#patrick weaver

[dozydawn]

[temperancevalkyrie]

Galaxy quest is a very personal family matter. And I'm now just finding out about this video. You're welcome.

[thishadoscarbuzz]

309 - Jeffrey (Patreon Selects)

We're back again with another episode chosen by one of our sponsor-tier subscribers from Patreon, this time with a bit of 1990s gay cinema! Thank you Lance for bringing us all to 1995's Jeffrey! Adapted from Paul Rudnick's Off-Broadway smash play, the concept of an "AIDS comedy" made it difficult to get produced, but ultimately unique once it reached theatre audiences. Despite playing to a limited audience on film and taking a broad comedic approach to the culture surrounding gay life in the 1990s, Patrick Stewart's performance as an interior designer diagnosed with AIDS earned some bit of buzz.

This episode, we talk about the career of Paul Rudnick and the types of gay cinema that emerged in this moment of American independent filmmaking. We also talk about Stewart's surprising lack of awards history, Bryan Batt's performance as Stewart's lover, and Christine Baranski hosting a "hoedown for AIDS."

Topics also include TikTok smash videos, "start my orange for me," and Debra Monk talking gay stuff.

The 1995 Academy Awards

Vulture's Movies Fantasy League

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[mynameiseosson]

Jeffrey (1995), dir. Christopher Ashley

[randomrichards]

NEVER SURRENDER: A GALAXY QUEST DOCUMENTARY

The cult following

For a Star Trek parody

A surprise success

[irenespring]

TV characters and their mentors

I have realized as I watch TV and find myself liking a character I also start considering who their mentor in @lorata's THG District Two system would be, almost as a personality test. I've put too much thought into it to not publish it somewhere. So, here is a very niche character analysis. TV characters and their District Two mentors. If you are a fan of these shows and have no idea what I'm talking about because you don't read Lorata, do it now. I haven't read the Hunger Games since middle school but I return to Lorata's District Two every few months.

The Mentalist:

Patrick Jane: Callista. The way this fits is actually one of the reasons I decided to actually write a post. He considers himself immune to the rules. He hates authority. He is charming and manipulative, with only fleeting indications he has a conscience. A chaos agent. Exactly what Callista looks for. He would absolutely break up the career alliance early because he decides he doesn't want to kill the youngest tributes if he doesn't have to for his survival and he would rather kill his "allies." It gets Callista in hot water with the other alliance mentors but she is just like "he's excellent."

Teresa Lisbon: Brutus. Lisbon is actually a lot like what Petra would probably become in twenty years. Still hot-headed, still stubborn and rules-focused, still wanting respect at all costs... but a little more chill about it. She's a pretty easy choice for Brutus because she gets things done and doesn't resort to the flashy nonsense of certain Calli tributes. Speaking of... Jane and Lisbon kind of work as an inversion of the classic "back-to-back Victors are a wild girl and chill boy" and would probably hate each other at first before slowly becoming closer as time goes on.

SVU (this is a weird case because I've published a THG AU, but lets just say all of them are Two in this case):

Alex Cabot: This is the hardest of all of them for me, but I'm going to say Devon. She fits the dreamer archetype of always wanting to make things better for everyone (even with the weird season 18 twist SVU pulled, Alex is still fighting for what she perceives as justice). That twist however does rule her out for most of Brutus' branch because it's coloring too far outside the lines. She's very charming and witty, but is focused on trying to do right in the world, rather than the more self-focused goals of Callista or Misha (my runner up for this character).

Olivia Benson: Brutus. Pretty much for the same reasons as Lisbon. She is very closely tied with the rules; even when she disagrees with them, she never really thinks about leaving. She is District Two in the AU I published, so I'm to promote myself and say for more insight into how she views the Games as a Career, go read that.

Rafael Barba: Lyme. The essence of a Lyme tribute. Abusive childhood, attachment issues, using flash to cover for insecurities, depression, and ambition. Has a very tough time in early recovery because he has difficulty squaring the horrors of the Games with his motivation for volunteering---a Claudius-esque (though less intense) desire for family and acceptance.

Sonny Carisi: Tough to decide between Devon and Emory but I'm going to go with Emory. He bakes for everyone. He tries to be a good person even the face of horrors. He has no real desire to do violence to people except when under massive amounts of pressure. He didn't even necessarily need to be volunteering, he just did his best, tried to make friends, and figured they'd tell him to stop when he failed.

Bones (this is another interesting case because I have written a THG AU but have not posted because of how much it uses Lorata's characters in the absence of mentor characters in Bones, and in the AU Temperance is from District Nine, but they will both be Two in this case):

Temperance Brennan: Artemisia. She isn't really sorry about anything from Career training, viewing the Program as the only rational choice given the Capitol's governmental system. She often insults other candidates on accident, because she is the best according to the rankings so why do they take offense when she points it out? She avoids serious injury because she really is the best. It cracks Misha up just reading the file. After it becomes clear in recovery that many of her nightmares come from the foster family that she was sent to after he parents and brother abandoned her, Misha tracks them down to make sure they...understand her displeasure.

Seeley Booth: Emory. He is Two in the AU I'm writing so I've thought this through at length. In the show, he is very pre-occupied with being a good person despite having killed people, and Emory is described as the most decent of the Victors. I've thought of an argument where as Lyme is to Claudius, so Emory would be to Booth growing up in District Two. He also has a habit of pushing all his emotions down because he views them as unimportant, something Emory is shown to have a very good way of countering as a mentor. Emory and Misha meet up to talk about how their Victors are clearly infatuated with each other, Emory dismisses it because Misha had a crush on her, but Misha is like "no this is different." They wager a batch of cookies (Misha's would be baked by Devon). Misha accepts her cookies at Seeley and Temperance's wedding.

ER:

Kerry Weaver: Lyme. A lot of the characters I like have similar vibes, so the explanation for this one is kind of similar to Rafael. She has a harsh persona that is used as a cover for someone struggling with abandonment issues and wanting to belong. As a District Two candidate, she likely would be a lot like Petra (quick to anger, sensitive to being disrespected or not taken seriously), but with less regard for duty and more personal investment. She cares about the people of her district, but she wants to win for herself and the family she would be promised. I've almost written an essay on Kerry and how she behaves and her mental health while she thinks she has a shot at fitting in to ER's found family, and how it declines after she realizes that they will never accept her around season 7 and 8. She really, really wants a family, and Lyme is drawn to those types of tributes.

[avatarmovies]

patrickadougall

Come with me to the @avatar Way of Water Premiere!!! My most HYPED movie of 2022 …and the coolest premiere carpet I’ve ever been on! Yes, the movie exceeded all my expectations… I already have tickets to see it two more times this week! Who’s going this weekend?! SIVAKO!

#avatar#avatarthewayofwater#thewayofwater#disneystudios#jamescameron

[badmovieihave]

Bad movie I have Happily Never After

[character-actor-tournament]

Round 1, Match 27

Doodles Weaver vs Gail Patrick

[adamwatchesmovies]

Happily N’Ever After (2006)

While I didn't enjoy this film, that doesn't mean you won't. No matter what I say, the people involved in this project did it: they actually made a movie. That's something to be applauded. With that established...

You can’t believe Happily N’Ever After was made in 2006, much less that it was released in theatres. This obvious attempt to cash in on the success of Shrek and its sequels is dreadful. Its funny moments are as rare as photos of Sasquatch, the animation is cheap, the voice acting poor, the writing deplorable and the plot ill-conceived. I wanted nothing more than for it to end.

In the realm of fairytales, the Wizard (George Carlin) oversees the balance of good and evil, ensuring every prince and princess gets a happy ending. When he goes on vacation, his assistants Munk (Wallace Shawn) and Mambo (Andy Dick) accidentally disturb the equilibrium. When Ella “Cinderella” (Sarah Michelle Gellar) is invited to the royal ball and given a magical makeover by her fairy godmother, her evil stepmother Frieda (Sigourney Weaver) takes advantage of the Wizard’s absence and takes control of the kingdom. While Cinderella looks for her lost Prince (Patrick Warburton), the palace dishwasher, Rick (Freddie Prinze, Jr.) decides to accompany her, secretly hoping she’ll realize the royal is not the man she’s been dreaming of.

Take a look at any frame and you’ll wonder where the $47 million budget went. Happily N'Ever After looks like a PlayStation 2 game, or a very professional supermarket commercial for a local chain. The character designs are ugly and the backgrounds are largely empty. Clearly, the animators didn’t have the means to accomplish what they wanted. I’ve never directed a film, much less an animated one but my understanding is that a director’s job is to look at the script, screenplay and storyboards and figure out how to bring it all to life. Why spend the money to develop seven gnomes when Cinderella could’ve just as easily met Dorothy’s Three Bears? Why did the Wizard need two assistants when just one bumbler would’ve sufficed? I know hindsight is 20-20. Nonetheless, anyone with an unbiased eye would’ve taken a look at what was on-screen and said “this isn’t working”.

Then again, why try to make Happily N’Ever After look good when the story is utterly worthless? The characters are so flat and uninteresting it’s a struggle to stay awake. You don’t care about Cinderella because so little time is spent with her between all of the side characters, the kingdom and the rest of the world. You care even less about Rick, who feels like a self-insert from a bad fan fiction. Frieda gladly calls herself evil, which might fit in a normal fairy tale, but this is supposed to be a deconstruction of the Brothers Grimms’ stories. You’re so bored with the lame romance at the film's center you begin questioning everything. I’d bring you along the mental journey but what’s the use when no thought went into any of this? The world of Happily N’Ever After makes no sense.

Unsurprisingly, the voice acting is horrendous. I can’t blame the performers. The dialogue is uninspired, cheesy and lame. It’s as if the casting director had a bunch of celebrities chained up in his basement but didn’t have the torture instruments required to break true a-listers and instead had to settle for the bottom of the barrel - no offense to anyone in this movie but we've seen performances elevate rickety material before and that's not what's happening here.

Did I mention this is a musical? Indeed, Happily N'Ever After features a collection of uninspired tunes and unmemorable lyrics perfectly fit for the rest of the film. Are we forgetting anything else? Can any more criticisms be thrown at this target? It deserves every single one of them, that’s for sure.

Every aspect of Happily N’Ever After ranges from lackluster to pathetic. It’s impossible to imagine anyone ever calling this their favorite film and the idea of it being the first - or last film - someone ever saw fills me with despair. The knowledge of a sequel existing out there brings suicidal thoughts to mind. I had to sit through this, and there’s another one too? Is there no justice in this world? (January 11, 2019)

[eleanor-is-fine]

Great Horrible Treats Bakeoff

I'm really glad to see that everyone seems to be having a good time with The Magnus Protocol, and my heart is very full with all the wonderful comments people are making, but I do need to flag something up.

For some of these episodes, a lot of folks are giving me credit for stuff I did not actually write. The cases for episodes 3 and 4 were both by guest writers, Graeme Patrick and Cole Weavers respectively, and they really deserve some love thrown their way.

That's not to minimise my own part: me and Alex certainly do editing work on them, and add in a few bits here and there to make sure everything cohesively fits in with the overall story and tone of the show, but if you enjoyed these episodes, then Graeme and Cole are the ones to thank for it.

And for that matter, Alex wrote episode 2 and deserves more of the accolades for how good that one was than I think he got (my edits just made it a bit... squishier).

Protocol is much more of a team effort than Archives was and so while, in a broad sense, you can still lay most of the blame for bad things happening to characters you love squarely at my feet, it's genuinely important to pay attention to the "written by" section of the credits this time around, 'cause often it's not gonna be my name there, and someone else deserves the thanks for giving you a horrible treat.

[jonathanbrandisarchive]

masters of illusion: the wizards of special effects, hosted by seaquest's roy scheider & jonathan brandis (may 22, 1994)

hollywood's biggest special effects secrets! how cities are destroyed! how aliens are created! how people fly in space!

featuring alec baldwin, jim carrey, bob hoskins, ray liotta, john lithgow, george lucas, leslie nielsen, patrick swayze, sigourney weaver and many more!

watch

[weaversweek]

Which game shows have had the most episodes? Part 7: FAA-GAM

Count all the game shows continues!

This week!

Family Fortunes, the show to say "eep-orp".

Fame Academy, the show to bring us Jake Humphrey and Holly Willoughby.

Fort Boyard, entertaining challenges for all ages.

Face the Music and Flying Start, one of them had a Factory Records catalogue number.

Gamesmaster, for anyone who was (or could imagine being) an 11-year-old boy.

[usacounselingcredit]

Boston Massachusetts Florist: Blair Patrick Weaver Obituary - The Columbus Dispatch

Boston Massachusetts Florist

Blair Patrick Weaver Obituary - The Columbus Dispatch

by noreply@blogger.com (Loni Cardon) on Tuesday 10 January 2023 03:34 AM UTC-05

Blair Weaver passed very unexpectedly on Wednesday, January 4, 2023, at the age of 21. Born on Jan. 10, 2001, Blair is survived by his mother, ... January 09, 2023 at 07:38PM

Hammond Louisiana Ukiah California Dike Iowa Maryville Missouri Secretary Maryland Winchester Illinois Kinsey Alabama Edmundson Missouri Stevens Village Alaska Haymarket Virginia Newington Virginia Edwards Missouri https://unitedstatesvirtualmail.blogspot.com/2023/01/boston-massachusetts-florist-blair.html January 10, 2023 at 05:39AM Gruver Texas Glens Fork Kentucky Fork South Carolina Astoria Oregon Lac La Belle Wisconsin Pomfret Center Connecticut Nason Illinois Roan Mountain Tennessee https://coloradovirtualmail.blogspot.com/2023/01/boston-massachusetts-florist-blair.html January 10, 2023 at 06:42AM from https://youtu.be/GuUaaPaTlyY January 10, 2023 at 07:49AM

[pathetic-gamer]

Pentiment's Complete Bibliography, with links to some hard-to-find items:

I've seen some people post screenshots of the game's bibliography, but I hadn't found a plain text version (which would be much easier to work from), so I put together a complete typed version - citation style irregularities included lol. I checked through the full list and found that only four of the forty sources can't be found easily through a search engine. One has no English translation and I'm not even close to fluent enough in German to be able to actually translate an academic article, so I can't help there. For the other three (a museum exhibit book, a master's thesis, and portions of a primary source that has not been entirely translated into English), I tracked down links to them, which are included with their entries on the list.

If you want to read one of the journal articles but can't access it due to paywalls, try out 12ft.io or the unpaywall browser extension (works on Firefox and most chromium browsers). If there's something you have interest in reading but can't track down, let me know, and I can try to help! I'm pretty good at finding things lmao

Okay, happy reading, love you bye

Beach, Alison I. Women as Scribes: Book Production and Monastic Reform in Twelfth-Century Bavaria. Cambridge Univeristy Press, 2004.

Berger, Jutta Maria. Die Geschichterder Gastfreundschaft im hochmittel alterlichen Monchtum: die Cistercienser. Akademie Verlag GmbH, 1999. [No translation found.]

Blickle, Peter. The Revolution of 1525. Translated by Thomas A. Brady, Jr. and H.C. Erik Midelfort. The Johns Hopkins University Press, 1985.

Brady, Thomas A., Jr. “Imperial Destinies: A New Biography of the Emperor Maximilian I.” The Journal of Modern History, vol 62, no. 2., 1990. pp.298-314.

Brandl, Rainer. “Art or Craft: Art and the Artist in Medieval Nuremberg.” Gothic and Renaissance Art in Nuremberg 1300-1550. The Metropolitan Museum of Art, 1986. [LINK]

Byars, Jana L., “Prostitutes and Prostitution in Late Medieval Bercelona.” Masters Theses. Western Michigan University, 1997. [LINK]

Cashion, Debra Taylor. “The Art of Nikolaus Glockendon: Imitation and Originality in the Art of Renaissance Germany.” Journal of Historians of Netherlandish Art, vol 2, no. 1-2, 2010.

de Hamel, Christopher. A History of Illuminated Manuscripts. Phaidon Press Limited, 1986.

Eco, Umberto. The Name of the Rose. Translated by William Weaver. Mariner Books, 2014.

Eco, Umberto. Baudolino. Translated by William Weaver. Mariner Books, 2003.

Fournier, Jacques. “The Inquisition Records of Jacques Fournier.” Translated by Nancy P. Stork. Jan Jose Univeristy, 2020. [LINK]

Geary, Patrick. “Humiliation of Saints.” In Saints and their cults: studies in religious sociology, folklore, and history. Edited by Stephen Wilson. Cambridge University Press, 1985. pp. 123-140

Harrington, Joel F. The Faithrul Executioner: Life and Death, Honor and Shame in the Turbulent Sixteenth Century. Farrar, Straus and Giroux, 2013.

Hertzka, Gottfired and Wighard Strehlow. Grosse Hildegard-Apotheke. Christiana-Verlag, 2017.

Hildegard von Bingen. Physica. Edited by Reiner Hildebrandt and Thomas Gloning. De Gruyter, 2010.

Julian of Norwich. Revelations of Divine Love. Translated by Barry Windeatt. Oxford Univeristy Press, 2015.

Karras, Ruth Mazo. Sexuality in Medieval Europe: Doing Unto Others. Routledge, 2017.

Kerr, Julie. Monastic Hospitality: The Benedictines in England, c.1070-c.1250. Boudell Press, 2007.

Kieckhefer, Richard. Forbidden rites: a necromancer’s manual of the fifteenth century. Sutton, 1997.

Kuemin, Beat and B. Ann Tlusty, The World of the Tavern: Public Houses in Early Modern Europe. Routledge, 2017.

Ilner, Thomas, et al. The Economy of Duerrnberg-Bei-Hallein: An Iron Age Salt-mining Center in the Austrian Alps. The Antiquaries Journal, vol 83, 2003. pp. 123-194

Lang, Benedek. Unlocked Books: Manuscripts of Learned Magic in the Medieval Libraries of Central Europe. The Pennsylvania State University Press, 2008

Lindeman, Mary. Medicine and Society in Early Modern Europe. Cambridge University Press, 2019.

Lowe, Kate. “’Representing’ Africa: Ambassadors and Princes from Christian Africa to Renaissance Italy and Portugal, 1402-1608.” Transactions of the Royal Historical Society Sixth Series, vol 17, 2007. pp. 101-128

Meyers, David. “Ritual, Confession, and Religion in Sixteenth-Century Germany.” Archiv fuer Reformationsgenshichte, vol. 89, 1998. pp. 125-143.

Murat, Zuleika. “Wall paintings through the ages: the medieval period (Italy, twelfth to fifteenth century).” Archaeological and Anthropological Sciences, vol 23, no. 191. Springer, October 2021. pp. 1-27.

Overty, Joanne Filippone. “The Cost of Doing Scribal Business: Prices of Manuscript Books in England, 1300-1483.” Book History 11, 2008. pp. 1-32.

Page, Sophie. Magic in the Cloister: Pious Motives, Illicit Interests, and Occullt Approaches to the Medieval Universe. The Pennsylvania State University Press, 2013.

Park, Katharine. “The Criminal and the Saintly Body: Autopsy and Dissectionin Renaissance Italy.” Renaissance Quarterly, vol 47, no. 1, Spring 1994. pp. 1-33.

Rebel, Hermann. Peasant Classes: The Bureaucratization of Property and Family Relations under Early Habsburg Absolutism, 1511-1636. Princeton University Press, 1983.

Rublack, Ulinka. “Pregnancy, Childbirth, and the Female Body in Early Modern Germany.” Past & Present,vol. 150, no. 1, February 1996.

Salvador, Matteo. “The Ethiopian Age of Exploration: Prester John’s Discovery of Europe, 1306-1458.” Journal of World History, vol. 21, no. 4, 2011. pp.593-627.

Sangster, Alan. “The Earliest Known Treatise on Double Entry Bookkeeping by Marino de Raphaeli.” The Accounting Historians Journal, vol. 42, no. 2, 2015. pp. 1-33.

Throop, Priscilla. Hildegarde von Bingen’s Physica: The Complete English Translation of Her Classic Work on Health and Healing. Healing Arts Press, 1998.

Usher, Abbott Payson. “The Origins of Banking: The Brimitive Bank of Deposit, 1200-1600.” The Economic History Review, vol. 4, no. 4. 1934. pp.399-428.

Waldman, Louis A. “Commissioning Art in Florence for Matthias Corvinus: The Painter and Agent Alexander Formoser and his Sons, Jacopo and Raffaello del Tedesco.” Italy and Hungary: Humanism and Art in the Early Renaissance. Edited by Peter Farbaky and Louis A. Waldman, Villa I Tatti, 2011. pp.427-501.

Wendt, Ulrich. Kultur and Jagd: ein Birschgang durch die Geschichte. G. Reimer, 1907.

Whelan, Mark. “Taxes, Wagenburgs and a Nightingale: The Imperial Abbey of Ellwangen and the Hussite Wars, 1427-1435.” The Journal of Ecclesiastical History, vol. 72, no. 4, 2021, pp.751-777.

Wiesner-Hanks, Merry E. Women and Gender in Early Modern Europe. Cambridge University Press, 2008.

Yardeni, Ada. The Book of Hebrew Script: History, Palaeography, Script Styles, Calligraphy & Design. Tyndale House Publishers, 2010.