#people analytics course

[vignetted]

only one month until i'm in another 8:30-11:30AM early modern europe course with the history dept's notoriously trad, reactionary conservative boomer prof who doesn't know i'm transgender & thinks i'm really smart

[lord-squiggletits]

Something I keep seeing when I speak to others about MTMTE Megatron is basically the idea that he's going on a personal journey to become a better person, that the point isn't for him to be "redeemed" but for him to get a chance to do good and die as a person he can live with again. That MTMTE presents a unique take on this because being away from Cybertron gives Megatron a chance to be a person rather than a political figure and this is how it gives him more depth as a character. Or just generally pointing out in a narrative sense that Megatron being in MTMTE limits his story options so of course his story is going to be more focused on a personal journey than on politics of him dealing with the Decepticons/Earth/etc and that just because JRO made a choice to take that path with Megatron doesn't mean that it's inherently bad.

And I'm just, mmm like I understand all of those points and acknowledge that they all contributed to the MTMTE Megatron we got. I even think that without JRO writing Megatron we wouldn't have had his lore be as fleshed out and 3D as it ended up becoming.

(Post starts out as a sort of meta analysis or at least me giving a reasoned explanation for my interpretation of the story, ends up being petty bitching in the last 1-2 paragraphs)

I just..... I just personally don't agree with the "he's becoming a better person by getting a chance to relax and experience happiness and trust after a life of trauma" as being the best choice for his character? Because the problem is that maybe if he were a random Decepticon foot soldier that would be appropriate, but he was literally the leader of the Decepticons that made them Like That and has political/cultural/societal responsibility for why things are the way they are? To be completely frank, I don't care about him going on a personal journey for self-peace, I think that he should become a better person by helping to un-fuck all the things he actually screwed up???

Like idc about the debate of whether he can be "redeemed" or if he should've been killed/imprisoned/etc at the ending. It just comes down to the fact that for me personally, I feel that since Megatron's wrongdoings were at a social level, him "being a better person" would've been better shown by him engaging with those people who he wronged instead of just going on a frigging personal journey for his legacy and self-peace???

Especially since in other series (exRID, possibly Windblade) we literally got plots like "the neutrals hate Autobots but they hate Decepticons even more" and "the Decepticons have been taken over by Galvatron and are now invading earth 2 electric boogaloo" and "yeah the Decepticons are literally living in slums because people hate them so much and won't give them any work." It just leaves me wondering why in the hell people are like, "oh Megatron got to be happy and have a chance to be a normal person." I don't want him to be normal! I want him to repay his debts to the people he actually wronged! Like if you want to cast Megatron as a hero of the people so badly (which so many of his stans do as if he actually cared about the Cons) then how do you reconcile the fact that Megatron just fucked off and left the Decepticons to suffer on Cybertron? Including some of them attacking during his trial and getting killed and Megatron is basically like "sorry, I'm not coming with you and this isn't going to work." And then Megatron complains about "toxic Decepticon loyalty" as if he didn't literally make them that way? Like I get that MTMTE Megatron is still an asshole but if you've read something besides MTMTE and know what the Decepticons are going through, it just ends up being really grating.

I just don't see Megatron as being a particularly good hero or having a particularly fulfilling story if he's completely isolated from all the bad things he did on Cybertron/the way the Decepticons are suffering until LL#25 where it's like "ah damn I'm going to trial now, well this is what I deserve so it's fine." Why could we not have seen something like Megatron trying to deradicalize the Decepticons or change their public image so they could integrate into normal Cybertron again? They were living in SLUMS and getting gunned down by Starscream's badgeless enforcers!

The best we got was the Functionist Universe but like.... I'm sorry, but JRO inventing a whole alternate universe for Megatron to save doesn't do jack shit to save or fix the people he left behind in this one. It was especially grating to read because JRO literally wrote in someone saying "you saved billions of lives from the Functionists" as if he was trying really hard to show how good Megatron is because he saved people (and also if not for Megatron existing Cybertron would be even worse and half of your faves would be enslaved or dead, also the Functionist Council was going to genocide organics too so technically they're WORSE than Megatron since they hate organics AND want to enslave their own race).

I read Barber's, JRO's, and MScott's series concurrently using the omnibus + a release order list for phase 3, and after all that I'm kind of puzzled why the fandom seems to ardently love MTMTE Megatron and think he's so well written but then also shit on Optimus for things that he did during the same points in the story? Because, and I know this is a blazing hot take, I honestly think that Optimus makes a better hero of his story than Megatron does for his, and Optimus' personal journey combines his personal and political identities into a narrative that's a lot more gruelling and questioning of his goodness than we got for Megatron in MTMTE. Which is fucking saying something considering Megatron committed crimes against sapient species and Optimus is the guy who tried to stop him from doing that and has always been pro-equal rights for all beings. But people pretty much just cherrypick things like Optimus annexing Earth or beating up Prowl and go "he's bad" and I'm like no??? IDW OP isn't a bad person or a bad character??? It's just that unlike MTMTE Megatron he's placed in a narrative that actually suits the nature of his actions and has themes that match. To the point that IMO sometimes Barber's narrative shits on Optimus excessively or paints him mainly in the most unflattering ways.

But like. It's just funny to me because Optimus spent his entire part of the story doing things like trying to stop Earth from being invaded/colonized yet again. Grappling with his identity as Prime and dealing with the fact that people literally worship him vs. the fact that his upbringing made him see the Primacy as nothing more than a facade of authority/leadership. Having people get mad at him for prioritizing politics over friendship/relationships with other people. Even getting shit on for being a cop a decent amount so people can STFU about IDW OP being "copaganda" or "not held responsible for his actions". The problems that Optimus dealt with were personal because they had to do with his self-doubt, culpability for the war as a leader of one of the armies, distance from his soldiers, etc. But all of these are also POLITICAL struggles. Because Optimus gave up on the chance to just be a normal person having personal struggles when he chose to become a LEADER, which also means that he's held to extremely high standards that he regularly fails at in the eyes of others.

That's why, to me, MTMTE Megatron falls flat in comparison and really as a "hero" or heel-face character in general? Because he also made a decision to be a leader, and IMO once you do things like become the commander of an army and start your own galactic empire, you lose the right to prioritize your personal problems and instead are obligated by the power you've chosen to wield to focus on your POLITICAL problems. If Megatron's power, influence, and crimes are of a social-political nature, then his heel-face turn arc and ways of showing that he's a better person/helping to heal what little damage he possibly can should have been shown with actions that help on a social-political LEVEL. That's why I'm not particularly impressed with his character arc and feel as if it was overhyped by other people in this fandom: sure, the extra character depth and emotion is nice, but I'm not really going to see him as extraordinary or even particularly good when the extent of him "becoming a better person" happens entirely on a random road trip to fuck-off nowhere. Especially not when the ending of LL tried to sell me a "they lived happily ever after" ending while basically leaving the freaking MUTINY as just Rodimus going "oh it's okay you're forgiven, we're all together again" and I guess everyone was fine with Megatron and wanted to spend an eternity on a ship with him just because Getaway died.

This is why I like (the concept/themes of) exRID/OP and the way Optimus' character arc was handled a lot more. Because for Optimus, the personal and the political were as one. He was held accountable for his actions towards others and the disruptive effects they had on a social level, sometimes to a ridiculous extent (the fucking "oh Megatron is an Autobot so now that makes the Autobots colonizers" plot and that stupid colonist screaming about how Optimus is "literally fascist" my beloathed). Even his very personal issues like his relationship with Zeta were still cast in a wider lens of, yeah this is a personal struggle that Orion faced, but he was still part of a Society TM and his actions were sometimes ill-informed or harmful to others. Even if I had a lot of problems with the way Optimus' story was written by Barber (plot holes, little meaningful character interaction, forced conflicts), at least the BASELINE of it was way better than Megatron's in MTMTE. Especially since Optimus' struggle was explictly about things like struggling with responsibility and how he feels he HAS to intervene in political affairs because has to save people/make up for his past mistakes. That's something that a good leader/good person actually does, so I found Optimus to be a better hero (even if his actions weren't all "good") because he was trying to be a good person by actually getting involved with Cybertron/Earth and subjecting himself to something he hates (leadership, war) and dealing with a shitload of criticism instead of just going on a fuckin "personal journey" lksdlkfsd.

Which just makes me extra salty that people hold up MTMTE Megatron as the pinnacle of Megatrons and literally the best Transformers writing evar! while turning up their nose and ignoring or outright despising IDW Optimus. Like okay. I guess since Megatron got handled with silk gloves on while Optimus got put through the wringer of being shit on by every other person in the story, it's easier for you to pretend that Megatron is a poor uwu boy who just needs friendship and love while Optimus is literally the worst bastard to ever exist. Or maybe it's just that since Optimus' story involves him sometimes fucking up, being criticized, or making things worse, that makes him morally bad. As opposed to Megatron who disrupted a lot of other characters' stories in MTMTE, had to have an entire alternate universe invented so that he could "save lives," and got to sail off on a quantum Lost Light happily ever after, so since he's happy and the story says he saved people that means he's a good hero.

[raven]

honestly reading fanfiction is kind of fun not even on like the level of eating junk food i just really love to see unskilled writers with their natural inclinations and quirks

[lone-berry0]

Sometimes I want to figure something out on my own or I already have it handled, in which case someone telling me what to do when they weren't asked is very frustrating. It can feel like my autonomy or intelligence is in doubt or not being respected.

But sometimes I need guidance or just need someone to take the burden of trying to figure everything out from me.

I think it just depends on if it's on my own terms, and what their intention is. Was instruction needed or asked for? Or did someone just make that assumption on their own?

It's like say how helping an elderly person cross the street is helpful when they've asked for assistance (or if you've asked them if they need any and they've said yes), but it's quite demeaning and even at times very much NOT helpful if you just assume they need help and proceed to drag them across the street.

Two moods

[d3ad-on-arriva1]

why is everyone making fun of the “brothaa” part of the new mufasa movie i. i actually like it

[excelsior9173]

i do a lot of positing about religion/spiritual beliefs/etc because it is all very interesting to me from the perspective of a spiritual, but secular, person- and as someone with a degree in a science. (yes psychology counts- it’s a social science but it’s a science nonetheless! there are math and numbers involved and research, it is science)

because of my education and my degree i have the tools to understand how much of religion and spirituality is reactionary to protect the mind in certain situations. i understand the rationality of it all, how it’s most likely a self-soothing tool (in my opinion) to ease any cognitive dissonance that may arise or simply to bring comfort to a person in difficult times. sometimes it is easier to believe in something greater than us having control because it lessens the burden and responsibility on our own minds

and yet- despite having all these rational explanations for why humans experience these sorts of things (ghost encounters are confirmation bias or maybe psychosis-induced, manifestation is simply coincidence, etc etc) I continue to find myself believing in all sorts of spiritual things. i am an incredibly spiritual person, and there are experiences i have had that genuinely have me believing in all sorts of supernatural phenomena. i just find it so interesting that despite having the rational explanations and theories for these sorts of things, and encompassing them within my own worldview, i still cling to my beliefs in the other, in ghosts and demons and magic. if for no other reason than it brings me comfort i suppose. it helps me make sense of the world around me and how i fit into it.

this all spurred by my belief in signs. receiving signs from some sort of higher power- i don’t necessarily believe in any sort of deity, the idea of a god of any kind just doesn’t sit well in my head, i find it rather upsetting to think of someone sitting in the heavens having a plan for everyone, especially when such horrors exist in this world- like fate or destiny i suppose. little nudges towards something, or confirmations that i’ve made a good decision- not necessarily the right one, but one that will be satisfying. lately, since deciding on a career as a nurse/psychiatric nurse and beginning to work towards that, i have been seeing more and more advertising bringing attention to the shortage of nurses we have in my province. and despite me knowing it’s just that time of year, we need more nurses when it’s cold and flu season, it feels like the universe/fate/whatever is letting me know i’m on a good path. chosen a path that will satisfy me and bring a good life. and i suppose that is where the comfort aspect of beliefs comes in. i am a very anxious person and making big changes is terrifying. graduating and getting my psych bachelors realizing it had nothing to offer me was the scariest thing i’ve done. deciding to go back to school is nerve-wracking too, but if i’m on the “right” path and headed to a fulfilling life then it doesn’t seem quite so daunting does it?

[osaemu]

GOJO SATORU: ❛❛ FINDERS KEEPERS, LOSERS WEEPERS! ❜❜

.ೃ࿐ streamer!au: the user "gojoslittleslut" tries to make a move on your boyfriend, but she doesn't stand a chance

contents: fem!reader. it's not too serious, nobody gets angry/jealous (except the comments lol). if u haven't already read the other streamer!gojo works u probably should so u understand the dynamic between satoru and his commenters !

author's note: reader is actually a mature person who doesn't pick fights with random ppl on the internet and i think we should all be more like her ꨄ︎

satoru leans back in his chair, idly chatting with people who pop up in his comments after he finishes his last round of the co-op game. his viewers are eager to chat, and some even shoot money satoru's way to draw his attention. whenever someone donates money, he gives them a quick shoutout and has a small back-and-forth with them, and he does that for everyone.

that is, until a user with a questionable username donates to his stream.

gojoslittleslut has donated $100.00!

gojoslittleslut: notice me pls

"shit, a hundred dollars?" satoru says, raising his eyebrows in mild surprise. "thanks, gojoslittl— oh, fuck, what is that?"

you look up from your laptop and see the way your boyfriend's cheeks have gone bright red. satoru laughs a bit nervously, so you get up and walk over, making sure to stay out of sight of the camera. you sit on satoru's desk beside his computer and peer at his screen curiously.

gojoslittleslut: im ur number one fan~

satoru's eyes flicker to yours for a second before he looks back at his monitor. "ah, well, thanks for the donation!" he replies, completely ignoring the user's advances.

suguru-geto: he has a gf ...

gojoslittleslut: yeah

gojoslittleslut: me

you cover your mouth to suppress a giggle, scrunching up your nose at satoru to let him know that you really weren't taking it too seriously. after all, it's just some random person on the internet—they don't stand a chance with your boyfriend. 

satoru reaches over and takes your hand, twining his fingers with yours off-camera. he ignores the sudden burst of comments that litter the corner of his screen, instead watching you intently. in response, you roll your eyes playfully and blow him a kiss, snickering when satoru pretends to faint.

eventually, he turns back to his screen, cerulean eyes doing a quick once-over of his new comments.

toji-fushiguro: ill take his gf any day

inumaki: we know gtfo

gojoslittleslut: toji i get gojo and u take his girl. deal?

toji-fushiguro: bet

"alright guys, settle down," satoru huffs, rolling his eyes. "for the record, i still have a girlfriend and i don't plan on changing that anytime soon," he clarifies, addressing the current feud going on in his comments. 

satoru's a good streamer—he does his best to keep things cordial and lighthearted with his audience, but he also knows his limits. one of his limits involves people trying to separate you and him, his one true pairing (of course satoru's otp is his own relationship).

your boyfriend leans closer to the screen and scowls good-naturedly, holding up the hand still wrapped around yours. "this isn't gonna change, so don't even think about it!"

satoru says his goodbyes and then ends the stream, turning to you with a sigh. "how down bad do you have to be to name yourself 'gojo's little slut?'" he grumbles, clicking through his stream analytics and finding the user. he opens gojoslittleslut's profile and studies it for a moment before hovering his mouse over the block button.

he leans back in his chair and tilting his chin up at you. "she just gave me a hundred dollars, so i kinda feel bad about blocking her," satoru muses, tapping his foot on the floor. he looks up at where you still sit on his desk, twirling a strand of hair around your finger. "c'mere," he mumbles, slipping his hands around your waist and hoisting you into his lap with a soft grunt.

satoru rests his chin on your shoulder and nudges his face into your neck, breath tickling your skin. "you know that i'm all yours, right?"

"of course i do," you murmur, settling into his arms. he's warm and comfortable, like always. satoru smiles warmly and kisses the side of your face, letting his lips linger.

"good. 'cause no fan account's ever gonna change that."

[elysiansparadise]

Hi Elysian! Can you share with me what placements indicate preference or tendency for isolation/ being by themselves regardless of it being a good or bad thing?

Thankyou so much!

Hello love! Of course I can. 

Preference/tendency for isolation

Although I considered many things into account for this particular topic, I focused mostly in three factors: the Moon, Saturn and 12th house. The Moon shows comfort and needs that we have, Saturn can give us independent overtones and, together with the 12th house, it usually speaks to us about isolation.

🖤Stellium in the 12th house. This house is par excellence the house of solitude and isolation. People with a stellium in this house often prefer to do things alone and spend their time on their own. Their isolation usually occurs for various reasons, from the search for deeper and more meaningful things, their need to recharge after a lot of contact with others, their sensitivity to their environments and even their rich internal world, in which they feel comfortable and safe.

🖤People with a Stellium in the 1st house have a high focus on self-discovery and everything related to knowing themselves better. They are highly independent people who rely on themselves in many areas of their life, which makes them reject the idea of ​​becoming too attached to others or depending on them.

🖤When someone has a Stellium in the 8th house, they usually have a strong need for privacy. They are people with a strong tendency toward introspection and who prefer to be on their own when they go through profound changes or when there is internal tension within them. They experience intense emotions and changes through their lives, which may cause them to withdraw from the external world to focus on their healing, growth, or reconstruction.

🖤Saturn in the 7th, 8th or 12th house shows us people with strong introverted tendencies and people who, in general, since they are children, face long periods of loneliness, either due to preference or because of experiences our of their control. They are people who have a tense relationship with loneliness, because although they seek it to feel safe as it is something familiar to them, there is also the fear of always being alone.

🖤Moon in the 1st or 6th house have a strong need for "me-time" either because their activities are rather calm and/or do not require others to do them, or simply because they genuinely enjoy the idea of ​​isolating themselves to take care of themselves by pampering themselves. They enjoy spending time with themselves, watching their favorite show, doing their hobbies or resting from the stress of everyday life.

🖤Moon in the 8th house or 12th house. They are people with deep emotions who would rather be alone than spend their time and energy on people who genuinely don't care about them or really know them. They look for emotional connections that are deep, that feel meaningful, which makes them selective about who they want to spend their time with.

🖤People with Virgo Moon tend to be very analytical about their emotions, so they need moments of solitude to reflect, organize their thoughts and regain emotional balance. Some of them may have been judged for their emotions or way of expressing themselves, which leads them to find security in solitude.

🖤Moon in Sagittarius. Contrary to what is said, I have seen that they are people with a strong need for introspection. They like their independence and choose to do activities that reconnect with themselves or hobbies that allow them to be on their own. These people also prioritize their pursuit of happiness, which makes them reject spending time with people who only bring negative things into their lives [criticism, toxicity or unnecessary tension].

🖤Those with Saturn in water signs are natives who usually choose to be on their own, often as a defense mechanism so as not to get hurt or betrayed. Likewise, they require time alone when it comes to managing their emotions, healing or dealing with their daily tensions. 

🖤Aries placements. I have seen it in many people around me with stelliums in Aries or with Aries in the big three. They are people who don't mind spending time with themselves and usually prefer it to save themselves the headaches or inconvenience of having to interact with people who have traits that bother them. They are individualistic and independent people and have no problem with being on their own and managing their things privately.

🖤Aquarius placements. They are people who know how to be with others but at the end of the day they need to be on their own, either to release stress or just to be able to carry out their plans or do what they want. Loneliness does not bother them and they need a lot of time alone to feel happy. I have seen this mostly in Aquarius Moons, Mercuries and Risings. 

🖤Pisces placements. They are people who can easily become overwhelmed when they are with others for a long time, which leads them to feel better when they isolate themselves. They recharge their batteries, introspect or simply rest. There is a strong need to know themselves at a deeper level, which they can get to do during their time with themselves.

🖤Chiron in air signs [Gemini, Libra or Aquarius] are common placements for people who are introverted and prefer to be alone rather than opening up to meet people. This tendency comes from the feeling of not having been heard or understood by people, so as a defense mechanism some of them usually choose to isolate themselves.

🖤Ruler of the 1st house in the 12th house or vice versa shows us natives who seek solitude, from getting to know themselves better or exploring themselves, to recharging their batteries. They are people who throughout their lives experience periods of loneliness and learn to find comfort in this. They can use their loneliness as a way to be themselves without fear or shame.

🖤Ruler of the 4th house in the 12th house or vice versa can be a great indicator as well, since the 4th house also gives us a clue about what gives us comfort or what we feel emotionally safe with, that its ruler falls in the 12th house. It speaks of the possibility of finding peace or emotional well-being in solitude. Natives with this overlay can feel safe when they are on their own.

🖤Ruler of the 7th house in the 12th house or vice versa shows us people who feel that they do not fit in with anyone and, in order not to drain their energy, to not be hurt or to avoid disappointment, they usually choose to be on their own. They are people who feel that it is better to be alone than in bad company. 

🖤Ruler of the 11th house in the 12th house of vice versa indicates a person who prefers solitude or very small circles of friends. They are people who find happiness in their solitude, because they can do their hobbies and dedicate more time to themselves. They don't like trying to fit in where they know they aren't comfortable in the first place.

🖤Any air house [3rd, 7th or 11th] ruler in the 8th house or vice versa. These people are very protective of themselves and are very focused on knowing themselves very well, spending a lot of time with themselves. They don't like wasting time with people they genuinely don't want to be with or people who aren't what they want.

[changeling-droneco]

Hi I'm that person who made the original post about "no doesn mean no" when a small bit of the mr beast company document was leaked, well, now we have the full document (thanks rosanna) so I'm going to go over it. Please note I am not a lawyer or a business man, I'm in college for psychology, so I might misunderstand some things or make the wrong conclusion. However, if this is a document made for the average mr. beast employee, if I cannot understand it properly, then im sure some employees also struggled

First of all, the opening paragraph. Like I get it's supposed to be like, to put people at ease, but

This is so strange? Like, first of all, this is your EMPLOYEE MANUAL, you should have run it through like, a spell check? Or had someone edit it? This is already incredibly unprofessional. Also the promising of a thousand dollars if you pass a quiz on it? It's bizarre and I'd love to see if it's an actual quiz.

Jimmy, hun, please god get an editor for this you're already trying my patience.

YOU SHOULD, you genuinely should, while interconnected these are all COMPLETELY different jobs, if you think you could write a separate manual for each branch you SHOULD

I'm sure I'm about to get an answer but what the fuck is the best YOUTUBE video then? If it's not comedy, its not production, its not quality, its not look, then what the hell is left? (monetization, it's monetization)

First of all, Jimmy, why are you using internet lingo in this, it's not a text message, this is not a place for, idc, and lol, and not capitalizing your headers correctly??? Also like I said, he's chasing trends for monetization, and also he's just wrong, there are plenty of hollywood level shows and the like on youtube. You fully admit you do not care about trends and actively rush things?

This is just fucked??? Like of COURSE IT MATTERS??? Results based company is bullshit, your employees that worked for five weeks and failed aren't "lesser" then James, it's a structural failure! They still worked for HOURS to try and succeed?? That shows merit and loyalty??? What the fuck???

Rosanna covers this one in her video but it's worth restating that this is FUCKED??? It's clear overwork "your job is your family" culture. Especially the use of the word obsessive? If you do not OBSESS over your work, you are considered poisonous. NO WONDER we have so many reports of employees doing things they feel is dangerous or unsafe, if they don't they're considered POISON to the company.

The formatting in this doc continues to fucking kill me, what are you DOING man GET AN EDITOR

This feels like such an easy fix of just...make the thumbnail after the fact? Or only make a rough draft of one first? Like if production makes a red bouncy castle instead of a yellow one, that feels like an easy fix to the thumbnail OR a communication error, and again, that's on management

A lot of the next stuff is like analytics stuff that for the most part I can't really speak on as someone who does not do any of this stuff. There are a few things though

Which like???? what??? a lull??? what do you mean "watching a video without even realizing they are watching a video??" That doesn't scream good or even mediocre content to me. If I'm actively tuning out as I watch a video, that's bad. Especially because there have been plenty of times I've been like half way through a video i go "hey this sucks actually" and click off. They actively want their audience to not be paying attention to the video so it runs all the way through, that's kinda pathetic.

I don't actually know if this is common or not in this industry, but as an outsider this seems INCREDIBLY micromanaging to me, to an immense degree.

Jimmy why are you putting swears in your employee manual?? sir??? and also something about this whole thing icks me out, I don't quite have the words but the whole emphasis on "im different im special no one else can be me" just reeks of something kind of manipulative

Why is production changing so much Jimmy??? Infinite growth is the mindset of a cancer cell Jimmy! This is incredibly unstable working conditions! Also again with the word obsession, if you take time out of your own day on your own time to watch hulu, that's seen as not being obsessed enough for the company. This is nonsensical!

Again, this is INSANELY micromanaging, and also so fucking unhinged??? "God himself couldn't stop you from making this video on time" is NOT a healthy work mindset, things HAPPEN!!!

In this segment he's actually talking normal things but I did just want to highlight his use of "freaken" who the hell puts that in an EMPLOYEE MANUEL

Again with the micromanaging, and the immense pressure on employees for problems OTHER people do. While he's not fully wrong that you should be in more contact with the contractor then the example, this is too much in the other direction. How much time in the day does he think people have?!

My kingdom for a fucking paragraph break dude, my fucking eyes. Also this is a lot of "im so great and do everything and you should do more for me and if i dont know something that's your fault" for something titled "I am not always right"

I'm getting lazy with my highlighting, but again, the micromanaging? If you're SOOO busy, the first question should be the ideal? it's quick and makes a quick decision, while the second one meanders and meanders

Again, Jimmy is pushing blame for HIS mistakes on OTHER PEOPLE. For again, a section called "i am not always right" hes taking NO accountability for that and just making the SAME excuses he's berating in other places.

I can't even tell what he means here AN EDITOR JIMMY

Autism Hell tm, PLEASE email me so I can DOUBLE CHECK IT, things in writing are SO useful

Again the language towards "C-Players" which as mr beast has said, are the people who y'know, are NORMAL employees who DON'T live and breathe this company

Okay first of all, a Lamborghini is like 300k so that's already A REALLY hard task, and i sure hope don't usually put typos in the tasks. SECOND of all the fact he thinks its okay to go "hey if the studio is literally on fire around you and you stop working to get the Lamborghini, you're not doing good enough" even if he claims it as a joke is NOT OKAY what the FUCK

We've covered this before, but to reiterate this segment is named after a sexual assault reference when it could have been named ANYTHING ELSE and harasses employees and pressures them to break rules, don't do that.

I'm not an editor, so maybe this is normal, but as someone from the outside it seems strange to put this much emphasis on dividing focus between so many videos at once.

Jimmy, hun, are you paying extra for this? Because if I'm an editor and you want me FILMING stuff then i want to be paid more for doing TWO jobs and I probably still wont be as skilled a TRAINED CAMERA MAN

First of all now THAT'S a type, consteatants. Also the fact they are aware that leaving contestants out in the sun is bad, why are you not doing MORE TO STOP IT BEYOND "hey maybe giving them three hours of heatstroke is bad, try only two next time"

Don't we love favoritism, more shitty unprofessional writings, and a completely unstable work environment?

If your people have to pull all nighters period something is wrong, and if something happens to an employees car that could have seriously hurt someone, i sure hope you care more then just "LOL FUNNY" Who's picking up the broken glass? Who's reimbursing the car owner? That one meme of "your first care should be commitment to the bit" is a MEME jimmy, it's not ACTUAL ADVICE

Ah shit I hit image limit, well, you've seen enough screenshots to know these are screenshots, we're almost done I'll put them in as quotes

"Let’s say you are tasked with finding us a castle to live in for 50 hours and while doing research you find a castle and a number to call for the owner. So you do call, and he answers. Only problem is he says he quit the castle renting business to pursue his dream of building a 100 foot tall lego catapult. You can obviously tell where i’m going with this. Ideally you’d recognize that’s badass as fuck and try to convince him to let us use it when we do find a castle. This is a bad example because it’s so obvious but if you’re doing your job right you will be doing an absurd amounts of calls and data collecting. While trying to complete your prios and prepare for the video you should always be on the lookout for new things you can bring to your creative team to inspire them. Because just like me, they don’t know what they don’t know and you can’t just say “i’m in production and i’m not very creative” because that’s literally the equivalent of saying I suck at what I do. You also need to apply this same mindset when problem solving because many people lose sight of this stuff when in the weeds. If a problem appears, always always always ask yourself if your new plan is whats best for creative, not just the easiest bandaid."

First of all it's really funny seeing all the red lines pop up, second of all this insistent blurring of everyone's job seems so strange? Again maybe this is normal, but it really feels like Jimmy wants everyone working every job, instead on focusing on what they are actually hired to do.

"What is the goal of our content?

To excite me. The goal of our content is to excite me. That may sound weird to some of you, especially if you’re new but to me it’s what’s most important. If I'm not excited to get in front of that camera and film the video, it’s just simply not going to happen."

That's fucking weirddddd, like I get that he's trying to be like "im authentic" but it always feels like a bad sign when the goal of a company is literally just "What amuses the boss" like...bad sign

"this is youtube and there are constraints. You know the video can’t be a minute so you’re obviously going to need a story to hold the viewers and there are rules to storytelling. Our audience is massive and because of that you have to be simple, for 50 million people to understand something it must be simple. Content can be anything but there is structure and rules that we must mold it into that I want to teach you about, because virality doesn’t just happen. Every frame of our videos will be seen by 10s of millions of people"

Gross

"I'd say the average MrBeast viewer is a teenage memer that likes video games."

Mr Beast is completely aware of his demographic and puts screen shots of it, he is very aware his stuff is aimed at kids, even when its about gambling or hiring people not around near minors

"I feel silly for having to write this but all the time I talk to 32 new people that have at most seen like 5 or 6 of our videos and it’s mind blowing that they don’t see a problem with that lol."

It's almost like your audience is teenage memer and that people who working here are not in fact, teenage memers.

"What you consume on social media, when you watch youtube, tv, the games you play, etc. are what I like to call your information diet.

How do you stay up to date on the latest memes? How do you know what’s going on with celebrities? What’s trending on youtube? What other creators are doing? What’s popping on tik tok? Your information diet. Consume things on a daily basis that help you write better content."

If my job as a creative writer had my boss tell me to have to see whats "popping on tik tok" as part of my job i'd quit also again, the micromanaging of someone's life as well pops up again, it's weirddd

"It’s okay for the boys to be childish

If talent wants to draw a dick on the white board in the video or do something stupid, let them. (assuming they know all the risks and arn’t missing context on why it’s not safe) People like when we are in our natural element of stupidity. Really do everything you can to empower the boys when filming and help them make content. Help them be idiots"

More favoritism

"If you’ve made it this far you are probably at least semi interested in this being your career. So I wanted to chat about it. Because if you're ambitious and want to dedicate your life to work, you picked the best company in America to do it at. I really don’t care to hoard a bunch of money and I deeply believe in rewarding the people that help this business get where it needs to be. But before I get into that, let’s talk about the future. As I write this we have 2 teams, that will grow to 4 in the next year. (and possibly 8 in the next 2 years but I can’t talk about that cause james will kill me haha). We need more leaders in the company. Weneed hard working, obsessive, coachable, intelligent, grinders that can step up and take some of these leadership spots over the next 2 years. Every single department has an opportunity for you to grow in and you’re in luck because we don’t do yearly reviews. We do whenever the fuck you want reviewes"

Lack of communication from management, and more emphasis on grinding and crunch culture, goodie, all while riddled with typos! God.

"I see a world where this company is worth billions and one day 10s of billions. And those of you that help build this will be rewarded. I want nothing more then for you to go all in, obsessive all day everyday, and become so god dam valuable this company can’t operate without you. And in return for becoming so valuable I hope to give you incredible experiences, a fun place to work, and of course, more money then you could ever dream of making at any other company."

I feel like I'm reading a fucking pyramid scheme document here, "youre so so valuable spend literally every minute of every day on this company haha" good GOD man

[romijuli]

It’s not that I don’t LIKE the Fandom Popular Pairings, it’s more that sometimes people solely view the involved characters in terms of the ship and in the process do an incredible disservice to the characters involved

It’s not that I don’t LIKE the Fandom Popular Pairings, it’s that I find the assumption that everyone ships them and the general all-consuming nature of said pairings to be kinda exhausting,

[communistkenobi]

“transphobia hurts us all” is an analytical statement. It is making a claim about how a specific bigotry operates in the world, and its supposed analytical value is in revealing something about transphobia that appears on the surface to be counter-intuitive - “while you might think transphobia only hurts transgender people, that isn’t the case; it hurts cisgender people too.” The follow-up to this statement, sometimes implied and sometimes explicit, is a moral imperative - transphobia is a social ill that hurts us all, so we should seek to get rid of it.

This analytical-moral chain of logic isn’t unique to this statement; a lot of analyses of the social world come from a broader desire to “figure out what to do.” When we investigate a social phenomenon to uncover its inner workings, and in this investigation we identify the scope and impact of the harm it causes, we are in a better place to understand how to reduce harm in the world. Of particular interest in this investigation of transphobia is highlighting its illegitimacy - if transphobia also harms cisgender people, this is evidence of its illegitimacy as a social force in the world. We have uncovered some fundamental contradiction in the workings of bigotry, and this contradiction provides a rational ground for us to oppose it. Of course transphobia is irrational and must be opposed; it harms other groups of people who are not transgender.

This is also why people object to this statement on analytic grounds - disagreeing with the argument that transphobia hurts everyone is a critique of analysis. Importantly, it is not a dismissal of empirical evidence; we can see many direct real-world examples of cisgender people being targeted for transphobic abuse, such as cis people being attacked in bathrooms for “looking transgender.” A critique of the claim that transphobia hurts us all is a methodological critique, it is a critique of analytical framing; we are operating from the same set of social facts, but reaching different conclusions. The reason for this is because we are using different investigative and theoretical tools in our analysis. And these differences are not trivial; how we define the social phenomena under investigation directly informs how we understand the facts in front of us.

So first, we must settle the problem of definitions - what is transphobia? Simply defining it as a hatred of transgender people is insufficient for all parties. If it does indeed also hurt cis people, then this definition doesn’t do us much analytical good. Where do we go from here? Perhaps a better place to start is to investigate its origins - what assumptions does transphobia operate from? Where do those assumptions come from? This is where we start getting somewhere. Transphobia draws its core assumptions from cissexualism - the belief that there are two mutually-exclusive and irreconcilable sexes, sexes which are immutable and biologically hard-wired, meaning that it is a difference in human beings that exists independent of the social worlds that human beings build. This idea is bound up in many forms of power, one of which being patriarchy; yes indeed there are two sexes, and one of them is better than the other. And because sex is hard-wired, then patriarchy is likewise a simple fact of nature. These assumptions are also bound up in reproduction; one sex impregnates (this is the powerful sex) and one sex gets impregnated (this is the weak sex). These ideas and assumptions structure much of our social world, being embedded in many social, political, and economic institutions, from family to labour to dating to census records to political office, and so on. 

Transphobia is thus an output of these logics - if sex is biological, and sex determines your place in society, then attempting to change your sex means you are thwarting the natural hierarchy of human beings. You are either trying to rise above your station, or abandoning your post. Either option is grounds for punishment. Why would you go against nature? How dare you?

So, transphobia is a bigotry that comes from cissexualism. We could investigate further where cissexualism comes from (and indeed those investigations are taking place), but for our purposes we now have a much more analytically rich definition. Transphobia is a social technology of discipline; it performs a regulatory function for the continuation of cissexualism, much the same way that misogyny is a regulatory apparatus of patriarchy, and homophobia is a regulatory apparatus of heterosexuality. These bigotries perform a very ‘rational’ social function; they reproduce existing forms of power by policing their borders and brutalising anyone who does not behave in accordance with their logics.

We now return to the original question: does transphobia harm everyone? This question now feels methodologically inappropriate, because we are ignoring the role cissexualism plays in producing transphobia. This is as absurd as describing homophobia without mentioning heterosexuality. The question should instead be: does cissexualism harm everyone? The answer of course is yes - we can see how cissexualism produces the social conditions for people to assault someone in a public bathroom for “looking transgender,” for an adult to force a child to report what their genitals ‘really look like’ so they can continue playing soccer, and for a billionaire to spend the latter half of her life dumping money and resources into political legislation that makes it more difficult to, among other things, correct administrative mistakes on your birth certificate. 

But because we are now talking about cissexualism, it is much easier for us to see how its violence is differentially applied across groups. Cisgender people can point to their cisgenderism as grounds for being exempt from transphobia - “don’t target me, I haven’t done anything wrong! I’m following the rules!” Their societal position as cisgender allows them to argue that they are illegitimate targets, that they are being unfairly treated. This animated much of the surrounding discourse around Imane Khelif - I can’t believe JKR is targeting a real woman! Can’t you tell she’s biologically female? Here’s her birth certificate to prove it, and anyway, don’t you know it’s illegal to be transgender where she lives? 

This is a defence that transgender people cannot mount for ourselves - we are by definition fraudsters in the cissexual regime of gender, we are abandoning our stations, we are perverting nature. And in this difference we come to see that it is not transphobia that harms us all, but cissexualism; we are all subject to scrutiny under cissexual surveillance, but cis people can generally pass the test. Transgender people cannot. 

This distinction also has implications for the second sequence in this investigative chain: what do we do about transphobia? Again we see that this call to action is methodologically inappropriate - you cannot “deal with” transphobia in society while leaving the cissexualist structure that produces it intact, in the same way that getting rid of misogyny without first getting rid of patriarchy is impossible. You cannot get rid of an output without destroying the machine that produces those outputs. This is also where many cis people, even those who count themselves as trans allies, become uncomfortable; abandoning the idea of a metaphysical property of being, hard-encoded into their DNA, means abandoning a whole host of other ideas about identity, about social organisation, about institutional operations. Even minor reformist calls by transgender people, such as removing sex markers on birth certificates (which determine your ability to access all kinds of administrative and civil services), is met with intense hostility by cissexuals - how will we run our hospitals, how will we raise our children, how will we track population data, how will we do anything without sex markers? You people are insane! Look how you deny reality! What is wrong with you freaks? Why can’t you just be happy with the way you were born? And on and on, ironically refusing to concede the fact that states, hospitals, child care, and census data are not natural facts of the world and can be changed. Because if those things can be changed, perhaps sex is not this monumental biological destiny after all!

“Transphobia hurts us all” is an analytical statement that advances a set of cissexual assumptions about the world, and as a consequence, it is severely limited in its value for advancing a moral imperative about how to resolve the problem of transphobia. It is not a neutral statement, nor is one that is helplessly subservient to “the hard facts.” We know those facts - describing them is the role of the social scientist. Whether you are in a laboratory or on the street, you are doing social science by analysing social phenomena. And when you say transphobia hurts everyone, you are doing a poor job of it

[centerforhci]

Why I’m A Hypocrite And My Challenge With Mental Energy

I’m a hypocrite. There, I said it.

Leadership, both personal and professional, is an energy game. But it takes more than physical energy for peak performance. Leaders need abundant physical, mental, emotional, and spiritual energy to manage their stress and perform their best. And just like professional athletes, leaders need to train properly, regularly and on purpose to achieve the results they’re after. I help leaders do just that in Lunch & Learns, half-day workshops and even 8-week online courses.

So here I was—teaching leaders how to balance their energy—yet grinding my teeth at night. Waking up in the middle of the night with my heart racing, thinking about work and then getting up at 3am to answer emails. Snapping at my team for no reason, putting undue pressure on them.

I’m Good at Talking the Talk, But I Haven’t Been Walking the Walk

I was not walking the walk and practicing my own teachings. It was time to step back and assess what was going on. I was totally out of whack! So I did an energy assessment of myself, just like I would for a client.

My Physical, Emotional, Mental and Spiritual Energy Level Assessment

• Physical: I eat well and exercise regularly. My recent check-up showed that I had the physical energy of someone a decade younger.

• Emotional: My EQ is fairly high. When I’m not stressed, I can manage difficult situations and people with empathy and patience.

• Spiritual: I know my values and refer to them regularly.

• Mental: I have the attention span of a flea; I can’t focus on anything for more than a few minutes, and my brain is on constant overdrive. No surprise that this is my weakest area. In fact, my husband calls me a shark, because I literally can’t sit down for more than an hour without jumping up to do something.

I Have the Attention Span of a Flea

Hmmm.. this is going to be a challenge. Ask me to run a marathon and I’ll train daily for it. Tell me to go gluten-free and I’m on a baking frenzy. Offer me the chance to work with emotional teams and I can’t wait. Tell me something ‘can’t be done’ and I will find a solution or at least a work-around. Yet, invite me to sit and read a book? I read the first chapter and then the last chapter (no joke) to save time. Buy me a cuppa? I’ll start getting antsy after 30 minutes. So working on my mental energy to improve my focus is going to be hard.

Very hard.

My Shark-Like Behavior Was Impacting My Family and Team

Yet I had to do it. Not only was my shark-like behavior impacting my sleep, it was also impacting my team and family. In addition, I felt like a total hypocrite. It’s like Ellen Page saying she had to come out while filming Freeheld; I can’t teach energy management and not practice it myself.

So where to begin on this journey?

I Started With My Limiting Beliefs

First, I had to look at my limiting beliefs, or the things I thought were true that held me back from changing my behaviors. In general, our society is addicted to activity, and rewards constant busyness. We applaud the person who pulled the all-nighter; we recognize the person who stayed late to get the job done. Yet there is no such fanfare for the person who leaves at 5pm; in fact, those people are ridiculed in certain organizational cultures as weak or not team players. In addition, it’s frowned upon to take all your vacation time or take any downtime at all.

This perception is problematic for many reasons but one of those reasons is factual. The University of California put out some interesting research on the upsides of downtime. The research says:

“You can’t think without space. If you’re always doing something, there’s no way to get anything new into your mind; there’s no way to reach new conclusions.”

Why? Because unstructured time stimulates the ‘default mode network’ part of the brain, where creativity and problem solving happen. When we perform any task at all, no matter how small, our brain switches to the ‘executive network control’, which is related to deductive reasoning. So it’s when we sit back and let our minds wander, that the creative ‘default mode’ kicks in.

Even Though I Fully Knew the Benefits of Downtime, I Was at Super-Shark Speed

My limiting belief was that ‘downtime is for wimps’. The research proved me wrong. My mind was buying into the idea but my body was resisting. Even though I fully knew the benefits of downtime, I was at super-shark speed, racing around the house to get things done.

What would I tell a client in my position? I’d tell them they needed to practice downtime.

I’m a kinesthetic learner, which means I need to touch something to learn it well. So I had to find a role model to physically, literally show me what down time looks like. I had no idea how to ‘do’ downtime.

Thankfully, I didn’t have to look too far: my husband. He cherishes his downtime; I don’t mean just an hour here or there. He is fully committed to detox Sundays, where he just kicks back and reads the newspaper…the old fashioned thing made from trees. He totally unplugs and sometimes won’t even get in a car.

I Started My Practice Small, Slowly Building Mental Muscle

So I started small. I sat down for 15 minutes to read a magazine. Then I got up to plan my work for the week. Then I sat down for 20 minutes to close my eyes on the couch. Then I jumped up, feeling guilty that I hadn’t wrapped the holiday gifts. Then I allowed myself to watch a TV show, once all the ‘work had been done’. Little by little, week after week, I taught myself to chill. Stare out a window. Pet our cats. Listen to music. Snuggle in bed with our daughter. Sit on a plane without compulsively checking email. It was torture. I wanted to jump out of my skin. I wanted to do something, anything, please give me a task! Yet, I knew that I was slowly building a muscle, just like going to the gym.

I Taught Myself to Chill

And the impact was clear, both at home and work. At home, I was more patient and easier to be around. I stopped grinding my teeth and actually slept through the whole night. At work, I started enjoying writing again. It was no longer a chore. The ideas flowed out of me and actually became my most popular leadership posts, such as this one on surfing and this one on EQ. And my best product ideas and client ideas came from daydreaming out the window.

The best part? I no longer feel like a hypocrite. I’m a leader who inspires other leaders to manage their energy, all of it, for peak performance.

Do you think you need more practice managing your physical, emotional, mental, or spiritual energy? I’d love to hear what challenges you have and how you face those challenges.

Leave a comment below, send me an email, or find me on Twitter.

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[raven-at-the-writing-desk]

🎉 Thank You for 10k+ Followers!! 🎉

A big thank you goes out to @cozymochi for this beautiful celebratory commissioned artwork for this major milestone ✨ It really captures the scope of all the content that had been put out in the last 4+ years—both in terms of official Twst materials and on this blog! I think it’s very fitting that we hit this milestone in the month of Halloween too (I just held off on posting this til the month after); it’s Twst’s biggest holiday of the year, so it’s twice the cause for celebration!!

A lot has happened over the course of my time in this fandom. I’ve written many things of course, but I’ve also had many other exciting opportunities! I’ve been interviewed for a paper, met many cool people from all over the world, attended Twst meetups + events, collaborated with other talented creators, received kind gifts, contributed to various fandom projects, and finished telling the origins of my Twst OC. This blog has been with me through a lot of major changes and difficult hurdles in my life too—it’s really been an anchor for me, a comforting and safe space for me to be creative or analytical whenever I want to be.

When I first started this blog as a very casual hobby in summer of 2020, I never even considered that it would balloon to this extent. It still doesn’t feel totally real to me 😭 I don’t usually fixate on numbers (they make me anxious), but looking back on it, 10k is a LOT, and 4 years is a long time. To put that in perspective, if we were in Twisted Wonderland for 4 years then all of the students we’ve come to know and love would have graduated by now. That’s crazy to me. We’ve come so far as a group.

I feel that a large part of fandom is the community that comes with it. I would have found it so challenging to stick with Twst had I not had so many great people keeping me engaged with it. I’d now like to take a moment to thank those folks. Keeping in line with the idea of “4 years”, think of these as little messages scrawled in a yearbook. I also have a blog event planned to celebrate! More on that later.

Please note that I’ve used pseudonyms for most of the following people, as I’d like to respect their privacy (I’m very private myself) + not all of them are comfortable with being explicitly named or tagged to a large crowd. You’ll know who you are if you see yourself on here.

Without further ado:

MSS — Thank you for being the first Twst space I felt truly a part of. It’s still the place I consider my fandom “home” beyond this blog.

April — Thank you for making MSS as a place for us to share! We’re tsunderes in solidarity.

Drinking Knight — The banners wouldn’t exist without your help. Thanks for getting the ball rolling on those; I’d like to think that I’m a little more confident in designing new ones myself now, but you were the start of it all. Your endless enthusiasm for the most insane otome boys, drinks, and bullying (positive) others is truly an inspiration.

Q. Opinionated — Can’t count the number of times you ran tech support for me 💀 Thanks so much for being patient and willing to laugh at a stupid situation. I WILL grip you (escape is not an option) 🤲

Dad with his Printer — Why are you so cheeky My unofficial proofreader and fact checker. Still treasure the teeny J word and coffin magnets you sent, and, even more valuable than those, the bad dad jokes/puns advice and wisdom you give. Wishing you luck on your art adventure.

A. Cider — An unexpected friend I met very late into the fandom and happened to run into irl by total coincidence. Funny how life works. Your shitposts are great, and I appreciate having a like-minded person to talk with about the J words and story critiques. I’d also like to thank you for the many little doodles you’ve made; I know you’re very busy and have a wife to tend to at home but I appreciate that you still make time for friends.

Hana — Extroverted pink-haired magical girl representation. Your bubbly love for Disney, Diasomnia, singing, and (yes) angst lights up the entire room. Maybe you’re not too confident with yourself are right now, but I know you’ll find your way.

Swan — For being quick on the uptake and giving me the heads up about various things! We may not talk much one-on-one, but I’m thinking of you and enjoy seeing you pitch into the conversation. You’re still banned for L*ona posting though/j

Ly — My secret French twin/j Thanks for being my cultural + equine advisor and a voice of (salty) reason. Never shut up about your hyperfixations! You’re a real one.

Oys — Enabler + encourager of my Yan!Sil delusions. Sorry for making your blood pressure spike every time we talk about our food takes. But hey, at least we get a good laugh out of it :))

Mac and Bean — For being my inspirations. Bean, you have such atmospheric writing. I hope my writing style can be just as magical as yours. Mac, it was your blog that first got me into starting my own Twst writing. You never stop being so, so funny also I blame you 120% for the L*ona rot.

Peaches and Cream — To my local Twst friends, thanks for keeping me company even through the hard times. Peaches, happy to be your local Twst dealer anytime. Cream, thanks for hooking me up with new books.

Salt and Flora — I don’t know where you vanished to, but the sea brought you back to me on its tides. I’m so happy we could meet again. Salt, you’re so talented at crochet and design work; get your coin 😂 Flora, you’re the sweetest person ever. Literally cottagecore personified, even in your art.

Piano — We don’t always see eye to eye, but thank you for being my serial debater and showing me new perspectives. Your open-minded theories and analyses are such fun. And, of course, it’s always hilarious to think about how we accidentally (?) swapped oshis 🤡 You’re a star.

The Anklebiter — For having the most unhinged jokes and ideas. Seriously, THE most unhinged. I never do any of the crazy things you suggest but I’m always really entertained from just hearing them.

Te, Mi, and Ro — Thanks for organizing local events and giving me an excuse to touch grass. It’s a lot of hard work and you guys manage to pull it off every time! Mi, I was flattered to have you reach out to me to help a little with the Tweel cupsleeve event. Happy to help anytime! Te, I remember you were cosplaying as Kalim when we first met and I kept thinking about how perfectly suited you are for the role. You were very friendly and made such an effort to include everyone in the event even when I was Idia-ing in the corner. To this day, you continue to spontaneously introduce me to new people 😂 Thanks for getting me put of my comfort zone. Ro, I didn’t think we’d meet again like this. Small world! You’re learning and improving the big events. Here’s hoping to many more!

Vic — For being Ace Trappola when very few others would. It’s refreshing to have someone tell it like it is. I wish I could be as bold and as honest as you are sometimes. You have such a big heart when it comes to the characters you love; it makes me want to adore them like you do too 🫶

Kana — For being so sweet and patient. You helped me through so many rough patches and have also contributed a lot to the look of the blog. It’s so fun gushing with you about magical girls and pretty boys, sharing our favorite shows and movies… I feel as though I’ve made a lifelong friend.

Zari — Thank you for charms and art book, big fan of your stuff 😭 So honored to have worked with you on projects too. I hope to see a lot more of your Yuu and other OCs around, I love following them ^^

Lala — You understand, encourage, and validate my weird tastes in fictional men 💕 Really admire your sense of fashion and stylish nails too. Whenever I have my shrimp apron on, I think of you.

Arisu — No longer in the Twst fandom but integral in the earliest days. Wherever you are now, I wish you nothing but happiness.

P-san — You’re a lifesaver!! Thank you so much for helping me find cute little outfits and accessories for my plushies… They are forever grateful to be properly clothed.

V, Fa, Fe, Ray, Rea, Sonny, Glimmer Group, and Incognito Crew — Thanks for being so supportive of my hyperfixation on Disney villain anime boys, even if you guys have NO clue what I’m rambling about half of the time. To V specifically 🫵 I am NOT a cat boy kisser

Mango — I didn’t know I wanted you in my life until you showed up uninvited one day and chewed your way into my heart.

Azul Ashengrotto — For being the character that first convinced me into giving this game a shot. The Little Mermaid was something I always held so dear to me, so it almost seems like destiny that you’d be the one to drag me down into Twst. You’ll always hold a special place in my heart for that, even if my feelings have changed since then.

Rook Hunt — For being there when I needed to laugh a little. It’s scary to glance over my shoulder sometimes, but you make it easier to smile as I look back.

Rollo Flamme — For letting me know that having negative feelings is normal and human, even if we don’t always cope with them in the healthiest of ways. Let’s reflect and be better together!

Leona Kingscholar — For showing me that change and personal growth is, in fact, possible. Th-This doesn’t mean I like you or anything though, so get off your high horse—

Jade Leech — For taking my hand and guiding me back on the path when I got lost in the dark. Whatever crimes you may commit in your free time, I forgive you/j

Miss Raven Crowley — The little black bird who could, the blog muse. I made you on a whim and look at where you are now… You went from a background character to the main character of your own story. So proud of you, my child 😭

Asset compilers, fan artists, fanfic writers, fan translators, cosplayers, merch makers, editors, plushie pic takers, video essayists, theorizers, etc. — You’re all so important to keeping the fandom alive, especially during periods of official content drought. It wouldn’t be feasible for me to list out all of the content creators I enjoy (chjsbsksks and it honestly might be awkward since I haven’t directly interacted with most of them), but I hope that this message still reaches you and finds you well. Keep doing your thing; I love seeing the work you put out ^^

Anyone and everyone that I’ve ever commissioned and/or received fan works from — I appreciate that you took time and energy out of your day to create something for me. There’s so much talent in the Twst fandom and I’m honored that you would dedicate some of that to a silly little birb.

You, the Readers — For supporting this blog and and what I do here! You’re an important part of my journey too.

Thank you!! Here’s to a future unknown and a page unwritten.

- The Writing Raven

[mostlysignssomeportents]

Proud to be a blockhead

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2024/12/21/blockheads-r-us/#vocational-awe

This is my last Pluralistic post of the year, and rather than round up my most successful posts of the year, I figured I'd write a little about why it's impossible for me to do that, and why that is by design, and what that says about the arts, monopolies, and creative labor markets.

I started Pluralistic nearly five years ago, and from the outset, I was adamant that I wouldn't measure my success through quantitative measures. The canonical version of Pluralistic – the one that lives at pluralistic.net – has no metrics, no analytics, no logs, and no tracking. I don't know who visits the site. I don't know how many people visit the site. I don't know which posts are most popular, and which ones are the least popular. I can't know any of that.

The other versions of Pluralistic are less ascetic, but only because there's no way for me to turn off some metrics on those channels. The Mailman service that delivers the (tracker-free) email version of Pluralistic necessarily has a system for telling me how many subscribers I have, but I have never looked at that number, and have no intention of doing so. I have turned off notifications when someone signs up for the list, or resigns from it.

The commercial, surveillance-heavy channels for Pluralistic – Tumblr, Twitter – have a lot of metrics, but again, I don't consult them. Medium and Mastodon have some metrics, and again, I just pretend they don't exist.

What do I pay attention to? The qualitative impacts of my writing. Comments. Replies. Emails. Other bloggers who discuss it, or discussions on Metafilter, Slashdot, Reddit and Hacker News. That stuff matters to me a lot because I write for two reasons, which are, in order: to work out my own thinking, and; to influence other peoples' thinking.

Writing is a cognitive prosthesis for me. Working things out on the page helps me work things out in my life. And, of course, working things out on the page helps me work more things out on the page. Writing begets writing:

https://pluralistic.net/2021/05/09/the-memex-method/

Honestly, that is sufficient. Not in the sense that writing, without being read, would make me happy or fulfilled. Being read and being part of a community and a conversation matters a lot to me. But the very act of writing is so important to me that even if no one read me, I would still write.

This is a thing that writers aren't supposed to admit. As I wrote on this blog's fourth anniversary, the most laughably false statement about writing ever uttered is Samuel Johnson's notorious "No man but a blockhead ever wrote but for money":

https://pluralistic.net/2024/02/20/fore/#synthesis

Making art is not an "economically rational" activity. Neither is attempting to persuade other people to your point of view. These activities are not merely intrinsically satisfying, they are also necessary, at least for many of us. The long, stupid fight about copyright that started in the Napster era has rarely acknowledged this, nor has it grappled with the implications of it. On the one hand, you have copyright maximalists who say totally absurd things like, "If you don't pay for art, no one will make art, and art will disappear." This is one of those radioactively false statements whose falsity is so glaring that it can be seen from orbit.

But on the other hand, you know who knows this fact very well? The corporations that pay creative workers. Movie studios, record labels, publishers, games studios: they all know that they are in possession of a workforce that has to make art, and will continue to do so, paycheck or not, until someone pokes their eyes out or breaks their fingers. People make art because it matters to them, and this trait makes workers terribly exploitable. As Fobazi Ettarh writes in her seminal paper on "vocational awe," workers who care about their jobs are at a huge disadvantage in labor markets. Teachers, librarians, nurses, and yes, artists, are all motivated by a sense of mission that often trumps their own self-interest and well-being and their bosses know it:

https://www.inthelibrarywiththeleadpipe.org/2018/vocational-awe/

One of the most important ideas in David Graeber's magisterial book Bullshit Jobs is that the ground state of labor is to do a job that you are proud of and that matters to you, but late-stage capitalist alienation has gotten so grotesque that some people will actually sneer at the idea that, say, teachers should be well compensated: "Why should you get a living wage – isn't the satisfaction of helping children payment enough?"

https://memex.craphound.com/2018/06/20/david-graebers-bullshit-jobs-why-does-the-economy-sustain-jobs-that-no-one-values/

These are the most salient facts of the copyright fight: creativity is a non-economic activity, and this makes creative workers extremely vulnerable to exploitation. People make art because they have to. As Marx was finishing Kapital, he was often stuck working from home, having pawned his trousers so he could keep writing. The fact that artists don't respond rationally to economic incentives doesn't mean they should starve to death. Art – like nursing, teaching and librarianship – is necessary for human thriving.

No, the implication of the economic irrationality of vocational awe is this: the only tool that can secure economic justice for workers who truly can't help but do their jobs is solidarity. Creative workers need to be in solidarity with one another, and with our audiences – and, often, with the other workers at the corporations who bring our work to market. We are all class allies locked in struggle with the owners of both the entertainment companies and the technology companies that sit between us and our audiences (this is the thesis of Rebecca Giblin's and my 2022 book Chokepoint Capitalism):

https://chokepointcapitalism.com/

The idea of artistic solidarity is an old and important one. Victor Hugo, creator of the first copyright treaty – the Berne Convention – wrote movingly about how the point of securing rights for creators wasn't to allow their biological children to exploit their work after their death, but rather, to ensure that the creative successors of artists could build on their forebears' accomplishments. Hugo – like any other artist who has a shred of honesty and has thought about the subject for more than ten seconds – knew that he was part of a creative community and tradition, one composed of readers and writers and critics and publishing workers, and that this was a community and a tradition worth fighting for and protecting.

One of the most important and memorable interviews Rebecca and I did for our book was with Liz Pelly, one of the sharpest critics of Spotify (our chapter about how Spotify steals from musicians is the only part of the audiobook available on Spotify itself – a "Spotify Exclusive"!):

https://open.spotify.com/show/7oLW9ANweI01CVbZUyH4Xg

Pelly has just published a major, important new book about Spotify's ripoffs, called Mood Machine:

https://www.simonandschuster.com/books/Mood-Machine/Liz-Pelly/9781668083505

A long article in Harper's unpacks one of the core mechanics at the heart of Spotify's systematic theft from creative workers: the use of "ghost artists," whose generic music is cheaper than real music, which is why Spotify crams it into their playlists:

https://harpers.org/archive/2025/01/the-ghosts-in-the-machine-liz-pelly-spotify-musicians/

The subject of Ghost Artists has long been shrouded in mystery and ardent – but highly selective – denials from Spotify itself. In her article – which features leaked internal chats from Spotify – Pelly gets to the heart of the matter. Ghost artists are musicians who are recruited by shadowy companies that offer flat fees for composing and performing inoffensive muzak that can fade into the background. This is wholesaled to Spotify, which crams it into wildly popular playlists of music that people put on while they're doing something else ("Deep Focus," "100% Lounge," "Bossa Nova Dinner," "Cocktail Jazz," "Deep Sleep," "Morning Stretch") and might therefore settle for an inferior product.

Spotify calls this "Perfect Fit Music" and it's the pink slime of music, an extruded, musiclike content that plugs a music-shaped hole in your life, without performing the communicative and aesthetic job that real music exists for.

After many dead-end leads with people involved in the musical pink slime industry, Pelly finally locates a musician who's willing to speak anonymously about his work (he asks for anonymity because he relies on the pittances he receives for making pink slime to survive). This jazz musician knows very little about where the music he's commissioned to produce ends up, which is by design. The musical pink slime industry, like all sleaze industries, is shrouded in the secrecy sought by bosses who know that they're running a racket they should be ashamed of.

The anonymous musician composes a stack of compositions on his couch, then goes into a studio for a series of one-take recordings. There's usually a rep from the PFC pink slime industry there, and the rep's feedback is always "play simpler." As the anonymous musician explains:

That’s definitely the thing: nothing that could be even remotely challenging or offensive, really. The goal, for sure, is to be as milquetoast as possible.

This source calls the arrangement "shameful." Another musician Pelly spoke to said "it felt unethical, like some kind of money-laundering scheme." The PFC companies say that these composers and performers are just making music, the way anyone might, and releasing it under pseudonyms in a way that "has been popular across mediums for decades." But Pelly's interview subjects told her that they don't consider their work to be art:

It feels like someone is giving you a prompt or a question, and you’re just answering it, whether it’s actually your conviction or not. Nobody I know would ever go into the studio and record music this way.

Artists who are recruited to make new pink slime are given reference links to existing pink slime and ordered to replicate it as closely as possible. The tracks produced this way that do the best are then fed to the next group of musicians to replicate, and so on. It's the musical equivalent of feeding slaughterhouse sweepings to the next generation of livestock, a version of the gag from Catch 22 where a patient in a body-cast has a catheter bag and an IV drip, and once a day a nurse comes and swaps them around.

Pelly reminds us that Spotify was supposed to be an answer to the painful question of the Napster era: how do we pay musicians for their labor? Spotify was sold as a way to bypass the "gatekeepers": the big three labels who own 70% of all recorded music, whose financial maltreatment of artists was seen as moral justification for file sharing ("Why buy the CD if the musician won't see any of the money from it?").

But the way that Spotify secured rights to all the popular music in the world was by handing over big equity stakes in its business to the Big Three labels, and giving them wildly preferential terms that made it impossible for independent musicians and labels to earn more than homeopathic fractions of a penny for each stream, even as Spotify became the one essential conduit for reaching an audience:

https://pluralistic.net/2021/03/16/wage-theft/#excessive-buyer-power

It turns out that getting fans to pay for music has no necessary connection to getting musicians paid. Vocational awe means that the fact that someone has induced a musician to make music doesn't mean that the musician is getting a fair share of what you pay for music. The same goes for every kind of art, and every field where vocational awe plays a role, from nursing to librarianship.

Chokepoint Capitalism tries very hard to grapple with this conundrum; the second half of the book is a series of detailed, shovel-ready policy prescriptions for labor, contract, and copyright reforms that will immediately and profoundly shift the share of income generated by creative labor from bosses to workers.

Which brings me back to this little publishing enterprise of mine, and the fact that I do it for free, and not only that, give it away under a Creative Commons Attribution license that allows you to share and republish it, for money, if you choose:

https://creativecommons.org/licenses/by/4.0/

I am lucky enough that I make a good living from my writing, but I'm also honest enough with myself to know just how much luck was involved with that fact, and insecure enough to live in a state of constant near-terror about what happens when my luck runs out. I came up in science fiction, and I vividly remember the writers I admired whose careers popped like soap-bubbles when Reagan deregulated the retail sector, precipitating a collapse in the grocery stores and pharmacies where "midlist" mass-market paperbacks were sold by the millions across the country:

https://pluralistic.net/2021/07/04/self-publishing/

These writers – the ones who are still alive – are living proof of the fact that you have to break our fingers to get us to stop writing. Some of them haven't had a mainstream publisher in decades, but they're still writing, and self-publishing, or publishing with small presses, and often they're doing the best work of their careers, and almost no one is seeing it, and they're still doing it.

Because we aren't engaged in economically rational activity. We're doing something essential – essential to us, first and foremost, and essential to the audiences and peers our work reaches and changes and challenges.

Pluralistic is, in part, a way for me too face the fear I wake up with every day, that some day, my luck will run out, as it has for nearly all the writers I've ever admired, and to reassure myself that the writing will go on doing what I need it to do for my psyche and my heart even if – when – my career regresses to the mean.

It's a way for me to reaffirm the solidaristic nature of artistic activity, the connection with other writers and other readers (because I am, of course, an avid, constant reader). Commercial fortunes change. Monopolies lay waste to whole sectors and swallow up the livelihoods of people who believe in what they do like a whale straining tons of plankton through its baleen. But solidarity endures. Solidarietatis longa, vita brevis.

Happy New Year folks. See you in 2025.

[matrix-fairy]

Divine Talent

In the Matrix Destiny chart, I will be sharing a thread about the talent arcana energies, which is the position you most frequently ask about. The spot marked with X on the map is what we call divine talent, which represents the talents your soul is inherently born with in this life.

1 - You have many ideas and can generate ideas easily. When activated positively, you have the potential to succeed in whatever you touch.

2 - You can understand other people's motivations, that is, you can grasp why they do what they do at a glance. This gives you esoteric abilities.

3 - You have a good taste and a high sense of aesthetics. You have the ability to expand; you can turn a small task into big projects.

4 - You excel in team management and establishing authority. You have a strong talent for attracting money. If money isn’t coming to you, it means you are activating this area negatively.

5 - You have a talent for learning and teaching. You can master anything and explain everything you know in a way the other side can understand.

6 - Your communication skills and sincerity stand out. You are someone people come to for advice, trust what you say, and listen to your words.

7 - You have the ability to progress quickly in any job, reach your desired goals, and inspire change in both yourself and those around you.

8 - It's hard, if not impossible, for others to lie to you. You can approach everything objectively. You can achieve balance and harmony.

9 - You are more mature than your age, and this grants you wisdom. You have the ability to achieve your inner goals (knowing yourself, realizing your dreams and desires) on your own.

10 - This is a placement that brings luck. You have the talent to manage finances easily and spot profitable opportunities. You can easily attract people to yourself.

11 - Your physical and spiritual endurance is strong. You can do everything at once. You know your strengths and can use them in the most accurate way.

12 - Spiritual practices (like meditation, breathing, reiki) work well for you and have healing effects when applied to others. You have a different perspective and can solve seemingly unsolvable problems.

13 - You can make the necessary changes in every area of life and are not afraid to take risks. You can learn multiple things at once. You have the ability to easily absorb deep and detailed information.

14 - You have diplomacy and mediation skills. You can calm conflicts and maintain your composure during these processes.

15 - By opening yourself to others, you can show them what they cannot see in themselves. You can easily identify others' weaknesses, vulnerabilities, and talents.

16 - You are talented in directing people, organizing, and creating strategies. You can foresee events and chart your course accordingly.

17 - Your ability to express yourself is unique and creative. You can be the center of attention in any field you wish, shine, and stand out from the crowd.

18 - Your subconscious is very powerful. You may receive information through dreams, and your dreams may come true. Your manifesting ability is strong; everything you visualize can come into your life.

19 - You have leadership qualities and can inspire/give strength to others for success. You have the ability to not give up no matter what.

20 - You have good speaking skills and can influence masses. You can create systems from nothing and have excellent analytical skills. It's hard to confuse you.

21 - You have an aptitude for foreign languages and cultures. You can adapt to any environment. You can produce knowledge and content for a wide audience or listener base.

22 - Your decisions and thoughts may be unpredictable by those around you. You influence people with your positive energy. You can turn every tough task into fun and achieve results that will surprise everyone.

Book a reading with me 🎀