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#how to write backstories
leahkentwriter · 19 days
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Backstories for girls and women in stories that *don't* involve sexual assault.
I beta read a lot, and am involved in writing communities of various kinds, and I briefly taught English way back in the day, and I consume storytelling media in general - and one of my biggest pet peeves is sexual assault backstories. While I think this is improving, it's still annoying to me that a lot of writers (of all genders, but particularly men) fall back on a sexual assault backstory whenever they need to make a girl or woman in a story complicated or haunted or fucked up in some way.
Unless your story is dealing with the topic of sexual assault in some way, please don't use it as a way to give a character depth or angst.
Here are some prompts, just to get you started with some ideas.
Why would a woman be trying to escape her past? Why would she be seeking a fresh start?
She hated her small town; the people there didn't understand her and she never felt like she fit in - she's queer, she has a weird birthmark, she's got unique interests, she has magical powers, etc.
She's a criminal - she robbed banks or stole cars and she wanted a fresh start
She was an addict and hurt people, and she wants a fresh start now that she's sober
Her parent is a criminal or an addict and she's trying to outrun the stigma of being related to them
She didn't get along with a stepparent and skipped town as soon as she turned 18
She had big dreams of being something else, and left to pursue them
Her childhood home was haunted, but no one believed her
She got married young then divorced, and wants to start over somewhere that no one knows her
Heartbreak of any variety - she's leaving a place that reminds her too much of someone she lost or couldn't have
She wants better; maybe more money, or a career, or simply a higher quality of life
Some other violent tragedy occurred - a school shooting, an explosion at the plant, police brutality, her best friend was killed, etc.
Her hometown no longer exists (climate change, the main factory shut down, it was overrun by rabid squirrels, etc.)
What would make a woman distrustful of others?
Heartbreak; being lied to, cheated on, left for her best friend, etc.
A big betrayal - her former best friend told everyone a secret about her, someone weaponized her trauma or her past or a major flaw she's sensitive about, etc.
She witnessed a traumatizing event as a child
Her mother was a grifter and used her as part of her scams
One parent cheated on the other and broke up the family
Her older brother isn't dead after all, he was disowned for being gay and now she's questioning everything her parents ever told her
She has problems with her memory, and is never quite sure what the truth is
She's bad at reading people and has been taken advantage of
She finds out a dark secret about someone she loves and is having trouble processing it
She gradually comes to see that someone she idealized as a child is not at all what they seem
Someone she thought was a good, kind, and genuine person is arrested for a terrible crime
Spiritual abuse - the worldview she was taught was right turns out to be exploitative, represses women, etc., so she leaves
What would cause a woman to have mental health issues?
Any form of abuse - doesn't have to be sexual
Her parents had really high expectations that she couldn't live up to
It simply runs in the family
Survivor's guilt - she survived something that someone else did not
She was bullied and no one protected her
Her parents were very controlling and destroyed her confidence
Her sibling was the golden child and she was the scapegoat
She's had issues since childhood but her parents refused to admit there was anything wrong with her, so she didn't get help
Being a part of any oppressed group of people who experience discrimination - she's a person of color, she's an immigrant, she's got a disability, she's queer, etc.
Any major trauma, either witnessed or being a part of - weather events and natural disasters, infrastructure collapse, crashes and accidents, fires, a shooting or a murder, etc.
You're a writer - get creative. There are lots of ways to traumatize and haunt a girl/woman character without having to resort to a sexual assault backstory. You can even make her the problem! Maybe she's the one who did something bad and is trying to outrun the guilt.
Let's also let go of the idea that it's meeting and falling in love with a man that saves her from her trauma. Let her have a healing arc that doesn't involve a man - a love story can still be there, but it can't be the magic healing balm that fixes her. Make her have to save herself. Give her autonomy to both make her own mistakes, and improve her own situation. Don't let your man go into savior mode - let him get frustrated with her. Let her push him away without him clinging to her in a desperate bid to show her what unconditional love is. Don't let him be a martyr to her trauma.
Women are complicated for many reasons. We have trauma for many reasons. We have mental health issues for many reasons. We may want to escape our past for many reasons. We're angsty and weird for many reasons.
Please pick literally anything other than sexual assault.
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poorly-drawn-mdzs · 10 months
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Gaslight, Gatekeep, Girl found dead in a hidden room.
[First] Prev <–-> Next
#poorly drawn mdzs#mdzs#lan xichen#jin guangyao#jiang cheng#wei wuxian#qin su#EDIT: Tumblr published an earlier draft with only half the notes I wrote so: late entry on my JGY thoughts.#Unlike the mystic powers of the stockmarket (what the OG meme is referring to) I think this situation calls for more active investigation.#qin su is such a deeply tragic character to me and I really wish we got a bit more from her.#Love everyone who sent me messages about her after the last time she appeared.#I think she needs a spin off of her being a transmigrator SO badly.#MDZS has so many interesting characters - but it sometimes fails to give them the proper room to really develop past a role in the plot.#That's just the consequence of writing a story like MDZS. Not every character in a book *needs* to have a rich inner life and backstory!#To do so would bog down the story and obliterate any notion of pacing. It's just not possible.#Jin Guangyao (nee Meng Yao) is unfortunately not free from this leeway rule. He is the culprit of this murder mystery plot#and thus NEEDS to encapsulate the themes of the book. And personally he's a 7 out of 10 at best on this front (in the AD).#MDZS is about rumours twisting reality and working towards truth. And about how people & situations are rarely ever black & white#JGY has his motivations. He's well written in regards to his actions making sense for his character.#What started as good traits (drive to succeed & improve his image) became twisted over time (do anything to maintain his image)#and it's a good parallel to WWX! He has the same arc (with different traits)! Bonus points for IGY in that regard.#but man....by the time we confront this guy for murder there's not a lot of grey morality. He's just...deep in the hole *he* dug.#There's a beautiful tragedy to it! More on JGY in later comics - this is getting pretty long already!
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3hks · 8 months
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How to Write an IMPACTFUL Backstory
Honestly, writing and reading about backstories is probably one of my favorite parts of a character's story! It's a strong foundation for a character's goals, motives, thoughts, and actions! Its most powerful effect, on the other hand, is its ability to change one's view on a character. So, then, how do we write such an impactful past?
For beginners, the more tragic the backstory, the better. While this does hold some truth, let me re-iterate that it's for beginners. The idea behind it is that a pure, devastatingly pitiful backstory is unique and pulls at your reader's heartstrings. Unfortunately, instead, we're left with an origin story that feels superficial, overly-dramatic, unnecessary, and shallow. However in this post, I will give you some tips on how to avoid creating such 2D backgrounds and actually bring your character's past to life!
First, your character's backstory can be made with whatever components you choose, but the key is that you must balance them out correctly. Additionally, the majority of the time, you do want their story to stick out, so I suggest trying to come up with something original! It's much harder than it sounds, but honestly, every other protagonist has dead parents at this point. Be creative, add details, and don't be afraid to let your character go through things if you feel that it's fitting!
Second, don't extend their past for too long. The point of introducing the backstory is to elaborate on a (few) certain event(s) that affected your character the most and forever changed their lives. Keep it centered around one, or at most, a couple events.
Next, most writers tend to use sadness and/or to fuel the character, but it should not be overbearing and excessive. Alternatively, it should feel GENUINE. Not dramatic, but genuine. Different genres do form different types of backstories, yes, but the core concept behind it should be something natural. It should be something that your readers will be able to understand; something authentic. They should feel some sense of relatability, even if it's just a little. This could be like family issues, broken friendships, betrayals, leaving someone, mental struggles, loneliness, etc. Complexity can surround these concepts, but the basic, fundamental ideas should still be present.
Furthermore, be sure that their backstory makes sense. Even if you're introducing it through quick, brief flashbacks, ultimately, you want the reader to have all the pieces to solve the puzzle.
Last but not least, make your backstory feel personal to your character! Build it in a sense that if it were to go to any other character, it wouldn't have an effect that's as severe. Make it targeted to its owner. While this is something that can be difficult to execute, it really provides insight to your character, and is an easy way to add some intricacy to a simple backstory! A good place to start is thinking about the things personal to your character. For instance, this could be their past before the event, people they care about, their morals, etc. Then, add it in said event so that it pushes and/or challenges your character in a way that makes them re-evaluate that value.
There you go! Here are my personal tips on how to upgrade your character's backstory and have it really impact your reader! Be creative, keep it centered around a couple things, make it genuine, and make it targeted to the character!
Happy writing~
3hks <3
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shywhumpauthor · 1 year
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A Whumper with fire powers branding their Whumpee not just with their name or initials, but their handprints.
Two palms scarred against either side of Whumpee’s neck, fingers wrapping around their throat in a collar that can never be removed. Hands on their sides, just below their broken ribs, a touch that will never relent. Fingers wrapped around their wrists in shackles that won’t be unlocked. A handprint against their face, cupping their cheek that had already suffered so many punches. The small of their back. A single hand just between their shoulder blades. Dragging down their thighs.
Just. Branded handprints.
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beanghostprincess · 3 months
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A bit tired of people complaining about Sanji's principle of "not hitting women" being misogynistic when it has been clearly stated multiple times that he does not choose it and it's heavily tied to his trauma and admiration for his dad and respect for women and definitely not from seeing women as somehow weaker than him
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a2zillustration · 9 months
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I've been waiting for an excuse to tell you why Croissant is called Croissant for SO LONG
| First | | Previous | | Next |
[[ All Croissant Adventures (chronological, desktop) ]]
[[ All Croissant Adventures (app) ]]
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sappho-rose · 2 months
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"The world doesn't know me yet."
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travalerray · 9 months
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The funny thing about my Shen Jiu transmigrates into Shen Yuan's body at the same time Shen Yuan transmigrates into Shen Jiu is that it takes place in the same universe wherein PIDW got rewritten into the SVSSS we see (just from LBH POV with the necessary plot holes of the side villains filled in) which means that SJ had to go through the agonizing ordeal of learning about what YQY did through web novel format. And I think that's going to fuck him over for days
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reineydraws · 10 months
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Hi hi! For the spotify wrapped art game, can I suggest akataka with 56?
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oh, i think i was doomed before i began
56 is special girl by dodie. a particular fave, so im glad u chose mishanks for it since they've been on my mind. :')
wrapped 2023 game
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yes i totally agree that one of the protocol crew is definitely not coming back from the hilltop centre -but what if it’s not a matter of life and death?
what if someone goes through a door
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bigskydreaming · 2 months
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Imagine looking at a character whose entire premise is that in every stage of his life, he's made every version of himself into someone that inspires people to such a degree that EVERY SINGLE VERSION OF HIM has people wanting to literally follow in his footsteps in some way or another.....
And coming to the conclusion that like.....the most important things about him are the sum of all his trappings. His entirely homemade developed from scratch could not exist if not for what he already was and brought with him BEFORE crafting this newest version of himself trappings, with his greatest trait throughout all of it being his adaptability; his ability and willingness to roll with the punches and not try to simply weather any opposition or changes to his life but instead reshape himself as needed to better fit INTO whatever new shape his life and the world around him takes. All while managing to carry the most innate, fundamental and necessary aspects of himself from one version to the next. Thus every single version of himself is different but simultaneously every single version of himself is also undeniably the same person.
The strength of this character, to me, will always be that he can be so many versions of himself, he can become so many things, all without ever actually losing or discarding any of the aspects of himself he considers most essential, the things he's not willing to lose or give up just to keep going. Finding that road not taken by most, usually because most never even think to look for it as an option. But one that he's always able to find because the one trick he's mastered in his tumultuous life is threading that needle of not just digging in his heels in an unproductive way but rather being selective about when and where he makes a stand and decides "this is not a thing I'm willing to compromise about" but here are places and ways I can and will change and evolve and adapt in order to make it possible for me to hold onto these parts and keep them as they are.
And that's why its always so mind-boggling to me that so many writers can't seem to think of anything else to do with Dick Grayson other than invent some new reason for him to just....not be that person, or to like just take the character whose most basic fundamental trait he's NOT about to compromise on is willingly giving up his spot in the driver's seat of his own life.....and make him just a passenger in his own life and stories.
Dick Grayson at age nine....at age nineteen...at age twenty nine....the one core thread running through all versions of him is the only way he's standing back and letting you call the shots for him or putting him on the sidelines in some way is over his dead body.
HOW he goes about that, what that looks like, who he becomes and what aspects of himself he plays up at some times and what traits he lets fall by the wayside at other times when they offer less in service to his primary goal here....that changes constantly. He changes constantly.
But those changes are almost always (or at least they used to be/should be IN MY OPINION) made with the intention of keeping certain things about him or his life as consistent as possible.
That's the duality of Dick Grayson that I'm here for. The inherent contradiction of him that COULD allow for endless conflict and breaking new narrative ground in all sorts of ways if mined properly:
His eternal willingness to compromise....but only ever in pursuit of doubling down on the ways he's not willing to compromise.
Forever walking that tightrope in ways that only a kid born and raised in a circus could ever hope to.
#see also: my grinding teeth when people disparage his circus origins#like the only thing its good for is colorful backstory and explaining his acrobatics#THERES. SO. MUCH. THERE.#theres so much EVERYWHERE in every aspect of his backstory and his preexisting comics and yet over and over we get#....what if we just ignored all that and did what the fuck ever as though this character has nothing integral to him or fundamental to say#to be fair my gripes with Taylor are not exactly interchangeable with my gripes with the previous runs#but I lump him in as an extension of them because while evocative of different SIDES of my ennui with these takes on Dick.....#the thing about Taylor's stuff to me (or the parts I read at least) is that its generic as hell while only retaining superficial elements#of Dick's character and stories in order to point to them and say see these are definitely about Dick Grayson. like....only in very surface#level ways. underneath that theyre basically generic superhero adventures that could easily be retooled to be about a pretty sizable number#of other characters. tbh with the whole alfred inheritance thing it honestly felt from the get go#that Taylor was more interested in writing a kinder gentler Batman like a Bruce from one of the animated shows like#The Brave and the Bold who gets along better with everyone else. even the way the Brave and the Bold largely exists to use Batman's#popularity as a star vehicle to platform his co-superhero for the episode lends itself to Taylor's approach in his NW run#with the central figure - only nominally DG imo - basically existing as a platform allowing for the drafting of any other character he want#to write in any given arc or story in a similar way to how Bruce is utilized in Brave and the Bold#anyway. idk idk. my issues with Taylor are not the same as the others exactly but also they are and also I just plain dont like the guy#so I complain about him at any given opportunity even when its not technically as accurate or relevant as it possibly could be#I Am Flawed. its fine though dont worry about it. its called being nuanced
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osamusriceballs · 11 months
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Kinktober Day 27 <3
Ushijima x dirtytalk
Warnings: NSFW, fem reader
Words: ~ 2,3 k
Kinktober Masterlist II -> Next day
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"Here, Wakatoshi-kun! Look at this!"
A phone gets shoved into his face, the brightness level way too high for comfort, but he squints to take a look at the screen. A small grunt leaves his lips at the lack of greeting from his red-haired friend, but he chooses to focus on the screen instead.
It's an Instagram post with a picture of him, one taken during the Olympics. He looks at the picture, confused, but then Tendou starts scrolling through the comments
"I'd combust if he called me 'baby' with that deep voice."
"Do you think he's vocal in bed?" Reply: "He doesn't talk much in interviews, so I doubt it." Reply: "What a waste. His voice is so hot."
"LOOK AT HIS ABS *drools*"
"The world is going crazy ever since you said 'baby' in that one interview!" Tendou wildly gestures with his phone still in his hand, his grin almost smug when he elbows Ushijima. A frown appears on the spiker's face as he tries to recall the interview. It was one that he wasn't too fond of, due to the number of personal questions that had been asked. Way too personal questions for his liking.
"Ushijima-san, do you have any plans to start a family soon? When can we expect a baby, a little Ushijima junior?" "Baby?" he had echoed, clearly taken aback by this question, something that the interviewer probably failed to notice, but to the people close to him, it was fairly obvious. The silence after this question lead to speculation on the internet about his relationship status, something that he has kept private so far.
"It wasn't in a sexual way." Ushijima states after skimming through more comments, raising his eyebrows when the messages get more explicit and vulgar. "I was surprised when he asked the question."
"Doesn't matter! The world is going feral now, everybody wants to be Wakatoshi's baby! And even I have to admit that I got butterflies when I heard you say that. Y/n is really lucky~" Tendou hums, mischief clear in his eyes, but Ushijima fails to follow his train of thoughts with this.
"Why is she lucky?"
"Because she gets you to say sweet and dirty things to her all day long. You can't fool me, Wakatoshi-kun; I'm not only your best but also your oldest friend." Tendou winks and strolls ahead, oblivious to the way Wakatoshi is left standing there with a frown on his face, still.
xxxxx
"Y/n?"
You rub your arms dry with a fluffy towel when his voice comes from the other side of the door.
"Hmm?" you hum, smiling excitedly because he is finally back home. "I'll be out in a second."
"Yes, please. We need to talk." You hear him lean against the door frame, clearly waiting for you to come out.
You freeze at his words, eyes growing wide when realization settles in and you fully comprehend his words. "Talk? Talk about what?" you know that you sound shrill and loud, but you can't help yourself but to feel nervous at his serious tone- even more serious than normally.
"About us." Your jaw drops, and you quickly reach for your bathrobe, hastily unfolding the fabric to its full length.
"What do you mean about us? Is there a problem with us?" You finally manage to pull your arms through the fabric, quickly wrapping the fabric along your body before you open the door. You're met with Ushijima's broad chest as he quickly straightens to his full posture. His olive eyes roam over your body, lingering for a short moment on your exposed cleavage before they return back to your face. He looks nervous, there is no other way to put it. "I'm not sure. I think there could might be a problem."
"And what would that be?" You cross your arms in front of your chest, your eyes boring into his face as if you could find answers for his unusual behavior there. You've never seen him like this before. His usual warm eyes are clouded with worry, his hands fidgeting with his phone in his hands. "Toshi? What is it? Please, talk to me." You're tempted to take the phone out of his hands, but you refrain from touching him, not when you don't know what's going on.
"Are you happy with our sex life?" His eyes don't leave your face, not for even the slightest second to see your reaction, and your jaw drops at the sudden question- you expected a lot, but definitely not this.
"I'm- I mean, yes I am? Shouldn't I be? Are you unhappy?" You take a slight step back, creating distance between the two of you, baffled by the sudden implication that he thinks that you're not satisfied. Or that he might not be. Sex with Wakatoshi is great- hard, rough, and passionate. He knows how to fuck you, that is for sure, but he also knows how to be gentle and sweet, how to take care of you and spoil you, especially during aftercare. You lack nothing in your sex life with him- and you hope that he feels the same.
"I am happy. Very. I enjoy sex with you very much much," he states firmly, but that only confuses you more.
"Why are you asking me then? What made you think that I could be unhappy?" You move closer to him, worry etched in your features when you finally take his phone and put it aside to grab his hands.
"Do you want me to talk more? To be more vocal? I saw a video and people kept on commenting how they want me to call them 'baby' and some more things. Would you like that too?" The way he asks nonchalantly like he was just talking about dinner made this even more embarrassing somehow.
"For you to call me 'baby' during sex?"
"Hmm." He nods and looks expectantly at you, his hands squeezing yours while his gaze seems somewhat calmer now that he is convinced that you're satisfied.
"You... you can call me whatever you want. I'm fine with it." You try to sound unbothered and calm, but the slightly shaking note shows how the thought of him calling you "baby" or "his pretty girl" while he thrusts into you does something to you. He nods, hesitating for a second, but then his hands suddenly drop yours to pull you in by the waist, his other hand coming to your chin while he leans down until his lips are close to your ear.
"My baby. Or would you rather be my babygirl?" His honey-like voice almost puts a spell on you, and you find yourself shivering in his arms, thighs involuntarily clenching together. "S-sounds good, Toshi." You bring your hands up to his chest, feeling the hard muscles under his shirt and his slow and steady heartbeat.
"And what would my babygirl like me to do? Does my babygirl want to be touched?" He lowly mumbles against the shell of your ear, your heart now beating faster when his hands start to roam over your body. "Yes," you breathlessly answer, hands slightly clenching into the fabric of his shirt. Definitely not what you had expected as the outcome of the conversation, but vocal Wakatoshi makes your pussy throb with every single word.
"My babygirl needs me to touch her, huh? I will take care of that pretty little princess cunt." He kisses your cheek, and your legs feel like jelly at this point. You cling to him, hanging on every single one of his words. You feel your arousal growing, feel how you start to get wet the more his hands keep touching you.
"More," you whisper, feeling hot and bothered while he keeps on touching you and pressing kisses to your neck. "More? Is my babygirl needy? That pretty princess cunny needs me to touch her?" He lifts the bathrobe just enough to place one hand on your thigh, and you feel like your body is on fire when he touches you there.
"Yes," you gasp, your hands now finding purchase on his shoulders while you cling onto him like your life depends on it. "What does that little princess cunny want? My fingers?" He grazes his fingertips along your thigh, moving dangerously close to your pussy under the bathrobe- bare, and basically creaming for him the longer he keeps playing with your body.
"Or my tongue?" he licks along the column of your neck, and you gasp at his words, the sensation hot and forbidden god. "I want to taste you, baby. You always taste so sweet. Do you want my tongue between your legs? Licking at your pretty pussy?" His fingers reach your throbbing pussy, slightly parting your folds and dipping in your wetness.
"Do it, do it, Toshi, please," you press your legs together around his hand, effectively caging him right where you need it. "Hmm, but you have to cum on my fingers first." He pecks your cheek and pulls his hand away from your legs, just to place it on your hips to guide you towards the bed. "Lay down for me, baby. Open that bathrobe for me."
His baritone echoes through the room, and you feel yourself doing everything like you're in a haze, full of need for him. "Hmm, that's my good girl." He hums apporvingly when you discard the bathrobe on the floor. Your body is trembling in the cool air of the room, but Ushijima is quick to join you on the bed and to hover above you, radiating so much heat that you instantly feel warm.
"Baby, spread your legs for me. Show me everything." You take a deep breath and slowly part your legs, revealing your glistening folds to him. A shiver runs down his body, and he clears his throat before he speaks again, his voice now lower when he is obviously bothered and turned on by the situation. "Look at how wet you are for me. All for me."
You frantically nod, anticipation rushing through your body while you wait for him to touch you. His fingers finally roam over your thighs, and your head falls back into the pillow at the way he touches you, the way he knows exactly where and how to touch you.
"So impatient. I can't wait to be inside of you, to feel you around me." Your gaze falls to the tent in his pants, the thought of him fucking you making your head spin and your pussy throb with need. His fingers move between your legs, moving along your folds and pressing against your clit. You moan at the sensation, your hands fisting the sheets when his thumb prods on your entrance.
"You look so pretty like this. Just waiting for me to touch you, to fuck you. And you feel so good around my fingers." He pushes his thumb inside of you, and you almost close your legs around him. "I will make you feel so good. I will make you cum on my fingers, on my tongue, on my cock." You clench around the digit at his words, your eyes focused on his handsome face while he keeps on rubbing your clit. "More, please more," you whine your body shaking underneath his. "Shhh, I'll give you more. I'll give you what you need, baby." His eyes roam down your body and you almost protest when he pulls his thumb out, just to quickly replace it with three of his fingers. "Oh, Toshi," you whine, your hips arching into him, and you start to fuck yourself on his fingers. He keeps the fast rhythm, pulling his fingers out, and pushing them back inside, curling them pulling them out again. "You feel so good. You're is creaming for me, look at that." His words only add fuel to your desire, and you grab his shoulders to push him down to you to connect your lips in a needy kiss. He groans into your mouth, his movements slowing down for a few moments before he sets his rhythm again, a fast and punishing pace now.
Your nails rake along his bare shoulders, leaving red marks, and he groans at the sensation. "Come on, baby girl. Let me feel you clench around me. Cream on my fingers, make a mess for me," his voice sends you over the edge, and you moan his name when you cum, your walls pulsing and clenching softly around his fingers. He groans your name, sweet praises of how you're his good girl, how pretty you look under him, how much he loves you, leave his lips and your body arches from the bed into his while your face contorts in pure bliss.
He prolongs your high, making sure to keep his pace and to curl his fingers just the right way, and your body goes limp when he finally slows down. His lips meet yours, pressing chaste and loving kisses to your face. "Was that okay?" The slight frown on his face is back, a clear sign of him being deep in thoughts when he pulls back after a few more kisses.
"More than okay. I think I could cum from your voice alone." You smile up at him and cup his cheek, the afterglow making you feel so good while you lay under him.
He raises an eyebrow, curiosity now sparkling in his eyes at your words, and you are quick to explain further. "I- I didn't mean that literally. Like- I just wanted to say that your voice is hot. And you are hot." Your cheeks heat up when he simply nods and hums, a mild smile on his lips.
"I want to test that out. Let's see if I can make you cum with my voice alone, baby."
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siyelius · 6 months
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6 years later and I still wish they’d tapped into Jericho and the development amongst Markus, North, Simon and Josh as intricately as Connor and Hank’s bond. There’s so much potential between the founding/history of Jericho as a failing underground retreat and the roles / ideals each member of Jericho represents. There’s strengths and weaknesses between everyone. Simon’s wisdom and aged experience watching his people die for years under his care making the idea of unsafe risks and progress hesitant (causing Jericho to slowly rot at a standstill), Josh’s academic knowledge of humans’ civil rights movements throughout American history granting the guise of humans potentially being diplomatic with his kind if approached peacefully, and North experiencing the disgusting primal instincts of humans for years and history of being S/A’d giving her reason to despise humanity would’ve been such interesting concepts if given a platform to be dug into respectively.
Not to mention how Jericho’s even functioned before Markus’ arrival. It had to have been a vulture-esque environment if the three were to survive for so long. Scrapping their own dying kind, performing mercy kills for the sake of harvesting usable biocomponents they themselves would die without. North’s only been there for about a week at that point, but Josh’s deviancy age is unknown and Simon’s been confirmed to have been deviant for two whole years. For all we know none of their biocomponents could be original to them. They’ve torn themselves and others apart to rebuild their bodies and continue to live on like starving animals.
It’d explain a lot of holes, but a lot of this is just speculation. Jericho had a lot more potential and many intimate moments between chapters that could’ve explored the bonds the Jericrew have. Personal rooms of theirs on the boat would’ve been a great window to understanding holes in their past or their opinions of Markus as a person. It could’ve showed interests of theirs that fit with their ideals, their maturity of scrapping for so long, something to make their determinant slots a bit more impactful. Jericho had to have been a desolate, scavenging hellhole before Markus came along. I just wish they’d explore that concept a bit more to accentuate androids’ wills to live, even if it meant killing the weaker of the flock.
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mistfallengw2 · 5 months
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Feel free to be more specific in comments/notes if you want! If you want to elaborate further, how do you organize them? By role, species, age, alphabetical order, vibes or something else?
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shalomniscient · 7 months
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i just woke up, it’s 7am and i’m having thoughts about jingliu…
if there was one person on the luofu who knew jingliu the longest, it was you. not the high cloud quintet or the cloud knights, you. the daughter of jingliu’s master, and the stubborn sword champion’s personal healer. she entered your life as a gangly, hungry girl who could barely hold a sword in both hands—and now, she’s the greatest warrior the luofu has ever seen.
but more importantly, now, she’s your wife.
it seemed almost like an inevitability, that you’d fall for her. for all that she was your mother’s disciple, you didn’t see her much as children. jingliu would always be training, and you would always be studying. it was only after she became a member of the cloud knights, and you a member of the alchemy commission, that things would really start to blossom—like a lotus flower, bright and pure.
you were the only healer jingliu really trusted and even allowed to heal her. the warrior had a stubborn streak several miles wide, but perhaps it was the echo of your mother in you that had her obediently heeling to your treatments—a fact that always awed her fellow cloud knights, who teased her relentlessly about it. “whipped,” they’d say. jingliu would only grumble and grudgingly thank you, before leaving the clinic and decidedly and publicly putting every one of her squadmates on their asses during a sparring match.
but nonetheless, it is no one but jingliu who comforts you when teng xiao arrives at your door, a set of armor folded neatly in his arms, and a grim, apologetic look on his face. that night it is jingliu who sits by your side, letting you weep into her shoulder as she awkwardly and clumsily attempts to console you. grief burns through you like a wildfire, but jingliu is there, her presence soothing and cool like moonlight. you both fall asleep tangled in each other’s arms, finding that, if nothing else, there is comfort in shared loss.
the next morning, you ask her about it as you both still hold each other close. jingliu’s mouth opens and closes, struggling to choose the right words. “i swore to her that i’d protect you,” she answers. it makes you smile, just a little, even if grief still twists sharply in your heart.
“you’re protecting me by cuddling me?” you tease her, and her pale cheeks flush.
“that’s— i believed you might have needed—“ she stammers, and you cut her off by pressing closer against her cool body.
“i’m just teasing,” you whisper against her skin, arms tightening around her muscular form. as if to ground yourself, as if to assure yourself that she’s really here. “i appreciate it, jingliu. thank you.”
at your words, the warrior relaxes. her voice is barely higher than yours when she replies, tinged with a hint of tenderness. “of course.”
jingliu is different, after that. you guess that it’s because you are all she has left—much the same in how she is all you have left. there is a gentle awkwardness to her now, like someone who has never known how to be soft trying to learn for the first time. she sits patiently as she lets you fuss over her wounds, knowing that you need this, that you need to know she’s alright. she only looks away when you get a little too close, when she can feel the warmth of your breath on her skin, and she hopes you don’t notice (you do).
she comes to the house whenever she can, which feels just a little emptier without your mother’s commanding presence. she stands shoulder to shoulder next to you at the counter making dumplings, her rough, battle-scarred hands dwarfing your own more delicate ones—but she wraps the dumplings with finesse all the same. you eat them together, quietly, but the silence is comfortable. you know each other enough that words are unnecessary. these nights you can only ever fall asleep in her arms—and she can only ever fall asleep in yours. neither of you question it, but what is there to question anyway?
jingliu ends up being many of your firsts—including your first kiss. it happens on one of those nights, tangled in each other’s arms, with nothing but a sliver of moonlight to illuminate jingliu’s pale face. you feel her pulse jump under your touch, as your thumb traces the ridge of her cheekbones and your lips press gently against hers. kissing her is nothing grand, no fireworks or butterflies—just the quiet sense of finally coming home.
jingliu is your first time, too. her hands trail down your body with reverence, lips pressing kisses like prayers against your skin. she brings you to the edge of heaven with her fingers and her mouth until you lie boneless on the sheets. she kisses you while your essence is still smeared across her lips, and you eagerly return the favor.
jingliu is your first and only love. it’s the soft, quiet kind, more of a respite than a whirlwind in and of itself. a shelter where both of you can return to, when the world becomes too much. you’re there for each other at the lowest lows and the highest highs—jingliu attends the ceremony as you’re sworn in as the cauldron master of the alchemy commission, eyes trained only on you as you accept the honor. and you attend jingliu’s ascenscion ceremony for the title of sword champion, standing at the forefront of the crowd, a proud smile on your face. to jingliu, that is her true victory.
and yet, even as the sword champion, there are still things she fears—like telling you she loves you. it takes a grand amount of coaxing from her new friends—a blacksmith, a high elder, and a pilot, respectively—before she works up the courage. she whispers it against your neck one moonlit night, intertwined with you in the sheets. her voice trembles ever so slightly, her breath fanning unevenly against your skin, and she tenses when you laugh softly. but the tension bleeds out of her immediately when you say it back, and she slumps against you, as if the weight of the world had been lifted off her shoulders.
(baiheng and yingxing later force her to buy them drinks, and she does so, grudgingly. after all, they were right when they said there was no way you’d say anything other than ‘i love you too’. dan feng only attends for the free alcohol, but he is happy for her nonetheless.)
your marriage is a quiet affair—or as quiet as it can get, with baiheng and yingxing together on the guestlist. but it is perfect, to you and jingliu. the rings were crafted by yingxing, inlaid with stones baiheng discovered along the trailblaze. neither of you actually wear them on your fingers due to your jobs, but none other than dan feng gifts the both of you corded red rope to loop the rings through and wear as a necklace. it becomes your greatest treasure, even centuries down the line.
the next few months of your life are calm and routine—until jingliu returns home one day with a teenager, of all things. the boy has long, shaggy, white hair, and curious golden eyes. He reminds you of a cat.
“this is jing yuan,” jingliu introduces to you. “my disciple.”
the boy greets you politely, before jingliu sends him off to an empty room in your home for him to claim as his own. once the boy is out of sight, you turn to jingliu, quirking a brow.
“disciple?”
she nods. “yes. i believe he has potential.”
you only hum at her answer, stepping forward to fix her collar. she lets you fuss, as you always have, and then presses her lips against yours gently, her hands on your waist. “trust me,” she whispers, and you do.
jing yuan fits into your life more easily than you expected. a sharp-witted young man, quick with a blade but even quicker with his words. it isn’t long before you grow fond of him as well—in an almost parental sort of way. before you realise, you start fussing over him the way you fuss over jingliu. it seems you’re not the only one susceptible to jing yuan’s charm, since the newly formed high cloud quintet adore him just as much—baiheng, especially, is delighted to have another little brother figure besides yingxing. jingliu is no exception; the pride in her gaze as she watches jing yuan train is visible to anyone.
nowadays, your home feels fuller. it is no longer just you and hingliu making dumplings—another pair of hands, sometimes even another three appear to help. the dinner table is full more often than not, and there always seems to be more plates in the sink. sometimes you find purple fur on the floor, or the occasional jade-like scale in between your couch cushions. but joy, you learn, is fleeting. nnd no one ever notices it is here until it is gone, ripped from your hands before you can even blink.
jingliu is your first and only love. she is also your first and only heartbreak.
everything you’ve built with jingliu over the course of centuries crumbles in a matter of days. the battle against shuhu is vicious. you can barely even keep up against the constant stream of injured that flood the alchemy commission. you and your colleagues down energising pill after energising pill to stay on your feet and support the xianzhou forces. tet the news from the frontline would nonetheless bring you to your knees.
baiheng, dead. yingxing, cursed. dan feng, imprisoned. and worst of all—
jingliu, mara-struck.
the ten lords commission keep her under strict watch in a holding cell. you barely have the time to visit, what with the number of patients that demand your attention. jing yuan is the one who visits her, by his authority as the new arbiter general. he speaks to you when he can, updates you on her condition—but you’ve treated enough cases to know when something is bad, even if jing yuan tries to assuage you with purposefully vague wording.
she barely recognises you when you approach her. her beautiful ruby eyes are covered by a ragged, black cloth. thick, metal bindings encircle her wrists and restrain her arms behind her back. you call her name, quietly, gently, trying your hardest to stifle the tremble in your voice. sometimes, there is a flicker of recognition. most of the time, there is nothing.
you return to an empty house. it’s so, so cold, and your bed is far too big. you hold tightly to your ring, praying that jingliu be spared this fate. but the aeon does not listen.
because no more than a few months later, jingliu breaks free from her confinement, and rampages across the luofu. smoke chokes the air as ice and frigid wind sweeps across the epicenter that is jingliu. but instead of running away, you run towards her. the ice seems to part and melt before you as you run. you need to see her.
instead, all you witness is the majesty of the lightning lord, as he strikes down your beloved.
nothing remains of jingliu. they find no body, not even any remnants of armor or personal effects. after that, they strike her name from every record for her dishonor. all her achievements, her victories—erased. as if she never existed. you are forced to resign as cauldron master in shame, with your apprentice dan shu taking your place.
you feel… nothing. only a pervasive, parasitic emptiness spreading through your entire being. you spend your days in a bed in a guest room—you can’t bring yourself to set foot in the room you once shared with her. the kitchen lies deserted. you barely feel hunger or thirst, or any sort of sensation. and yet, you keep living. your cells respire and your lungs draw breath, and your heart still thumps in your chest—even as your soul rots and decays.
the only thing—or person, rather—that stirs you now somewhat is jing yuan. he has lost everyone too, this general who will always be that curious-eyed boy to you. you do your best to pick yourself up; if not for yourself, then for him.
(but jing yuan knows. he sees it in your eyes, the truth of the matter. the guilt that gnaws at you, that compels you to keep fussing over him.
you think that caring for him will help you atone for the way you failed jingliu. he wants to tell you that his master would’ve never thought such a thing. but he doesn’t, and lets you mother him all the same.
he needs this too.)
jing yuan appoints you as his personal healer, even as his advisors protest. they question your ability—after all, how could a good healer not even mend the one she loved most?
that moment is the first and last time you ever see jing yuan angry. it fades as quickly as it comes, however, and you are appointed as his personal healer nonetheless. you remain by his side for the next few centuries, watching as he grows more and more into the role of the general. the pain of your loss doesn’t heal—not fully, at least, but it scabs over.
still, you can’t help the ache in your chest when jing yuan approaches you one day, a young boy at his heels.
“this is my disciple, yanqing,” he introduces. the boy has flaxen hair, and expressive amber eyes. there’s a fire in them, a determination that you remember seeing in a pair of ruby ones. he greets you, politely and a little shyly.
it’s a painfully familiar scene, and the best you can manage is a wordless smile.
yanqing becomes another target of your fussing soon enough. he squirms when you check him over for injuries, insisting that he’s fine. the boy is incorrigibly stubborn. but in the end, he is still a boy. his enthusiasm, unmarred by grief and loss, brings a liveliness to your monotone life. you can’t help but sneak a few more extra strales into his pockets for swords when jing yuan isn’t looking.
(but he knows. jing yuan always knows.)
you are not happy, not truly, not without her, never without her, but for now you are content. the boys in your life give you reason enough to keep going.
yet your life turns upside down once more when the stellaron bursts on the luofu. jing yuan keeps you away from the whirlwind of conflict, assigning an elite squad of his knights to guard your house. it makes you curious, but the answer reveals itself to you only a few days after the crisis is resolved.
there, standing amidst the unconscious bodies of the cloud knights supposed to guard you, is none other than the ghost of your beloved.
she’s as beautiful as the day you lost her.
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chiropteracupola · 5 months
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granby + iskierka + keynes
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