#pantone color 2019

[sweetvpr]

SWEETVIPER is a seven-member South Korean girl group formed through the survival show SEARCHING FOR SWEETVIPER by WICKEDWAVE MEDIA. The group consists of seven members: KYLIE , SANGHEE, YUEQING, CHAEWON, ZOEY, DOHEE, and YUAE. They officially made their debuted on MAY 12, 2023 with their debut self titled album "SWEETVIPER" with the lead single “NOTHING BUT ICONS.” which showcases the group’s fierce determination and unique voice in the music industry.

GROUP NAME MEANING

Their name reflects their versatile concept, merging a gentle and alluring image (“Sweet”) with a strong and impactful presence (“Viper”)

GROUP INFORMATION

GROUP NAME – SWEETVIPER | 스윗바이퍼

MEMBERS – KYLIE, SANGHEE, YUEQING, CHAEWON, ZOEY, DOHEE, YUAE

SUBUNIT(S) – SWEETVIPER ZINGZANG | 스윗바이퍼 징짱

LABEL – WICKEDWAVE MEDIA

COLORS – #980001 (Pantone 207 C), #D0006F (Pantone 226 C), #8FE2B0 (Pantone 7456 C)

FANDOM — VIPERLINGS (바이퍼링스)

GREETING — “Sweet and fierce, we are SWEETVIPER!”

DEBUT DATE – MAY 12, 2017

DEBUT SONG — NOTHING BUT ICONS

DEBUT ALBUM — SWEETVIPER

MEMBERS

MOON 'KYLIE' SEOYOUNG (98) - LEADER, MAIN RAPPER, LEAD DANCER, VOCALIST

JEONG SANGHEE (98) - MAIN VOCALIST, LEAD RAPPER, VISUAL

FAN YUEQING (99) - MAIN VOCALIST, FACE OF THE GROUP

MIN CHAEWON (99) - MAIN DANCER, LEAD RAPPER, VOCALIST

KWAK 'ZOEY' JIWOO (00) - MAIN DANCER, LEAD RAPPER, VOCALIST

HAN DOHEE (00) - LEAD DANCER, LEAD RAPPER, VOCALIST, VISUAL

YU 'YUAE' SINAE (00) - LEAD DANCER, LEAD VOCALIST, RAPPER, FACE OF THE GROUP, MAKNAE

DISCOGRAPHY

SWEETVIPER (2023)

VENOMOUS (2024)

[elizabethplaid]

a few more knitting notes for the night

Well, I didn't clean off the whole couch like I planned, but I at least sifted through the in-progress yarn bin.

I counted my deflated (not-yet-stuffed) pumpkins: 2 large and 7 mini. That's all the stuff I've knit since the last "stuffing spree", back in August. So 9 back then, 9 now = 18 pumpkins.

Next step is to tidy the yarn I've worked with over the summer. Some already went back in the big bin. A couple skeins need to be rewound. I need to separate a two-ply novelty yarn, to separate the eyelashes from the pom-poms. (It looks like clown pox, I stg.)

The leftover yarn bits from the Pantone hat were also loose in my bin. I don't want to start the 2nd hat yet, because Caron (the yarn company) really made the hanks look amazing. I'd like to display that next to the hat I made, so people can see why the colors are like that.

------------ I showed my dad the "harvest" of deflated pumpkins, along with the stuffed ones I've stashed away. (Also showed him the group photo from August.) He asked about pricing, and I said $10-15 for the smaller ones and $20-25 on the larger ones. He made a face and implied the prices were too high. I said Neighbor-G would fuss at me if I priced them too low, and I'm going to offer a discount for people buying multiple items.

If anyone wants to do a trade or partial trade, I would absolutely love that. Craft fair aside, K (from the library) and I have already discussed trading work between us. I plan to knit her a hooded scarf, and she will help me out with some quilting things. LL-J has destashed a bunch of yarn on me, so I don't mind giving her discounts or gifts. (I gave her 2 or 3 pumpkins last year.)

I know I won't sell everything, especially the pumpkins. I didn't make many cowls for that exact reason. It's 3 cowls (I decided to sell the dark green one), 2 scarves, the pumpkins, the cat-toy mice, and anything else will be display. (eg the Pantone hat, Harmony's sweaters, my leaf and mermaid shawls, etc)

Ugh, semi-irrationally, I'm pissed. Like, of COURSE I know pricing is tough. Appropriate for time-effort-materials versus what "sells", without alienating potential customers. I'm not trying to make a living, but I also know that whatever's left might make me feel discouraged.

Thank god for Neighbor-G being so supportive of me. She's the one that got me to attend (just displaying stuff for fun) in 2019. She's already jokingly warned me about pricing myself too low. She feels like the encouraging female role model that I really need, especially because she knows crafts and pricing and such. And dad trusts her, after working together in the community for many years.

2020 and 2021 were really rough for me, after a few years of decline. (I think I was really out of it by the end of 2017, but 2016 was still really good for me.) I still haven't taken doll pics in ages, but I'm so happy to be crafting again. Volunteering at the library and befriending LL-J made a huge difference. I'm so incredibly proud of my progress - stuff that's easy to show off to other people, rather than just my own personal victories.

With rejection-sensitive-dysphoria, a little stumble or set-back can throw me off for quite a while. Example: The Pantone hat ended up being too small. I got pumpkins stuffed within a week or so, but I think it took another month before I really got back into knitting. (That was also when I was getting into the cell phone games, oops.)

My point is that bringing up the pricing issue is another RSD trigger to me. It feels discouraging to think of how much -won't- sell. And if it's not selling solely because of my pricing, that'd be a big pain. Again, I want to bargain and trade with folks. I'd rather stuff gets taken home by other people, rather than ensuring I make a big profit. And it might not even be for other craft fair items. Like, "hey, run to the store and fetch me a snack" or something.

I think K and my counselor would say that's good for networking and building a presence in the community.

-----------

HOLY FUCK, I just remembered I had a biscornu (embroidered pin cushion) I was supposed to sell! I set that aside, because I have to sew the panels together and stuff it. Holy fuck, holy fuck, that's hilarious. Like, I started that thing last October!

*sigh* I have 2 weeks. It doesn't have to be done all at once. I could probably stuff pumpkins while I man the table, and people would love it.

[jyuriadunkel]

🔷 Classic Blue Jyuu 🔷

One of my anual Pantone illustrations, this one for the Color of the Year 2020.

Those were my 3 hair looks for 2019 BTW xDDD

[brone-hoult-1988]

11 Living Coral Furniture And Home Decor Products - Pantone Color Of The Year 2019

[alfabanquet]

Enchanting Living Coral Ideas for Your Wedding: Infuse Vibrancy into Your Special Day | Alfa Banquet

Are you envisioning a wedding that’s both breathtakingly beautiful and on-trend? Look no further than the captivating allure of Living Coral, Pantone’s 2019 Color of the Year. Infusing your special day with this vibrant hue promises an atmosphere of warmth, romance, and modern elegance. And what better venue to bring your vision to life than the prestigious Alfa Banquet Hall, nestled in the heart of Karol Bagh, Delhi? Let’s delve into a world of enchanting possibilities as we explore stunning Living Coral wedding ideas tailored to make your celebration unforgettable.

Invitations that Set the Tone: Start the excitement with Living Coral-themed invitations that reflect the charm of your chosen color palette. Incorporate subtle coral accents, watercolor motifs, or elegant typography to give your guests a glimpse of the splendor awaiting them.

Floral Fantasia: Elevate your floral arrangements with a profusion of blooms in varying shades of coral, peach, and blush. Think lush bouquets of peonies, roses, dahlias, and ranunculus accented with greenery for a natural yet opulent touch. Adorn your venue with cascading floral installations, centerpieces, and aisle décor to create a mesmerizing floral paradise.

Décor Delights: Transform Alfa Banquet Hall into a whimsical wonderland with enchanting décor elements inspired by Living Coral. From table linens and chair covers to napkins and drapery, infuse your reception space with touches of coral for a cohesive and visually striking ambiance. Consider incorporating metallic accents like gold or rose gold to add a touch of glamour and sophistication.

Sensational Tablescapes: Set your tables aglow with dazzling tablescapes that showcase the beauty of Living Coral. Opt for chic coral-hued tableware, glassware, and chargers complemented by gilded flatware and crystal accents. Enhance the romantic atmosphere with flickering candlelight and delicate floral arrangements for an unforgettable dining experience.

Culinary Delights: Treat your guests to a culinary journey that tantalizes the taste buds and delights the senses. Work with Alfa Banquet Hall‘s talented chefs to craft a menu featuring gourmet dishes that showcase seasonal ingredients and innovative flavor combinations. Consider incorporating coral-inspired cocktails and desserts for an extra dash of whimsy.

Fashion Forward: Make a stylish statement with bridal and groom attire that embraces the vibrancy of Living Coral. Brides can opt for ethereal gowns adorned with delicate coral embellishments or opt for bridesmaid dresses in varying shades of coral for a cohesive bridal party look. Grooms and groomsmen can complement the theme with coral-hued ties, pocket squares, or boutonnieres.

Entertainment Extravaganza: Keep the festivities going with entertainment that captivates and delights your guests. Whether you opt for live music, a DJ, or a mesmerizing dance performance, ensure that the entertainment reflects the energy and spirit of your celebration. Consider incorporating interactive elements like photo booths or themed games to keep guests engaged and entertained throughout the event.

Memorable Favors: Send your guests home with thoughtful keepsakes that commemorate your special day. From personalized trinkets and edible treats to potted succulents or seed packets, choose favors that reflect your love story and the essence of Living Coral.

Capture the Magic: Preserve the memories of your magical day with stunning photographs and videos that capture every precious moment. Work with a professional photographer and videographer who understand your vision and can immortalize the beauty and emotion of your celebration for years to come.

Incorporating Living Coral into your wedding at Alfa Banquet Hall, Karol Bagh, Delhi, offers endless opportunities for creativity and expression. Whether you’re planning an intimate affair or a grand extravaganza, let the allure of this captivating hue infuse your celebration with warmth, romance, and modern elegance. With meticulous planning, attention to detail, and the expertise of Alfa Banquet Hall’s seasoned team, your dream wedding will become a reality that surpasses even your wildest expectations. Cheers to a lifetime of love and happiness against the backdrop of Living Coral’s timeless charm!

[josiebelladonna]

so.

we braved it through the heat wave out here and we saw the Barbie movie on early release day because of the matinee (and on my dime because i inexplicably have money).

first things first. i admit it, i’m going to be biased because neither of us had any desire to see it; in fact, i was turned off from it almost immediately just from the marketing alone. don’t get me wrong, either, there have been girlish things in the past that i do like (and i’m the least girly girl i know), but as i said, it reminded me of that episode of portlandia where the feminist bookstore gets bought out and basically turns it into one big corporate joke slathered in pink paint. that’s exactly what this movie reminded me of, except it’s executed in real life.

i’m just saying this now because i've been carefully avoiding the movie tags the last week, with people acting like heaven and earth had to be moved in order for the barbie movie to be made while utterly slating oppenheimer (and acting like the mission impossible movie doesn’t exist, like wtf). in fact, this is why i actually kept my distance from social channels because i just knew it was going to be bad. bad vibes in the color of pantone 219.

but i left my bias at the door and i went into the theater with an open mind. you never know. i could be wrong and everyone who’s been giving it glowing reviews have been sincere this whole time…

first off, the elephant in the room. the soundtrack.

there are actually a couple of bangers on this, like the fifty fifty song and the dua lipa one; the song from ice spice was a lot better than i thought it would be, like that actually surprised me. i like her, man, she’s cool. but for the most part, this soundtrack just swings and misses. shit, the bob’s burgers soundtrack stuck out more to me and that was done solely by everyone on the cast.

i have no idea why you would have royal pain in the ass billie eilish on the soundtrack other than to play favorites and inflate her already-planet sized ego even more because heaven for-fucking-bid anyone has a negative opinion of her, and- you know, now that i write this out, it does make sense to have her on it. this movie in a way is like her: painfully overhyped to the point that thinking about who’s hyping it makes you feel sick after a while and what substance there is you wish for more of. and, no, i fucking hated that song: there’s a reason why i dropped my oppenheimer drawings at the same time as when she dropped that one, all the way down to the minute, because i just know it’s beginning of the end for her. 

yes, i don’t like her anymore but… i kind of feel bad for her, though. started out as this little teen girl with the unusual hair and the tomboyish wardrobe who sang these dark songs that i found solace in back in 2019, and look at her now. she’s being sexualized like the dickens (and apparently when she didn’t want that, either? there’s an interview from 2016 where she explicitly says that she wants us to focus on her music and not her. yeah, she was like 14/15 at the time but you could still carry that narrative as you become an adult and ease into it) and her ego has gotten so big the last couple of years that she’s utterly insufferable now. she’s a loser, you guys.  ”but she’s so sincere! so honest!” no, she’s not???? she has quite literally changed her narrative so many times the last seven years, i have no clue if she’s telling the truth or not. really, ask anyone who’s followed her since 2015. REAL survivors tell their story and they stick to it.

i’m tired of her name, i’m tired of seeing her, i’m tired of people left and right kissing her ass when there really is no good viable reason to… I’M JUST TIRED OF HER! and this movie killed it, this movie was the last straw for me. i wish she would just go away already. just… let it die. let the billie eilish mania die already.

and i guess wolf van halen and slash did some solo work on the soundtrack but they weren’t credited for some reason? i recognized them immediately, and i seriously wanted more of them.

it’s like when you have a pizza and the whole thing is covered in pineapple save for this one little sliver. the rest of it is practically inedible but you look at that one piece and think, “eh, it was alright just to spite itself.”

the set design gave me the same feeling as illumination’s movies - they make the despicable me and minions movies; their movies are notoriously cheap to make because they reuse the same assets over and over again. because of this constant reuse, their movies become boring and bland after a while. add to this, when you write the movie around a few different locations, and the color scheme barely changes to boot, you get the same effect. this is not a bash on the color pink, by the way, so save your fucking comments, but to see the color pink (often fused with neon colors, too) in every corner, every crevice, every ass crack, and every single inch of screen time that isn’t the real world… it got so tiresome after just a short time. in fact, that was a big complaint with me when the commercials for it started to roll in was “that color scheme is painful to look at.” it wears on your nerves really quick, too, especially if you’re obsessed with balance like i am. it’s like, my god, can we at least have some darker tones in here to level the playing field? this is complete sensory overload. you understand the intent completely, but it’s so… it’s too much. it becomes harsh and even suffocating after the first twenty or so minutes. we left after the first… i don’t know, 50 minutes? because i had a splitting headache (it went away almost immediately, too, oddly enough). the only good part of the set was the san jacinto mountains in the background, i could tell that was the real deal. but that was pretty much it (again, the pineapple on pizza analogy).

helen mirren as the narrator felt out of place, imo. narrators have to work in a very specific context and even then, like what we’ve seen with the minions movies, it can be abused and used as a crutch. i don’t know why you would need someone to point out this shit when you could see it for yourself. it’s called “motion pictures” for a reason, and there’s a way to work in exposition without it feeling like a cannonball to the face.

there was one review from about a week ago - i’ll never forget it either mainly because i had to look it up and i was met with the login box from twitter - but it said the story is the weak part and... yes. yes, it is. first off, i went to look up the synopsis and the first thing that ran through my mind was “wreck-it ralph”, and also the lego movie. barbie and ken leave barbieland for the human world in a similar way that ralph and vanellope trekked through different video game worlds, or how the gang in the lego movie travelled through different lego settings. except, instead of being this colorful fun delicious adventure where everyone grows and changes through actions and the two leads learn to love each other and value each other by the end, they come back for an existential crisis and- i’m sorry, it doesn’t work. it felt really… the only word that comes to mind is “clunky”. it felt very clunky and cumbersome, like it’s trying to be everything and say everything all at once. i mean, the story is the backbone, the heart and soul of a movie, and when it’s barely there, or sputters out in the second act and the whole thing actually lives and dies on the work of fucking speeches (that i already saw like word for word in tumblr posts about 9-10 years ago) rather than adventures, it feels pointless. i want to watch a story unfold. tell me a tall tale. show me something new.

and my nickname for it “the big pink brick” was earned. it felt like this giant brick kept hitting me over the head with its messages and it got uncomfortable and not in the way that great art makes you uncomfortable: no, i mean it was unpleasant. misandrist, too. yes, this movie is misandry in every sense of the word. there’s smashing the patriarchy and then there’s treating men as if they’re useless meat sacks. maybe i’m just someone who likes to be entertained and not preached to when she goes to the movies: it’s why i could never get into rom-coms (and my mom is the same way, too) because… what’s entertaining about this? about a story you’ve seen a million times already just drowned in pink paint and with tropes from 10-year-old (GREAT) animated movies thrown in to make it a little more interesting? plus, it’s why i find movies that attempt to be philosophical a rather mixed bag of sorts.

you can be dark and intellectual. you can be serious. you can be a feminist and stand up to the patriarchy and not be a complete asshole to men and make our gender look bad in the process. zootopia did this back in 2016, so why not carry the trend onwards? you can be all those things and still have it be genuinely fun and surreal and cartoonish. don bluth and all the cartoons from the 90s and the 2000s mastered that, why can’t other directors do it? it felt very lopsided towards barbie and ken. kind of the point, yes, but... i wanted to know more about these other people, though, like what’s going on with them. you can’t have two characters exist in a vacuum when it obviously isn’t. 

there are also parts where - i’m gonna get shit for this, too, so i’m bracing myself - it reminded me of the emoji movie.  “do you guys ever think about dying?” that sounds like a rejected line from the emoji movie and i can’t be the only one who thinks this, either. really, i hate to be “that person” but i kind of knew how it was going to play out just by watching the trailer. it’s a very loud movie, too, no one talks in a normal voice. it often felt like i was being yelled at. 

and i really didn’t find any of it funny: i think i chuckled all of twice, but never “laugh out loud” like i do when i watch the holy grail or any of mel brooks’ movies.

there’s genuinely nothing sadder than comedy that fails to make you laugh.

”it’s supposed to be ham-fisted!” listen, if someone has to say this, that’s a bad sign. that’s a sign of literacy having fallen right off a cliff. it’s like when i saw nope last summer and people were bitching about how it’s “hard to follow” and the arc with the monkey felt unnecessary (when it absolutely was!)

it’s a sign of people wanting movies literally to be nothing more than just a bunch of colors fused with lines that sounded like they came out of 2013-2014 tumblr written at 1 in the morning filtered through volume settings meant for dodger stadium.

rather than be challenged or introduced to something new, you, the audience this movie was made for as well as tumblr in 2023, just want your asses kissed, so you ironically get this echo chamber thing going and true intellect goes right out the window.  “tumblr doesn’t have an echo chamber effect going, though” IT MOST CERTAINLY DOES! how many people on here feel like they’re just yelling into a void, like no one cares what they have to say? far too many, myself being one of them! you people don’t want anything to nudge you out of your comfort zone and instead cater to your every whim, and it’s so insulting.

everyone on the cast had this look in their eyes like they were just dying inside, and i have no clue if that was intentional, either. but there were times i could tell margot was really trying her best, but she looked like she was phoning it in (weird to think amy schumer was considered for the role, too). even dua lipa looked miserable. will ferrell of all people looked miserable, too, which was shocking to me.

really, the only person who seemed to be having a good time with it all was ryan gosling. i’m not even a fan of the guy, but just like with the last two tom cruise movies, i have to hand it to him. he was actually great. he was fun to watch. did i think it was “oscar-worthy” like what everyone on the internet says? not really—the internet is rather hit and miss in terms of taste, so of course i took it with a grain of salt. but i give him my kudos, though.

but after the big pink brick, you yearn for true intellectualism again, and not in the slathered in pink shoved-right-in-your-face-without-any-rhyme-or-reason-other-than-because-women type fashion, because that really isn’t. another interesting thing to note? oppenheimer is three hours, (no way we could do the double header, too hot out and my mom wants to treat me to that instead) but i bet you money you won’t even notice it. you’re just so engrossed in the story of the man and how the bomb came to be that you genuinely don’t even think about the time. barbie is… what, an hour and a half? hour-forty? i kept checking my watch every few minutes and we didn’t even make it to the end. how do you make 90-100 minutes feel like 90-100 hours, i’ll never know. i was thinking this when threads was launched, “how the fuck can you people here on tumblr just turn up your noses at this when you aren’t even going to give it a chance, which oh, by the way, is the very definition of prejudice?”: the barbie movie is the best example of what’s known as “brainrot”. bright obnoxious unflattering colors, feminism so warped that even despite being from women it feels like everyone’s just cheering on the winner and bashing all the kens of the world, and morals that incessantly hit you over the head and you get nothing out of it and you learn nothing and the hype is really just that: hype. tumblr in the 2020s deserves this movie, and it serves all of us right for letting it happen. 

i saw the reviews on rotten tomatoes last night, and the positive ones all feel ai-generated, no doubt about that. the negative ones meanwhile, felt more human and confirmed my suspicions about it. in fact, i saw a couple of female critics say that there’s an air of defensiveness to it and… yeah, there is.

it’s the exact same vibe i get from fanfic communities now: this whole thing of “if you got nothing nice to say, don’t say anything at all” said in the most belligerent tone ever and god damn it, NO ONE WANTS THAT. NO ONE likes that. you hear about women complaining about men being aggressive: take this from a woman, it works the other way, too.  i avoid so many things now not because i DoN’t HaVe AnYtHiNg NiCe To SaY, but because it’s unpleasant. someone who’s lgtbq was turned off by barbie like how she’s turned off by fic communities and most of the internet because it all comes off as mean-spirited. you see the intent but it’s completely lost in translation and it winds up not feeling like a movie. oppenheimer, for all its dead weight heavier than uranium, is by far a more pleasant experience and the manhattan project was primarily men (to all of you bitching about that).

i saw something earlier before we left saying, “men who refuse to see the barbie movie are trash.”

…you know.  as a woman.  i resent the fact that i had to see that sentiment.  because, ahem. after women fought for decades, how we were like “hands off our bodies” and “don’t touch us unless we say so”, there’s this narrative here that basically covertly tells men what to do. if you’ve followed me for any length of time, you know i hate hypocrisy. and forcing men to see this fucking movie lest they get labeled as misogynistic or homophobic-  you hypocrites. really, if you condone that… don’t you DARE call yourself a feminist 

EVER AGAIN.

barbie is not about female empowerment, and the discourse surrounding it is not about misogyny. the issue is every single one of you taking it way too seriously. if it was truly a fun movie, à la the lego movie or wreck-it ralph, i guarantee i probably would have loved it even with the hideous color scheme and lame soundtrack. but it’s not. it’s not fun at all. it’s basing a movie off a toy meant for little girls that was studied and recorded as anti-feminist (given the rampant body image issues we have, for starters) and backtracking on itself for decades in hopes to fix itself, and every single one of you screamed “FEMINIST!!!” because the echo chamber caught up to you.

feel free to complain in the comments, i got shit to do✌🏻

[critcrockett]

“You live by the beach, why don’t you go that often?”

I did and I am currently Pantone’s Color of the Year for 2019.

[fly-to-rainbow-ray]

Pantone’s Color of the Year 2011-2020

2011 - Honeysuckle

2012 - Tangerine Tango

2013 - Emerald

2014 - Radiant Orchid

2015 - Marsala

2016 - Rose Quartz & Serenity

2017 - Greenery

2018 - Ultra Violet

2019 - Living Coral

2020 - Classic Blue

[coleheath]

Referencing

Apartment Therapy (2020) "Interior Doors Like Nothing You've Seen Before"

Available at: https://www.apartmenttherapy.com/interior-doors-like-nothing-youve-seen-before-230320?utm_source=pinterest&utm_medium=tracking&utm_campaign=inline-img-share&epik=dj0yJnU9Slg3N25KeWhZY0V5eFIzVWlocXRvNllhXzNJWUVFel8mcD0wJm49d3l2V1M5dzFCMlJ0NzExZlpIS0JSUSZ0PUFBQUFBR09fczBv

(accessed 03/01/2023)

-

Homenish (2021) "14 Hardwood Floor and Wall Colour Combinations for a Cohesive Design"

Available at: https://www.homenish.com/hardwood-floor-and-wall-color-combinations/

(accessed 03/01/2023)

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Italian Bark (2019) "HOME TOUR"

Available at: https://www.italianbark.com/interior-design-pantone2019-livingcoral/

(accessed 30/11/2022)

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MEDIUM (2020) "100 years of Cooper Black"

Available at: https://medium.com/swlh/fat-face-100-years-of-cooper-black-cf7735f68699

(accessed 15/12/2022)

-

PSU Vanguard (2019) "Sustainable Isn't Accessible"

Available at: https://psuvanguard.com/sustainable-isnt-accessible/

(accessed 28/11/2022)

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Simon Kämpfer (2020) "Plain English & British Standard"

Available at: https://www.simonkaempfer.com/plain-english-british-standard

(accessed 29/11/2022)

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WGSN (2021) "The Rise of Personal Expression"

Available at: https://www.wgsn.com/interiors/p/article/90750?lang=en&_fsi=HlqIpCTh

(accessed 10/12/2022)

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WGSN (2022) "What is Circular Design?"

Available at: https://www.wgsn.com/en/blogs/wgsn-sustainability-glossary-what-circular-design-0

(accessed 13/12/2022)

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Yanko Design (2022) "Elisa Uberti's ceramic handcrafted lamps are beautiful pieces of art"

Available at: https://www.yankodesign.com/2022/05/20/elisa-ubertis-ceramic-handcrafted-lamps-are-beautiful-pieces-of-art/

(accessed 02/01/2023)

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1BHK Interiors (2021) "Seven Reasons to Choose Custom Furniture"

Available at: https://www.1bhkinteriors.com/blogs/news/customised-furniture

(accessed 04/12/2022)

[k00288377]

Notes from Colour Seminars:

Sylvia explains how colours change due to changes from a computer screen which make the colours appear more seductive.

I learned about test cards which were physical cards held in front of a camera and were used to help make adjustments in colour or allignment if needed.

Standardizing colours in the CMYK process, this  is a method of printing color by using cyan, magenta, yellow, and black.

The Pantone Colour Matching System helps designers to colour match specific colours with thousands of colours to choose from. Different manufacturers in different locations can refer to this system to make sure colours match without direct contact with each other.

How colour can change the world. How it's a medium to express ourselves. Colour has the power to influence, to make a statement.

Each year since 2000 Pantone has chosen a colour This year's Pantone Colour of the Year is Viva Magenta 18-1750. A shade rooted in nature it is an unconventional shade for an unconventional time. "Powerful and empowering Viva Magenta is an animated red that encourages experimentation and self expression without restraint" -Laurie Pressman, Vice President of Pantone Colour Institute.

Vantablack was previously the blackest black material and it absorbs 99.96% of light. It was developed by NanoSystems and developed for military purposes and for astronomy equipment, but have allow only an artist called Anish Kapoor to use it after buying exclusive rights to it.

In 2016 the British artist Stuart Semple created the pinkest pink in retaliation to Kapoor buying rights to Vantablack and is available to the public apart from Kapoor who is banned from getting his hands on the pinkest pink.

In 2019 a new material which is now the blackest black as of today, surpassing Vantablack, was developed by a team of engineers at the Massachusetts Institution of Technology and it absorbs 99.995% of incoming light making it 10x blacker than Vanta black. This was unveiled as a work of art titled 'The Redemption of Vanity' by Diemut Strebe. The team also said the project can be interpreted as a statement again Kapoor's purchase of rights to Vantablack.

'The Redemption of Vanity' by Diemut Strebe

I quite enjoyed this seminar, although my works don't contain much colour it was nice to learn that there's a lot more meaning to colours than I originally though. Plus it was nice to find out someone outdid Anish Kapoor's Vantablack as I'm not a fan of him or his work as art should be accessible to all.

[jyuriadunkel]

Remember the Pantone Color of the year?

2019 color was Living Coral🧡 and I made once again an illustration using some color palettes from their website~

Which combination do you like the most?

[whimsythemes]

Living in Coral

A Tumblr Theme

Created for the Pantone Color of the Year Challenge

HEX: #FF6F61 -  RGB: 255, 111, 97

➥ preview ⋮ code

OR more themes?

Includes :

Minimalistic layout.

Pagination or infinite scroll.

Accented with Pantone’s colour of the year; Living in Coral.

Or you can use your own custom colours.

180px posts in four columns - 450px posts in one column.

Can handle a longer description.

Index, inquiries, archive links + 3 custom links.

Easy to read and navigate permalink page. 

Optional grayscale or sepia post images.

Feel free to message if you have any questions or concerns.

Enjoy!

Have a request or idea for a theme? Send me an ask!

[angelocerantola]

Coral Mountains Storm © A. Cerantola

[thenailrainbow]

Color of the year inspiration 🔥

[lucid-dancing]

🍑a peach, but not yours🍑

[worldofimmensum-blog]

The 2019 Pantone Color of the Year is called Living Coral, so I thought I’d use both the color and name as inspiration for a new piece! 

Prints Available!

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