and shatters his glasses, he is not only defeating Kuro but repudiating his entire worldview. That's the conclusion.

In order to make that argument, and make a good video, what do I need to have in the video? Well, a recap of the arc that Kuro appears in is probably necessary, so everyone watching the video is on the same page as to what happens.

In order to demonstrate what Kuro's worldview IS, I probably need to discuss his behaviour towards other people in more detail, so let's focus in on 1) his primary victim (Kaya) and 2) his primary opponent in the narrative (Usopp) to illuminate some of his thematic positions in the story.

Then, finally, I need to do a close examination of how his glasses are used visually, preferably with some comparisons to other character in One Piece whose design seems to function in a similar way ,to prove that this isn't just me overinterpreting a coincidence but a deliberate decision and technique used by the author for a purpose. That's the "Captain Kuro's Glasses" section.

With all of that leg-work out of the way, I can say the thing I actually want to say, and hopefully by that point I have convinced people to listen and be interested in hearing it.

So, again, it's really nothing special - it's the kind of essay structuring you probably learned in high school. It's very basic, but it's effective for me and helps me keep my ADHD in line by defining boundaries for what each part of the video needs to be about. I find that without the boundaries of a chapter with a central theme, I tend to go off in every direction, creating a million tangents that just don't serve the conclusion.

Chapters have the extra benefit of also being useful for YouTube videos - it creates natural breakpoints for the audience, stopping points where they can leave a video and come back to it, and natural places to put timestamps, or insert ad-reads or Patreon plugs, or even YouTube ads, without disrupting the flow of the video too severely.

But yeah it's really just "I WANT TO SAY [X]!!!" and then I work backwards to figure out what and how much I need to add onto that to make [X] worth listening to.

[quinton-reviews]

What advice would you give to someone considering making video essays?

Don't be weighed down by the expectations of others. It seems these days there are now too many people assuming that if you want to make something labeled a "video essay," you have to match a certain style or tone. In many ways, it's overbearing - if you make something that has too many skits, too many jokes, that doesn't have a strong thesis outside of "this thing is bad", people say you're "failing to find a point." But if you put weeks of work into the filmmaking process and you want to call it a documentary, it feels limiting to have people insist that it's just a rant video instead of something more.

In truth, I recommend just trying to make *videos* first and trying to find your voice. No one starts off on YouTube being totally original, but as you learn the craft you will find your own brand and style. I think it is important for smaller creators to experiment, in spite of keyboard warriors being obsessed with the idea of everything under the sun needing to be new.

Starting off, your biggest struggle will be finding contentment in the experience of making videos - finding your closure. If you don't have an audience watching your stuff right away, spending weeks working on a video with 0 views can feel pointless and frustrating. Without finding a resolution for each project, you'll start to wonder why you're doing it.

So instead, find a friend in your personal life who will watch the videos with you. Make content for you and the people you know, and find contentment in that experience. And when you start to grow and gain real followers, pivot your style to match that new status quo.

Creating content for YouTube is a process of throwing things at a wall until something sticks. The big secret is the moment something sticks, you drop everything you're working on and do *that thing* five more times. This helps build trust in the algorithm and helps build your brand to new viewers finding your content. But don't write yourself into a corner - allow yourself to experiment and evolve even as you're finding success. If I didn't do that, I'd still be making drama videos about LeafyisHere. I'd be burnt out, miserable, and bitter. But because I allowed my style to evolve with my own tastes, I now am at the highest point in my career (to the loud annoyance of many people online).

But the biggest advice I can give is that if you think being a YouTuber will solve any issues in your private life, it won't. That's the biggest mistake I made starting out, I thought having this parasocial connection with other creators would fix my loneliness and anxiety. It didn't, in fact, it made things worse; and I am the only person to blame for that. I quickly learned that the most important people in my life still were (and still are) my real-life friends - people I go to bars with IRL and people I chat with on Discord - and not other creators. Sure, having this mindset has made me more isolated in many ways, but honestly I think that's the way it has to be for someone like me.

Final piece of advice - create your YouTube channel with a secret email you never post about online. It makes it much harder to dox and hack you. Peace out!

[moonlit-void-to-the-far-unknown]

The types of YouTube videos I think the main vampires watch:

Armand:

-art restoration videos (he’s seen a few of Marius’s paintings in them those are saved to a playlist to watch if they come up for auction)

-how it’s made compilations

-Minecraft building videos

-those asmr junk journaling videos

-any video of a master craftsman making something: big on watching like hand made things that have been made for millennia in the same way every time.

-Doll Remake videos, the ones where people take old monster high dolls and turn them into a new character (see moonlight jewel, Dollightful)

-weirdly I think he’s into those old English, bard core song videos.

-restock/cleaning compilations

Louis:

-Music channels

-movie and tv review channels

-painting videos

-weird one but he got into watching slime making videos, don’t ask me why, he just did for like a small period of time

-he enjoys just random video essays on niche topics

-book reviews (he watches like 100 of IWTV when it comes out. Won’t read it yet but will watch a million book tubers review and give 2 hour long video essays on it)

-watches Sams DJ sets (what he has good music)

-generally just kind of flips around to see what tickles his fancy

-got stuck in a weird rabbit hole of watching historical reconstruction videos about New Orleans. It lead him to like watch videos about stories and lore of when he was living in New Orleans, some mention the du lac name, but others are just ghost stories to him now.

Lestat:

-piano playing videos

-cat videos

-vine compilations

-French plays that are redone and put on YouTube

-watches Broadway shows that have like recorded releases. His current fav is cabaret. And Chicago.

-history videos

-music videos, like just whatever era he’s feeling he watches a million of them

-candle making videos (I can’t explain this one)

-historical dress YouTube (don’t look at me and say Lestat wouldnt watch every Bernadette banner video)

-over all doesn’t ‘watch’ YouTube more listens to it

Daniel:

-honestly, I have like no idea.

-political analysis videos

-funny fail compilations

-has watched book reviews of his memoire

-music when he’s doing puzzles

-vampire lore videos

-again idk if he really watches YouTube more he just sort of flips around when nothings on tv