#portraits not by van dyck

[brokenbluebouquet]

1/xx unknown posthumous painting of Charles I based on the frontispiece of the Eikon Basilike, after 1660, artist and current location unknown. Purchased by Sir J.C. Robinson at Foster's, 22 July 1891 (89); purchased for the Royal Collection by Queen Victoria in 1892

According to the Royal Collections Trust page on this monster….

Ten days after his execution of 30 January 1649 Charles I’s spiritual autobiography was published – the ‘Eikon Basilike’ or ‘Image of the King’. It is not certain whether this work was written by the King himself or ‘ghosted’ by John Gauden, Bishop of Worcester, but it was an extremely popular piece of Royalist justification and a central part of the development of the cult of King Charles the Martyr (who remains the only Saint canonised by the Church of England). Milton’s riposte, the ‘Eikonoklastes’ (‘The Iconoclast’ or ‘Image-Breaker’) of 1649, did not prevent this work of popular piety from going into many editions. The frontispiece of the ‘Eikon’, designed by William Marshall, and filled with allegorical devices, has always been as famous as the book itself. While not actually copying its composition at all, this painting is entirely derived from Marshall’s print. The King is shown dressed in full earthly splendour - coronation robes, Garter chain, lace collar and so on – but kneeling and praying fervently to an altar upon which is placed a Bible and above which the heavens open. The King has placed a crown of thorns on a cushion at his feet as if offering it (or perhaps taking it up). All the same things happen in the ‘Eikon’ frontispiece except that the King here explicitly takes a crown of thorns labeled ‘Grace’ in exchange for an earthly crown, labeled ‘Vanity’. Many of the allegories which in the ‘Eikon’ fill a landscape outside the chapel in which the King kneels have, in this case, been crowded into a painting-within-a-painting in a fine Baroque frame including a skull. A rock resists some waves and some winds (puffing faces); the same thing is the ‘Eikon’ is labeled ‘Immota, Triumphans’ (‘Unmoved Triumphant’). A palm tree is hung with weights because this tree was said to grow straighter the more weight it bears; in the ‘Eikon’ the same image bears the rubric ‘Crescit sub pondere Virtus’ (‘Virtue grows under weights’, that is in adversity). Such a splendid and public image must have been commissioned after the Restoration, and probably quite soon after, while the matter was still current in people’s minds. A date from the 1660s would certainly fit with the painting’s style.

[lilymelancholie]

Anthony van Dyck (1599-1641)

Portrait of the Sculptor François Duquesnoy (1597-1643), circa 1627-32

[from-a-spiders-web]

Lord John Stuart and his Brother, Lord Bernard Stuart, 1638 Anthony van Dyck

[7pleiades7]

William II, Prince of Orange, and his Bride, Mary Stuart (1641), (detail), by Sir Anthony van Dyck (Flemish, 1599–1641), oil on canvas, 182.5 × 142 cm, The Rijksmuseum, Amsterdam

[ourstaturestouchtheskies]

Historical Portraits of Children // The Truth is a Cave – The Oh Hellos

Four Children Making Music – attributed to the master of the Countess of Warwick, 1565 // Three Children with a Dog or Two Sisters and a Brother of the Artist – Sofonisba Anguissola, 1570-1590 // The Children of Philip III of Spain (Ferdinand, Alfonso, and Margarita) – Bartolomé González y Serrano, 1612 // Three Children with a Goat-Cart – Frans Hals, 1620 // The Balbi Children – Anthony van Dyck, 1625-1627 // The Three Eldest Children of Charles I – Anthony van Dyck, 1635-1636 // Five Eldest Children of Charles I – Anthony van Dyck, 1637 // Portrait of the Children of Habert de Montmor – Philippe de Champaigne, 1649 // Group Portrait of Charlotte Eleonora zu Dohna, Amalia Louisa zu Dohna, and Friedrich Christoph zu Dohna-Carwinden – Pieter Nason, 1667 // The Graham Children – William Hogarth, 1742 // Portrait of Sir Edward Walpole’s Children – Stephen Slaughter, 1747 // The Bateson Children – Strickland Lowry, 1762 // The Gower Family: The Five Youngest Children of the 2nd Earl Gower – George Romney, 1776-1777 // Marie-Antoinette de Lorraine-Habsbourg, Queen of France, and Her Children – Élisabeth Louise Vigée Le Brun, 1787 // The Marsham Children – Thomas Gainsborough, 1787 // The Oddie Children – William Beechey, 1789 // Three Siblings – Johann Nepomuk Mayer, 1846 // Happy Children – Paul Barthel, 1898 // My Children – Joaquín Sorolla, 1904 // The Truth is a Cave – The Oh Hellos

[eirene]

Portrait Of A Noblewoman With A Parrot

Anthony van Dyck

[portraituresque]

Antoon van Dyck - Self-Portrait - 1615

[oncanvas]

Genoese Noblewoman, Anthony van Dyck, circa 1625-27

Oil on canvas 90 ⅞ x 61 ⅝ in. (230.8 x 156.5 cm) The Frick Collection, New York City, NY, USA

[random-brushstrokes]

Anthony van Dyck - Head of a Young Man (ca. 1617-1618)

[juwaiin]

lewis hamilton as van dyck's self-portrait with a sunflower 🌻

part of my ongoing series of formula 1 drivers as popular paintings! 🏎️🖤

[canvasmirror]

Anthony van Dyck (Flemish, 1599-1641) • SSelf-Portrait with Sunflower • c. 1620–21

[brokenbluebouquet]

2/xx A (possibly satirical?) print of George Villiers Duke of Buckingham at the siege of Rhe. The pose is modelled on a series of prints based on an engraved series of Standard Bearers by the Dutch artist Hendrik Goltzius. National Portrait Gallery, 1630s?

The text says:

This plate hath been many years preserved in a great persons closet. The most noble George villiers Duke of Buckingham stabbed by Felton 1629[sic] Aged 36 years. He was a great favourite of KJames and KCharles I. Sold by Benj Cole, Bear Lane.

[artthatgivesmefeelings]

Anthony van Dyck (Flemish, 1599-1641) Marchesa Balbi, c.1623 National Gallery of Art

[classic-art-favourites]

Willem II, Prince of Orange and His Bride Mary Stuart by Anthony van Dyck, 1641.

[life-imitates-art-far-more]

Anthony van Dyck (1599-1641) "Portrait of Frans Snijders" (c. 1620) Oil on canvas Baroque Located in the Frick Collection, New York City, New York, United States Frans Snyders or Frans Snijders (1579-1657) was a Flemish painter of animals, hunting scenes, market scenes and still lifes. He was one of the earliest specialist animaliers and he is credited with initiating a wide variety of new still-life and animal subjects in Antwerp. He was a regular collaborator with leading Antwerp painters such as Peter Paul Rubens, Anthony van Dyck and Jacob Jordaens.

[camillevanneerart]

anthonie - graphite | 15 x 15