#Anthony van Dyck

[granstromjulius]

Anthony van Dyck

[history-of-fashion]

ab. 1630 Anthony van Dyck - Filips Godines and Sebilla vanden Berghe

(Alte Pinakothek)

[lionofchaeronea]

Golgotha, Anthony van Dyck, 1630

[lilymelancholie]

Anthony van Dyck (1599-1641)

Portrait of the Sculptor François Duquesnoy (1597-1643), circa 1627-32

[from-a-spiders-web]

Lord John Stuart and his Brother, Lord Bernard Stuart, 1638 Anthony van Dyck

[7pleiades7]

Cupid and Psyche (1639-1640) by Sir Anthony van Dyck (1599–1641), oil on canvas, 200.2 × 192.6 cm, The Royal Collection, (Privy Chamber), Kensington Palace, London

[papillon-de-mai]

Anthony van Dyck — Lady Elizabeth Thimbelby and her Sister. circa 1637. detail

[baroque-art-history]

Saint John the Baptist in the Wilderness painted by Anthony van Dyck (1599 - 1641)

[ourstaturestouchtheskies]

Historical Portraits of Children // The Truth is a Cave – The Oh Hellos

Four Children Making Music – attributed to the master of the Countess of Warwick, 1565 // Three Children with a Dog or Two Sisters and a Brother of the Artist – Sofonisba Anguissola, 1570-1590 // The Children of Philip III of Spain (Ferdinand, Alfonso, and Margarita) – Bartolomé González y Serrano, 1612 // Three Children with a Goat-Cart – Frans Hals, 1620 // The Balbi Children – Anthony van Dyck, 1625-1627 // The Three Eldest Children of Charles I – Anthony van Dyck, 1635-1636 // Five Eldest Children of Charles I – Anthony van Dyck, 1637 // Portrait of the Children of Habert de Montmor – Philippe de Champaigne, 1649 // Group Portrait of Charlotte Eleonora zu Dohna, Amalia Louisa zu Dohna, and Friedrich Christoph zu Dohna-Carwinden – Pieter Nason, 1667 // The Graham Children – William Hogarth, 1742 // Portrait of Sir Edward Walpole’s Children – Stephen Slaughter, 1747 // The Bateson Children – Strickland Lowry, 1762 // The Gower Family: The Five Youngest Children of the 2nd Earl Gower – George Romney, 1776-1777 // Marie-Antoinette de Lorraine-Habsbourg, Queen of France, and Her Children – Élisabeth Louise Vigée Le Brun, 1787 // The Marsham Children – Thomas Gainsborough, 1787 // The Oddie Children – William Beechey, 1789 // Three Siblings – Johann Nepomuk Mayer, 1846 // Happy Children – Paul Barthel, 1898 // My Children – Joaquín Sorolla, 1904 // The Truth is a Cave – The Oh Hellos

[the-regal-sim]

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[eirene]

Portrait Of A Noblewoman With A Parrot

Anthony van Dyck

[granstromjulius]

Anthony van Dyck

[history-of-fashion]

1629 Anthony van Dyck - Portrait of a man of quality and his son

(Louvre Museum)

[oncanvas]

Genoese Noblewoman, Anthony van Dyck, circa 1625-27

Oil on canvas 90 ⅞ x 61 ⅝ in. (230.8 x 156.5 cm) The Frick Collection, New York City, NY, USA

[the-evil-clergyman]

Cupid and Psyche by Anthony van Dyck (1638-40)

[artandthebible]

Christ of the Coin

Artist: Anthony van Dyck (Flemish, 1599–1641)

Date: circa 1625

Medium: Oil on Canvas

Collection: Musei di Strada Nuova, Genoa, Italy

Description

The canvas, referring to the period of the painter's stay in Genoa, can be dated to around 1625 and reveals a deep influence of Venetian painting and, in particular, of Titian both as regards the pictorial technique and chroma both as regards the formal structure. The work is in fact a reinterpretation by Van Dyck of a composition of similar subject painted by the painter Cadore for Philip II of Spain, now preserved at the National Gallery in London and, probably known to the Flemish through an engraving by Martino Rota. The latter fact explains why the representation of Titian is here taken in counterpart, on the basis of the inverted engraving image.

The narrated episode, drawn from the synoptic gospels, refers to the artificial controversy which the Pharisees and Herodians attempt to involve Jesus in taking a position on the controversial controversy over taxes and, more generally, on the question of recognition of the political authority of Rome . The Pharisees, bitter enemies of the Roman power in Palestine, ask Christ whether it is lawful to pay tribute to Caesar or not, he responds to show him a coin and asks who the image and the inscription that is above; ;the "adversaries" reply that image and inscription are of Caesar, the image was in fact that of the emperor Tiberius.

Jesus, pointing to the effigy on the coin, says "Render to Caesar what is Caesar's and to God what is God's", thus implicitly inviting the Pharisees to distinguish between civil authority and religion.