#other than bothering me

[faerociousbeast]

why isnt your race listed anywhere?

bc ive already won all of them

[teaboot]

One of my many brothers has a sensory issue regarding certain types of metal

It appears that my cutlery is uniquely offensive, which is uniquely bothersome when he comes to visit and ends up eating tortellini with his hands

But I believe I have devised a most elegant solution

Jimmy's forks

[inkskinned]

the thing about art is that it was always supposed to be about us, about the human-ness of us, the impossible and beautiful reality that we (for centuries) have stood still, transfixed by music. that we can close our eyes and cry about the same book passage; the events of which aren't real and never happened. theatre in shakespeare's time was as real as it is now; we all laugh at the same cue (pursued by bear), separated hundreds of years apart.

three years ago my housemates were jamming outdoors, just messing around with their instruments, mostly just making noise. our neighbors - shy, cautious, a little sheepish - sat down and started playing. i don't really know how it happened; i was somehow in charge of dancing, barefoot and laughing - but i looked up, and our yard was full of people. kids stacked on the shoulders of parents. old couples holding hands. someone had brought sidewalk chalk; our front walk became a riot of color. someone ran in with a flute and played the most astounding solo i've ever heard in my life, upright and wiggling, skipping as she did so. she only paused because the violin player was kicking his heels up and she was laughing too hard to continue.

two weeks ago my friend and i met in the basement of her apartment complex so she could work out a piece of choreography. we have a language barrier - i'm not as good at ASL as i'd like to be (i'm still learning!) so we communicate mostly through the notes app and this strange secret language of dancers - we have the same movement vocabulary. the two of us cracking jokes at each other, giggling. there were kids in the basement too, who had been playing soccer until we took up the far corner of the room. one by one they made their slow way over like feral cats - they laid down, belly-flat against the floor, just watching. my friend and i were not in tutus - we were in slouchy shirts and leggings and socks. nothing fancy. but when i asked the kids would you like to dance too? they were immediately on their feet and spinning. i love when people dance with abandon, the wild and leggy fervor of childhood. i think it is gorgeous.

their adults showed up eventually, and a few of them said hey, let's not bother the nice ladies. but they weren't bothering us, they were just having fun - so. a few of the adults started dancing awkwardly along, and then most of the adults. someone brought down a better sound system. someone opened a watermelon and started handing out slices. it was 8 PM on a tuesday and nothing about that day was particularly special; we might as well party.

one time i hosted a free "paint along party" and about 20 adults worked quietly while i taught them how to paint nessie. one time i taught community dance classes and so many people showed up we had to move the whole thing outside. we used chairs and coatracks to balance. one time i showed up to a random band playing in a random location, and the whole thing got packed so quickly we had to open every door and window in the place.

i don't think i can tell you how much people want to be making art and engaging with art. they want to, desperately. so many people would be stunning artists, but they are lied to and told from a very young age that art only matters if it is planned, purposeful, beautiful. that if you have an idea, you need to be able to express it perfectly. this is not true. you don't get only 1 chance to communicate. you can spend a lifetime trying to display exactly 1 thing you can never quite language. you can just express the "!!??!!!"-ing-ness of being alive; that is something none of us really have a full grasp on creating. and even when we can't make what we want - god, it feels fucking good to try. and even just enjoying other artists - art inherently rewards the act of participating.

i wasn't raised wealthy. whenever i make a post about art, someone inevitably says something along the lines of well some of us aren't that lucky. i am not lucky; i am dedicated. i have a chronic condition, my hands are constantly in pain. i am not neurotypical, nor was i raised safe. i worked 5-7 jobs while some of these memories happened. i chose art because it mattered to me more than anything on this fucking planet - i would work 80 hours a week just so i could afford to write in 3 of them.

and i am still telling you - if you are called to make art, you are called to the part of you that is human. you do not have to be good at it. you do not have to have enormous amounts of privilege. you can just... give yourself permission. you can just say i'm going to make something now and then - go out and make it. raquel it won't be good though that is okay, i don't make good things every time either. besides. who decides what good even is?

you weren't called to make something because you wanted it to be good, you were called to make something because it is a basic instinct. you were taught to judge its worth and over-value perfection. you are doing something impossible. a god's ability: from nothing springs creation.

a few months ago i found a piece of sidewalk chalk and started drawing. within an hour i had somehow collected a small classroom of young children. their adults often brought their own chalk. i looked up and about fifteen families had joined me from around the block. we drew scrangly unicorns and messed up flowers and one girl asked me to draw charizard. i am not good at drawing. i basically drew an orb with wings. you would have thought i drew her the mona lisa. she dragged her mother over and pointed and said look! look what she drew for me and, in the moment, i admit i flinched (sorry, i don't -). but the mother just grinned at me. he's beautiful. and then she sat down and started drawing.

someone took a picture of it. it was in the local newspaper. the summary underneath said joyful and spontaneous artwork from local artists springs up in public gallery. in the picture, a little girl covered in chalk dust has her head thrown back, delighted. laughing.

[originalartblog]

Apparently much-needed reminder that reposting artists' art (by saving the images or screenshotting them and reuploading them yourself) on other platforms without the artists' expressed permission and without credit is theft and an insult to their passion and craft. You are profiting (in views, in attention, in feedback) from someone else's work and ideas, who do not get that feedback for sharing their creation.

If you are an art reposter, you are a thief and I have no respect for you.

[biggest-gaudiest-patronuses]

finally at that age where i'm thinking i should get a tattoo. not bc i feel strongly about it, just seems like a waste not to. i've got so much skin i'm not using

[turtleblogatlast]

No but like every time I think about Splinter and what he had to go through just to keep the boys alive, my heart hurts for him so badly. Is he perfect? No not at all, but none of them are and by god does he love his sons.

The fact that all of them are alive, and grew to thrive despite the circumstances surrounding them is a testament of how much Splinter loves his boys. He raised four babies following the most traumatic time of his life, all alone with nothing but the sewers to house them (to hide them.) I feel like he’s not given the credit he deserves for all he’s done.

And I get that it’s easy to hold up his flaws and faults when it comes to parenting, I myself like looking into them because flawed characters are super interesting and said flaws make them more realistic and engaging, but he tries, and again, so many others would have given up on the boys or failed along the way but Splinter didn’t.

He’s their father, for all his faults he did his damndest to make sure they survived.

[kacievvbbbb]

I think there's a lot of evidence in canon to suggest that Mihawk doesn't want to be lonely. But he doesn't know how to be around other people without expecting too much of them and always ultimately ending up disappointed when they fall short.

Sometimes when he looks at Shanks, all he can see is failed potential and broken promises he made with no one but himself.

Even now he tries not to linger longer than he has too;

Shanks' future no longer has any room for him and so Mihawk remains stagnant stuck 10 years in the past, alone. He doesn't know how to be anything else.

That is until a couple of pesky cotton candy haired children barge into his castle and into his life and drag him head first into the future too

[iridescent-solstice]

Disturbing Lucifer when he's working late nights will lead to getting a lot more than you bargained for. He's patient for a while with you. Far too lenient for his own good. Letting you mess with his coat, fiddle your arms about, and sinfully whisper in his ear. My god you make it difficult for him to continue focusing on this important document. Not good since that's due in a few hours. Diavolo won't be happy if it's late by even a few minutes. But still, he lets you continue. He tolerates you.

However, after more than a few cups of Demonus flowing through him. He struggles to hold himself back from caging you in-between himself and the desk he's currently working at. Strong fingers dig into your hips, commanding you to stay still while his other hand continues to write. Quick and with ease, like he's determined to get it over with . . . So, he can do what he really wants. Warm lips ghosting a mere few centimetres above your neck. You could feel his breath fan your neck lightly. His head nuzzled up against your cheek.

It's a while before he speaks again, "just a little longer my love. I'll be done soon~" With your head feeling fuzzy due to being surrounded by his comforting scent, and the promise of more all you can do is . . .

Wait

[ ᴅɪᴠɪᴅᴇʀꜱ ʙʏ: @iwonbinl]

[nohoperadio]

There's a weirdly poignant sort of... metaphysical tragedy in the fact that pain, which evolved as a helpful signal to alert us when bad things might be happening to us, grew into becoming... well, basically the Bad Thing. To the point where by universal consensus the very worst thing you can do to a being like us is torture them (i.e. trigger the warning signal as strongly as possible while perhaps deliberately avoiding causing "actual" harm). And there are tons of illnesses and injuries and disabilities that massively impact people's quality of life, ranging from annoying to depressing to driving people to suicide, basically purely because they're very physically painful, while the underlying bodily dysfunction that the pain is supposedly "warning" of is either relatively minor or literally non-existent.

The capacity to feel pain is a good and important thing, some people lack it and that's generally awful for them, only in a universe unrecognizably different from ours could we ever do without it. But isn't it awful to think how if only there was somebody up there to adjust the settings for us, they'd probably only have to tweak them the tiniest bit to keep 99.99% of the benefits while saving us from all the most extreme miseries forever?

The mechanism didn't have to be perfect for natural selection's purposes, it had to be good enough that the average individual in the average situation would be motivated to stay more or less out of trouble. Measured by the metrics nature was working towards, she could afford to be a little slapdash with the exact implementation, and she was. In doing so she opened the door to infinities of evil and suffering that wouldn't otherwise be conceivable. All this only had one chance to happen, and it happened that way. There's nobody to be mad at--I'm mad about it, though.

[dadailybocch]

Hey, you two. You're scarin' the hoes, stop that.

[puppyeared]

learning abt friendship decay and "not reaching out to your friends for months at a time unprompted is not neurotypical behaviour" has me feeling a certain way

[wisebeth]

why does the pjo series have to unnecessarily villainize goddesses (hera & athena) or show them as silly ladies (aphrodite & demeter) BUT posiedon and apollo are somehow shown as the coolest/most likeable gods, even though arguably, they're right after zeus on terms of corruption?

ares shown as the worst god after zeus and hera amuses me. last time i checked, he was the patron god of amazons and literally killed a man for attempting to rape his daughter but guess who cursed women for rejection? apollo. guess who raped women when they said no (aside from zeus)? posiedon.

[tapeworrmart]

Got to sell some art at a cool folk horror event organised by @gullbones with my brother @n0sebleeds (go check him out) last night! Never sold my art in person before so it was quite the experience but it def told me that I would absolutely be okay with doing conventions now! So that's fun! Anyway just wanted to document it, hello first pic of me on this blog.

The Whitehead print I made for the showing of A Field In England will be being added to my etsy soon!

[hrokkall]

HOW TO PIN YOUR INSECTS:

Position limbs into desired arrangement and pin in place

Maintain eye contact

Pin should pass through the center of the thorax

Move slowly; lest the divine light leak out along with the ichor

Wait for the embers to die.

Wait for the embers to reignite.

[milquetoad]

of the many injustices put forth toward the show by fans i think the most overall damaging and telling of a complete lack of critical viewership is the idea that sam riegel builds his characters with nothing more than the bit in mind. like you are only telling on yourself if you think characters like scanlan shorthalt and veth brennato are one-dimensional and depthless

[lord-squiggletits]

One of my favorite parts of phase 2 (and indeed one of the few moments I resonated with IDW Prowl) was when the neutrals were coming back to Cybertron and Prowl said that he refused to let Autobots be pushed aside and overruled after they were the ones who fought for freedom for 4 million years (the exact wording escapes me atm).

And I mean, that resentment still holds true even once the colonists come on bc like. As much as it's true that Cybertron's culture is fucked up, and as funny as it can be to paint Cybertronians as a bunch of weirdos who consider trying to kill someone as a common greeting not important enough to hold a grudge over.... The colonists POV kind of pissed me off a lot of times, as did the narrative tone/implications that Cybertronians are forever warlike and doomed to die by their own hands bc it just strikes me as an extremely judgemental and unsympathetic way to deal with a huge group of people with massive war PTSD and political/social tensions that were rampant even before the war?

Like, imagine living in a society rife with bigotry and discrimination where you get locked into certain occupations and social strata based on how you were born. The political tension is so bad there's a string of assassinations of politicians and leaders. The whole planet erupts into an outright war that leads (even unintentionally) to famine and chemical/biological warfare that destroys your planet. Both sides of the war are so entrenched in their pre-war sides and resentment for each other that this war lasts 4 million years and you don't even have a home planet any more. Then your home planet gets restored and a bunch of sheltered fucks come home and go "ewww why are you so violent?? You're a bunch of freaks just go live in the wilderness so that our home can belong to The Pure People Who Weren't Stupid And Evil Enough To Be Trapped In War" and then a bunch of colonists from places that know nothing about your history go "lol you people are so weird?? 🤣🤣 I don't get why y'all are fighting can't you just like, stop??? Oh okay you people are just fucked up and evil and stupid then" ((their planets are based on colonialism where their Primes wiped out the native populations btw whereas the Autobots and OP in particular fought to save organics. But that never gets brought up as a point in their favor)) as if the damage of a lifetime of war and a society that was broken even before the war can just magically go away now that the war is over.

Prowl fucking sucks but he was basically the only person that pointed out the injustice of that.

And then from then on out most of the characters from other colonies like Caminus and wherever else are going "i fucking hate you and your conflicts" w/ people like literal-nobody Slide and various Camiens getting to just sit there lecturing Optimus about how Cybertronians are too violent for their own good and how their conflicts are stupid, with only brief sympathetic moments where the Cybertronians get to be recognized as their own ppl who deserve sympathy before going right back to being lambasted.

Like I literally struggled to enjoy the story at multiple points because there was only so much I could take of the characters I knew and loved being raked over coals constantly while barely getting to defend themselves or be defended by the narrative so like. It was just fucking depressing and a little infuriating to read exRID/OP