#people are of course free to draw characters however they like but like i would never

[organised-disaster]

I can't be trusted. When I refer to "my babygirl" it could one of four people (and six entities)

A 16 year old boy

A ~15 year old girl

A plant

A grown ass man with a drinking problem

An agender ghost

A fat yellow dinosaur

[maryrouille]

Toxic romanticization of studying

In a word of introduction, my profile partly shows that studying and exploring is wonderful. But as a person involved in science*, I would like to show healthy and true patterns of this beautiful adventure in acquiring knowledge.

The inspiration for writing this post this time was not the phenomenon from Tumblr (although you can also observe it here), but from Pinterest. There you can come across cycles composed of quotes and photos whose aim is to motivate young girls to learn, succeed and get good grades. These images often also show examples of characters from movies, TV series or real life that you can aspire to be like. Overall, I have to agree that it really works! But I would like to draw attention to certain elements that need to be verified.

1. You shouldn't get up at 5am

First of all, the correct amount of sleep is one of the most important factors affecting the proper and effective functioning of our brain. During sleep, nerve cells regenerate, organize information acquired during the day and consolidate memory traces, which is directly related to learning. Lack of sleep increases impulsivity, deepens negative thinking and slows down the body's reaction time!

2. You can be a genius without good grades

Of course, good grades are a pleasant confirmation of our knowledge and praise for hard work. However, sometimes it is worth considering whether the structure of exams themselves, especially those with closed questions, affects the results. We often study for one specific exam, the knowledge of which may be very… limited and sometimes not useful, so it is worth prioritizing the topics that we study hard.

3. It's not cool to think you're better than others

We are different and have different priorities in life. It is also worth considering how many people escape from the rat race and start a slow, stress-free life. So we have to agree that judging people based on grades or responses under stress (sic!) is not cool.

The good thing about romanticizing studying

As I have already said, these types of collages are really motivating. So let's talk about what's great about them and what's worth highlighting and saving for later.

1. Knowledge is beautiful, but your outfit and surroundings can also be

We know that we should never judge a book by its cover, but… the issue of social perception painfully confirms that we do and will continue to do so because this is how our brains work. And isn't it nice when someone looks at us and thinks this girl is so classy?

Moreover, a nice outfit that makes us feel good gives us a lot of self-confidence. There are also many studies confirming the positive impact on motivation and concentration of a neat and aesthetic workplace.

2. Not just cramming, but also discovering

Broadening your horizons is easier with passion and real commitment. And to achieve this, the topics must really interest us. Not everyone has yet found something that they are extremely passionate about in science, so that is why you have to dig deeper and discover different areas.

3. Don't be afraid to use your knowledge in practice

Schools and universities, unfortunately, have their own rules and they do not always allow you to show your 100% potential. Thus, share your knowledge with others externally, write essays, blog and social media. This form of activity also makes you learn things faster and easier. In addition, contacts with others will expand your knowledge.

Therefore, I must say that it is worth choosing your inspirations carefully. Nothing helps you enjoy studying better than a clear head and lack of prejudices.

*This post was inspired by my own experience with studying. If anyone is interested, I think I can share my mistakes that did not help me in an academic adventure :)

[writingoddess1125]

Just a Peak- 👀

Crack-Head Headcanon

You accidently see the guys naked

Spicy Themes 🔥 including oral 18+

Buggy, Mihawk, Crocodile, Shanks,

Support me on Ko-Fi! I'm very poor and this is my job for now

Also a quick side note for everyone, This took forever since I had to do actual math! I looked at ALL of these damn characters and their height then based off of Odas fucking drawings figure out how their anatomy would lay in how he drew pants. Was it excessive- Absolutely 💯 was it worth it IDK

Buggy

• You all had been drinking on the ship, it was a fun party in all honesty. Buggy of course wanting to be flashing and show off how fun he was. Buggy who was fairly well drunk stumbled out for some reason you didnt hear-

• You stumbled out to potentially puke over the rails, However when you did you saw your Captian standing there clearly having finished relieving himself and now simply too drunk to put himself away as he stared out over the open ocean.

• You now knew why Buggy was so damn confident all the time...

• Thicccc, easy 8 inches flaccid and fit so well in his gloved hands it damn near looked picturesque.

• Have you ever seen a pretty cock!? When are cock pretty!? It's literally a perfect shape and color, with nicely trimmed ocean blue curls at the base.

Mihawk

• "AHH!! WHAT THE HELL ARE YOU DOING HERE!?" Buggy screamed as he caught you staring- His face as red as his nose as he quickly tried to tuck himself away with sloppy hands.

• You quickly doing a U-Turn back into the hull of the ship- Face as red as a cherry and the image now seared into your brain.

Crocodile

• Being acquainted with Mihawk definitely had its benefits, in case really good drinks and the Bartender giving you free drinks cause they were hitting on The famous pirate!

• Mihawk had disapeared around 4 drinks ago, so you walled out of the bar to see if you could spot him. Turning the corner you spot him, but he definitely wasn't alone.

• There he was with thay flirty Bartender, her on her knees sucking him off. He looked mildly bored as well as he glanced down at her- However you couldn't help but stare when you saw her pull back for air.

• Long a solid 9+ inches , A bit thin for what you expected but clearly he made up for it in length. Pale, Slender, curved ever so slightly and thick hair at the base.

• You now understood the wide walk-

• Seeing the young female Bartender taking him fully into her mouth once mkre with a deep blush. Her nose pressed against the thick layer of black hair at the base- You see his eyes go up from the Bartender right to you

• His eyes met yours and he smirked- Like he was amused you had caught him this way, or that he was turned on by this possibly.

• Your face burned as he stared such strong eye contact with you. Quickly you snapped from your thoughts and hurried back into the bar. Finishing your drink quietly as the memory played in your mind.

• When Mihawk returned he sat next to you, not saying a work but you felt his eyes following you.

• Being a secretary was hard- being one for a famed dangerous pirate was harder- and then there was Crocodile

• He was a very picky and meticulous man that you knew better then to displease. So you had gotten his clothes from the cleaner (sands a bitch to wash out) and was dropping them off at his current residence. You had a key anyway so you walked right in, not expecting him there anyway.

• You were dead wrong however- Walking in it seemed Crocodile had just left the shower and didn't bother with a towel either. Stepping out steaming and having water running down his form.

• He was a big man (8ft3in -253 cm) you knew that... however you never connected it how that would translate in terms of.. his other anatomy however this just didn't seem fair!

Shanks

• It was easy 11 inches, the size of some people's forearm! Paired with it being very girthy it looked more like a weapon then an organ

• Paired with the lazy mess of wavy black curls at the base he clearly didn't bother taming.

• His eyes locking on your shocked face and how red you looked. A noise similar to that of a chuckle leaving him as he didn't even bother closing his robe.

• "Come here-" He said, taking a drag from his cigar and waving you to come back in... it seemed you would have a much closer look now-

• It had been a eventful day- A successful treasure hunt were the whole crew had pulled in a few billion berries for their own pocket. So you had all celebrated, Getting far too drunk in a short amount of time- Paired with delicious food.

• You still feeling buzzed you decided to drift off to get some rest before you got totally shitfaced

• Walking into one of the near by rooms to get some rest, the alcohol still making you fuzzy you realized far too late you'd stepped into the Captian's Quarters- and Far far too late into noticing their was your Captian half undressed clearly about to retire himself.

• A lovely white and pink member laying at a easy 8 in flacid and a forest of untamable red curls are the base of his cock that just lead your eyes there and only to there.

• He blinked at you surprised before cracking one of his signature smiles-

• "You okay Darling?" He said with a laugh, seeing your face so red and shocked.

• A twinkle in his eyes as he gestured for you to come fully inside.

• "Seems something has caught your eye, why don't we close up that door and talk about it?~" He said with a smirk. You nodding and closing the door behind you with a shy smile.

• Now how could you refuse that?

[toastylicious]

I need help for an oc-based zine!

Hello hello hello! Do you have original characters? Do you like art/writing? Well boy, do I have a zine for you!

I'm planning to make a zine called "Toaster oven". It'll focus on ocs and their worlds, and will be formatted like a gossip tabloid!

Here are the columns/parts/whatever that will be included (if enough people participate, of course.)

LANDLINE - An advice column.

JAWBREAKER - A gossip/journalism column.

DEAR DOVE - An interview column!

BREWER'S CHOICE - A cooking column. (Can include spells)

PENCILKILLER - Little tasks / comics / poems.

And fake in-character ads!

How you can help:

LANDLINE - Send me a dm, ask (preferred), or reply to this post with a question your oc would send into an advice column! Example question (yours can be longer, but id recommend keeping this format) : "Dear Landline. I am a multiversal traveller (M, 45+), and I've been travelling like this ever since I got separated from my (adopted) child (Agender, infinitely old????). Recently, I have been dealing with my boss's bullshit, some random guy that looks like the guy that attempted to capture my child and grandchild, and a horrible family reunion. Which alcoholic beverages would you recommend for my situation? Preferably ones that can be consumed by machines. Many thanks." -@toastylicious

(obviously, replace the text within the "" with your own and the @ with your own) THERE WILL BE 3 LANDLINE PARTICAPANTS CHOSEN (2/3 slots filled)

JAWBREAKER - Send me a dm or an ask or reply to this post with a tabloid-style "article" about your oc/an event that happened to them. 500 word minimum, 1500 word maximum. BONUSSS: you can add 1-3 images of your oc that will be placed with the text. (Image not required, preferred) THERE WILL BE 3 JAWBREAKER PARTICAPANTS CHOSEN (1/3 slots filled)

DEAR DOVE - Reply to this post with your oc and some info about them. If you're chosen, I'll dm you questions for your characters and you dm me answers! THERE WILL BE ONE DEAR DOVE PARTICAPANT CHOSEN (1/1 slots filled)

BREWER'S CHOICE - Send me a dm or an ask or reply to this post with a recipe that your oc would use. It can be a recipe for a meal, a spell or a potion. BONUSSS: You can add an image (preferably drawing) of the meal/spell/potion your oc would make. For example, if you send in a recipe for enchanted croutons that electrocute you if you eat them, draw someone getting electrocuted by the croutons! (Image not required, preferred) THERE WILL BE 3 BREWER'S CHOICE PARTICAPANTS CHOSEN (1/3 slots filled)

PENCILKILLER - Send me a dm or an ask or reply to this post with a small 1-2 panel comic, a little task the reader could do (Drink water, do some streches, idk!), or a poem!

THERE WILL BE 4 PENCILKILLER PARTICAPANTS CHOSEN (1/4 slots filled)

ADS - Send me a dm or an ask or reply to this post with a drawn "ad". Obviously, these aren't actual ads. But they can be your oc trying to sell something! A witch selling her spice brew? A necromancer selling his dead-2-life services? A robot looking to buy parts? The options are endlessssss!

THE NUMBER OF ADS IS UNDECIDED (0/? slots filled)

ALL PARTICAPANTS WILL BE CREDITED, HOWEVER I CANNOT PROMISE CONPENSATION. THE FINISHED ZINE (If finished) WILL BE FREE.

DEADLINE: 01 / 01 / 2025 (Deadline is flexible, can change.) As always, reblogs and sharing appreciated :) Please help me spread this stupid idea and make it into a reality! WE NOW HAVE AN OFFICIAL DISCORD!

[aspiringsophrosyne]

The Mighty Nein: Weird Coincidences.

I've been compiling these here and there when I've had time, but there was a particular reason I wanted to get this post out of the way now. And it's this.

There's been some nervousness surrounding this, and I'm of two minds about it. On the one hand, people overstate just how hard the Nein's story would be to adapt and how much it would need to be changed for another medium. Can it be one-to-one with the original? Absolutely not. (Just as TLOVM couldn't be one-to-one either.) But the main issue is editing; the content is fine on its own.

And if this is the CRew themselves thinking the same thing, that's a little troubling, because it makes it sound like they might be changing more than they need to out of that unfounded fear.

On the other hand, all they might be talking about here is hindsight. The Mighty Nein's Campaign had a lot of strange coincidences, fortuitous thematic consistencies, and one-of-a-kind moments. The CRew is poised to reap the benefits of having these in mind ahead of time. This allows for some remarkable set-up and payoff if those involved are up to the challenge. Which, in the end, could be all they might be augmenting the story to do.

So maybe it's a good time to get into those weird coincidences, huh?

(Spoilers for basically all of Campaign 2 below the cut.)

Names

Veth Brenatto, her alias Bren, and Caleb’s original name: Bren. (This may have been inspired by the German word "Brennen",  which means “to burn”. Thanks Liam.)

Fjord Stone. Cad’s families: Clay, Dust and Stone. How the Wild Mother fits the story of an orphaned sailor like a glove. And how Cad, his family history, and likely the Wild Mother herself never would’ve entered the story if Molly hadn’t died.

A Mollymawk (spelled with a w instead of a u) is a type of albatross. Albatrosses are supposed to be unlucky, but only if you kill one. Per the Rime of the Ancient Mariner, everything goes to shit after a sailor kills an albatross. Molly’s death is just as unlucky, as it paves the way for Lucien's and Cognouza’s return. (In a meta sense, it’s also unfortunate for Matt and Taliesin, as it derails whatever plans they might have had for the character.)

Nine

Whelp.

Nine. Lots and lots of nines. And while Nein doesn’t mean nine in German/Zemnian (it means no), the wordplay works.

Nine schools of magic.

Nine people killed in Obann’s attack on the Cobalt Soul in Zadash.

The three titans (Uk’otoa, Quajath, and Desirat) collectively have nine eyes and nine crystals to unlock them and set them all free.

Nine hells.

Nine betrayer gods as of Vecna’s ascension.

Nine eye tattoos on Molly, each a mark of the Somnovem, the sleeping nine.

And of course, eventually, nine members of the Mighty Nein.

(Just for fun, Tharizdun’s sacred number in its premier in Greyhawk was 333. [3+3+3=?].)

Nein and its actual meaning work thematically as well. The Nein repeatedly clashes with forces and entities that want to mold them against their will into vessels they can use for their own purposes. And the group repeatedly says “Nein!” to that.

Tarot Readings

Molly deliberately pulls specific cards for his readings. Taliesin makes that explicit. However, some folks have pointed out that you can interpret his original reading for Jester where he tells her “You’ve already found what you’re looking for,” to be true in a few different ways. (She’s already found the people who will help her find her father. She’s discovered the company she sought that she only ever had with her Mamma and the Traveler prior, etc.)

But once we get to Jester’s readings, things really pop off. (Pop-pop off?)

Fjord's Reading

In episode 110, Jester draws two cards for Fjord: one for his present and one for his future. His present card is the Eye, which has two hands holding an eye above a restless sea.

There’s no need to elaborate on how that relates to Fjord’s then-present.

His future card is the Home And Traveler. This card could work for all the Nein if you interpret it as someone who will find or reach their home after some travel. But it hits especially hard for Fjord, who finds a home with Jester, the devotee of the Traveler, on a ship that travels up and down the coast.

And then...

Lucien's Reading

The three cards Jester pulls for Lucien are his past, present, and future. Even at the time, they seem pretty fitting.

His past: History and a Dream, which Taliesin clarifies as depicting the Calamity. This fits perfectly with the Tomb Takers’ previous job for DeRogna and their coming into the Somnovem’s patronage.

His present: the Tyrant. We don’t know either Lucien or his goals too well at this point, but we do know he and his troupe kill indiscriminately and he holds an unnatural sway over the other Tomb Takers.

His future: the Death Card. You can attribute that to the upcoming fight between him and the Nein.

But in hindsight...whoo boy. In hindsight, not only do we know of Lucien’s plans to dispatch the Somnovem and become the Tyrant king of Cognouza and all its lost, broken souls, but we know of his fall. More specifically, who he falls to.

Jester, sitting across from him, pulls his last card and tells him “Facing you is Death.”

And then it’s Miss Lavorre who ends him for good.

Divine Intervention

Generally, a Divine Intervention is a Hail Mary. You roll a d100 (or an equivalent combination of dice) and only if you roll a number below your level do you trigger it. Logically, this gets easier the higher your level gets, but you can’t rely on it until level 20.

Taliesin rolls three of these for Cad in the last quarter of the Campaign. And that’s cool enough. But what’s even better is the Wild Mother’s Grave Cleric rolls successfully for Divine Intervention every time he makes a request (knowingly or not) relating to Cognouza. The city that's coming to swallow Melora's Exandria whole.

The first successful roll comes when Cad seeks info about Vokodo, the pseudo-god of the island of Rumblecusp. Vokodo, it turns out, punched a hole through the Astral Plane to escape the hunger of the lost ward of Aeor. And upon its death, it gives a vision that sets the Nein on Lucien’s trail.

The second success comes when the Nein is attempting to uncover the Tomb Takers' secret entrance to Aeor so that they can use it to set a trap. Cad’s success tells them exactly where they need to go. This allows them to get Zoran, Otis, and Tyffial out of the way early, even if it doesn’t stop Cree and Lucien from continuing towards the city.

As for the third, well...we all know what the third does. That it prevails after Critical Role’s first Resurrection Ritual failure, (due to a natural 1 no less!) is just the icing on the cake.

Caduceus even makes the point that Cognouza had functionally become a corpse that was unable to die and that he was uniquely called upon, given his family’s business, to put it down for good.

Odds and Ends

Nott distracts a Manticore from killing Fjord by killing its baby. Her own child ends up in need of a resurrection later on in the story, during their trip to the Fire Plane. Speaking of which, a painting of said Plane can be observed in Trent's house. You know, the one he would end up chasing the Nein to?

Fjord loses his chance to break the first seal to Avantika; he lands the first attack on her Revenant incarnation when the Nein catches up to her after she escapes with his orb, and he gets the final blow on her there, recovering said orb as he does.

Yasha and Caleb are the most susceptible to the Succubus/Incubus mind control. In the former's case, this could be chalked up to her low Wisdom score...but it also serves as some neat accidental foreshadowing for her time with Obann. And for Caleb, it can be a callback to his time learning under Trent.

The Circus Kids' stories sync up perfectly. Both of their bodies end up puppeteered by someone from their respective pasts. Both of them are used to try to end the world. And, probably once Matt noticed this synchronicity himself, both are revealed to have fallen under the sway of the Chained Oblivion. And their stories didn't have to go this way. Molly didn't have to die, and Matt revealed that Yasha could've theoretically made that wisdom save against Obann's control in the King's Cage. But that's not how things turned out.

Accidental foreshadowing:

Episode 19, Molly and Yasha, after acquiring an item from an Orc hermit living somewhat off the side of the road:

Molly: We made a friend. Jester: Did you kill someone for that? Molly: Yes. Yasha: He’s dead. Molly: He’s very dead. And then he rose up from the grave again and we had to kill him again. Twice. Same man.

Also, in episode 23, after meeting the Syphilis Bandits again and leaving one of them out cold:

Jester: What if we put some flowers in his hair; so when he wakes up, he looks really pretty? Beau: That’s good. Let’s do that. Molly: There’s nothing better than waking up in the morning with no pants and flowers in your hair.

In episode 48, Yussa and Caleb have a conversation:

Caleb: Sometimes I follow my friends places I shouldn’t. Yussa: That might someday get you killed. Or may one day get you what you seek.

Following a certain Tiefling up to Eiselcross got him both.

Nott also asks Caleb in this episode if he has an eye on his forehead. This is probably a callback/joke about Scanlan’s blessing from Ioun, but it foreshadows what happens to Veth much later.

Episode 49, about Ludinus Da’leth and in particular, Vess DeRogna:

Fjord: Then we kill the two elves. Jester: Easy peasy lemon squeezy. Maybe we go up into their room at night or something and just, you know... Stabby stab.

Episode 70:

Jester (to Essek): Maybe you’ll like us so much you’ll just hang out.

Dramatic Irony:

Everything the Nein say about Molly after his death and at his grave is, in hindsight, an awful twist of the knife, as his body's former life is far from finished with him.

Episode 41. The Nein learns Orly can make magic tattoos. Beau talks about getting an eye tattoo on her back to mirror Molly’s:

Jester: I mean, I don’t know, maybe it was really sacred to him and he would be really super offended by it. Beau: Oh, yeah, maybe it would, like I stole it from him? Jester: But it’s fine, I’m sure. Beau: Yeah, you know, he’s dead, so, what’s he going to do?

Almost a hundred episodes later, Beau's new tattoo gets a little addition...

Episode 65

Jester: Are you nervous? Yasha: Yeah. Yeah, I’m nervous. I just don’t know what we’re walking into, you know? Jester: Yeah. We’ve got your back though. That guy isn’t going to do anything bad to you.

Episode 91

Veth asks Essek at dinner if he’s heard of a Nonagon, or someone named Lucien. Essek says he hasn’t. This won't be the case for long.

Episode 95

Jester, talking about Cad and the Wild Mother:

Jester: Yeah. So like, when he asks her questions, you know what she does? Artagan: “Nothing?” Jester: She blows the wind. Exactly, she does shit. So and he’s like, “I sensed, you know, I understand what she’s saying.” She’s not doing anything, but he thinks she is.

This commentary is particularly delicious, considering which Cleric's Divine Interventions end up working.

And there's probably some I've missed! These are just the little bits and pieces I jotted down during a rewatch. It wouldn't surprise me if there's more.

But that's to say, just what we've got here is a monumental amount of things to build off of and play with. The Mighty Nein's animated series has the potential to be something extraordinary if the CRew can make use of all these little gifts deftly and with subtlety. There's power and potential here, and I am nervous as hell about whether or not they can tap into it successfully.

[adinfernumadinfinitum]

Welcome to my silly little fan theory @emmg:

How Raphael is the ‘Mastermind’ behind the plot of Baldur’s Gate 3…

…or how I give him more importance than I should.

DISCLAIMER:

In this ‘dissertation,’ I present my take on things based on Dungeons and Dragons 5e lore from the Forgotten Realms universe, along with fandom theories and headcanons where they suit me. This is NOT an in-depth analysis of anything, so I won’t be reciting specific quotes, etc.

I repeat, this is just MY take on things. If a similar theory already exists, feel free to reach out, and I’ll gladly tag the material!

Oh, and there are a lot of spoilers about, well, everything, so read at your own risk ⚠️

I thank the lovely @bitethedevil for allowing me to tag their posts, making it easier on me so I don’t have to write everything out! I also want to take this moment to appreciate their work and contributions to this fandom! ☺️

Introduction

Baldur’s Gate 3 is a brilliant, complex, multi-layered game filled with multiple villains, heroic figures, and a plot that weaves players in seamlessly. That’s why we love this game—at least, that’s why I do—the gripping storyline and its faceted characters.

The game is set in the Forgotten Realms with DnD lore and rules, while still adding and maintaining its own unique features and twists.

But what if we entirely take a look at it from DnD lore perspective?

Section 1: Raphael as the core character in Baldur’s Gate 3

Fans of the Emperor might argue with me here, but oh man, have you seen how many pies Raphael has his fingers in?

This narcissistic little shit of a cambion plotted his grand design to take the Crown of Karsus for over 2,000 years, planning everything with terrifying precision and putting in a staggering amount of effort—all to manipulate Tav or Durge into giving him the crown.

To understand just how far back his scheming goes, we have to start with the fall of Netheril. As Raphael himself tells us, this is where it all began, and when his father seized the crown, it became impossible for Raphael to obtain it himself.

Baator—the Nine Layers of Hell—has its own system and rules. The plane is aligned as lawful evil, and by its laws, anyone who breaks them is punished; in other words, theft is a crime (don’t try this at home edition).

Am I going to explain the system and rules of the Nine Hells? Hell no, or I’ll be sitting here until next Halloween. Sorry, maybe in a separate post sometime (or not) 😭

So Raphael had to get creative if he wanted to get his greedy claws on the crown.

You can read about how much Raphael’s involvement is actually found in the game Baldur’s Gate 3 here.

What’s relevant for this ‘dissertation’ are the following points, which all show how he orchestrates the plot:

1. Raphael, Vlaakith, and the Astral Prism —

Raphael even plots to capture Orpheus. Not personally, of course, but with the knowledge that it could benefit him and would even serve its purpose in the future. This is a crucial detail.

However, I don’t believe Raphael would craft or have someone craft an item like the Astral Prism, as well as the bindings of Orpheus (the mask, chains, and binding crystals) and the Orphic Hammer. It’s more likely these objects already existed in the Hells, with Raphael profiting by dealing with them.

Sadly there is no official information on that, I really find that interesting.

As for why the Orphic Hammer is called Orphic Hammer - why is Orpheus called Orpheus? He’s a liberator for his people, having inherited the power of Mother Gith, who freed the Gith from mind flayer enslavement. The character of Orpheus draws heavily from Orpheus in Greek mythology, a symbol of liberation, love, and the attempt to rescue a soul from the bonds of death. The term “Orphic” reflects this sense of breaking free from constraints or seeking transformation (of course, it has other meanings, too, but this one feels like what the developers were aiming for).

So the hammer’s name has both symbolic depth and a bit of pun, as it’s intended to free the character Orpheus from his chains.

ANYWAY

2. Raphael, Moonrise Towers, and the Gauntlet of Shar —

The amount of interwoven contracts Raphael has made in the Shadow Cursed Lands is suspicious, and each and every one of them is too , an important point.

Isn’t it just a bit too convenient that Ketheric’s misery plays right into Raphael’s hands? The Shadow-Cursed Lands—Reithwin, once ruled by Ketheric, formerly full of Selunite worshippers but ruined by schemes of the Dark Lady who turned a grieving worshipper of her sister into a Shar follower and leader of an army of Dark Justiciars—is a whole breeding ground for contracts and a stage for Raphael’s play.

Hold on, I’m not implying that I believe Raphael had a hand in Shar’s mischief here, but I do think Raphael handpicked Ketheric, a grieving and obsessed madman (a truly tragic character, honestly), to be an unwitting pawn in his schemes, without directly involving himself. To do this, he contracted with desperate beings like the Architect, Yurgir, and the last Dark Justiciar.

To understand why Raphael would even need Ketheric, we have to look a step further.

3. Raphael and my beloved raccoon boy, Gortash —

Raphael buying Gortash from his parents was a calculated move and the final piece in the Netherbrain plot scheme.

I believe Raphael specifically chose Enver Gortash, a boy with potential, for his plans to get the Crown of Karsus.

Look, Gortash is anything but dumb; in fact, he’s the exact opposite. He learned the ropes in Hell, literally imprisoned in Raphael’s House of Hope. All jokes aside about pot-scrubbing duty and overhearing Raphael and Haarlep getting it on, Gortash is a quick learner.

Raphael just had to watch as Gortash escaped the House of Hope with vital information about the crown. With this, Raphael set up an ambitious, cunning man with the drive to steal the crown.

And this is where Ketheric returns to the picture. Ketheric, the chosen of Myrkul; Gortash, the chosen of Bane; and Durge, the chosen of Bhaal.

As for how Raphael might have gotten his hands on Durge? I’ll leave that as the theory’s plot hole.

I could fill it with headcanons—like Gortash and Durge knowing each other even before Gortash was sold—but that feels a bit far-fetched.

Actually, all of this is a bit far-fetched, but hey, it’s my silly little theory.

But hey again, we’re slowly coming to a conclusion how Raphael is the mastermind behind BG3, do you see my vision?

All Raphael needed was patience. The chosen ones, Gortash and Durge, set the stage by planning the Netherbrain coup and, in stealing the crown, executed Raphael’s plan. All they needed was the third chosen, Ketheric, to carry out the rest of the plot: building the Absolute’s army, etc., the rest we know...

So, what was left? Just someone desperate enough to make a deal with Raphael and actually hand over the Crown of Karsus. And how would he pull that off?

✨The Tadpole Gang✨

Every single one of them fits the bill. Especially if the player chooses Durge.

The next question is: how could he manipulate the group if they were under the Absolute’s influence? Well, that’s where the Emperor comes onto the stage.

Because, hear me out one more time: isn’t it convenient that the Emperor, of all people, finds the Astral Prism? A figure obsessed with freedom and manipulation, ambitious and clever, who would serve perfectly as a kind of protection shield from the Elder Brain’s influence for the gang? And to that even a disposable figure as it is a mind flayer who would not be trusted in the end.

(Naturally, in the game the player is the ultimate executional force, making any kind of higher plan or scheme either perfect or useless)

Nevertheless, this is as far as I will dive into this specific pond.

I just think it adds up nicely.

But Björni, if you have a Section 1, what about a Section 2? you might ask. Well, here it comes…

… how this ‘dissertation’ is actually about Mephistopheles being the ‘Mastermind’ behind the plot of Baldur’s Gate 3.

Section 2: Raphael as the Scapegoat

DnD’s lore about fiends—and, specifically, cambions—teaches us that they’re doomed to fail from birth. While they may think they’re in control of their schemes, they’re actually playing into the hands of their fiendish parent.

Ever wondered why Mephistopheles would even bother devouring Raphael if we defeat him? Sure, cambion sons are nourishing (yum yum), but given Mephistopheles’ personality, I’d guess he does it to humiliate his son, even in death, for being a failure—a failure to retrieve the crown for his father.

But wait, Mephistopheles already had the crown—why would he bother plotting all of this just to get it back? Isn’t that a bit over-the-top, Björni?

Bear with me: it’s not officially written anywhere, but it’s more or less canon based on what we know of the Archdevils Asmodeus and Mephistopheles.

Asmodeus rules the Hells, while Mephistopheles, as the Archduke of the 8th layer, Cania, is arguably the second most powerful being in Baator. Mephistopheles has never stopped dreaming of overthrowing Asmodeus, even after repeatedly failing miserably. But if he openly tried to use the crown against Asmodeus, it would be a direct affront, and Asmodeus would have shut it down from the start.

Mephistopheles has other children besides Raphael, and Raphael isn’t exactly useless, he’s actually the complete opposite. Strategically, it wouldn’t make sense to discard such a puppet (call him son)—unless Raphael had done something atrocious. And for someone as mighty as Mephistopheles, controlling his little cambion son would be child’s play. So, then why does Raphael hate his father so much, and why is Raphael ‘residing’ in Avernus?

As we know, Avernus is the armpit of Baator, a plane for exiles and outcasts.

I think Mephistopheles intentionally filled his relationship with Raphael with hatred, so Raphael’s ambition to overthrow his father would ignite and one day serve him. When Mephistopheles got the Crown of Karsus, unable to wield it himself, he set the stage for his son’s scheme—by casting Raphael aside, Mephistopheles set him on the path to steal the crown, with Mephistopheles only indirectly involved in overthrowing Asmodeus. Raphael would do the dirty work—taking over the other layers—before ultimately facing his father, who could then just snatch the crown from him. And yes, I do believe Mephistopheles is arrogant enough to think he’d still be more powerful than his son, even with a god-like artifact. He has that bloated of an ego.

BUT (Nr. 36,252), what about Asmodeus? Wouldn’t he step in and crush the plan?

Here’s the thing: Asmodeus generally doesn’t mind if his archdukes fight for control of their layers, as long as it doesn’t threaten his supreme authority or destabilize Hell’s hierarchy. In fact, he encourages a bit of rivalry and ambition among his archdevils, as infighting serves his purposes.

And can you imagine THE Asmodeus being worried about an over-ambitious cambion?

However, this leads to the TRUE instigator and the true subject of this ‘dissertation’…

… how Asmodeus is actually the ‘Mastermind’ behind the plot of Baldur’s Gate 3.

Section 3: Asmodeus doing things, just because

Joke’s on you—it’s been about Asmodeus all along, because even if he’d lose (not that he ever would—he’s just that powerful), he’d claim at the last minute that it was his plan all along. Losing trusted allies? What a bunch of traitors—perfect excuse to clean house. Losing Baator? Finally, he was sick of the job.

All jokes aside, Asmodeus being the cunning bastard he is, would likely pull off everything mentioned above.

To understand why he’d even bother, let’s take a quick (really quick, this is already getting too long) dive into his background and shenanigans in DnD.

Throughout DnD’s development from 1e to 5e, Asmodeus has gone through quite the evolution, eventually becoming a Greater Deity, the Embodiment of Evil, and one of the mightiest beings in existence, rivaled only by Ao.

While 5e keeps things vague to allow player interpretation, Asmodeus has consistently been the most powerful entity in the Hells—a schemer, strategist, and supreme manipulator.

(Here’s the only quote I’ll reference:) “[…] His sinister machinations could take centuries, if not millennia, to come to fruition, and his master plans extended across the entire multiverse. His labyrinthine, insidious intrigues could seem inexplicable to most outside observers, for Asmodeus let even his own servants stew in fear of his next move. With all the planes as his board, the Lord of Lies maneuvered the forces of evil like chess pieces in his grand designs, slowly and subtly manipulating everyone from deities to, when needed, lowly mortals.”

He’s described as being a thousand steps ahead of everyone. And while most of his plans serve greater purposes beyond even godly comprehension, some things he does just because—just for fun.

CONCLUSION

Of course Asmodeus knew Mephistopheles had the crown. Of course he knew Mephistopheles would never use it openly against him. And of course he knew Mephistopheles would keep scheming to use it indirectly, bringing his cambion son Raphael into the game.

Why would Asmodeus let all this happen, and why am I saying he’s the real mastermind?

Like already mentioned, Asmodeus often (indirectly) encourages and manipulates his archdukes to scheme and fight among themselves as a means to reinforce his dominance, foster survival of the fittest, and test loyalty within the infernal hierarchy. However, he maintains strict boundaries, and any conflict that risks his supreme authority, disrupts Hell’s role in the multiverse, or leads to excessive chaos would be swiftly and ruthlessly quashed. In Asmodeus’s mind, such rivalries are a useful tool—as long as they remain safely under his control.

In my view, the Crown of Karsus was never a real threat to him; this whole plot served his entertainment, tested loyalties, or helped him gauge his chess pieces.

And that’s how Asmodeus is the real mastermind behind the plot of Baldur’s Gate 3.

Thanks for reading this mass of nonsense ❤️

Why I even bothered with all this shit? It’s one of the key plot points in my longfic, Ah, You Devil!

[utdrmv-confession-box]

Transcript: i think the fandom was genuinely better before 2020. or at least 2021. maybe i see nostalgia through rose-tinted glasses, but 2015-2019 was the best era of this fandom. people say cringe and free but there’s a difference between unknowing cringe and acknowledged cringe, and the former is just more genuine. more fun, more free. things were better, in my eyes. now there’s useless discourse (there was, of course, discourse then, but now people have wrapped morals into it. you’re not a bad person who wants to abuse people if your favorite character is canon nightmare sans, god), even worse fanon that people have dubbed as canon (dream is not an uwu baby, yes, but going in the entirely different direction and making him a mean smoker is just as fanon and inaccurate, you’re no better, so get off that pedestal), and just the bullying that comes with liking older interpretations.

blueberry is fine. uwu star sanses are fine. slendermansion bad sanses are fine. teddy bear horror is fine. any interpretation is fine. but there’s art left and right of people drawing characters punting those other interpretations whilst the creators themselves continue to make their own interpretations that are the same, if not worse, levels of inaccuracy and mischaracterization. it’s hypocrisy and i don’t doubt that in four or five years this era of the fandom will be mocked and a new, just as wrong interpretation will emerge. i don’t mind this, you can characterize anyone however you want. that’s what makes this fandom great. it’s just the fact that this is combined with the bullying of other interpretations that makes it hypocritical and me upset. not even to touch upon the new fanon of “sans would show no emotion of papyrus died”. in an attempt to move away from one side of the spectrum they went too far to the other, rather than settle upon the perfect balance.

in general i also grieve what will never come back. the style of older popular artists drawing sans, that line weight jakei and superyounma used that pulled the style together, the obsession when dream and nightmare became truly popular, the formation of the star sanses, the overuse of the word ‘senpai~’ when it came to crossmare, the comic dub movies on youtube, or how everyone obsessed over sans and made him overly edgy and emotional. the animation memes, the genuine sans fangirls, not the satire ones. ichika. the othertale animations. early underverse and the silly comics jakei made for it. the terrible wattpad fanfiction. amino. actually, we can leave out amino. i don’t miss amino.

it wasn’t all perfect. if i’m honest, it was a dumpster fire in a lot of ways. but it was my dumpster fire, and what once burned became nice and toasty. the fandom now is great, don’t get me wrong. i love how it’s turned out, i love how characters are no longer white anime boys and how people have begun to acknowledge how certain things are bad, rather than ignoring it. how underrated characters have been getting more attention.

but if i had to pick between the fandom now and the fandom then, i’d pick then in a heartbeat.

[zeestie]

dearest reader of this diary entry,

I am done suffering in my illusions, I have figured out what living presently actually means, killed my ego, understood the true meaning of manifesting, & stopped worrying about others.

let me explain...

PHASE I: TRIGGER

a while ago I went through something that triggered me A LOT. I don't remember exactly what it was, that's just how insignificant 3d circumstances are but back then I am sure it meant a lot as I was so triggered, angry and frustrated. then I decided to meditate, so I opened a 369 hz pure tone and I just lied down, relaxed, and focused on.. nothing.

that experience has been so simple, yet so profound. I don't feel like the same person before that. when I woke up, the reality I was in didn't feel the same either. everything moved different and felt different. and I was no exception.

I have always prided myself on being an optimist, and yeah I have always been one; however, I have only been the hopeful optimist.

whearas before my optimism has been born out of hope for better, now my optimism is not out of a need but comes from pure love and acceptance for the now cos ik for a fact that I have myself, god, and everything I would ever need to be happy.

I really feel no need to try any more, I just go for what I want, that's it. and that's why I have been very connected to my creative endeavours these past few days. whether being through being active here and on YT or through drawing and writing in my free time, I love creating and I am so glad I realised that instead of indulgence in the material world.

PHASE II: KNOWLEDGE

ever since that incident, I feel like I have started to understand what life is truly about. life is not about desiring and chasing after a goal, it's not about trying so hard, it is not about waiting for better, it is about living it now. becoming okay with what's happening now, not forcing a certain outcome but letting life take its course.

it might sound weird to say that as an loa girlie, but srsly, this is what manifesting is really about. it is about knowing, not desiring. it is about rising above the need for your desires to materialise. ik for a fact that I manifested the perfect life for myself so why would I desire more? doesn't make sense at all.

at first, I approached manifesting from a place of trying and systemised it the way I did with every goal I had in life, "affirm X times a day," "visualise every night," "do X rampages a week." I was too dependent on techniques, but now I understand that techniques are not here to help you manifest, cos it is all done anyway. techniques are here to remind you of the fact that you truly manifested it. it is here to calm you down and remind you of your power.

now, I only use techniques when it feels right, I am not forcing them esp. when my thoughts and feelings are already aligned to what I want. if I am already living as the version of me that has it, why would I do more? I don't need to do more, I just am.

and ofc now that I have changed, I have stopped being so attached to wtv idea I had of me or what other people have of me. I can be whomever I want & me separating myself from my ego helped me really see how I was stuck in narratives that didn't serve me and kept me stuck.

PHASE III: CHANGE

two weeks ago I created a some sort of character sheet of dream me, the next day I became her. I could have been like, "this is not gonna happen overnight" but why? the reason it can't happen is because i was against it & the only reason I would be against it was cos I am too attached to an idea of who I am. but thankfully, I am not any more.

I embrace the qualities I already liked about myself and as for what I didn't like about myself? I don't reject it, I am just simply not it any more. I don't need to force it, I just select the identity I like and that's it. before, my ego would not let me, cos selecting the dream me means forgiving those who I didn't seem deserve forgiveness or leave some of my "very important" past behind.

it also meant that I can't use my past or who I was as an excuse for how I acted, but when I used to always excuse myself, it somehow felt v punishing, like I have been punishing myself by staying this unfavorable version of me because I am not ready to let go of my history. it felt like I didn't trust me enough to change once and for all.

to become a blank slate was terrifying to my ego. but I am not my ego. I and you both know that. my ego can be scared and I will reassure her a million times over if that's what it takes, but I am not folding. just like a parent who knows what's best for their child. even if the child screams in retaliation, the adult comforts them but doesn't bend the rules cos they know what's best for their child.

PHASE IV: TRUTH

I have been neglecting and neglected by myself every time I chose my ego's or other people's comfort. but I am not doing that again any more.

we all understand that others are just mirrors of what we think of them so that's why I couldn't care less about how I come across any more. others can judge but I have decided that none will. others will see me change over and over and will welcome any change I take on, every single time, I have decided that.

since these realisations, life felt sm simpler to live, the pressure of being a certain person in front of others has subsided. the need to stay my "consistent" (more so predictable) self is non-existent. and the need for life to go a certain way has also faded. a lot of beautiful things came about after this change and I am so glad to live every day with the ability to choose my own joy and peace, not waiting for someone or something to make me happy.

rn I am grateful to have realised all of that, to have transcended this physical plane and to have chosen to live as a soul who chose to live this human life. souls full of love and light, that is our true essence.

✦°·

[raven-at-the-writing-desk]

what I meant by my post about the boys not appreciating Yuu enough is about the trauma they inflicted on them and the lack of compensation we get because trauma=not guilty.

We just let them get away scott free without them facing serious consequences and get little to nothing in return. I got inspired by this post https://rose-tea-and-strawberries.tumblr.com/post/720285231576465408/justiceforyuu

So what are your thoughts on this?

[Referencing this post!]

Mmm… 🤔 While I do think the post linked is an interesting read (and OP does make valid points), I think a lot of it goes back to the nature of TWST’s design vs what the individual desires. It’s very easy to self-insert (meaning everyone’s mileage with the characters and plot will vary greatly), and with it being a mobile gacha game, there are definitely some limitations and design philosophies that must be adhered to in order to keep content flowing and thus keep the game profitable.

However, I don’t agree with some of the points suggested (whether by OP or by Anon), particularly that TWST presents “trauma = not guilty” and that Yuu should somehow be “compensated” or given something in return for the troubles they went through. To the former point, I completely agree that the boys’ punishments are far too light for what they’ve done (in OB form). As for their behavior pre-OB (which is, admittedly, still shitty)… I mean, we came into this game knowing the characters are twisted from villains, of all things. We shouldn’t be expecting them to be Super Nice and Empathetic to begin with, no? (So of course Riddle will be insulting Yuu’s background and lineage, Trey’s a bystander, etc.) It doesn’t excuse the behavior of course (it’s still objectively bad), but I thought we came into TWST expecting it??? Like it’s a major part of the draw…

I also believe TWST does a decent job at explaining the OB boys’ trauma while not excusing them because of their trauma; funnily enough, a major theme in book 1 was Riddle being held accountable for his actions for once. (This isn’t limited to just his OB behavior, but rather extends to prior; he was clearly harming his own dorm members well before Yuu got involved with Heartslabyul.) The OB boys were eventually punished for their actions, but because the sentences are relatively light, that’s perhaps where the “trauma = not guilty” perception of the fandom comes from. As I said before though, I think this can easily be attributed to TWST being constrained by the mobile game format (ie it has to be snappy); the light novel is able to expand on the consequences in greater detail.

The game devs likely don’t want to linger on how badly the OB boys truly acted because that could hamper their bottom line (ie endearing the characters to us enough so we sympathize with them and spend money). If they keep demonizing the boys or continuously bring up their literal murder attempts when they were fully lucid and aware of themselves (Leona almost sanding Ruggie, Vil trying to poison Neige), it looks “too” bad on the characters’ part. We also can’t haul the boys off to serious rehabilitation facilities because they need to be physically present to return for the subsequent book—and, of course. You can say “they didn’t get punished severely enough”, sure. But what exactly would that “more severe punishment” being called for entail, especially without disrupting the current story’s flow and not harming the OB boys further in the process? There are practical real world game design and business reasons for this.

To address the Yuu should somehow be “compensated” part, well… I’m not entirely sure if I understand it?? Thinking about it logically, what “compensation” are we looking for? Firstly, no compensation, in my opinion, is worth the anguish that “earned” it in the first place. Compensation will never make up for the mental scars 😔 Secondly, it implies that people are “owed” something for the general bad attitudes they’re given on a daily basis, which is not in any way how real interactions work. Some people will just be assholes to you, and we have to deal with it and move on. In the cases of the OBs and some events (like being kidnapped and basically held hostage in book 4), yes, those are much more serious and should be treated as such. But again, what exactly are we looking for here as “proper” compensation? Is acknowledging one’s faults and mistakes, and saying sorry for it and working toward being “better” not enough? What about the money Vil gives in book 5; is that also not enough? Where do we draw the line? When is it finally “enough” compensation? It’s so poorly defined and there’s no “blanket” compensation that would satisfy everyone and anyone 💦 I would personally be happy just knowing that the other person is aware they’ve done wrong and are taking that vital first step to changing. That’s very difficult to do, especially considering the pride of the average NRC student, so I commend them for at least doing that.

TWST’s story isn’t one that focuses on condemning people for their flaws and errors, but giving them a chance to recognize their wrongs and to grow from them. Its story promotes restorative justice over punitive justice. Overly punishing measures and reparations have proven to not smooth over “bad behavior” in real life; it’s something people need to consciously and actively work toward, so of course it’s going to be a hard process.

The reaction(s) Yuu has to the events going on around them are only as serious as individual fan interpretation makes them out to be. Official depictions thus far (manga, game, light novel) have not strongly indicated that Yuu has had any extremely adverse thoughts or feelings regarding the treatment they’ve experienced at the hands of their peers or any stress related to not being returned home. It’s also not clear (especially in the game) just how much physical involvement Yuu has in battles. Because TWST itself does not frame or portray these events as having super serious impacts on Yuu, that also informs the fans that absorb this content (so they, in turn, will usually also not take the story’s impact on Yuu all that seriously).

The interactive medium of the game (which is the main form people absorb TWST content by) plays such a crucial role in how Yuu is portrayed. Because Yuu is so inherently tied to being the player’s avatar/self-insert, there are limitations to the overt nastiness Yuu takes and their involvement. The manga and the light novel feature new versions of Yuu, yes, but these interpretations are wholly separate from Yuu (the game one). The manga and light novel Yuus can be treated as their own characters and not self insert vehicles, therefore there is a degree of separation between the player and the manga and light novel Yuus. This is why the manga Yuus are more shown to be more active in the story (most notably getting involved in battles). This is why the light novel Yuu is shown receiving more bullying (from mob students) than is depicted in the game. The manga and light novel are NOT interactive mediums, and they don’t have to worry about potentially alienating or offending players who self insert as the game Yuu. Game Yuu is intentionally kept vague for this reason; we aren’t necessarily meant to interpret that game Yuu gets as involved or is treated as harshly as what other mediums depict.

I really don’t think we (the audience) are meant to interpret most of the things (game) Yuu experiences as being deeply traumatic or scarring. In most instances, Yuu is either ignored or they act very nonchalant about what’s happening (groaning or joking about how “oh, not this again!”). The worst injury I can recall Yuu ever getting is when Grim scratches them at the end of book 5. They barely even ever bring up going home or the worry of not being able to get home (not counting very early and very late in the main story when it is plot relevant, or the occasional event story to shoehorn Yuu’s presence in). The game in particular glosses over any potential negative ramifications on Yuu’s part because endearing the boys (who often are Not Nice) to the player is an important component of the gacha model. You can’t have the players despising the characters because that doesn’t encourage spending money to roll for them on banners or to throw money at merch.

I also want to add that many people make Yuusonas to have fun and to escape into a magical world (which is likely reflected in the nonchalance Yuu demonstrates toward going home for most of the story); it’s far more common to see these lighthearted takes because I can’t imagine many people want to self-insert being deeply traumatized by the same magical boys they’re likely big fans of. If you personally want to make or to see a Yuu that becomes traumatized and jaded from what happens during their time in Twisted Wonderland, then yeah! Go for it! All the more power to you. Just remember that this isn’t a universal take.

All of that being said, we come back to something I’ve said time and time again: since Yuu is such a blank slate, you get out of it what you put into it. This means every person’s individual interpretation of the events and how Yuu engages with and reacts to those events may differ wildly. It’s all in good fun, just try to be cognizant of canon vs fanon, as well as others (who may have very different interpretations of the same events and characters).

[pinkworldone]

Hidden Feelings

yandere! Genshin x reader

characters: Cyno, Wanderer, Diluc.

Idea: you always say "good morning" and always talk to them, even if some do not say anything or just insult you back, you were in love, so you refused to realize that they were "evil", however, hear comments from other people and their friends saying that it was not worth it. You opened your eyes, stopping talking to them every morning and always being on they side, but what you didn't know was that these little moments were adorable for each of them.

tw: yandere content; mentions of aggression and death; not too much yandere here, but it’s okay

+Cyno Art! Sorry, I was having trouble drawing the part of Diluc and Wanderer...

CYNO

–You were just another worker who had been saved by him, you also heard comments from the incredible General Mahamatra, leaving you with an exactly delusional idea of what he was like and making you fall in love slowly. Initially, you always greeted Cyno out of politeness, smiling sweetly and saying "good morning" or other depending on the time.

– However, Cyno barely answered back, just a quick answer and walk away, not giving you much room to start a more normal conversation. However, you had not yet given up and continued, even trying to have lunch and learn that card game that he seemed to like.

– Still, his reactions continued... few. No right smile and I also didn't come to you, always waiting for you. Exactly for this reason, your friend decided to try to open your eyes and adding to the comments you heard from your colleagues - calling him an idiot for looking for an impossible love - you finally understood and decided to walk away.

– Cyno noticed the change quickly, it started with you passing by him and not greeting him with his cute and gentle smile, he thought you were just busy on the day or with something in mind; however, he continued for the rest of the week, you no longer had lunch with him or tried to play TCG.

– He didn't sketch that much reaction abroad, but he was extremely confused, did he do something wrong? Did it hurt you? Maybe he was too hard while teaching you TCG?! It was not possible, Cyno still remembered your smiles while you carefully learned the game and your cute scream when a character died or lost!

– So, he decided to go to you, observing that you were playing tcg with someone else, a strange feeling took over, seeing that person so close and still touching you to teach how to play. your reactions are so adorable, but it wasn't him who was making you have those cute expressions, but another person!

– Everyone noticed the change in the General's tone, Cyno tried to act cool and pretend that none of this had affected him, maybe you were just training to surprise him? Like: "let's fight again, this time I trained a lot and I'm going to win!" Saying all this with a confident smile that he loved.

– Days. Weeks. 1 month, 2... All right, Cyno had already been angry enough, it was not possible that you were trained for so long, he would challenge you to a TCG battle and win!

– Your dear friend was on your side while he watched you play against Cyno, he expected another reaction when you lost, of course your surprise was cute, but seriously you had to call your friend so sweetly asking to train more?!

– Cyno played against his coach and won, hoping you would realize how amazing he was!

– You didn't.

– Now Cyno didn't understand, he has an immense moral compass that could not be corrupted by killing a person out of jealousy, but making him disappear was a great idea. So the plan was made, now that your coach has disappeared, your only coach should be him!

– and no, you didn't go to Cyno. The man was almost giving up! But no, no, no! He simply starts to get closer to you, trying to show the small (giant) passion.

"Let's go out today" Cyno simply said on his side, did he have free time? You just nodded with a smile, maybe he just wanted to play some TCG with you...

– After a while, you began to be titled as "General Mahamatra's partner", everyone whispered when you passed by and also feared a little talking to you. Did ignoring him for two months cost that much?

WANDERER

– Being his partner in class was quite fun and irritating, but you still fell in love with his good looks and intelligence — even more so because of his looks, but don't tell anyone that! You always greeted him with a kind smile even when he grumbled and didn't say anything back, you sat next to him every day, trying to talk and even managed to, always with a smile that it’s too cute.

– You also paid attention in class, but sometimes, Wanderer would disturb you and take your attention, making the teacher fight with both of you, and Wanderer would continue, it's not like he cared!

– This lasted a long time, until one day he was a little meaner, calling you annoying and insulting you with all the horrible things possible, telling you to get away from him and you actually did it, with your head down. Wanderer was surprised, he just expected you to insult him back like always and sit next to him without caring! "Just being an idiot, come back tomorrow..." he thought, but it's been two weeks and you haven't come back to him, hell, you even stopped greeting Wanderer, you ignored his existence.

— Do you want to play this stupid game? It's okay, he's going to play this stupid game... He doesn't last, he's simply used to your cute smile and seeing you giving that smile to someone else?! your cute greetings to another?! no way.

— Wanderer is sitting next to you this time, making sure no one comes closer and leaves you two alone as it should be. disturbing you in the middle of class, pulling you to have lunch with him and spend the day with him; Even speaking for you, but not in a cute way, Wanderer sees the others approaching, asking if you are free, he simply replies "no" and insults them until they want to give up on life.

– — If Wanderer observes someone being too kind and silly by your side, that person will "give up" the next day, with a few bruises here and there. Forces you to hold his hand and act like a cute couple, are you uncomfortable? He doesn't care, you were always his from the first moment.

DILUC

– You were fighting indirectly with Donna, a woman who also likes Diluc, your passion for him grew so fast and strong, look at him, so strong and incredible, owner of his own industry! You were lucky that your friend always drank and all his get-togethers ended up at the tavern, always giving you the opportunity to admire the man from afar.

– You took the opportunity to sneak away and be close to him, not your drunk friends, you shared the same drink, neither of them drank wine or alcoholic beverages, you thought it was destiny! So I almost always stopped by and visited, hoping Diluc would be there. He wasn't there, but that's okay, you had fun talking to Charles!

– Then you started hearing the nasty comments, commenting on what an idiot you are, how impossible this relationship would be and that he didn't deserve you. You were just another delusional person blinded by love. Such comments made you stop visiting the tavern frequently, going only when your friends invited you.

– Diluc was quick to notice the change, you sat in the corner, just waiting for your friends to get tired or most of the time, you got up (this always made his heart warm, preparing the words he would say to you thinking about how he memorized your favorite topic), however, you just walk towards the door and leave the tavern without even saying "goodbye".

– He ends up hearing the gossip from his friends, some even told him that you forgot about him and that you didn't love him anymore, even calling him an idiot! It's okay that Diluc barely showed any reactions or happiness when you greeted him, but it always made his day better.

– You had returned with your friends, drinking your juice while listening to them chatter about something, you were still surprised that Diluc hadn't kicked them out; some fainted, others were very focused on a side conversation, you got up and headed towards the door. Only to be stopped by Diluc asking you to sit down and have a talk with him.

– Diluc could see you nervous, how sad your look seemed every time you left, he was happy when you accepted and sat down to talk. Wow, how long has it been since he talked to you? see that cute smile and clumsy mannerisms?! He loves you, damn it!

– It was just a contract, his parents would never deny him a marriage, so why not bring up the topic? And… Your answer hurt him, "no", Diluc had to accept it and just let you leave. He tried to ask for your consent, but it seems like you rejected him, it's okay, he can ask your parents for your hand!

[chipsinsalsa]

Bakers Boy

Peeta x FemReader

Plot: What happens when you decide to go into the Bakery shop of the boy you have a crush on?

A/N: I’m sorry if a lot of it is in accurate or if the fanfic is not that good and has typos. First time on tumblr! And I also haven’t written anything in a while but if you guys like it my requests are open! 🤘

contains: smut, praise (reader receiving),fem reader!,character aged up

Truth be told you never even dared to go near the bakery of District 12.

You had always heard stories from the kids at school about the mean old hag that worked there, the baker's wife. And that alone made you avoid it at all costs. But something tempted you to get closer for in that same Bakery, worked the boy you had a crush on. You didn't know his name but something about him made you want to know more.

One day when you had just returned from selling a few of your cheese at the Hob. You walked past the bakery shop as usual and couldn't help but take in the smell of the sweet bread and its irresistible warmth drawing you in. You decided to glance into the window and there the golden locks of the young boy at work captured your eye.

So you decided to go in.

You opened the door to the sound of a bell ringing. Immediately the boy put the doe he was kneading down and turned to face you. He dusted himself off on his apron and headed up to the counter

“Hello Ms what can I get for you today” He spoke. His powdery hands caught your attention, and you couldn't help but imagine how soft they were. How warm they would feel after having been near the oven all day. He noticed you were distracted and waved his hand near your face. “Ms?”

“um- I apologize I must have spaced out, could I just get a loaf of bread” You spoke embarrassed.

The boy smiled kindly and nodded, "Of course, we have a few different types of bread. Would you like a plain white loaf or something with a bit more flavor like our honey wheat or sourdough?"

You considered the options for a moment before deciding. "I think something sweet so the Honey Wheat sounds lovely, what do I owe you?”

The boy quickly wrapped up the bread and handed it to you. "It's on the house"

"Are you sure? I can pay for it." He smiled, "Absolutely. I like to treat our first-time customers to a free loaf of bread. Consider it a welcome gift."

“Oh..thank you” You looked at the nametag on his apron “Peeta”

“Of course, what's your name?” He asked curiously.

“y/n” It took a moment but a confused look crossed your face when you realized what he said. “Wait..how do you know I haven't been here before? ” He circled the counter walking over to you. You began to take some steps back trying to keep your distance but eventually hitting the wall.

“Well, the truth is” He began to speak. “I've seen you before”

You furrowed your brow in confusion. "You've seen me before? Where?"

Peeta smiled, "Every day after school you walk home past the Bakery. I've never seen you come in before though. Your always so tense.”

You were surprised and a bit embarrassed that someone had been paying attention to you, "Is it that obvious?"

He shrugged, "I wouldn't say it's obvious, but I do notice things. I like to think I have a good sense of people. And I can tell that you're not a big fan of my mother. But don't worry, she's not here right now. You're safe."

You laughed nervously, "I didn't mean to offend you”

Peeta waved his hand, "It's alright. My mother can be a bit intimidating sometimes, she seems to take her job very seriously." He paused for a moment before continuing, "If you don't mind me asking, what made you decide to come in today?"

“You” was the first thing you wanted to say but then thought about it for a split second. You looked down at the loaf of bread in your hands, "Honestly, it was the smell of your bread. It was too good to resist." you lied.

The boy grinned, "Ah, yes. The smell of fresh bread can be quite tempting cant it”

He began to walk even closer as you nodded nervously in response. “However” He began to speak “I believe my bread may not have been the only reason you came in today,” He said as his eyes began to scan you. Your heart racing. You knew you couldn't stay another second near him. “I think… I should head home now”

As you turned to leave, Peeta reached out and gently grabbed your arm. "Wait," he said softly, "It's just” He took a breath “I like you...I know that sounds weird but I've seen you stare at me from the window before and hoped one day you would come in. And now that you have I dont want to let you go so easily.”

You were immobile. Before you could even think his lips slowly pressed against yours. The heat of his body now becoming more apparent. You felt his hands rise to grab your hair running his fingers through it pulling you in more. His lips tasted like sweet honey, soft like his touch. You couldn't move.

He finally pulled back the both of you gasping for air.

He glanced at you while panting and feeling his chest rise. “I'm sorry, but I just had to kiss you. At least once.”

You kissed him in return.

Immediately he understood grabbing the loaf from your hands and setting it to the side. Breaking the kiss for a moment only to grab the sign on the door that read “OPEN” and turning it over. “I know I've only ever seen you through the window but you dont understand how badly I dreamt about this” He spoke as he picked you up quickly placing you on the counter.

You felt his hands explore your body, running up and down your back and sliding over your hips.

You let out a small moan, and he pulled back to look at you, a smirk on his face. "Such a sweet girl" he spoke his voice low. You felt a flush rising to your cheeks.

He leaned in to kiss you again, and this time his hands moved lower, grazing over your thighs. You felt a shiver run through you, and you knew that you wanted more. Without thinking, you reached up and wrapped your arms around his neck, pulling him closer.

The boy responded eagerly, pressing his body against yours and deepening the kiss. You could feel his hardening bulge pressing against your thigh, and you moaned softly, feeling a surge of desire wash over you.

“I think I might have something a little sweeter for you in the back,” He said smirking as he picked you up again taking you to the back of the bakery.

He carried you to a pile of flour sacks stacked on the floor laying you down. “I know this isn't the most ideal place but know at any moment you can say no” He spoke almost expecting you to say so. His hand brushing your hair to the side.

“Never,” You said as you grabbed his neck pulling him on top of you. He smirked as he began to kiss you again. His kiss trailed to your cheek down to your neck. You felt his teeth sink into you as you let out another moan. “Fuck.. you're so fucking good” He whimpered while still trailing his kisses. You felt his hips bucking into your thigh. You could sense his desperation and how hard he was trying to take things slow.

He finally reached your chest. He looked up at you his eyes like a puppy waiting for his treat. “May I pretty girl.”

You nodded as he began to take your shirt off. You helped by untying your bra. The warm air of the Bakery oven hit your chest immediately once it was off but not as warm as the eager boy's tongue now pressing on your tender breast. His tongue lightly sucking while it brushed against your nipple. His moans sending vibrations through your body. His other hand running through your back bringing you closer to him. He took his mouth off your breast leaving kisses as he made his way down your stomach. “If I knew you tasted this good I would have kissed you as soon as you came in.” He whispered smirking between a kiss.

Before you even noticed he pulled your pants off, grabbed your thighs, and threw your legs over his broad shoulders. He lightly squeezed your thighs before placing his fingers on your covered clit. Making you shudder right away. “So wet already Princess?”

You couldn't take it anymore. “Peeta please-” You whimpered desperately needing him inside you.

“I guess I'm not the only desperate one,” He smirked as he undid his apron tossing it to the side. And for the first time, you noticed just how built he was. His arms barely fit his white shirt. He unbuckled his pants and slid them off along with his underwear. He groaned as his cock was exposed. You gulped at the sight just thinking about it being inside you. “I promise to take it slow,” He said as he cupped your face making sure you felt safe. He took one more look at you.

“Beautiful,” He whispered.

His eyes traced every inch of you as if making sure to engrave it in his memory. He placed his fingers on your panties again slowly pushing them to the side. He began to slide into you. You tried your best to hold back your moans placing your palm over your mouth to suppress them. He noticed and immediately took it away. “No I want to hear you” he spoke “I want to hear just how good I make you feel” His command alone made you let out the moan you so desperately held back.

You grabbed his hair pulling him deeper into you making him whine. “Faster-” Was all you could let out before he increased his speed sending you over the edge. His whimpers now sounded like pleads as he called your name. His cock warming you up from the inside as he thrusted. His rhythm reminding you of the number of times you could have been absolutely fucked by him if only you had just taken more than a peak when walking past the shop.

“Your so fucking tight princess “ He moaned out “You dont know how much I wanted this” His thrusts now going as fast as they could. You whined as you felt your body getting closer. “Peeta I think I'm going to -”

He placed his lips onto yours kissing you roughly as he whimpered into your mouth suppressing your moans. You couldn't hold back anymore. You felt your body contract as you came.

His dick still sliding in and out of you. But with a final buck of his hips, you felt as he came inside you. The both of you breaking the kiss as you panted letting out the last moans. He pulled out laying next to you.

He ran his fingers through your cheek, kissing your forehead.

“I knew you tasted just as sweet as you looked”

[codenamesazanka]

rereading Oumagadoki Zoo oneshot!

Unfortunately, because I am this tweet:

I will drawing comparisons of it to bnha. specifically, Shigaraki and the League, because the parallels are pretty obvious.

If you haven't heard of the oneshot Oumagadoki Zoo before, it's one of Horikoshi's earlier works, a oneshot that became his first serialized manga. Premise of both the manga and the oneshot is the same: Aoi Hana, a high school girl, applies to work at a zoo, only to discover too late the zoo is a magical one where the animals can turn into humans, while the zoo director, Shiina, is a human cursed to look like a rabbit-man; she then gets dragged along into crazy adventure as the director attempts to break his curse.

The oneshot is much less zany-comedic in tone, with Shiina a more serious and ambitious character and leader, but still deeply caring for his friends, who are all outcasts animals he helped. I've compared Serialized Manga Shiina with Shigaraki before; but I've always found Oneshot Shiina to be even more similar, especially with later series Shigaraki.

In the oneshot, the first mission we see Shiina and his team go on is to rescue a talking alligator that's been captured and smuggled by people wearing skull-masks. Obviously these guys are not the good guys. They acknowledge that the talking alligator might as well be considered a person, but are still keeping him caged and ready to be sell him.

So I always wondered if they were the basis of the bnha's CRC - skull-mask wearing criminals who looks down on Spinner, a person whose quirk make him looks like a lizard. But this time they're even more evil.

In the manga, it's due to Shiina's cursed magic powers that allows the animals to turn into human form; in the oneshot, however, the animals are born with magical energies that transforms them into human form - and Shiina is only someone who finds and gathers them in order to harvest their magical energy to break his curse.

If this sounds kinda selfish, it is - which Shiina acknowledges. Shiina didn't save the talking alligator out of the goodness of his heart - he needed the alligator's magical energy, and says so bluntly.

But when Hana accuses Shiina of using the animals to his own ends, Uwabami, a snake woman, says no, all the animals are here of their own free will.

The explanation Uwabami then gives Hana about why they stay with Shiina, why they follow him, actually mirrors Spinner's last dialogue with Deku on bnha a lot:

Uwabami describes the animals that have magical energy as beings whose forms have bent away from normal and turned 'grotesque'. In Japanese, the word she uses is 'igyou', which is the same word used to describe people like Spinner - translated as 'heteromorphs' in MHA. Uwabami implies that these 'grotesque' animals had suffered, had stood out with negative consequences, and that was how Shiina was able to find them. Similarly, Spinner says that he was oppressed for being a heteromorph, for having a quirk that altered his appearance.

The context is of course different, but I think the underlying feeling is still the same. Uwabami explains Shiina and the animals' situations are similar, that in helping Shiina break his curse, the issue of the animals' magical grotesque forms may also be solved as well. Shiina's mission aligns with their desires as well. In Spinner's case, Shigaraki told the League that he'll destroy everything, which at first also seemed like it was his specific dream; but within that destruction is also promised the changes and goals each of the League wants - Shigaraki represented him.

For the animals of Shiina's zoo, they were never able to fit in, they were unneeded and unwanted - and yet Shiina would still consider them comrade and friends, and gathered them together. Much like Shigaraki did for the League: he gave someone like Spinner a dream, a chance to be someone. Gave a bunch of strays, the dregs of society, a place to be.

So both Shiina and Shigaraki - leaders loved and respected by their friends so much that those friends - Uwabami and Spinner - are both willing to so straightforwardly spill out their hearts and feelings to near strangers.

anyways, I recommend the oneshot a lot. Read here at mangadex.

[jackoshadows]

It's annoying how proactive female protagonists in Asoiaf are often labelled and seen as 'impulsive' by fandom in general. That's never a thing with the male characters. Female characters who get things done, who have agency and want to help people are very often characterized by fandom as wrongly and emotionally reacting to seeing injustice or even when they are engaged in policy making.

Arya is seen as impulsive for stepping in to help Mycah from a sadistic bully. Dany is labelled impulsive for not taking an economics course and reading Karl Marx’s Critique of Political Economy before freeing slaves. One popular post framed Arya and Catelyn as being similar because they apparently run around biting people.

Recall that Catelyn was one of Robb's most important campaign advisers, conducted the diplomatic negotiations for him, wanted less war and more of a peaceful resolution to the conflict and wanted to exchange hostages. And yet this fandom constantly frames the Arya/Cat parallels as them being impulsive and violent.

By the way, Arya does have parallels to Catelyn in terms of their proactiveness in maneuvering in a chauvinistic man's world, their loyalty to family and duty and doing what needs to be done. Fandom, however, always approach the Arya/Cat parallels negatively - as a form of critique of both female characters.

Do these characters have moments where they impulsively react in emotional situations? Yes, like pretty much ALL the characters do in the series. And yet these labels are singularly applied only to the female protagonists.

Arya for example is often careful, analytical and intelligent in her actions. When she escapes KL she carefully considers each step - where to go, where the guards would be, how the guards look, where the guards would search etc. - before planning her move. That's how she was able to outwit the adults like Cersei sending Lannister guards in disguise to catch Arya in enemy territory.

The same is true when Arya escapes Harenhall, where she strategizes, draws up a plan, identifies what she needs and where it is, collects everything and then gives the older boys - Gendry and Hot Pie - instructions on what to do

And then there is the way Arya and Dany are often characterized as violent in a way the male characters never are, when Planetos is a violent, medieval, feudal, grim dark fantasy setting.

To proactively get things done in a violent, patriarchal, chauvinistic world, one often has to engage in violence. Ned, Robert, Stannis, Jon, Robb, Tyrion, Jaime, Theon, Northern lords, NW brothers, KG have all killed people. Arya has to kill a guard to escape her captivity where the most horrible atrocities - including rape and torture - are especially committed on the female prisoners. No one is going to help her, she has to do it herself. And yet because of her gender, she gets condemned as 'violent', 'psychopathic', 'forever damaged', 'should feel guilty and bad about what she did' etc.

As ruler, Daenerys engages in the same medieval, feudal practices that other rules do - we are first introduced to the series' presumable hero Ned Stark, with him chopping off a man's head for desertion. And yet she is seen as violent and tyrannical in a way none of the male rulers are.

I still come across these jokes about Jon Snow counting beets ignoring his chosen one destiny when Daenerys also has an administrative arc in ADwD! Where are all the comments/jokes about Dany's problems with food, trying to grow food, trying to trade for food when she has encountered chosen one prophecy and yet stays behind in Essos doing the same thing Jon Snow is, except ten times harder because Meereen is a city state.

Especially jarring when all of GRRM's comments about ruling focuses on administration and specifically mentions Daenerys story in ADwD again and again. Like this for ex:

“I guess there is an element of fantasy readers that don’t want to see that. I find that fascinating. Seeing someone like Dany actually trying to deal with the vestments of being a queen and getting factions and guilds and [managing the] economy. They burnt all the fields [in Meereen]. They’ve got nothing to import any more. They’re not getting any money. I find this stuff interesting. And fortunately, enough of my readers who love the books do as well.” - GRRM

Dany, Tyrion and Jon's leadership arcs (In ADwD and ACoK) have parallels in that they are mostly of an administrative nature, dealing with money and food, making marriage alliances and unpopular decisions, with characters secretly undermining them. Jon's arc ends with mutineers assassinating him, Dany's arc ends with slavers trying to assassinate her and her fleeing on Drogon and Tyrion's arc ends with the Battle of Blackwater, Tywin coming back and Tyrion losing his power and position. No matter how well they did or didn't do as leaders, there was always someone in the shadows plotting against them, taking them down.

To single out the lead female characters alone as being impulsive and violent for being proactive and doing what needs to be done in order to survive in a violent, patriarchal world is misogyny at it's finest.

[perfectwitchcrown]

Allusions in Make the Exorcist Fall in Love

So far in Make the Exorcist Fall in Love there’s been a lot of allusions to various texts. I thought it might be fun to compile all the ones people have noticed so far as far as I've seen. Some of these are more speculative than others and I will update as I go along. Also, I read Ekuoto as free first read chapters on Mangaplus so unfortunately I can’t go back and check much so this is largely through memory, so if anyone has anything else to add I would greatly appreciate it! All I’ve got is a few screenshots and a dream. If I get anything wrong feel free to correct me! I’ve organized this in order of allusions I’m confident about to allusions I’m less so confident about.

CW: reference to sexual violence

Dante's Divine Comedy and Vita Nuova: Dante Alighieri

This one is pretty obvious since there are characters directly named after the characters figured in Dante’s Inferno. It’s been a long time since I read it, but other details are also taken from the text, such as the frozen center of hell where Satan is located.

Lmao Leah from the Bible (who is probably Leah’s namesake) also shows up in Dante’s Divine Comedy apparently in Purgatorio.

Ok also super important to Dante retellings r Beatrice, who’s used as a symbol of divine love and is instrumental to Dante's journey through hell, purgatory, and paradise, so of course Ekuoto Dante advises Priest to fall in love lmao. So far though there hasn’t been a direct Beatrice in narrative (which there might never be one since the text has already made the Dante-Virgil connection an active choice of Virgilius's to reference the Divine Comedy rather than just an allusion by the author).

To be so real though I figure that Vergilius is probably also intended to be the Beatrice in this narrative.

The points I would draw attention in support of this would be these: 1. Beatrice is the woman who Dante has been in love with since early childhood but unable to ever be with because they both married others. Ekuoto Virgilius and Dante have known each other since childhood, and have something going on. 2. Beatrice is, like Virgil, one of Dante’s guides (through part of purgatorio and paradiso) 3. We still don’t know what Virgilius’s name was before he took that one on. Beatrice does not have a masculine form in current use and I tried finding some sort of nickname that would work and was unable to do so. However. Beatrice’s name is rendered in Japanese as ベアトリーチェ, and Beato is at least a surname. Then again, I’m not sure anyone has both a first name and last name except for Imuri so far???

"Book of Tobit"

I wasn’t familiar w this one so I didn’t notice it until I saw posts pointing it out, but the Asmodeus flashback was a retelling of the book of Tobit. Other people have already done analysis of this so I’d recommend checking other’s out. Unfortunately I failed to save the link to any of them so I can’t pass any along :’) Belfagor arcidiavolo: Machiavelli

Another one that I wasn’t familiar with but have seen people referencing. As above, I recommend checking out other’s analysis. "Those Who Walk Away from Omelas": Ursula K. Le Guin

The Brothers Karamazov: Fyodor Dostoevsky

Ok major spoilers and I also highly recommend this book, but also, its super long so I don’t blame anyone who chooses not to read. This book is about the most disgusting father alive and his three, maybe four, sons: Dimitri, Ivan, Alyosha, and maybe Smerdyakov (rumored to be an illegitimate son). Most of the action follows Alyosha, who is the youngest and probably the most idealistic character in the novel, at least in the beginning. Alyosha starts out as a novice in the local Russian Orthodox monastery under the purview of Father Zossima, an elder who really emphasizes love in religious practice. There's a series of chapters that cover a theological debate between Ivan and Alyosha.

In this theological debate, Ivan is arguing not that God doesn’t exist, but that the foundation of the world as understood by Christianity is something he fundamentally rejects.

Quotations from the Signet Classics edition:

“I don’t accept this world of God’s. Although I know it exists, I don’t accept it at all. It’s not that I don’t accept God, you must understand, it’s the world created by Him I don’t and cannot accept” (Dostoevsky 266) - “If all must suffer to pay for eternal harmony, what have children to do with it?....I understand solidarity in sin among men. I understand solidarity in retribution too; but there can be no such solidarity with children. And if it is really true that they must share responsibility for all their father’s crimes, such a truth is not of this world and is beyond my comprehension” (Dostoevsky 276)

“Imagine that you are creating a fabric of human destiny with the object of making men happy in the end, giving them peace and rest at last. Imagine you are doing this but that it is essential and inevitable to torture to death only one tiny creature—that child beating its breast with its fist, for instance—in order to found that edifice on its unavenged tears. Would you consent to be the architect on those conditions?” (This quotation, although from a different translation, is the one that inspired Omelas - I think the bowling alley theological discussion between Virgilius and Priest bears some similarities to this conversation. Its not a debate about the existence of god, but rather a debate whether or not the world envisioned by Christianity is inherently unjust or not. Demian: Hermann Hesse

“The bird fights its way out of the egg. The egg is the world. Who would be born must first destroy a world. The bird flies to God. That God's name is Abraxas”

Potential references but tbh they’re a bit of a stretch:

“Book of Martha”: Octavia Butler

"Book of Martha" is an Octavia Butler short story in the Bloodchild collection about an ordinary woman who is visited by god one day who tells her to choose one thing to change about people to try and make the world a better place. It’s a very short read and I’d recommend reading it before you read the next sentence where I’ll spoil the end.

She eventually decides that the thing to focus on is people’s dreams. Specifically, to give them the things they desire most within their dreams, in the hope that people will be less violent to each other in real life. A stretch, but Octavia Butler comes from similar recommendation circles as Ursula K. Le Guin (feminist science fiction authors with overlapping periods of activity) so I don’t think it’s impossible for the most recent chapters' use of dreams to hold some sort of inspiration from this short story. Again, this one is a pretty big stretch, as the idea of dreams to escape reality is pretty common.

The Monk: Matthew Lewis

Ok! So! Demon seduces a person is like not at all an original story (The Daemon Lover, Cazotte’s The Devil in Love, etc etc). BUT! The Monk is specifically a story that’s like. What if there was this extremely virtuous young man who has never lived in the outside world ever because he was raised in the church as an orphan and then the devil sent a demon girl to seduce him.

I have not finished the book yet so I can’t comment in depth on it other than to say the concept is similar but the execution so far is very different (It's a fairly misogynistic text. Ambrosio turns evil in ways that I doubt Priest will because thematically they’d go completely against the story. Also, The Monk is veryyy lurid in terms of Lust is Evil!!! And will turn you into a murdering maniac!!!! Because evil women are out there seducing you!!! Whereas so far sexual desire in Ekuoto has been handled as a perfectly natural thing, but complicated by religion, patriarchy, trauma, etc.)

This is all I have so far but I'd be interested to see if anyone else has any other ideas!

[hinamie]

My I ask why are you a gojohater? I am a gojolover and love your gojopieces and love your portrayal of Gojo and Megumi, and I've known you're a gojohater since before I hit follow, but I am honestly curious haha I am a gojolover, but I love criticism of Gojo (and anyone tbh but him in specific precisely because I like him a lot) both narratively and metanarratively, both his writing and his personality. So I am really curious, all the more because I always love your takes on him not just in image, but in concept. Many of my fave people to talk about my fave characters are haters of my characters, it's alright, truly. I really mean no harm. I'm just super curious because I think it could be very juicy and intricate analysis given your portrayals of Gojo xD

I am asking on anon because I'm shy and you're a big account, but I could ask off anon too if you're not comfortable with answering this question without putting a face on the sender, or in public as a whole. I am not shy enough that it would be a problem to me if you prefer it. Of course, please feel free to ignore my question too if you don't want to reply for whatever reason (even just not being in the mood, that's good enough reason in my books xD)

In any case, thanks for drawing and sharing your art with us!

Hi anon! i’m glad you like my art of him but if you’re expecting an intricate analysis on gojo you’ve come to the wrong blog :’> 

as fr my thoughts on him,,, listen. I hate on him as a meme gsdhjf it’s not that serious. i’ll come out and say it, I don’t /actually/ hate the guy, really the extent of it is just that I think he's annoying a lot of the time and not in a way that endears him to me. however when I started watching jjk I’ll admit I Was charmed by him! And even now I can recognize tht there’s undeniably a lot to his character that makes him super interesting, I think that his loneliness and burden of being the strongest hidden under a carefree mask r things that make him rly compelling. i like that he’s insane i like that he’s strong to the point of being unreachably Alone, i LOVE that despite that he cares so much about the kids and tries to connect with and protect them at every opportunity. he’s a tragic tragic character and annoying or not, I eat that up

my beef is with fanon gojo ghjgshd seeing the way that the audience treats him soured him for me Bad. It’s so hard to see a character for the tragedy of their desire for connection when the entirety of their personality and the significance of all their fascinating story beats are entirely drowned out by mischaracterization and audience horniness. he overshadows everything he’s in because That Type of gojo fan sees him and gets tunnel vision regarding everything else—see the people who were threatening gege's life over killing him and Hard banking on a gojo comeback until the very end despite th narrative uproot it would cause. someone could make the most emotionally poignant piece of gojo-centric content and you’d still have probably a majority of his fans doing nothing but barking because that’s their 6’4 dom top or whatever. 

atp i’m used to seeing it but it still makes me angry that such a deep character with so much story significance is completely objectified by ppl who claim to be his fans. that’s not my business tho, engage with media however u want, just know that i Am judging you

so long story short i hate on him out of principle. i saw the way fandom treats him and i simply decided that yeah i dont like this i will not contribute. i will not show him any love beyond the art i make of him. but I wouldn’t dedicate so much time and effort to making art of a character if I truly hated them lmao i’m not that dedicated to the bit

[azzie-tangerine]

Being hosted by that random person who wrote Kirfluff fanfics a couple times, the first ever Kirfluff week is here! Or, it will be here in a little over a month. I've decided to share it early to give people (me) time to prepare!

More information including rules and details on the prompts below!

General Rules!

This is a week themed around the popular ship Kirfluff. As such, Kirfluff should be the focus! However, other characters and ships may be included.

Any type of art counts for the prompts! Traditional art, digital art, 3d modeling, even fanfics if you so desire! No limitations.

The dates aren't as important as it seems. You can work on/post these prompts early or late! This is not a school assignment, after all. The dates are more of a goal instead of a deadline. Do not feel discouraged if you want to participate, but feel like you cannot post it on the day of the prompt.

More of a recommendation than a rule, but using the tag #kirfluffweek and tagging me would be great! I would like to see if anyone participates!

Most importantly, please do not harass anyone over ships or this event. This is both ways. I do not want to see people hating on kirfluff in comments of prompts or kirfluff shippers taking the opportunity to bash other ships. I've already seen it when I brought up this idea. Let's be civil here, okay?

And of course, remember this is all for fun!

For those interested in participating (even if only for a single day), I've included a more detailed explanation for each prompt! While the prompts are simple, these detailed explanations are here to help inspire people who may not have any ideas based on the limited word prompt alone.

Day 1: Pining! Pining is defined as "a state of deep longing". It's a very popular topic when this ship is brought up in fandom! This can be focused on Prince Fluff's pining (which is usually the one more focused on), Kirby's, or even both of them!

Day 2: Headcanons! Focus on any Kirfluff-related headcanons you may have, like how their relationship looks or things they do together! If you yourself don't have any, you can gift this to another creator's headcanon instead! With proper credit.

Day 3: Cake! Inspired by the cake duel from Kirby's Epic Yarn, include the desert in some form! Maybe the two are baking together. Perhaps they're eating cake as a date! Or maybe instead, the cake is kirfluff themed!

Day 4: Alternate Universe, or Au! This one is like the Headcanon prompt, draw an au with Kirfluff that you may have! If you do not have any aus, you may draw and credit another creator's au! Gijinkas and the Mirror World/Clash/Parallel dimensions can be counted under this prompt if so desired.

Day 5: Surprise! Inspired by the Epic Yarn scene where Fluff spooks Kirby out of a tree. Any form of surprise counts! A gift, a sudden appearance, maybe someone else entirely surprised the two!

Day 6: Crown! Inspired by the fact Prince Fluff is royalty. Have a prompt focused on crowns! This can be Fluff's crown, a hypothetical Kirby crown, or maybe a crown not even for royalty, like flower crowns!

Day 7: Epic Yarn! This one is a free space basically. If you have any other ideas for Kirfluff content, it can go here! It can also be focused on the game Kirby's Epic Yarn! Or maybe you can draw another prompt again. Anything really! Have fun on this one.

And that's... about all I can think of right now! If you have any questions, do not be afraid to shoot me an ask or event comment below! I will try my best to answer them all.