#painted this a little bit ago

[nia-inkognito]

blooming from the skull's sutures

inspo: the forget-me-nots scene in Mayfly in Milk

[aru-art]

happy 2nd anniversary to what continues to be the game of all time!! 🪐

[bipedalcapybara]

Retreat to the covers from the sound of the rain.

[sunbloomdew]

oc inspired paintings :D

lyrics from "Message In A Bottle" by The Police

lyrics from "Tonight, Tonight" by The Smashing Pumpkins

see more about these pieces under cut :]

you don't have to, i was drinking melisa and as such was a bit sleepy while writing it. might not be very detailed or sensible lol

so, these are actually my ocs inspired paintings! first one is for haru and second one is for primrose. they are 'mirror characters' as i like to call them.

they were created alongside (more or less, the concept for them was anyway) and share themes and arcs in a way :)

now a little bit about the landscapes i picked and the songs.

"Message In A Bottle" is one of the songs from haru's playlist. There are a couple of reasons for why i chose it. First it's about loneliness which is a central aspect of haru's arc. they are a character who hates being alone and tries their hardest to make sure that doesn't happen. However in their pursuit of social renown and validation of a collective, they abandon the only people who loved them in the first place.

Loneliness is one of the things that prompted them to change in a way that would earn them approval of strangers and aquaintances. But their transformation ultimately didn't lead to them feeling better, instead it made them even more lonely - not able to connect with their newer friends and not able to open up to the old ones anymore.

The lyrics i chose have sort of a double meaning. It's how haru was feeling before their change begun. but it is also the way they are continue to feel, no matter how badly they deny it. the lyrics are also a contrast to their actual situation - they are surrounded by people who don't understand them - wether because they don't know them or don't know them anymore.

Second is the imagery. Haru was created for Our Life Beginnings and Always. While they are a spring themed character, i view them as the period of ending of spring and beginning of summer, so they embody both seasons to a degree. A castaway island in the song is something that i definitely associate with summer. And a summer, beach, california child is what haru tries to emulate, even if it's not truly what they are.

Third, it's a little inside joke with myself i have. i'm developing a pirate au with olba characters and ya know. bottle messages.... pirates......

Almost forgot but the last thing is that haru listens to a lot of 80s & 90s music, and this song came out in 1979 so. they definitely have heard it before. not their vibe but they thought it was okay.

anyhow, that song is fucking good, go give it a listen <3

and now for the second painting.

"Tonight, Tonight" is a song from Primrose's playlist. I think this song describes the uncertain nature of the future, but regardless of that, at this moment, tonight is tonight. There are things to come but not now. later. tomorrow. It ties into Primrose's arc.

At their core, Haru and Prim's stories are about change. Haru who rushes into things, changes themselves almost mechanically - with no regard for themselves or others, just to achieve their short-term goal. Primrose is going to be the opposite. A character who clings to the way things were, who never wants to plan for the future, afraid of what might change.

She is content to pretend that everything is just fine and things will go back to the way they were, losing herself in the comforts of her stories, books and the internet. Primrose is my Our Life Now and Forever character who is also spring themed except it's the winter-spring period. The change of the season is more visible and that makes her even less likely to accept it. The spring connection and imagery is more important here because spring is in a way a season opposite of fall. So part of the reason Primrose is afraid of change is her awareness of the fact that she doesn't really fit in Golden Grove.

Her journey will be about accepting that change in inevitable. And Haru's journey is about letting things be the way they are.

Her aversion to change is especially highlighted in her teenage years - everyone around her seems to be changing yet she is staying the same, not knowing if it's a bad thing or not, but not willing to find out either. I connect this song with her, because i feel like this is her expressing that she is not clueless about change but won't easily accept it either.

The lyrics are a bit of a foreshadowing to Prim's state as a young adult. People around her are figuring out their post high school plans, but she doesn't want to leave her hometown. "You can never ever leave without leaving a piece of youth." is the way she feels about leaving for university/college right away. It's also a bit more subtle in a way how growing up makes you leave some pieces of yourself behind, wether you want it or not.

I've been listening to other songs by The Smashing Pumpkins and what i like about them is that they aren't very direct with their meaning. It's a little bit how i want this character to be too. Maybe. Primrose isn't nearly as developed as Haru at the moment.

Some smaller things about the second painting. This song reads to me as Qiu/Primrose song specifically, step 2 one probably. I chose a forest with those type of trees because Rosie is Canadian and they have boreal forests there. Also i liked this imagery for her.

this song is good too, although i like "1979" from the same album more. still, give it a listen :3

i wanted to post some oc stuff, cause i get distracted by my other characters easily and start working on them, but i still wanna yell into the void about Haru and Rosie :]

toodles~

[bookish-library]

Got bored in teacher observations, so here are some doodles from then! (Close ups under the cut)

[u3pxx]

im getting notifs for my disco ladies art again aight which one of youse reblogged it

[icewindandboringhorror]

Misc. photos from the past year or so ~

[transcicle]

who up getting autistic over a podcast theyve never seen

more under cut idk if theyll format or not... beware

some of these i just did some of these are old

some of these are the drawing style thing i did sooo.... in order... : FIRST THROUGH FOURTH IMAGE peter drew those :-) FIFTH rumi drew that one :-) SIXTH exandroth drew those :-) SEVENTH peter drew that one :-) self portait EIGHTH rumi [bad at art edition] both NINE and TEN i dont remember if they were ment to be peter or just me goofin... so picjk ur poison LOL ELEVEN thats peter LAST THREEEE meeeeee :3 9-10 and 12-14 are the older ones everything else i did last night / this mornin'

[its-late-isnt-it]

A keeper of the old lords from the bloodborne boardgame I picked second hand because i like how it looked

[blubble-lake]

days are best with you! 🌄

[birdkingdom]

[journeyman-tier-fibercraft]

My possibly compressed nerve seems to be acting up again :/ having weakness in my left pinky (tho thankfully no pins and needles/major pain)

The last time this happened I knit through it and ended up unable to knit at all for like a month and I'm not having that shit again. So forced break it is t-t

During this break I'm going to try diamond painting again, I'd like to finish One ever but both find it incredibly boring and it often hurts my back but. It shouldn't fuck with my elbow problems so. It works out?

[gayabeilles]

me, a former homestuck cosplayer, seeing all the other alastor cosplayers at the con wearing gray facepaint:

[robocops-a-christ-allegory]

As of late Ive been doing alot of these Vigilante drawings with my paint markers and I like how they've been turning out. So quick Vigilante dump for everyone. Thank you

[annieisyourfavourite]

I posted this painting I was really proud of on instagram and it only has 2 likes 😭😭

[grecoromanyaoi]

ok actual last post but my main problem w the xcore approach to art is that its not even enjoying art on a "surface level" bc it doesnt focus on or even acknowledge the emotion or idea or statement it's meant to convey but rather on a certain aesthetic theyre trying cultivate