#patna blast news

[rightnewshindi]

सिविल कोर्ट पटना के बाहर ट्रांसफार्मर में हुआ ब्लास्ट, एक वकील की मौत; कई अन्य हुए घायल

सिविल कोर्ट पटना के बाहर ट्रांसफार्मर में हुआ ब्लास्ट, एक वकील की मौत; कई अन्य हुए घायल

Bihar News: पटना में एक बड़ा हादसा हुआ है। यहां के व्यवहार न्यायालय परिसर में गेट नंबर एक के पास ट्रांसफॉमर ब्लास्ट हो गया। इस हादसे में कई लोग जख्मी हुए हैं, जबकि एक की मौत हो गई है। अमर उजाला की खबर के मुताबिक घटना के शिकार वकील देवेंद्र प्रसाद की मौत हो गई है। घटना से इलाके में हड़कंप मच गया। प्रशासन की टीम भी आनन-फानन में घटना स्थल पर पहुंच��। घटना की सूचना मिलते ही फायर ब्रिगेड की टीम मौके…

[pratidinrajdhani]

Today Chhattisgarh News

Chhattisgarh: A Vibrant State in the Heart of India

Chhattisgarh, a state in central India, is a land of rich culture, natural beauty, and a dynamic political landscape. The state has been making headlines in recent years for its rapid development and its growing importance in the Indian economy.

Top Headlines from Chhattisgarh Today

ITBP Jawan Killed in Maoist Blast: An ITBP jawan was killed in a Maoist blast in Gariyaband district of Chhattisgarh on Saturday. The incident occurred when a polling team, along with the ITBP jawan, was ambushed while making its way to a polling booth in the Sadakant area. hide_image

Can't find image. Sorry, Bard is experimental.

Sluggish Polling in Chhattisgarh: The second phase of the Chhattisgarh assembly elections concluded on Saturday with a voting percentage of 70.60%, a slight decrease from the 74% voting percentage recorded in the first phase. hide_image

Can't find image. Sorry, Bard is experimental.

Disability Rights Ignored: Several polling booths in Raipur district were not accessible to persons with disabilities during the second phase of the Chhattisgarh assembly elections on Saturday. Divyang voters were forced to either wait for hours or return without casting their vote.

Chhath Puja Special Trains: The South Central Railway (SECR) will roll out two special trains from Raipur to Patna in Bihar to cater to the rush of devotees during the Chhath puja festival. The special trains will depart from Raipur on November 20 and November 22, and will return from Patna on November 23 and November 25.

Chhath puja festival

CTET 2024 in January: The Central Teacher Eligibility Test (CTET) will be held on January 21, 2024. The online application process for the exam will commence on October 31, 2023.

Stay Informed with Today Chhattisgarh News

In addition to the above, here are some other news headlines from Chhattisgarh today:

ITBP personnel escorting polling team killed in Maoist blast in Gariyaband district.

Whose sop story will have happy ending in Chhattisgarh?

Chhattisgarh records 70.6% voter turnout in second phase of assembly elections: Chhattisgarh recorded a voter turnout of 70.60% in the second phase of the assembly elections held on Saturday. The polling was peaceful and there were no major incidents reported.

[news-trust-india]

Blast in Patna Court: पटना सिविल कोर्ट में बम ब्‍लास्‍ट से मची अफरातफरी

Blast in Patna Court: पटना सिविल कोर्ट में बम ब्‍लास्‍ट से मची अफरातफरी

पटना। Blast in Patna Court: पटना सिविल कोर्ट परिसर में शुक्रवार दोपहर प्रक्रिया के तहत जांच के लिए लाया गया बारूद ब्‍लास्‍ट कर गया। इस घटना से अफरातफरी मच गई। सुरक्षाकर्मी अलर्ट मोड में आ गए। कोर्ट परिसर के अभियोजन कार्यालय के पास धुआं फैल गया। ब्‍लास्‍ट में दारोगा व सिपाही जख्‍मी हो गए। जांच में पता चला कि पटेल छात्रावास में छापेमारी के दौरान पिछले दिनों बरामद बम को प्रादर्श के लिए कोर्ट लाया…

[filternewsofficial]

2 आतंकियों को लेकर Patna पहुंची NIA की टीम, दरभंगा ब्लास्ट मामले के आरोपी

2 आतंकियों को लेकर Patna पहुंची NIA की टीम, दरभंगा ब्लास्ट मामले के आरोपी

        Patna: दरभंगा रेलवे स्टेशन पर विस्फोट मामले में एनआईए ने शुक्रवार को आतंकी संगठन लश्कर-ए-तैयबा के दो आतंकवादियों को गिरफ्तार किया था. आज एनआईए की टीम इन आरोपियों को लेकर पटना पहुंच गई है. इन्हें यहां पटना में विशेष एनआईए अदालत में पेश किया जाएगा. उत्तर प्रदेश के शामली जिले के कैराना निवासी मोहम्मद सलीम अहमद और कफील को यूपी की सक्षम अदालत से ट्रांजिट रिमांड मिलने के बाद पटना लाया…

[tezlivenews]

दरभंगा पार्सल ब्लास्ट: यूपी के दोनों संदिग्ध 7 दिन की रिमांड पर, NIA करेगी पूछताछ

दरभंगा पार्सल ब्लास्ट: यूपी के दोनों संदिग्ध 7 दिन की रिमांड पर, NIA करेगी पूछताछ

दरभंगा पार्सल ब्लास्ट मामले में हैदराबाद से गिरफ्तार संदिग्ध दोनों भाइयों को एनआईए की टीम शुक्रवार को ट्रांजिट रिमांड पर पटना लेकर आई। इंडिगो की फ्लाइट से दोनों को सुबह 11.00 बजे पटना एयरपोर्ट लाया… Source link

[voodoochili]

My 100 Favorite Songs of 2021

2021 was a strange year for music–it was a year of dashed hopes, full of unmet expectations and unimaginable loss. There were some great tunes, though. There always are.

My listening was a bit all over the place this year, but as a result, my list is probably as geographically and stylistically diverse as any I’ve made in the past. Check below to read about my favorite songs from the calendar year, with a Spotify playlist at the bottom. Hopefully you’ll find something you like!

Without further ado, my faves:

25. DJ Black Low - “Jaiva Low” ft. Hapas Music, DJ KS & Patna: Amapiano, a style that dominates its native South Africa and is gaining steam on the rest of the continent, is first and foremost music meant for the bleary post-midnight hours of a crowded club. But if amapiano has a secondary function, it’s to freak out your friends and neighbors. “Jaiva Low,” by 20-year-old producer DJ Black Low, succeeds wildly on both counts. The insistent snare and wobbly bass keep you moving your feet, but the vocal–which rests halfway between didactic dancefloor direction and a summoning ritual–might have you running for your life.

24. Esperanza Spalding- “Formwela 10”: “Formwela 10” comes from Spalding’s Songwrights Apocethary Lab, a music therapy project and now full-length album that “seeks to develop a structure for the collaborative development of new compositions designed to offer enhanced salutary benefit to listeners.” I don’t know about all that, and many of the “Formwelas” on the album leave me a bit cold, but I definitely pick up some of those salutary benefits from “Formwela 10.” Divided into two distinct halves, “Formwela 10” starts as a minimal, yet theatrical vamp, Spalding singing tentatively and curiously as she plucks her harp like an upright bass and describes her aimlessness in life and love. The second half is a vocal tour-de-force, as she’s touched by divine intervention in the form of a dramatic grand piano that echoes her immaculate descending melody. A reminder, in Spalding’s words, to “make space and time for your elders,” “Formwela 10” is the perfect prescription to gracefully wind down from an overstimulating day.

23. Chubby & The Gang - “I Hate The Radio”: They’re known for their lightning-quick bursts of pub punk, but English group Chubby & The Gang is the rare hardcore group whose ballads are as strong as their bangers. Joining a growing list of heartfelt highlights that includes last year’s “Trouble (You Were Always On My Mind)” and “Grenfell Forever,” the closing track on their 2021 album The Mutt’s Nuts is a clever inversion of rock music’s most well-worn tropes–Chubby Charles knows that the conglomerated radio of today doesn’t quite compare to the power of the AM Jonathan Richman so joyfully sang about in 1972. Instead, the Gang bemoans the format’s calcification, only playing “the songs we used to know,” songs that evoke happier times in the life of the narrator and the world at large.

22. TisaKorean - “How i walk in the club”: TisaKorean is one of the most restlessly creative artists in the game today, constantly brainstorming new ways to get your body moving. His songs often feel like pop hits beamed in from another dimension, none more so than “How i walk in the club,” a mutating, low-key number brimming with hooks, tempo changes, and Tisa’s silly flows. In a fairer world, this song would’ve been at least as big as that Makonnen song about molly.

21. Wiardon - “Stay Down”: Austin, TX producer/rapper Wiardon is younger than Tom Brady’s first Super Bowl win, but he has the confidence and suavity of a man twice his age (to be very clear, twice his age = 38). On “Stay Down,” he initially stumbles over the opening words of his verse, before collecting himself and calmly intoning preternaturally wise bars about staying true to your roots. Wiardon helps his own case by layering pizzicato strings over one of the year’s finest basslines, creating an instrumental that begs to be blasted out of boxframe muscle cars.

20. Axel Rulay - “Si Es Trucho Es Trucho”/”Si Es Trucho Es Trucho” (Remix) ft. El Alfa & Farruko: This was a big year for dembow, and Rulay’s expansive breakout track showed just how much a determined artist can do with the genre’s signature riddim. “Si Es Trucho Es Trucho'' does away with any sort of song structure, eliminating verses and choruses in favor of clipped chants, children’s choirs, and organic percussion to supplement the relentless beat. The remix takes the track in a more traditional direction, adding verses from undisputed dembow don El Alfa and imperial reggaetonero Farruko, sacrificing some of the unpredictability for ratcheted-up energy.

19. Olivia Rodrigo - “deja vu”: Olivia Rodrigo hit the music world like a comet this year, armed with a knack for writing and singing about heartache with the kind of poise, skill, and relatability that only comes around once a decade or so (and as Adele and Taylor Swift prove again and again, this is practically a license to print money). She found a perfect partner in producer Dan Nigro, who complements her with tasteful arrangement touches, never repeating the same trick twice on her debut album SOUR. “deja vu,” to me, is the perfect blend of song and production, with militant percussion and buzzing guitars that evoke Nigro’s work with erstwhile indie star Sky Ferreira.

The song is less theatrical and outwardly emotional than many of the album’s other highlights, but Rodrigo’s delicate, almost sickly-sweet falsetto makes her words sting that much more. What I love about “deja vu” and Rodrigo’s songwriting in general: despite the worldly affect and venomous barbs, the song still manages to capture the uniquely-teenaged kind of naïveté that makes one think that they were the first person to discover Billy Joel (not really something to brag about, but I digress).

18. Rauw Alejandro - “Desenfocao’”: It’s time to stop messing around and state the obvious: Tainy is one of the best producers working in any genre right now. He’s a master of atmosphere, creating wistful compositions that inspire the world’s most macho reggaetoneros to express some vulnerability for a change. On “Desenfocao’,” he fills space with cavernous bass, open hi-hats, and underwater, out-of-time synths, creating an anthem that owes as much to Beach House as it does Bad Bunny (it feels like a spiritual sequel to “Callaíta,” another Tainy-produced jam). As great as he is, Tainy is only half the equation here–Rauw fulfills his side of the bargain admirably, toe-tagging the programmed percussion with mathematical precision and floating over the swelling production with his achingly pure tenor as he tells a story of unfathomable heartbreak.

17. Bawo - “Starts With A Text”: “I’m hard-pressed for a reason to come out tonight,” intones West London emcee Bawo on the hook for “Starts With A Text,” a half-asleep pronouncement that echoed through my head during a year where leaving the house was a proposition that fell somewhere between unappealing and unsafe. Accompanied by liquid keys from producer Daniel Ness, Bawo’s delivery is somehow both lackadaisical and technical, as he sets about navigating the world of digital dating, and exploring how intentions get obscured when communicated through blue (or, heaven forbid, green) bubbles.

16. New Pagans - “Natural Beauty”: How come there aren’t more songs about frenemies? Perhaps the liminal nature of that relationship doesn’t provide the same kind of emotional clarity that more straightforward relationships do, and are thus not as translatable to pop song form? If that’s true, then nobody told Lyndsey McConnell, the frontwoman of Northern Irish indie rockers New Pagans. “Natural Beauty” walks a fine line between envy and pity, between worshipful affection and blazing contempt. It’s these contradictions that make the song such a fascinating character study. It empathizes with the subject’s need to live up to the expectations of those who idealize her, but wishes that she weren’t such a dick all the time.

15. Loraine James - “Running Like That” ft. Eden Samara: Loraine James specializes in finding the beauty within harsh, glitchy, distorted digital landscapes. She manipulates her voice and the voices of her collaborators to create a dense tapestry of sound, taking a jagged and unexpected path towards transcendence. “Running Like That” is frenetic and propulsive, but also probably the most traditionally beautiful composition James has ever put to tape, largely thanks to the performance of guest vocalist Eden Samara. James weaves Samara’s angelic paeans and conversational banter into a dialogue about trying desperately to escape the urges of your worst self.

14. Young Dolph & Key Glock - “Aspen”: Listen to Bandplay’s soulful blasts of organ; to Dolph’s ad-libs, especially when he helpfully clarifies that Aspen is in Colorado; to Glock’s confident, career-spanning verse. Look at their wide smiles in the song’s incredible music video. It’s cruel that such a joyful and triumphant piece of art will remain forever bittersweet. Long Live Dolph.

13. Yaw Tog - “SORE”: It boggles my mind how drill music, a street style pioneered by Chicago teenagers, has made such a large and varied global impact. It’s both an inspiring bit of cultural connection and a depressing realization that such a bleak style can be so resonant in so many different locales. The Ghanaian flavor of drill is one that I still need to get more familiar with, but it’s hard to deny a banger like “SORE,” with its apocalyptic, yet danceable beat and invigorating, intimidating hook. I slightly prefer the original, but the UK-ified remix (released in Feb 2021) does a solid job of refining the song for mass consumption, confirming that Kumasi, Ghana's Yaw Tog has enough charisma to be the strongest presence on a song with Stormzy on it.

12. Isaiah Rashad - “Lay Wit Ya” ft. Duke Deuce: “Lay Wit Ya” is as grimy as the mud caked on old rain boots. It slithers along at ground level, powered by Rashad’s understated charisma, before Duke Deuce arrives halfway through and busts the whole thing wide open. Duke’s entrance is probably my favorite single moment from a hip-hop song this year, a jolt of cantankerous comedic energy that doubles as an irresistible urge to do your best gangsta walk.

11. Anz - “You Could Be” ft. George Riley: “You Could Be” combines an irresistible pentatonic synth melody (I was racking my brain to figure out what it reminded me of and it turns out, it’s a syncopated version of the stereotypical “Oriental riff”), yammering bass, and sci-fi percussion into the year’s most delectable dancefloor confection. Tapping into the production's playful vibe, George Riley occupies a flirtatious, almost taunting mien, scolding the object of her affection for not leaping at the opportunity of a lifetime.

10. Cassandra Jenkins - “Hard Drive”: Mesmerizing and thought-provoking, “Hard Drive” is what would happen if Kaputt-era Destroyer collaborated with Carl Sagan. The song is structured as a series of conversations, Jenkins matter-of-factly weaving the dialogues into a tapestry about the digitalization of the human body and mind–our brains are mere hard drives, with limited memory, prone to overheating. Guided by the ringing guitars and wailing saxophone, Jenkins attempts to reunite our overstimulated minds with our spiritual selves, and for five-and-a-half glorious minutes, she nearly succeeds.

9. Bankulli & Not3s - “Foreign”: An immensely joyful, cross-generation collab between an Afro-Rap pioneer and a smooth-singing Brit, “Foreign” is a glorious celebration of all things imported. The song is gleefully nonsensical: Not3s smoothly delivers his hook in one of the most-pronounced London accents ever put to tape (his only competition, and with a totally different kind of London brogue, is that guy from “Parklife”), while Bankulli complements with a rugged Yoruba verse. The victorious synth horn fanfare in this song makes me feel like I’m 100 feet tall.

8. Irreversible Entanglements - “Open The Gates”: It starts with Tcheser Holmes’ clattering percussion, a manic and invigorating jolt that awakens a higher consciousness. It continues with Luke Stewart’s bass, laying down a primal, impulsively danceable beat to add a bit of sashay to the song’s stomp. Conducting the affair is Camae Aweya, the poet and performing artist known as Moor Mother, authoritative as she utters incantations powerful enough to collapse the walls of Jericho. Answering her call is the horn section, Keir Neuringer on sax and Aquiles Navarro on trumpet, who oscillate between recognizable melodies (do I hear “Camptown Races”?) and free expression.

That’s “Open The Gates.” Just listen, trust me it’s better than my silly description.

7. Armand Hammer - “Falling Out the Sky” ft. Earl Sweatshirt: The world lost producer Lee “Scratch” Perry and bassist Robbie Shakespeare in 2021, two dub masters who were directly responsible for a shocking amount of the best music ever made. Folks try every day to approximate the vibe created in the Black Ark, Perry’s studio, but few are able to capture the hallucinatory, haunted magic of its heyday. The Alchemist comes damn close with his beat for “Falling Out the Sky,” a reverie-inducing bit of ear candy that I could happily listen to for hours on a loop.

As an added bonus, we get three of the most thoughtful and philosophical rap verses of the year: Earl reflects on the loss of his father and reminds us that all life originated as matter from dying stars, Billy Woods harkens back to a summer he spent in a blissful haze of weed smoke before being rudely awakened by a state trooper, and Elucid makes sure we all recognize how the Isley Brothers paved the way for The Beatles.

6. Pa Salieu - “Style & Fashion” ft. Obongjayar: Pa Salieu has an uncanny ability to fuse African, UK, and American styles into an alchemy that is 100% his own. “Style & Fashion” isn’t really a mix or a fusion of anything, though, just Pa’s charismatic and darkly shimmering take on amapiano. An engaging master of ceremonies, Pa struts atop the syncopated snares like he’s the flyest person on the planet, while guest artist Obongjayar’s rasp arises from the ashes like an ancient voice heralding a very fashionable apocalypse. As Pa says on the hook, “welcome to the party.”

5. Mr Twin Sister - ”Expressions”: “Expressions” is a post-disco carnival, a glorious mess of bizarre interlocking parts that come together to create a well-oiled machine. You hear the disparate elements come together on the song’s intro, creating a groove that stops and starts but keeps pushing forward. My favorite touch in the song’s immaculate arrangement is the underlying current of acoustic guitar, which comes to the forefront during Andrea Estrella’s sighing bridge, adding a touch of ‘90s adult contemporary to mellow out the Chic Organization energy of the rest of the track. It seems chaotic and in lesser hands, it probably would be, but Mr Twin Sister specializes in taking what could be chintzy and making it sublime.

4. Burna Boy - ”Kilometre”: The ultimate heat check–can you make a banger about the metric system? Most can’t, but Burna Boy can, rolling the titular word on his tongue and releasing it like a missile targeted at the pleasure center of your brain. Produced by Chopstix, a regular collaborator of Burna’s who always seems to nudge him in a dancehall direction, “Kilometre” emphasizes the upbeat, punctuating Burna’s chatter with reverbed guitar strums and emphasizing his pugilistic boasts with perfectly-timed live drum fills. The dialogue between dancehall and Afrobeats has always fascinated me, and songs like “Kilometre” that exist halfway between the two are near-guaranteed bangers. Hopefully we’ll see more of this side of Burna in 2022.

3. PinkPantheress - “just for me”: I’m a natural curmudgeon, always skeptical of things that have 100% approval rating. It can’t be that good if it appeals to everybody, can it? PinkPantheress’s music is one of those things that is just suspiciously good, unlocking the secret sauce that unites ravers, indie kids, and TikTok teens. The earliest PinkPantheress tracks had lots of DIY charm, with their obvious samples and tender vocals, but she leveled up when she connected with Mura Masa for “just for me.”

Rather than using samples of songs by the likes of Crystal Waters and Adam F. as a nostalgic cheat code, Mura Masa creates a perfect homage to chill room UK garage, with backwards strings, record scratches, and an indelible guitar arpeggio embellishing the traditional 2-step percussion. The arrangement is complex, but not busy, and it leaves plenty of space for PP to lay down a sighing, oblique, and ornate melody that messes with meter and never resolves where you expect it to. The vocal is so soft-spoken that you almost miss how delightfully deranged the lyrics are, lines like “I found the street of the house in which you stay” and “I followed you today, I was in my car” (accompanied by the playful tooting of her car’s horn) eliminating the divide between devotion and dangerous obsession.

2. Remble - “Touchable”: Remble became a meme of sorts because of his crisp elocution. Lyricists of any genre rarely use such writerly syntax, and the combination of his precise enunciation and his songs’ gruesome subject matter provides the tension that animates his music. His style could come off as gimmicky if he weren’t so darn good at stringing together one-liners into the kind of song you want to memorize and recite. On “Touchable,” in particular, Remble rhymes like the very model of a modern major general, calmly attacking 10Fifty’s minimalist, bell-tolling horror movie instrumental and dropping more memorable lines than you can count: “I know a lot of demons, I can summon any one of 'em/Bodies holding bodies, it was as if they were cuddling”; “Put 30 in my chop', and then I turned him to a huxtable/Came a long way from Pre-K and eating Lunchables”; “Peter piper picked a pack of bullets, now they're touching you.”

1. Ayra Starr - “Bloody Samaritan”: There’s a certain type of confidence that only teenagers have, the absolute surety that there couldn’t possibly be anyone smarter or funnier or cooler than you and your friends. “Bloody Samaritan” takes that feeling and bottles it. Ayra Starr cannot fail, she can only be failed; her immaculate vibe unassailable, unable to be touched by the killjoys in her midst. When she’s not taking dead aim at bores and lames, she’s aggressively, almost confrontationally flirtatious, accosting the object of her intentions with a series of come-ons that beg to be IG captions: “I see you watchin' my stories/I see you gaugin' my lifestyle/I see you watchin' my movements/This bad bitch bad every day.” Listening to her tiptoe among mournful violins and slinky saxophone, you believe her every word–maybe the 19 & Dangerous artist is the coolest person on the planet??

Thanks for reading! HERE is the Spotify playlist of the full 100 songs in order.

And here's the rest of the list:

26. EST Gee - “Riata Dada” 27. Tokischa - “LINDA” ft. Rosalía 28. Casper Nyovest - “Siyathandana” ft. Abidoza & Boohle 29. Abra - “Unlock It” ft. Playboi Carti 30. DJ Manny - “Signals In My Head” 31. Monaleo - “Beating Down Yo Block” 32. Blxst - “Don’t Forget” ft. Drakeo The Ruler 33. Car Culture - “Sell Out” 34. Rio Da Yung OG - “Last Day Out” 35. Valee & AYOCHILLMAN - “HIMMYyimmy” 36. Tems - “Found” ft. Brent Faiyaz 37. Rx Papi - “A Man Apart” 38. Sybyr - “The Mill” 39. ComptonAsstg - “Colder & Colder” 40. The Goon Sax - “The Chance” 41. Key Glock - “Ambition For Cash” 42. Ethel Cain - “Michelle Pfeiffer” ft. lil aaron 43. Doja Cat - “Kiss Me More” ft. SZA 44. Duke Deuce - “Intro: Coming Out Hard” 45. Erika De Casier - “Polite” 46. Bandgang Lonnie Bands - “Glocks & Choppas” ft. Young Nudy 47. Low - “Days Like These” 48. The Peacers - Ghost Of A Motherfucker 49. Lucy Dacus - “Thumbs” 50. YN Jay - “Summer Time” 51. 42 Dugg - “4 Da Gang” ft. Roddy Ricch 52. Farruko - “PEPAS” 53. Peewee Longway & Cassius Jay - “Pink Salmon” 54. Really From - “Yellow Fever” 55. Maxwell - “Off” 56. Tiwa Savage - “Tales By Moonlight” ft. Amaarae 57. CEO Trayle - “Loose Lips” 58. Japanese Breakfast - “Be Sweet” 59. The Narcotix - “Esther” 60. Noname - “Rainforest” 61. SPELLLING - “Little Deer” 62. Wolf Alice - “Safe From Heartbreak” 63. BfB Da Packman - “Weekend At Solomon’s” 64. Heather Trost - “Love It Grows” 65. Cktrl - “zero” ft. Mereba 66. Natanael Cano - “Diamantes” 67. Faye Webster - “Cheers” 68. Tonstartssbandht - “What Has Happened” 69. Nao - “Antidote” ft. Adekunle Gold 70. Chvrches - “Asking For A Friend” 71. Kaytranada - “$payforhaiti” ft. Mach-Hommy 72. Bruiser Wolf - “Momma Was A Dopefiend” 73. Offset Jim - “Face Card” ft. Kenny Beats 74. Dawn Richard - “Bussifame” 75. Bad Bunny - “Yonaguni” 76. Moneybagg Yo - “Wockesha” 77. Sloppy Jane - “Party Anthem” 78. Tony Seltzer - “Joyride” ft. Eartheater 79. Magdalena Bay - “You Lose” 80. The Weather Station - “Atlantic” 81. Yg Teck - “Question For You” 82. VanJess - “Caught Up” ft. Phony Ppl 83. Lushlife - “Depaysment” ft. Dalek 84. Payroll Giovanni & Cardo - “Eyez Closed” 85. MAVI - “Time Travel” 86. 03 Greedo - "Liar Liar" 87. Babyface Ray - “Foreva” (prod. Top$ide) 88. Polo G - “GNF (OK OK OK)” 89. AG Club - “Noho” ft. ICECOLDBISHOP 90. Yves Jarvis - “Projection” 91. 30 Deep Grimeyy - “First Day Out” 92. Summer Walker - “Constant Bullshit” 93. Drego - “Dis Dat” 94. BONES - “TwasTheDarkestNight” 95. Shelley fka DRAM - “Exposure” 96. Surf Gang - “CINDERELLA” 97. Baby Keem - “Family Ties” ft. Kendrick Lamar 98. Billie Eilish - “Happier Than Ever” 99. Daemoney - “Moments Of Drugs” 100. Lou Hayter - “Time Out Of Mind”

[aainews21]

NIA अदालत ने पटना में पीएम मोदी की 2013 की रैली के में हुए सीरियल ब्लास्ट मामले में चार को सुनाई मौत की सजा।

NIA अदालत ने पटना में पीएम मोदी की 2013 की रैली के में हुए सीरियल ब्लास्ट मामले में चार को सुनाई मौत की सजा।

2013 में पटना में पीएम मोदी की रैली के दौरान सीरियल ब्लास्ट हुए थे. इस मामले में दोषियों की सजा का आज ऐलान किया गया। hear the news In the 2013 Patna’s Gandhi Maidan serial blast case, the NIA court announced the punishment of the culprits. Of the nine convicts, four have been sentenced to death. Apart from this, two convicts have been sentenced to life imprisonment, two to 10 years and one to…

[tezlivenews]

दरभंगा ब्‍लास्‍ट केस: हैदराबाद से गिरफ्तार इमरान और नासिर को लेकर पटना पहुंची NIA टीम, कोर्ट में होगी पेशी 

दरभंगा ब्‍लास्‍ट केस: हैदराबाद से गिरफ्तार इमरान और नासिर को लेकर पटना पहुंची NIA टीम, कोर्ट में होगी पेशी 

दरभंगा ब्‍लास्‍ट केस में हैदराबाद से गिरफ्तार दो भाइयों इमरान मलिक और नासिर खान लेकर एटीएस टीम शुक्रवार सुबह पटना पहुंची। आज दोनों को एनआईए कोर्ट में पेश किया जा सकता है जहां एनआईए दोनों की… Source link

[realtimesmedia]

पटना गांधी मैदान ब्‍लास्‍ट: PM MODI की 2013 की रैली में सीरियल ब्लास्ट में हुआ सजा का ऐलान, 4 को फांसी 2 को उम्रकैद की सजा

पटना गांधी मैदान ब्‍लास्‍ट: PM MODI की 2013 की रैली में सीरियल ब्लास्ट में हुआ सजा का ऐलान, 4 को फांसी 2 को उम्रकैद की सजा

Gandhi Maidan Bomb Blast Patna Narendra Modi Bihar news Gandhi maidan patna bomb blast पटना गांधी मैदान ब्‍लास्‍ट: PM MODI की 2013 की रैली में सीरियल ब्लास्ट में हुआ सजा का ऐलान, 4 को फांसी 2 को उम्रकैद की सजा Editor: demo11 01-Nov-2021 | 4:49 | 12 आज से 8 साल पहले यानि 27 अक्टूबर 2013 को प्रधानमंत्री नरेंद्र मोदी की रैली के दौरान सीरियल बम ब्लास्ट हुआ था। उसी मामले में आज एनआइए कोर्ट ने अपना…

[thenewsroom8]

‘LeT operatives had planned more terror attacks in country’ | Patna News

‘LeT operatives had planned more terror attacks in country’ | Patna News

PATNA: Alleged Lashkar-e-Taiba operatives Mohammad Nasir Khan and Imran Khan had planned more terror attacks in the country as per sources privy to the investigation into the Darbhanga parcel blast case being carried out by National Investigation Agency (NIA). The blast took place on platform number one of Darbhanga railway station on June 17. An IED was kept inside a parcel containing clothes…

[ethanalter]

Your guide to all the video game Easter eggs in the new 'Tomb Raider' movie

Alicia Vikander as Lara Croft in Tomb Raider. (Photo: Warner Bros./courtesy Everett Collection)

Warning: This post contains spoilers for the new Tomb Raider film.

When one tomb door closes, another opens. At the end of Tomb Raider — the new reboot of the video game-derived film franchise that swaps in Alicia Vikander for Angelina Jolie as adventurer Lara Croft — our heroine believes her days of merrily dodging subterranean booby traps to be over. Turns out they’re just getting started. A surprise gift left behind by her dearly departed dad, Richard Croft (Dominic West), clues her in on exactly who her next opponent will be … and it’s a name that, along with several other Easter eggs buried in the Roar Uthaug-directed film, will be instantly familiar to those who have been vicariously tomb-raiding alongside Lara in her recent video game exploits.

In the closing moments of the movie, Lara is peering through the multitude of files contained in her father’s secret lair (hidden — where else? — inside his tomb) and comes across a box labeled “Trinity.” Inside she discovers Richard’s research into this shadowy organization, whose tendrils are spread all over the globe, including inside the Croft-run corporation Croft Holdings. And the person responsible for getting Trinity through the company’s doors is none other than Ana Miller (Kristin Scott Thomas), her father’s trusted adviser and the woman who looked out for Lara following her mother’s death and Richard’s disappearance. Throughout the film, Ana has been pushing Lara to sign documents officially designating her missing father as deceased, and this climactic revelation explains why: Through Ana, Trinity now effectively has control of her dad’s legacy, and she has another perilous mission in front of her.

Lara Croft discovers her father’s secret lair behind his tomb. (Photo: Ilzek Kitshoff/Warner Bros./Courtesy Everett Collection)

Both Trinity and Ana play major roles in the relaunched Tomb Raider mythology that started (again) with the self-titled 2013 video game introducing the “Survivor Timeline,” a back-to-basics continuity set during Lara’s early tomb-raiding days. (The previous timeline encompassed roughly a dozen games, released between 1996 and 2010.) In fact, the new film borrows much of its plot directly from that game. Tomb Raider players will recognize the movie’s chief villain, Mathias Vogel (Walton Goggins), a trigger-happy bandit looking to dig up the remains of the mythical Japanese queen Himiko — another character that’s been ported straight out of the Xbox. In a notable departure from the source material, though, Lara also finds her father on the island, and they conspire against Mathias as they navigate the dangers of Himiko’s tomb, a journey that only the younger Croft ultimately survives.

Having witnessed Richard’s final moments, and bidding him a tearful goodbye, Lara returns to civilization finally able to sign on the dotted line that declares her father dead. But she stops short of assuming control of Croft Holdings herself, instead asking Ana to be the de facto boss. As she pores over the list of companies her father owned, one name stands out: Patna — the same name emblazoned on all the supplies Mathias and his goons carted about. That word leads her to the aforementioned “Trinity” box where Richard stashed whatever information he had been able to uncover before his now permanent exile on Yamatai. It looks like Richard had only scratched the surface, but here’s what we know Lara is up against from the game: Founded in the early anno Domini era, the Order of Trinity seeks out ancient (and secretly powerful) religious relics for use in its mission of shepherding the entire world under the banner of a single god. And if doing that results in the destruction of entire cultures and faiths, that’s only a logical — and perfectly acceptable — outcome.

Unlike Trinity, Richard Croft’s main goal during his life was to preserve the totems he excavated from tombs, using them as evidence of lost folklore and myths he wanted to bring back into the public consciousness. So, to undermine his work, they planted a mole in his organization who answers to the name of Ana. Introduced in the 2015 sequel, Rise of the Tomb Raider, Ana collaborated closely with Richard on his research, a relationship that soon turned personal. (In contrast, Ana’s cinematic counterpart is depicted as having been more of a maternal guardian to Lara — whose mom, Amelia, died when she was young — than a paramour to Richard.) Lara discovers Ana’s actual identity midway through the game, and the two women then race each other to the lost Russian city of Kitezh to find the Divine Source, a doodad that is rumored to let its owner live forever. Not surprisingly, Lara wins that race, but opts to remain mortal; for her part, Ana is mortally wounded by a sniper, an ending that will presumably be the jumping-off point for the next game, Shadow of the Tomb Raider, set for release in September.

Vikander as Lara Croft and Kristin Scott Thomas as Ana Miller, a video game villain making the leap to the big screen. (Photo: Christian Black/Warner Bros./Courtesy Everett Collection)

We’ll have to wait and see where Lara’s next cinematic adventure takes her. Good thing that, wherever she travels, she’ll be packing serious heat. A post-credits sequence uncovers the movie’s final Easter egg: how Lara acquires the signature dual pistols she’s been carrying around since 1996. Making a quick trip to her local pawn shop (run by none other than Nick Frost of Cornetto Trilogy fame) to buy back the necklace her father gifted her, she spots a secret backroom filled with guns. She forces her way inside, surveys all the firepower on display, and settles on two Heckler & Koch USP Matchs — the same guns Jolie wielded when she raided tombs in the earlier films — and strikes a classic Croftian pose. She’s discovering what video game players already know: Being a tomb raider is a real blast.

Read more from Yahoo Entertainment:

Padded bras, drug tests, and sexual harassment: The turmoil you didn’t know about the original ‘Tomb Raider’

Alicia Vikander is body-shamed over ‘Tomb Raider’ — and the internet is fighting back

How Alicia Vikander put on 12 pounds of muscle for ‘Tomb Raider’ transformation