#part 3 has different art styles

[reddogcollar]

one angel wing one demon wing for mr cord

[sysig]

Guess who :3c (Patreon)

[ribbononline]

New fic by @silverjirachi out wahoo wahoo! Go support it!!

[itsalwaysdark]

i like overthink everything now it makes me feel so dumb. i used 2 be able to just talk 2 ppl but nowadays every single thing im like Is that actually going to make them hate me. Yes probably. and then i just dont respond which makes ppl hate me. this is how it is

[transbee]

off coming to steam is cool + interested to see the new content but why r ppl saying off was hard to play beforehand pleaaase

[what-am-i-doing-in-this-fandom]

never straying from my art style again, ong 😭

[where-does-the-heart-lie]

Op Characters Body Study

Id definately do more of these but please dont suggest anymore to do cuz then my brain will shut the idea off entirely <3

Reference Image:

design comments:

Sanji: I wanted him to mainly be in the legs, while the shoulders and arms were closer together. Compact up top, Watermelon Crushers on the bottom. i vaguely designed him with the Marathon runner from the reference image in mind. I differ from the reference in that i give him upper body muscles cuz he loves his break dancing moves and you need hella muscles for that.

Zoro: Big tits & Tank Body. Cant knock this cat over.

Sabo: This man in my eyes is a Barbie Doll. Long Legs Tiny Torso. Winx Club Sailor Moon lookin mf. In part inspired by this panel of him:

Nami: My headcanon for Nami is that when we first meet her she is very skinny and malnourished, then overtime living with the strawhats she gains weight and progressively gets chubby. I just think that Sanji always cooking her such nutritious meals and tasty sweets, and not needing to fight for herself all the time, would lead to her lovely new body type. Something, something, 'to be loved is to be changed'.

Plus, her new fighting styles isnt like "im wacking you with this stick" anymore, its more "I'm moving this stick in this direction and striking you with the lighting coming from it". That still needs muscles though so i gave her some good muscles up top :3

Artist note: i spent way to long lovingly drawing her boobs.

Ace: He's the dorito man of the universe. Broad shoulders, itty bitty waist. I modeled him after the basketball player in the reference image Alton Huston. i think that he would focus his athleticism in Jumping and Throwing (literally) punches, so it leads me to think he would build the same muscles a basketball player would.

man is 60% legs. freak. anyway,

I just like the idea of a perfect body that has been twisted by its scars.

Luffy: Brick Shithouse. Healthy mix between muscle and fat. i just wanted to make him look Really Healthy.

The majority of this design is just giving these characters body fat. i dont like the way gangly abs and tits look i love a chub. PWEEESEEE ODA GIVE ME A CHUBBY WOMAN CHARACTER PWEEEEEEEEEESE IM BEGGING YOU PWEESE PWEEESESESESESESESESSSESESES

*ahem*

anyway

i had a lot of fun drawing these, i love love love drawing anatomy and this was a good learning experience on top of that. One of the ways i drag myself out of art block is i just do art studies so this is kinda that.

thank you for coming to my ted talk <3

[yuamin]

ORORUN REDRAW GUIDE !

i think we’ve all seen the atrocity that is genshin’s unreleased character, ororun. the entirety of natlan is a mess really, but as a yoruba person myself i CANNOT keep quiet about ororun specifically.

outside yoruba mythology, in yoruba, ‘Olorun’ (the name ororun is based on, pronounced o-law-roon , with o pronounced as in orange and the ‘roon’ pronounced shortly, not dragged on at all) is actually the same word we often use to refer to God in Christianity. Christianity is the primary religion among us yorubas so honestly, i was kinda glad they misspelled his name. it would feel SO disrespectful referring to whatever that thing is with the same word we use to refer to God who we actually worship. religion aside, genshin’s depiction of Olorun (cultural god, not Christian one) is downright disgusting. i’d never paid too much attention to genshin and its poor representation, but now that my culture has fallen victim to it, i completely understand all the outrage.

edit: please note that while we use ‘Olorun’ to refer to the Christian God, Olorun is just a general word for ‘god’ itself ! for example if i say “God in heaven” and “god of thunder” we know i’m referring to two different beings, in yoruba it’s the kind of the same—the same word is used to refer to both the Christian and other gods, but we know it’s different, even though olorun can be capitalized regardless of what god we’re talking about (unlike english where the Christian God is capitalized and other gods aren’t) at the end of the day though, when we say “olorun” even without context, we are usually referring to the christian God !

1. PLEASE DO NOT DRAW HIM WITH ANIMAL EARS !

i’ve noticed that hoyoverse has this nasty habit of portraying every dark skinned character as wild or animal-esque. kaeya seems to be the only exception to this. even xinyan, though lacking any animal features, has this wild energy to her. some might call it a stretch, but i feel like her features are pretty feline in comparison to other liyue characters.

Olorun in our culture is the supreme god of the heavens. In my opinion, it is disrespectful to liken him to something akin to an animal. normally i wouldn’t even mind that much, but with how hoyo makes its few dark characters more and more like animals, i can’t help but feel weird about it. its really off putting.

2. HIS HAIR WOULD NOT BE CURLY !

majority of nigerians have 4C HAIR. not wavy hair or loose curls. some have 4B, but 4C is the usual here, that is, kinky or coily hair. Olorun is often portrayed as bald in traditional art, but trust me if he had hair his hair would resemble his people’s, not Tyla’s.

DREADLOCKS ARE A YES ! outside nigeria, locking hair is pretty common, but in nigeria a lot of people have locks naturally. our hair sometimes just grows out that way, no treatment no nothing. dreads are 100% an appropriate style, they look good asf too.

3. PLEASE USE CULTURAL FABRICS IN YOUR DESIGNS !

when i saw ororun’s outfit, i almost started crying. they couldn’t even bother to dress him up a little. they really dressed my brother in a scarf and cape and called it a day 😭 upon how fashionable we nigerians are know to be, hoyoverse still made it their mission to embarrass us stylistically. God knows my people have suffered man 😭

ankara is a traditional nigerian fabric that features bright colors and lots of patterned designs. see below:

here in 9ja, we love our ankara. it’s a big part of our fashion here and trust me it would look excellent in your designs. it’s perfectly fine to draw ororun in normal fabrics since he’s a deity and it’s not like ankara existed back then, but if you really want to represent nigeria, ankara is a must 🙏

i’m going to address another fashion piece because if you search up nigerian fashion you’ll see it a lot: beads.

these orange beads are igbo (another tribe here in nigeria) NOT yoruba. does this mean you can’t use it in olorun’s design ? no ! let me explain. tbh, here in nigeria there’s a bit of...tension between clans. it’s not that common, but older people are definitely a lot more tribalist. as a yoruba i love my igbo brothers and sisters, i truly believe they’re the most fashionable clan and i adore their festivities, they always go over the top. please, just look at them:

(only one image because of image caps, ugh)

anyway, we yorubas wear beads too. but the specific way the beads are worn around the head and in multiple layers round the neck is igbo, not yoruba. though i personally wouldn’t care too much if i saw olorun with igbo beads since all i want is for him to at least look nigerian, at the end of the day he is a yoruba deity. it might be disrespectful to dress the god of one clan as if he belongs to another, especially since there is so much historical ( and very slight but uncommon present ) day tension between both clans.

here’s a more yoruba outfit. sorry yall, it might be hard for you to distinguish if you’re not yoruba or igbo, but a lot of nigerians can tell the difference at a glance. ( actually nowadays, there is so much overlap between yoruba and igbo fashion, but there are many specific styles that may be associated with one tribe and not the other, for example how beads are worn in the above paragraph ) please do your research, he’s not only a nigerian god, but a yoruba one.

one more thing, because i know it will start discourse : skin tone.

nigerians have a very diverse range of skin tones. some of us are so pale, if not for our afrocentric features we could maybe pass for another race. however, ororun is yoruba.

light skinned nigerians are usually igbo. not to say that yorubas can’t be light skin, but here in nigeria if you saw a light skinned person, we’d automatically assume they were igbo. igbo people usually have lighter skin tones. majority of yorubas fall on the more milk to dark chocolate end of the skin tone spectrum. i’m saying this now because i know a lot of people are going to start arguments over ororun being redrawn as ‘too light’ or ‘too dark.’ i don’t really care about complexion, but i thought i’d help you all get your facts right.

that’s it ! if you read all this i’m super thankful. i don’t usually post about this kind of stuff but i honestly love my country and could go on about it for days. nigeria is such a beautiful place with a diverse range of cultures— from hausas to fulanis to so many more. natlan was supposed to be Africa’s time to shine, as well as latin americans, but hoyoverse said fuck you and your people. they did this to an extent with sumeru but natlan was done straight up dirty—not a single melanated character in sight, and the only one who does have melanin, iansan, looks so desaturated you might as well call her grey. i saw someone on tiktok call mualani a dark skinned character—it was at that point that i knew genshin was done for.

please REBLOG this post so it reaches more people and artists in the fandom !! this is literally the third time i’m making this post because tumblr refuses to show it in the tags for some reason 😭 i encourage other cultures who feel misrepresented to make posts like this too. it’s a perfect opportunity to educate and inform people about the diverse cultures genshin has once again failed to represent properly.

Hoyo has never been one to make customer satisfaction their top priority, but we’ve been able to call them out before and i truly believe we can do it again. Natlan is not poor design choice. it is blatant racism, a nation based on POC ethnicities with not a single colored character insight. Hoyoverse has been able to escape racism accusations for as long as i can remember, but natlan is the icing on the cake. we CANNOT allow hoyo to proceed as planned without giving them the appropriate backlash.

Also, if you redraw ororun using this guide, make sure to tag me here or on my main blog, @heartkaji !! i’d love to see all your redesigns. once again, thank you all for reading and have an amazing day !!

[n0tamused]

Welt nerding out about his little special interests and his tv show he likes and whatnot... Dr.Ratio going on and on about all his bath soaps and bath salts and whatever he has... Sunday snuggles and sleeping after a long and heavy day of work....

A/n: Sorry for taking so long pookie I hope you like these little imagines :( <3 mwah, ty for requesting <3

Contents: gn reader, separate drabbles for Sunday, Dr. Ratio and Welt, a bit angsty in Sunday's part, fluff otherwise

Gloved fingers held around the black stylus pen as it glided over the digital screen in a few precise strokes. The character on screen is becoming more and more alive, and looking over his shoulder you can see the several other frames that lay finished, resembling only the start of this little project you managed to convince Welt to partake in. 

“I take it you like it, right?” you ask, tiptoeing playfully around the direct question, prompting the man to laugh heartily, mirth seeping into the crinkles in his face. Leaning back in the chair he takes a small break from the lineart, adjusting his glasses before he look up at you where you stood at his side. 

“You’re spoiling me, you know?” he begins, his eyes mellow with a childlike wonder and joy that isn’t too often seen on his person these days. “Yes, I do like it, a lot. This tablet is even more advanced than the ones I was used to using back in my day. I mean, it holds so many functions, and the program itself has many great features to assist with the process - whether it be just one piece of art or a whole animation” His eyes gleam as he looks back at the screen, his eyes flickering over the corners of the canvas, the little icons and frames and the low opacity sketch of the animation.  

“That is a relief, and I’m glad to hear you’re enjoying it so much. You do deserve it, Mr. Yang” cooing at him softly you pat his shoulder and give him a light squeeze before taking note of what’s on screen. It’s a simple set of characters, and in a more cartoonish style - chibis, is what you heard them call this style. But the characters are oddly familiar to the crew itself.

“Huh..? Is that.. us?”

“Yes… Since this gift was from you, and also the crew has left its mark on this old heart, I thought that my first project on the tablet should be something special too.. Uh, wait..” He fumbles a bit with the frames and animation, brief images flickering of different character - Dan Heng surrounded with books, March 7th’s chibi showing a worried face as she stands next to a pot of Himeko’s coffee and Himeko looking pleased as she drinks from her mug, and there’s PomPom next to the Express, but what  gets your attention is the chibi version of yourself at the very start of the frame set. You’re sitting at a round table with a few chubby stars above you.

“Starting with you, I am first making an introduction to each character..”

“But where are you?”

“Hm?”

“I saw everyone in these, but not yourself? This crew is incomplete without you, Welt.. You should put us together in one frame. I mean, we can be drinking tea at the table together, right?"

Welt looks at you, then at the frame, noting the vacant left side of the big table. 

“You’re right…”

“Sunday..” sleepy mutters fall from your lips as you push yourself to sit on the big bed, the covers pooling at your hips. Your hand is lifted up to shield your eyes from the golden light that spilled from the hall. 

“Apologies... I'll turn the light off now.." comes a reply from the figure shrouded in darkness, but by silhouette alone you could tell him apart from another. His wings droop underneath his ears, showing that even the lightest parts of him felt the heaviness of today’s work. He swiftly but quietly slips into the hallway to turn the lights off, before his footsteps mark his return to the bedroom. Now you can only listen to him shuffle about, the heavy breathing making your heart throb from concern, but you know asking him about it wouldn’t grant you an answer.

So you wait until he lifts the bedsheets and until his palm searches for you across the vast expanse of the mattress. Taking his hand in yours you lead him to where you are, laying on your back and feeling the bed dip and move underneath you until Sunday has settled himself with his head on your chest. Sighing the biggest breath you heard from him so far, you tighten your hold on him, arms circling around his shoulders.

His arms wrapped around your waist as he had you both sinking further into the bed, desperate to feel your warmth, hear your peace and feel it rub off on him too. “I missed you…” he confessed, leaving a chaste kiss on your collarbone before his ear pressed above your heart, listening to the trapped drumming within. 

“I missed you too..” you reply, combing your fingers through his hair, feeling the wings around his waist stretch out for arguably the first time today, one wing shorter than the other, feathers cut halfway. 

“Rest now..” you prompt, kissing the top of his head and he hums into you, wanting nothing more than to dream of you and freedom with you.

"I told you to be a little more careful with which shampoos you purchased.." you heard him say when you pointed out how a particular shampoo on the shelf made your hair damaged the last time you used it. You sighed, in agreement with him, but as he plucked the bottle from the shelf you looked over the other products on the shelves, taking a hair mask container and putting it in your cart.

“See, this is why this shampoo didn’t sit well with you” Veritas says, looking over the ingredient list after catching sight of the logo of the producer, a sneer already on his face as he never had good experiences with this company’s products. 

You look over at him, holding onto the shopping cart with one hand as you peer at the bottle in his hand. “Oh, yeah- that one did have my hair feeling like hay.. ugh” you frown a little but as Veritas looks further down the ingredients list, you let your eyes wander over the shelves in search for a possible alternative - one that won’t leave your hair feeling dry and ready to snap. 

“Hmm…” Veritas looks up, his coral eyes looking over at you after he had returned the bottle onto the shelf. “Let me see..” he muttered, already reaching out to grasp a lock of your hair in between his fingers, twirling it for a moment before thinking hard about it. Then his eyes return to the vast selection of shampoos, reaching for a green bottle on a higher shelf. “Ah, this one would go well for your hair type. And it will regenerate whatever damage that other bottle left you with”

“Oh, let me smell it-” you whisper with soft excitement, forcing a huffed chuckle from Veritas as it seemed you cared more about the smell than what the shampoo actually had to offer. He shakes his head as he pops the lid open and brings it to your nose. 

“Does it smell good enough for you?” he asked, teasing laced in his words, but despite that he brought the bottle to his nose as well to inhale the light green apple smell. He relishes in the scent, imagining the way our hair would smell the same if you purchased this. 

“Ohh.. oh definitely, it smells so good. Give it here” you smile up at him and take the bottle to put in the cart. “I should ask you more often on this guru advice, Veritas, you’re more help than I gave you credit for” you playfully jab at him as you walk a few steps forward, looking at another section where bath salts and bath bombs lay. “Oh! Look at this!” you gleam as you pluck a round bath bomb colored blue. 

“Lavender?” Veritas asked as he came up next to you, choosing to ignore your initial jab. 

“Yeah. Lavender suits you, and it is a relaxing scent over all. Didn’t you run out of those bath salts too? We should get some new ones” you throw the bath bomb into the cart before he can reject it, but you make space for him to look over the other products, smiling up at him coyly as he gives you a daring look, yet you knew he meant no malice, he was being playful. 

Ⓒ n0tamused. Do not repost, translate, edit, and/or copy any of my works. Likes, comments, and reblogs are appreciated.

[junosswans]

FMA sketches by Ace Attorney's character designer, Iwamoto Tatsuro

For the past week, Iwamoto-san has been posting sketches of FMA characters on his twitter as a part of his daily sketching challenge and they are absolutely BEAUTIFUL.

I really want to share his art over here and also translate his posts for you all because I think his commentaries are quite insightful for people who are interested in character design!

[Those who know their AA lore would recognize him as who voiced Edgeworth (Mitsurugi) in the games :3]

Anyways, below are his FMA sketches he's shared on twitter so far! (Contains: Ed, Hughes, Kimblee, Mustang, Breda) You can click on the dates to see their original post. I will add to this post if he shares any more sketches, it seems that he has been on an FMA roll xD

###

25/11/2023

If you draw your favourite things out you will know them better! So, this is Edward Elric from #FullmetalAlchemist.

Even if you have decided on the pose you want to draw, it is better to sketch out these three first:

the moment before the pose is struck

the pose itself

the moment after the pose is struck

then decide which image works better for your art. I learned this from a really great senior of mine, and it is very solid advice.

###

29/11/2023 (Translator's note: I decided to move this one to the top because it is my favourite. No I don't accept criticism.)

I have been drawing Ed's automail again.

I like it when the machine part has a distinctly different silhouette compared to the human body, so I added some original ideas to the design.

What design should I draw next? Perhaps I should draw the military uniform?

# (combined two posts because they’re the progression of the same piece.) #

26/11/2023

Again, it is the time of "drawing your favourite things to know them better!"

It feels so good to draw such great characters...

27/11/2023

My Photoshop has been crashing for mysterious reasons the whole morning, and I tried to troubleshoot in the afternoon and it was a PAIN. Computers are really difficuuuuuuuult--

###

28/11/2023

Iwamoto-style drawing Masterclass: Bonus!

It is the "Give the leather and metal items a bit of flare/shine to immediately make the drawing look more complete"-jutsu!

###

30/11/2023

I wanted the clothes to give off an oversized, loose impression.

Canon Hughes didn't seem to be wearing a shirt underneath... hmm.

03/12/2023

I am beginning to understand the structure of the military uniform better...

Realising the butt flap/cape didn’t actually connect to the upper jacket is a shocker to me.

###

03/12/2023

A continuation of yesterday's sketch

...or so I thought, until I realized how King Bradley and Kimblee during the Ishval war had a different overcoat design, in which they actually wore a single long coat instead of a separated upper and bottom set.

###

04/12/2023

When his clothes were unbuttoned, there was something that looked like an additional button on his right chest... I wonder if it could be fastened from the back?

(Translator's note: sorry, I have no idea what button he's referring to here lol)

###

05/12/2023

I like how each character's personality was expressed through the way they dress. Contrary to his appearance, this person was very intelligent, which makes him such a great character.

[evermore-fashion]

Met Gala 2024: My Top 8 Women's Looks

I can't believe it's been a year since I did this but here we are again, digesting all the looks from this year's Met Gala theme "A Garden in Time." Those that attended either met the brief, passed with flying colours and played this year's grand staircase and others didn't. Originally I was going to do top 5 but after going over every look on Vogue the list grew into becoming my top 8. As always my opinions are my own and not gospel. So please don't take what I say personally and let's remember that fashion is a form of art and art is subjective. 1. Mona Patel wearing Iris Van Herpen Holy shit this look was off the scale and I'm not being over dramatic either. I saw the gown this morning and loved it on her, but when I saw that it had MOVING PARTS and that she was styled by the iconic Law Roach, I was floored. This man is a stylist genius and Mona looked stunning from head to toe. 2. Zendaya wearing Maison Margiela by John Galliano I wasn't a fan of this look when I first saw it but the more I do look at it the more I love it especially in comparison to her second look. I just love that the gown is not black with the mix of green and blue making the gown standout. Plus I love seeing subtle details that fit the brief but aren't tacky or garish. 3. Lana Del Rey wearing Alexander McQueen Lana's overall look was giving me witch queen in the woods and I loved it. It was dramatic, bold and stood out amongst the sea of boring gowns and suits that resembled a large funeral procession. Plus it's Alexander McQueen, the fashion house that blended art and fashion together and is still iconic after Lee's passing. 4. Taylor Russell in Loewe Sometimes less is more and Taylor Russell's look was just this and I thought it was beautiful, especially the wood grained inspired corset. We all know what it represents and paired with high end fashion it was both perfect and different. 5. Tyla wearing Balmain This gown might've looked boring at first glance or even close up but the fact it was made of sand blew my mind. I love the fact that it represented the theme perfectly but wasn't about flowers, trees, birds or bugs, but the earth we stand on. Also I just love the fact that Tyla's purse was an hourglass with sand in it representing time itself. GENIUS! 6. Emma Chamberlain wearing Jean Paul Gaultier This was another gown I wasn't mad on when I first saw it. However seeing everyone rave about what the gown represented made me fall in love with it and thats... roots. Again I love the different take on this year's theme and the fact that's brown lace as oppose to the usual black or white. 7. Elle Fanning wearing Balmain and Cartier I just love the fact this gown looks like a water fountain thats been frozen in time and I think it's ethereal to a tee. The way the gown has been sculpted is just mind bogglingly beautiful and could easily pass for blown glass. All in all it's a stunning gown and suits Elle perfectly. 8. Alia Bhatt wearing Sabyasachi It's not often that you see gowns that represent a culture especially at the Met Gala but this one was a true standout. The amount of detail from head to toe and the soft colour palette just made me fall in love with the whole ensemble the second I saw it. It's tradition and culture that meets high end fashion and art and I love it.

[morlock-holmes]

Still thinking about that Astral Codex Ten AI Art Turing test...

I mean... Obviously the one on the right is the human one. Is this some kind of prank? Am I on candid camera?

My suspicion is that what this test demonstrates most conclusively is that we are so thoroughly bombarded with images that we have developed the defensive measure of paying as little attention to them as possible.

We get the gist and then move on as quickly as possible.

Here's someone who did much better than I did on this test explaining their results.

This demonstrates fairly conclusively that nearly all the AI images Alexander chose do in fact, have "tells" which are extremely plain when you attend closely to the details.

In fact, I managed to get 2 out of every 3 correct even with an incredibly lazy and fast-paced assessment carried out on my phone without much recourse to fine detail.

There are two trends I noticed in the comments of the results post.

First, a significant number of ACX posters harbor a suspicion and resentment towards art and good taste, which leads them to suspect that all artistic judgement is essentially arbitrary and based on clout. They don't notice the difference, so there must not be a difference.

Second, a number of people who are clearly AI skeptics gave ground and accepted the idea that the AI images were lacking in "tells" and were especially good, and instead attempted to attack the test on the grounds that this kind of curation was itself unfair.

Both responses indicate, to me, both a fascination with images and a kind of, for lack of a better word, illiteracy about them.

And perhaps most interestingly this illiteracy doesn't seem to obviously vary between pro and anti-AI readers.

To go back to the side by side landscapes up there, the landscape on the left probably has the fewest obvious "tells" of AI art, maybe of all the AI images.

It's also just, you know, a much worse piece of art than the one on the right?

To go back to what I said in an earlier post, the painting on the right draws the eye down the hill. The two figures on the path are expertly set off so that even though they are barely suggested with just a couple of brush strokes, they immediately stand out and draw the eye, causing you to follow the same path they are taking down into the village.

Contrast the image on the left. Which part of the painting is your eye drawn to first? It could really by almost anywhere. No part of the picture is more important than any other, there's very little contrast between, say, the village on the right and the wildflowers on the left. What detail there is is largely because, well, otherwise there wouldn't be a painting.

If you asked 100 art critics which of those paintings was by a renowned master and which one you found hanging in a dentist's office I think all 100 would give you the same answer.

Or take this one:

If you really, really zoom in on the hand on our right, the anatomy is probably wonky, but I didn't notice that, I just thought,

"Okay, but, like, what is this angel, like... Doing?"

This figure, painted in this style, is rife with symbolism. Most likely an angel, or at the very least Icarus, it ought to be extremely clear what sort of emotional/cultural/allegorical/etc. meaning is being communicated, but it is just sort of... looking off yearningly towards nothing.

Culturally, it's just not something that a human would paint as a finished piece.

Actually in general AI seems to tend to either not have a clear focal point, or to have one extremely obvious subject placed right smack dab in the center of the frame.

One of the subtle visual gags in Monty Python and The Holy Grail is that the peasants are often doing things that look, on very cursory examination, as though they are some kind of agricultural activity, but actually they are just hitting random patches of ground with a stick or sitting on the ground and moving mud into a big pile.

And same with this Angel; it looks, at casual glance, to be doing "Angel type stuff" and if you just keep moving you leave with the impression that everything was fine.

But if you stop yourself, go back, and ask, "Wait, specifically what is it doing?" you really can't come up with anything more specific than, "Angel type stuff".

This sort of vagueness is also a tell of AI art.

If what I'm saying sounds a bit frustrated or mean-spirited I think it's because looking at this test has solidified something that I haven't really been able to articulate before, which sort of sums up to the vast majority of talk about AI, regardless of what the conclusion is, evidences a strong emotional investment in images paradoxically combined with a sort of estrangement from them and often even a strong resentment towards them.

Both pro and anti-AI imagery camps contain a tremendous number of people who feel imagery as a kind of imposition, with AI as either an emancipatory force aimed at a tyrannical art world bent on crushing us with arbitrary, incomprehensible images or, on the other hand, as a tyrannical force set to flood us helplessly with a set of incomprehensible images almost entirely against our will.

[jagalart]

Heya! Idk if you’ve already answered this but what do you use to make your colors so cohesive and kinda linocut-ish? Your art is so cool, it gives me so much inspo ✨✨💛

Thank you for asking! <3 I never know how to make tutorials/how to explain how exactly I do things, but I post GIF walkthroughs ocassionally, so hopefully these are helpful at all? :D I stream my process regularly at https://www.twitch.tv/jaglane too! A big part of the texture/traditional feel my art has is the traditional, pencil sketch I often use as a base for my works, but I'm not always doing it. Here are two examples of two recent arts of mine that were done partly traditionally:

Sometimes I do everything digitally and just try to mimic the effect, but my fully digital style is slightly different, less textured/rough. Here are two examples of that, you can see the initial lines are completely different!

I hope this helps a bit, thank you for your kind words <3

[curiouspupsicle]

Good Omens Fan Fiction Friday (12/6/24) - Illustrated Stories

Whoever decided that adult books didn't need artwork? I enjoy reading 19th century stories with line art from when they had been serialized (Dickens, Doyle, etc.) And who doesn't love Howard Pyle's beautiful illustrations for Robin Hood and King Arthur? So today I'm pleased to share a few of my favorite fan fics (but not all; some I've shared previously) accompanied by illustrations or in comic form. Like many illustrated fics, Butterflies in a Bell Jar (T) came about when a Big Bang united a writer and an artist. Writer Still_Not_King and artist @wyvernquill tell the story of co-workers Crowley and Aziraphale who team up at karaoke night and feel a spark. But it turns out, the company's no-fraternization policy is specifically directed at them and no one else. A surprising story that flies under the radar despite being truly unique and quirky. Rain in Avalon (M) by @snowfilly1 is set in Wessex after the death of King Arthur. Heaven wants peace. Hell wants war. Aziraphale and Crowley make a plan to keep both happy and themselves out of trouble. Start of The Arrangement. Sadly, I can't make out the name of the artist of the beautiful kiss illustration at the end. But worth stopping by to check it out. The latest from @klikandtuna, Naked and Afraid: Jingle Hell (T), is a Human AU in which Crowley and Aziraphale are competitors on reality show Naked and Afraid. This one-shot has great banter. I laughed out loud. And the writer also created the illustrations. Bonus is that it's set over Christmas for those looking for new holiday reads. Fan favorite @mrghostrat, wrote and illustrated Big Name Feelings (E) in which Crowley is a big name fan fiction writer who invites artist Aziraphale to pretend to be his boyfriend at a fan convention. Love the story and the style of the illustrations. Stalwart sun, wily moon (M) is a long, twisty tale in which Crowley is an art thief at the top of his game and Aziraphale is the former art conservator swept up into his world. Can't give much away without spoiling this tense and engaging story. But the writer/artist @dustandhalos decided that both our heroes are serious clothes horses. And provided stunning illustrations of their amazing outfits in the form of magazine cover art. Loved it!

I adore the style of @dreamdust who has been releasing two illustrated stories on tumblr. The first is Six Thousand Years in Love (NR) in which we see the developing relationship of our favorite pair starting in Eden. Each story comprises about 6 parts before going to a new setting. If you liked the cold open of episode 3 of the first season of Good Omens, don't miss out on what it inspired in dreamdust. And the second is Charmed (and Witch) (NR). A beautiful femme depiction in which Crowley is a witch and Aziraphale is the maiden caught in her enchanted grove. It is a WIP updated regularly. Purrchance to Dream (M) is a lovely collaboration between writer Calico and artist @vavoom-sorted-art. It's a WIP on hiatus but absolutely worth reading and subscribing in hopes they're able to get back to it. Crowley is suffering since Aziraphale returned to heaven. But he finds himself being stalked by a fluffy white cat who won't leave him alone. The comic form of One Night in Bangor (and the World's Your Oyster) is by @anotherwellkeptsecret based on the original fic by Atalan (found here - rated E). Heaven and Hell hold their annual joint meeting. But this time, the demons have made a bet about which hellish employee will be first to bed an angel. Both versions are hilarious. Do you have any favorite illustrated fics? Bonus points if the writer is also the illustrator. Please leave them in the comments. And please follow if you want to keep up with my weekly recs based on a different theme each time.

[shakingparadigm]

Once again, I can't really gather my thoughts cohesively on this right now, so please bear with me. Just musing, so the ideas here might be a bit disconnected.

As a prodigy artist well-versed in more than just singing, it's no suprise that art is a prominent part of Till's character. Everything associated with Till seems to carry his eccentric artistic talent, right down to the abstract symbols painted onto his otherwise blank white t-shirt.

(Till's sketching and drawing seem to go hand-in-hand with his songwriting. Doodling and composition are two of his hobbies, and he's stated to be talented at both.)

(His appearance in TOP 3 emphasizes this messy, artistic angle. The symbols painted on the wall are similar to graffiti tags, usually associated with youth and rebellion. Furthermore, there is paint splattered on his face, staining color onto his disheveled hair and baggy clothes.)

(Even amongst the TOP 3, Till is presented with the most color. Between Luka and Ivan's main colors of white and black, their formal attire and elegant, charming personas, Till looks rather out of place.)

(Till's personal/special talent is floral art.)

Art is an integral part of Till's character, something that defines him and his desire for self-expression and freedom (it's no suprise that when Till loses his will to live in ROUND 6, he's dressed in plain and monochromatic clothes that lack any of his own artistic touch). Despite the ties between creativity and freedom, Till's talents are regularly taken advantage of and even tampered with due to the treatment he receives from his owner.

Guardian Urak is an eccentric segyein. A hustler, materialistic and rather pretentious. He shows great pride in Till's "uniqueness" and artistic ability, boasting that he has raised the best human-pet in history. In order to create the success that is Till, however, Urak had to execute his methods on several other pets beforehand. His practices include the thorough abuse of his human pets in order to coax out their talents, pushing them to their limits with harsh training regimens and painful experiments. Violence is a tactic utilized heavily within Urak's line of business, and the human pets under his ownership are the most openly abused.

Urak is said to abuse his pets to the point of severe mental issues. It's due to these mental issues that his previous pets have failed to achieve victory, showing great promise but never making it to the end. He seems to believe in the idea that the peak of a human's talent is tied with their instability, that the more talented a pet human is, they more likely they are to be a freak.

Urak pushes forward with the mistreatment of his humans despite their suffering. He believes it to be a part of creating exemplary art, playing into the idea of a tortured artist. Urak's pets were incredibly talented and top contenders for the title of champion. If not for their heavily deteriorated mental states, they would have brought Urak to victory long ago. It's quite clear that he does not intend on changing his methods because the humans he produces are some of the best products around. He doesn't want to change his methods, he wants a human that can withstand them.

Till's style is already established to be unique, nicknamed a "black sheep" in his official magazine page, emphasizing individuality. His brazen aggression in ROUND 2 caused him to attract much hate, but twice as many fans, too. The bashing of Freddie was framed as a bombastic and somewhat avant-garde performance act, referred to as art. Till's public persona was that of an eccentric and unpredictable artist, a highly reactive contrarian pet who presents both a high risk and high reward. Urak has produced another tortured artist, except this one is different (in his words, unrivaled). A higher caliber of pet, bringing him the closest to winning he's ever gotten thus far.

Till's various artistic talents seem to be things that he has developed on his own, stemming from his own desires and interests rather than something forced onto him by Urak. In one of VIVINOS and QMENG's livestreams it was stated that Till is inherently gifted, a creative genius since birth. Till uses his abilities as tools of rebellion and self-expression, writing his own music, vandalizing and adjusting segyein-provided material and outfits in order to make them more his own. It's unfortunate that even Till's attempts at rebellion are taken advantage of and instead used against him. Constantly battered and bruised, isolated in a cell, forced to endure experimentation, all of his artistic ingenuity and creations have been taken by the segyein and used to promote him as a product. He has been turned into a spectacle, his misery and abuse put on display for others to gawk at. Suffering for the sake of art.

[chacolachao]

Character Bodies 1 - Applying "Shape"

Sometimes when drawing a character you might have a hard time capturing their... character. You might see a drawing like this [clean lined image of Super Sonic] and may not know how the artist got to that point. In this case, it's best to start looking at characters not as a series of lines, but rather as a group of objects. Looking at an officially licensed example of Tails, we'll try to break it up into objects first BEFORE looking at the lines. We'll focus on the body for now [Sonic Riders Tails broken up into sections, red as the head and legs, green as the body] This green section is the main body, notice that I don't include the fur on him, only his body- once that's figured out placing fur will be a breeze. Now we need to imagine what this shape would be if it were a 3-Dimensional object... even though these are drawings, these characters' parts exist on an imaginary 3D space next to each other. Start by taking note of which direction this part [the green body] is facing and draw a line- if this little green blob were now a tube with top and bottom defined, as circles, you can begin to see our 3D object.

Now that you know about Tails'Tube, posing his body will be easier as long as you remember that his body is 3D. Tip: Try practicing keeping a simple shape like this consistent while bending it and posing it every which way.

Placing the limbs onto this object's 3D surface instead of just "drawing legs" will help you with more silly poses that you may not be sure how to pull off. The shocking thing about limbs... they are also tubes, so separate them like the body, take note of their front, and then STOP.

Take note of where on our body object these legs are placed. In the case of Tails, these legs start in the lower corners of Tails' body, and start a bit on the side, not immediately under. Knowing where on that 3D space Tails' legs attach can help you decide how to bend, pose, and exaggerate without the character losing their shape.

*Every character's shape defines their "character" defines their shape- so don't assume every character works the same way, using this process to analyze shape will help you properly understand who it is that you're trying to draw in every style. There are billions of styles that have graced these characters so don't feel like your art has to match IDW* or current gen artwork *note: multiple artists with different styles are within IDW