#others are here too but they're not that important

[phoenixyfriend]

Okay so we have like. An unusually high ratio of royalty/nobility among the Jedi. Dooku, Quinlan, Oppo, you can sort of count Adi or Xanatos or Bruck, etc. Lots of Jedi 'just happen' to come from royal, noble, or incredibly wealthy/powerful families.

So from this I want to posit four things:

If a royal family has a Force-Sensitive child, and hasn't had one in generations, they may think that sending that child to the Jedi would be a little like sending a child to join the Catholic Church in the middle ages: you get to influence the political choices of the highest religious power in Europe the Galactic Republic Government. (That said, Dooku was sent to the Jedi because his parents didn't want him and ||left him to die of exposure, basically, so that if the Jedi arrived too late they'd be picking up a baby corpse|| because they were so disdainful of Force-Sensitive individuals, and Quinlan wasn't sent to the Jedi so much as he escaped to them.)

They are all incredibly wrong about this, and royals raised as Jedi generally do not give any more of a shit about their home planets than any other planet. They care, of course, but they are not attached, because they are Jedi. Xanatos was an exception (afaik his dad sent him to the Jedi because he wanted to do the Catholic thing? and then Xanatos lost his mind). (Don't correct me on this, it's not really important if it was actually intended or not.)

This is achieved by way of Jedi from royal backgrounds having a mandatory high-level political class on how to handle royal court politics and general intrigue. It's not exclusive to the royal kids, but it is a prerequisite for them. They usually end up doing their home planets as case studies for capstone projects, in part because

Sometimes the planets try to call their errant royals back. It might be because the planet is struggling and genuinely running out of heirs/needs a change in leadership (Serreno) and it might be because it was the plan all along, but on the off chance that the Jedi decides they HAVE to leave the Order and take up a throne to keep an entire planet from kind of imploding on itself... that royal Jedi has to be ready to play the game. OR if they don't actually think they're REALLY needed there, they have to be trained on how to go, and be polite/avoid getting trapped/play the game until they can get the hell out of there, while also installing that cousin that nobody thought was strong enough but DOES understand how to run the treasury as the new king.

I'm just imagining this like. Very specific set of classes that are open to any Jedi that's taken the necessary prereqs, but is mandatory for people like Quinlan and Dooku and Oppo.

This was inspired by a post of mine that's getting circulated regarding QuinObi stuff and my thoughts about how Quinlan might have needed preventative training in case of political upheavals trying to pull him back to his home planet. I want to mess with the Politics Classes that Quinlan is taking because he has to and Obi-Wan is taking because Qui-Gon said he should.

Qui-Gon: You should take this class because I'm training you up as a negotiator and diplomat, and you will need it to interact with people when brokering trade deals or peace treaties. Tholme: You are taking this class because your aunt is insane and you have to be ready in case she tries to pull you back into the bullshit.

And as @firebirdeternal offered:

Quinlan: God this is the worst. So boring. At least Obi-Wan is stuck here too. Obi-wan: This is fascinating wow, I can't believe I almost didn't get to attend, Quinlan is so lucky he's automatically in these classes.

[fictionalsweethearts]

A CHILD FOR ZAUN | SEVIKA X READER | ARCANE

Synopsis: Under pressure from the Council and with a heavy responsibility on her shoulders, Sevika decides to have a child with her wife to show her commitment with the cause. However, indirect methods are too risky and she ends up choosing the traditional way, being an equal part spectator and participant.

Contains: mention of pregnancy, threesome, male participation, voyeurism, breeding kink, wife!Sevika, dirty talking, jealousy (I could keep going).

MINORS DNI

Note: Alright, so this is some kinky ass shit, I admit, so if you're not into male participation you can enjoy my other works on my masterlist. If you're staying... enjoy.

“A child?” Sevika asked, her eyebrows knitting together at Shoola’s sudden proposition. The councilor had waited until the session had adjourned and the rest of the councilors had left to discuss this with Sevika.

The work at the council seemed endless; since the war with Noxus and all the havoc it caused—from half of Piltover in ruins, to hundreds of casualties, widowed wives an husbands, orphaned children, and protests and riots on the bridge due to Zaun’s refusal to actively collaborate with the other side of the bridge—Sevika had barely had time to make amends and command a plan of action to favor Zaun in this whole mess. She was chosen by her people to represent a city whose fate hung in the balance. There were internal disputes, the districts seemed to want to take sides in the war and attack Piltover now that it has weakened, but Sevika knew that this would cost her authority and the promise to finally include Zaun in the Council's plans and stop being marginalized from public discussion. There were sessions and sessions of disputes and long speeches, where Sevika was ignored or the problems she brought up were disregarded by the rest of the members; by everyone of course, except for Shoola and Caitlyn. Both knew the importance of including Zaun, of making its needs known, even if in the past Sevika had been the enemy, or vice versa.

"A child," Shoola insisted, professional as ever. "You're in a difficult position, you don't yet have the trust nor approval of the rest of the Council. They don't know who they're dealing with."

"How a child would make them see me differently?" Inquired Sevika, both hands on the table before her.

"You must understand that you are rare case by being on the Council and being a Zaunite," Shoola explained. "In the eyes of the others, you are still a threat. The others do not trust you to have a say in matters on this side of the bridge, because they do not know what you are putting at stake."

Sevika clenched her jaw. She was a Zaunite at Piltover's council table, a fish out of water in a world of politics and alliances.

"My loyalty lies with my city, not this side of the bridge."

"Your loyalty will bear no fruit if you are not listened to. You must prove that you are not a mere visitor, Sevika. Committing to the cause means having something to risk."

"And what do you suggest, Shoola? A Zaunite child to hold as a bargaining chip? A token that ensures our cooperation?"

"Not a token, but a proof. A proof that you're not just advocating for your own interests..." she said, her tone growing more serious. "But for those of someone you care about, and the Council can see that you do so."

"Isn't the whole city of Zaun proof enough?" She inquired.

"It's about making yourself seen, Sevika," Shoola insisted. "The rest of the Councillors have entire nations behind them; children, parents, countrymen, enemies and allies. Yet you show up here without the full backing of your people, only a small portion who are not related to you in any way other than mere conviction and ideology."

Sevika looked away, Shoola's speech seemwd to acquire more sense with every word. "Besides... a child of your own will keep you grounded, it's a reminder of why you're here and what you're fighting for." She added.

Sevika knew Shoola had a point, no matter how much she hated to admit it. She was a lone wolf in a pack of powerful families and nations, at a disadvantage before an entire lineage of renowned nobles and politicians.

"I understand the need for solidarity," she said through gritted teeth. "But a child isn't a toy to be used for political gain. I won't endanger a child just to prove a point."

Shoola's expression softened, she interlaced her fingers. "It's a necessary decision, Sevika; causes require sacrifices," she said. "There are children waiting for a change there, using one could help dozens, hundreds. You can't keep arguing with a wall."

Sevika stood there in tense silence for a long moment after Shoola left. The room felt more empty than ever. Her mind raced with the idea of being responsible for a child, of being held accountable for their well-being. With a frustrated growl, she slammed her fist down hard onto the table, the sound of her prosthetic arm hitting the wooden top echoed in the room.

"How long am I gonna fight against this?"

┈ ⋞ 〈 ⏣ 〉 ⋟ ┈

"Margot won't allow it." Mumbled Sevika under her breath, letting out a heavy sigh.

Sevika took another drink, stamping the glass on the desk before looking back at the map hanging on the wall. She had been in a resounding silence for twenty minutes, interrupted by her own murmurs and growls. The plan to reduce the coverage of the red light district to favor the construction of hospitals seemed more like a fantasy than a plan, taking into account the powerful influence that brothels and sexual services had in Zaun. Sevika knew that truncating that specific area would be liquidating much of the city's income; she herself, when she used to be a regular customer, could realize how essential the business was.

Suddenly, a couple of arms wrapped around her chest, the softness of your cheek against her back and your smell interrupting Sevika's thoughts.

"You're going to pierce the map if you stare at it for so long, wifey." You purred.

Unconsciously, Sevika's shoulders relaxed as she heard your voice behind her. "It's called strategizing." she said with a half smile.

"What's the deal this time?" You inquired, peeking from your wife's wide back to take a look of the map too.

Sevika's grip on the edge of the desk tightened as her gaze traveled over the map pinned to the wall. She seemed to be studying the layout, her mind working through the challenges and options.

"The Rapturewalk," she replied. "It's becoming problematic. Profits are up, but the city needs hospitals, not more entertainment venues."

"Margot won't allow it." You said, just like Sevika thought before.

She sighed loudly. "I know. But the needs of Zaun are not being met. We're prioritizing profit over basic necessities. People are suffering while Margot makes money."

You ran your hands over her shoulders, your eyes sharpening at the markings on the map before you. "Keeping Rapturewalk is your best card, actually."

"How so?"

"It's a constant and safe source of income, after Shimmer's factories." You argued, crossing your arms as you looked at the map. "Let's say that whores are the economic basis of Zaun, whether you like it or not. And the best way to generate reserves to allocate them to other projects is to take advantage of the profits of the red light district."

It was not the first time you had helped Sevika to unravel a problem of this nature. She used to pay attention to your judgment as much as the councilmen's and she trusted your vision as much as her own.

Between pouts, jokes and a kiss on her cheek, you proposed possible solutions. Sevika responded with a grunt, dragging on her cigarette before looking at the map again. "I've only been on the Council for three months… and I'm going crazy already."

"Take the mining and taxes thing as advice only," you said. "I'm just the wife, the final decision is up to you."

"Don't say that." she said firmly, walking up to you and gently grasping your arm. "You're my partner, in every sense of the word." she stated, placing a kiss on your forehead.

And the truth is that your role in Sevika's life was not limited to just being a wife. From the beginning you were a pillar for her when she didn't believe in pillars or in the need to seek support from other people, you showed her that asking for help was not a sign of weakness but of strength, although to this day it was still a bad habit of hers to swallow her problems until she vomited them out between complaints and a few days of drunkenness. That night was no exception, and as soon as you moved away from her, you noticed her staring at your abdomen longer than usual.

"Is something wrong?" you asked.

"No, nothing's wrong." she grunted, knowing she was lying.

"You sure?"

Sevika remained silent for a moment, her tone sobering. "How does children sound to you?"

You seemed speechless for a moment.

You raised your eyebrows and a flash of excitement crossed your face before you turned serious. “Sounds like something we never considered possible…”

"I know we've never discussed it. But the thought has crossed my mind a few times... I never thought it would be an option, given our circumstances. But then again, I never thought we could have a life together in a room above a poker den either."

"I, uh..." you stuttered. "It's a sort of fantasy of mine, actually." you admitted. "You always said you weren't interested in children, and I respect it."

"Well, things has changed, haven't they?" Sevika took a step closer. "We've changed."

But something wasn't fitting, and you sensed it. "Sev. Why are you suggesting this all of sudden?"

She took a deep breath, her hand dropping back to her side.

"The Council has been... making suggestions," she said. "They think it would be a... symbolic gesture. A way to bridge the gap between Zaun and Piltover."

And all clicked.

"So you want a heir, not a son." you stated.

"No, I want what's best for Zaun. And if having a child serves a greater purpose, then that's what I must do."

"A child for a purpose? A symbol." you spat, crossing your arms as the anger began blooming. "Are you trying to please those snobs? Who made you think a heir would change their vision towards you, or towards Zaun?"

"It's about making them respect us. Showing them that Zaun can play the game they set and still come out on top. Sometimes sacrifices have to be made for the greater good."

"Haven't you done enough sacrifices?" you insisted. "Following Vander, then Silco's cause, then Jinx. You've sacrificed what you are every damn time and they still believe it's not enough?"

"What choice do I have?" she snapped back. "If I don't show them, if I don't do something significant, they'll continue to disregard Zaun."

"And using a child is the proper way to earn approval?"

"Babe, it's about respect!" she snapped at you, followed by a sigh when she noticed you flinched.

Silence, thick as fog, settled in the room. Sevika looked not only exhausted, but hopeless. She was making drastic decisions and she knew it. "Love… I don't expect your approval in this, just your support."

You reached out, cupping her cheek as she looked into your eyes, speaking with them. You couldn't stand against that look, you never could. "I'll think about it." you whispered. "But I want you to understand that if we have a child, I will treat him as a son first and as a political tool second."

"I understand." she nodded. "I swear I do."

As the days went by, while the Council gave no respite and neither did Zaun, Sevika planted the seed of a child in your mind frequently. She would talk to you about adoption processes when you were cooking, accompanied by a well-placed caress on your back and a kiss on your neck, and then, after making love, she would talk to you about the possibilities of testing fertilization in a laboratory. Usually you limited yourself to nodding or emitting an "mhm", still questioning the changes that a child would mean, not only as a political symbol, but as an addition to the family.

Sevika would be a good mother, no doubt. She took care of Isha for a whole month without even mentioning she cared for her, but she still came to Jinx's lair with treats and toys or gadgets that she bought at the market. She asked you to cook an extra portion for dinner and whenever you asked her why, it was because "she got hungrier lately", knowing well that it was for Isha. And when she finally admitted her affection towards the blue-haired girl, she passed away.

Sevika remained strong for Jinx and for herself, but you found her asleep in the bathtub the day she found out, her eyes swollen and stinking to whiskey.

"I loved that kid," she admitted later, once you were able to get her out of the tub. "Why is everything dying around me, babe?"

That day you promised yourself to be Sevika's anchor, and bring more joy than worries to her life.

“Baby?” you whispered after Sevika turned around. “Do you think we could visit that doctor you mentioned the other day?”

"Dr. Allard? Yeah, we can. Why?"

"We could ask for advice... about the fertilization process."

Sevika rolled over, her eyes pierced into yours. "Do you wanna... try?"

"Yes, I-" you said before Sevika swallowed your words with a kiss.

And she kissed you later that day, as you two waited for the test results. Fertilization using hextech was still in the experimental phase and was certainly based more on theories than successful cases, but you still hoped you were a suitable candidate for the procedure. Sevika held your hand as the doctor entered, her solemn face not indicating good news.

"The preliminary tests show that your body's response to the hextech fertilization process is not as strong as we would have expected. The success rates will be much lower than we had originally suggested..."

It was the formal way of announcing that achieving a baby by that means was not feasible. And Sevika read your disappointed expression while the woman continued explaining technical details that you stopped listening to. Your wife squeezed your hand and wiped the hint of a tear from your eye. "We'll find a way."

And frustration was beginning to overwhelm you and Sevika. You drank at breakfast and dinner, ruminating on the possibilities and pressuring the Zaun orphanage just to find out there wasn't a goddamn orphanage in the first place. A month of arguments, tears and breakdowns went by. The Council gave no respite, Sevika was on the verge of collapse balanced by two cities that refused to cooperate, drowning her anguish in whiskey and smoking her worries, sleeping barely a few hours and giving up her intimacy and quality time with you. You watched Sevika fall into a cycle of slavering work from which you could not get her out until you found her unconscious in the living room, passed out from exhaustion and alcohol.

And that was the last straw.

"I'll look for candidates," you said in bed, after having fed Sevika a substantial dinner and a spoonful of Shimmer. "You can choose the one you like the most."

"And if I say no?" she dared to argue.

"Then you'll quit the Council."

She was silent for a moment, too weak to argue and too tired to find another solution. She couldn't believe she would consent this.

"Fine," she said grudgingly. "You can look."

It took you no more than a week, spreading out a series of files on the living room table and asking Sevika to study each one carefully. The process took barely an hour.

"This one," she said finally, laying the sheet on the table. "It's the most suitable.

You kind of expected it, Misk. A thirty-three-year-old Zaunite in impeccable health; a rarity in a city like ours. He was an athletic man who was both handsome and noble. He was known to run a humanitarian business, providing beds, food, education, and health. A true symbol of the spark of humanity struggling to survive in the city and an indirect ally of Sevika, if she could put it that way. The file was accompanied by a photo of the man in question. He had tanned skin, pale, slanted eyes, a straight nose, and generous lips. His black hair, usually tied back in a half ponytail, was dazzling with silvery glints and vitiligo had paled half of his face, spreading across his left arm and left pectoral. You knew Sevika had chosen him for his unusual features, she had a thing for Zaun's genetic diversity.

"Did you find him handsome?" you dared to tease her.

"Qualified." grunted Sevika. "I could never call a man handsome."

┈ ⋞ 〈 ⏣ 〉 ⋟ ┈

"I won't repeat myself," Sevika said firmly. "We bought your silence, you keep your mouth shut. Whatever happens in this room, stays in this room."

You were sitting on the edge of the bed, an olive-colored robe as your only garment, your hair loose and your skin soft and smooth from the scented bath you took earlier. The room smelled of floral, penetrating honey, while the lights were dim and invited to retreat and intimacy.

You had prepared the room in advance for the special night; cigars lay on the coffee table in front of the wide bed with silky damask sheets. Three glasses of whiskey with ice, a jug of water, poppy oil beside the bed, aromatic herbs hung from the ceiling and a series of candles spread across the furniture and the windowsill, through which the silver bath of moonlight filtered in. You looked at Sevika, clad in a wine-colored kimono, revealing a glimpse of her bare chest and long, shapely legs. Her hair loose and her mechanical arm gleaming with Shimmer. Certainly her feminine energy was taking more prominence tonight, and you couldn't help but finding her even more beautiful.

Sitting on the couch, Misk watched Sevika intently, sipping whiskey and taking orders with the abnegation of a soldier. He had a robe on and his hair tied in a ponytail. He was more handsome in person and when Sevika first watched him walk in, she let out a chuckle. "He looks like a puppy."

"Sevika."

"He'll act like a puppy, alright."

Misk greeted you and your wife cordially, acknowledging the reasons why he was there and taking a seat on the sofa.

"This is not about your pleasure, but about the purpose. You will do as I say." continued Sevika. "You will touch my wife only when I allow it, and you will not speak unless spoken to. Understood?"

"Yes, ma'am."

"C'mere." she commanded, watching Misk stand up and come closer.

Sevika wrinkled her nose, blowing smoke into Misk's face as she studied his bearing, his face, and his scent. She parted his lips with her fingers, taking a look of his teeth and then his eyeballs, looking for any indication that would cast doubt on his medical certificate. He smelled healthy. "You're in good shape," she said, cupping the young man's jaw to look at his angles as if he was a rare animal.

Certainly for Sevika he was, she only adresses men for gambling, business or brawls. The sole thought of sharing a bed with him was uncanny still. "My wife chose well."

She ran her hand down his throat, feeling his pulse, which felt strong and steady. "Have you been in a threesome before, young man?" inquired Sevika with a dark grin.

"I have." nodded Misk.

"Good, I'm not into teaching men what they have to do." said Sevika, letting his throat go. "No funny business or I'll rip your cock off."

"Sevi." you protested from the bed.

Sevika grinned, her eyes flickering to you. "My wife seems to have a soft spot for you," she said. "Don't push your luck, then."

Misk nodded, his expression serious. "I understand."

"You're scaring him, babe." you insisted.

"He has no reason to be scared," she said shortly. "If he behaves, he'll be rewarded. If he doesn't, he'll remember it for a long time. He also signed a contract, remember? He knows what's he getting into."

Just then, Sevika seemed convinced enought to start.

“Take a seat and watch,” Sevika ordered, leaning over to stub out her cigarette in the ashtray. “You’ll join when I say so.”

You stood up, ready and eager as Sevika approached you with confident steps. She caressed your cheek. "Are you sure you're okay with him watching?" you whispered softly. "He can enter later."

"Let him stay. He can learn a thing ot two."

┈ ⋞ 〈 ⏣ 〉 ⋟ ┈

You squeezed your tits between your fingers, Sevika gave you a slow and methodical oral, she ate you out with all her heart and her whole face, diving between your legs and moaning against your pussy. She took all the time in the world on it, making you shudder and whimper for relief, only for your wife to straddle you on her thigh and order you to ride her as soon as you reached your first orgasm. You refused her nothing, even when Misk was on the couch watching everything and made you shy for a moment. But Sevika gave two shits about his presence, urgently kissing your mouth, whispering obscenities that only she was capable of saying and pinching your nipples between her fingers.

Misk realized that he was in front of an experienced couple, totally in tune.

"Don't look at him," she murmured. "Eyes on me, baby. I'm the one you're riding right now."

Sevika kissed you hard, filling all your senses so that you wouldn't even consider looking at a man while you were with her. She didn't take pleasure in letting a man possess you, not now or ever, but she couldn't deny that she was attracted to your pitiful moans and the way your lips would part when Misk fucked you. Sevika knew that this encounter wasn't just for a particular purpose, it was pleasurable in equal parts and she was certainly spoiling you by consenting to it.

"Admit it." whispered Sevika. "Admit that you're dying for him to fuck you. That you're dying to be the center of attention."

"No, Sev..." you whimpered.

Sevika grabbed your throat and looked into your eyes. "You're an attention seeker, even in three years of marriage that hasn't changed. And I love how desperate you are."

"Ah." that's all you could do, pant. "Ah, ah..." and your eyes softened before Sevika let your throat go and you cried your orgasm out.

You fell on top of her. Sevika cupped your neck with a tenderness she only stored for you and placed a kiss on the top of your head. "You're not allowed to be tired," she whispered to you. "Misk is still watching."

You asked for water, Misk was the one who handed you the glass and while you drank, Sevika drew circles on your back. She looked at Misk with analytical, wary eyes, knowing that the unpostponable could not be postponed.

With a kiss on the top of your head, she made you descend from her lap and wait on the bed, still a little shaken by the two previous orgasms. Misk remained in place, Sevika reached for a cigarette on the coffee table and lit it solemnly.

"Misk." she said. "Take good care of her."

You swallowed, still not believing that Sevika was giving you over to a man. A rush of adrenaline and anticipation ran through your body when Misk nodded, looking at you lying on the bed. You stood up, bare and glowing still, allowing him to come closer.

"Can I…?" he asked, clearly afraid of angering Sevika with the slightest contact on your body.

"Yes." you whispered, allowing him to wrap his hands around your waist and kiss you.

Sevika drowned her jealousy in her cigarette, watching as Misk laid you down on the bed and ventured into your skin, your breasts and your abdomen. His touch was gentle, you appreciated it since your wife had left you quite sensitive after her intervention, but you couldn't stop looking at her while he rubbed you between your legs.

You needed her close, not to be removed from the equation.

Sevika read your thoughts clearly, sitting on the couch, the tip of her cigarette glowing with each drag before she placed it on the ashtray. “Stand up,” she ordered, to which Misk seemed to back away. “I didn’t say you were leaving.”

Misk seemed to understand, allowing Sevika to position herself behind you, cupping your breasts in both hands as she began to kiss your neck. You greeted Misk with another long kiss, feeling more secure with your wife’s close supervision. Only then you moaned opnely with pleasure, parting your legs so Misk could once again rub a sensitive but so wet pussy that it left his fingers with a wet sheen.

With your wife's intervention, the evening flowed (very) well. You were already sitting on the bed, leaning against your wife's chest who was already easing a couple of fingers in you, while Misk was busy pleasing your nipples with his tongue. You moaned, looking at your wife and giving her a short kiss before looking at Misk again. The man seemed engrossed in his task, his robe sliding enought to reveal his chest and the paleness of the vitiligo. You thought he was handsome, an ideal candidate for a beautiful baby.

However, you didn't allow yourself to look at him for too long, knowing that provoking Sevika's jealousy would probably end with a dead man in the room.

"I wanna eat you out." you whined then, cupping your wife's cheek.

"Aren't you busy enough?" she teased.

"Please..."

Sevika wasn't going to deny you anything either, she loved to indulge you in everything. Not in vain she was allowing a man on her bed. Still, she hadn't pay attention to him, much less touched him; he was there as a mere tool, she insisted. Sevika tangled her fingers in your hair, her palm firm on the back of your neck as she watched you trail kisses from her chest to her pubis. She hissed, Misk kneeling behind you and kissing your spine slowly. She felt the urge to break his nose with a punch, but you kept her busy with your mouth between her legs.

“Fuck.” She growled, looking at you. “If it wasn’t for you…” she added in a whisper.

"Mhm." you moaned, venturing to ease a finger into her. And Sevika's anger was soon replaced by a stronger feeling.

You gasped, noticing the presence of his phallus, hard and wet against your entrance. Your body bristled in anticipation, believing yourself ready to receive Misk. Sevika frowned, her hand between your locks clenching tightly. Her blood boiled.

"You hurt her and I swear I'll rip your cock off," she threatened, not caring if she was ruining the mood or not. She only cared to know that her wife was willing to continue.

"It's fine." you purred, pulling back to look at Sevika. "I'm... I'm ready."

Your hands on either side of her hips, you watched Sevika the entire time. You didn’t look away from her grey eyes, not when Misk rubbed against you, not when you arched your back to allow him in. Sevika sucked in a breath between her teeth, holding your chin when your lips parted in a shaky moan.

“Fuck.” you breathed out, kissing your wife as Misk buried himself in you.

And you were embarrassed by how fucking horny you were.

You didn't know how to put your pleasure into anything but moans, words fell short. The feeling of kissing your wife, her hand around your throat while you were being fucked was delicious. Being the center of attention turned you on like nothing else, the moans, the grunts, the obscenities that reached your ears and made you smile. You soon agreed with what Sevika had said before; you love attention. The clash of skin on skin filled the room, Misk held your waist and squeezed your skin while Sevika caressed your lower lip, watching you, almost admiring you.

"Seems you're having fun." she said against your mouth. "Breaking into moans for a man, aren't you ashamed?"

"So ashamed." you whined before Misk leaned to place a kiss on your shoulder and you read Sevika's jealousy in her eyes. "But you love watching."

"I love you." she whispered, only your ears catching such strong phrase.

You lost count of how many times you gasped, or how many times Misk made you shiver with a precise thrust. Your wife watched everything, absolutely everything, scolded and admired you in equal parts, finished smoking her cigarette and gave you a tobacco-flavored kiss before forcing you upright.

"You're already all wasted, I thought I taught you better than that." she said, gripping your chin as your eyes fluttered with exhaustation. Misk had a firm hand on your shoulder, making slower but deeper thrusts. You felt him fill you again and again, causing a slight numbing sensation in your pussy.

You were reaching your limit.

Misk let out a groan, his breathing becoming irregular and noisy. "I take this is how men let you know they're about to cum?" asked Sevika with a raised eyebrow.

"Sev." you whimpered. "I'm..."

You didn't know if you were about to cum or faint, whichever came first, but it worried Sevika. You weren't used to this amount of stimulation and Misk seemed insatiably focused on his task. It was then that Sevika kissed you and left the bed. Your chest hit the mattress, Misk growled against your ear and his hips moved incessantly, to the point that you felt imprisoned by his body. You wanted to cry, it was an unknown pleasure and your body gave signs of wanting to give up.

Until you felt it, like a warm, wet torrent that made its way inside you and filled your insides. It was then that you stifled a cry into the pillow, Misk didn't seem to stop.

"I told you to take care of her, son of a bitch," Sevika said.

Misk stopped dead at the cold touch of a cannon against his temple. "You get away from her right now or I'll shoot you in the balls, you hear?"

You didn't see Misk leave the room, but you heard him. You were lying on that bed, your legs shaking, a thread of his seed seeping between your legs. Until Sevika made you close them.

"Relax, it's all over now…" your wife whispered, sitting next to you and placing a kiss on your shoulder. "I shouldn't have agreed to this in the first place."

"I'm fine…" you murmured. Exhausted and sore, you couldn't deny that you'd never felt this pleased in bed. It wasn't Misk the important addition, it was the dynamic of being watched by your wife and realizing the desire that prevailed in her gaze.

Well, desire until she seemed to kill Misk at the last minute very appealing.

"Keep them closed, sweetheart. I won't let this happen again, either you get pregnant or I set the Council on fire. You won't go through this again."

You looked up, glancing at Sevika beside you on the bed. She covered you with her kimono, tracing circles on your lower back before frowning. “Tell me the truth.”

“Mhm?”

“You fancy Misk, don’t you?”

“You already said it, Sev. It’s suitable, but I don’t like him.” you smiled despite your exhaustion, leaning over to place a hand on your wife’s knee. “I just want to give you a child, Sevika. I want to be and make you a mother.”

“You’ll look beautiful pregnant.” Sevika whispered. "So damn beautiful, round and glowing. I wonder how I got myself such gorgeous wife."

"I wonder the same..." you smiled and Sevika leaned down to give you a kiss before patting your bottom lovingly.

“I’ll run you a bath and dinner, okay? Get some rest.”

You nodded, rolling over to lean back on the soft pillows of your bed as you watched Sevika get dressed.

"Are you gonna kill him?" you asked after a moment.

"I wanted to." she admitted. "But I have too many things to attend to add murder to the list. As long as he doesn't cross my path on the street, I won't try anything."

"Okay..." you mumbled, watching Sevika leave the room. "Love you."

"Love you more."

You sighed, tired and sore, barely processing the situation that took place in that same bed you were laying on. You had never been in a threesome, and it was a good but unrepeatable experience. You stared at the ceiling for a moment, wishing with all your might that this method would work and that you could have a child for Zaun.

But above all, a child for your wife Sevika.

[cleoselene]

don't doomscroll, DO SOMETHING. Don't complain, TAKE ACTION. here are things you can do:

call your Congresspeople. If you are living in a Democratic district, this is so easy! Tell them how YOU want them to fight! Don't just sit back and complain that "Dems in congress aren't doing what I want." CALL THEM AND TELL THEM WHAT YOU WANT. EMAIL THEM. And be nice about it, lead with the illusion that you trust them to do the right thing. "I know you don't really want this to happen, you're a good person!" methodology.

If your reps are like mine and horrible horrible monsters like Byron Donalds, then you have to make your phone calls differently. You gotta strategize these. There are two ways to do this: 1) be incredibly angry and aggressive, but filibuster about it. Don't give them any ability to get off the phone. Don't curse or insult, just properly outraged. The key here is to WASTE THEIR TIME. I spend about 45 minutes on the phone with one of Rick Scott's people once. The other way, i think is more effective, but this is better than nothing. The other way, 2) is to frame the specific issue you're calling about from the most conservative angle possible. If you're calling to support Ukraine, cry about how your daddy fought in 'Nam to stomp out communism, now you want to let a KGB guy like Putin bring back the Soviet Union? Act super fucking scared of communism. Say the words "KGB" and Putin together over and over. Talk about how America doesn't roll over for Russia, not now, not ever. This is just an example of a particular issue, but it can apply to any. My mom calls it the "sandwich technique." Lead with a compliment, then say what you really mean, and end with a compliment. People get tricked into changing their minds.

I realize this is tumblr so if you are really really that phone-phobic, apply this to email. But really, this is worth making the call for. The call cannot be fully ignored. An email can.

Join the class action lawsuit against the government for Breach of Privacy if you have Social Security or Medicare, and tell people you know who do to join it.

get involved at the local level. Agitate at city council. hell, RUN for city council. I promise you that no matter how unqualified you think you are, less qualified people have run and won. There was a town that had a golden retriever as its mayor for a while. You have to start thinking locally. You have to start doing things ALL THE TIME, not just every 2-4 years. This isn't just voting, but making your voice heard. That tumblr post about ten people showing up at a council meeting being able to change thing significantly? True. "But I live in a red area!" yeah, so do I, and that makes it even more important, since they're doing shit like banning books in schools here.

Run for office!! I just said that, but seriously, run for office!! AOC was a bartender before she got where she is now!! If I were not completely disabled, I'd do it. If you don't feel like it's for you, think of the people in your life who are capable who might be persuaded!

Focus on the real enemy. It's Republicans. It's not Democrats. Like I said, if you're unhappy with the way your Democratic rep is doing things, TELL THEM. Sitting outside the party and criticizing accomplishes nothing, it only weakens our only opposition party in this country. If you want to talk about third parties, MAKE ONE THAT'S VIABLE. But realize that will probably be decades of work. Stop complaining and start doing, start reaching out to the people who at the moment have some ability to do things and influence THEM. You can say a lot of things on the internet and expect to change the world, but you won't. (Yes, I realize the ridiculousness of me posting this on the internet, but I will be doing things, too, not just shouting into this void)

[livelaughlou]

okay, since an attempt at fluff was made by my lil angst fiend @cjlouwho, I'm honoring the parameters of our bet. Here's some angst. I would like you guys to know that my soul hurts after this and I'm gonna go back to writing day 4 of bucktommyfluffebruary immediately.

Ordinarily, Buck loves the sound of Tommy's breathing. He will always remember late nights, Tommy breathing into his ear words of love and adoration and early morning breathy laughs into his neck as Buck prepares breakfast. Now, though....well, now, it's torture.

Buck cups his face and listens to the labored breaths coming from Tommy's mouth, the slight coughs that make blood spots litter his lips. He wants to tune it out, he wants to not be here at all, but neither of those things can happen.

"Buck-" Tommy rasps, coughing again, but the 'Buck' is the worst sound, because he knows what that means, the same way Tommy used it last year when he ran away scared. He also remembers the promises Tommy made when they got back together that he would never use it again.

But they never expected to be here, in this broken wreck of a car at the bottom of some ravine in the middle of nowhere, and this is Tommy trying to distance himself, he can't run...but he can try to make it hurt less, though both of them know that this can't hurt less now. They're beyond that.

"Don't," Buck snaps. "Don't you dare. We go out, we go out as us, do you hear me? Evan and Tommy."

Tommy nods and his eyes flutter. "...love you."

Buck chokes on a sob. "I love you too. They're coming, okay? They're coming."

His own chest hurts and he knows it has nothing to do with heartbreak. He's pretty sure he broke a couple of ribs in the crash and one of them is close to puncturing a lung...but Tommy, Tommy's lips are turning blue, he's not getting enough oxygen, he's more important...god, he's so important.

"They're coming," he keeps saying, over and over, because what other choice does he have? He's hugging Tommy's head into his neck as Tommy goes limp and he can feel himself fading fast, try as he might.

"They're coming."

He hopes, he hopes, he hopes.

[ghouljams]

I’m really trying but you’re not making this any easier on me Ghoul D: Because after this:

"So," Price says over the rim of his glass, "'O else is fucking the girl?" It's only too bad that the sergeants both stiffen at the same moment Ghost does.

Not only is my mind reeling with what the others do, which trust me it is. Because the implication of the Captain finding you dripping with Ghost’s cum… However, I’m also thinking about how everything clicks for Ghost.

How you took his cock so well every single time, how you seemed to get that victorious little glint in your eye and a self-satisfied smile every time you walk with shaky legs out of whatever bathroom, supply closet or wherever his fucked you within an inch of your life. That goddamn sweet voice you use every time you call him sir.

This whole time he has been played by his plaything.

And his NOT going to let it stay like that.

He’s 100% teaming up with the others to teach you a lesson… maybe falling for exactly what you had been hoping for this whole time…

- Morph

You snag a champagne flute off a passing tray, if only so you look like you're doing something. Faux social as your mother would say.

You don't get a chance to drink it. Thick fingers grab the rib before you can press your lips to it and pluck the glass from your hand, passing it off to another server. You pout at the oldest of the four men that seem to orbit you, mostly because he always seems to enjoy it. This one likes when you're girlish. You think he'd ask you to call him daddy if he ever let you say anything, probably gets off on you being young and pretty.

The hand he slides over the small of your back is insistent, but the words that drip from his smiling lips are meaningless. Fancy things that sound like he's saying something important and not leading you to the nearest locking door.

They're all so easy to figure out. The older one wants to humiliate your father by placing himself in a position of authority over you, mohawk wants to humiliate your father by dirtying you up, the big one wants to humiliate your father by taking something from him, and the pretty one... ok you went after the pretty one, but he's just as happy to try and convince you to whisper in your father's ear. Really if they're all so obsessed with your dad you don't know why they aren't fucking him, but you're not going to complain about free sex.

You are going to complain about the way you're pressed hard against a utility shelf in a supply closet. A package of urinal cakes digs into your back and you make a face. The older one knocks your legs apart with his foot as he rolls your skirt up.

"Lemme see those eyes sweet'eart," He coos at you, "want to see my favorite pet f-" His fingers rub over your wet panties. Oh right, you forgot the big guy came in them. You meant to change your underwear but you haven't had a moment to get away. You're already fantasizing about the fresh pair you have in your purse.

You only squirm because he's rubbing your clit each time he dips his fingers into your cunt to dig the still leaking come out. If he wants to keep doing that-

"Someone get here first?" He asks and you hum noncommittally. Mohawk doesn't ever seem to mind. "Who?"

You blink and squint at the hanging ceiling light trying to remember if the big guy ever told you his name.

"Dunno," You conclude, "All of you look the same."

You don't think he likes that answer.

[genderqueerdykes]

A bunch of intersex people on here got pissed and blocked me because I said that PCOS is a serious condition that requires medical treatment a lot of the time. They were arguing saying "People just don't like how it makes you look, they hate that we don't look cis! It doesn't need medical treatment at all!"

Except it does. PCOS raises your risk for cancer, it causes pre-diabetes, it makes your hormone levels all fucky, not to mention the acne! The list goes on and on. But apparently I am intersexist for pointing those things out. Literally every other person I know with PCOS has been blown off by doctors and left to suffer, like they will have incredibly painful cysts and insulin resistance and doctors will drag their feet and make excuses not to help? "Just lose weight." "Pain is normal it's probably cramps"

I had to fight so hard to get them to realize I had an actual cyst and that was why I was in so much pain! The treatment is for your health, like laser hair removal is aesthetic but the actual medical treatment is IMPORTANT. I fucking hate that people are saying you should forgo it entirely. They are spreading medical misinformation.

But apparently I'm intersexist. It pisses me off. I'm not the only one either I've seen them dog piling others who point this out. Can you say something on this? People are going to put themselves needlessly at risk just to prove that they're intersex enough, "you're only gaslighted by doctors into thinking you need medical treatment". It's so fucking stupid. It's not the same as genital mutilation or surgeries on intersex babies. It's for your fucking health...

god i just let out the longest, most existentially exhausted sigh. i am so sorry you had to go through this. this is 100% those people assuming the absolute worst and jumping on you for it. i actually have a lot to say about this as well, so thank you for taking the time to send this ask.

this is reactionary behavior. there is no rationale, only emotion. i think they are misinterpreting you on purpose in order to be able to go off on you. i think that's all there is to it. like they're reading what you're saying and going "oh so you think all intersex people should try to have their conditions 'CORRECTED'???" and crying intersexism, failing to realize that a lot of intersex variations are literal health conditions that can and do make a person sick. these are fucking MEDICAL CONDITIONS, y'all! it's not JUST about your genitals & hormones! it's not JUST your secondary sex characteristics! hormones affect so much more than just your primary and secondary sex characteristics, they actually affect way more of the body than most people realize!

i'm not afraid to say it anymore, but a lot of intersex people on here are just straight up fucking bullies. i actually do not interact with too many other intersex bloggers on here because i do not like the amount of hostility & outright transphobia. so many intersex bloggers on here are proud to be transphobic as fuck. like it just absolutely fucking disgusts me that so many intersex people on here are taking the route of rude disenfranchised asshole who thinks it's okay to be mean as fuck to other queer people because we don't have a lot of visibility. that's not other queer people's faults. stop assuming every other queer you meet is going to be intersexist. stop pouncing on people who aren't hurting you.

They were arguing saying "People just don't like how it makes you look, they hate that we don't look cis! It doesn't need medical treatment at all!"

THIS is what's intersexist as hell because a lot of people with PCOS do not have an outward appearance that would indicate that they have an intersex variation. a lot what goes on with PCOS happens inside your body. how the hell are you supposed to be able to see someone's cysts just by looking at them? you have no idea if that "perisex cis woman" standing next to you at the grocery store is actually perisex, or if they shave their facial hair and make sure they don't look like they have a five o' clock shadow because they don't want facial hair. some intersex people DON'T like "looking intersex". some people get body dysphoria from their hormonal imbalances. not every intersex person "LOOKS" intersex.

Literally every other person I know with PCOS has been blown off by doctors and left to suffer, like they will have incredibly painful cysts and insulin resistance and doctors will drag their feet and make excuses not to help? "Just lose weight." "Pain is normal it's probably cramps" I had to fight so hard to get them to realize I had an actual cyst and that was why I was in so much pain! The treatment is for your health, like laser hair removal is aesthetic but the actual medical treatment is IMPORTANT. I fucking hate that people are saying you should forgo it entirely. They are spreading medical misinformation.

100%. this has nothing to do with you saying that someone needs to have their intersex condition "corrected". i can't believe someone would just tell you that while you're trying to convey that you quite literally needed medical care. PCOS can be a very painful condition to live with. as a teenager, i was having such heavy periods that i was having to change pads every 45 minutes. i HAD to see a gynecologist about it. i had low iron. it was making me anemic from the amount of blood i was losing. it wasn't just a routine trip to the OBGYN, i was having a serious medical issue and i needed help for it. i wasn't trying to "CORRECT" my intersex condition, i was trying to address a symptom that was caused by my intersex condition. now THEY tried to "correct" it with estrogen, but that's not what i was trying to do. i just wanted to stop suffering.

and you're right about diabetes & insulin resistance. this is extremely common in PCOS. hormones heavily affect that part of your health. like what, are people expecting someone with PCOS who develops diabetes to not seek treatment for it because that would be them "CORRECTING" their intersex condition and being "intersexist" somehow? was me seeking help for bleeding so much i was anemic intersexist? this is ridiculous. a lot of intersex variations come with health problems. we're not saying that being INTERSEX is a health problem, but intersex variations can CAUSE health problems, and nobody should have to just deal with that because it's somehow intersexist to seek medical care.

i'm really sorry you experienced that. on god, so many of the intersex bloggers on here are just straight up bullies. i'm just saying it. it's people taking other people's lives personally and getting offended when another intersex person doesn't shut up and listen to them and agree with them blindly. i've seen way too many intersex people on here who are proud to be aggressive assholes. why are we doing this to other intersex people? we shouldn't cannibalize our own. god fucking damn. it's not community if we're tearing each other apart.

let other intersex people decide what they do and don't do with their bodies. if the way another intersex person governs their body upsets you, move the hell on. stop making it their problem.

im so sorry you had to go through this anon. you deserve to be able to talk about YOUR OWN EXPERIENCE AS AN INTERSEX PERSON. it find it absolutely disgusting that there are people on here who want to try to talk for you instead. unreal. i hope you have a great week anon, stay safe, and i hope that things are going better for you in terms of your health.

[novlr]

Weird question here: do I need to describe my character's clothes? Obviously I need to if it's important to the story or setting (if they're wearing a beautiful ruby gown at a ball, or maybe dirty and torn to indicate a fight) but just on a normal day? Do readers need to know what characters are wearing?

As writers, we often get caught up in the details of our characters. We describe everything from their eye colour to their favourite breakfast cereal, and it can be so easy to go overboard with unnecessary description. Describing a character’s clothes is a danger zone for too much description. It’s incredibly easy to get lost in the minutiae and forget the most important element when writing for readers; will they find this interesting?

The short answer

No, you don’t need to describe every piece of clothing your characters wear throughout your story. Like all elements of writing, clothing descriptions should serve a purpose.

Just like clothing in real life, descriptions of a character’s clothes serve a function. This means that your chose in when to describe things should be intentional; usually for the purposes of character development, world-building, setting a mood, social commentary, plot advancement, or symbolic representation.

When should you describe clothing?

Every plot is different, but there are some key moments in a story when knowing what a character is wearing or how they are dressed could be important:

When it reveals a character’s personality or status (e.g. do they favour muted tones or bright, bold colours? Do their clothing choices signify wealth?).

During important story moments or turning points if it highlights that moment’s significance (e.g. wearing black at a funeral, or an academic gown at graduation).

If the clothing affects the plot or action (e.g. Cinderella losing her glass slipper).

When establishing the time period or setting (e.g. historically appropriate clothing descriptions to put readers into the right headspace to appreciate your setting).

If it shows a significant change in the character (e.g. a shy character who likes to blend in suddenly switching to bright colours to display their newfound confidence).

When it symbolises something deeper in the narrative (e.g. a meaningful piece of jewellery, or a bride wearing her mother’s dress for her wedding).

When should you skip clothing descriptions?

Readers don’t need to know what your character is wearing at every moment of every day. The best way to think about it is, if it’s not important to the story, don’t describe it in detail. Usually it’s enough to know that someone is wearing a jumper on an overcast day, and it won’t actually enhance the scene to know it’s a plain black one. Here are some moments when it’s probably not all that important to go into too much detail:

During routine daily activities.

When the outfit doesn’t add meaning to the scene.

If it interrupts the flow of important action.

When it feels like “outfit cataloging” rather than storytelling.

If you’re describing clothes just to fill space.

Tips for how to effectively describe a characters’ clothes

Make it matter: Make sure your descriptions reveal something about the character, whether that be a personality trade, social or economic status, or their cultural background.

Illustrate change: Highlight a change in your character, whether that be something external or a internal, emotional change.

Create uniqueness: In the case of a protagonist, especially, the way they dress can make them unique. It can contrast them with other characters.

Set something up: Describing a character’s clothes can be used for foreshadowing a future plot point.

Be selective: You don’t need to describe a whole outfit. Instead, you can focus on one or two distinct pieces, items that have significance, clothing that affects movement or action, or elements that reflect the character’s state of mind.

Don’t info-dump: You should try to seamlessly weave descriptions into the narrative. Describe actions and interactions, use sensory language, have other characters react, or let clothing be a part of a scene’s atmosphere.

Common pitfalls to avoid

There is a fine line to tow when describing a character’s clothes in a way that is effective. And essentially, the pitfalls happen on either side of that line. You will either over-describe or under-describe. So what does that mean?

Over-description

Listing every item of clothing, regardless or relevance or usefulness.

Describing outfits for every scene. We rarely need to know what all characters are wearing at all times.

Including brand names unless relevant. Sometimes, a character’s brand loyalty might be important to the plot, but if it’s not, it’s unnecessary, and potentially alienating to readers.

Getting too technical with fashion terminology. Most readers won’t be au fait with the specifics, so make sure you write in a way that most readers can follow.

Focusing on clothes at the expense of action. Nothing will bring an action scene to a screeching halt faster than a detail dump.

Under-description

Don’t ignore clothing when it would be significant. If a character has undergone a significant personal change, then it would make sense to describe how that might also affect how they look on the outside.

Don’t miss opportunities for characterisation. A lot of a character’s personality can shine through their clothes, so if you’re telling the kind of story where that could be relevant, make sure you don’t miss those opportunities.

Don’t forget period-appropriate details in historical fiction. Research and authenticity are essential in certain genres, and clothing can go a long way to setting the scene.

Don’t overlook clothing that affects movement or action. The clothing a character wears can hugely affect the believability of a scene. If a character has just stepped out of a coronation and is dripping with heavy jewellery, it wouldn’t make sense for them to go for a leisurely swim.

Don’t skip descriptions that could build atmosphere. If it’s cold and dark, make sure your characters fit into that setting. Or you can use it to contrast your character and invert expectations (like a character who only ever wears shorts, even in winter).

When in doubt, ask these questions:

Does this detail reveal character?

Will it matter later in the story?

Does it help readers understand the world?

Is it necessary for visualisation?

Could the scene work without it?

Like all descriptions, clothing is a tool that you can use. Describe clothing when it serves your story and skip it when it doesn’t. The key is to make every detail count, whether you’re describing a ball gown or a worn-out pair of sneakers.

The bottom line is that you must trust your instincts and your readers. They don’t need a detailed inventory of every character’s wardrobe, but they do appreciate thoughtful details that enhance their understanding of your characters and story. When in doubt, less is often more, but make the descriptions you do include count.

[dindjarindiaries]

Omega and Crosshair's story in The Bad Batch season 3 mirrors Hunter and Omega's story in The Bad Batch season 1, but with Omega taking on Hunter's role and Crosshair taking on Omega's.

Something the show did really well in season 3 was prove just how far Omega has come, and how she's become so much like all her brothers in different ways. Personally, I see a lot of Hunter in her, mainly for the way she's always tried to emulate him ever since season 1. That's what started to lead me on this path to discovering that, in season 3, she takes on Hunter's previous role from season 1, especially where Crosshair is concerned.

As always with any analysis, this is a disclaimer that you may view these episodes in an entirely different way due to various biases, one of the most notable being based upon your own favorite characters and your own life experience. All I ask is that you read through carefully before chiming in with any counterarguments!

The basis of this analysis, or at least what clued me in to this, are these two moments, and the similarities of the stories Hunter & Omega and Omega & Crosshair have in seasons 1 and 3, respectively.

It's important to note straightaway that these two stories do not line up exactly the same. There are, rather, thematic similarities, and enough potential parallels that bring everything together just enough to show us how everything falls into place and brings season 1 full circle in season 3.

At the beginning of season 3, Omega and Crosshair are both imprisoned in the same place. Regardless, they're both being treated very differently. Omega has more of an illusion of freedom in having time on her own while she tends to her tasks. Crosshair, on the other hand, is either held in his cell or is actively being tortured/conditioned.

Metaphorically, this was also where Hunter (and the rest of the Batch) and Omega were in season 1, too. Hunter and the boys had the illusion of freedom in getting to leave Kamino and participate in missions, but they still had a duty to serve the Republic with no real choice ever being presented. Omega, on the other hand, was confined to Kamino, even kept hidden for the most part as Nala Se's lab assistant.

The dynamic between Omega and Crosshair shifts when Omega gets older. As I pointed out in this analysis, Omega's growth, and her shift into the role of Hunter, is made evident through the use of shadows when she talks to Crosshair in his cell. When she's younger, she looks as if she has Crosshair's marksman tattoo. When she's older, the left half of her face is concealed in a shadow, like Hunter's skull tattoo.

While this is showing Omega's growth by taking her from emulating the youngest of the Batch to the oldest, it's also foreshadowing how Crosshair is going to be taking on younger Omega's role, too.

It kicks off the strongest in episode 3, when it's time to make their escape. Omega insists on freeing Crosshair and taking him with her, despite him telling her that she should've left him behind—and that he wouldn't have thought twice about leaving her behind, either. But Omega refused to leave him behind. Why?

She's one of us. We're not leaving her there.

She learned that lesson from Hunter, who brought his entire squad back to Kamino just to free her from where she was being confined. Omega, now embodying Hunter's role, does the same for Crosshair here. She takes the risk to come free him and to make their escape together.

From then on, Omega actually calls a lot of the shots, if not all of them. Like Hunter, she's the strategist, guiding Crosshair but also considering and listening to his insight. Crosshair obeys, albeit more reluctantly than Omega used to obey Hunter—although she still used to protest if Hunter was sidelining her for her protection, so there are a few little similarities there.

(I would be remiss not to note here that the only glimpses we really get of Omega being a child again rather than the leader she learned to be from Hunter is when she's actually with Hunter. The face she makes when she runs to him during their reunion, melting into his embrace, snuggling Lula on the Marauder, leaning her head on his shoulder on Pabu... he's the safe space where she can fully relax and just be a kid again, because even if she's always gonna be Hunter for others, he's the only Hunter for her.)

After the reunion, we see Crosshair struggling at first to be back with his squad as their new history stands between them, mostly due to Crosshair's own guilt and hesitance and Hunter's desire to learn more and understand what happened. Because of their issues, Hunter doesn't have the established trust he needs yet to help Crosshair the way Omega can. That's why Omega, in a way, takes on the role Hunter used to have in Crosshair's life—at least, in this season.

Omega is very protective of Crosshair during this time, in a way that's reminiscent of how fiercely protective Hunter always has been of Omega. Of course, Crosshair is also very protective of Omega, too, and we also saw this with Omega regarding Hunter (and the others) in season 1. She was constantly worried about them when they were on missions without her, and that relieved way she says Hunter's name when she realizes he's alive after his shootout with Cad Bane will always get me.

The biggest thematic similarity between season 1 Omega and season 3 Crosshair, however, is their motivation, as far as the rest of the squad is concerned. Omega tries her hardest to earn their trust and their approval by training with her bow, strategizing, following orders, and more. Crosshair wants the same thing; he wants to regain the trust and approval he had from his brothers before everything happened. He practices shooting with his rifle and is frustrated when he can't protect them the way he wants to.

Just as Omega's past haunted her in the form of bounty hunters throughout season 1, Crosshair's past haunts him in the form of his hand tremor and CX-2. Omega's worst fear became returning to Kamino, and Crosshair's is returning to Tantiss. This is what they're trying to run from the entire season, despite the fact that all paths start to lead right back to those places.

Eventually, the Empire becomes a threat again, and escape becomes impossible for season 1 Hunter and season 3 Omega, respectively. Both of them give themselves up to protect others. Hunter orders Tech to leave him on Daro, while Omega insists on turning herself in to protect Pabu and her brothers. They both do so without fear, intent on either getting themselves out of their situation or depending on their squad to help them.

(Crosshair technically substituting for Tech here, too... I'm emotional.)

This is when we get the pinnacle of season 1 Omega's and season 3 Crosshair's arcs: they go back to the place they fear the most solely for the sake of their Hunter-figure. This action alone proves the growth they've done over the course of the story, as the trust, connection, and love they truly, deeply have for that person they look up to encourages them to be brave and to face their greatest fears to save them.

Season 1 Omega returns to Kamino for Hunter, and season 3 Crosshair returns to Tantiss for Omega. We all know that Omega is exhibiting peak Hunter behavior here as she looks after the younger children imprisoned with her to help them escape, but that's beside the point currently. We fast forward to their reunions, when the immediate threat is gone and the Hunter-figures realize what their Omega-figures sacrificed to save them.

Not only that, but they're also reminded that it was because of their own initial actions that the Omega-figures found the bravery and inspiration to conquer their fear. Season 1 Omega reminds Hunter that he had gone back to Kamino for her first, and season 3 Crosshair doesn't have to say anything for Omega to remember the way she risked her own escape attempt to free him from his cell first. They never gave up on each other.

I, of course, don't miss the significance of Hunter being in the latter scene when this all happens. Again, while Omega may act like Hunter to many others, only Hunter himself can take on that role in her own life. Here, Hunter gets to see how his actions when they first took in Omega have influenced her and, now, his youngest brother. It's such a heartfelt and rewarding full-circle moment, with Omega being the mend between these two formerly torn-apart brothers. It's such a large step ahead from where they were before.

The epilogue essentially becomes a lighthearted display of the similarities between Hunter and Omega. He stresses that he and his brothers want to keep her safe, and after reassuring him that she will be, she asks him to look over their other two brothers—proving that both of them are still protective as Hunter-figures over those they see as their Omega-figures. All the while, of course, they're protective over one another, too, even if it goes without saying.

Essentially, Hunter became who he had to be to take care of Omega, and Omega followed that example to take care of Crosshair. This is, in my opinion, probably why we didn't get as much Hunter and Omega in season 3 as we did Crosshair and Omega, but not for the reason many may think. It was because Omega was already in Hunter's role, and Crosshair was in Omega's role.

It's really sweet to see how full circle the story has come from season 1. Crosshair is getting the treatment and attention Omega got in season 1, but he's getting it from Omega herself, because that's what Crosshair really needed. Hunter couldn't be in that role anymore because of their own hurt—plus, their relationship is just different. Instead, we get to see what Omega learned being passed on as she grew, and how it ultimately helped to heal Crosshair and the rest of them.

If you enjoyed this analysis, here are some other ones I've done:

Hunter and Crosshair in "The Return"

Crosshair taking the shot in "The Calvary Has Arrived"

[mr-s33k]

Every Historical Inaccuracy in TGS part 1

In this episode of Enoch is a nerd, I'm going to tell you about the little details that aren't quite right so they can now bother you too.

First thing to be discussed is the police.

All in all not an awful representation. I can't really see their collars because of the cloaks which I can't say are exactly uniform regulation because I can't find any photos of cops with coats on from the 1880s. The sleeves are missing a bit of stripy-ness and their belts are missing the buckle but like I said, not bad.

The police are the only notable thing in the first chapter so on to chapter two!

This carriage shouldn't even really be big enough for Henry and wolf form Jasper, much less all those cages.

These are roughly the same as the carriage they're riding in albeit much less glamorous. You really only have enough room for yourself and maybe one other person. The space in here is more akin to what you'd get in a train which. is very not where they are.

Now this one will be shocking to you,

but Neil Degrasse Tyson was not alive in 1886.

This thing indeed. That's not very Victorian Marketing of you. I do know it wasn't intended to be accurate though so it gets my approval.

One does not simply go to the theatre this is the 19th century we're not animals we have standards! You can't just go in your casual clothes you have to dress up! At least Jekyll is wearing gloves but they've both severely neglected the procedure of Going Out.

Where did she even GET this dress? It follows none of the trends of the 1880s or. any time ever really. I'll be talking about character design more in another post but since she's not a main character I thought I'd go for it.

The term lesbian would not be popularized until the start of second-wave feminism in the mid to late 20th century. You're a little early Hyde but he's got the spirit. Hyde probably would've used the word "sapphic" in this instance because that was the more popular term. The term "lesbian" wouldn't appear in a medical publication until 1890.

The police station is so... tall and fancy? This isn't the usual 19th century police station look, they were pretty straight forward and simple and only one floor tall. I'm also wondering where they got the funding for this.

Now I've made a post on this one before but I'll say it again for the people in the back

This is not the procedure you follow to ask someone to dance in the 19th century. Typically you do not dance with women you've just met (unless you're flirting, which Jekyll doesn't do). They also skipped the step of filling out her dance card.

Dance cards were these nifty little slips of paper given to women at balls, much like the one Henry is attending. They looked like this:

Usually they would be attached to a woman's dress or wrist. They would be filled out throughout the evening by the different people she danced with. Henry didn't even ask for hers. Masher behavior. You're telling me he asked a woman he just met to dance and didn't even fill out her dance card? What a creep.

Now I can understand why Sage wouldn't add that detail and it's completely reasonable to assume there was a cut between him asking her and them dancing but the more important issue here is that they're Not Wearing Gloves. Their hands are touching someone call a doctor I just broke my 19th century sensibilities they now need to be amputated they're holding bands premaritally what is this I thought he was a gentleman.

I would like everyone to take note however that the gloves issue makes this scene more romantic

Robert's collar is unbuttoned and they're not wearing gloved Henry must've been loosing his mind.

please reblog this or at least like it I crave validation

[thebrightestwitchofherage]

Pausing my exam study session for this BS because this has to be said.

This you?

I don't know why that happened, and obviously, I want the details of this event to be examined. I want justice for her just as you do. It is important to note that your examples are singular cases - while they are abhorrent and infuriating, they aren't systematic behavior like Hamas'...

LOL, I love how you said: "Zionist lies" (AKA Jews) in the tags. because **ALL** of the hostages returned malnourished, including these girls. All of the Israeli hostages have testified to being starved while held hostage.

You're judging these brave girls based on their looks while they have repeatedly testified to being starved and abused by terrorists.

Here are their names: Liri Albag, 19, Karina Ariev, 20, Agam Berger, 20, Daniella Gilboa, 20, and Naama Levy, 20 

The first picture you chose is literally propaganda from Hamas' ridiculous release ceremony- they were kidnapped in their Pajamas and dressed in uniforms. Forced to make videos and wave to the crazed masses and armed terrorists.

The next 2 pictures are of the girls in the hospital, crying as they see their friend, the 5th girl kidnapped, released. They were separated for a week. The second one is their reunion in the hospital ward.

Are you ok? I wonder why you aren't mentioning the men who returned this week half their weight?

Here are some more examples:

This article about the 6 hostages murdered in captivity earlier this year:

"Alex lost 26 kg, Hirsch returned with a weight of 52 kg: the difficult article of the relatives of the abductees, and the accusations"

The body of Eden Yerushlami Z" L was 36 kg when it was returned.

These are just the first few recent reports I could find made in English; https://www.timesofisrael.com/rescued-hostages-said-suffering-from-malnutrition-leaning-on-each-other-for-support/

Don't say "Palestinian hostages". Be for real. They're prisoners, held in jail for their crimes. You don't go around calling any other prisoners "hostages"

Well, I'm back to studying, thanks for boosting my posts! Bring them home now!

Since hostages will be released today as well (yay!) ,here is your weekly reminder that the Red Cross is just a glorified uber service

[forgetme-eternally-blissfully]

Reaction fics are a beloved trope of LOTCF fanfiction, but let me pose a challenge to the concept. Rather than a god deciding to show the audience Cales life as a punishment/gift for the future/to help them in some way, what if it was instead just a godly whim?

The reason they are there is incomprehensible. It doesn't make sense. The god either won't explain, or doesn't care to. The scenes they're shown are helpful in some ways, but not in others. Why are they here? How do they get out?

I'd like to see a reaction fic where the goal of the audience is to leave. They neither want nor need to see the deep, dark depths of their leader. And they will never, ever accept something without knowing the intentions behind it.

This is better if there's another driving force behind why they are desperate to leave. Someone is missing (Cale?), something is happening on the outside (something important, or they're getting signs- hints- figurative or literal writing on the walls from the previous participants in this game that don't spell a happy ending for what comes after this. Something is behind this, and that something doesn't truly care about them.

No one to assure them, "if you just watch his life, everything will be fine." Or when it is assured, the audience fights back. The god assured them, again, they just have to watch. Watch and understand. But they find ways to get out- they have to be dragged back, one by one, into that theater room. It should be fun to watch them analyze the manners of their leader or his backwards thinking, except it isn't. They keep fighting against it. Why are they fighting? Something that isn't human could never understand.

It's an idea I had based off our own manipulation. We write reaction fics for our own amusement. We want to force these characters into a box and make them react to Cale. We are a god that does this- not to help them, not to give a gift to them- it is for our amusement. It's fun to watch them react.

But isn't it out of character for them to not fight back? With biting words and violent actions? These characters don't simply allow themselves to be beaten into submission. Coerced into bowing their heads. We'd have to tie them to their chairs and make them sit and watch. And that's something I see in a lot of reaction fics too.

Usually the best way to keep these characters in place is via the Cale Method. Cale is injured and has to heal, it's a price he has to pay, he's being threatened, etc. It'd be cool if there was something else forcing them down like muzzled dogs. Just my thoughts though.

*anyone is free to run with the ideas from this or any idea built off of this (with no credit)

**but I'd love to be sent anything like it

[clockwise-works]

The Zora Royal Family

I don't really like uploading art without some sort of background, but I want to leave this open to continue adding the others and their families over time. So, for now, the finished Zora Royal Family baring King Dorephan, twelve-ish years Post Calamity, plus a little tidbit about each for this AU.

Link: 5 years after the defeat of Calamity Ganon, this timeline still experienced the Upheaval, but with some differences here and there. One such difference is Link, upon gaining Rauru's Zonai abilities, was left with markings on his face and body, those markings being the same ones the Ancient Hero himself had. I don't think he has Rauru's arm, I imagine it faded away once his spirit passed on, but the markings remained.

Mipha: Soon after being married and then the hatching of their first born, Mipha traded in her previous royal attire and jewelry for something new that signaled a new point in her life. Her original jewelry, passed down to her from her late mother, will be given out to each of their kids once they're a little older.

Sidon: When Lamina hatched, Mipha and Link, like any new parents, found themselves trying to balance raising a hatchling and attending to their duties. As a result, Sidon felt just a tad bit overlooked, given his still very young age. Link, to ensure Sidon knew he was included and would always be an important part of their family, gifted Sidon one of his own earrings.

Aryll: Unfortunately during the Calamity, Astor and Calamity Ganon's forces waged an attack on Hateno Village once they learned Link came from there. While the Champions and Zelda were able to save the Village, Link and Aryll's mother was sadly one of the casualties. With no mother and their father not being in the picture, Link knew he had to step up for his sister, Aryll only being 4. 2 years after defeating Calamity Ganon, Link and Mipha were wed. While not technically her parents, through marriage Mipha did become one of Aryll's guardians. Similar to Link and Sidon, Mipha worked hard to ensure Aryll was both included in their family, but welcome in the Domain as a whole. It was hard, trying to be a guiding maternal figure without overstepping and "replacing" her mother, but Mipha did her best.

Lamina: Lamina is their first hatched, and the first Half Hylian-Zora. While there was some debate early on over whether or not she'd even be eligible to inherit the crown one day, ultimately it was a battle Mipha refused to lose, fighting for her kid's right to be recognized as a Zora, no different from herself and her peers. Eventually, once Lamina was a little bit older, she came to realize her father wasn't actually a prince, it being one of the concessions he and Mipha took to appease Muzu and other conflicted Zora. Well, Lamina didn't take that info well, the young princess emotionally devastated that her father "wasn't being treated fairly." It was a long battle so to say, but eventually the Zora Council, relented and agreed on Link being titled a prince. The story goes that they agreed Link was overall a worthwhile addition to their community, but even if they never said it, the council knew they couldn't break Lamina's heart.

Solin and Serapha: The youngest additions to the family, these two are seemingly a miracle. Zora/Hylian children are already a very uncommon occurrence, and the likelyhood of even just one egg in a batch to fully develop was rarer. Years passed, and Mipha and Link essentially came to terms that they were already incredibly lucky to have one child. This remained the case until it came to light Mipha was carrying eggs once more. They've been through this before, unfortunately losing the eggs once before, so they kept their expectations in check. When the day came for the eggs to be laid, one was found to have been properly fertilized, the rest duds, or so they thought. There was a subtle rattle of one of the other eggs, and upon closer inspection, it too was in good health, resulting in the twins Solin and Serapha.

[isaagt]

The difference of being a nice person and a good person, a Curly analysis

Today i’ll be making an analysis i didn't see much on the Mouthwashing fandom, with a particular take on Curly’s character, and his relation with his good and bad traits.

As the game starts and we get to play from his perspective, Curly is presented to us as a nice and good guy. It's stated a few times how he has a good reputation, how he got to a good position in life, Jimmy himself even mocks about it, when they discover about how Ponny Express will only maintain Curly after the shipment “You just couldn't frame it to yourself in a way that kept you as the hero. Abandon the crew but remain the model captain”, here the world ‘kept’ is the most important for us to understand everyone's thoughts on Curly, how he's seen, he's a hero, a nice man, a good captain, someone good with only the best intentions at heart.

Until this moment, everyone saw him as a hero, their vision could be broken by the news they're receiving (it's not), but it's arguable that he told them about it way before he was supposed, because it was the right thing to do, because he couldn't bear to keep it as secret from his crew, from his people.

Until this point, we only see him as the good guy of the story, Swansea was shown as rude and moody, Jimmy is aggressive and confrontational (as we see in his response to it), we saw his jealousy of Curly before too, not much heroic, Daisuke is just chill, more like the comic relief, he's not willing to become our hero, because the game treats him like a kid, and Anya is quiet and reserved, she's not presented as someone particularly good (nor evil), she's professional (as we saw when she was taking Curly’s psychological eval), but that does not mean good.

And who we have left? Curly, who listened to Anya about Jimmy's eval, who is great friends with Jimmy, who talks with Daisuke and has Swansea’s respect (to some extent). Curly, who's calm and centered, who knows what to do and can speak with any of them.

So we have Curly as the good guy here, the right one to lead the crew, the best they could take. Or is it?

When we’re in Jimmy's pov, after the crash, even though we’re led to believe Curly caused the crash, no one appears to see him as bad. Of course, I'm saying it from what we see from Jimmy's biased perspective. Anya even asks about his reasons to do so (even tho i think she could imagine it wasn't him who did it, it's my personal thoughts so i’m counting).

Everyone seems to pity him, Daisuke and Swansea talk about him sometimes but that's it, they don't (or we just haven't seen it) visit him in the infirmary, Anya (and Jimmy, to some extent) takes care of him and that's it.

We pity him, he’s in constant pain (not because of the disability he now has, please know the difference), his so-called ‘friend’ literally punches his pills on him, no one puts him out of his misery, how they did to Daisuke later on.

He’s suffering, it's clear to anyone see, but yet again suffering never made anyone good or evil, suffering is suffering to every human being.

When Anya locks herself with him, we see Jimmy get nervous, not because of Anya herself, but about what she could do to Curly. He still cares about keeping his friend alive, but is it because of the good in his heart or the care for a friend? No, it's about the control he lost on what happens to him.

You could see Curly as a martyr here, he's suffering, forced to watch but not have any control over anything, not himself and not others like before. But as we see later in the game that's his pay for his and Jimmy's sins. (i can get on this point in another analysis)

But even so, we have a moment where Curly laughs at his friend, the new captain's misfortune. He laughs because the things he suffered from Jimmy are being paid how he's paying for Anya and the crew’s suffering.

And here this leads to my point. When we’re Curly again, we interact with Anya, and two of these interactions and another one with Jimmy are what makes me say Curly is not a good man.

The first scene i’m talking about is the conversation he has with Anya when both couldn't sleep. They're looking at the representation of the night sky, and they talk about the dead pixel.

He doesn’t truly understand what she's trying to say here, he says he would look for this dead pixel that haunts her, but dismisses it not long after. He doesn’t understand the correlation with her asking about locks on the doors.

“Safety” he says and this conversation is stopped here.

Now, this scene alone couldn't just prove that Curly isn't great and good and all the jazz. But, it is where she tells him about the SA Jimmy put her through. Why do I think that? Because of the next scene i’m talking about.

In this specific scene we’re looking for the gun, and we find Anya instead, she talks about hiding the gun and how she has hidden it for her own safety. Here she says to us she's pregnant. Curly asks who and she says “Captain, I told you”, this right here makes me believe when she told him, he didn't believe her, he listened, but didn’t recognize what she said as true. He doesn’t immediately think of his friend, he doesn't comfort or protect Anya.

He goes to the third scene i talk about, where he doesn't confront Jimmy, but says it's not his fault, this right here is what says to me he's not a good person. To say he can fix this, is to assume he could erase it, cause there’s no other way this could be fixed. He doesn't make it up to his role as captain protecting someone of the crew. He takes his friend's side, said friend who just puts his blame on him, saying it's his fault and that he will suffer the consequences too.

He doesn't do nothing, he enables it. And when he lets Jimmy take care of it, they end up with the crash, with Jimmy trying to kill everyone else.

When he says to Anya he would do anything to help her he forgot to say that's anything that's not against Jimmy.

He pays for his sins, being forced to watch the consequences of inaction, and is the last one because a captain goes down with the ship, right?

A good man wouldn't let something like that just be, a good man and good captain would protect Anya, and would do the best for the crew.

(i know his situation was hard, i get it, he can't get rid of Jimmy without killing him, but he could let Anya sleep in infirmary, he could make sure they interact the less possible, he could distance himself from an abuser, but he doesn't because it wasn't to him the bad thing happened)

He, although, is a nice man, he's charismatic, he seemed to care, he has a brilliant personality, he’s a good captain for calm times, he isn't prepared for any crisis, to deal with real problems, because he isn't ready to separate personal from professional when it comes to his best friend. He’s a human after all, a nice human, not all the bad, but not good either.

So, that's my analysis, what do you guys think? I would like to discuss this more and see what others think. I took inspiration from other people so don't be surprised if some things look alike some other takes.

[hockeyboistrash]

As a cat mum of two I had this idea pop into my head. This is purely self indulgent. The cats in the story are based on my two and will use their names (Winston and Louis)

Your boyfriend Joseph meeting your cats for the first time.

You were nervous. It was the first time any boyfriend of yours was going to meet your cats. Not only did you not know how they were going to act but you didn't know how Joseph would feel about them. You knew your cats could be a bit much at times. They were kittens after all.

"Don't be alarmed if Winston runs away from you. I don't think he likes men much. Louis has his days, sometimes he sits on your knee, other times he sits on the arm of the sofa." You told Joseph as you walked up to your front door. He couldn't help but smile at you, endeared by your worry. He could tell this meeting meant a lot to you.

"Y/N, it'll be fine, okay?" Joseph assured you, reaching for your hand and giving it a comforting squeeze. "Besides I brought treats so I'll just bribe them." He grinned and it was contagious, your lips pulling up into a smile of your own.

"Thank you. I know it's stupid but it's just- they're important to me and- and so are you. I want you to get along." You admitted, your voice quiet as you felt vulnerable, your heart on your sleeve.

"You're important to me too." Joseph said, tucking a stray piece of hair behind your ear. "And it's not stupid. I love how much you want this to go well."

You looked down, heat rising to your cheeks. You haven't felt like this about anyone before. The last guy you went on a date with thought it was weird you had cats, the connotations of crazy cat ladies at the forefront of his mind. You were going to give up on finding love but then you met Joseph. It was the second date where you told him about Winston and Louis. He immediately asked to see pictures, asking you a million questions about them. It made your heart full at how attentive he was.

You walked into your apartment, Joseph following behind. It was quiet, something you were usually met with after coming home from work. It was a tell-tale sign they were asleep on your bed. Like clockwork, a few seconds later you would hear chirping running towards you, their way of saying hello to you.

Tonight, though, instead of Winston running up to you for fuss, he stopped when he saw your boyfriend, eyes wide like he's trying to decipher who this stranger was. He then ran to the cat tree, hiding in the enclosed section. Louis remained unbothered, finding his usual spot on the couch.

"I'll start dinner. Will you be okay in here?" You asked, biting your lip slightly.

"We'll be fine. Me and Louis are gonna hang out. Aren't we bud?" Joseph grinned, gently stroking Louis's head who started purring at the contact. You gave Louis one last head scratch before doing the same to Winston, whispering reassuring words to him.

You didn't take long putting the dinner on, not wanting to leave Joseph alone with the kittens for too long. You didn't hear any raised voices or crashes so you took that as a positive sign. Although normally with kittens silence is just as bad as noise.

The sight you were met with made you melt. Winston and Louis were both curled up on Joseph's knee purring, his hands gently stroking them. The cats were getting big now but still managed to both fit on his knees, with room to spare. You silently took a photo of your boyfriend, wanting to remember this moment for a long time.

"They must really like you." You said, making your way over to couch.

"I might have put the charm on. It worked on you so it was bound to work on them." Joseph grinned at you. You shook your head slightly, letting out a soft laugh, thinking back to how Joseph's words were like honey to you. "See nothing to worry about."

And he was right. You didn't have to worry about your cats not liking the man you love and can see spending the rest of your life with. You didn't have to pick between them like you would have in previous relationships.

[chappellrroan]

hey babe okay so I saw the first episode and let me tell u u thirsting about helly r (or helen? im guessing that's her outside name) is soo valid and justified she's very pretty and she's banging on doors screaming to get out and throwing things so I obviously admire her lol also this scout guy omg I cannot take him seriously he was a joke character in the good place it was so funny I keep thinking of him but except for that hmmm it's kinda interesting but I fell asleep like 5 times😭 why is it so slow vio why do they show stupid things like him walking through a white hallway and tying his shoelaces i guess am just used to sitcoms i cannot watch these slowpokes I hope i didn't miss anything important my favourite scene yet from just ep1 was scout sobbing in his car before going to work (haha been there done that) and also helly's video she's so animated corporates will truly kill us all this concept is wild tho but like. it's. i thought that wow i can't keep you're giving away one third of your life to a corporation and you're not even going to remember it like how can you waste it lifeis sooo precious. but then I think about all the precious hours i spent in my office formatting idiotic word documents because my seniors said the font looks bad the spacing is incorrect and how tired I was that I just came home and fell asleep and I'm like oh. i loved that line the boss lady said that humans imagined hell but it doesn't exist but the scary part is that what humans can imagine, they can create. so we all gonna die. but anyway yes that's my review of the first episode.i think i definitely missed some important things like i remember seeing some very old guy talking and suddenly he's like I'm petey and I'm like wait YOU'RE petey? where did u come from? but I'll figure it out lol maybe I didn't sleep enough last night

you'll only fall more and more in love with helly lol (also try not to get spoiled by my posts here because i need to see you react to everything a hundred percent authentic). okay in show's defence it's trying to show and not tell, that's why the first episode might seem a bit boring and slow but trust me it'll speed up by end of 2nd episode. the walking thing is show you the shift in his mannersims how outside he seemed depressed and crying while when his innie (aka the severed self) had absolutely no idea at all (the puzzled look at the wet tissue paper and throwing it) the changing of shoes because he isn't allowed to wear outside ones inside it'd have probably make his innie wonder why they're wet (i am realising this as we speak tbh, because his innie has no idea about sky sun snow weather etc) and give him a chance okay forget his previous characters RIGHTTTT it seems like a fucked up concept but if it was possible i am sure soo many companies would take advantage of it to prey on depressed/naive people. like it sounds nice as a concept but (you'll realise this as you watch) in fact is inhuman to that the other part of yourself that is consistently working. lmao that's miss cobel for you, tell me more about how you feel about her as you go on. also get some sleep and try not to be too worried about catching all the symbolism you'll get them as you go plus we have tumblr to discuss anyways mwah

[fandom-susceptible]

So I've been thinking about where The Dragon Prince left things after Season 7, especially since they had to wrap it up so quickly and it doesn't look like they're likely to get full ten seasons.

I'm still very unsettled by Terry. I know he had his whole "Zuko here" moment and "redemption arc", but it rings hollow for me for a guy who spent the previous several seasons totally cool with a genocide against his own people as long as it was Claudia doing it. I super don't buy his shock and dismay at Claudia trying to kill the illusion of her mother after what he himself did to Ibis. I want to know where he came from and why he's okay with Dark Magic, just so long as it's not Aaravos.

Which is only loosely tied into a thought I wanna dwell on more, but is somewhat important background information for my thought process.

So at the end of Season 7, Soren, Corvus, Pyrrah, and Terry take off looking for King Harrow in the body of Pip the songbird. They wouldn't even know to look except that Runaan confirmed that King Harrow didn't fight back at the assassination, and instead just squawked, and Corvus put the pieces together.

Ezran is still struggling to forgive Runaan for his part in Harrow's death, which I think actually adds to his depth of character. He's no longer an innocent child - the "true soul", "death of innocence" theme from this season was strong, and Ezran is the peak example of it. He must find a way to balance his ideals with the pain that far more adult figures have been struggling with for years. Callum made a good point bringing up that he forgave Zubeia, and we didn't get to see Ezran's response, but imo his reaction to Callum's betrayal sort of fills in the blanks. It was Zubeia's mate and son that she thought were dead. I can see how that would make more sense for a kid like Ezran, who grew up with very strong familial bonds and values, than Runaan and the other assassins carrying out revenge for someone else when they have no personal grudge of their own.

Anyways. Consider.

Pip/Harrow's been missing for three years now. That bird could be anywhere on either side of the continent by now, though he is living with the mind of a king. He's also nowhere near Katolis, or Ezran would have found him already, from going to talk to "Pip" and finding that the bird is carrying an entirely different soul.

So imagine, in that time lapse in the final episode, Soren and Corvus come back and confess that they haven't found anything of worth. The last maybe-sighting of Pip was from some soldiers in Viren's army who thought they saw the bird following them into the Sunfire plains in Xadia. It's been two years, and they don't know.

So Rayla says she knows someone who might be able to help. The best tracker in Xadia. He can find anyone on the Xadian side of the border, and anyone he's ever tried to find in the Human Kingdoms too. He's diligent and has only ever missed one target. If anyone can track down King Harrow, it's him . . . but Ez isn't going to like it.

Runaan.

And at first Ezran doesn't. But Rayla makes a point, and Corvus and Soren aren't having any luck on their own or with Terry (if he's even relevant, tbh, if I write it he probably won't be because i am still disturbedd by that guy). So he agrees - with conditions, of course.

Runaan is hesitant when he's told the news, and when Ezran asks him why, he just delicately points out that a king in the body of a bird is also a bird with none of the instincts of a bird, and may not have survived regardless of the war, unless he's learned how to feed himself and managed to avoid all possible predators for three years straight.

Ezran acknowledges it, tells him that's something he's . . . preparing for. But Corvus gets to make the call that they've searched too much and Harrow is likely dead. Not Runaan.

So the terms are agreed to and Runaan ends up going on a road trip with Soren and Corvus. Please imagine the comedic value of dignified older assassin in the midst of a major cultural deconstruction trying to do serious business with Soren. Especially Soren and Corvus. And the flip side - imagine Soren and Corvus seeing what Xadia is like towards Moonshadow elves, especially ones of Runaan's description (tall, menacing, leader, broken horn, homosexual - am I talking about Runaan or Kim'dael). Possibly featuring an appearance from the surviving Dragonguard, and Runaan's reaction to Hendyr specifically, the Skywing elf who KNEW Tiadrin and Lain stayed to protect the egg and chose not to save it or to clear their names.