#people being this hateful and violent is a tragedy

[rottenfyre]

⸻ ɪ ɴ ᴛ ʜ ᴇ ᴅ ᴀ ʀ ᴋ ⸻

Pairing: Bruce Wayne x Fem Reader

Headcanon: how would he be when he's obsessed?

Note: English is not my first language. Hope you enjoy!

Bruce Wayne is a man shaped by tragedy, a billionaire with an iron will and an unrelenting sense of justice. But beneath the stoic façade lies a broken soul. When Bruce becomes obsessed, it isn’t violent outbursts or chaotic behavior—it’s cold, calculated, and methodical. He doesn’t lose himself to obsession; he leans into it, weaponizing his resources and intelligence to keep you close. After all, what is Batman if not a man who cannot let go?

Maybe you’re someone he met at a gala—a rare individual who caught his attention without trying. Maybe you’re an employee at Wayne Enterprises, someone who treated him like a person rather than the playboy billionaire. Or maybe you stumbled into Gotham’s darker corners, and he saved you as Batman. Whatever the case, Bruce finds himself drawn to you in a way he hasn’t been to anyone else in years.

At first, he tells himself it’s curiosity. You’re intriguing, sure, but nothing more. Yet he can’t stop thinking about you. Every word you said, every look you gave him, replays in his mind like a song stuck on repeat. And Bruce, has to understand why.

Bruce doesn’t approach you immediately; instead, he observes. He justifies it as caution. After all, he’s Batman—he needs to know everything about you to protect you.

He learns everything there is to know: your name, your routines, your friends, your secrets. He watches you through security cameras, listens to your conversations through bugs he discreetly plants, and even monitors your online activity.

But to Bruce, this isn’t invasive—it’s necessary. How else can he ensure your safety in a city as dangerous as Gotham?

As Bruce Wayne, he’s charming, attentive, and subtly magnetic. He uses his wealth and influence to insert himself into your life. Invitations to exclusive events? Job offers at Wayne Enterprises? He makes it impossible for you to say no without coming across as ungrateful.

As Batman, he’s your silent protector, always one step ahead. If you’re ever in trouble, he’s there—appearing out of the shadows to save you. He doesn’t speak much when he’s Batman, but the way his gaze lingers on you feels almost suffocating.

You’d never suspect that the billionaire who’s so eager to help you and the vigilante who seems to always be around are one and the same.

Bruce’s obsession manifests in his need for control. He doesn’t see himself as possessive—he sees himself as protective. You don’t need to worry about toxic friends, late-night walks, or bad decisions because Bruce will take care of everything.

If someone gets too close to you, Bruce doesn’t lose his temper. Instead, he uses his resources to quietly remove them from your life. A coworker who flirts too much? Suddenly transferred. A friend who badmouths Bruce? Their secrets mysteriously come to light.

“It’s for your own good,” he tells himself. After all, Bruce believes he knows what’s best for you better than you do.

Bruce is painfully self-aware. He knows his feelings for you aren’t healthy, and he hates himself for it. But his guilt doesn’t stop him; it fuels him. He rationalizes his actions by convincing himself that you’re safer with him watching over you.

“I’ve already lost so much,” he whispers to himself late at night in the Batcave, your face flickering on the monitor in front of him. “I can’t lose her too.”

In his mind, his obsession is just another sacrifice he makes for the people he loves. He can bear the weight of being a monster as long as it means keeping you safe.

Bruce rarely shows his jealousy outright—it’s subtle, like a storm brewing just beneath the surface. If you mention another man, his jaw tightens imperceptibly. If someone touches you, his eyes darken, and his hand lingers a little too long on your shoulder as he pulls you away.

Behind the scenes, though, he’s ruthless. The man who asked for your number? He’ll find himself the target of a police investigation. That friend who keeps trying to set you up on dates? Suddenly, they’re avoiding you without explanation.

“I’m just looking out for you,” he says when you start to notice how people in your life seem to vanish. “Gotham is dangerous. You can never be too careful.”

Bruce’s obsession remains controlled until you try to distance yourself. Maybe you’ve started to feel smothered, or maybe you’ve realized that the people disappearing from your life aren’t coincidences. When you confront him—whether as Bruce or Batman—he’s calm, almost unnervingly so.

“I only want what’s best for you,” he says, his voice steady. “Do you have any idea how much danger you’re in without me?”

If you try to leave, that calm facade shatters. He won’t hurt you—never you—but he’ll do everything in his power to make sure you stay. He’ll cut off your options, isolate you, and remind you that no one else can protect you the way he can.

“You think you’re safer without me?” he says, his voice laced with desperation and anger. “You’re wrong. Gotham will chew you up and spit you out. I’m the only thing standing between you and harm.”

Despite his obsession, Bruce’s love for you is genuine in its own twisted way. He wants you to be happy, even if he doesn’t understand that his actions are suffocating you.

There are moments when the mask slips—when Bruce is just a broken man trying to hold onto the one good thing in his life. Late at night, he’ll hold you close, his voice trembling as he whispers, “You’re everything to me. I can’t lose you. Not after everything I’ve already lost.”

In those moments, it’s hard to tell where Bruce Wayne ends and Batman begins. To him, they’re both the same—a man who would do anything to protect the one person he can’t live without.

@ʀᴏᴛᴛᴇɴꜰʏʀᴇ 2024. ᴅᴏɴ'ᴛ ᴄᴏᴘʏ, ᴛʀᴀɴꜱʟᴀᴛᴇ ᴏʀ ᴜꜱᴇ ᴀɴʏ ᴏꜰ ᴍʏ ᴡᴏʀᴋꜱ ʜᴇʀᴇ ᴏʀ ᴀɴʏ ᴏᴛʜᴇʀ ᴡᴇʙꜱɪᴛᴇꜱ.

[jiangwanyinscatmom]

It's not really abusing his nephew just because it's verbal and eventually physical because he's very bad at feelings and emotions and it's how he copes with those feelings. He's not to be held responsible for what he says and does to him because he has had a difficult tragic life. His nephew still loves him so it can't be abuse either, besides he loves Jin Ling and because it's love there can't be abuse. Jin Ling also doesn't constitute as a victim of abuse because he still defends Jiang Cheng, if he was really an abuse victim he wouldn't do that and it means that deep deep down Jiang Cheng is trying really hard and he understands that because he loves him.

And it's Wei Wuxian's fault for having died (on no part of Jiang Cheng's confirmation to lead an assault on the people he was trying to protect), he was recklessly defending those people that Jiang Cheng hated, he shouldn't have done that because he wasn't thinking of Jiang Cheng's feelings. He also was lazy and was dead for 13 years, leaving poor Jiang Cheng with no support (never mind he actively estranged himself because he thinks he is too good for everyone and is dismissive of others). While Wei Wuxian dares to have people that want to support him and believe in him, it's unfair because he's able to endear others to him naturally while Jiang Cheng can't (or wants to).

I know Jiang Cheng isn't a saint, but you are all too mean to him by calling him weak of character, low in morals, an asshole because he is tofu hearted (here is the same English Wikipedia screenshot with no source that says the author said it). Coping and survival of victims varies, being violent against others can't be seen as a flaw because of the tragedy a person went through, because anyone who is uncomfortable with that (including fellow abuse survivors) are dismissing his struggles.

[the-catboy-minyan]

idk I'm literally on the verge of blocking everyone who's cheering for death in my feed. yes he was a terrorist, why tf are you cheering for death.

[arashi-no-saxlphone]

as much as I would like to believe that Frederick and Asuka could be friends again, like, Freddy is building that rocket as fast as he can to kick his ass before the residual FoC and Gear power leaves his body. I'm sorry. I know I'm the Asuka apologist but dude. Nearly 2 centuries of the most unimaginable agony and festering sense of betrayal, compounded by Asuka goading him intentionally on multiple occassions (his reasoning behind all this goading aside) he is not just going to be able to let that go.

Asuka's crimes against humanity are one thing, you can argue til you're blue in the face about that and there's actual ground to cover there, but what he did to Frederick and Aria is like... damn dude. You, without their consent, turned them into gears. You lied about it to their faces too. Aria, someone who is cited as having her identity and who she is as a human being be one of the most important things to her, trusted you to put her into cryosleep because you said you'd find a way to save her so that she could be with Frederick. She didn't want that, she wanted to stay and spend the time she had left with Frederick instead, but she let you convince her cause she trusted you. And you took away her body, identity, and autonomy. You took Sol's humanity from him following that, lied to him about it, and then spent 200 years pissing him off so bad on purpose to make sure he'd always be there to help you fix everything. Oh, and then you made him kill his wife that you mutilated. Twice, essentially.

I love you Asuka, but shit, that's all kinds of levels of fucked my man. Frederick justifiably hates you really REALLY bad. I hope we get something in Dual Rulers settling this, cause Frederick just letting that go even following the events of Strive is just kinda unrealistic.

[p33p33p00p00]

☹️

[theladygazingatemptiness]

.

[max1461]

Everybody does the exact same stupid shit. That white nationalist anon I was getting a while ago would send me story after story of some random black guy or immigrant committing a violent crime against a white person. Well, yeah, people are violent, you're gonna find those if you go looking for them. And there's a lot of racial animosity in the world, so you'll even find racially charged ones if you go looking! No shit, Sherlock. We could play this game all day. You find me a news story of a black guy killing a white guy, I find you a news story of white guy killing a black guy. This does no one any good.

TERFs are identical. News story after news story of a trans woman raping somebody. Yeah, the world is an awful place and people rape each other. I can find you a news story of a cis woman raping a teenage boy and getting three months in jail. I can find you a news story of a cis mom killing her disabled kid cause they're too much work. But I don't want to. The world sucks shit, why gorge yourself on the tragedy?

Zionists come up with news story after news story of pro-Palestinian/BDS/whatever protestors being antisemitic. Yep. A lot of people out there hate Jews. And there has been a genuine rise in antisemitism since the Oct. 7th attack, and that's awful. There are no excuses for that. Do you know what else has happened since then? The Israeli military has slaughtered tens of thousands of Palestinians, including huge numbers of innocent civilians—men, women and children.

People are often terrible to each other. Welcome to Earth. If you go looking for bad actors in a big enough group, you are guaranteed to find them. How about this. What about all the black people who didn't kill a white little girl? What about the black little girls? What about their hopes and dreams? What about their chance at life? What about all the trans women who didn't rape anybody in a bathroom? What if they just want to go about their lives, without constant public scrutiny of what genitals they have (as a cis woman, can you empathize with that? Constant public scrutiny of what you're doing with your genitals?). What about the 30,000 Palestinians who have been killed, and the 70,000 who have been displaced from their homes?

Fear has made you a monster. Fear has driven you to demand slaughter and oppression of innocent people because they look like guilty people you read about on the news, and since they look the same to you, you feel fearful—how can you tell whether these are the innocent ones or the guilty ones? Best to oppress and slaughter them preemptively just to be safe. I am here to tell you that this twisted logic of self-defense does not hold. I do not care if you feel safe—I do not care if you are safe—if the cost of your safety is innocent life. The world is a risky place. I am not going to deny that. Horrible things could happen to any of us. If we go around preemptively attacking other over it, we do not make it a bit better. And, needless to say, danger comes from everywhere, from every group of human beings, and oppressing the people who make you nervous will not, in fact, deliver you from danger. It just makes you a monster.

[tofixtheshadows]

You guys really need to stop and consider the ways you're talking about Kabru I am dead fucking serious. Like I know that flattening characters is just what fandom does to a certain extent, but Kabru's actual personality is getting lost to the fandom hivemind insisting that he's aggressive/cruel/sociopathic/hateful, and these are particularly concerning takes to see leveled at the only brown character in the main cast day after day. "My poor sweet golden child Laios needs to be protected from this scary brown man" is not a good look! Like, it's very telling that the bulk of the hate and bad faith readings are reserved for Toshiro and Kabru. Everyone else's flaws get to be discussed and validated and forgiven (or erased), meanwhile people are straight making up things to be mad about with Toshiro and Kabru but patting themselves on the back for being smart.

The worst part is how undeserved it all is. I'm trying to lay off anime-onlys because we're still kind of in the red herring stage of getting to know Kabru, but I would still like to gently suggest that even if you think Kabru is up to something, you don't gave to get in the tags of every fan creator's post and bring up how you hate him or You Can Tell he's totally evil. Sometimes I think Kabru's blue eyes give people license to say things about his appearance that they know would sound completely racist otherwise, but referring to his blue eyes acts as a get-out-of-racism free card. The jokes about the dog with brown contacts are getting old, by the way.

For people who have read the manga, it's disappointing. Kabru is one of the most complex and important characters in the story, and if you base your interpretation of him and all your fandom interactions on shallow first impressions you are completely missing out.

I know part of this is because Dungeon Meshi is a comedy, but the story also wants to be taken seriously. For example, it's admittedly really funny when Chilchuck calls Laios "sick in the head", but that doesn't change the fact that the way Chilchuck casually belittles Laios caused him to hide the fact that he was "hallucinating" from his friends for weeks. Those feelings matter.

Like, this

is funny.

But this?

Is not. This is just a very clear example of a brown boy with PTSD. As someone else with PTSD, just looking at this fucking sucks, man.

The only reason why Kabru thinks about killing Laios is because he is in the middle of a flashback. He's struggling through a panic attack. If he truly wanted to kill Laios because he's violent or because he finds Laios inherently annoying, he wouldn't otherwise talk with Laios normally. Notice how he doesn't act this way at any other point in the story- it's just because he's triggered by monsters. Even when he's thinking about his plans to "deal with" Laios later, he's reluctant to actually kill him and only considers it to prevent another tragedy. Despite his deadly skills, Kabru relies far more on "soft" power- insight, persuasion, diplomacy. He's a rare example of a character who absolutely is, or at least can be, manipulative, but seems to use his abilities for good. He's not a pathological liar, he isn't looking down on everyone behind a smile. He's someone who is extremely emotionally intelligent, and he's willing to put aside all his own basic wants and needs to stop the cycle of dungeons devouring humans.

I'm going to cut a potential thesis on his character short and just give some examples of things that fandom should consider about his personality more:

Racism in fandom isn't just about whitewashing in fan art, or using racial slurs. The insidiousness of bad faith readings, reductions to racist tropes, lack of fan content for characters of color, and dismissal of a character's complexity are far more common. You can believe yourself to be completely neutral or even positive about a character and still churn out low-grade bile about them into fandom's collective unconscious. Fandom reflects real life.

And I have been around fandom long enough to see how these behaviors (mostly from my fellow white fans) affect fans of color, how it makes a fandom feel hostile and unwelcome to them. It's fun to make jokes and memes, I'm absolutely not saying that everything needs to be a deeply nuanced take, but we need to be careful that it doesn't veer into toxicity. Please think about how our contributions to fandom come across, and what sort of vibes they cultivate in this communal space.

[play-now-my-lord]

When I was growing up in the 90s, in the days before search engines and everyone being online all the time, I saw plenty of trans women, just as sob stories directed at cis people on daytime television, freakshows directed at cis people on daytime television, the punchlines to hateful and violent jokes broadcast at all hours, and as a species of sexual fetish available to the consumers of niche websites and periodicals. The horizons of the possible to me looked like that: you could be someone else's tragedy or someone else's fantasy. The possibility of living a normal and dignified life seemed marginal. There were resources for trans people but they were aimed at adults. There were groups, online and off, aimed at adults. There were definitely trans people living normal-ish lives like mine, but they weren't people I was supposed to know or see. Society insisted they were dangerous to me.

I want to finish this with a joke, like "Good thing our benevolent corporate overlords have decided we had it too good for too long and brought back the fetish/corpse dichotomy", but it's not even just them. Trans people, trans women especially, and our silly little culture and our silly little jokes and our silly little attempts to find and know each other make cis people who, in their view, have to endure them - those things make them seethe. It is an upset to this social situation, this social situation they consider the natural order, which they grew up with and internalized as much as we did, that we have the audacity to see ourselves in things besides jerkoff mags and human corpses. I suggest they die mad about it, and I suggest everyone who shares their frustration die mad about it

[oblique-lane]

idk if youve done it yet but i would actually lose my mind if you did an analysis for demo

Aye aye captain 🫡 Time to overdramatize again!

Let's address Demo's wounds

(Demo's backstory was changed through the years but I'm sticking to the older version because I find it more grounded)

Demoman's story is easily one of the most tragic of all the mercs. Imagine you have been abandoned from birth, your parents simply rejected you for what you are. But luckily you have been adopted by some good people who replaced your parents and made you a relatively happy child.

And then you accidentally kill them. You're 6 years old. How does that feel?

I can't even imagine how a child's brain can't comprehend the idea of being a murderer. It was an accident, of course, they were blown up by a big explosion he created (genius kid found out how to do that, huh?) but still. His parents were dead and he knew it was his own fault. He learned he was dangerous as he is.

How was it like pondering about it in the orphanage?.. "I didn't want this! I want to go back and fix it, I'm so sorry", something like that. But he couldn't go back in time, so being covered in such an avalanche of guilt, he learned he needs to repress himself.

Demo have always had an explosive temper (no pun intended), it was his true nature, pure emotion: if he's happy, it's 100%; if he's angry, it's a full blown storm. If he loves, he loves with all of his heart, and he has a big one.

Living on the impulse, all or nothing, that crucial accident revealed that letting his true nature go will only end up as destruction in the end. Irreparable damage.

We don't know what exactly was happening to him during his orphanage years, but if I'm to guess, repressing everything about him: his interests, his character, his whole nature, was a thing to choose. He thought that he had to become still and quiet as to not to repeat that kind of tragedy ever again. He probably didn't have people to be friends with either, either because people rejected him for his past, or he avoided them himself due to his internalized shame, at least that's a guess.

But everything repressed returns to the surface sooner or later. As a child, living for so long under overwhelming guilt, grief, hate, pain and sadness, under the skies that are almost never sunny in a all-year-long damp and coldness of the Ullapool. Incomprehensibly grey. It was depriving.

He was always fascinated with explosions. He didn't touch it for a long time, but maybe something like seeing fireworks again one day made something inside him tremble... And to remember.

Explosions. Launch... Acceleration... Release. And every time the release happens, his soul fills with excitement, the body feels lighter and shivers go up the spine. Release happens inside his head too, for the explosions make his worries and pain go away for a moment.

He couldn't find another way to release his bottled up emotions, so gradually he returned to make explosives again.

It was something like an addiction. Similar to pyromania, except no one bothered to research this one. At the moment of explosion he could let his anger out, he could scream, he could run around freely, he could sense heat in his chest; he could be himself. As he once was.

Everything was cold. But the explosions were hot.

He thought it was under control, just a little bit of KABOOM after school, but he craved more and more every time, more vivid, more violent...

That's how he lost his eye. (...Was it a subconscious act of selfharm?)

The missing eye was a forever reminder of how deviated he actually was. He learned that he couldn't repress or change what he truly is - a monster. A Black Scottish Cyclops, wether it were his peers who called him like that or he himself, out of misery. There was indeed something seriously wrong with him.

It seemed like the only thing he was capable of is destruction. Destruction is the only environment he's comfortable with. Peace was always so anxious and depriving, and breaking things felt calming, so he figured it must be right.

And then his birth mother came and took him back, "now that's he's a worthy DeGroot". It was unexpected but... Pleasant. So he wasn't THAT worthless after all, huh? Turns out, it was really familial, the destruction thing. At least he found out that there was a reason behind all of this.

His new mom was, saying honestly, pretty cruel with words. She was not at all gentle, she was very strict, demanding and straight up abusive. It was never enough for her no matter what Demo did. She didn't want results from his work, she's just always wanted to mess with his brain.

And for whatever reason... This setup felt right for him. To be thrown around like that, to be humiliated harshly, it felt fitting, it wasn't causing anxiety or anything. He has to be a scapegoat, he had to forget about being a child and to start working as an adult, at the same time somehow replacing a father he still didn't have, but it felt good enough. Confusing relationships felt good enough.

Destruction was his habitat, and his heart could no longer accept anything else.

Cruelty wasn't warm though, just familiar, just an environment to not to go insane. But he craved warmness so badly... Yet every time he would get close to someone and receive a little gentleness and care, it would feel sickening. It felt unnatural, it reminded him of his lost parents and of everything that's wrong about him.

The only warmness his body could accept was alcohol, making him bubbly and comfortable and relaxed. He almost felt normal, happy even. Alcohol heat made him melt, and he felt so fulfilled as if he was in paradise, back to the womb.

Yet after the effect wears off, he feels lonely as ever. Quickly, existing without alcohol becomes pain. Existing at all. He became an addict.

Not that everyone he met rejected him, rather, he subconsciously reached out to those who would be cruel to him. Again, gentleness hurts wether he knows it or not. He's only good in destruction.

Lonely and clingy, ready to overshare, overall mess yet carrying a big baggage of love that has no one to give it to. Maybe because he can't give it to himself in the first place. There's so many issues unresolved because he can't handle them alone, yet there's no one to help since he was already trapped in a closed circuit of self sabotage.

He will keep acting like a party beast, always crazily emotional and overdone upbeat, a simple drunken man who will not be taken seriously that way. Maybe that's what he wanted, to not be seen as deep by anyone for not be reminded of his misery once again.

Seems like we bought that too.

...

The enemy Soldier might be an exception though. The man he really treasures his friendship with turned out to be an enemy; repeating the rule again: it's only acceptable when dangerous. Soldier deeply cares for Demo, however he's not gentle or pitying, he's as destructive and explosive as Demo is, and these two are a very rare perfect combination of destructing each other in the act of love. Both broken beyond repair, soul on soul, forever to be misunderstood by the outsiders. This is something about this relationship that looks like a golden lining.

They will not fix each other, but they sure are going to have a good time!

[leahkentwriter]

Backstories for girls and women in stories that *don't* involve sexual assault.

I beta read a lot, and am involved in writing communities of various kinds, and I briefly taught English way back in the day, and I consume storytelling media in general - and one of my biggest pet peeves is sexual assault backstories. While I think this is improving, it's still annoying to me that a lot of writers (of all genders, but particularly men) fall back on a sexual assault backstory whenever they need to make a girl or woman in a story complicated or haunted or fucked up in some way.

Unless your story is dealing with the topic of sexual assault in some way, please don't use it as a way to give a character depth or angst.

Here are some prompts, just to get you started with some ideas.

Why would a woman be trying to escape her past? Why would she be seeking a fresh start?

She hated her small town; the people there didn't understand her and she never felt like she fit in - she's queer, she has a weird birthmark, she's got unique interests, she has magical powers, etc.

She's a criminal - she robbed banks or stole cars and she wanted a fresh start

She was an addict and hurt people, and she wants a fresh start now that she's sober

Her parent is a criminal or an addict and she's trying to outrun the stigma of being related to them

She didn't get along with a stepparent and skipped town as soon as she turned 18

She had big dreams of being something else, and left to pursue them

Her childhood home was haunted, but no one believed her

She got married young then divorced, and wants to start over somewhere that no one knows her

Heartbreak of any variety - she's leaving a place that reminds her too much of someone she lost or couldn't have

She wants better; maybe more money, or a career, or simply a higher quality of life

Some other violent tragedy occurred - a school shooting, an explosion at the plant, police brutality, her best friend was killed, etc.

Her hometown no longer exists (climate change, the main factory shut down, it was overrun by rabid squirrels, etc.)

What would make a woman distrustful of others?

Heartbreak; being lied to, cheated on, left for her best friend, etc.

A big betrayal - her former best friend told everyone a secret about her, someone weaponized her trauma or her past or a major flaw she's sensitive about, etc.

She witnessed a traumatizing event as a child

Her mother was a grifter and used her as part of her scams

One parent cheated on the other and broke up the family

Her older brother isn't dead after all, he was disowned for being gay and now she's questioning everything her parents ever told her

She has problems with her memory, and is never quite sure what the truth is

She's bad at reading people and has been taken advantage of

She finds out a dark secret about someone she loves and is having trouble processing it

She gradually comes to see that someone she idealized as a child is not at all what they seem

Someone she thought was a good, kind, and genuine person is arrested for a terrible crime

Spiritual abuse - the worldview she was taught was right turns out to be exploitative, represses women, etc., so she leaves

What would cause a woman to have mental health issues?

Any form of abuse - doesn't have to be sexual

Her parents had really high expectations that she couldn't live up to

It simply runs in the family

Survivor's guilt - she survived something that someone else did not

She was bullied and no one protected her

Her parents were very controlling and destroyed her confidence

Her sibling was the golden child and she was the scapegoat

She's had issues since childhood but her parents refused to admit there was anything wrong with her, so she didn't get help

Being a part of any oppressed group of people who experience discrimination - she's a person of color, she's an immigrant, she's got a disability, she's queer, etc.

Any major trauma, either witnessed or being a part of - weather events and natural disasters, infrastructure collapse, crashes and accidents, fires, a shooting or a murder, etc.

You're a writer - get creative. There are lots of ways to traumatize and haunt a girl/woman character without having to resort to a sexual assault backstory. You can even make her the problem! Maybe she's the one who did something bad and is trying to outrun the guilt.

Let's also let go of the idea that it's meeting and falling in love with a man that saves her from her trauma. Let her have a healing arc that doesn't involve a man - a love story can still be there, but it can't be the magic healing balm that fixes her. Make her have to save herself. Give her autonomy to both make her own mistakes, and improve her own situation. Don't let your man go into savior mode - let him get frustrated with her. Let her push him away without him clinging to her in a desperate bid to show her what unconditional love is. Don't let him be a martyr to her trauma.

Women are complicated for many reasons. We have trauma for many reasons. We have mental health issues for many reasons. We may want to escape our past for many reasons. We're angsty and weird for many reasons.

Please pick literally anything other than sexual assault.

[nnoragamis]

i found it crazy as a kid but i find it even crazier as an adult that there were/are people who genuinely hated kikyo and/or kagome. imagine being kikyo. you never get to lead a normal life or have a childhood. you're violently murdered by someone you think is the boy you foolishly fell in love with. and then you're not even allowed to rest in peace and dignity, you're forcibly brought back and you have to live a half-life, shameful and revolting to everything you'd been taught. and then there's a girl who looks just like you, and she seemingly has everything you never could. you're desperately clinging to life, fueled only by thoughts of revenge. who wouldn't go a little crazy? idk!

imagine you're kagome. at fifteen years old, you're thrust into a world you know nothing about, compelled to face horrors and tragedies and violence you were never prepared for. you have to lead a double-life, fulfilling your duty in the feudal era and continuing your education and real life in the modern era. you fall in love with a boy, but it's complicated, and nothing of the culture you're used to surrounding dating has prepared you for this. there's another girl, and she's so much more beautiful and perfect and better than you are and it makes you feel insecure and jealous and petty. because you're fifteen. who could handle that well? idk!

[sepublic]

            I find it interesting that even in the epilogue, four years after Camila has had time to be more acquainted with the Boiling Isles under non-threatening circumstances, she’s still creeped out by it. And this is fine! The narrative isn’t condemning her for it. It’s not demanding that she enjoy these things like Luz does; It’s just asking for her to respect its existence, and to support Luz’s interest in it and love her too.

            In For the Future, we see Camila horrified by what she encounters in the Boiling Isles; But she also spends the whole episode pushing through it anyway for Luz’s sake, being there for her as much as she can. Because she knows these are just feelings and nothing more, and she’s choosing to be kind in spite of them.

            By contrast, in this same episode we find out Belos does feel empathy and guilt towards his brother and nephew, he wasn’t purely 100% only interested in what they could do for him; And yet, he’s still just as cruel and violent towards them. He’s still cruel and violent towards witches and demons, sometimes using the ‘tragedy’ of Caleb as a justification. Hell, he even resents the ghosts for making him feel guilty, telling them to “Shut up.”

            Isn’t that fascinating? Disgust is portrayed as a morally neutral thing. It’s not an indictator of morality, it doesn’t mean something is bad… But it doesn’t mean the person who feels it is bad, either, people don’t consider that enough. It’s just a gut reaction. Sometimes people have internalized biases they need to work through, but other times, it’s pretty harmless as long as they’re self-aware and don’t do anything bad over it; This even applies to the process of unlearning the aforementioned biases.

            Likewise, empathy and guilt don’t actually, necessarily make you a good person. The example with Belos shows how some people will actually be crueler because of empathy, because they resent people for being upset, and thus making them feel upset because they naturally empathize. Hence those who get angry at people in pain and need for “ruining their vibe,” because now they feel bad too.

            There’s a juxtaposition in how Camila seems genuinely more scared and creeped out by the isles on a visceral level than Belos, and yet Camila has the common sense to still respect and fight for its existence; Whereas Belos chooses to make a mountain out of a molehill because it’s not just hatred, it’s pride. It all boils down to his ego at the end of the day. In many ways, other characters struggle with dilemmas more difficult than Belos’, yet still do better than he ever has.

            This all plays into my thesis that TOH is arguing your feelings are secondary to your actions, and that the latter is what decides whether you’re a “good” person or not. In the end, someone who’s had a good life and was a dick for selfish reasons, only to choose to be better, is more sympathetic and morally superior than someone who suffered a million unfair grievances, and proceeded to dole out a million unfair grievances, with no sign of stopping; Especially from an IRL perspective, and I think our IRL feelings sometimes influence how we engage with media, and vice-versa.

            That’s why the finale –and the show as a whole– emphasizes choices, over inherent, instinctual feelings. A decent chunk of Camila’s arc could be summarized by the word Squick; In the sense that it’s meant to describe things that one feels personal disgust and discomfort towards, but otherwise has no moral condemnation or problem with; It’s just a Me thing, is the point of Squick. Camila is like that sex-repulsed ace who nevertheless supports kink at Pride.

            That gets me to how my ruminations were prompted by a similar observation; How some people lump sex-repulsed aces in with the oppressive Puritans who hate sex in anything, but that’s not true at all. Obviously there’s the rare Exception, but as a whole, sex-repulsed aces are on the side of other queers who ARE sexual and are demanding to let these things be normalized; It’s not for them, but they have no moral condemnation and will fight for it in solidarity anyway, especially since both are hated by the system regardless. Sound familiar?

[sabo-torao]

Small disclaimer before you head in: this whole post will be referencing the TCB translation. I know VIZ handled the exchange I'm discussing differently, but I couldn't find anyone who talked about the original version and as a result I don't really know who is closer to the original meaning. In any case, the "analysis" should still stand. Whether Dragon was commenting Sabo's firmness or admiring his resolution, Sabo's still putting on a mask, and that's the point I'm trying to break down. Enjoy!

This very specific interaction between Dragon and Sabo in chapter 1083 has always stuck out to me.

"My, you really are unshakeable."

which is an appropriate response to what Sabo said, of course. What kind of sensitive person reacts that way to the death of an innocent, right?

Even so, I can't help but compare the thing Sabo said to his actual, genuine reaction to King Kobra's death.

He's devastated.

Sabo brokenly screams Kobra's name, and his expression is one of full despair; he never thought about killing Kobra, let alone letting him die. On the contrary, he actively tried to save him.

Kobra told him to just let him go, that he was dead weight and he shouldn't be concerned about him, but Sabo straight up refused. In fact, Kobra's actions read way more as a sacrifice than an inevitable death; the king let himself die, knowing that this way Sabo could flee and reach Vivi and Luffy safely.

On the Lulusian ship, we see Sabo think about Kobra's last words to him and actively trying not to cry (and failing).

That's not an unshakable man. He's suffering, he's grieving. He realizes he failed his very own mission of saving the king and lets the meaning behind Kobra's actions and words sink in.

It really puts his former reaction into perspective.

Sabo's firmness, seriousness and coldness in front of Dragon and Ivankov are nothing but a façade. He acknowledges that what he's about to say might come off as harsh, and that, even if he does feel sorry for Kobra, the tragedy doesn't weigh him down thanks to the results it brought, but it all sounds like he's reassuring himself more than actually showing his indifference.

Hell, he even drinks his glass of wine right after having said that "he doesn't really care". How can anyone take his words seriously?

And we've been knowing Sabo is inclined to do this sort of thing since Dressrosa; he acted all cool and composed in front of Luffy but the second Koala called him on the Den Den Mushi he was weeping, having a hard time believing that his little brother didn't punch him or hate him for being alive all along. He even denied he was crying!

All because Sabo hates being seen as vulnerable, especially in front of the people he thinks he has to be strong for (Luffy, Dragon, etc). It's something I think goes back to how his parents treated him, since they scolded him for, y'know, having emotions and being a normal kid in need of love, but i digress.

I once saw someone describing Sabo as a very cold person in comparison to his brothers, even going as far as to say that Sabo doesn't care if people die if it means achieving the Revolutionary Army's goals (using this very interaction as proof), which couldn't be further away from the truth.

Bonney even says outright that it's weird seeing a "radical revolutionary" act so friendly when Sabo helps her out. Why would he do this if all he ever did was for "The Cause"?

Yes, Sabo is ruthless, rude, violent at times, and his friendly demeanor could be seen as a little more volatile than that of his brothers', but he's not heartless. He's not a "meanings to an end" guy, he proves it time and time and time again, and it's disheartening seeing people label him as such.

Sabo is kind. He may not be as warm as Ace and Luffy, but he is fundamentally a good person. A generous, kind, caring, sensitive person.

No matter how hard he tries to hide it.

[gabessquishytum]

Chef Hob is catering Morpheus Endless's wedding to Alex Burgess and he's not really happy about it, but Dream is Hob's best friend and even if he won't listen to Hob that the marriage is a bad. idea!! Hob will do his part to make it a happy event. 😬

Dream won't even tell Hob why he has to go through with his parents dumb "arranged" marriage; Dream has never liked Alex Burgess (when they were kids, they never thought Alex was anything but lame; and it's not like Alex became scintillating as he grew up!).

And (in the privacy of an empty room) Hob will admit that he is in love with his best friend and that might have a little (🤏🏽) to do with his absolute aversion to Dream marrying anyone (else). But if he was happy or in love, Hob would be the first to be celebrating for and with his Dream (sad for himself, but so happy for Dream). But Dream is not!

Dream is miserable - he hates to suit he has to wear (if he was getting married to Ho the love of his life, he would be wearing a dress); he hates the venue; he hates all the people that are invited; he hates the decorations & colors; he hates the necessity of marrying Alex.

The only thing Dream got to choose was having Hob cater - Hob is a fantastic man chef. And was an "acceptable" choice for an Endless wedding, at least according to Dream's mother.

Everyone, Hob, everyone, is trying to get him to not go through with this wedding, but they don't know what Dream knows. He doesn't have a choice if he wants to keep the people he loves safe.

Maybe he can steal a moment with Hob before the wedding starts.

Listen. This is incredible. I have so many thoughts about this.

Hob knows that something is up (he's not as dumb as he looks, thanks very much Mrs Endless). There's not a whole lot he can do, sure, but being a chef does mean that he has access to certain dangerous weapons and, of course, poisonous substances. So when Dream does finally get a word with Hob at the very last moment, Hob is holding a steak knife and he's like "okay, okay. you might have to go through with the ceremony, but the reception? the reception is where this whole thing ends." Dream tries to persuade Hob that he can't murder Alex at the wedding reception for like, a billion reasons, but it's time for the wedding and Dream has to admit that he doesn't want to persuade Hob out of the murder plan all that much.

The wedding is awful. Hob knows how much Dream hates everything about it. But it's okay, it'll all be over soon and maybe some day Dream can have another wedding that he actually enjoys (Hob isn't planning that far ahead but he loves Dream SO much okay).

And yeah. It's a huge tragedy. First Alex starts choking on a bit of the wedding cake. People try to save him but it's already too late! How awful! And you wouldn't believe it but Roderick also chokes on a bit of cake too! Sadly he also passes away. It's so sad. And nobody can say that its foul play, because they just choked! And the chef (Hob) even tried the heimlich on Alex - of course it was a shame that he accidently broke his neck, but it is a very violent maneuver! These things happen!

Dream is naturally devastated, especially as he inherits the entire Burgess fortune (and all the fortunes of the people that the Burgesses were blackmailing, including Dream’s own entire family). It's such a burden that Dream donates it all to a Choking Awareness charity. In memory of his dear first husband.

He still can't work out how Hob did it. Maybe Hob will tell him, one day, when all the dust has settled and they've both moved overseas together, to start a new life. But Hob does say that the cake he makes for Dream’s second wedding will be much, much more palatable than the first <3

[rainydayssj]

So do the writers just hate Vi or what?

1) Completely glossed over the pit fighting making her emo look feel out of place and irrelevant and not the complete loss of identity it was made out to be

2) No further exploration of Vi’s emotional breakdown, no comments on finally experiencing the betrayal she had inflicted on powder, no return to the violent and oppressive relationship with enforcers/topside that Cait’s actions should have incited, no interactions with her dad-shaped friend and everything he reminds her of (maybe reckoning with her fundamental flaws and past actions), no insight on anything she could possibly be thinking = no character development

3) Abruptly reunited and pulled into a wild goose chase to find her dad instead of the meaningful and emotional return to her sister we would have expected after everything (the sister banter and squabble was funny tho)

4) Worst of all she is somehow immediately on the same page with the person that left her on her knees in some of the worst pain of her life after the majority of it was spent being put down by people just like Cait?? No realizations about their power dynamic or connections to Zaun’s oppression as a whole? All is forgiven even after she slams you into the literal fucking dirt AGAIN? Like what was even the point (Yes I saw the trailer I know Vi gives her some shit but something tells me any disagreements after the fact aren’t going to be as potent) and what a loss of some good lesbian angst

5) The sigh I sighed when the last scrap of agency they were finally allowing Vi to have (spitting in Cait’s face, taking on Ambessa, etc.) was actually all Caitlyn’s plan and she was just going along with it??

I’m tying so hard not to be too bitter but it really is such a tragedy to throw all this potential and previous development away.. and for what? I guess we’ll see..

I demand reparations in the form of a 40 minute Caitvi sex scene thank you very much.