#people can find a lot of different ways to abuse power

[gaywarcriminals]

On Mouthwashing, Qijiu, cruel characters, and the role of discomfort in blorbo analysis. 

I recently watched a playthrough and some video essays about the indie horror game Mouthwashing (spoilers ahead). For those not familiar, the game follows a man named Jimmy in a crashed spaceship where he reveals himself to be an unreliable narrator and fucked up in a variety of ways as the game progresses. 

Although I’m not immersed in the fandom and thus have a limited sample size, I noticed that people treat him as nearly inhuman. He’s the sole bad actor, a terrible monster destined to hurt everyone. I find this deeply ironic considering the game’s themes of responsibility and accountability: isn’t this kind of dehumanization absolving him of his responsibility to act decently?

It’s also strange to me, because the game goes at lengths to show Jimmy has an enabler. Captain Curly is Jimmy’s friend and boss who is made aware of Jimmy’s erratic and violent behavior multiple times, chooses to do nothing, and ultimately makes possible many deaths through his inaction. Aside from Jimmy’s public outbursts, there are even scenes with a specific member of their crew expressing how unsafe she feels around Jimmy. Despite this, a decent portion of the fandom sees Curly as nothing more than one of Jimmy’s victims, which is curious to me when placed in contrast with Yue Qingyuan and Shen Jiu.

Yeah yeah I’m blorbo-brained, but I think there’s a lot of points for comparison between Qijiu and Jimmy & Curly, at least in terms of their dynamic and social roles. Jimmy and Shen Jiu are both antisocial assholes with an unhealthy fixation on the generally well liked and affable guy just above them on the totem poll. They’re both convinced their superior is looking down on them, and resent the power he has (SJ less so, he has a lot of other reasons to resent YQY). They both use what power they do have to abuse those below them. Curly and YQY, for their parts, are shown to be explicitly aware of most if not all of their friend’s worrying/dangerous behavior, but do nothing meaningful to stop it. 

If they’re so similar, then why in the case of Mouthwashing is Curly often absolved of his complicity in the face of Jimmy’s overwhelmingly awful actions, whereas in the Scum Villain fandom, it’s just as common to see people pin all of SJ’s actions on YQY and vice versa?

Now, there’s a couple obvious reasons for this. For one, Mouthwashing is a horror game and Jimmy very effectively makes himself the antagonist, which lends itself to the interpretation of him as a the monster afflicting the other characters. For another, Jimmy sexually abused a shipmate, which is a particularly despicable crime (although so, I would argue, is child abuse). There’s also the fact that Curly is very physically robbed of agency for most of the game’s runtime, which might make it harder to see his power and agency before that point, but perhaps the most important difference is that to fans, Jimmy is deeply unlikable, and Shen Jiu is not. 

Personally, I think the reason a lot of people make Jimmy out to be a monster and Shen Jiu to be tragically misunderstood is simple: it can be uncomfortable to like a bad person. 

I don’t think there should be any shame in liking characters who are fucked up people that do horrible things, but I think it chafes at some sensibility within many of us, learned or innate, when we feel such deep emotional connection to a character who’s actions we would normally morally condemn. 

I’ve definitely observed that in some parts of the Shen Jiu fandom– it's the kind of sentiment that leads to discounting his canonical actions in favor of fanon. I’ve never found those fanons very compelling because I have never had any discomfort with Shen Jiu’s canonical actions— in fact, him being a despicable if pitiable mess is what drew me to him (I’m typically quite the fucked-up-evil-guy liker). For once, though, I find myself on the other side of this discomfort with Yue Qingyuan. 

I was thinking today about how one of the earliest things YQY says to SY!SQQ— his 9th line in the novel— was telling SQQ that LBH is strung up in the woodshed, where SQQ always leaves him after beating him. It implies not just that YQY knows about this singular punishment, but that this is an extended pattern of behavior. To me, YQY seems uncomfortable with the situation, but he does nothing to stop LBH from being abused aside from telling SQQ to “be less hard on him”, even though he’s the only person in the sect above SQQ, and potentially the only one with the authority to stop him. 

If Yue Qingyuan knew, did Luo Binghe know the sect leader had found out? Did Luo Binghe know he had been abandoned to his fate?

Like Curly, I think that Yue Qingyuan’s most unforgivable fault as a character was enabling Shen Jiu’s abuse of Luo Binghe and potentially other disciples. I think YQY’s motivations made sense, and I understand the choices he made, but when I think about it for too long I can feel a deep pit in my stomach grow. 

Why does YQY’s arguably lesser crime of enabling SJ bother me so much more than SJ’s own direct actions? Perhaps because I still want to see Yue Qingyuan as a good person, whereas Shen Jiu has already declared himself evil. Maybe I’ve been a little bit caught up in our unreliable narrator’s point of view. 

Fascinatingly, despite his adoration for Luo Binghe, Shen Yuan cum Shen Qingqiu never (to my recollection at least), blames Yue Qingyuan for SJ’s actions. Instead, he sees YQY as one of SJ’s victims— someone that SJ as good as killed, even if it was LBH’s orders that loosed the arrows. 

Shen Qingqiu has a tendency to, for lack of a better term, woobify his favs, and although LBH is by far the most frequent recipient of this treatment, I’d argue that YQY actually receives it more consistently. This is partially because he’s relegated to friendly NPC whereas poor Binghe is the Big Scary Protagonist, but the only time in the whole novel I can think of SQQ seeing YQY as a person capable of harm and fucking up is after YQY’s confession where SQQ puts it together with SJ’s flashbacks, but even then, SQQ sees him more as a cautionary tale for him and Binghe than someone who’s hurt others. Given this narrative bias, I’m honestly surprised* that more of the fandom isn’t simping for YQY too.

Ultimately, I think this discomfort is normal and worthwhile– something to lean into rather than away from. I’d even say it's necessary, should we ever hope to be more media literate than Peerless Cucumber.

*well, I’m not, but that’s a whole piece of fandom history better left untouched

[gay-disabled-characters-showdown]

LGBTQ+ Disabled Characters Showdown Round 4, Wave 1, Poll 7

A character being totally canon LGBTQ+ and disabled was not required to be in this competition. Please check qualifications and propaganda before asking why a character is included.

Check out the other polls in this wave and round here.

Wei Wuxian-The Untamed / Mo Dao Zu Shi

Qualifications:

Goes through a somewhat unethical organ transplant (in that the person he is giving the organ to doesn't realize that's what's going on) where he gives up his "golden core." This is like his center of power and by giving it up, not only is he not able to do most of the more "magic" things he could do before, but he's also noticeably physically weaker and gets injured much more easily (and takes longer to recover) as well as faints more often (iirc he only faints once pre-golden core removal and that was after sustaining major injuries and going on for a significant time without any healing while also fighting and traveling). Like he finds ways around it and invents new methods so that he can still do some things that he did before, just via a very different method. In the show we don't really see any characters who aren't cultivators, or at least part of that world, so Wei Wuxian is like the only character we really get to see without a golden core.

Also gotta say that this boy is severely depressed. Like "I'm-going-to-ask-my-doctor-friend-to-perform-a-mutliple-day-long-surgery-on-myself-in-which-I-will-be-awake-where-she'll-rip-out-the-core-of-my-being-and-transplant-it-into-my-adopted-brother-who-I'll-make-sure-never-finds-out-what-happened-even-though-he'll-come-to-hate-me" depressed. he has no value for his own life other than what he can give to others, even if it's his own body. like I think some fans unfairly classify him as being insane when he's really just depressed as all hell and having the worst possible things happen to him one after another and every time he breaks down it causes more trouble and usually people end up dying because of him.

Mod note: I find it a bit funny that the qualifications are so long and don’t once mention how he qualifies as LGBTQ+

Propaganda:

https://youtu.be/swbXAVADjxY ^ok this clip kinda explains the whole thing better (and obvs spoilers)

https://youtu.be/2wO5nsnkSBk ^and this video is just for fun but it's a little thing about Wei Wuxian & Jiang Cheng because their relationship makes me unwell

Additional Qualifications/Propaganda by @transparent-internet-maker

Kinda surprised ADHD!Wei Wuxian isn't included I thought that was a popular hc. There are several signs: He seems to forget a lot of things, but at the same time he clearly remembers other things that happened a long time ago. He invented a. lot. of things. His mind is almost never where he physically is and he's really smart in that thinks-way-too-much-out-of-the-box-in-a-short-time way. (1/2)

Then there is the fact that he's actually knowledgable, more than most of the others at times, but we see him doing whatever else he wants to instead of studying more often than not. The inventions point and this put together hint at him not being focused and having hyperfixations. And the general view of not studious but still smarter than everyone else just clear adhd I think. NOT trying to hate anyone, I thought I'd just mention this since I've seen a lot of adhd wwx.

Yoite-Nabari no Ou

Qualifications:

Heavily heavily coded relationship with another boy, canonically intersex and can be read as trans. (implied to be cafab) Suffers from flashbacks, emotional dysregulation, depersonalization due to abuse and neglect. Also terminally ill and progressively loses his sight/taste/hearing and has more trouble getting around and staying awake. Super autism coded, for that matter. To me. And many of the fans actually.

Propaganda:

A very sad boy, in a story about very sad boys fighting for self determination and learning the importance of community. He's a shinobi and can kill people by manipulating their lifeforce from the inside, but he also likes sweets and baseball and mathematics and he communicates like a shy, neglected cat. He's also named after someone's cat. Extremely good character written by an aroace and x-gender author

Anything Else?:

He is the bestest boy ever and should win this tournament by a landslide if the series were more well known

[ketchuppee]

During the 2008 recession, my aunt lost her job. Her, her partner, and my three cousins moved across the country to stay with us while they got back on their feet. My house turned from a family of four to a family of nine overnight, complete with three dogs and five cats between us.

It took a few years for them to get a place of their own, but after a few rentals and apartments, they now own a split level ranch in a town nearby. I’ve lost track of how many coworkers and friends have stayed with them when they were in a tight spot. A mother and son getting out of an abusive relationship, a divorcee trying to stay local for his kids while they work out a custody agreement, you name it. My aunt and uncle knew first hand what that kindness meant, and always find space for someone who needed it, the way my parents had for them.

That same aunt and uncle visited me in [redacted] city last year. They are prolific drinkers, so we spent most of the day bar hopping. As we wandered the city, any time we passed a homeless person, my uncle would pull out a fresh cigarette and ask them if they had a light. Regardless of if they had a lighter on hand or not, he offered them a few bucks in exchange, which he explained to me after was because he felt it would be easier for them to accept in exchange for a service, no matter how small.

I work for a company that produces a lot of fabric waste. Every few weeks, I bring two big black trash bags full of discarded material over to a woman who works down the hall. She distributes them to local churches, quilting clubs, and teachers who can use them for crafts. She’s currently in the process of working with our building to set up a recycling program for the smaller pieces of fabric that are harder to find use for.

One of my best friends gives monthly donations to four or five local organizations. She’s fortunate enough to have a tech job that gives her a good salary, and she knows that a recurring donation is more valuable to a non-profit because they can rely on that money month after month, and can plan ways to stretch that dollar for maximum impact. One of those organizations is a native plant trust, and once she’s out of her apartment complex and in a home with a yard, she has plans to convert it into a haven of local flora.

My partner works for a company that is working to help regulate crypto and hold the current bad actors in the space accountable for their actions. We unfortunately live in a time where technology develops far too fast for bureaucracy to keep up with, but just because people use a technology for ill gain doesn’t mean the technology itself is bad. The blockchain is something that she finds fascinating and powerful, and she is using her degree and her expertise to turn it into a tool for good.

I knew someone who always had a bag of treats in their purse, on the odd chance they came across a stray cat or dog, they had something to offer them.

I follow artists who post about every local election they know of, because they know their platform gives them more reach than the average person, and that they can leverage that platform to encourage people to vote in elections that get less attention, but in many ways have more impact on the direction our country is going to go.

All of this to say, there’s more than one way to do good in the world. Social media leads us to believe that the loudest, the most vocal, the most prolific poster is the most virtuous, but they are only a piece of the puzzle. (And if virtue for virtues sake is your end goal, you’ve already lost, but that’s a different post). Community is built of people leveraging their privileges to help those without them. We need people doing all of those things and more, because no individual can or should do all of it. You would be stretched too thin, your efforts valiant, but less effective in your ambition.

None of this is to encourage inaction. Identify your unique strengths, skills, and privileges, and put them to use. Determine what causes are important to you, and commit to doing what you can to help them. Collective action is how change is made, but don’t forget that we need diversity in actions taken.

[traegorn]

Girl you can rant and rave all day but we all know for a fact you can't vote your way out of this mess so your "genuinely, what else can we do?" sounds like pure cucked defeatism. This downward spiral of American fascism has proven stable, so no, voting isn't going to stop it. The democrats will never be pushed left - as proven by blatant history. I know this is your cue to list a bunch of social services or civil rights concessions a la #bidenwins but the drip violence of homophobia and abortion restrictions under republicans does not come close to the bipartisan armed tyranny that murders people in broad daylight.

Voting isn't going to solve any of this, and no voting isn't going to "clear the way" or make it easier to resist. Democrats have proven over and over and over again they will use the full force of violence to stop anything that truly threatens them and the ONLY WAY to stop American fascism is to threaten them, to threaten the very foundations of the system itself.

You exert all this effort, have all this pained frustration, over the weakest political action you can take. You are not challenging fascism or tyranny or helping any of the people harmed under bipartisan violence. You ignore these people and focus on "harm reduction" for the few who do benefit from the pitiful social safety nets democrats eke out only to be undermined in the next four or eight years as republicans INEVITABLY take back power. Such is the case of a two party system, as history proves. You're staving off the inevitable by exerting all this energy into electoralism, and the people you "save" by electing democrats are inevitably hurt anyways when republicans INEVITABLY take back power - because that's what the system guarantees.

You exist in a cycle of abuse with the American government, a punishment-reward system under the 2 parties that keeps you afraid of punishment and too desperate for reward that you ignore how the hand that feeds you is also putting kids in cages and blowing up babies overseas. You, and everyone who thinks like you, will never be the ones to save anybody.

Idk I was pissed and now got all sad again after writing this. Just so you know my being sad at the state of your ideology isn't a representation of my passivity that people like you like to construe - I am painfully politically active. But it's just...sick. You're stuck in an abusive cult and now I just feel bad for you

I'm usually a lot nicer when I reply to folks, but you brought a certain energy that deserves a different response. I want to be clear to any passersby who I'd normally be polite to in this kind of conversation: This energy is reserved only for chucklefucks who bring this kind of shit to me. Please do not take this as a reflection as to how I'd treat people willing to engage honestly and civilly with me. This anon came to me unprovoked, so they're getting a rather unique response.

So here we go.

Oi, shit head. This was the stupidest thing I've read all day.

Democrats 100% have moved left in the last 40 years. Are we still recovering from when they got dragged right by Reagan in the 80s? Yes. But we've made headway getting things back on track. You claim a lot of stuff here, but don't cite a single example. Likely because you just repeat what someone else told you on TikTok that one time. You couldn't find your way through actual theory if it smacked you in the face with its dick. But you don't want me to actually justify it.

Because your own words told me you'd dismiss any evidence I provided:

I know this is your cue to list a bunch of social services or civil rights concessions a la #bidenwins but the drip violence of homophobia and abortion restrictions under republicans does not come close to the bipartisan armed tyranny that murders people in broad daylight.

Bitch, this shit is a sliding scale. Trump authorized more drone strikes than Obama did in eight years. Are they bad? Yes. But if you're telling me you want more murders, Trump's your guy. Guess what, living in America means dealing with the fact that you've been complicit in genocide this whole time. Look at the land you stand on -- it is soaked in blood. Look at the smart phone you're reading this on, it literally came out of a genocide.

You bathe in blood every day, fucking figure it out.

We do our best to minimize harm. And if you'd ACTUALLY read or watched anything I've said, your two half dead braincells would have noticed the part where I constantly say "voting is not the end of your activism." It's the fucking start.

Either Harris or Trump will be the next President. Trump will be worse. If you aren't doing everything you can to stop him, you're not a leftist, you're a grandstanding piece of shit who doesn't care about anything other than the smell of your own farts.

You want to fuck up the two parties? Great. Put in the fucking work -- because the Presidential election ain't it, shithead. Build a real movement from the ground up. Build community, build a party system, run local candidates. When's the last time your ass went to a city council meeting or a school board meeting? Do you even know when they're held where you live?

But let's face it, you couldn't coalition build if you tried because you're so far up your own ass you kiss your small intestine goodnight.

Daddy Revolution ain't coming, shithead. There's work to do, so get your head out of your ass and do it.

You want Trump to win? Netanyahu would kiss you on the lips for it. Fuck off.

[dcxdpdabbles]

Please update Child Support, it’s hilarious!!!😂

John sighs, slumping on the table. Surrounding him were various bottles of dubious liquids. He found that human alcohol rarely gave him that special kick when he was trying to drink his stress away and would often hop over to a dimension with real fun ones.

He's been under a lot of stress lately.

Danny's potential sutiors were driving him crazy, not to mention the consent fear that he would mess up in a way Clockwork won't take kindly to. His son was slowly finding his footing in this world thanks to the SuperSons. His new school, some posh academy in Gotham, had far stricter policies in regards to bullying, so at least no one had given his boy any grief.

John highly doubted that meant he wasn't facing any verbal abuse. But it was better than the previous five schools he had attempted to send his child to. Danny had even come home one day, waving a permission form to join the astrology club at him, so John figured he owed Batman an enormous thanks. Something like a simple candlelight dinner.

If he could get the stick in the mud to say yes, that was.

Sadly, the other didn't seem to get the memo. Barry pats his shoulder again, more insistant than before. John closes his eyes, trying to get the swirling votrex of dancing unicons to vanish from his sight - He did drink far too much Sparkle Shine Ale- as he mutters. "Danny wants to go on a date."

"Is everything alright?" Barry asks, patting John on his shoulder. The British man groans into the table top, trying to hide away from the overly cheerful fellow.

He can't handle the Flash right now, not when John has finally gotten a moment of peace.

"Ah," Barry's voice takes on a teasing tone. "It's always hard realizing they're growing up."

"You don't understand." John utters in misery. "Dating is different in the Infinete Realms"

"How so?"

"It involves getting parent's permission before hand."

Barry makes a sound that might have been the start of a sentence, but his words are drowned out by a loud and powerful portal ripping the air above them. The rest of the Justice League - for John felt it was safer to get drunk away from his boy and choose to use the company lounge - spring to their feet.

John was impressed with the fact Bruce had somehow been able to sniff out the frauds, back when he didn't even know magic was real.

Besides the location of the Watchtower, various security functions had gone into the blueprints of keeping the Justice League safe. Bruce and had installed defenses from paranormal entities. Every inch of the tower had some carvings that were said to be protective wards.

Bruce placed every ward, charm, and protective coating he could find from various cultures of Earth.

If only they were powerful enough to keep this toerag away from him. John slowly raises his head far enough that his intoxicated eyes can glare at the being, who leaps out of the portal to land on his table with a thump.

"I beg of you, please allow me to date your son!" Klarion, Lord of Choas, drops to one knee and presents a bouquet of the Infinite Realm's most expensive roses. The roses shine and shimmer in various colors and never stay the same for too long. "Our marriage would be a tale for the ages!"

John can't even answer that ridiculous request before another portal rips open, and this time, Asmodeus, a king of demons in a few different realms, falls to his knees beside John's chair. He's in his more humanoid form, having heard the rumor that Danny preference said forms.

He obviously made sure that people would not forget his title of "Demon of lust"with the gorgeous human features he picked out, even if a pair of horns still stuck to his head.

He is presenting John precious jewels that many have lost their lives in an attempt to steal. Mosth had been slain by the lust demon before they even got to glanced at them. "My young lord, I humbly request your approval for your heir's right of dating. I-"

"Get lost! I was here first!" Klarion hisses, flinging magic at the lust demon, "I shall be the one to earn a date!"

"You worthless little worm!" Asmodeus growls, body shifting into a gaint beast that snares at the lord of choas. His once shining jewels now had black spots across them. "Your magic stained my jewels!"

John reaches for his other bottles as yet another voice joins the two arguing higher beings. He doesn't even want to check to see what the rest of the league thinks about all this.

"I, Trox king of the Goblins, have come to humbly request a date with Clockwork's heir -"

"NO! I was here first!"

"I'll shall prove that you worms are not worthy of Lord Danny's hand!"

John wonders, in the far conrers of his mind, if he should attempt to contact Clockwork about this. The emboloment of time was dangerous in a way that would usually mean he would avoid at all costs, but really, he doesn't think he can handle this anymore.

Every day, for the past three months, demons, ghosts, magic users, and whatever else in between would pop up, begging John to approve a date with Danny.

His son unawarely brought this about when he told John one morning before school that he was thinking about joining a dating app some of his classmates were talking about.

His innoccent words had been taken as a request for a mate by every non-human being across the mutiverse and now John was getting bombarded by beings foaming at the mouth, wanting to be the ones that had Clockwork as a in-law.

John was only human, magic powers aside, he couldn't handle this anymore.

Somewhere, he thinks he can hear his ex-lover laughing his ass off.

[edenaziraphale]

There's a lot to be said about the weaknesses and strengths of the writing in Dragon Age games, but for me there's nothing that trumps the way the writers' implicit biases shine through in their treatment of various characters. Anders and Solas showcase the very worst of this. Functionally Anders and Solas could (and I would go so far as to say should) operate as foils to one another. Anders is a victim of decades of abuse at the hands of both individuals and a system that demonized him from a very young age. We are given information about his childhood and time spent in the circle that makes it explicitly clear that Circles are an unjust and abusive system that traumatized him so much that he fled multiple times regardless of the fact that he knew the abuse would escalate each time he escaped. In the end, he chooses to chance death and lifelong struggle via conscription because it is his only shot at escaping his current reality. After that, in DA2, it's made clear that Kirkwall's circle is even worse. Karl is made tranquil, the templars are mad with power, and it's heavily implied that the tranquil are utilized as sex slaves and that some templars may even be selecting mages for tranquility based on their desire for them alone. In the light of all of that, Anders makes a very desperate and destructive choice. Regardless of how players feel about his actions, it's not really up for debate that the context surrounding them creates mitigating circumstances and a sympathetic backing. He was attempting to affect positive change for a group of people facing fates that the game makes clear are worse than death. Despite this, the game's writing treats him as an unsympathetic villain whose actions are not only reprehensible, but completely beyond the realm of human understanding. That dynamic at the end of DA2 carries into DAI. Solas, on the other hand, is on a quest to undo his own actions. His initial construction of the Veil and the problems that it caused can be viewed with (some) similarity to Anders circumstances in that Solas was attempting to right a wrong done by someone else, but the key difference is that, unlike Anders, who was a powerless victim attempting to free other powerless victims, Solas was on a revenge quest to avenge the death of his friend and had an incredible amount of power within the system that he existed as a part of.

His actions had horrific consequences that birthed what is essentially an entirely new existence for everyone in Thedas eons before the start of any of the games. He finds the outcome of his own actions intolerable, and seeks to reverse them. He harms friends and allies to do so, and makes it explicitly clear that he does not care who he harms or what the consequences are to Thedas or the people who live there in his quest to bring back the version of the world that he liked better. Functionally, Solas makes an excellent villain. He stands out from Anders (who operates in his narrative as a symbol of the rage and disenfranchisement of the powerless) as a representation of power and ego unchecked and the damage that they can cause.

Unfortunately, the writing of the game treats him as though he is the tragically complex victim of forces outside of his control when he is in fact the over-powered puppeteer. He is very much the master of his own destiny and he intends to be the master of everyone else's destiny as well by ripping apart the fabric of reality. No character in the series better demonstrates the writer's biases than Varric, who, as a narrator for DA2, essentially acts as the moral arbiter telling players how they should and should not feel about events, explaining what is and is not moral. His reactions to Anders stand out in sharp relief against what we see of his reaction to Solas in the Veilguard releases so far.

To be clear, I don't hate Solas as a character. I think as a villain, he works very well. His complete and total disregard for the wellbeing of others paired with his affect of wise and gentle mage are compelling to witness. His motivations are understandable from the selfish and self-centered core of us as people. He's a fantastic reminder of what happens when we decide that we know what's best with no input from others, when we pursue our desires above all else beneath the veneer of wisdom. He's fun, well rounded, and interesting. He is not, however, a tragic and morally justified sadboi victim of circumstance, and I resent that the writers treated him as though he was.

[call-me-strega]

Dc x Dp Prompt #24: The Midwest Prince(ss)

Danny is a Singer/Siren/Banshee au where he’s basically a Chappel Roan-type figure.( Also, I'm Dead on Main trash so Strangers-to-Friends-to-Lovers, Celebrity x Civilian romance for two of my favorite boys)

Danny’s Ghostly Wail develops into vocal manipulation bc he’s a siren or banshee. Ember teaches him to sing and control the power. He finds music is a good outlet for his emotions and decides to pursue music as Danny. It takes him a few years but he develops a style and brand that he bases off the Realms. However, he doesn’t anyone to connect him to Phantom so he uses parts of his ancestors’ names to become “Walker Gale”(shout out to my beautiful mutual @mirigold-mayflowers for helping me pick that name), ordinary small-town midwestern boy turned Music Icon. He hires Val as his personal bodyguard, Sam as his manager, and Tucker as his head stage tech.

He dresses in really campy clothes the low-key mimic his ghost form as well as other ghosts he’s met. The outfits change to match the vibe of the song. So a rock ballad with an outfit inspired by Ember, Show Tunes-Murder Mystery-type-beat with a costume for Amorpho, EDM-techno-hyperpop themed song styled after Technus or Skulker, etc. He just has a lot of fun experimenting with his appearance and he’s an icon for it. He even makes friends with Star and Paulina through this and they give him feedback and help with new looks. The eventually join the team as his PR and Styling team.

Since he’s a banshee/siren all his songs have this underlying despair/sadness even if they have a fun and bubbly beat. He also references his feelings about being/hiding as Phantom and being partially dead and shit but vaguely so no one actually knows or assumes it’s a metaphor. Many of the themes are actually things lgbtq people identify with, specifically trans and bi fans. He also references battles he’s fought and ppl assumes he’s talking about mental illness or abuse which attracts another category of fans altogether. Again inspired by Chappel Roan his first album his called "The Ascent and Downfall of a Midwest Prince" gaining him the nickname the "Midwest Prince".

He’s weird and unfiltered and full of emotion and he gains a few fans in the hero community too. Raven and Zatanna start a fan club for him, well aware he’s some type of banshee/siren but knowing that the extent of his powers are being used to deliver beautiful performances. The are staunch supporters of him and his music and spread it to their friends. The current fan club is Co-Presidents Zatanna + Raven, VP Greta(Secret, a.k.a: a ghost hero), Starfire, Bart, Cassie, Tim, Kon + Jon, Steph, Cass, and Billy.

His identifying features are a signature make-up look and white underdye (when the color is on the underside of the hair). He’s grown his hair longer so it’s not super visible when he has it down and not styled. He also looks different without make-up so he can totally go unrecognized in public and live life semi-normal (as normal as a half-ghost vigilante powerhouse superstar can be). He actually planned it to be that way so that he could still go to college and stuff even though he’s doing it mostly online. All this to say that Danny has low-key got a Hannah Montana thing going on. Also, let's mix it up a bit and say he's based in Star City.

One day Danny goes to a second-hand book store because he's looking for a cheap textbook when he bumps into an absolute hunk of a man who doesn't seem to recognize him. Jason had been in Star City to visit Roy and Lian. He stopped at a second-hand bookstore to see if he look for some older editions of books (one time he found a second edition copy of Persuasion so he likes to peruse) and ran into a super pretty boy who made his chest feel funny and doesn't realize he's a Wayne. They got to talking about started really connecting. They decided to exchange numbers and kept in touch, meeting up every now and then when they had the chance. Danny gave him his private social media accounts so Jason never learned much more beyond that Danny worked in the music industry but not his exact role in it.

Eventually Danny moves to Gotham, either bc he switched labels or to be closer to Jazz whose doing her doctorate thesis on reforms that need to be made in Arkham. He and Jason begin meeting up in person more frequently and start catching feelings. Danny really wants to ask him out but feels sleazy doing it without telling Jason about his past and superstar alter ego. However, he also doesn't want to lose the mostly normal friendship they have. On the flipside Jason wants to date Danny but doesn't want to drag him into the life of a vigilante or the life of a Wayne. Both of them Pine and Agonize over this. In the end Danny decides to bite the bullet and tell Jason who he is, every part of who he is. He invites Jason over for a movie night and tells him he's got something important to tell Jason.

That same day Starfire decides to introduce Walker Gale's work to the other Outlaws and Jason really resonates with his work. He identifies with the lyrics on a literal and physical level and recognizes the underlying emotions that usually only other ghosts or liminals can. Starfire overjoyed that her friend likes his music decides to show Jason some of his music videos and photos. Jason, not being blind or an idiot, recognizes not only the props and costumes but his crushes face under that (very well done) make-up.

Jason is stunned and conflicted: it’s not like Danny lied to him about who he was, but he was entirely truthful either. Did he assume Jason knew? Or did he just not trust Jason? Why did he even bother with Jason, a seemingly regular guy, if he had such a claim to fame? And Jason keeps listening to his music and it’s speaks to him the same way hanging out with Danny does, making him feel seen and connected. It makes him all the more sure that someone incredible as Danny doesn’t need someone like Jason. He heads to Danny’s place that night very subdued.

He gets to Danny’s place and the smile that greets him twists him up inside. He puts on a mask and tries to act normal but Danny can tell somethings up but persists as he has made up his mind to be clear with Jason. He sits him down and tells him there is something important he wants to tell Jason. He starts by letting Jason know that he cares about him very much and appreciates the normality and closeness of their friendship. He confesses that he doesn't normally get that bc well, he's the superstar "Walker Gale". Danny goes onto say that the reason he didn't say anything earlier was because he treasures the simplicity of what he had with Jason and the reason he's telling him now is because he couldn't continue a relationship that he wants more from without being completely honest.

Jason's heart thunders in his chest and he stares at Danny with a slightly constipated look. Danny asks Jason what's wrong and on an impulse Jason word vomits his feelings. That he actually found out through a friend earlier today, that he really connected to his music the same way he did with Danny, that he's never felt seen the way Danny sees through him, that he's never felt the same way as deeply before, that he's completely and utterly in love with Danny but was scared to say anything and get him involved with his crazy life and the Waynes. And Danny sits and listens shellshocked.

And the only thing Danny can think to do is kiss this incredible boy senseless and tell him that if he likes him back then they can figure it out.

[paulyenvol6]

Byka Atroksia (Masterlist)

This is the masterlist/moodboard/summary for my new series called "Byka Atroksia". It's a story between Daemon Targaryen x reader (Vhaela Targaryen)

First of all: This story is based on the HBO/Max TV show House of the Dragon and the works of George R R Martin. I don't own any of the characters.

This story should only be read by people over 18 years as it contains adult content.

You can find the following themes in this story: HIGHLY detailed smut, fingering, oral (f & m receiving), kissing, dirty talk, losing of virginity, gagging, p in v, unprotected sex, period sex, praising, degrading, edging, overstimulating, blindfolding, some non-con choking, possessiveness, body image issues, angst, mentions of period and pregnancy, incest, inappropriate relationship between uncle and niece, power imbalance, dom!Daemon, inexperienced reader, arranged marriage, toxic relationship, morally questionable behaviour, abusive behaviour, sexual abuse (not performed by Daemon!)

Disclaimer: I am aware that the dynamic of this relationship is problematic as Vhaela's inferiority complexes cause her to search for Daemon's attention. So please be careful while reading this and have in mind that this kind of relationship is neither healthy nor desirable. Daemon is a bad person. His actions are irresponsible and unethical and he manipulates Vhaela. Don't try at home please.

Disclaimer 2.0: The G Spot: In this story I mention the g spot (even though the characters obviously don't know this term for it and what exactly it is) as a way for women to receive pleasure. I know that the existance of it is controversial and it's not scientifically proven that something similar exists. However, I still decided to include it in my story so my main character is able to receive pleasure by vaginal sex, but be aware that a lot of women don't get pleasure plainly by vaginal sex. I just don't want to portray a false image of what sex is supposed to be like so I felt the need to write a short paragraph about it.

Summary: Vhaela Targaryen is the younger sister to Rhaenyra Targaryen and has all her life felt like she was competing with her sister for their interesting and dangerous uncle's attention. In Vhaela's mind her beautiful and confident sister has already won this fight but when Daemon Targaryen returns from a battle at the Stepstones things seem to be a little different and she explores a whole new world of emotions.

Smut is marked with *

Chapter 1 Chapter 2 * (very light smut) Chapter 3 * Chapter 4 Chapter 5 * Chapter 6 * Chapter 7 Chapter 8 * Chapter 9 Chapter 10 * Chapter 11 * Chapter 12 Chapter 13 * Chapter 14 Chapter 15 Chapter 16 * Chapter 17 Chapter 18 Chapter 19 Chapter 20 * Chapter 21 Chapter 22 Chapter 23 Chapter 24 Chapter 25 * Chapter 26 (Final chapter)

[transmutationisms]

i would love to hear more about your criticisms of the BITE model! for me it always feels.. unfalsifiable? it seems to do poorly at distinguishing a cult from any other community, if you squint at the definitions

yeah so first of all i'm not particularly keen on even trying to defend the category of "cult" in general. obviously abuse and control methods can and do happen in groups, but i don't think it's particularly useful to talk about this like there's a strict dichotomy between evil malicious groups and all the others. and i think generally, when people do try to sort groups into strict categories like that, what you actually see is that the differentiating factor is less to do with the degree of control exerted by the group and more to do with how much the person doing the sorting is bothered by the group's ideology or doctrinal commitments lol. like, this is sort of baby's first cult concept critique but yknow, a group setting where you're being extremely openly financially controlled is your job and yet most workplaces, however abusive and surveilled and controlling, are not typically designated a 'cult' unless they're also peddling some kind of heterodox religious or medical claims or something.

anyway in regards to BITE in particular, yeah i think it does a really poor job of distinguishing between a 'normal' level of social pressure to say/do certain things, and the kind of control that ostensibly characterises a cult. for example steven hassan has called both MAGA and online trans communities cults, and a lot of this comes down to his persistent and pretty open belief in the power of 'mind control' and hypnosis as mechanisms of cult control. ofc any group of any political persuasion could engage in abuse and high-control of its members! usually this occurs by financial means, social isolation, etc. but hassan's BITE model isn't really good at identifying these kinds of material factors despite paying lip service to them, because it's more motivated by his desire to root out these kinds of shadowy quasi-occult forces of mental reprogramming that he fears.

i just find the whole model to be pretty silly and used mostly as a way of justifying dislike of lots of different social, religious, and political groups---some of which are genuinely mistreating members, some of which are just saying things their critics disagree with---because it's perceived as a reliable social-scientific designation and therefore name-dropping it helps the speaker feel that they're making some kind of objective scientific observation rather than a judgment dependent, as are all judgments, upon their own perspective and values. i think instead of this kind of haggling over Which Groups Count As An Evild Shadowy Cult it would be infinitely more productive and helpful to vulnerable people to talk about how high-control groups operate, what sorts of methods specific groups are using to control and abuse their members, and what sorts of resources those members are dependent on the groups for and need access to from other sources: financial and material provisions, social support networks, etc.

[maniacwatchestheworld]

Things to do with Jack and Maddie without them being abusive

As someone who actually likes Jack and Maddie as characters (I'm a fervent shipper of Maddie/Jack/Vlad), it's a real bummer to see so many people out there deciding that for their DPxDC AUs that Jack and Maddie are abusive, when that really doesn't represent how they are in canon. Now I fully acknowledge that doing this can be a very useful tool for telling certain types of stories, and if you want to make a story about recovering from abuse and finding a new found family, all the more power to you for that! But for any other type of story where them being abusive isn't necessary for the backstory of the story you want to tell... It's just a bummer to do that, y'know? If you don't want to tell a story with Jack and Maddie in it, that's entirely fine! I'm not asking you to. But there are ways to get rid of them without making them abusive or dying. Of the two, I personally would prefer them dying (I just like the story potential of that, especially as far as Vlad is concerned). But there are plenty of easy things to do with them to keep them out of the story that don't require them being abusive or dead! So I'm here to give a list of things that can happen to them (that have precedent within either Danny Phantom itself or the DC universe) that keep them out of the story that don't require much explanation as well as some other ideas for what you can do with them if you have no idea what to do with them otherwise.

Lots of ideas under the cut! (Feel free to take what you want. As always, credit is appreciated, but not necessary. But I would love to see what you do with it!)

If you need them permanently absent so that Danny can get adopted

Fell into the Ghost Zone and cannot be found.

They are gone for whatever reason and Jazz is currently Danny's legal guardian (she's 18 or older and is therefore a legal adult).

While in the Ghost Zone, they accidentally traveled through time/got transported somewhere where they can't get home easily.

They got severely Joker gassed and are in medical care. (This is actually what happened to Duke's parents!)

They got severely Scarecrow gassed and are in medical care.

Went insane for some supervillain-related reason and are now missing/in medical care.

They were kidnapped by a villain for some reason.

They were kidnapped by a villain and are currently in a lotus-eaters simulation and therefore don't even know that they've gone missing.

Abducted by aliens.

They got wrapped up in some supervillain bullshit and now have amnesia and are unable to recognize Danny and Jazz.

They got magicked into something that can't take care of Danny and Jazz.

They were experimented on and are now incapable of taking care of Danny and Jazz.

Some cosmic entity did a whoopsie that effected Jack and Maddie and now they're in a condition/situation where they cannot take care of Danny and Jazz.

Got arrested and are in jail for some reason.

Were arrested and sent to jail for a long time. Have since joined Task Force X/the Suicide Squad for lienency.

Got hit by a stray Zeta-Beam and are now on some alien planet.

They got teleported somehow. We aren't certain about the details.

They fell into a hole to another world.

They no-clipped out of their normal reality.

Stranded with no way home.

They somehow ended up on a different planet. They are just hanging out with Space Cabbie now, who is just having a ROUGH day and can't find Earth for whatever reason.

Inducted into a Lantern Corps and are VERY busy because of it!

Coma.

Effected by a debilitating illness/disease/condition that makes them incapable of taking care of others.

They were forced to go undercover for some reason and therefore vanished. (Letting their kids know is optional)

They were forced to go undercover for some reason and were forced to fake their deaths.

They died, but came back to life. Danny has not been informed of this.

They got possessed by a superhero or supervillain who just wandered off with their bodies.

They got separated following a disaster and haven't been able to find each other again.

They've been retconned to hell and back again to the point where no one is entirely certain where they are, what they're doing, or even if they're alive anymore. Don't worry about it! Only mention them when it's relevant and the rest of the time we aren't going to bother explaining what's going on with them. If they are mentioned, accounts of where they are and what's going on with them are contradictory.

They're around, but will go unseen throughout this story

Any of the situations in the previous section, but it only happened to one of the parents, and the other is just too busy working and taking care of the kids by themselves.

The same as previous, but they also moved to Gotham.

Retcon things so that the events of Danny Phantom actually happened in Gotham City all along. (Maybe Amity Park is like... A suburb in the greater Gotham area.)

They went on vacation/were hired for a job that would take them away from home. They left Danny and Jazz to be taken care of by Vlad. Vlad is an asshole, so they ran away from him.

They went on vacation/were hired for a job that would take them away from home, but now that Jazz is over 18, she's been left in charge.

Put into Witness Protection by the government/the Guys in White.

Danny and friends have graduated from high school and are now legal adults, perhaps in college.

Danny's whole family moved to Gotham City. They're just at home/working during the events of this story.

Jack and Maddie have been hired to do some work with the Justice League and need to be away from home for an extended period of time. They have left a member of the Justice League to take care of Danny and Jazz in the meantime.

Fieldtrip/school trip to Gotham City.

Danny is old and responsible enough that Jack and Maddie trust Danny (and/or Jazz) to travel on their own. His parents are just a call away if he needs help.

Jack and Maddie are separated for whatever reason (one went missing/one is working abroad/they are divorced/one died) and the other moved to Gotham and is taking care of the kids in the meantime, but is busy and so will not appear.

Something happened to Fenton Works and the family needs to temporarily stay somewhere else while the problem with Fenton Works is sorted.

The family was driven out of town and they ran off to Gotham to escape the angry mob. (Or at least to wait until things cool down again.)

Jack or Maddie are able to work remotely and so they've moved to Gotham to do so. The kids came along/are visiting.

Jack and/or Maddie were hired for temporary work in Gotham and decided to bring the kids along.

One family member was taken to Arkham Asylum. They moved to Gotham to be closer.

Jazz went to Gotham for college. Danny is visiting.

Danny is sent to Gotham/Arkham for specialized health reasons.

Jack and Maddie have gotten in contact with a specialist that lives in Gotham and are visiting for work-related reasons.

They are on vacation in Gotham and brought the kids along. Danny and Jazz have been let off the leash to go where they want while Jack and Maddie do touristy stuff.

Visiting family/family friends living in Gotham.

They were passing through but are now unable to leave. (Bonus points if it's a No Man's Land situation.)

They were passing through, but were robbed. Jack and Maddie are dealing with the robbery stuff where Danny is off somewhere else.

They were just passing through, but Maddie and Jack got SEVERELY distracted by something and have run off to who knows where!

They are traveling with Vlad and expected Vlad to take care of and watch the kids!

Danny was abducted to Gotham.

Danny accidently ended up in Gotham somehow.

Danny somehow got transported/teleported to Gotham.

Doing an educational trip/apprenticeship/internship over in Gotham.

Danny ran away impulsively.

Some villain threatened Danny's family and forced him to run away from home.

Danny has revealed his secret to his parents, and while they might worry about Danny being a vigilante, believe in and trust Danny to do the right thing and allow him to do what he feels that he must to protect people.

The same as above, but Vlad also came out and is supervising.

They died.

I cannot understate the sheer JUICY storytelling potential that you can have by killing Jack and Maddie off! We already know how it might effect people and events from what we see in The Ultimate Enemy, but there really is limitless potential in terms of ways to twist, turn, and play with things to have different outcomes! Additionally, Jack and Maddie being genuinely good parents that die protecting Danny and Jazz offers lots of ways for Bruce to relate to Danny and Jazz! (He decided to become Batman so that no one would have to face what he did ever again... And he failed...) And the way that they die can offer some lovely different flavors of angst, coping mechanisms, motovations, and learning to deal with their loss. So here are some ideas for how to kill them off!

The universe exploded again, and when it was put back together, Jack and Maddie ceased to exist in current canon continuity. (This happens more often than you'd think.)

Vlad Wins.

They were killed in an apocalypse-level event.

They were killed in the crossfire of some superhero/supervillain fight.

They were taken by some villain. They were killed before the heroes could arrive.

They were killed in a random act of violence/crime. (Much like Batman's backstory. Do this to gain extra points from Bruce.)

Died in prison/after joining the Suicide Squad.

Gang violence.

Any of the previous but Gotham is just THAT dangerous!

Same as any gassing or supervillain plan, but they died instead of being missing or in medical care.

Got transported to a place where they died very far away from home.

They just died suddenly or because of an accident. It happens sometimes.

Things to note

Believe it or not, but your parents can still be in your life AND you can join the Batfamily AT THE SAME TIME! :D

Examples:

Barbra Gordon is very much in the Batfamily and both of her parents are alive and well. She's a very important part of the family, and in the comics, it is not uncommon to see her calling up her dad and talking to him! They'll even call each other if they need help with something. This does not take away from the fatherly role Bruce often has in her life. (She can have 2 dads and good for her for that!)

When Tim initially became Robin, his parents were alive and well. They would later die because comic writers are just like that, but being an orphan without loving parents in your life is not a prerequisite to being Robin.

Duke's parents are also alive! They are under the effects of Joker toxin, but they are alive, and if they ever find a cure for it, I imagine that they would be more than happy to have Duke back in their lives!

Terry from Batman Beyond is not an orphan and was taken under Bruce's wing to be the next Batman! Terry is even going to inherit a fair amount of Bruce's wealth for deciding to take on the responsibility of being Batman. But while his dad did die, his mom is still alive and well over the course of the series! And he has a little brother too! Terry may still be a teenager, but he is a bit of a breadwinner for his household while also still being an important part of Bruce's family. (He is often someone who helps Bruce take care of himself.)

But if the story you truly want to explore requires being adopted specifically... Well... You don't have to be a kid to be adopted! Jack and Maddie can still raise Danny and Jazz into adults and Bruce is able to adopt them later if he wants, once they have been well and established in his family! Hell, you don't even have to wait! As long as Bruce asks permission from Jack and Maddie, they can be alive AND he can adopt Danny! There is more than one way to be in a family, you know! And sometimes it takes a village! And really, would Jack and Maddie really object to Danny being adopted by billionaire Bruce Wayne, especially if Danny really is enjoying his time being a part of his family and if Bruce has been an absolutely lovely person to them whenever he visits?

So I hope that you're able to take some inspiration from all of this for your own stories! If you need some elaboration on what I mean with some of these, or want to ask who could be responsible for some of these and how, feel free to drop on by and send me an ask! I would be more than happy to go into some more detail about these! Happy writing!

[mysteriousauthor448]

What if Class of 09 Flipside was made by a Woman?

I liked Class of 09. I liked it's snappy dialogue, I liked it's social commentary of high school and women's experiences with creepy men and adulthood, I liked how it gave such a compelling main character where you know she's awful yet acknowledge that she has her reasons without justification. I like Class of 09, both the original and re-up. What I don't like though, is Class of 09: The Flipside.

Setting my personal disgust with the feet routes and the 'Palestinian slave trade' comment aside, the writing in Flipside just is completely different from the last 2. Instead of focusing on the biting social commentary of the woman experience, it instead prioritizes shock value with only some form of substance (e.g, jecka seeing nicole's suicide, jeffrey's death, the ending messages apart from the creator) And you know what else sucks? We never actually got to explore Jecka properly of who she is as a character, her relationships with her family, friends, former friends...Sure, we get doses of her life like her dad which does do what the game promised: Change how we saw the Class of 09 story before. We now understand why Jecka was terrified of the cop's yelling, not only because an powerful authority abusing his power but also experienced it before. See, this was the stuff I expected from Flipside. This was what the game should've prioritised in. Instead, it seemed like the creator would rather showcase his fetishes and spite people that don't like him or the game. From that there on, I keep thinking to myself: 'you know, this game would've been better had a woman wrote this.' But can they?

I'm a woman experienced high school before, even tried to fit the class of 09 writing style on my characters in my own personal time. Given how a lot of class of 09 fans are disappointed with the new game and I want to get into writing publically, I figure that I be the one to rewrite Class of 09 The Flipside in hopes of re-capturing the essence of the first two games alongside the game's intentions itself. Even though it's still in development, I've already outlined the routes/endings so far for you all to get a peek:

Route 1/Ending 1 - Invasion of MySpace: The foot route will be replaced by Jecka taking and making videos/pictures in order to make money after being fired from her job. Think of it like a late 2000s or early 2010s version of OnlyFans. This would help remain the social commentaries of men’s creepy behaviour to women alongside how their safety is affected. There’ll be an option of whether to go to the creepy man’s house or go home. If she goes home, she finds Nicole giving her dad a handjob with a dead expression. It ends with Jecka killing herself and implies that Nicole followed her too (not half naked though, just in regular clothes cuz I'm not a freak unlike someone)

Ending 2 - MurderSpace: If Jecka chose to go to the creepy man’s home, she gets murdered and placed like a doll in the man’s basement. 

Route 2/Ending 6 - Breaking the Wounded Heart: Jecka finds herself to work with Karen and Ari at Dominos. Overtime, they start to form a bond and Jecka herself starts to mature and finds Nicole to be unbearable. Jecka finally breaks off her friendship with Nicole and cuts forward to the future where Jecka currently lives a peaceful yet boring life, reflecting on the past with Nicole, wondering if she’s really better off without Nicole because while she’s now in a stable life without the chaos, it's the chaos that entertained her: Nicole entertained her. And now it’s all gone. But in the end, it suggests that things are much better with Nicole gone as it cuts to a phone beeping and Jecka looking down at it with a smile while Ari is by her side. Yes, this is the route where Jeckari is canon. I know this sounds too sweet for Class of 09 but I want it to still match the vibe with it being less shocking but more real in a way. Something too realistically depressing but still mundane. This is what I planned to be the saddest but best outcome of the game. The most real I should say. 

Ending 5 - Was it all worth it?: If Jecka chooses Nicole over her new friends, it ends with her and Nicole being homeless smoking drugs in an abandoned forest with Jecka reflecting on whether or not she made a good choice with Nicole before commenting on needing a Xanax to distract her from the regret and pain. 

Route 3/Ending 3 - Fuck Men!: Jecka gets into a relationship with a presumably kind-hearted gentleman. Nicole tries to warn her but Jecka won’t listen. She then is coerced by the man into doing sexual favours for his economic gain, making her become a sex trafficked victim.

Route 4/Ending 4 - Drunk Drive Delivery: Same route where Ari dies but instead the ending changed to Jecka being arrested for 6 months where the ending monologue would showcase her conflicted in anger and regret. Plus, it plays more to the idea of Jecka ‘dying at 21’ logic with being forced to work: adult party culture: that kind of thing. 

I'd be happy to hear any feedback or/and ideas for this rewrite.

[heavencanbeaprisontoo]

Partner Age-Difference Preferences (Peaky Blinders HCs)

Gn!Reader x Various (Tommy, Arthur, John, Michael)

A/N: suggestive language, toxic masculinity, toxic relationships, discussion of age-gap relationships, the reader is 18+ in all scenarios.

Tommy:

Prefers same age, won’t refuse a younger partner. Tommy has tried being with older partners but found they wanted too much control. And by “control,” we mean an equal part in the relationship. Tommy wants to have two worlds to live in, his world in business and his world at home. Partners his own age/younger tend to tolerate that more. Either they understand what he needs, or they are too naive to see it.

There is a power dynamic that he’s attracted to as well. A same aged partner will debate with him, but not shove him the way an older partner might. Wordplay is a turn-on for him, it’s really foreplay. Even the exchange of barbed comments can get him going. You could be certain that you’re in an argument with him and slowly it melts into an intense bout of eye-fucking that ends up with you naked. A younger partner is perfect for him to put on a pedestal and protect. If you can stand up to him and keep up with his mind, that’s even better. But don’t expect him not to use your age against you if you actually try to have an argument with him.

With a younger partner, Tommy will accept at maximum a ten year age difference. Occasional lovers can be a bit younger, but not by much. By Series 5 or 6, however, Tommy could go to twenty years age difference.

Arthur:

Doesn’t want to admit it, but most women his age feel inaccessible to him. Really has no preference, but most of his partners are younger due to them not immediately identifying that he can’t be changed. And that’s the cruel thing about it all. An older partner has seen people like Arthur and know that they have to accept him as he is or leave. Other partners might not. Which leads Arthur to greater heartbreak.

Unlike Tommy, he will put his partner on a pedestal regardless of age. Whoever you are, he will deify you based only on your choice to love him. Nobody’s ever chosen him before. You must be special. Saintly. An angel. He’ll feel that way even after you leave him. This would likely be most distressing for a younger partner. Arthur is emotionally volatile and immature. He won’t fully understand that the way he clings to you is abusive. He won’t. Not unless you commit to educating him on that, or really, making an ultimatum with him. Threatening to leave him is the best way for him to change even slightly.

Arthur doesn’t have a true preference for age, but he would not be with someone more than fifteen years younger than him. There’s something about feeling like he could be their father that just immediately turns him off. Fifteen feels safer, somehow.

John:

He’ll say he likes them younger because that’s the thing all men say, right? Really, he wants either a partner his own age or older. A partner that knows what they want and know what To Do when they’re alone in bed with him. Also, an older partner might just make him feel… safe. Ideal age difference with an older partner can go as high as ten years.

John does fairly well picking up younger partners for a night of fun, but he’s self-aware enough to know he can’t make a life with them. He has children, he has a drinking problem, he’s a boy in a suit with a gun. John knows this about himself and he wants to grow up. He wants to be stable. John can’t see that happening with a bouncy young thing he met at a pub.

John never wants to look like he’s not the boss in his relationship. Even if everyone can see that you’re the leader, he won’t admit it. The truth is, John is rather immature. Even a partner that’s his exact age is likely to feel older based on that. Unless you are also immature, you’ll find yourself having to be The Adult a lot of the time. Which embarrasses him, but he won’t change quickly. He’ll just put on his angry face and stomp his feet until you make it up to him.

Michael:

Has tried to be with partners younger than himself and found it just wasn’t what he wanted. Hates to say it out loud, but he actually prefers an older partner. Call it Mommy/Daddy issues, but he wants a partner that he can impress. He wants to prove his worth to you constantly while also having you on his arm as a sort of trophy.

In the case where his partner is older, his ideal age difference would be between 3-8 years give or take. Nothing extreme on paper. That’s not to say Michael wouldn’t be attracted to someone older than that, the 3-8 mark is just his go-to answer.

Like John, part of his attraction to an older partner comes from a want for stability. Michael is less interested in the traditional sense of stability, however. He lived a life in the countryside with two well-adjusted parents and a little brother. Michael knows what that life is like. His want for stability comes from wanting a partner with similar wants and goals who won’t easily change their mind. A younger partner or same-aged partner might change their values over time. An older partner knows precisely what they want, and will support Michael. Support him, be in awe of him, have all their attention on him. That’s what Michael wants.

[originalwinnercheesecake]

Wish list for CBS ghosts season 4

Make Patience a recurring antagonist for at least 2-3 episodes before that story gets resolved and she gets regulated to a background character.

Patience character to be 50% good religious farm girl, 50% crazy witch. She also needs to have a wicked(ly cool) ghost power

More of Isaac loving dinosaurs

More solo development for Isaac

More of Isaac and Hetty's awesome friendship

No Nigel for a while. I do not like him. He did a lot of things in his and Isaac's relationship that are textbook abusive partner behavior.

I think it is about time for Jay's restaurant to start up, and I would like that to actually become pretty successful/profitable. Mostly because I would like Sam and Jay to have a bit more disposable income to do things around the manor, and I know the B&B is unlikely to become super busy next season (unless the show is ending , which I really do not want).

The difference in treatment between the above ground ghosts and basement ghosts to be addressed. I know after season 3 that they aren't going to move them all up stairs. But it would be nice if Sam and Jay could like furbish the basement , and then more Basement ghosts than just Nancy got invited to come upstairs for games or discussion.

Just to be clear I still want Nancy to keep making her frequent visits up stairs and hang out with the man 8. I just also would not mind seeing Stuart or another nameless basement ghost standing or walking by in the background on the occasion.

Explore Pete's power more. He does not need to hop on a plane and go across the country or anything, but let him keep going out into town and having adventures. Also let him keep going on dates with other random ghosts outside of the house.

I know that Pete&Alberta will probably happen at some point in season 4. The thing is though while that ship was cute in season 1, the way the ship was handled in season 2 soured it like milk to me. Both characters need a lot of development, and separate explorations of what they want out of a relationship, before I can ship them again.

H-Money is still a couple I kinda like. I do not expect them to get back together in season 4 (Please not another season that is fully devoted to coupling up all the character), but I would like them to start scheming together again. Let them figure out how to interact together as friends, and build a stronger foundation to eventually, in season 5 maybe, try again.

I have heard people suggest that Pete's power could maybe be extend to getting the other ghosts through the barrier if they are like holding onto Pete's hand. I want this. Now I know Sass will want to visit a Pizza Hut, and Issac a dinosaur museum, but I would say the most important thing to do with that would be to take Thor and Flower over to the Farnsby manor to visit Bjorn and his girlfriend Judy. It would also be cool if there was a lesbian ghost living there they could set up Nancy with. Since Nisaac is on a "respite" and queer representation (preferably healthy queer representation) is important.

Everyone remember in season 2 when we learned about Flower's super protective, formally MIA, army vet brother : Rob. You remember how the show's staff said they would love to have Rob come to the B&B for a visit, and were already considering actors who could play him? I want this episode. Also if you cannot directly tell Rob his sister is a ghost on the property, then can Trevor or Alberta use their powers to help Flower send a message to Rob. To say that she still loves him. I cannot deal that both siblings spent like 50 years thinking the other hated them when neither did. It is to sad.

It would be cool if we could also have Ira visit once too. I know Flower did not love him like she did Michael or does Thor, but he was still someone who was a big part of her life for a while, and knowing her cannonly had a large impact on his. Maybe we find that while he has done charities in her memory, trauma over watching her be killed by a bear has also lead him to sponsor bear hunts or poaching. Flower is horrified. Then Sam and Jay have to spend his visit looking for a way to convince him that is not what Flower would have wanted.

Four standard episodes for each season are a Halloween episode, an episode where Bela visits, one where Stephanie wakes up, and one where Crash appears and is slightly relevant. I have no idea what to do for an episode with Crash, but for the others

-Ghost animals on Halloween

-Home theater night for ghosts and guests on the night Stephanie wakes up, complete with all the drama of set up and shenanigans that going to the movies encores.

- Bela is broken up with Eric, she does not even like him. This time her and Jay's parents come with her for the visit. Bela wants all the latest gossip surrounding the ghosts, but they have to tip toe around the parents. Jay's dad does not fully support the B&B even without the knowledge that it is haunted, and Sam does not want to give her mother in law another reason to suspect that she might be crazy.

Owning back to the "Can Pete take the other ghosts off the property" theory, can Thomas Woodstone be a ghost who died visiting a neighbors property. We have no reason to see Elias again since he has decided to stay put in Hell. But Thomas reappearing could be interesting for both Hetty and Alberta. If he does show up though I want the twist to be that he is actually severally cognitively impaired (think Lenny from oMaM)... I mean the man was from an inbred family, played with lead based toys as a baby, had a cocaine addict mom, and a father who was a lot of things. He could not have been all there. Also address more on if Earl ever actually cared for any of the people he was two timing (again development that needs to happen to make Alberta want to go from dating an Earl to a Pete).

A Sasappis based episode that is not his death story. I feel like he needs at least one more episode exploring what his life alive was like, to be appropriately gutted when we learn about his secret death.

Actually maybe we can hold off on Sass's death and Hetty's ghost power until season 5. let's keep the element of mystery in the show for a little longer.

[yamujiburo]

Some of this might sound intentionally hostile in text and I apologize.

I'm saying this as an abuse survivor mind you - don't throw "abusive ships" under the bus so easily - at least, so long as they're not actually glamorizing the abuse. I lived that irl and I personally find someone overcoming it, slowly having enough of that bullshit and getting out over time, and the other person having to wipe their own butt for once after they've made the damn mess, very refreshing. Maybe that's not a ship in the traditional sense. It's no happily ever after bc it shouldn't be, but I find stories like mine shyed away from so often because even the portrayal gets considered a "canon ship". ... that's just how media works now, I guess? I very rarely See a fictional relationship not called a ship in literally any context now so that's the definition I'm running on.

I wish more people were willing to portray the hardships of finding acceptance outside of "whoever you can find will accept you" very much, and finding the better things after. I wish people weren't terrified out of portrayimg situations like mine.

Jessie.. is not a good person in canon. You expect me to believe she moved into to hanamusa seamlessly, without falling on her ass? I never see you talk about Jessie's abusive tendencies in canon. You never talk about the inherent meanness she needed to get over to get there. She's quite aml lot like my ex in canon, actually.

What do you mean you're going to just remove from the character that she is abusive to those around her. Jessie hits people. She takes her own junk out on others all the time. Do you even like the character then, are you actually invested in her growing, or are you just making an OC at this point?

Idk. Do you, boo. But you are posting about a character who, whether you like it or not, is canonically abusive. I just don't buy that dating Ash's mom alone fixed her. That isn't... How that works. It would be excellent if it did. Part of my love of hanamusa is that it signals Jessie's change - but she could have changed for anyone before now.

What makes Delia different? How is she specifically a turning point for Jessie? Because Jessie's flaws go well beyond just bossing people around.

I would love if my abuser had the same outcome as your Jessie. I adore your portayals of hanamusa, where she's still flawed but still strives to do better. That's all I ever wanted from my ex.

What the fuck got her there tho.

Anyways I've been watching a lot of Bojack Horseman lately -

I agree with you! I don't think abusive relationships (or any tough subject matter in general) should be shied away from in media. It can be powerful when executed well and written by folks who are equipped to tell those kinds of stories. I do think it's sad when people treat it as off limits. But the ask I got was definitely more about which ships I have where I actually like the relationship between the characters. I think the semantics of the word "ship" are kind of vague or rather, over time, got so specific to only mean "absolutely love together and want them as endgame" (for most people anyways). So that's usually what I take the word to mean when people ask me about it.

I can 100% appreciate how an abusive relationship is written and handled, but that doesn't mean I'm gonna ship an abuser with their victim (that falls into the glorifying you're talking about). Love Bojack Horseman! Big fan! I think the way they handled Bojack and Sarah Lynn was beautifully and tragically well written. But does that mean I ship Bojack and Sarah Lynn? Absolutely fucking not.

I've talked about Jessie's character plenty on this blog and the way she's handled in earlier seasons specifically. This is kind of a summary: If we look at it on surface level, yes we can say she was abusive. But I think it's important to acknowledge and take into account the medium, time period and culture. Slapstick and cartoon violence was HUGE in anime and animation in the 90s (and prior to that too). Characters were always cartoonishly slapping each other around with giant mallets, folding fans, etc. Looney Tunes style. These slapstick bits were always distinct from real abuse and hurt (for Pokémon, Jessiebelle comes to mind). Mean slapstick wasn't a character trait exclusive to Jessie either. We saw it in Misty, James, Meowth, characters of the day and pretty much any character who got mad. It was a visual shortcut to show anger.

This type of slapstick has since (thankfully) died out and it hasn't really been a part of the Pokémon franchise since the early 2000s. However, Jessie was a notably special case. One of my favorite fun facts about the Pokémon anime is that there was a point in the series where Megumi Hayashibara (Jessie/Musashi's seiyuu) told the writers that moving forward, she no longer wanted Jessie to be violent or to be shown hitting James or Meowth (source: her memoir "The Characters Taught Me Everything"). She thought it directly went against the vision Takeshi Shudo had for Jessie, James and Meowth, when he created them, which was that they are good natured villains. If you watch from DP and on, Jessie never lays a hand on either of them. I think it was a such a good move on Pokémon's part to change her character like that and I'm forever grateful that Hayashibara said something! Whenever I write Jessie now, I always keep that in mind. She's mean, shouty and stupid but would never genuinely hurt those she cares about.

From then, her character becomes much more bearable. She's still bossy, mean and vain (typical cartoon villainess attributes) but I'd hesitate to say abusive. She'll still yell at James and Meowth, they all yell at each other, but in more of a sibling way (imo) rather than a "i'm actively trying to hurt your feelings way". The show makes a point especially in later seasons to show that Jessie, James and Meowth are not beyond being redeemed. From conception the whole POINT of the Team Rocket trio was that they are redeemable but their persistence and obsession keeps getting in the way of them seeing that there's a better life for them out there.

I won't deny that Jessie was unsavory in earlier seasons, but when I write her, I choose to write the version that Takeshi Shudo and Megumi Hayashibara had envisioned from the get go. She's still incredibly flawed and makes plenty missteps but wants to be better as you stated! My favorite part about Jessie is that she's a piece of shit LOL and I enjoy writing the changes she goes through to be better (but then still showing her default so some of her evil tendencies). In this AU, Delia doesn't fix Jessie. Jessie fixes Jessie because she is with someone makes her want to be a better person. She's already in the middle of turning over a new leaf before even meeting Delia, after leaving Team Rocket. Writing Jessie as legitimately abusive I think could work, but that's not my story to tell and if someone who were more equipped to tell that story did, I'd be very interested to take a listen!

I hope this doesn't come off as trying to deny or invalidate your experience. If you see that in Jessie, I hear you! This is just how I've interpreted her character over the years, having watched every episode of Pokémon and reading Japanese interviews from the cast and crew. She's such a compelling character and I love how messy she is

[anyydidi]

Okay, I might be crazy, or someone might have already pointed it out (after all, I am sighs a new fan), but hear me out on this.

Am I the only one who kinda compares the relationship between Gideon and Mabel to Billford?

I feel like they are the easiest way to show that you can agree that Billford is indeed canon, while still acknowledging all the terrible things Bill has done to Ford.

To be completely honest, my focus is more on the similarities between Gideon and Bill, than Mabel and Ford. I'm sure I could find some, but let's focus on the two that are more prominent.

Gideon is the perfect example when you want to point out that Bill has "loved" (in quotes, since people like Bill or Gideon (till Weirdmaggedon) aren't capable of real love) Ford even through all he has done to him in the past and in the present.

We know that since the introduction of Gideon, he had this incredible obsession with Mabel. Instantly he wanted her to be his and would go to great lengths to get her. He wasn't afraid to lie and manipulate. He wasn't afraid to hurt her through her own brother. When he didn't, in fact, get her for himself, he turned on her and her entire family. Now, his obsession stayed persistent. He still claimed to love her, even though he was ready and literally planning to rid her of her home and family. He prioritised his own selfish goals in obtaining the Mystery Shack and power, than her, well, welfare. He also wasn't opposed to physically hurting her on multiple occasions. Yes, he did always give her a chance to join him by his side, but the second she refused, he'd try to hurt her, or worse, just straight up kill her alongside her family. Remind you of someone?

The point I'm trying to make is that, while Billford is on a whole another level, these two relationships are kind of similiar. Dare I say parallels? I don't know.

The differences are that Mabel has never fallen for Gideon's flattery and did not take his bullshit, while Ford obviously has fallen and taken Bill's. Gideon at the end did switch up and redeem himself by finally seeing love for what it truly is and put Mabel over his own selfish wants, while Bill stayed on his path and was more content to torture Ford than give up his centuries-old plan to dominate the universe.

Bill might have adored in the past, probably still adored Ford in some way till his death, even though he was incredibly abusive towards him. The line between love and hate is incredibly thin, and can get mixed up on multiple occasions. Gideon hurt Mabel, while still claiming that he loved her and Bill probably did the same with Ford. For Bill, Ford was a plaything, a pet. But children can still care for their playthings and owners can care for their pets, while throwing them away in the end when they cross their path. Bill had tried to keep Ford by his side, but alas, Ford truly did not want his world to become a playground for an interdimensional being, so he crossed Bill's path. Bill had his priorities sorted, and his number one spot was taken by his dreams of domination, so he threw Ford away, which might have hurt a little (maybe even a lot, who knows), but he was still a meaning to an end.

So, this is my surprisingly long rant on how the people who claim that there is no way that Bill and Ford might have had something more intimate going on in the past, when Bill has hurt and wronged Ford on multiple occasions, do NOT understand toxic love!! And I am showing that through a strange relationship between children!

[bonefall]

how much of Stormpaw’s demon are Maple’s curse vs just things that happen (cause in canon it’s really vague about whether Maple causes all those tragedies or has the ability to see his future for some reason)

EVERYTHING that happens in Stormpaw's Demon involves her. It's not being so dramatically renamed for nothing, she's a major driver and cause of the plot! Crookedstar's young name is in the title; but really, his demon is driving the misfortune.

That said... It's been a while and I'm heavily considering retooling the narrative.

Since I last REALLY worked on it, BB has changed in the sense that I'm a lot more willing to alter canon than I used to be. While my driving mindset used to be "telling a better version of the original story," and that IS a value I still hold... I've lost patience with the misogyny within the original work.

I've spoken at length about the way Crookedstar's Promise grinds my gears (PLEASE follow this link for a full breakdown of why), but in summary; it desperately tries to keep every male character likeable when they shouldn't be, saying nothing about the fact they are complicit in or even enabling abuse, while giving Crookedstar TWO flatly evil maternal figures. Even Brambleberry, who's heavily praised for being "like a mom instead," has a weird moment where she starts giving Crookedjaw the cold shoulder because she finds out he's chatting with a demon.

So like... I'm not sure if I want to make the "better version" of that story. That was the one that I already had, which had Mapleshade be acting entirely out of just the malice of wanting to hurt a child, while Hailstar and Shellheart are the excellent people canon wanted to see them as.

(not that it's even a BAD super edition, it's actually a really good one, but if it's my kitchen that's not what we cook here. Man I really do always massively overhaul my favorite SEs LMAO)

I think, specifically, I want to make Mapleshade slightly more morally gray and Hailstar more of an enabler. Shellheart is getting significantly retooled to make him more of the heartwarming parental figure I think he should be; someone loving to help balance out a very heavy rework.

And of course Brambleberry, I'm going to tweak her some. Try to make her flaws more consistent, get rid of that odd cold shoulder moment.

Old regulars will remember an old AU which is also still a massive favorite of mine; it was called Better Call Mapleshade, and it was kind of a commentary on how an environment can shape a person. Mapleshade, as a demon in heaven, was essentially their best prosecutor and defense attorney.

You can actually see how a lot of ideas from that AU ended up in Better Bones with the expanded trial system! I'm thinking of taking another page out of it, by making Mapleshade more aware of "the game" of Clan culture's structural unfairness, while also using it like a weapon against people she wants to hurt. A powerful demon of revenge.

Under the cut, what won't be changing, the way it was, and Draft 2 of Stormpaw's Demon.

(MASSIVE CONTENT WARNING FOR MENTAL AND PHYSICAL CHILD ABUSE including ableism. BB!Rainflower is WORSE than canon.)

WHAT WON'T BE CHANGING;

These are major details of Stormpaw's Demon that are different from canon. I'm working with these as givens and won't be changing between drafts.

Mapleshade does have a bone to pick with Appledusk's lineage specifically. One option might make her more discerning when it comes to her targets, but no matter what, she is going to have her eyes on this bloodline. She Haunts Applekin.

Rainflower is Hailstar's deputy. And I will make her downfall spectacular. If you were worried I was going to make her more sympathetic then you have no idea who I am LMAO

Shellheart is not Crookedstar's biofather While I want Hailstar to maybe be worse; I do want to fix Shellheart by making him a good parent. I've decided a good way to do this is to make it that Shellheart adopts Storm AFTER he's been abused by Rainflower. He didn't have authority over him before then. In general, I do want him to have a bigger positive role in this narrative. DEPENDING ON WHICH VERSION: Oakheart might also not be his bio-brother.

Crookedjaw is not a cruel name; it's an Honor Title. I've ALWAYS been frustrated by how canon treats scars and injuries as bad things. It's a BATTLE culture. Surviving brushes with death is their WHOLE THING. There is no "crookedkit" or "crookedpaw," he was Stormpaw until he earned his warrior name, with "Crookedjaw" commending the massive lengths he's gone to in order to survive, adapt, and honor StarClan.

Mentor change: Goodbye Cedarpelt, hello Magpiesky! I decided to repurpose one of the Barn Cats! Magpie from the books is a daughter of Perchshine-- the cat who killed Mapleshade. She joined RiverClan long ago. She's actually the one who points him in the way of the barn, and has to train him "as a punishment for teaching him disobedience" when he comes back. I actually have a couple of minor reasons for making this change but I'll spare them for now. He might start with Cedarpelt, but then run to the barn when Cedarpelt is basically refusing to train him properly.

Some family tree shuffles I need to update this tree to show Crookedstar's new situation with Shellheart (and also reflect some other changes I made like confirming Hallowflight fully being Lizardtail's honor title and Robinpaw being the apprentice who gets eaten by Ripwater), BUT, overall this tree is solid.

The ableism Storm faces is going to have a different flavor I have built BB in a way where him surviving his injury would be very respected, but he'd get badly coddled and pushed into early retirement. Him running to the barn is because he suspects he wouldn't have gotten training otherwise.

He kills a fox there because it's Cool. I might give him the tail to wear as a trophy of the kill because that's also Cool. The fox was very old and feeble at that point, which was why it was attacking chickens, but shhh

The Way It Was (Very Evil Mapleshade)

Darkstar's Commandment creating the Queen's Rights, that no queen would ever have to reveal the other parent of their kittens, wasn't enough to appease Mapleshade.

Nor was the damning of everyone that Mapleshade killed. In a fit of irrational fury at all the death, StarClan sent all her victims into the Dark Forest.

But she can't chase them. In the Dark Forest, you don't see someone unless you WANT to see them, not unless you're hanging out in a "land mar" (a sort of personal hell that all demons get).

on the off-chance she does see them, Frecklewish usually rips her to shreds...

Which is the next problem.

You can't DIE in the Dark Forest if you're a demon. You poof back into existence the next day, no injuries, no scars, nothing.

she's bored.

And vengeful. In spite of the wrong being righted, she still thinks she deserves MORE revenge, because what she wanted was really Appledusk.

She finds it unfair that HER legacy is snuffed out, that it's Darkstar's Commandment and not hers, that her babies were destined for greatness and by extension SHE should have been great.

So she takes up a hobby in tormenting Appledusk's descendants. She wants to eradicate them completely, but is spiteful enough that she'll just settle with hurting them.

The first one she managed to kill was Applefrost, Reedshine's son. Just by accident. She didn't know she had such power over the mortal plane.

After that, she managed to drown Duskwater. The daughter.

But she couldn't wipe out HER daughter in that storm... and she brought two more Applekin children into the world.

Stormkit and Oakkit.

So, naturally, Mapleshade turned her sight on the little fuzzball.

He would be an easy kill, in theory. She smashed Stormkit's jaw on the rock, but Oakkit pulled him out.

From there, it's similar to canon for a bit. His recovery is long and painful.

Rainflower is disgusted, and wants absolutely no part of helping him through this process.

That wasn't an injury gained in battle-- it's because he's careless and didn't listen to her. He's going through all this suffering, and for what?

To never become a warrior?

She's cruel to him, begins to neglect and distance herself from him. Discourages him from suckling.

Mapleshade LOVES this. It's worse than she could have imagined. Rainflower is horrible.

Gleefully, she realizes that Stormkit dying now is what Rainflower wants.

So, she kills two other kits in the nursery.

Fallowtail's only survivor is Willowkit, so she has plenty of milk. She starts suckling Stormkit.

(Graypool is now an older sibling! She's actually an apprentice at this time! Later, she encourages Willowkit to visit their father, who decides to just kidnap them completely)

Eventually, being the deputy, Rainflower had some kind of conversation with Hailstar.

During that conversation, she asked him to do something very cruel to Crookedkit.

And Hailstar LOST IT

He's the successor of Volestar, who was appointed by Darkstar herself to uphold the Queen's Rights and protect children.

How DARE you try to turn RiverClan into a place of disrespect?? To use my power this way?!

So, her power was stripped, and Oakkit and Stormkit were taken from her.

From there, Storm eventually goes to the barn as discussed, and Mapleshade continues to do things to hurt him.

This was my first draft, and now having thought about it a lot, I feel like it's not super cohesive. A demonic Mapleshade who's entirely malicious is neat, but I feel like this makes her flat. Shellheart's not tied in super well either, and Hailstar's stand feels kind of hollow because Rainflower hasn't actually used or leveraged the new authority I've given her.

But most egregiously? Rainflower's abuse being so close to canon tastes kind of bland. I feel like I can make it sooo much more intense, complicated, and painful.

Draft 2 of Stormpaw's Demon (Demon of Revenge Update) Essentially an outline for the first few chapters establishing Mapleshade by dealing with Rainflower and then fragments for the rest.

Mapleshade's still malicious, but this time, there's more to it.

Darkstar's Commandment, and the damning of her victims, DID appease this Mapleshade.

But is she satisfied? No.

She doesn't feel like she was wrong at all, actually. Without her killing those three in revenge for her kittens, StarClan's anger probably would have subsided.

She can't hunt her victims down again though, because, they don't want to see her. She fights Frecklewish every now and then but what's the point?

She WON already. She already GOT the euphoria of dragging them all down with her.

Punishing everyone who had ever wronged her was the highlight of her existence... but now it's done.

She's in Hell and she's bored. Her punishment is never seeing her kits again, but more importantly, her punishment is eternal shuffling through the leaf litter when she's SO GOOD at getting revenge.

Problem with revenge is, when you get it, it's gone.

She probably messed with Duskwater and Applefrost a bit, but if she killed one of them, it was accidental. It made her realize that revenge without a motive is just boring.

The prologue would probably open up with establishing her as a character. Who she is, what she wants.

Because the first chapter would dive RIGHT IN to Stormkit. The only child of Rainflower, the deputy.

Right along with Stormkit, you only learn in hindsight that he was born in a storm that killed his grandmother. It's clear that Rainflower reminds him of this often.

And that she's nasty to him. Giving him unclear instruction and finding things to critique, telling him to jump and then barking at him that he didn't ask how high.

She has great expectations for him, and reminds him of their family lineage often. Of who killed his great-grandfather, of what a fantastic pair of warriors Applefrost and Duskwater were

"I lost everything the night you were born. You'd better be able to make up for it."

Unfortunately, Stormkit is not the sort of child who's good at listening to those sorts of orders. He's stubborn and defiant; angry and oppositional.

When he doesn't understand why you do something, he doesn't want to do it

He "embarrasses" her a lot, and gets hurt for it.

In public, these are swats and whacks. The things you're "allowed" to do to discipline your child. In private these are a lot more severe.

So when Stormkit is given an order or a command, he obeys completely out of fear rather than respect. And sometimes he forgets his fear.

The other cats in RiverClan? Well... Stormkit is a problem child, and Rainflower is a fantastic, organized, respected deputy.

Hailstar especially, unfortunately. He feels bad... for Rainflower.

"It must be so hard for her to have such a little brat as a son. He never seems to learn his lesson. When will he stop wandering off? What's wrong with him? He certainly didn't get that from her."

His best friend, Oakkit, gets in the SAME trouble he does.

He's mischievous, fearless, and outgoing, and... never gets punished for it.

There's times where Oakkit does something and Stormkit physically recoils, just imagining what Rainflower would do if HE did something like that. Especially in how Oakkit talks to his dad, Shellheart.

For example, Shellheart will come to get his son for suckling time and Oakkit will tell him to his face things like, "I don't want to! I'm HAVING FUN!"

and shellheart doesn't flip out. He just. explains why it's important to eat on time.

"I know. But Fallowtail wants to go have fun too! She's waiting for you to come and suckle so she can go play."

"Well why can't she just play now and I suckle later?"

"When a suckler is full of milk, it makes their belly very itchy. She's uncomfortable when you don't come and eat on time."

"nnnh"

"Tough sell? How about I sweeten the pile with a badger ride back?"

"Hm. You drive a hard bargain, Mr. Dad."

Stormkit doesn't know why he hates it. He's all angry inside when he sees them acting friendly. He's polite because Oakkit's his best friend and Mr. Shellheart is really nice, but he just...

He's too young at the time to know he's envious. He wants what Oakkit has so badly it hurts.

Sometime after an exchange like that, Stormkit is visited by Mapleshade for the first time.

And they talk about Stormkit's anger and resentment. Stormkit lets it slip that he HATES his Mi.

Waits for Mapleshade to stop him and tell him, like everyone else does, that "she's still your mother."

...but she doesn't.

Besides Oakkit and Shellheart, she's the first person who doesn't tell him that.

She just lets him talk. Lets him go on. Starts making nasty jabs, which make him laugh.

"She says she lost everything the day I was born!!"

"What?! That's crazy! She got you that day!"

"Right?! It's like she's saying I'm nothing! Maybe she SHOULD lose everything, then she'd know what she's got!"

And then she asks, "Do you want her to die?"

Suddenly, there's a chill in the air. He's really shocked by the suggestion of that. He didn't... he didn't mean it to go THAT far. That's not what he meant... is it?

But she's fading back into the shadows, just her eyes visible in the dark. Tells him that she can see he's unsure. That's ok.

Holds up a budding sprig of sycamore, the maple she's named for. Its buds grow in a "deer hoof," with one large bud in the middle and two "toes" sprouting on its sides.

Teaches him that if he needs someone in his corner, all he has to do is call.

(to summon her, a bud is plucked off the sprig and thrown in the river.)

He wakes up with the sprig in his paw, panics, and shoves it under the nest he shares with his mother.

The experience shakes him. He probably ran to Brambleberry for the first time, who explains very seriously that he was contacted by a demon.

From the description... Mapleshade. The cat who killed his great-grandfather.

He BEGS her not to tell Rainflower. PLEADS with her. He can barely hear her already saying yes under the throbbing sound of his heart in his ears.

When he calms down, he hears her saying yes. On the condition she will need to smoke the nursery with sage and cedar, and that he will be needing a bath as well.

When he's still concerned that Rainflower will question him, she makes a plan to distract her for a day, long enough for him to do his cleanse and the smell to fade.

And, of course, that he will not follow any instructions that Mapleshade left him. He agrees. But does not tell Brambleberry about the sprig.

For a while he's very "well behaved." But it's not about him, never has been.

It really doesn't take long at all for Rainflower to get worse. Kids who are defiant like that are usually exercising a defense mechanism-- if they're not aggressive about their boundaries, their limits are pushed to a breaking point.

And after a big blowout like this, which was probably a public spectacle, Stormkit runs back to his nest and digs out the sprig, runs to the river, and throws a bud in the river.

Having calmed down from his shuddering fury, the dread begins to set in as a dead-smelling wind ruffles his fur. He can't help but feel like he just did something very stupid out of anger.

Looking at his reflection, he sees no cuts or swelling. The blows weren't "bad enough." He doesn't have the kind of injuries that anyone would do anything about. Equal parts guilt and frustration swell in him like a tide at full moon. How could he be sitting here wishing she hurt him worse?

So he tries to soften it, "I don't want her to die, I just, I... I just want her to lose everything like she says. Please..."

The wind whispers in his ear, "it will get worse before it gets better."

"I can handle that," he sobs, "I can do anything. Please. Make it stop."

After that, Oakkit probably runs to come find him. Stormkit doesn't want to be found. He makes up a childish plan, on the spot, to run away and join ThunderClan.

Oak says that's mousebrained, but Storm has DEVOTED himself to this plan he made just now.

And is crossing the stones.

Oak sighs, but if Storm's going to ThunderClan, he should really go with him because then they could totally fight off a small fox (Childish hubris)

Unfortunately, Rainflower found them. asks Exactly What He's Doing.

The kids freeze. Stormkit in particular has that horrible, twisting anxiety that you get when you hear The Tone that means you're in for an absolute wallop when you get home.

He's about to start running, but then the voice tickles his ear-fur again. Mapleshade tells him to go back. It'll be ok. She's on his side. She'll make her pay.

Oakkit is still frozen in place when, as if possessed, Storm's body stiffly returns to his mother.

There's a silence. The river trickling through the stepping stones. Storm looking with fear and anger up at her.

She's waiting for an apology, groveling. He doesn't give her one.

So she raises her paw and gives him an awful, hard blow.

His little body twists, flung off balance, trying to correct himself, and he can swear he felt paws pushing him a second time, whipping him downwards.

The feeling of falling fills his stomach, the water sloshes into his ears before there's a ring of a sound like CLUNK-CRUNCH, and then the river floods his nose and mouth.

It all goes dark.

When he wakes up, it's with a throbbing pain in the side of his jaw so intense that he can feel it all the way down in the tip of his tail. He learns from Brambleberry that Oakkit rescued him-- jumped right into the water to pull him out. And then Rainflower pulled him out. That was when Shellheart came and found them.

There's a LOT of arguing outside, but Storm can't ask what it is because it hurts to move his mouth at all. Brambleberry hushes and soothes him, telling him it's nothing he needs to know about.

(MEDICAL INFODUMPING: i do actually have a medical reason I want his injury to come from someone hitting him which causes him to fall. The injury he'd get in canon would actually be a really simple and common split in the front of the mandible, which wouldn't cause his mouth to have a dramatic twist and would heal very easily. He needs to come down on the rock at an angle to shatter the joint like that.)

From here, the tune about Stormkit starts to change.

Oakkit was distraught when they got back, telling everyone that Rainflower smashed him against a rock.

Rainflower's story is that he was running, and she chased after him. EVERYONE knows that he has a habit of doing this.

Then HE slipped and fell and hit his face on the rocks. His fault.

Oakkit was running away with him, he's lying.

Shellheart is FEROCIOUSLY taking the side of his son, furious that she would imply he raised a liar.

Hailstar is taking the side of Rainflower. It's two troublemaking kits against his deputy.

Yes, Rainflower's disciplined him before, but that's no indication she'd do something like this on purpose.

Brambleberry weighs in that the injury that Stormkit has isn't the sort of injury a kitten gets from hitting his jaw. The bone is shattered.

probably does some kind of visual to go along with it, using a stick and a stone

"The bones of a kitten are like the young shoots of a tree. When they fracture," she takes a young twig and snaps it in her paws. The fibers in the center are bent but unbroken, with the bark splintered around them, "they flay but don't snap."

She places the stick on the ground, "So for the injury that Stormkit has," and violently smashes the rock down onto it. It's shattered and pulped, the fibers flattened, "there would need to be a great force."

Shellheart hisses, saying that THIS is the evidence. Oakkit's story is consistent but Rainflower HAS to have lied.

Several cats are now on his side.

...But more are on Rainflower's.

"She's his mother. She loves him. Oakkit has to be mistaken."

"Why would she chase down her own son just to smash his face on a stone?"

"She wouldn't pull them out of the river if she really wanted to hurt him!"

Hailstar prompts if there's ANYTHING else that could explain this?

It comes up that Brambleberry cleansed the dens the other day.

She says that it's possible there is a demon's influence at work. She can't know for sure which one it is-- but it may have a grudge against Rainflower.

She allows them to reach the conclusion that it's probably Mapleshade on their own. She will be talking to Crookedkit when he's able, but she's not about to tell anyone about his dream yet.

She doesn't want him to have the extra scrutiny when he needs to rest and heal, but if she'd shared that an unnamed cat had a demonic dream, it would set off panic as cats accused each other of dark magic.

Rainflower manages to escape consequences by pointing out that it was likely Mapleshade that injured her son.

Oakkit is still trying to tell everyone SHE did it, he SAW it, Stormkit walked back and she hit him and smashed his jaw on the rock

But he's hushed. It's decided there's not enough evidence. And not enough reason to doubt the noble deputy.

She's never done something like this before, after all. It's more likely it was an accident.

There is a group of cats that are dissatisfied about this, though, and it only grows when Brambleberry explains that Stormkit's prognosis is not good.

There is a very high chance he will die. Even adult warriors can wither slowly from this sort of injury.

Recovery will be slow and it will be painful.

...but after that incident? Rainflower gets bolder. She got away with it in public. She got a taste of the leverage she has, how much they trust her.

Stormkit spends a lot of time floating in between his dreams and his living-world pain. There's at least one interaction where he speaks to Mapleshade, screaming at her that he TRUSTED her, he KNOWS she's the one who hurt him! How could she?!

She can't say much, kept at bay by a hazy smokescreen of sage. "You must live! You must survive!"

Her old words echo in his head; It Will Get Worse Before It Gets Better.

Throughout the recovery, Rainflower grows more cruel and more distant.

In public she likes to talk about how difficult this is for her, but he's strong, he will survive.

In private, she'll do things that hurt him, like repositioning his head in a way that "his jaw will heal better in." When he cries, she's unsympathetic.

"You brought this on yourself. This is for your own good."

Her definition of "private" is also changing. She's getting more comfortable with snapping at him in front of limited groups of people.

Since she's deputy, the other two parents in the nursery, Shellheart and Fallowtail, do their best to care for Stormkit while she's away. He's pulled away from them when she gets back, any ideas or suggestions they have vetoed.

When they try to go to Brambleberry about this, she shakes her head with frustration and tries to make them understand she knows... and she's just as unhappy with it as they are.

She tells them she keeps going to Hailstar, but he's still hesitant. Even though she's trying to tell him that Stormkit's recovery is being undermined.

"Rainflower's son has always needed tough love. She's his Mi and knows him best... she's still taking care of him. Give her a warning before suggesting anything drastic."

In the other draft, I had Mapleshade kill two of Fallowtail's kits to free up milk for Stormkit. I'm not sure I need that anymore honestly, plus, this rework's heavy enough! She can just have Willowkit without any deaths, while Graypaw remains an older sibling.

When Brambleberry informs Rainflower and Stormkit that the jaw isn't healing straight and it will probably be at an angle forever, Rainflower reacts with disdain.

"His first scar and it's nothing he earned?!"

She's reminded he might not even survive. He's lost weight. He's eating less. Stormkit curls up quietly. He hates how they talk about him like he can't hear them.

"Surviving is the bare minimum," she scoffs reflexively. There's a silence so thick you can cut it with a claw. After an uncomfortable heartbeat, she continues, "What kind of a life will he live if he-"

"a life," Brambleberry cuts in, "he'd live a life. And it can be a good one"

Rainflower growls, spitting that the twisted jaw is a disfigurement. He'll never be able to open his mouth all the way. He can't chew and he can't suckle forever. Stormkit will never become a warrior if he can't even dispatch a fish with a killing bite.

"Scars are the sign that StarClan has mended our bodies after fighting a good fight, making any Clanborn cat worthy of being an elder" Brambleberry preaches, "Names are what mark us, calling upon our ancestors to look down at us and witness our actions, Rainflower. Don't say anything you wouldn't want them to see."

Rainflower flicks her ear, seething, a rumble in her throat, "was that some kind of threat? As if I've said something wrong?"

"If you feel threatened, look within."

Stormkit resents all of this talk. He can feel his mother tensing up next to him, hears the low rumble progressing into a growl. When adults play stupid games with his mom, he's always the one who ends up dealing it. Why don't they get that?

It's only Shellheart who seems to have it click, "Hey, this is the nursery. Can you take it outside, please?"

As Brambleberry and Rainflower leave, Stormkit lays curled up in his nest, cold and alone. Oakkit leaves Shellheart's paws to curl up around his best friend.

Shellheart stares at them, shifting, but ultimately stays where he is.

There's a lot of words I could write there, between Storm and Oak. Ones where Storm speaks about how he just wants the pain to be done with. Others where Oak comforts him, tells him how much he means to him. More where they end up running into the wall that they're just two little kids and they've both learned the truth that they have no control over what happens when Rainflower comes back into that den.

But I think it would be good to end there, at the lowest point. Because it gets better.

Pissed off by being gently confronted, after her warning from Brambleberry, this is the moment where Rainflower goes too far.

Hailstar is gradually losing his patience. Every time this issue comes up, he's making some kind of new excuse for her.

She's still a competent deputy who holds the Clan together, but this has taken a toll on her reputation.

Her biggest mistake was becoming more open with her abuse after being emboldened. And I think Hailstar is beginning to feel like he's got "egg on his face."

After standing up for Rainflower several times, getting heat from Brambleberry, and now the Clan also starting to murmur...

It's getting very difficult to justify why he's sticking his neck out.

and maybe, part of him is starting to feel a little self-conscious about the way that his deputy is acting about her injured child.

When she comes storming up on this fateful day, interrupting whatever he was doing to make a proposition, it's the breaking point.

Her suggestion: "I've realized that there's only one way to ensure my son survives his injury. He's being haunted by our demon, which only started threatening him when he disobeyed me for the last time. WE need to teach him a lesson, and make sure StarClan gazes down upon him to acknowledge his mistakes."

"...how do you intend to do that?"

"Stormkit must be given a Dishonor Title."

A Dishonor Title, one of the greatest shames that a leader can put onto one of their warriors. A punishment that ranks just below exile in terms of severity.

"you want to put a dishonor title... on your child? one with a life-threatening injury?"

"One that acknowledges his carelessness. To protect him from the demon."

Protect him from the demon. "I see now what must be done."

Previously, I'd thought of Hailstar as someone who would be loud and merciless when he does this. Now I'm thinking it was something he put a lot of thought into. He stands up, brushes past her, and goes to talk to some of his most trusted cats. Brambleberry, his mate Echomist, an experienced warrior such as Piketooth or Ottersplash, and lastly, Shellheart.

So it's not a surprise to anyone but Rainflower herself. He doesn't want this to be dramatic. He doesn't want it to be another big scene. Stormkit has gone through enough.

When he eventually has this Clan meeting, he calls it quietly. In his address to the gathered cats, a crowd that Shellheart and his family are missing from at his request, he says that his greatest regret is that he didn't do this sooner. He even doubts that Mapleshade is haunting her at all-- now having seen her behavior, he says it's more likely that Rainflower bashed her own child against a rock and simply lied.

First, he announces that Stormkit will be removed from her care. He will no longer be of the Applekin bloodline.

She is banned from the nursery at the request of Fallowtail, and will only see Stormkit when supervised by his new Mi, Shellheart.

Brambleberry has already agreed to this necessity, and is performing a ritual so that StarClan may approve of this choice.

He also strips her of her deputyship, and appoints Ottersplash instead. (I might change this to a different deputy eventually)

Not everyone agrees with Hailstar. There's an uproar from Rainflower's supporters.

She was a VERY popular deputy.

More that are just uneasy, feeling that this was a BRUTAL punishment that she didn't deserve.

Lots are happy and optimistic, though. But the mixed reception is exactly why Hailstar asked Shellheart not to be here.

This isn't something Stormkit has to deal with right now.

When Darkstar herself, who created the Queen's Rights, was on her last life, she appointed Volestar to uphold the law as her legacy knowing that Oakstar might try to break it again.

Volestar appointed Hailstar, in the hopes that he would uphold her legacy in turn, to protect kittens and those who can't protect themselves.

He was late, and can only hope he was not too late. He hopes that Volestar can forgive him for that.

Meanwhile in the nursery, Shellheart, Oakkit, and Stormkit are alone, far in the back, where the padded moss keeps out arguing voices.

Oakkit, bless his little heart, is babbling with excitement because his best friend is his BROTHER now. And it's gonna be THE BEST.

He's talking about how it's fine he can't chew because now they can have soup, and they're going to make the nest bigger, and they can stay up later because they can whisper quieter if they're this close together

But Storm doesn't really hear him. His head's swimming, thinking about the dull ache in his jaw, how MAD his mom's going to be because he can't imagine her not finding a way to hurt him, how this is all his fault because he called Mapleshade.

He can't stop it anymore and starts sniffling, which turns into weeping. Still, he's TRYING not to bawl, knowing, knowing he looks stupid when he does that

Shellheart just pulls him in close, so he can bury his face in his fluffy chest. Tells him it's going to be ok. He's safe now. No one can hurt him there.

Not on his watch.

Unfortunately, it's not the last he sees of Mapleshade. After this...

Mapleshade shows him everything she did for him. Yes, she did smash his jaw-- but it was to get him away from his mother.

And she planted an idea here and there, just little whispers into Rainflower's ear. Nothing she wouldn't do all on her own.

And now... Mapleshade believes she's earned some respect.

Stormkit can't disagree... she did exactly what she told him she'd do.

And now that he's not Applekin anymore, they can be Real Friends. They could even strike up a partnership, of sorts. After all, what did StarClan do to help him?

It wasn't StarClan that answered his prayers.

I'm still figuring out what, exactly, she's going to want from him. I have a scintilla that she wants to give him a life, maybe as some kind of bridge to StarClan to see her kits?

Some strange "attempt" at redemption, perhaps? Which she ultimately doesn't get.

Not that she didn't enjoy doing all that for love of the game, mind you. She's very good at getting revenge and it's fun and exciting to pull it off.

But hey, if you're good at something, never do it for free.

What causes Mapleshade to ultimately turn, and begin haunting the bloodline again + Oakheart, is Crookedstar rejecting her in some way.

She comes to collect on her end of the bargain and he refuses, breaking their partnership. He chooses StarClan.

And then from there, it's ON again. Now she has another EXCUSE to do what she wanted to do, and take out her boredom and malice on his family.

This time, it includes Oakheart as well-- because he was Crookedstar's brother.

It was also her curse that harmed Willowbreeze and eventually Silverstream. She's on the warpath.

Maybe she actually helped make him leader on purpose. Like he explicitly asked so she helped him by making the squirrel omen, instead of just doing it for him unprompted. Still figuring it out.

Shortly after the scene where Stormkit cries, he needs to have a confrontation with Brambleberry about Mapleshade I think. She needs to explain why Dark Forest demons are seen as bad.

She's biased, of course, but it's not like she's TOTALLY wrong either. Cats like Mapleshade ARE vengeful, in ways many other spirits are not.

If you're curious, Crookedstar's dishonor title from Rainflower would have been something comparing him to a parasite and referencing his ""accident"" like Fleaskip or Midgefall.

The point she's trying to make with the Dishonor Title is that her son is an annoying bug who didn't listen, as well as subtly erase she fact she knocked him off that rock.

She wanted his name to say "everything that happened was my fault and my mom did nothing wrong"

Not that Hailstar got as far as even asking lmao