#page 1649

[pesterloglog]

Dave Strider, John Egbert

Act 4, page 1646-1649

-- turntechGodhead [TG] began pestering ectoBiologist [EB] --

TG: ok im in

EB: in where?

TG: the medium

EB: oh, already?

TG: what do you mean already shit took 4 goddamn hours

EB: huh, i guess time flew by while i was doing other stuff.

EB: how did it go?

EB: with you and jade i guess?

TG: i dont want to talk about it

TG: imagine the worst day of my life

TG: just stood up and clinked a glass like it was about to give a speech

TG: then took a shit in my dinner and passed out with its pants down

EB: ew dog! ewwww!

TG: yeah

EB: so nasty! gross dude!!!

TG: stfu

TG: what are you doing

EB: i'm in a rocket pack and i am about to blast off into space.

TG: ok

EB: it should be sweet.

TG: i need some advice

TG: my kernelsprite which was this brainless feathery asshole with a sword in it

TG: turned into this bigger like ghostly feathery asshole

TG: with a sword in it

TG: it seems to want me to prototype it again

TG: not sure what to do

EB: hmm...

EB: have you asked rose?

TG: shes asleep for some reason

EB: wow, really?

TG: yeah i saw her there

TG: all tuckered out

TG: like she got smacked in the face with a pillow case full of the snooze wizards beard dander

TG: cause obviously its fuckin prime time for swiping some shuteye about now

TG: like a few hours into her magic stupid quest

TG: anyway what do you think

EB: i don't really know, i mean...

EB: it's supposed to be like your ghostly spirit guide or something.

EB: unless you have the remains of a wise old dead grandparent lying around, i'm not sure what to tell you!

TG: ok fine but

TG: it seems to be suggesting something here

TG: and

TG: i guess im kinda weirded out by its suggestion

EB: i don't know, just do what it says!

EB: it knows stuff about the game, so it probably knows better than i do...

EB: i gotta go!

EB: gonna blast off to the seventh gate.

EB: and, uh, win this game i guess.

TG: ok well it definitely sounds like youre fucking something up over there

TG: but alright later

EB: later.

TG: WAIT

EB: what?

TG: dont go yet

TG: somethings up

EB: ugh...

TG: ok its me from the future

EB: huh?

TG: its me

TG: i just appeared

TG: from the future

TG: wearing a rad suit

TG: he says dont go

TG: or youre gonna die

EB: pfffff.

EB: lame.

EB: what kind of gullible stooge do you think i am?

TG: he says i dunno gullible enough to trust a leetspeaking troll who wants you dead and strap on a rocket pack cause she said to

EB: this is like some terrible april fools prank.

EB: but 13 days too late.

EB: remember, you are talking to the pranking MASTER.

TG: ok that was probably the dumbest thing you ever said just now

EB: if future you is real, then why don't you let me talk to him.

TG: do you hear what youre saying oh my god

TG: this guy is me if i get him to talk to you youre just talking to me again jesus it proves nothing

EB: hold on, someone else is bugging me.

-- turntechGodhead [TG] began pestering ectoBiologist [EB] --

TG: john stop being a tool and unbuckle yourself from that piece of shit

TG: if our friendship means anything youll listen to me and past dave

TG: this is future dave by the way

EB: hahaha!

EB: wow, you're really pulling out all the stops for this stunt!

EB: using your phone and computer at the same time to message me.

EB: you're kind of going through a lot of trouble actually, i don't know why you're bothering with this.

TG: yeah exactly why would i bother

TG: this sort of cornball horseshit is your cup of tea not mine

TG: dont make me track you down through time and stop you in person

EB: you can't track down through time WHAT YOU CAN'T CATCH!

EB: pchoooooo!

TG: oh god did you just blast off

EB: no...

EB: but that would have been sweet if i did just then.

TG: ok well just dont ok

TG: im turning this timeline over to past dave

TG: and helping you all stay alive and do this thing the right way this time

TG: just stay on the goddamn ground for fucks sake

EB: ok, i guess...

[britneyshakespeare]

Mary Queen of Scots got her head chopped off and me I also feel not so good

[haticesultanas]

Sorry to bother you in this account, I would have a question about Ümmügülsüm Sultan, the possible daughter of Ahmed I. The relazione of Angelo Alessandri from 1637, Page 649 says: "Ha il Gran Signore di congionti per sangue quatro sorelle ancora, ma fuori di seraglio, essendo tutte maritate in visiri." And since I am not really speaking italian, I am not sure if "per sangue quatro sorelle" means full-sister or just a way to say sister (and so can mean half sister too). One of my followers - who says he speaks italian - says it means full-sister and confirms that beside Ayse, Fatma and Hanzade there was another full-sister of Murad IV. I mean while I have my doubts, Alderson also lists one Ümmügülsüm (wife of Halil Pasha) based on harem registers, who had the same amount of salary in 1639 as Ayse, Fatma and Hanzade, the daughters of Kösem (and some other women - possible daughters of Murad III had the same amount, while Atike and one Hatice possibly daughters of Ahmed I had less salary). Also, there is the known other register that you also mentioned on ottomanladies page, based on Tezcan: “A privy purse register from 1622 gives the names of five unmarried princesses, who may be daughters of Ahmed, Osman II, and even Mehmed III: Umm-i Külsum, Hanzade, Halime, Fatma, and Akile.” The fact that there was one Ümmügülsüm in 1622 who was still unmarried, and then in 1639 she had the same amount of stipend as Ayse, Fatma, Hanzade and the relazione mentioning that 4 (full)sister thing, maybe suggests that Kösem and Ahmed MAY had another daughter together, Ümmügülsüm? What do you think?

Hello! I guess my askbox on ottomanladies is still closed.

So, your follower is right; what Angelo Alessandri says in his relazione is that Murad IV has four full-blooded sisters who all live outside the palace because they are married. When I read this part, I simply assumed that the fourth princess was Gevherhan but we don’t have any information about her after Recep Pasha’s death in 1632. Then, I assumed he was wrong because it wouldn’t be the first time a European ambassador mistook half-siblings for full-blooded siblings.

About Ümmügülsüm, I have always assumed he was a daughter of Mehmed III’s or Murad III’s. I have never paid attention to her, as I’m sure you know from my posts on ottomanladies.

But you made me curious so I spent some time looking into this.

First, I think you meant Dumas when you mentioned that list based on harem registers because I have found it in Les Perles de Nacre du Sultanate. Alderson doesn’t list an Ümmügülsüm Sultan among Ahmed I’s daughters (unless I somehow missed it).

Secondly, I think there is a problem with this source: on page 62, the register is from February 1649 to February 1650. In Annex A, though, (page 461), she says that the same register is dated February 1639. So what is the truth? February 1639, because the register keeps saying “Şevval 1048”, and that’s February-March 1639 (you can google it). The mistake on page 62 is… weird, though.

Moreover, the list above is somewhat different from the transliteration she put in Annexe A. For example, on page 463 she says that the register says “Hümaşah Sultan merhum Nakkaş Hasan Pasha”, but on the list she put on page 62, the same Hümaşah Sultan is married to one Hüseyin Pasha. I don’t understand why she changed the source without addressing it— or is it just a typing mistake? I hope it is because I think Hümaşah Sultan was truly married to Nakkaş Hasan Pasha: Nakkaş Hasan Pasha was identified as married to one of Ahmed I’s aunts by the Baron de Selignac, and a letter dated 6 October 1642 by a Ragusian diplomat lists among Ibrahim’s aunts one “Humascie sultana moglie di Hasan Pascia [Hümaşah sultan wife of Hasan Pasha]”. In another letter, this one dated 7 July 1648, Hümaşah is identified as “moglie di Nachasc Hasanpascia Humasce sultan vedova [Hümaşah sultan, widow of Nakkaş Hasan Pasha]”.

If Dumas voluntarily changed Hasan Pasha into Hüseyin Pasha then I don’t know why she did it because contemporary evidence suggests that this princess called Hümaşah was Ahmed I’s aunt and therefore Ibrahim’s great-aunt (I won’t fault the Ragusian diplomat for not stating the difference because it wasn’t done often at the time), and was married to Nakkaş Hasan Pasha, who is called “merhum” in the harem register because he was deceased at the time.

Similarly, on page 462, it is listed one “Kameri Sultan merhum Sofi Bayram Pasha”, but on the list on page 62, she is called Fahri. Again, what prompted Dumas to change the wife’s name? Is it because Öztuna says that Fahri/Fahriye Sultan (daughter of Murad III) was married to Sofu Bayram Pasha? Then again, why was she called Kameri in the register? Is it a mistake from the clerk or did she have multiple names? Or did Dumas transliterate her name wrong? Or did she change the princess’ name into Fahri because that’s what Öztuna says? Interestingly, in the family trees in Annex B, she’s called Fahri again. The same Ragusian diplomat above also lists the wife of Bayram Pasha: “Vanni sultana moglie di Soffi Bariam Pascia”; unfortunately I cannot say what Vanni should be because it doesn’t sound like Kameri at all. It could sound like Fahri but… it’s a stretch.

Beyhan Sultan, Safiye Sultan, and Mihrimah Sultan are widows too but it’s difficult to identify them because their husbands are one “Mustafa Pasha”, one “Mehmed Pasha”, and a “Mehmed Pasha from Kefe”. I tried to google this Mehmed Pasha from Kefe and everyone says he was married to Mihrimah Sultan, daughter of Murad III. The problem is the sources of this claim (on those websites) do not say this. The Ragusian letter talks about a Beyhan Sultan married to a “Mustai Pascia” which could be Mustafa Pasha, but this is all I have to say.

I also would like to highlight that the princesses listed in the Ragusian letter are those who received gifts from the Ragusian diplomat so there could have been more, especially aunts.

As for “Atike Sultan Kenan Pasha” (who receives 9,900 aspers per month): she seems to be Ahmed I’s daughter Atike (also confirmed by the Ragusian letter, who lists her among Ibrahim's sister).

Now, about “Ümmügülsüm Sultan Halil Pasha” (who receives 12,900 aspers per month): I still personally maintain that she was an aunt and not a sister. I could not identify her, nor her husband Halil Pasha, but we have to keep in mind that we don’t have all the names of Mehmed III’s daughters. In the Ragusian letter dated 1648, there’s one “moglie di Hersechli Ahmet Pascia Iumi sultan [wife of Hersekli (? it could mean that he comes from Herzegovina) Ahmed Pasha, Iumi Sultan” (Iumi kind of sounds like Ümmi). It’s basically ten years later Dumas' list so she could have changed husband in the meantime but unfortunately, I couldn’t identify “Hersechli Ahmet Pascia”— if someone else has information about him, please do not hesitate to share (with sources, please).

I’m sorry this was so long and unhelpful, I was carried away :(((

EDIT: I have found the Ragusian letters in V. Miović - Per favore della Soltana: Powerful Ottoman Women and Ragusan Diplomats

[yunamedkostobot]

I just can't do with them

This person speaks like the Grievous POV in Labyrinth of Evil, when he speaks a lot about this events, is non-existent and this book directly preceeded Revenge of the Sith in Legends continuity. So, only magazine article, you know, it does not mean anything, and Jedi are completely innocent about it!

While I do not condone Grievous methods neither in Canon, nor in Legends, the Kaleesh invasion on Huk would not happen if not the Yam'Ree did not attack Kalee first and did not attempt to enslave his population. Where was the Jedi than? Where were they after it, when Kalee outright started to starve?

And it is not the first time when Jedi in Legends failed to help those who were in need.

There was Jabiim. This page when Stratus clearly sums up everything went wrong with the planet.

The planet used to be faithful Republic world, but neither Republic, nor Jedi helped them when they needed it the most. The result? Total majority of people of Jabiim supporting Stratus and CIS. Yep, maybe Stratus is pushing revanshist propaganda, but it would not have made the same impact of people of Jabiim, if there were not quite an objective conditions.

There was Findar with his population being enslaved by criminal overlords for more than ten years. Add the fact, the same overlords who conducted the experiments with memory wiping on people, and only the fact that Qui-Gon Jinn and Obi-Wan Kenobi (who were heading to another mission) crash-landed here saved the findians from future nightmare.

The probability theory says that when one thing happens is the accident, coincidence, when it happens twice, and sistem when it happens thrice. So, make you own conclusions.

And even the argument about it no longer being canon doesn't really works. In Canon, Jedi outright ignored Czerka corporation literally enslaving its workers(what she by this time did not do in Legends). This exchange between Qui-Gon Jinn and Yoda really sums up what is wrong with Order right now.

«Qui-Gon had been too young to see the cracks in the bravado—the pain that all Dooku’s guidance and all Rael’s accomplishments had never been able to erase. “That he would effectively sell citizens into slavery—” “Grievous, this is,” Yoda agreed. Into Qui-Gon’s mind came the echo of Rahara Wick: What’s the point of having a Republic in the first place? “We should put an end to it,” he said. Yoda shook his head. “Not ours to decide, the fate of the treaty is—” “Not the treaty. Slavery.” Qui-Gon folded his hands in front of him, allowing the robes to obscure them—the most formal way in which a Jedi could address another. “Why do we allow this barbarism to flourish? The Republic could use its influence to promote abolition in countless systems where the practice flourishes. How can we fail to do this?” <.....> Qui-Gon’s patience began to wear thin. “This isn’t about imposing human ethics on nonhuman species. This is something humans do to one another, an atrocity we should put an end to.” “We? Not the chancellor, not the Galactic Senate, not even the people of the Republic, but the Jedi?” Yoda thumped his gimer stick on the floor. “Want to rule, do you? Dangerous this is, in one who would join the Council. Dangerous it is in any Jedi.” Qui-Gon knew all of this. On one level, he accepted the truth of it. On the other—“If we don’t stand for the right, what do we do? Why do we exist?”»

From the same book we know that Czerka corporation acts even worse, than IRL Russian nobility up to 1649 or American slave-owners. Their property can not be considered free unless they buy themselves out of it, no matter how long they were absent from Czerka's control(as Rahara case clearly indicates). Up to ratification of Council Code of 1649, Russian serfs who ran away from their masters can be declared as "wanted" only for 10 years and were considered free after that. The black slaves could use the Underground Railroad and get to the North or another country when slavery was illegal.

It's not a case for Czerka. They will never let their former property go, no matter how many time passed since the escape, or where their former subject had gone.

And Jedi stand and allow it to happen. Doing their part in Republic, yep, Yoda?

"Many ways there are of serving the right,” Yoda replied. “We work within our mandates, and there do as much good as we can. To do otherwise, to substitute our judgment for that of the Republic, is to repeat the mistakes of the past.” So instead we make different mistakes in the present? Qui-Gon kept this to himself."

And also, to what mistakes of the past Yoda is referring to? What mistakes are deemed worse than allowing slavery to exist? Even in the Legends the Jedi having closest ties and basically control of Republic(to some level that it can be considered religios teocracy) allowed them to defeat Siths and practically destroy them except one. And even then, after the victory they stepped down(too far IMO). What thing could be called mistake here?

I am gonna specify: the Republic had a lot of problems that have a need to be fixed, but there was one thing that made this state more durable or competent is having Jedi, but not as the «Galactic therapists»(therapy can not be forced onto living being without his desire, if it is not a conversion therapy), but as the protection from arbitariness and exploitation. If some planet was endangered, they could have contacted Jedi and ask for help. The main problem of Order in this case is the fact they did not do enough for the people they should have protected, blindly trusted some reports and never attempted to search for the truth beyond it(Kalee, Galidraan and Pijal to lesser extent) and also hadn't seemed to have their own outposts for survelliance or interference, or some rapid reaction forces since Ruusan reform in Legends(1000 years)/«Starlight Beacon��'s destruction in Canon(200 years). I can not call it anything else but shooting yourself in the foot.

The Jedi should have been more autonomous, should have had their own information information service, outposts in the Galaxy and forces of reaction. It was not necassary to cut their ties with Republic entirely, but distance themselves from Senate, so people wouldn't think that Jedi «blindly serve the corrupt Senate».

Jedi Uncrits: «But the Jedi are only 10.000 for all of Galaxy, they could not do it!»

Well, in this case it's better to drop your practice to recruit children under five(as Rael Aveross's case indicates), abandoning tons of kids and youths elder than this age(like Caris in Legends). Or what, they will not blindly accept everything Council says? Sorry for the Council.

[hecateisalesbian]

I think I can pinpoint the exact years Caleb and Phillip went to the boiling isles and when they were born.

On the Owl House Wiki, on The Gravesfield tab it says Gravesfield was founded in 1635.

The Connecticut Witch Trials occurred 11 years later. And if we look on the Wethersfield Historical Society page, it says:

“Epidemics visited the region in 1647 and 1648.” As we know, Caleb and Phillip were orphans when they came to Gravesfield and we also know travel was probably limited back then. So it’s possible their parents were killed from a disease back then in a neighboring town. So it can be assumed Caleb and Phillip moved to Gravesfield sometime in 1648-1649. If we looked at pictures from Hollow Mind, we can see that Caleb wasn’t lured away until years after they arrived in Gravesfield.

They both look very young in the first photo. But Phillip looks younger. So they were most likely born in different years. I’d say it’s a safe bet of a 2-4 year age gap. And considering how young they look, I’d think Phillip is around 8 years old and Caleb is around 11 years old. And if that memory occurred soon after they arrived in Gravesfield, let’s say 1649, then that puts Phillip’s date of birth in 1641 and Caleb’s date of birth of 1638! Now the photos afterwards seem to have gaps of times between them. In the photo where Caleb is looking at the fire, I’d say Caleb looks 15/16ish which makes Phillip 12-13 years old. But when Phillip finds himself in the Demon Realm, he looks much older, possibly 16. So I theorize that Evelyn set up a portal connection between them for years, and Phillip wasn’t able to find it. When he does, I think he watches Caleb go in, but doesn’t follow him immediately, otherwise they would’ve found each other immediately in the memories instead of Phillip looking in his 20s when he sees Caleb. (Caleb magically looks the same what?-) I think Phillip went back to Gravesfield, told them about the Witch that lured his brother into a portal, grabbed his book, bag, and coat, and went back after the portal. It would have been quick, because the portal most likely would’ve closed quickly. 5 minutes at most. So when everyone from town came back with fire or whatever, Phillip went in first and the portal closed right after. Obviously Evelyn, being the smart witch she was, would’ve known someone came through and probably had a way of making sure no one was outside when she went through. So she kept Caleb with her and permanently closed the portal. Caleb obviously would’ve wanted to go back and find his brother, so they set to work on making a new portal that would open in a different location, aka the portal door, which was completed near the same time Caleb found him, and Evelyn buried it so Phillip would never find it (spoiler alert, he found it, but like 300 years later). But I got off topic bc I like theorizing. In conclusion, that means Caleb and Phillip went missing in 1657, roughly. I’m probably incorrect and someone on the owl house crew probably already said the year, but whatever. That also means Phillip is like 380 years old haha.

tl;dr: Caleb was born in 1638, Phillip was born in 1641, and both were lured away in 1657.

[razzle-zazzle]

Whumptober Day 15: Childhood Trauma

Moment of Clarity

1649 Words; Runaways AU, pre-canon

TW for mentions of death

AO3 ver

Cole was sketching again.

He did it every so often, though he’d never let Lloyd see his sketchbook, despite Lloyd’s best puppy dog eyes. But that was fine—Lloyd knew where Cole put the sketchbook in his bag, and had already gone through it once. It was more about the principle of the thing, really—if Cole willingly let Lloyd look, then he probably wasn’t about to abandon Lloyd.

But Cole had refused to show off the sketchbook tonight, so Lloyd had subsided into watching the firewood slowly burn to ash. His sleeping bag was still rolled up behind him; Cole was sitting cross-legged on his. It was probably fine, though; Cole had shown no inclination to ditching Lloyd. Yet.

But it was important to keep track of, Lloyd knew. He wasn’t stupid, okay? He knew he was difficult. And he knew that being the son of an evil warlord tended to put most people off. He was loud and disruptive and had too-red eyes and little bumps on his head just barely hidden by his hair. Lloyd knew that he was easy to abandon and run away from, because everyone in his life had done it at some point. His own mother hadn’t even wanted him!

Speaking of…

“Why are you out on your own, anyway?” Lloyd asked. He had technically asked a question kind of like it, when he and Cole had initially met, and Cole’s response at the time had been a simple “none of your business.” But they’d known each other a while, now, and Cole seemed intent on keeping his promise—though Lloyd couldn’t fully trust that, not now, not ever—so maybe… Cole might open up?

Lloyd was horribly curious—it was something of a curse. And he had found an old school ID when he looked at Cole’s sketchbook, though it was wayyy different from the ones Darkley’s used and not a name Lloyd recognized.

Cole hmmed, shoulders hunching as he focused in on the page before him. “Ran away.” He grunted. Lloyd waited a moment longer for Cole to elaborate, but he didn’t.

So Lloyd opened his own mouth. “Was it from that school? The uh…” What was the name again? “Marty Oppen… Open…. that school?”

Cole was looking at Lloyd now, something like suspicion in his eyes and red on his cheeks. “How do you know about—” He cut himself off with a huff. “Whatever. Doesn’t matter.”

“So you did!” Lloyd concluded, pleased. “Was it a boarding school? Was it bigger than Darkley’s? How mean were the teachers? What were they teaching?” He imagined Cole in a classroom much like the science lab at Darkley’s, an evil death ray on the table before him. Just as quickly as it came, the image went away—Lloyd had seen Cole’s drawings. Death ray designs just didn’t fit him.

Cole blinked owlishly at the onslaught of questions. “Uh… yes; I don’t know, I’ve never been to Darkley’s; maybe? They were really stuffy, and—” His shoulders drew in again, expression shifty. “I’m not answering that last question.”

“What!” Lloyd gasped, laying down on the dirt and propping his face up on his hands. “But you gotta! I mean,” he added, as convincingly as he could, “You know what Darkley’s teaches, so why can’t I know what Marty Open-hemmer’s teaches? It’s only fair.”

“I’ll tell you the moment you can say the name right.” Cole promised, though it sounded an awful lot like a joke.

“How is it said?” Lloyd probed, folding his arms and resting his chin on them. From down here, with the fire between them to the side, Cole looked almost unreal, the flickering light dancing across his face.

“Ma—” Cole started, only to stop as he realized. “You’re not getting me that easy, you little shit.”

“It was worth a try.” Lloyd shrugged, lightly kicking the dirt.

Silence filled their little camp, the fire and the gentle scritch-scratch of Cole’s pencil the only real sound.

Lloyd rolled over, staring up at the darkened sky above, at the tiny embers rising from the fire, at the twinkling stars and the clouds that covered them. It was a half moon tonight. He had no idea how Cole was drawing with just the light from the fire—which probably explained all the little frustrated noises Cole was making.

Something else occurred to Lloyd. Something Cole did at—well, not every town, but often enough to be just another part of their routine. Lloyd sat up, looked at Cole, and spoke.

“Who are you sending those letters to?” Lloyd folded his knees in to rest his chin on them as he watched Cole put his sketchbook away.

Cole jolted, staring at Lloyd for a moment. His jaw worked as he considered Lloyd’s question, several emotions Lloyd wasn’t sure how to parse flitting across his face. “My dad.” He said, softly.

“Oh.” Lloyd’s own father hadn’t really… from what Lloyd knew, nobody had actually seen Lord Garmadon for years. His father had sent his shadow to visit Lloyd at Darkley’s, on rare occasion, but Lloyd otherwise hadn’t met his dad. “Do you and your dad… get along?”

Cole made a sound halfway between an amused snort and annoyed sigh. “He doesn’t know where I am.” He admitted, which wasn’t really an answer. “He doesn’t know I’m running around with the world’s most annoying gremlin—” He cut himself off. “He thinks I’m still at Mar—that school.”

That… Lloyd thought back to his own parents. His own dad probably didn’t know he wasn’t at Darkley’s anymore—he hadn’t sent his shadow to visit Lloyd at all. And his mother…

Well, at least Cole knew what his father thought of him.

“What about your mom?” Lloyd asked, suddenly not sure if he wanted to hear the answer.

Cole looked stricken, for a moment, before his expression turned thunderous. He glared at the fire, mouth drawn back in what might have been a snarl or what might have been a grimace. “She’s…” He swallowed. “She died less than a year ago.”

“Oh.” Lloyd cringed against his knees. “Sorry.” He hadn’t meant to upset Cole—

“‘S not your fault.” Cole muttered, voice tired. He laid back, staring up at the sky.

“Is that why your dad doesn’t know where you are?” Lloyd asked, then immediately cringed because why was he still talking, didn’t he know how to shut up—

Cole laughed, harsh and grim. “Ohhhh, don’t get me started! Mom’s gone, and all he ever does is go out and sing and dance and it falls to me to be responsible for everything, because first master forbid he stick around to tend to the garden or wash the dishes or do the laundry or—” He cut himself off, throwing his arm over his face as he made a drawn out sort of groan, sounding so shaky compared to usual. “And then he packs me up and sends me off to go to school and follow in his footsteps, like he wasn’t already pushing me hard enough—I don’t want to sing or dance! I’m never going to be what you want me to be!”

Lloyd shrunk back a bit. That was… a lot. Like, more than he felt able to unpack. But, wait—

“Sing or dance?” Lloyd asked, suddenly struck with a strong suspicion as to what that Marty school was for. “Is that what you went to Marty’s for?” He grinned, a giggle in his voice as he tried to imagine what that’d even look like.

“Shut up.” Cole groused, which only made Lloyd actually giggle. Cole groaned his annoyance to the sky, and Lloyd hid his mouth behind his hands as he imagined Cole in a tutu.

Cole sat up so suddenly that Lloyd squeaked, his laughter dissolving into worry. But Cole didn’t move any further, instead fixing Lloyd with a peculiar stare that was almost uncomfortable in its intensity.

“You don’t have to follow in your dad’s footsteps. You know that, right?” He asked, and Lloyd found, not for the first, third, or sixth time, that Cole could still say things that absolutely boggled him. “Everyone that treats you like shit because of your dad, but they’re wrong.” Cole said it with such conviction—it was almost enough for Lloyd to believe it.

“You’re not your dad.” Cole added. “You’re you.” His piece said, he laid back down, kicking dirt onto the fire and shuffling so that he was actually in his sleeping bag instead of on top of it.

Lloyd frowned. Well, he knew he was an awful warlord—he’d known it since before Darkley’s kicked him out for being a failure at evil. So it wasn’t like he would’ve been able to follow in his father’s footsteps anyway.

But the rest of Cole’s words… all his life, Lloyd had been defined by his father. His mother had left him at Darkley’s, where Lloyd’s parentage had been all that anyone cared about. His teachers had higher expectations for him, and were all the more disappointed when Lloyd couldn’t meet them. And when he and Cole asked around for someone who could take him in, it was his too-red eyes and too-sharp teeth and too-warlordy last name that made everyone close their doors in his face.

Lloyd huffed. Suuure, Cole could just run away and escape being what his father wanted, could become just another nameless kid wandering Ninjago, but Lloyd?

Lloyd grumbled as he grabbed at his sleeping bag to unfold it for the night. Nobody would see him as anything more than Lord Garmadon’s obnoxious son. Nobody but Cole, who Lloyd still wasn’t totally convinced didn’t hate him at least a little.

Lloyd Garmadon would always be tied to Lord Garmadon, but could never be anywhere half as great—or notorious. What Cole said was a nice sentiment, but it just wasn’t true. Not in the way Cole meant it.

Lloyd would never be out of his father’s shadow.

[sejanuspiinth]

PUBLIC COMMISSION — by clicking on the source link find a free download link and a page with 1649 gifs, all made from scratch by myself, of eliza butterworth in the last kingdom. eliza is white and is currently 29 years old, but was around 21 - 28 years old at the time of filming of this series.  i don’t care what you do with these, just don’t be gross and don’t claim them as your own. if using these, give this post a reblog. thank you !

[myhuman]

the post was funny but it;s time we move on from "gay people make a lot of really bad webcomics" there's a lot of really good comics also just stop looking at front page webtoon

free:

Laika's Comet by fourleafisland - https://www.webtoons.com/en/canvas/laikas-comet/list?title_no=857623

Crow Cillers by Cate Wurtz - http://lamezone.net/cc/

Daisy in Dreamland by beebfreeb - https://beebfreeb.neocities.org/dreamland/daisy

Shiloh by Red & Flynn - https://www.webtoons.com/en/thriller/shiloh/list?title_no=1649

Dolmistaska by dat-soldier - https://dolmistaska.com/index.html?page=1

bought:

(18+ Work) The Pervert by Remy Boydell - https://a.co/d/2zYK47C

(18+ Work) Be Kind My Neighbour by Yugo Limbo - https://store.silversprocket.net/products/be-kind-my-neighbor-by-yugo-limbo

Glasses Zine by Decafbat - https://decafbat.itch.io/glasseszine

[brokenbluebouquet]

1/xx unknown posthumous painting of Charles I based on the frontispiece of the Eikon Basilike, after 1660, artist and current location unknown. Purchased by Sir J.C. Robinson at Foster's, 22 July 1891 (89); purchased for the Royal Collection by Queen Victoria in 1892

According to the Royal Collections Trust page on this monster….

Ten days after his execution of 30 January 1649 Charles I’s spiritual autobiography was published – the ‘Eikon Basilike’ or ‘Image of the King’. It is not certain whether this work was written by the King himself or ‘ghosted’ by John Gauden, Bishop of Worcester, but it was an extremely popular piece of Royalist justification and a central part of the development of the cult of King Charles the Martyr (who remains the only Saint canonised by the Church of England). Milton’s riposte, the ‘Eikonoklastes’ (‘The Iconoclast’ or ‘Image-Breaker’) of 1649, did not prevent this work of popular piety from going into many editions. The frontispiece of the ‘Eikon’, designed by William Marshall, and filled with allegorical devices, has always been as famous as the book itself. While not actually copying its composition at all, this painting is entirely derived from Marshall’s print. The King is shown dressed in full earthly splendour - coronation robes, Garter chain, lace collar and so on – but kneeling and praying fervently to an altar upon which is placed a Bible and above which the heavens open. The King has placed a crown of thorns on a cushion at his feet as if offering it (or perhaps taking it up). All the same things happen in the ‘Eikon’ frontispiece except that the King here explicitly takes a crown of thorns labeled ‘Grace’ in exchange for an earthly crown, labeled ‘Vanity’. Many of the allegories which in the ‘Eikon’ fill a landscape outside the chapel in which the King kneels have, in this case, been crowded into a painting-within-a-painting in a fine Baroque frame including a skull. A rock resists some waves and some winds (puffing faces); the same thing is the ‘Eikon’ is labeled ‘Immota, Triumphans’ (‘Unmoved Triumphant’). A palm tree is hung with weights because this tree was said to grow straighter the more weight it bears; in the ‘Eikon’ the same image bears the rubric ‘Crescit sub pondere Virtus’ (‘Virtue grows under weights’, that is in adversity). Such a splendid and public image must have been commissioned after the Restoration, and probably quite soon after, while the matter was still current in people’s minds. A date from the 1660s would certainly fit with the painting’s style.

[atplblog]

Price: [price_with_discount] (as of [price_update_date] - Details) [ad_1] In today’s fast-paced tech world, mastering the fundamentals of software architecture is essential for creating scalable, efficient, and secure applications. Software Architecture Fundamentals For Beginners offers a comprehensive guide to understanding the core principles that drive every successful system, from simple apps to global platforms like Amazon and Netflix. This book covers everything you need to know about designing systems that not only meet current needs but can grow with your business and adapt to future demands.Whether you’re new to software development or looking to sharpen your architectural skills, this book breaks down complex concepts into easy-to-understand lessons. Learn how architecture shapes the performance, security, and scalability of applications, and discover why making the right decisions at the architectural level is crucial for long-term success.Get started today and build a solid foundation for your software systems that will withstand the test of time. ASIN ‏ : ‎ B0DPLBHVWK Language ‏ : ‎ English File size ‏ : ‎ 1649 KB Simultaneous device usage ‏ : ‎ Unlimited Text-to-Speech ‏ : ‎ Enabled Screen Reader ‏ : ‎ Supported Enhanced typesetting ‏ : ‎ Enabled X-Ray ‏ : ‎ Not Enabled Word Wise ‏ : ‎ Not Enabled Print length ‏ : ‎ 204 pages [ad_2]

[denimoverall]

I’m making a chronological list of things I have seen/want to see! Any suggestions and add ons are awesome! I hope to have a comprehensive list spanning as much history as possible. I prefer series and miniseries to movies but I’ll take it all!!!! (Eventually i will add links to pages for info on the ones I’ve chosen and also add regional contexts. All dates are starting dates and there is much overlap!)

Also don’t judge me, I can’t do subtitles 😂 i spend all of my time obsessing over the words that i miss the action

I’ll mark what I’ve seen with an x

• Slave of Dreams (biblical Joseph)(1901 BC)

• The Red Tent (1700 BC)

• Tut (1332 BC)

• The Prince of Egypt (biblical Moses) (1290 BC) x

• The Story of Ruth (1220 BC) (biblical Ruth) x

• Helen of Troy (1200 BC) (Greek legend) x

• Iphigenia (1200 BC) (Greek legend) x

• The Trojan Women (1150 BC) (Greek legend)

• The Odyssey (1150 BC) (Greek legend) x

• King David (1140 BC) (biblical David)

• One Night With the King (biblical Esther) (518 BC) x

• The 300 Spartans (480 BC) x

• The Cleopatras (305 BC)

• Alexander (283 BC)

• Ancient Rome: The Rise and Fall of an Empire (146 BC)

• Julius Caesar (100 BC) x

• Spartacus (73 BC) x

• Rome (52 BC)

• Imperium: Augustus (49 BC)

• Cleopatra (48 BC) x

• Empire (44 BC)

• I, Claudius (24 BC) x

• (Life of Biblical Jesus) (1 AD) x

• Nero (41)

• Britannia (43)

• Boudica (60)

• Decline of an Empire (307)

• Agora (360)

• (Arthurian Legend) (5th-6th centuries) x

• Attila (406)

• Dark Kingdom: The Dragon King: Ring of the Nibelungs (Volsunga Saga) (450) x

• Tristan & Isolde (Post Arthurian Legend) (6th Century)

• Prince of Jutland (6th Century)

• Redbad (680)

• Vikings (793)

• The Gaelic King (800)

• The Last Kingdom (866)

• A Viking Saga (870)

• The 13th Warrior (922) x

• Valhalla Rising (1000)

• Vikings: Valhalla (1002)

• The Vinland Saga (1013)

• El Cid (1043)

• 1066 The Battle for Middle Earth (1066)

• The Pillars of the Earth (1123)

• Barbarossa (1176)

• Kingdom of Heaven (1183) x

• The Lion in Winter (1183)

• Ivanhoe (1192) x

• The Pagan King (13th century)

• Knightfall (1291)

• Braveheart (1296) x

• Outlaw King (1304)

• Robert the Bruce (1306)

• The Name of the Rose (1327)

• World Without End (1327)

• Black Death (1348)

• The Reckoning (1380)

• The King (1403)

• Medici (1409)

• The Messenger: The Story of Joan of Arc (1429)

• The Hollow Crown (1455)

• The White Queen (1464) x

• Maximilian (1477)

• The White Princess (1485)

• The Borgias (1490)

• The Spanish Princess (1501)

• Luther (1505)

• The Tudors (1516) x

• The Other Boleyn Girl (1521)

• The Headsman (1525)

• A Man For All Seasons (1529)

• Wolf Hall (1529)

• The Serpent Queen (1533)

• Lady Jane (1553)

• Reign (1557) x

• Mary, Queen of Scots (1561)

• Dangerous Beauty (1562)

• Elizabeth I (1579)

• The Merchant of Venice (1596)

• Shogun (1600)

• Gunpowder (1605)

• Mary & George (1612)

• Jamestown (1619)

• Silence (1630)

• The Devil's Whore (1638)

• To Kill a King (1648)

• Charles II: The Power and The Passion (1649)

• Versailles (1667)

• A Little Chaos (1682)

• The Crucible (1692) x

• Rob Roy (1713) x

• Black Sails (1715)

• The Great (1745)

• The History of Tom Jones: a Foundling (1749)

• Casanova (1753)

• Roots (1760’s)

• Belle (1761)

• Harlots (1763)

• Sons of Liberty (1765)

• John Adams (1770)

• The Duchess (1774)

• Marie Antoinette (1774) x

• Hamilton (1775) x

• Franklin (1776)

• Poldark (1783)

• A Respectable Trade (1787)

• Banished (1787)

• Northanger Abbey (1798)

• Sense and Sensibility (early 19th century)

• Pride and Prejudice (early 19th century) x

• Mansfield Park (early 19th century)

• Emma (early 19th century)

• Persuasion (early 19th century)

• Bridgerton (1813) x

• Belgravia (1815)

• Sanditon (1817)

• Gentleman Jack (1832)

• Harriet (1849)

• North and South (1851)

• The Empress (1853)

• The Luminaries (1860)

• Far from the Madding Crowd (1870)

• Deadwood (1870’s)

• The Buccaneers (1870’s)

• Victoria (1876)

• The Gilded Age (1882) x

• Miss Scarlet and the Duke (1882)

• The Knick (1900)

• Forsyte Saga (1906)

• Downton Abbey (1912) x

• Boardwalk Empire (1920)

• Black Narcissus (1939)

• Blitz (1940)

• The Crown (1947)

• A Suitable Boy (1951)

• Call the Midwife (1957)

• Mad Men (1960’s)

• Rustin (1963)

• Small Things Like These (1985)

[nexon-market-insights]

Olive Seed Powder Market Share 2024 by Emerging Trends and Forecast to 2032

"Olive Seed Powder Market Dynamics: Growth, Trends, and Future Outlook 2024-2032"

The Olive Seed Powder market is expected to experience substantial growth from 2024 to 2032, fuelled by technological advancements, the expansion of digital marketing, and an increasing emphasis on data-driven decision-making. This report provides an in-depth analysis of market dynamics, focusing on key players, product types, applications, and regional growth trends. While challenges such as economic fluctuations and regulatory changes may arise, the market presents ample opportunities for innovation and strategic partnerships.

Get a sample PDF of the report at - https://www.themarketintelligence.com/enquiry/request-sample-pdf/1649

Who are the largest manufacturers of Olive Seed Powder Market worldwide?

Alban Muller International (France)

BioPowder (Poland)

Caribbean Natural Products (Puerto rico)

Cosmetics Made Easy (U.K)

Elayo (France)

MakingCosmetics Inc.(U.S)

Natural Sourcing LLC (U.S)

The report covers a research period from 2019 to 2030, featuring extensive quantitative analysis alongside comprehensive qualitative insights. It provides an overview of the global Olive Seed Powder market, highlighting key metrics such as sales, revenue, and growth rate. Furthermore, the report offers segmented market analysis by region, product type, and downstream industry, giving readers a clear and detailed understanding of the market's distribution from multiple perspectives.

Get Sample Copy of Olive Seed Powder Market Report

Olive Seed Powder Market Dynamics Covers:

Olive Seed Powder market dynamics covers the analysis of the forces that influence the behaviours and prices in a market. These dynamics include various elements such as supply and demand fluctuations, competitor actions, market trends, and economic models, all of which contribute to the overall landscape of a given market.

Components of Market Dynamics:

Supply and Demand: The core of market dynamics lies in the relationship between supply and demand.

Market Positioning: This involves understanding where a product fits among competitors and what makes it unique.

Competitive Analysis: Analysing competitors' strengths, weaknesses, and market positions helps businesses identify opportunities and threats.

Olive Seed Powder market dynamics involves analysing various factors that influence market behaviours and prices. It helps businesses stay competitive, adapt to changes, optimize resources, and develop better products.

Inquire or Share Your Questions If Any Before the Purchasing This Report – https://www.themarketintelligence.com/checkout-page/1649

What are the factors driving the growth of the Olive Seed Powder Market?

Olive Seed Powder Market Segmented by Types:

200 µm

500 µm

1000 µm

Others.

Olive Seed Powder Market Segmented by Applications:

Food

Cosmetics

Pharmaceuticals

Filling Materials

Others.

Regional Segmentation:

North America (United States, Canada and Mexico)

Europe (Germany, UK, France, Italy, Russia and Turkey etc.)

Asia-Pacific (China, Japan, Korea, India, Australia, Indonesia, Thailand, Philippines, Malaysia and Vietnam)

South America (Brazil, Argentina, Columbia etc.)

Middle East and Africa (Saudi Arabia, UAE, Egypt, Nigeria and South Africa)

Browse Full Report at: https://www.themarketintelligence.com/market-reports/olive-seed-powder-market-1649

Key Takeaways from the Global Olive Seed Powder Market Report:

Market Size Estimates: Estimation of the Olive Seed Powder market size in terms of value and sales volume from 2018 to 2028.

Market Trends and Dynamics: Analysis of Olive Seed Powder market drivers, opportunities, challenges, and risks.

Macro-economy and Regional Conflict: Impact of global inflation and the Russia-Ukraine conflict on the Olive Seed Powder market.

Segment Market Analysis: Olive Seed Powder market value and sales volume by type and application from 2018 to 2028.

Regional Market Analysis: Current situations and prospects of the Olive Seed Powder market in North America, Asia Pacific, Europe, Latin America, the Middle East, and Africa.

Country-level Studies on the Olive Seed Powder Market: Revenue and sales volume data for major countries within each region.

Olive Seed Powder Market Competitive Landscape and Major Players: Analysis of 10-15 leading market players, including sales, price, revenue, gross margin, product profile, and application.

Trade Flow: Import and export volumes of the Olive Seed Powder market in key regions.

Olive Seed Powder Industry Value Chain: Overview of raw materials and suppliers, manufacturing processes, distributors, and downstream customers in the Olive Seed Powder market.

Olive Seed Powder Industry News, Policies, and Regulations: Updates on relevant industry news, policies, and regulations.

Reasons to Purchase This Report:

Comprehensive Analysis: Gain access to extensive quantitative and qualitative analysis covering a research period from 2019 to 2030.

Market Overview: Understand the global Olive Seed Powder market through detailed metrics on sales, revenue, and growth rates.

Segmented Insights: Benefit from segmented market analysis by region, product type, and downstream industry for a nuanced understanding of market distribution.

Competitive Landscape: Stay ahead with insights into the competitive landscape, including key players and their market strategies.

Future Prospects: Make informed decisions with projections and future market prospects.

Regional Analysis: Gain insights into regional growth trends and market status.

Emerging Trends: Identify and understand emerging market trends and opportunities.

Strategic Planning: Utilize the report’s insights for strategic planning and market positioning.

[urbannunxue]

Check out this listing I just added to my Poshmark closet: Our Lady of Guadalupe glass pillar set and wall art.

[moneyylisa]

june 9, 2023

[discovered + copied from my journal]

[1418] ate ~2g and our great eggplant, sweet potato, kale + rice concoction.

intentions:

create

experience nature

come to terms w/ past traumas, fears

listen to my playlist

paint

love myself, my body

write down my thoughts and observations

[1455] The people on the pillow are playing their music. I don't think it hit me fully yet, but it's starting to maybe...

[1501] I went to the lanai because I wanted to be around nature as it came in... the walls started to feel like they were closing in. It's hot but it feels better and quiet. I thought I left my pen inside but I didn't (obviously). The thing I want to remember here is I called myself stupid (out loud) - then immediately corrected myself. I think that sets the tone for the self-love intentions.

Sometimes I write just to get the thoughts out of my head, get them to stop echoing off the walls of my skull. But sometimes I wonder who will read it... B? Our kids? A complete stranger 10-20 years from now?

No one?

What will happen to these thoughts? Will there ever be someone who really understands?

These shrooms are kinda making me nauseous.

A speck of ...? just floated by my line of sight. Outside the lanai. It was on its way down. It needed a witness.

So here I am, bearing witness.

Present.

The bugs, the birds, the sirens. Getting closer.

I guess I kind of understand the people who do crazy things while tripping... who wouldn't feel invincible? (great song, btw)

Like try to stand in the middle of the street just to make a car stop (nearby sirens also stopped as I finished this sentence)

I thought about that bc I was thinking how nice it could be to lie in the grass. But it's so hot I'd probably burn to a crisp. I'm writing sloppy now bc I'm lying on the papasan. Not really lying... but lounging.

I wonder if I'll fill these pages up.

Looking up from the journal is like a transition...

[drawing of brain with right arrow pointing to earth]

That's supposed to be from inside my mind to the outer, rest of the world.

[drawing of hand]

Is this what babies feel like? Everything is new again...

[1523] I just shook the almost-compost bin in here and so many little flies rose up. I thought it was disgusting, a little repulsive, at first. But then I remembered it's part of the cycle. We share this earth...

I had to figure out the wifi password to redownload Procreate and now I forgot what I wanted to draw.

I've never felt gravity until today tho.

I was meant to be outside in nature! Of course B too. We're the same.

[1559] I wished my friend S a happy birthday. I'm watching some ants now. They don't seem so gross. They're actually a little admirable. There's a helicopter making circles?

DRUMS!!! Release (ahhhh...) Silence (later applause)

That was my reaction to the helicopter leaving. Can I capture that sound/feeling in music?

It feels vindicating bc I journaled the rise and fall of all that lol

I'm present again [drawing of person with arms raised]

[1430] Time for my playlist. First up,

Petal by Raveena [drawing of flower petals and butterfly]

[1649] End of trip!

—

[bonus drawing I made after the trip:]

[instantebookmart]

Encyclopedia of Supramolecular Chemistry by J. L. Atwood, ISBN-13: 978-0824747251 [PDF eBook eTextbook] Publisher: ‎ Marcel Dekker Inc (March 1, 2004) Language: ‎ English  1649 pages ISBN-10: ‎ 0824747259 ISBN-13: ‎ 978-0824747251 The two-volume Encyclopedia of Supramolecular Chemistry offers authoritative, centralized information on a rapidly expanding interdisciplinary field. User-friendly and high-quality articles parse the latest supramolecular advancements and methods in the areas of chemistry, biochemistry, biology, environmental and materials science and engineering, physics, computer science, and applied mathematics. Designed for specialists and students alike, the set covers the fundamentals of supramolecular chemistry and sets the standard for relevant future research. “…a very impressive work both intellectually and physically….individual entries were written with incisiveness and great clarity.”-Reference Reviews”…offers a comprehensive insight into the highly specialized and relatively recent field of supramolecular chemistry. The book stands true to its title: It is indeed an encyclopedia of knowledge about the chemistry of supra molecules….an excellent addition to the science section of a college library.”-Science, Books, and Film”The articles are models of clarity…Highly recommendeded.”-Choice”…the most ambitious undertaking in the field of supramolecular chemistry… . extremely valuable to those wanting a first-rate introduction to supramolecular chemistry…Well done!”-Jerald S. Bradshaw, Professor Emeritus, Department of Chemistry and Biochemistry, Brigham Young University, Provo, Utah, U.S.A.”…the time is ripe for an Encyclopedia of Supramolecular Chemistry, presenting its basic concepts, its various objects and processes as well as its relations to other areas… of great value to the many practitioners in the field as well as those, perhaps even more numerous, who wish to get acquainted with it… . The editors and authors deserve our warmest thanks for their timely work…”-Jean-Marie Lehn, Winner of the 1987 Nobel Prize in Chemistry, Professor of Chemistry and Director of the Supramolecular Chemistry Laboratory, Universite Louis Pasteur, Strasbourg, France”…provides comprehensive coverage of all topics of supramolecular chemistry, including information about history, developments, and contemporary aspects… . this Encyclopedia will be of immense use to both experts and those with growing interest in supramolecular science… . I congratulate Professors Jerry Atwood and Jonathan Steed for this masterpiece.”-Antonio Bianchi, Professor, Department of Chemistry, University of Florence, Italy, and International Scientific Committee (2003), International Symposium on Macrocyclic Chemistry”… a fascinating outlook on the wide scope of modern-day chemical science… . helpful in erasing borders between the more contracted inorganic, organic, physical, and biological fields…a good guide to finding likenesses across the different studied subjects.”-Jan F. Biernat, Professor of Chemistry, Department of Chemical Technology, Gdansk University of Technology, Gdansk, Poland”…the editors are experts in the field…[this work is] of immense value to scientists in a wide variety of fields.”-Dr. Reed M. Izatt, Professor Emeritus, Department of Chemistry and Biochemistry, Brigham Young University, Provo, Utah, U.S.A. Covers the fundamentals of supramolecular chemistry; supramolecular advancements and methods in the areas of chemistry, biochemistry, biology, environmental and materials science and engineering, physics, computer science, and applied mathematics. ISBN: 9780824750565; 082475056X; 9781138036215; 1138036218; 9781439846773; 1439846774; 9780824747206; 0824747208; 9780824747251; 0824747259; 9780429075728; 0429075723; 9781482258165; 1482258161 What makes us different? • Instant Download • Always Competitive Pricing • 100% Privacy • FREE Sample Available • 24-7 LIVE Customer Support

[ajourneythrough22]

Works Cited

Artist: Wenceslaus Hollar (Bohemian, Prague 1607–1677 London). Tower of London. 1625–77. Etching; second state of two, Sheet: 5 11/16 × 10 1/16 in. (14.5 × 25.5 cm). The Metropolitan Museum of Art. https://jstor.org/stable/community.18360544.

Author: Sir William Dugdale (British, 1605–1686), Artist: Wenceslaus Hollar (Bohemian, Prague 1607–1677 London), Printer: Thomas Warren (London), and Sitter: Frontispiece portrays Sir William Dugdale (British, 1605–1686). The History of St. Paul’s Cathedral in London, From Its Foundation until These Times. 1658. Illustrations: etching, 13 5/16 × 9 1/16 × 1 1/8 in. (33.8 × 23 × 2.8 cm). The History of St. Paul’s Cathedral in London, From Its Foundation until These 

Brooke, W. H., Daniel, George, Schnebbelie, R. B., Smith, C. J., and Upcott, William, 1779-1845. David Garrick Scrapbook Pages 041 - 059. Honnold Mudd Library.  Special Collections, n.d. https://jstor.org/stable/community.31048283.

Charles Le Brun. Chateau de Versailles. 1661-1678. https://jstor.org/stable/community.14642966.

Honourable Edward Lord Herbert of Cherbury. Documents. London : Printed by E.G. [Edward Griffin] for Thomas Whitaker, and are to be sold at his shop ; [Raworth, Ruth?] ; [Newcomb, Thomas?], 1649. https://jstor.org/stable/community.35016044.

JUDGE, H. G. “CHURCH AND STATE UNDER LOUIS XIV.” History 45, no. 155 (1960): 217–33. http://www.jstor.org/stable/24403720.

McGill University Library, and Lister, Martin, 1638?-1712. A Journey to Paris in the Year 1698 .. Documents. London, Jacob Tonson, 1699. https://jstor.org/stable/community.32850230.

Riley, Philip F. “Louis XIV: Watchdog of Parisian Morality.” The Historian 36, no. 1 (1973): 19–33. http://www.jstor.org/stable/24443894.

Roosen, William J. “The Functioning of Ambassadors under Louis XIV.” French Historical Studies 6, no. 3 (1970): 311–32. https://doi.org/10.2307/286062.

Smith, Karl Sidney. “Versailles: Scene of the World’s Peace Conference.” Fine Arts Journal 37, no. 1 (1919): 11–14. https://doi.org/10.2307/25587612.

 [s.n.]. [View of the Stage of the Original Globe Playhouse, 1599--1613]. [19--]. Model, Watercolor painting, 1 watercolor model : Color , 51.0 x 76.0 cm. Kislak Center for Special Collections, Rare Books and Manuscripts, University of Pennsylvania: Furness, M/Gl350.8 L, Drawer. https://jstor.org/stable/community.18297280.

The George Peabody Library, The Johns Hopkins University Sheridan Libraries, Hall, Henry, active 1642-1680, printer, Davis, Richard, active 1646-1688, bookseller, George Peabody Library, Sheridan Libraries, and Foulis, Henry. The History of the Wicked Plots and Conspiracies 

The Johns Hopkins University Sheridan Libraries, Herbert, Edward [Lord Herbert of Cherbury], and Cecill, Thomas (engr.). The Life and Raigne of King Henry the Eighth. Written By the Right Honourable Edward Lord Herbert of Cherbury. Documents. London : Printed by E.G. [Edward Griffin] for Thomas Whitaker, and are to be sold at his shop ; [Raworth, Ruth?] ; [Newcomb, Thomas?], 1649. https://jstor.org/stable/community.35016044.

Wolf, John B. “The Reign of Louis XIV: A Selected Bibliography of Writings since the War of 1914-1918.” The Journal of Modern History 36, no. 2 (1964): 127–44. http://www.jstor.org/stable/1874635. Wren, Christopher, Sir, 1632-1723. London: St. Paul’s Cathedral Int.: Nave to East. 1675-1711. https://jstor.org/stable/community.13570172.