#our experiences make us the writers we are

[moonchild1]

jeon jungkook fic rec list (Ⅺ)

hi everyone i am back and boy has there been some amazing fics posted while i was away it's awaken that spark in me again and this list is honestly packed, i went over like 60 fics for this one and i even added some of my ult. faves. the ones i have to mention again because they are just so amazing, trust me you will be going back for more over and over again too. you might notice some fics from ao3 and wattpad included as well they are hold a special place in my heart, they are masterpieces that need to be shared with you guys so please enjoy this new list and give all the authors mentioned all the love and respect they deserve seriously they work so hard on creating these beautiful fics and they deserve all the attention and gratitude we can offer them so please share your love through a like, comment and reblog them so they can feel the love and more people can find their masterlists and accounts because they have some really good fics there as well. I just wanna send an honourable mention to every single writer i have added to this list without you i would not have so much happiness when i come on this app and you have filled my heart and countless others with so much joy and happiness we appreciate you more than you will ever know and you make being here 10 times better your stories help us through alot and puts smiles on our faces and we get to spend time with a community of people who love what we love and we get to interact because of your ideas and it creates such an amazing experience so thank you for everything that you do the worlds you create and the ideas you come up and for sharing it all with us i adore you so much and you are just the best so once again thank you for everything and i look forward to what so many of you have planned - kiki ♡

NO MINORS ALLOWED PLEASE DON'T INTERACT!

happy reading everyone i hope you enjoy this extra long list of my faves and please remember to be happy and keep on smiling and interact if you want i love hearing from you guys and if you want you can send me a few of your faves 🥹🖤✨

f - fluff s-smut a - angst

series

lines of fate by @kookiestarlight s a exes au zombie apocalypses tattooist jk

⋆ the last thing Jungkook ever imagined was an outbreak that turned the dead into the living. But even more unexpected is seeing you—an ex he’s known nothing about in the past four years—with a small child who bears a striking resemblance to himself. As Jungkook grapples with the shock and the city spirals into chaos, the two of you are thrust back together, forced to confront unresolved feelings, long-buried truths, and the horrors of the deadly virus taking over.

lost stars by @hueseok f a roommates e2l slow burn college au (33.2k)

⋆ the last person you’d expect to be there for you is your roommate, jeongguk, on the night you break up with your cheating boyfriend; because as far as you’re concerned, the both of you aren’t exactly friends, and he definitely shouldn’t be running to get you upon hearing you sob via phone call.so when he does, you begin thinking that maybe you’ve just been hard on him over the years, or perhaps he just liked pretending to be an annoying shit most of the time. either way, it becomes the beginning of an unexpected friendship finally blossoming.

a lovers kiss by @/hueseok f s a fwb i2l college au (55.6k)

⋆ a friends with benefits relationship never ends on a good note. unless, both parties are not dumb fucks who find themselves falling for each other along the way of their agreement, of course. and in yours and jeongguk’s case, you should have known better than to think the two of you would be an exception to the so-called curse of being friends with benefits with someone you already hold dear to you, since not even five months since it was agreed upon—the line between being only friends and being a little like lovers only continue to get hazier and hazier.

hell is empty by @aquagustd f s a ft.kth love triangle dadJK exJK CEO kth (164.4k)

⋆ life has a tendency to throw things your way when you least expect it, when you’re content, and the ominous presence knows exactly how to steer your existence back into the darkness.

to the stars by arckook (ao3) a zombie apocalypse (94.6k)

⋆ It was always you, and Jimin, and your best friend Jihyun. But fate, regardless of whether you believed in it or not, had other plans for you. Jimin told you once, "It's a tough road to the stars." Nowadays it was hard to believe the stars were somewhere you could reach.

moirai by norabean (ao3) f s a soulmates slow burn (95.2k)

⋆ On your 18th birthday a name appears on your wrist. The name of your soulmate. It’s a momentous day that everyone looks forward to, but you’ve always brushed aside; refusing to believe in a fickle mistress called destiny. But what happens when on the morning of your 18th birthday you wake to find the name of your mortal enemy? Jeon Jungkook.

from home by @yuzukult f s a e2l richkid jk fakedating au (89.5k)

⋆ a rich kid who gets cut off from family money meets an average post-grad girl who may be the key to getting him back on his parents’ good side.

and they were roommates by @hoseok666 f s a ft. kth e2l love triangle tsundere jk s2l (103.k+)

⋆ it all started with a rejection from your longtime crush, jeon jungkook. you decided to confess to him on your last day of high school. after a harsh rejection and a rough summer dealing with the heartbreak, you were starting anew once your freshman year of college came. you were going to be sharing an apartment with two other roommates that you don’t even know. what a surprise you’re going to be in for once you find out it’s the one and only: jeon jungkook and kim taehyung.

future hearts by @jungblue f s a ft. pjm punk jikook s2l band au f2l lost love (114.6k)

⋆ It was everything, from his tattoos, to his touches, to the way sweat rolled down his neck as he strummed into his guitar on stage; everything about him completely enthralled you. So why are you now, two and a half years later, on a train to Seoul, telling a complete stranger the recollection of how you became fated to forever have scars on all of your future hearts due to the happiness, but most of all the pain, that came along with falling in love with Jeon Jungkook.

mind games by @yerion f a tsundere jk roommates au (31.8k)

⋆ jungkook drives you to think strict criticism isn’t too bad, purely because you didn’t expect things to turn a bit steamier than intended. as the one and only female esports player, misery was at your fingertip when your skills suddenly deteriorated. however, the stoic leader of your team—jungkook, simply couldn’t sit back. he puts you back on track, yet no one told you sparks would fly; and the crazy fact that it’s inevitable

heartbeat by @xbaepsae s a ft myg unrequited love (24.9k)

⋆ “You fell in love with a boy who was in love with music, and you weren’t sure if he was capable of loving you the same way. This thought should’ve caused you to move away from him; but, if anything, it just drew you closer.“

one year, my love by @hayjeon f s a historical/royal au 100 days my prince kdrama (31k)

⋆ You forge a marriage contract with the strangely speaking man who suddenly stumbled into your town with memory loss, but little do you know that he’s actually the lost Crown Prince, and a lot can happen between a married man and woman in one year. 

the love prognosis by @awrkive f s a medical au roommates f2l (90.7k)

⋆ for as long as you can remember, you've always been a hopeless romantic. the girl who’s always dreamt of cheesy encounters with her soulmate, grand love declarations, and a cute little beach wedding to boot. but reality pretty much slaps you hard right on the face, because love, unfortunately, doesn’t come grand — it’s simple and it’s quiet, but it is quite painful, especially when the love that you’ve been seeking for all your adult life has just been right under your nose all this time.

ever a never after by @yoonia s ft. ksj enchanted au (51.8+k)

⋆ Some say fate can be a cruel thing. Yet you never knew how true it was until fate played a hand in your bad luck. Merely moments before your happily ever after, you are suddenly sent out to a weird place. A different world. You wonder if this is a test from fate to see if you are truly deserving of your happy ending, or if perhaps fate wants to show you something else. Something that fate wishes you to learn before you can finally move on to take the next step towards your happiness.

between takes by @jeonstudios f s a fluffer au porn star au (74.6k)

⋆ as a fluffer for a popular porn star, your focus is to keep him hard and performing on set. turns out he's not the only thing that's hard

Shatter With Me by @colormepurplex2 f s a surrogate au best friends husband (46.4k)

⋆ Your best friend, Jiyoon, and her husband, Jungkook, have faced years of hardship trying to start a family. In a last-ditch effort to have their dream life, they seek solace in surrogacy. Wanting to see your best friend smile, you offer to become the bright beacon at the end of the tunnel, giving them what they have always wanted. But what happens when you begin to shine your light on their darkness? Things aren’t always as they seem—happiness can be a façade, shattering under the lightest pressure.

Chasing Cars by @oddinary4bts f s a college au brother best friend forbidden love (218.5k)

⋆ when your brother goes to study on a semester abroad, your life collides with his best friend Jeon Jungkook, who's coincidentally your roommate. Will you survive the collision, or will you crumble into dust?

hold me close by @ahundredtimesover f s a brother best friend (41.8k)

⋆ When you're asked to look after your parents' house and meet them before they go on vacation, you, Jimin, and Jungkook take the trip to your hometown of Busan and relive memories of your youth. While your new relationship has you feeling like a lovesick teenager with all the affection that Jungkook shows you, you're still you - a professional trying to make it in the corporate world, and an eldest child trying not to disappoint her parents. And that turns out to be your undoing, as a little blunder causes a rift between you and Jungkook, resulting in a trip that you might as well have messed up… Not if your brother can help it, though

sugar high by @yeojaa f a idol au childhood best friends unrequited love (33.3k)

⋆ You thought you’d known real love and maybe you had - it just wasn’t with who you thought.

the law of attraction by @jexnkookie f s a lawyer jk girl of his dreams (26.9k)

⋆ Throughout his life, Jung Kook has only ever loved one girl. Despite her being out of his league and of an elite class that he wasn't born into, he fell hard, keeping his feelings a closely guarded secret. When they parted ways, and Jung Kook pursued his law career, he did so with the intent of moving on. But when she unexpectedly arrives back into his life, Jung Kook finds himself once again face to face with his own insecurities, and the girl of his dreams.

love bug by @here4kpopfics f s a established relationship (30.4k)

⋆ A collection of stories and drabbles with my comfort couple Jungkook and Love Bug as I affectionally call her. They were my first couple to write in over a decade and I hold them very close to my heart.

sh by @wwilloww f s a ot7 f2l (118k)

⋆ Six months of quarantine have kept you apart. Somehow the distance sparks something new in each of you: questions, unfinished conversations, threads once chased now left cold. So when your roommate invites you to come with him to a mysterious house in the mountains with your friends, how could you even think of saying no?

bloodlines entwined by @spideyjimin f s a s2l soulmates werewolf au royalty au (30.8+)

⋆ having a baby alone was supposed to be easy. but an accidental twist of fate pulled you into a hidden world of werewolves, and ancient bloodlines. navigating your already complicated life becomes even harder as you uncover your past; one tied to a legacy you never knew existed. and in the middle of this chaos stands jungkook, the werewolf king… and the father of your child.  

jump then fall (into you) by @writtenwhalien f s a bf2l fake dating (52k)

⋆ bringing Jungkook along as your date to your ex’s lavish cruise wedding seemed like a perfect idea at first — all of your family and close friends together, nothing can go wrong… then Jungkook’s ex shows up and all of a sudden you’re in a years long relationship with him. You don’t mind though, really, how hard can sharing a cabin and pretending to be deeply in love with your best friend really be?

not in that way by @girlygguk f s a ft. myg unrequited love bf2l (30k)

⋆ in which you're hopelessly in love with your best friend, min yoongi. meanwhile, your other best friend, jeon jungkook, is hopelessly in love with you.

live through this by @starshapedkookie f s a band au exes to frenemies to lovers (46.5k)

⋆ A record deal. The one thing Violet needed to become the next big rockstars. As the front-woman to the band, life couldn’t have been any easier for you. That is until a devastating life event changes everything for you, leaving you heartbroken and in a downward spiral you can’t get out of. With your biggest competitor, Whailen 52 on your heels, your bandmates worried about the future, and your ex Jeon Jungkook being your only solace; you weren’t sure if you were going to live through this to see your dreams come to fruition.

a story that we paint by @thedefinitionofbts f a ft.kth college au scifi au (25k)

⋆ in which the lines between virtual and reality are blurred.

crimson park by heartbeatan f s a e2l crime au(159.6k)

angel in the darkness by @icyhobi s a mafia au prostitution au

⋆ after a patient urgently pleads you to go and help a friend of his, you naively agree to it. little did you know, that you would get more than what you agreed to, when he leads you to a brothel, to help a dangerous prostitute named jeon jungkook.

one night stand by @buryhny f s a ceo au e2l (382k)

⋆ as if the unexpected twist of a one-night stand turning out to be your CEO boss wasn't surreal enough, the situation takes a more challenging turn when both of you discover that you're expecting his child.

the alpha omega series by @borathae f s a childhood best friends to enemies to lovers werewolf au (40.8k)

⋆ Jungkook is the son of the pack Alpha and therefore heir of the titel. You are an omega and utterly out of his league. This is the story of how, against all odds, you and he became true mates.

4-7-8 by @jiminrings a marriage au (73k+)

⋆ you’re secure when it comes to loving jungkook, knowing that your husband loves you beyond words. what you aren’t so secure about is his first love — someone who isn’t you. alternatively, jungkook’s married to you, but he still celebrates his anniversary with his ex out of sentimentality.

netflix & chill by @1kook f s blindate collge au (113.7+)

 ⋆ If you planned things right, you could rain down your raging displeasure on Jeon Jungkook right after the meal but before this proposed ‘Netflix and chilling,’ maybe dramatically throw your glass of wine at him, before storming out of his place and reporting him to the authorities (Namjoon) for his douchebag personality.

the bad blind date by ravsisrekt f s a idol au f2l (wattpad)

⋆ Being set up on a date is hard as it is. But being set up on a date where the boy you're with loves your best friend is even harder-and trust me, being bubbly, cute, and incredibly hilarious doesn't work on him either…but on the other members it certainly does.

sns by narcotichobi f s a idol au s2l (wattpad)

⋆ Jae is a twenty-one year old Korean-American university student whose life is just ordinary. Struggling through the confines of cultural differences between her lifestyle and ethnicity, Jae finds herself through social media outlets and the integration of k-pop into her American life. Jungkook is a twenty year old singer, dancer and producer of the Korean-Pop idol group, BTS (방탄소년단). He works over twelve hours a day and has almost every second of his life circulating around social media. Jungkook, with newly found dating privileges, is slow to trust another person with his personal life and thoughts. Follow Jae and Jungkook through a love-story heavily motivated by social media and press

40 weeks by magicalmochii f s a teeange pregnancy f2l (wattpad)

⋆ They didn't want to be virgins when they graduated. Two friends agree to let go of their innocence together, no strings attached. Life had other plans.

unconditionally by magicalmochii f s a parents au (wattpad) sequel to 40 weeks

⋆ They survived high school and overcame the obstacles that tried to break them apart. Together they adapt to college life and work, all while caring for their new baby. Now, two friends turned lovers prepare for their wedding. Life had other plans. The continuation of 40 Weeks. Bring tissues.

blood ink by pocketbangtan f s a gang au tattoo artist jk (wattpad)

⋆ "That's my tattoo, Y/N, on your body. You know exactly what that means."

one shot

wait for your love by @/spideyjimin f s a exes2lovers parents (17.3k)

⋆ sixteen years ago, your life was turned upside down when you surrendered to the temptation — none other than jungkook, the star basketball player on your school’s team. today, after all that time, you reunite under tragic circumstances; a car crash where he saves your life.

Inkling by @gguksgalaxy s a f2l tattoo artist jk (17.7k)

⋆Jungkook is your brother’s boyfriend’s co-worker, they own a tattoo and piercing parlour. In other words, he’s tall, gorgeous, has his passion literally etched into his skin, looks incredibly good in a man-bun, and is semi-unattainable for you. Why? Well…you’re not entirely sure but him ditching right after a very heated make-out session sure isn’t a good sign. His extremely poor mood the next week sure isn’t either, but the only way to fix it is to face the beast head-on. Right?

in this paradise by @ressjeon f s a s2l survivor au (16.3k)

⋆ in an attempt to escape what’s been planned for him, Jungkook hopped on a ship only to face a tragedy that he didn’t expect and then there’s you who somehow couldn’t believe to find company in this isolated land. was this fate or was this just a temporary chance of bliss as a challenge for you both?

sleepover by @personasintro f s best friends brother (10.4k)

⋆ Jungkook is your best friend’s little brother who invites you to have a sleepover at his place. Nothing can happen, right?

bottle up old love by @wintaerbaer f s a exes to lovers (4.6k)

⋆ Jungkook may have broken up with you a year ago, but that's not going to stop him from coming to your rescue when he sees you being cornered by a creep.

the devil’s change up by @/jungblue f s a coach au (41.3k)

⋆ Majoring in athletic training means you have mandatory observation hours to perform with every single sports team at your school throughout the year, and so far it’s been going pretty great. However, when regrets from your past cause your rotation with the baseball team to become a little rocky, there’s one star pitcher who says that he can make it all better. 

entertainer by @taegularities f s a s2l (32.4k)

⋆ Growing singer Jeon Jungkook is as charismatic as he is self-absored – that is, until he meets you. Caught in a web of secrets, he finds a riddle in you he urges to solve; even ready to turn the spotlight towards you until nothing remains… but regret.

habits of a clandestine nature by @alphabetboyluvr s a college au rich jk e2l (16k)

explorer by @/1kook f s alien au s2f2l (17.8k)

⋆ Jungkook does not want to impress the frankly tyrannical ways of his planet on you. He just wants to stay here and keep your couch warm for you, hold your hair back when you wash your face in the morning. 

million dollar darling by @kooktrash f s a e2f2l crazy rixh asians inspired (19.7k)

⋆ jeon jungkook is well aware of how privileged he is to have been born into the life he was given. it was glamorous and influential yet close-knit and suffocating, something he thought he wanted to escape from. a trip back home to the circle of wealth and snottiness for his best friend’s million dollar wedding has reminded him of all the reasons why he wanted to leave in the first place… and all the reasons he should stay — the main one being you, the spoiled rich girl he knew was utterly perfect for him.

little surfer girl by @ppersonna f s a summer love suferjk (9.8k)

⋆ every summer you watched jeon jungkook turn into a perfect, professional surfer. every summer, you wanted him more. this summer, you were determined to make him yours.

the whole of your heart by @lcksndkys f s a husband au band au (8k)

⋆ Save a drum, bang a drummer.

sketch by @moonscriptsx f s soulmate au artist jk (9.6k)

⋆ After sixteen years of dreaming about the same unknown beautiful girl, Jungkook finally gets to put a name to the face — and she's so much more than what he's dreamt of

strings attached (to my heart) by @jungkoode f s spiderkook college au (11.8k)

⋆ You were a journalist at Yonsei University when you started noticing the strange coincidences between your favorite bumbling freshman and Seoul's newest superhero. The way Spider-Man's voice cracks on 'noona' exactly like Jungkook's does. The way they both bring you the same snacks, have the same nervous energy, the same tendency to ramble when flustered. You tell yourself it's just a coincidence, because the alternative means admitting something you're absolutely not ready to deal with.

it was always you by @/hueseok f s a childhood best friends to lovers (13.2k)

⋆ for as long as you remember, you’ve always had the fattest crush on your childhood friend, jeon jungkook. it never blossomed into something more though, because that’s what happens when life naturally takes it course—you grow up, you move on, and you pretend that those feelings never existed in order to maintain the good friendship that remained between the two of you over the years.so when he visits you after work one day, asking you to marry him, you do everything you can to refuse, because the reason he’s asking you isn’t due to the fact that he finally realized that he loved you after all this time, but because he thinks he’s doing you a big favor.or at least, that’s what you think.

mio angelo by @/hueseok f s a mafia au established relationship (33.3k)

⋆ it’s no secret to the whole nation how powerful the jeon family was. the efforts of the highly respected don jungsoo was the reason why the name of their clan continues to be a name that people thought greatly of and sometimes even feared. despite your father working alongside with the don, you never truly understood what the family possessed to earn them such acclaim; that is until you got closer to one of his grandsons, jeon jeongguk, that you caught a glimpse of how much power they truly seized as you see it first hand and become a part of it yourself. inspired by the godfather and vincenzo

ultimatum by @parkmuse f s spiderkook (10.3k)

⋆ Your pervy, idiotic boyfriend just so happens to also be your friendly neighborhood Spider-man (in bed).

melomaniac by @jungkxook f s a band au f2l (13k)

⋆ you’re wholeheartedly, madly in love with jungkook and yet you shouldn’t be because he’s supposed to be your best friend and nothing more. worst part of it all is that you know he’s in love with you too.

Navigating Tides by @jjungkookislife f s a exes2lovers (18.9k)

⋆ A cruise is the last place you expect to see your ex-boyfriend, Jeon Jungkook. You broke up six months ago, and your best friends Jimin and Yoongi assured you your ex wouldn't even remember this cruise that you booked a year in advance. However, on your first night on board, you discover your ex isn't only on the cruise ship, but there are no rooms available for him to stay in other than yours.

will it fit? by @jeonsweetpea f s idiots2lovers roommate au (6.7K)

⋆ So what if your roommate caught you masturbating? At least he forgot about it the next day. But he can’t exactly forget the big dildo you left in your shared bathroom…

pull me down by @starryeyedkoo f a badboy gang college au (22.9k)

⋆ “Do you regret it?” “What?” “Falling in love with me? It feels like I only weigh you down.” “I’ll let you pull me down to the depths of hell if that’s what it means to love you.”

espresso by @joonberriess f s a boxer jk idol oc (14.6k)

⋆ a rowdy boxer and the pretty it-girl he bagged by being him. jungkook’s doing anything to prove he’s serious, even if it means making a fool outta himself.

changes in between by @/taegularities f s a roommates s2f2l (24.7k)

⋆ Becoming the roommate of Jeon Jungkook is the biggest change you’ve ever gotten thrown into - but little do you know that the addition of another man will bring even further turbulence into your (love) life.

not my fault by @/taegularities f s college au classmates 2 lovers (12.6k)

⋆ After sparking a sinful conversation on a dating app, you vow to yourself that you won’t give in to more the notorious college fuckboy Jeon Jungkook might have to offer. That is, until he rings your doorbell just one night later – and it’s truly not your fault that he’s so damn hard to resist.

the secret beneath our stars by @subvk s a college au f2l (13.1k)

⋆ Falling in love with Jeon Jungkook was everything you’ve ever dreamed of and more, but maybe it was exactly that: a dream so blissful and comforting that it was too good to be true, something that could all disappear when the night changes to day, and your eyes open again. Or, making a marriage pact with your best friend was supposed to instill a sense of hope for you, so why does this hurt you more than it should?

mature by @/jiminrings f a pining f2l (8k)

⋆ alternatively, crushing on jungkook who's in your friend group is, has, and will never be a good idea.

movie goers by @mi55delulu f s a e2f2l (16.4k)

⋆ starting off on the wrong foot with your new neighbor was not on the top of your bucket list, yet you’ve made an enemy of jeon jungkook in less than 24 hours. unlucky for you, he’s not backing down either.

hopless hearts by @cupofteaguk f idol au s2l (17k)

⋆ you never understood the gravity of your position as an intern working Kcon until you fall for one of your favorite idols, Jeon Jungkook—quite literally too.

dissonance by @/yuzukult f s a rockstar jk student oc (19.4k)

⋆ something that first seems out of reach becomes a reality for him. screaming adoring fans, billboards with him and his band plastered on it, and touring across the globe with venues sold out. he has everything… but all he’s missing is you.

this is how we break by @ahundredtimesover f s a exes au (20.6k)

⋆ There are things you prepared for coming back home and that includes seeing your ex-boyfriend, but helping him design his apartment isn’t one of them. From meetings over coffee and lunches with your friends, you both learn more about the time in-between, and what you find out leave you heartbroken, wondering if there’s enough of you left to try to get back what you’d lost.

↬looking for other jjk fics or the other members check out my library

[thatscarletflycatcher]

The year is 1848. You are Anne Brontë, and you have written a cautionary tale for young women about the dangers of marriage and how you cannot reform a rake, and that the notion that "women's gentle influence" can do anything towards fixing corrupted and vicious men is a perverse lie. To get this point across you insert a conversation between two characters close to the beginning of the novel where you logically argue "You would have us encourage our sons to prove all things by their own experience, while our daughters must not even profit by the experience of others." and then you illustrate your point through how, despite loving her aunt dearly, your main character cannot understand the extent of the danger she's in because her aunt will only allude to it in vagueries. Surely nothing can be clearer and more forcibly expressed, right?

Reviewer at Sharpe's London Magazine:

"we cannot but express our deep regret that a book in many respects eminently calculated to advance the cause of religion and right feeling, the moral of which is unimpeachable and most powerfully wrought out, should be rendered unfit for the perusal of the very class of persons to whom it would be most useful, (namely, imaginative girls likely to risk their happiness on the forlorn hope of marrying and reforming a captivating rake), owing to the profane expressions, inconceivably coarse language, and revolting scenes and descriptions by which its pages are disfigured."

(now you can better understand the tone of the preface to the second edition)

Bonus:

"we consider the evils which render the work unfit for perusal (for we go that length in regard to it,) to arise from a perverted taste and an absence of mental refinement in the writer, together with a total ignorance of the usages of good society... despite reports to the contrary, we will not believe any woman could have written such a work... at the first glance we should say, none but a man could have known so intimately each vile, dark fold of the civilized brute's corrupted nature; none but a man could make so daring an exhibition as this book presents to us. On the other hand, no man, we should imagine, would have written a work in which all the women, even the worst, are so far superior in every quality, moral and intellectual, to all the men; no man would have made his sex appear at once coarse, brutal, and contemptibly weak, at once disgusting and ridiculous. There are, besides, a thousand trifles which indicate a woman's mind, and several more important things which show a woman's peculiar virtues. Still there is a bold coarseness, a reckless freedom of language, and an apparent familiarity with the sayings and doings of the worst style of fast men, in their worst moments, which would induce us to believe it impossible that a woman could have written it. A possible solution of the enigma is, that it may be the production of an authoress assisted by her husband, or some other male friend: if this be not the case, we would rather decide on the whole, that it is a man's writing."

We love a person who can read a book about how women, even high class women, do not and cannot escape horrifying scenes of abuse and degradation by men in Victorian society, and are, because of their special legal and economic vulnerability, most often the target of it, and go "this couldn't have possibly been written by a woman because ladies cannot have any experience whatsoever of such things."

[burning2know]

I agree wholeheartedly with OP and these tags from prev. prefacing that I will be ignoring the game that shall not be named and probably repeating some points.

There's nothing quite like the interactive medium of a video game that makes you examine your own choices and beliefs. And when it comes to politics, there's often a disconnect between ideology and lived experience. My favorite thing about DA was always the fact the it tried to bridge the two. Whether it's showing that various individuals in similar circumstances can have completely different ideologies, or it can be to explore what happens to individuals and their experiences after reshaping the world according to the player's ideology. That bridge, albeit implicit, has been formative in the way I think about my own world. When it comes to the lore and world building, it demands the player to use critical thinking, much like a historian might, to make sense of it. And I did end up feeling like I needed to make sense of the world to make my choices.

Even though DA has argued both sides, it does it incredibly well. The arguments it presents come from character perspectives that makes sense in the universe, and it makes it all feel real. I think a lot of credit should go to origin's writers for providing those arguments. It feels like the writers talking amongst themselves trying to hash out what each action means for the world and to eachother using the NPCs, and in the spaces of these discussions, I get to reflect on where I agree and disagree and what that means for me as a player. The experience reminds me of me watching Contrapoints videos in which she has a conversation with various parts of her own beliefs about her gender identity, and engaging with her inner-discourse lead me to a deeper understanding of my own identity.

That's the true value of arguing both sides. It lets the audience decide for themselves without being prescriptive. And while it does demand the audience construct their own reasons and values to explain their choices, it also provides a window into possible viewpoints that the audience might or might not agree with. And not in a judgmental way. That process shows how one character may arrive there, not through insanity or stupidity, but through various circumstances and experiences.

DA's goal was always to challenge the player. That isn't to say that there's no bias, or a particular perspective that the writers are coming from. But the point is that it opens a space for exploration. It takes a certain kind of person to be able to do that without falling into the hole of appearing contrarian or troll-ish. And to some extent the writers themselves had to treat each argument with equal respect and legitimacy to display its outcomes in the game according to the rules of the world rather than their own ideals. And that itself is not easy. It doesn't surprise me that that world view and capacity disappears when the series changed hands.

And underlying all of that is a philosophy about how individuals operate, and how they operate when they come together into groups of individuals (many different words to say power and hierarchy). And that underlying philosophy is what resonated with me so much with over time. It's very compassionate to be able to hold space for these other perspectives. Not only rare to see due to the complexity required to show it, but easy to lose and difficult to gain back once you've lost it. And at this moment in the history of DA, we have lost it.

In some ways, I think the timing of this happening Makes Sense. We live in a tumultuous time where reality is uncertain and volatile due to the nature of new modes of information exchange. We see all kinds of people sharing things on social media that could easily be interpreted as lived experience or disinformation. And more than ever, our shared reality is being shattered into a million pieces by personalized content. (I too have felt the "we live in parallel universes" thought creeping up on me). In this chaotic environment, we Need the psychological comfort of certainty, of knowing what the world is like. The easiest and most familiar way is to find an authoritative voice and trust that single voice as the guiding star. That voice is only strengthened by others' agreement, and we contribute to this strengthening with our own psychological needs for certainty and stability. And we become resistant to dissent and critical analysis, because the amount of information to sort through gets very overwhelming very quickly.

What DA does has always been the opposite of that, it demands the player to confront multiple perspectives (albeit in a much more curated and coherent way). And it is logical to me that the game goes against such a primary psychological need in these trying times, perhaps now more than ever. But this theme has always gone against the grain, and media that goes against the grain in this way is so rare and So Badly Needed. We Need people to be able to think through and cobsider multiple perspectives, because there are so many perspectives accessible to us. At the same time I understand the draw of never ever having to do that. And I also understand that a lot of people just don't think that deeply ever. And that's why losing DA hits extra hard for me. Because it is another piece of resistance swept away with the torrent of greater trends that push us away from shared understanding with the people around us.

i feel like all of my pondering and analyzing and criticizing veilguard over the past few months has actually truly given me a better understanding of what dragon age meant to me, what about it specifically was so meaningful, and why, as a result, veilguard felt so wrong. it took a while for me to figure it out. about three full months of relentless essay writing, actually. but i think if you had asked me a few years ago what the core of my love for dragon age was, whatever answer i gave would not have truly gotten to the root of it, because i think i had to experience the disappointment of veilguard to fully understand why i love dragon age. and ive realized that core is that i loved how the previous dragon age entries demand so much of the player, and deliberately prompt introspection and critical, often political, thought.

dragon age games have historically forced the player to be self-reflective and introspective about their worldview and beliefs. solas is obviously a fantastic example, as he was deliberately written to be a reflection of the player in order to prompt them to reflect on how they treat people, how our expectations of people influence their behavior, and how people are pushed to extremes and turned into monsters or saved by love and kindness. how do people become monsters? what drives them to blow up buildings or start rebellions or destroy the world as you know it? are they right or wrong? does it even matter? how did you contribute to this? are you innocent? it puts these insane, politically and morally charged situations in your face and forces you to confront them. slavery, a refugee crisis, poverty, class disparities, racism, foreign occupation, the list goes on, and you are not given the option to look away or be a bystander. you have to ACT. you have to choose, you have to make judgements, you have to take responsibility and explore your role in this world as someone with the capacity to act upon it, to make your will a reality, to fail, to make mistakes. i honestly can't think of any other video game that does this to the same extent? nor any media at all because the act of being IN the world as one of it's people through the act of role-playing is essential to how it provokes this experience in the player. its ballsy. they deliberately try to make you uncomfortable. these games are full of liars, deceivers, betrayers. the games themselves lie to you. its character try to deceive you. did you catch it? or were you fooled? what else might you be fooled by? who else might be lying to you? in the game? in real life? and then you get to play it again knowing the end, and what the game prompts changes with your new knowledge. now it asks, do you forgive them? what makes someone worthy of forgiveness? where do you draw the line? what do you think?

i dont think i realized until recently how impactful this was for me considering how i first got into dragon age at 16 years old. i dont think i had experienced anything up to that point that would put a situation like judging a war criminal who ordered the deaths of children or another war criminal who just left me to die and orchestrated a near-coup or a traumatized terrorist who just blew up a church right in my face, and said MAKE A DECISION. and i didnt know it at the time, but looking back i can see how valuable it was for me at that age to have what was effectively an avenue of exploration and self-expression of all of these moral and political issues that i was grappling with as a young adult. i played inquisition for the first time just months before i voted in my first presidential primary. i already had a political consciousness at this point, but it was nonetheless new and vulnerable and still blossoming into something more concrete. inquisition, then, almost provided a sort of political, moral and personal sandbox for me from ages 16-20 to better help me understand myself in relation to the world. the RPG-ness allowed me to put myself into these situations - like the mage-templar war and its metaphor for mass incarceration and police brutality - while i was also simultaneously grappling with and trying to understand these issues in real life. having dragon age to help me further unpack my own beliefs and conception of these issues was undeniably impactful. it provided a space, through a narrative i enjoyed and cared about, to make choices and judgement calls and better understand who i was, and what felt right to me. it asked, "what do you think?"

veilguard lacks this. completely. and lets be clear that the previous games did not always do a perfect job. many of these depictions are messy and harmful and problematic, but they at least, by extension of their own existence in a narrative that forces you to THINK and JUDGE and DECIDE, give me the space and opportunity to judge them as messy, as problematic, as harmful. i can confidently say that i think da2 is too sympathetic to the templars as an organization because the fact that da2 presents me with so many narrative conflicts regarding the templar organization allows me to not just make in-game decisions and play as a staunch advocate for mage freedom and circle abolition, but to form opinions on the game itself by extension. i can confidently say that i believe the qunari's portrayal is islamophobic because the game has prompted me so many times; what do i think about the qunari? what do i think about the oppression of the elves? what do i think about dorian being a seemingly good person but defending the practice of slavery? who should rule orzammar; the progressive asshole or the conservative traditionalist? do i forgive loghain? do i forgive anders? do i forgive solas? this in-world critical thinking about issues in thedas leads to meta critical thinking. further questions naturally follow -> what message did the writers intend to send through anders? how can i notice the echoes of how this story came into fruition in the shadow of 9/11? what do solas's endings tell me about the writers view of retributive punishment? how is bioware's portrayal of the dalish, as inspired by indigenous north americans, reflective of deep-seated anti-indigenous canadian sentiment? why did the writers stop prompting these hard questions at all in veilguard? did they only like it when it was about characters, not when it led to critical thinking about them and the company as a whole? through these processes of in-world interrogation, i am inevitably invited to analyze the effectiveness of their narrative portrayals and the writing itself. perhaps this is why dragon age is so famous for its discourse lol.

ive said before that im not sure that veilguard could ever have been as impactful for me as the previous games, partly because when you are 16 everything is more impactful because your brain is an eager sponge, unless it did something that really resonated with me as an adult. but what it should have been, at the very least, is something that could have been as impactful and formative on a current 16 year old that sees a gif on tumblr and decides to check out the game, as inquisition was to me 10 years ago. and im sure there are teenagers and younger adults out there playing this game and loving it and loving the characters and the world and thinking its great, good fun. thats great. however it fundamentally cannot have the same profound, developmentally catalytic experience it had on me because it simply does not challenge the player. it does not prompt them to question their own beliefs and the power structures within their lives. it does not prompt them to reflect on the political narratives they may have been fed all their lives. it does not confront them with the sorts of topics that get books on banned lists in florida and force them to bear witness, to think deeper, to feel guilt or horror at the outcome of your own poorly-made decision, to make moral judgements, to make mistakes, and to live with the consequences.

i think i now understand why veilguard was so disappointing to me and ultimately would be a failure in my eyes no matter if i enjoyed the combat or the exploration or whatever other shiny coat of paint sits atop it. veilguard does not ask much of you. it does not prompt any sort of introspection or interrogation of your presently held beliefs. it does not demand anything from the player except to dodge at the right moment. this is a fundamental, core departure from what made me fall in love with dragon age in the first place. if you love dragon age because you want "fantasy escapism" and fun characters to smooch, then i am happy for you. but i would remind you that can find fantasy escapism all over the steam library - farming sims, cozy games, a witch looking for her cat in the alps, etc. what you cannot find are games that are willing and brave enough to challenge and provoke the player into a better, more thorough understanding of themselves in relation to our world and it's many, complex and daunting political and moral issues. to have lost such a thing, when media like this has become so few and far between, and during a time when we need it more than ever, is a devastating loss.

[biggest-gaudiest-patronuses]

the fact that shakespeare was a playwright is sometimes so funny to me. just the concept of the "greatest writer of the English language" being a random 450-year-old entertainer, a 16th cent pop cultural sensation (thanks in large part to puns & dirty jokes & verbiage & a long-running appeal to commoners). and his work was made to be watched not read, but in the classroom teachers just hand us his scripts and say "that's literature"

just...imagine it's 2450 A.D. and English Lit students are regularly going into 100k debt writing postdoc theses on The Simpsons screenplays. the original animation hasn't even been preserved, it's literally just scripts and the occasional SDH subtitles.txt. they've been republished more times than the Bible

[puppppppppy]

who up seeing their disorder in a fictional character but feel like its not their place to put a name on it

[sweetestberryofthebunch]

You are very right and you should say it.

Obviously, this is all very nuanced too and every real life person is entitled to their own definition of themselves, but when it comes to a fictional character that is depicted as queer in their piece of media, then saying „oh they don’t like labels guys“ as a writer, especially not a queer writer, is disrespectful to the Queer Experience. We live in a world where our identities are politicised and often weaponised, and if you’re going to write about that with your main character nonetheless, that should be honoured.

„They don’t believe in labels“, that fine, I dont love to label myself either. However, that didn’t stop the man throwing glass bottles at me in the street for holding my partners hand when we were 16 from labelling us as dykes. That didn’t stop the protesters in front of my workplace from labelling me as queer and therefore a danger to children/worth harassing in the streets. That didn’t stop the politicians of our time from slowly stripping my human rights away.

I may not want to label myself a dyke or a transsexual(I do reclaim these but you get the point) but the rest of the world certainly will. Even if i personally rejected labels, that doesnt stop the vast majority of society to label me anyway.

Saying „Oh I dont like labelling myself“ is inherently a straight-passing privilege. Most of the fags, the lesbians and especially the trans community do not get to have that. We are exposed and labelled whether we want to or not.

Refusing to label the character that you want to be your Queer Representation(and very obviously seek validation for doing so, as interview after interview about it show) just shows that as a writer, you(or im gonna say it, in this case Jac Schaefer) either did not do her proper research or doesn’t care enough to honour the community she decided to borrow from to write in her show.

And as a person who does not get away with „Oh I dont label myself I believe sexuality is fluid :D“ because i look obviously queer, yes, insisting your Sapphic Main Character shouldn’t be called what she is, a Sapphic Main Character, A lesbian, A Queer Woman, is in fact very insulting and disrespectful to my lived experience.

I don’t bleed in the streets for Cishet „Allies“ to disrespect my community in their story telling like that.

And like what do I know, but I actually dont buy the shows representatives desperate attempts at making us believe Agatha wouldn’t care about labelling her sexuality at all. Are we all looking at the same opinionated woman? Who canonically lived through the Aids Crisis and the Queer Panic and eventual Queer Rights Movement? Are you fucking kidding me? Just say you didnt care enough and now it’s awkward cause you dont know what you’re talking about lol.

Is it just me or is it kinda annoying (and disrespectful) when showrunners constantly say that some of their queer characters just aren't 'into labels'

And I find that this happens a lot more with female characters than male ones.

Hm...🤔

Read the tags for more of my thoughts, and if you reblog please add your own thoughts

Also I had a lot more to say but ran out of space in the tags. But I would love to have a conversation about this. Just keep it civil please thanks so much 🥰

[travellingtribble]

after much consideration I've come to the conclusion that no Nandermo is better than dead Nandermo.

It might be the Supernatural 15×18 "Despair" 6 November 2020 Election Putin Day trauma speaking, but still.

[silhouettecrow]

365 Days of Writing Prompts: Day 218

Adjective: Sweet

Noun: Haunt

Definitions for those who need/want them:

Sweet: having the pleasant taste characteristic of sugar or honey, or not salty, sour, or bitter; (of air, water, or food) fresh, pure, and untainted; smelling pleasant like flowers or perfume, or fragrant; pleasing in general, or delightful; highly satisfying or gratifying; (informal) used to express approval or admiration, or excellent; working, moving, or done smoothly or easily; (US) denoting music, especially jazz, played at a steady tempo without improvisation; (of a person or action) pleasant and kind or thoughtful; (especially of a person or animal) charming and endearing; (dated) (informal) infatuated or in love with; dear, or beloved; (archaic) used as a respectful form of address; used for emphasis in various phrases and exclamations; used to emphasize the unpredictable individuality of someone's actions

Haunt: a place frequented by a specified person or group of people; a ghost; a place or event involving a ghost or spirit haunting a person, location, or object

[girl4music]

FRAZAR (NOBODY): “I had to see you before I left. You know? Seeing as I might never come back.”

EMILY: “All that? Look, you can’t take that whole me having a vision about how you’re gonna die thing seriously. I am a weirdo. You know that. I’m the crazy one. Right? I’m sure you’re gonna be fine, and-“

FRAZAR (NOBODY): “-Please don’t do that.”

EMILY: “Don’t do what?”

FRAZAR (NOBODY): “Don’t be all fake and happy like the rest of ‘em. You’re the only one who’s ever been real with me about what this war might cost. You’re the only one who’s brave enough to face the truth. You don’t try and peddle some false hope.”

EMILY: “What if hope is all we have?”

FRAZAR (NOBODY): “Sometimes… the most hopeful thing you can do is to look directly at the darkness.

*lightens up the tone*

And by the way, I don’t think you’re crazy.”

EMILY: “You don’t?”

FRAZAR (NOBODY): “No! It’s the world that’s insane. The only thing that makes you different is you’re not afraid to call it like you see it. It’s what makes a great writer. You know? Great writers don’t flinch at the truth, even if it’s tragic. Look at Dante. The Inferno. He went all the way down into hell, came back to tell about it.”

EMILY: “Well… I really hope you come back.”

Wow! What a conversation. What an interaction! That was so well written. Especially the part about how the most hopeful thing you can do is look directly at the darkness. I often say something like that myself. But rather I put it as being authentic in and with the moment as you experience it. Expressing the truth regardless whether it’s positive or negative. Because it’s the truth. It’s what you personally experience - what you feel. Frazar is right. Holding on to hope is no good when it’s not honest. It’ll only serve to make you even more in pain because your expectations of the outcome aren’t realistic. You’ll be much better off seeing things for as they are. It’s less painful in the end. At least in terms of knowing who you are in it. It’s still painful for what it is - of course - but least you can say that you never escaped from the pain you felt. You faced it head on. You looked directly at the darkness. Because pain and darkness aren’t bad things to feel. They’re what make you appreciate pleasure and the light when it is the honest truth, the real experience.

I loved that. I thought that was extremely insightful. Probably the best piece of writing from this show yet and certainly something I’m going to remember in life.

While I wish this kind of conversation could have been between Emily and Sue - for historical accuracy’s sake - I’m glad that they kept it between Emily and Frazar. Yeah, emotional conversations and interactions like this are something I always want from WLW ships in TV art/entertainment because of WLW representation. But the sentiment to get across is still represented so it’s still substantial to me to hear something like this between any characters in TV art/entertainment. The lesson is still there to learn - if you so wish to learn it. And I’m all about that. I’m always all about the education and the storytelling before anything else. It’s really just a bonus to get it between WLW ships because it makes for a real reason to care about them besides from the fact that they’re two women in love. It all helps to build on their relationship and make a foundation for why they are so in love with each other. That’s why I think it’s necessary for the characters in the WLW ship to both be main characters in the show.

But at the end of the day - it’s all down to the intention of the show runner and the writers they employ for it. So you can have any characters with any relationship to or with each other have profound dialogue like this. It’s what I always look for and it’s what I will always regard as what makes me decide whether it’s a good show or not because - as I said - I care about the learning. I don’t care about being entertained. I don’t care about the pleasure principle. I care about the art.

When I truly love something - when it truly hits my heart. I’ll never stop thinking or shut up about it. You know I’m passionate about any art I interact with or engage in when all I can do is express myself on it. It becomes a part of me in such a way that never leaves. It becomes a part of my core. Who I am - what I am. How I identify - how I navigate. “I” disappear within it and end up knowing myself all the more because of it.

After all, I don’t believe in “identity”. It’s too solid and too permanent to ever be able to define that “I Am”. And I think the whole point to this Frazar (Nobody) character is to emphasise that notoriety is pointless because when you’re known for who you are, you become lost in the delusion that you’re ever anyone.

[darlingofdots]

the vast majority of fanworks are bad, and that's fine, actually. they are bad for the same reason that the average number of legs for a human person to have is less than two: statistics. like with all endeavours and especially creative ones, most people who write fanfiction or draw art of their favourite characters are bad at it. if you line up all the crochet projects in the world, most of them will be, well, bad. some are bad because they're the first thing a person ever made, or the second or third or tenth, and this kind of thing takes practice. others are bad because the person who made them is just not very good at it. maybe they just learned how to make granny squares and they're perfectly happy to never expand or improve on that. most people who dance or bake or garden or braid hair are not amazing at it! and you'd never go to your kid's dance recital or eat your friend's homemade carrot cake and expect the same experience as you'd have at a professional ballet performance or award-winning bakery. And that's if we assume there is an objective measure of Good Art, which there isn't! Some art is just "bad" because you don't like it!

I think though that specifically with fanfiction, we sometimes forget that when we read a book or watch a movie, dozens of people have looked at it and given feedback and made changes and done quality control before the final product reaches our shelves or screens, and that's not counting the original writer's learning process and past experience. A published book is not anyone's first crochet project, even if it is their debut novel. But with fanfiction, the barrier to entry is so low (on purpose! this is a good thing!) that we do get to see a lot of wonky granny squares, and on sites like AO3 they're sitting on the same shelf as the hand-made silk lace wedding dress and you can't always tell just by looking at it which is which. The consequence of this is that we encounter fic that we think is unpolished, has bad punctuation, is out of character, and we are tempted to think "well, this is awful! how dare this person put this wonky granny square on the same shelf as the lace wedding dress!" But that's not how fandom is supposed to work! That wonky granny square is somebody who is really excited about this TV show they just watched and they are reaching out into the void to share their excitement with you. To scoff at them for not making a lace wedding dress is really, really rude. Even if they did make a lace wedding dress, maybe it's just really not your style, or you think they should have used a different pattern, and it's still their wedding dress. You don't have to wear the dress and you don't have to read the fic.

We all know that there is some fanfic out there that is incredible. I think it's important to talk about that! But the vast majority of people who post their writing online are just sharing their little hobby projects that they make for fun and I also think it's important to remember that.

[inkskinned]

at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"

like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.

"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."

... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.

and i'd still keep writing.

i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.

i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley

"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"

and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.

it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.

you create because you're greedy.

[thewriteadviceforwriters]

25 Prose Tips For Writers 🖋️✨ Part 1

Hey there!📚✨

As writers, we all know that feeling when we read a sentence so beautifully crafted that it takes our breath away. We pause, reread it, and marvel at how the author managed to string those words together in such a captivating way. Well, today I'm going to unpack a few secrets to creating that same magic in your own writing. These same tips I use in my writing.

But before I begin, please remember that writing is an art form, and like any art, it's subjective. What sounds beautiful to one person might not resonate with another. The tips I'm about to share are meant to be tools in your writer's toolkit, not rigid rules. Feel free to experiment, play around, and find what works best for your unique voice and style.

Power of Rhythm 🎵

One of the most overlooked aspects of beautiful prose is rhythm. Just like music, writing has a flow and cadence that can make it pleasing to the ear (or mind's ear, in this case). Here are some ways to incorporate rhythm into your writing:

a) Vary your sentence length: Mix short, punchy sentences with longer, flowing ones. This creates a natural ebb and flow that keeps your reader engaged.

Example: "The sun set. Darkness crept in, wrapping the world in its velvet embrace. Stars winked to life, one by one, until the sky was a glittering tapestry of light."

b) Use repetition strategically: Repeating words or phrases can create a hypnotic effect and emphasize important points.

Example: "She walked through the forest, through the shadows, through the whispers of ancient trees. Through it all, she walked with purpose."

c) Pay attention to the stressed syllables: In English, we naturally stress certain syllables in words. Try to end important sentences with stressed syllables for a stronger impact.

Example: "Her heart raced as she approached the door." (Stronger ending) vs. "She approached the door as her heart raced." (Weaker ending)

Paint with Words 🎨

Beautiful prose often creates vivid imagery in the reader's mind. Here are some techniques to help you paint with words:

a) Use specific, concrete details: Instead of general descriptions, zoom in on particular details that bring a scene to life.

Example: Instead of: "The room was messy." Try: "Crumpled papers overflowed from the waste bin, books lay spine-up on every surface, and a half-eaten sandwich peeked out from under a stack of wrinkled clothes."

b) Appeal to all five senses: Don't just describe what things look like. Include smells, sounds, textures, and tastes to create a fully immersive experience.

Example: "The market bustled with life. Colorful fruits glistened in the morning sun, their sweet aroma mingling with the earthy scent of fresh herbs. Vendors called out their wares in sing-song voices, while customers haggled in animated tones. Sarah's fingers brushed against the rough burlap sacks of grain as she passed, and she could almost taste the tang of ripe oranges on her tongue."

c) Use unexpected comparisons: Fresh similes and metaphors can breathe new life into descriptions.

Example: Instead of: "The old man was very thin." Try: "The old man was a whisper of his former self, as if life had slowly erased him, leaving behind only the faintest outline."

Choose Your Words Wisely 📚

Every word in your prose should earn its place. Here are some tips for selecting the right words:

a) Embrace strong verbs: Replace weak verb + adverb combinations with single, powerful verbs.

Example: Instead of: "She walked quickly to the store." Try: "She hurried to the store." or "She dashed to the store."

b) Be specific: Use precise nouns instead of general ones.

Example: Instead of: "She picked up the flower." Try: "She plucked the daisy."

c) Avoid clichés: Clichés can make your writing feel stale. Try to find fresh ways to express common ideas.

Example: Instead of: "It was raining cats and dogs." Try: "The rain fell in sheets, transforming the streets into rushing rivers."

Play with Sound 🎶

The sound of words can contribute greatly to the beauty of your prose. Here are some techniques to make your writing more musical:

a) Alliteration: Repeating initial consonant sounds can create a pleasing effect.

Example: "She sells seashells by the seashore."

b) Assonance: Repeating vowel sounds can add a subtle musicality to your prose.

Example: "The light of the bright sky might ignite a fight."

c) Onomatopoeia: Using words that sound like what they describe can make your writing more immersive.

Example: "The bees buzzed and hummed as they flitted from flower to flower."

Art of Sentence Structure 🏗️

How you structure your sentences can greatly affect the flow and impact of your prose. Here are some tips:

a) Use parallel structure: When listing items or actions, keep the grammatical structure consistent.

Example: "She came, she saw, she conquered."

b) Try periodic sentences: Build suspense by putting the main clause at the end of the sentence.

Example: "Through storm and strife, across oceans and continents, despite all odds and obstacles, they persevered."

c) Experiment with sentence fragments: While not grammatically correct, sentence fragments can be powerful when used intentionally for emphasis or style.

Example: "She stood at the edge of the cliff. Heart racing. Palms sweating. Ready to jump."

Power of White Space ⬜

Sometimes, what you don't say is just as important as what you do. Use paragraph breaks and short sentences to create pauses and emphasize important moments.

Example: "He opened the letter with trembling hands.

Inside, a single word.

'Yes.'"

Read Your Work Aloud 🗣️

One of the best ways to polish your prose is to read it aloud. This helps you catch awkward phrasing, repetitive words, and rhythm issues that you might miss when reading silently.

Edit Ruthlessly ✂️

Beautiful prose often comes from rigorous editing. Don't be afraid to cut words, sentences, or even entire paragraphs if they don't serve the overall beauty and effectiveness of your writing.

Study the Masters 📖

Please! Read widely and pay attention to how your favorite authors craft their prose. Analyze sentences you find particularly beautiful and try to understand what makes them work.

Practice, Practice, Practice 💪

Like any skill, writing beautiful prose takes practice. Set aside time to experiment with different techniques and styles. Try writing exercises focused on specific aspects of prose, like describing a scene using only sound words, or rewriting a simple sentence in ten different ways.

Remember, that developing your prose style is a journey, not a destination. It's okay if your first draft isn't perfect – that's what editing is for! The most important thing is to keep writing, keep experimenting, and keep finding joy in the process.

Here are a few more unique tips to help you on your prose-perfecting journey:

Create a Word Bank 🏦

Keep a notebook or digital file where you collect beautiful words, phrases, or sentences you come across in your reading. This can be a great resource when you're looking for inspiration or the perfect word to complete a sentence.

Use the "Rule of Three" 3️⃣

There's something inherently satisfying about groups of three. Use this to your advantage in your writing, whether it's in listing items, repeating phrases, or structuring your paragraphs.

Example: "The old house groaned, creaked, and whispered its secrets to the night."

Power of Silence 🤫

Sometimes, the most powerful prose comes from what's left unsaid. Use implication and subtext to add depth to your writing.

Example: Instead of: "She was heartbroken when he left." Try: "She stared at his empty chair across the breakfast table, the untouched coffee growing cold."

Play with Perspective 👁️

Experiment with different points of view to find the most impactful way to tell your story. Sometimes, an unexpected perspective can make your prose truly memorable.

Example: Instead of describing a bustling city from a human perspective, try describing it from the point of view of a bird soaring overhead, or a coin passed from hand to hand.

Use Punctuation Creatively 🖋️

While it's important to use punctuation correctly, don't be afraid to bend the rules a little for stylistic effect. Em dashes, ellipses, and even unconventional use of periods can add rhythm and emphasis to your prose.

Example: "She hesitated—heart pounding, palms sweating—then knocked on the door."

Create Contrast 🌓

Juxtapose different elements in your writing to create interest and emphasis. This can be in terms of tone, pacing, or even the literal elements you're describing.

Example: "The delicate butterfly alighted on the rusted barrel of the abandoned tank."

Use Synesthesia 🌈

Synesthesia is a condition where one sensory experience triggers another. While not everyone experiences this, using synesthetic descriptions in your writing can create vivid and unique imagery.

Example: "The violin's melody tasted like honey on her tongue."

Experiment with Sentence Diagrams 📊

Remember those sentence diagrams from school? Try diagramming some of your favorite sentences from literature. This can give you insight into how complex sentences are structured and help you craft your own.

Create a Sensory Tour 🚶‍♀️

When describing a setting, try taking your reader on a sensory tour. Move from one sense to another, creating a full, immersive experience.

Example: "The old bookstore welcomed her with the musty scent of aging paper. Dust motes danced in the shafts of sunlight piercing the high windows. Her fingers trailed over the cracked leather spines as she moved deeper into the stacks, the floorboards creaking a greeting beneath her feet. In the distance, she could hear the soft ticking of an ancient clock and taste the faint bitterness of old coffee in the air."

Use Active Voice (Most of the Time) 🏃‍♂️

While passive voice has its place, active voice generally creates more dynamic and engaging prose. Compare these two sentences:

Passive: "The ball was thrown by the boy." Active: "The boy threw the ball."

Magic of Ordinary Moments ✨

Sometimes, the most beautiful prose comes from describing everyday occurrences in a new light. Challenge yourself to find beauty and meaning in the mundane.

Example: "The kettle's whistle pierced the quiet morning, a clarion call heralding the day's first cup of possibility."

Play with Time ⏳

Experiment with how you present the passage of time in your prose. You can stretch a moment out over several paragraphs or compress years into a single sentence.

Example: "In that heartbeat between his question and her answer, universes were born and died, civilizations rose and fell, and their entire future hung in the balance."

Use Anaphora for Emphasis 🔁

Anaphora is the repetition of a word or phrase at the beginning of successive clauses or sentences. It can create a powerful rhythm and emphasize key points.

Example: "She was the sunrise after the longest night. She was the first bloom of spring after a harsh winter. She was the cool breeze on a sweltering summer day. She was hope personified, walking among us."

Create Word Pictures 🖼️

Try to create images that linger in the reader's mind long after they've finished reading. These don't have to be elaborate – sometimes a simple, unexpected combination of words can be incredibly powerful.

Example: "Her laughter was a flock of birds taking flight."

Use Rhetorical Devices 🎭

Familiarize yourself with rhetorical devices like chiasmus, antithesis, and oxymoron. These can add depth and interest to your prose.

Example of chiasmus: "Ask not what your country can do for you – ask what you can do for your country." - John F. Kennedy

Even the most accomplished authors continue to hone their craft with each new piece they write. Don't be discouraged if your first attempts don't sound exactly like you imagined – keep practicing, keep experimenting, and most importantly, keep writing.

Your unique voice and perspective are what will ultimately make your prose beautiful. These techniques are simply tools to help you express that voice more effectively. Use them, adapt them, or discard them as you see fit. The most important thing is to write in a way that feels authentic to you and brings you joy.

Happy writing, everyone! 🖋️💖📚 - Rin T

Hey fellow writers! I'm super excited to share that I've just launched a Tumblr community. I'm inviting all of you to join my community. All you have to do is fill out this Google form, and I'll personally send you an invitation to join the Write Right Society on Tumblr! Can't wait to see your posts!

[sulkybender]

One trend on ao3 that I feel uneasy about is the increased use of “author is trans” “author is disabled” “author is ace” etc tags.

On the one hand I can understand how it can feel like a reassuring sign for readers who are trans/disabled/ace etc that their lives are less likely to be misrepresented in that fic because the writer has lived experience.

But at the same time, when we’re writing fanfiction—about kids who can manipulate the force of the waves, about necromancy, about flying on dragons—I think the suggestion that you need to have lived experience to write sensitively about something is so limiting.

Like if we aren’t exercising the full force of our imaginations and empathy in fanfiction, where exactly are we doing it?

It also makes me sad because sometimes you can tell from the nervousness of the author’s note that the writer felt they had to justify their writing with their lived experience. And I don’t think you should feel ethically obligated to gesture toward personal and often painful aspects of your identity to justify writing you do in your spare time that makes you happy.

Some of the best fics I’ve read about disability have been written by authors that didn’t have experience with that exact condition and did heartfelt research and really let themselves inhabit it. And I think that’s a bravura display of empathy and the very best that fiction can offer: caring about a character enough, and caring about your readers enough, that you want to understand what it’s like.

Sometimes friends have asked me about my visual disability to better understand Zuko for their stories, and I’ve always found it really moving. It means they care so much about the fictional world that they want to get the real world right too. It means they’re learning and growing so they can make stories about disability.

It means they love the show, and it means they love me.

[thankskenpenders]

Thoughts on two specific areas of the writing in Sonic X Shadow Generations

The best new 3D Sonic game in over a decade (or even two, depending on who you ask) dropped late last year. And I didn't write anything about it! Sometimes life happens. Well, I've finally sat down to finish Shadow Generations, and by now everyone has already been singing its praises for three months. This is the rare instance where the entire Sonic fandom, and even mainstream reviewers, are in agreement on something. The level design is the best it's been in a long, long time and the cool factor is off the charts, embracing Sonic's peak cringe era in an incredibly confident way. It's great. If you're even reading this post, you probably don't need me to tell you that. So I won't!

No, what I'm really interested in here is the writing. Because this is me we're talking about. But I actually don't want to talk about the main narrative of Shadow Generations, which is really solid little story about Black Doom trying to mold Shadow into his perfect soldier. No, I'd like to zero in on two other aspects of the writing here: the revisions made to Sonic Generations, and Gerald Robotnik's unlockable journal.

The updated Sonic Generations script

The new package mostly presents Sonic Generations how you remember it. There are some tweaks, but it's not a major overhaul. Graphically, I don't think the game has been touched much, if at all. I certainly can't notice any difference without a side-by-side comparison, despite playing it on a PS5. The most notable update is that the game's script has been rewritten by Ian Flynn.

Naturally, this caught my attention. Generations always had a nothingburger story, so with Ian rewriting Pontac and Graff's lame dialogue there was nowhere to go but up. (I don't like to pin the blame for those games' stories entirely on them, as a ton of it was dictated to them by Sonic Team, but, well, I don't think they're very good dialogue writers.) But it's less a complete rewrite and more like Ian was brought on as a script doctor for some minor touch ups here and there. Many lines of dialogue are completely identical to how they were originally written in 2011, and many others only have slight wording changes. Ian was clearly not allowed to request additional scenes or extend the ones that already existed. He has to match the original beat for beat so that they can reuse 99% of the cutscene animations. Don't expect it to be a whole new experience compared to the original.

Still, I think the new script is an improvement, albeit a minor one. Various things have been tweaked to maintain characterization consistency. Cream calls Sonic "Mr. Sonic" instead of just "Sonic." Instead of calling Sonic "buddy," Rouge uses the pet name "Blue," like she tends to do in things like the IDW comics. Espio doesn't have to remind you in the dialogue that he's a ninja, and he no longer has a line making it sound like he has some kind of soul reading power. I also like that Modern Sonic now actually has responses to what his friends say when he rescues them, rather than being silent like Classic Sonic. They won't blow you away, but they make Sonic feel a little more engaged with everything.

In general, the altered dialogue just seems tighter to me, and some of the more childish or trite wording of Pontac and Graff's script has been altered. Here, let's actually make a direct comparison, just because this stuff is interesting to me as a writer. Here's a couple lines from after the Egg Dragoon fight late in the game, in the original script:

Modern Eggman: Ooooh... I can't believe this! I was supposed to beat you this time. Modern Sonic: Aw, I'm sorry! I didn't get that memo. I beat you every time! [Turns to Classic Sonic] No, seriously, we beat this guy every time. It's like it's our job or something!

This is a simple exchange. Eggman is mad that he lost. Sonic is unflappably confident because he always beats Eggman, and he explains this to his younger self. But the wording here isn't particularly good. Eggman's simple and direct wording makes him come off like a little kid who's mad because his older brother beat him at Mario Kart, rather than a mad scientist who just had his plans foiled. It's making light of the situation.

And I've never liked Sonic saying "It's like it's our job or something!" That doesn't feel like a thing Sonic would say, it feels like a thing an outside observer would say about Sonic. This is a frequent problem with so-called "MCU dialogue," where quips meant to echo the commentary of a casual, somewhat disinterested audience are inserted into the story itself so that the writers can be like "See? We get it. We're genre-savvy, too!" It also just reminds me of bad Sonic Boom: Rise of Lyric lines like "Rings! It's like they're made for me!"

And then here's Ian's rewrite:

Modern Eggman: I recalibrated everything! This was supposed to be my time! Modern Sonic: Oh, please, keep dreamin', Egg-head. I beat you every time. [Turns to Classic Sonic] No, seriously, we beat him every time. Our score card's flawless.

Eggman's still mad about his defeat, but the line "I recalibrated everything!" makes it more specific. He put all this work into the engineering side of his latest scheme and got tunnel vision, thinking if he got his creations just right there'd be no way he could lose. "This was supposed to be my time!" also turns it into a time travel pun, which is a bonus. He's still pitching a fit over losing, but it feels more like Eggman pitching a fit, rather than sounding childish.

And then instead of saying that beating Eggman is "like his job or something," Sonic says he's got a flawless score card against Eggman. He doesn't take Eggman seriously as a threat—at least, not to his face. He acts like it's all a game. But he conveys this in a way that feels truer to the character, rather than feeling like the words of a real world observer poking fun at the tropes of the Sonic series.

Is this amazing, A+ dialogue that blows me away? No. Again, it's not a completely different scene from the one we already had. Ian had to fit the beats of what was already there. He couldn't go all out and write an all new story confirming his longstanding headcanon that the Time Eater is a remnant of Solaris or whatever. But the wording here makes the existing story land a little better and feel truer to the characters in subtle ways.

But to me, the main change is that the Sonics and Tailses seem to have a more solid understanding of what's going on with the timeline and the Time Eater, compared to how idiotic they sometimes seemed in the original game. Which is good! No more standing outside Green Hill and wondering why it seems so familiar. Thank god. As part of this, yes, there are a few more references to past games in the dialogue, like Sonic briefly being confused about the fact that they're time traveling without the Time Stones, or South Island and Westside Island being acknowledged as the normal locations of Green Hill and Chemical Plant. Yes, ha ha, insert joke about how Ian loves references here. Look, it's Sonic fucking Generations. It's a game built entirely out of nostalgic references. Just own it! And, again, in this instance Sonic and Tails come off as less stupid when they make it clear that they do, in fact, remember their adventures from presumably less than a year ago in-universe.

Eggman, too, seems to have a better understanding of the powers he's toying with. Where in the original vesion his focus was simply on going back in time to undo his previous defeats and he seemed kind of oblivious to how much the Time Eater was actually fucking up the universe, here Eggman says he wants to use the Time Eater to give himself complete control over the entire timeline. Eggman also makes way fewer references to his own failures and shortcomings. Of course he won't admit that Sonic has defeated him time and time again. To him, he's never truly lost—Sonic just keeps delaying the inevitable total victory for the Eggman Empire.

So, yes. The new Sonic Generations script is better. It won't blow anyone away, but it's better than it was. It's been elevated from "kinda lame" to "fine." No, if you really wanna see Ian flex his ability to breathe new life into old Sonic stories, look no further than...

Gerald Robotnik's Journal

Hoo boy.

The story of what happened aboard the ARK has always been... a bit confusing, to say the least. Fans with encyclopedic knowledge of the script for every route of Shadow '05 may disagree, but it's the truth. We've had all the pieces to understand the story for a long time now, but that info was given to us out of order by a pair of unreliable narrators—Gerald, who became a vengeful lunatic shortly before his death, and Shadow, who was subjected to multiple rounds of amnesia and altered memories. Some of the ambiguity left by Sonic Adventure 2 was cleared up in Shadow '05, but that game also retconned in a bunch of new elements to Shadow's backstory (aliens!) that lead to further confusion. Not to mention the fact that that game had multiple routes and only revealed the truth about Shadow if you sat on the ultimate final boss battle for WAY longer than the fight would normally last. Or the fact that Sonic X made its own tweaks in its telling of the story. Or the fact that none of these things ever had the best English translations. I can't blame anyone who hasn't played those games in two decades for not remembering the truth about these characters and getting some details mixed up.

What we needed was something to piece together all of the info we have into one coherent backstory, told in chronological order. And thanks to Shadow Generations, we have that, in the form of an official journal tying together what we knew from Sonic Adventure 2, Shadow '05, and Sonic Battle into the tragic tale of Gerald's rise and fall.

Ian Flynn was the perfect man for the job here as the guy who started his career by tidying up the mess that was the first 159 issues if Archie Sonic. This is what he excels at: taking disparate bits of weird Sonic lore from multiple different sources, boiling them down to their most interesting elements, and connecting it together in a way that will make the audience see the dramatic potential he's always known was there. Rather than feeling like a cynical exercise in franchise building, going back and explaining things that never needed explaining so that people can add more bullet points to the wiki, he puts a new spin on things that retroactively enriches those past stories. The story here means something to the characters involved and gives us a better understanding of them as people, rather than as plot devices to motivate Shadow.

(And, of course, Ian didn't do this journal alone. He wrote the story, but I also have to give a huge shout out to Evan Stanley, who made the final product. All of her handwritten journal entries, sketches, and "photos" included throughout. The physical damage done to the journal over the course of 50 tumultuous years, passing from Gerald to Eggman to a certain special someone at GUN. The way Gerald's handwriting gets less and less legible as his mental state declines. So much love was put into what could have been a mere text dump in a menu, and it really elevates it to the next level. Congrats on officially getting hired by Sega, Evan, you've sure as hell earned it!)

The main idea the journal conveys is that Gerald was under a lot of pressure from a lot of different parties—GUN, the President, his colleagues aboard the ARK, Black Doom, even his own family—and boy did it get to him. The known incidents aboard the ARK mentioned in previous games are put together here to form a story where everything slowly spirals out of control as Gerald keeps compromising his morals to further his research, thinking he'll eventually find some way out of all this because he's a genius. I won't recap that whole story here (if you haven't already played the game and read the journal entries, I would highly recommend at least reading it on the Sonic wiki), but I'd like to highlight my favorite elements of the story, as Ian tells it here.

1) The Eclipse Cannon

Here's something that never quite made sense in Sonic Adventure 2: why does the ARK have a laser that can blow up the Earth built into it? It was supposed to be a peaceful research colony. Sure, Gerald went crazy and swore revenge on the Earth, but, like... when did he have an opportunity to go back up to the ARK and modify it? Did he have someone else do it? How? The ARK was raided by GUN and shut down! And then they arrested him, held him in prison for an unclear period of time, and executed him by firing squad when he was no longer useful! It doesn't add up. Shadow 'the Hedgehog '05 would give its own answer by introducing the Black Arms and saying that the Eclipse Cannon was always supposed to be a secret trump card against the Black Comet. But, like... we know that's kind of a bullshit answer, right? You don't need enough power to blow up a whole planet just to destroy a comet.

Well, the new journal retains what we already knew, but it paints a much more complete picture.

See, long before Gerald ever made a Faustian bargain with Black Doom, he had already made one with an even greater evil: the military. GUN gave Gerald much of the funding for the ARK, Gerald's personal utopian research station in space, but it didn't take long for GUN to start pressuring him to design them weapons. Gerald tried to get GUN off his back by personally contacting the President of the United Federation, and the President gave him an alternative: how about, instead, you just use your genius brain to figure out the secret to immortality for us, so our soldiers can be immortal? Gerald was initially sickened by the notion and found it completely absurd, like chasing a shadow... but given no other option, the sarcastically named Project Shadow soon began in earnest. (Maria would later put a more positive spin on the name after Shadow's awakening, pointing out that a Shadow can show us the direction of the light, like she says in the game itself.)

Of course, this search for the ultimate life form didn't go very well, and without any results on that front GUN kept hounding him for weapons. Gerald would throw them a bone here and there to get them off his back. His research on Chaos resulted in the Artifical Chaos prototypes, which he worried would be used for warfare but could at least theoretically be used for search and rescue missions in floods, in his mind. But that wasn't enough. So he gave them Chaos Drives to power their mechs. And that still wasn't enough. He's got Emerl. He'll give them Emerl. They're not impressed by Emerl. They'll shut the whole ARK down if Gerald doesn't give them something big.

Fine! GUN wants something big? Gerald builds a huge fucking laser cannon into the ARK. However, as a middle finger to GUN, Gerald makes it so powerful that it would destroy the Earth if it was ever fired at any target on its surface. In other words, GUN now has their ultimate weapon of mass destruction, fulfilling his contract, but they can never actually use it. Oh, the delicious irony. (And also Shadow will blow up the Black Comet with it in 50 years yada yada yada.) Is this perhaps extremely shortsighted and naive of Gerald, to believe that such a weapon would never actually be used just because of the risk? Of course. But hey, that's Gerald for you. And I love this as an answer.

(Also, this, uh, kinda echoes something from real life! Remember the bit in Oppenheimer where he says all nuclear war will become unthinkable, and Edward Teller responds "until somebody builds a bigger bomb"? Yeah, Teller went on to conceptualize a superweapon codenamed Project Sundial that would have been able to kill all life on the planet, as the ultimate deterrent for war. This was never made for obvious reasons, but hey, there's a basis for this sort of thinking outside of heightened sci-fi! There's a whole Kurzgesagt video about this if you're interested.)

2) The Biolizard

The Biolizard is, of course, brought up as the initial failed prototype of the ultimate life form, from before Gerald met Black Doom. We don't really learn all that much about it that we didn't already know, but I just love the way it's framed in the story.

As you can see above, we actually get to see a picture of Maria holding up the cute little salamander that would end up mutating into the Biolizard through Gerald's experiments. (Researchers want to figure out how to replicate salamanders' regenerative abilities for humans in real life, too, so this was a natural starting point for the project.) And then, after it grows to a monstrous size and goes out of control, Gerald has to lock it away in an unused sector of the ARK. He needs to keep the poor thing alive for his research into harnessing Chaos Energy, building life support systems directly into it, but he doesn't have the heart to tell Maria what happened. So it just becomes this first dark secret weighing on his conscience. The Biolizard becomes Gerald's Tell-Tale Heart beating beneath the floorboards of the ARK. I love that.

3) Lost Impact was the breaking point for the ARK

Remember the level Lost Impact in Shadow '05? The flashback level on the hero path where Shadow is running around fighting Artificial Chaos enemies on the ARK 50 years ago? Yeah, that wasn't just a random incident. That was important, as we now know due to its placement on the timeline.

See, Emerl's rampage aboard the ARK that was chronicled in Sonic Battle and Dark Beginnings set off a domino effect. Emerl riled up the Artificial Chaos, causing Gerald to lose control of them. They became violent, and so Shadow had to stop them, as depicted in Lost Impact. The thing is, that incident sent an SOS signal to GUN telling them that shit was going down on the ARK. Gerald didsn't fully understand the trouble he was in and assumed that he'd simply be reprimanded by the higher ups, or maybe face legal action. But, well... the next time he heard from GUN, armed troopers were raiding the ARK.

So Lost Impact was the straw that broke the camel's back. I just really like that detail.

4) Maria

And, of course, there's Maria herself. Maria has often been more of a symbol than a character, this perfect embodiment of everything that's good and pure in this world who gets killed to motivate Shadow and Gerald's revenge plots. But I really like the wrinkles this journal adds to her and Gerald's story, and their relationship. This is the most fleshed out they've ever felt.

For one, the journal leans into the idea of Maria's intellectual potential. The rest of the Robotnik family is all geniuses, after all, and she was proving to be a really bright kid. She excelled in her studies on the ARK, and she even helped design Shadow's jet skates and inhibitor rings. When Maria died, the world didn't just lose a symbolic personification of purity. She genuinely could have been a hugely influential scientist who did so much good for the world. That's what Gerald wanted for her. But we'll never know, because GUN killed her.

Speaking of her family, their presence isn't just mentioned for the sake of fleshing out the Robotnik family tree. It's mentioned that as Gerald struggled to find a cure for Maria's illness through his genetic research, he faced mounting pressure from his family. They didn't want Maria to be up on the ARK forever. They wanted Gerald to hurry up and find a damn cure, or otherwise just send her back home to Earth so she could be with her family again. She'd been up on the ARK for so long that Gerald's coworkers started thinking that she had been born up there. Eventually she gains a baby sister on Earth who she's never met. A rift forms between Gerald's two sons, and he's unable to really deal with it because he's so consumed by his work. There's this sense that the family is falling apart, and that everyone is dreading the possibility that Gerald will never find a cure and that Maria will just spend her final years up in space and die far away from her family, because Gerald just couldn't let go. If that happens, it'll break the whole family. But he can't stop now. So he just keeps working. Curing Maria is the only way to win his family back, in his eyes. It can't all be for nothing.

But my favorite detail regarding Maria is this one paragraph:

Maria is growing into a lovely young woman. It breaks my heart that someone as bright and energetic as her is diminished by disease. There are no visible effects, and I've caught my fellow researchers muttering to each other, doubting her illness. It is infuriating. I find all my reason and restraint vanishes when she's slighted.

This is SUCH a great addition to the story! It's always been true that Maria doesn't really seem all that ill, just looking at her in cutscenes. With this one little comment, Ian flips that issue on its head and turns it into a story about invisible disability. She doesn't act like she's in chronic pain, so she must not be, everyone thinks. And this really, really gets to Gerald, as does the pressure from his family. He's dedicating his whole LIFE to saving her, and they think she's faking it?! It's such a small addition, never referenced elsewhere in the journal, but it adds so much flavor to the story, as does the implied family drama. It grounds Gerald and Maria and makes them feel more like real human beings, rather than being pure archetypes. It's just enough info to let my imagination run wild filling in the blanks.

You also get the feeling that Maria being such a walking ray of sunshine was the only real source of joy Gerald had left in his life before Shadow was awakened, and the only thing keeping him from snapping under pressure sooner. All this stuff just keeps piling on, everything's spiraling out of control, but at least Maria is keeping her chin up, right? It makes so much sense that losing her would make him go off the deep end when it's framed like this.

It's just... man, I never thought I'd care so much about Gerald and Maria. But that's the Ian Flynn touch. After years of less than stellar Sonic writing that seemed to be embarrassed of itself, I'm so happy to have new games coming out that fully embrace the history of the series like this, making its world feel so rich and real instead of just serving as an excuse for a string of platforming levels. I don't even like Shadow '05, but I'll be damned if Ian and the rest of Sonic Team didn't make something amazing by "yes, and"-ing Shadow's cringe past here. Sonic has truly reached levels of "we're so back" never thought possible.

[mortalityplays]

You need more free art.

I quit my job yesterday. Well, actually I quit my job eight weeks ago, but they finally released me yesterday for good behaviour. Don't get me wrong, I love what I do - but I do it for the wrong reasons. Working for major charities, you learn very fast that 'I want to make the world a better place' is a phrase you use to ask people for money, not to give them things. I was an ass-backwards fit for that world.

You need more free art. I need more free art. Everyone has felt the shift in our media landscape over the last ten years, away from access and towards nickel-and-diming the human experience. That lack of access is making life and culture worse for all of us, across the board. Paywalled news sites leave us less informed, attacks on the Internet Archive leave us less capable of research. Algorithmic social feeds and streaming walled gardens trap us inside smaller and smaller demographic bubbles, where we are increasingly only likely to encounter ideas that have been curated for us by marketing departments. Hasty efforts to resist AI commodification have only led to more artists locking their work away and calling for even more onerous systems of copyright law. This is not good for us.

We all need more free art.

So what am I going to do about it?

This is a question I have been asking myself for years. It's easy to sit here feeilng frustrated and thinking 'boy I hope SOMEONE does SOMETHING'. It's harder to take action in a world where I still have rent to pay. But hard doesn't mean impossible. Sometimes hard just means time-consuming, frustrating and slow. And sometimes it's worth doing something time-consuming, frustrating and slow because...I want to make the world a better place.

I'm going to do this:

1. From April 1st, I am relaunching as a freelance writer and editor.

This is the one that will (hopefully) help to pay the bills. I am a very good and experienced editor. I've worked on hollywood movies, I'm a member of the Chartered Institute of Editors and Proofreaders, I have clients who have been coming to me exclusively for more than 10 years.

Alongside bigger contract jobs, I am going to refocus on offering my services to small-press creators at a reduced rate. That means you, graphic novelists. That means you, itch and amazon writers. I want to help you develop your work, the same way I help large organisations. You can learn more about what an editor even does and what kind of pricing you can expect here.

2. I'm also going to start giving shit away. Like, constantly.

Next week I'm going to launch a new free shop. If you're unfamiliar, a free shop, giveaway shop, swap shop, etc. is an anarchist tradition of setting up a storefront where anyone can take what they like for no cost. Offline, this often means second-hand clothes, tools, furniture, food etc. Online, I am going to be giving away digital art. Copyright-free, no strings attached. It will (eventually) feature everything from print-res posters to zines, poems, tattoo flash, t-shirt designs and anything else we come up with.

Yes, I said 'we' - while this is a curated collection, it will feature work from a variety of credited and anonymous artists and activists, all of whom have agreed to give their work away to the public domain. Some of it will be practical, some of it will be political, but a lot of it will be decorative or personal. This is, in part, a response to recent difficulty I had finding somewhere that would print a one-off joke poster for a friend that featured the word 'faggot'. Enough. No middlemen - no explaining ourselves. Just print our shit and enjoy it.

I'm very, very excited about this project. I'll have more to say about it closer to the launch, but you can expect it to go live on March 27th.

2.2 I forgot to mention the ACTUAL LAUNCH GIVEAWAY

To celebrate my launch, I am going to be giving away a ton of physical prints. When I went looking for my old stock to see if it was worth setting a new (paid) storefront up, I realised I had way more old work in storage than I thought. This will be announced in its own right on Monday, but this is why I've been hinting you should go follow my Patreon.

On April 1st, I will pick 8 random patrons (from across all tiers including non-paying followers!) and mail them a bundle of assorted prints and postcards. The prize pool includes A3 and A4 posters, packs of A6 postcards, and printed minicomics that I've previously sold for up to £12 each.

You don't have to be a paying subscriber to enter - this is strictly no-purchase necessary. It is purely and entirely a celebration of the concept of GIVING ART AWAY FOR FREE.

3. PORN, YOU PERVERTS

Because I still have to pay to stay alive, I am going to be subsidising all this free art with the introduction of Fuck You Fridays. Starting from March 29th, I will drop a new 18+ short story on the last Friday of every month, over on itch.io (yes I know my page is desolate right now, don't worry I'll get there).

The first edition, Go Fuck Yourself, is about, well - telling your boss where to stick it. Julia has had it with her millionaire man-child manager, and is just about ready to let him know what she really thinks. It's a short and steamy 5k words, with a gorgeous cover illustration by @taylor-titmouse, and you can pick it up for $3 starting from March 29th.

4. ANOTHER BIG SURPRISE

I'm keeping this one under wraps for now, but April 1st will also play host to one more (FREE) launch. If you've been following me for a long time, you might remember the other significance of this date (no not April Fool's day, though that is certainly thematically relevant to this entire effort). That's all I'll say right now. Watch this space.

tl;dr: I'm sick of paywalls and career ladders. I'm literally putting my money where my mouth is. More free art for everyone and I'm not kidding around!!!

[imsiriuslyreading]

being a POC in the Marauders/HP fandom is really interesting to me because it seems and feels like a really predominantly white space, which, hey, nothing new! and that does come with some challenges. for the most part, they're fairly under the radar.

it's things like being able to count the POC in a discord server on one hand, even though there's 100+ people in the community.

it's people not taking into account racial dynamics whether that be in a fic, or in a tiktok, tumblr, whatever. there are innate power imbalances in our society (regardless of what country you live in) and to assume because this fandom is a largely open, liberal and leftist space, that they don't carry over to fandom, is exceptionally naive. buuuuut, we live and learn, so people can and should be given a certain amount of grace. but what is unforgivable is to have them pointed out to you and for you to dismiss, ignore or belittle them. Not only that, but you as a white person, do not get to be the forgiving voice to another white person when they make one of these mistakes. please please please respect and understand that.

there's also (and i'm sorry if this is controversial and frankly it makes me really nervous to even write this), a trend of assigning ethnicities, cultures and races to characters in stories without having a proper understanding of them, or having a particular reason for doing so. I'm never going to sit here and say "you as a white person shouldn't write about ____ race!", because I don't believe that. but what I would really, really love to see, is for white creators and writers to ask themselves some questions beforehand:

what does the race of this character add to the story outside of me chasing clout with a particular group of people/is it necessary for me to be writing the lived experience of a culture/ethnicity I've never taken the time to learn about?

if so, why?

am i the right person to be doing this?

are my actions outside of my writing towards these POC reflective of this?

i also think it's really important to remember that unconscious bias is a thing, and it's really easy for us to spot in your writing if it isn't something you've addressed. Not only that, but even if you write the most well-researched POC in your fic, even if you're sharing posts about Lebanon and Palestine, none of that matters if your actions when interacting with us show us that you are indifferent to the power dynamics at play with you being a white person, often with a large audience, in this space. virtue signalling is spectacularly unhelpful if you're writing checks your ass can't cash.

that being said, I think throwing 'racist' around as a term at people who make mistakes is really unhelpful. because every situation has context and nuance, and dogpiling never helps anybody. there are opportunities for learning, developing and understanding here. but please remember, if a POC tells you something is upsetting, harmful or offensive - even if other POC haven't said that to you - it's not your place as a white person to dismiss that.

anyway, hope that helps, love u very much xo