#other main characters meta series

[aroaceleovaldez]

The himbo, malewife, goofball -fication of percy jackson is such a crime by both the fans and riordan. It has made Mr not like percabeth as a couple because in all posts and in later books annabeth is such a girlboss, while Percy's dumb and can't fight his way out of a paperbag without her. All the posts are about how annabeth will be an architect and percy would love to be a trophy husband.

Even the humor in the books went from Percy's sharp wit and snark to 'my pancakes can't drown because I'm a son of poseidon.'

And now this recommendation letter bullshit.

Honestly now I'd wish percy just separated from annabeth (but they remain best friends.) He stays home with his family, becomes a camp counselor, helps young demigods, holds God's accountable and eventually becomes a social activist. (I also dislike him doing something marine biology related. It's clear he hates academics but he always wants to help people. Him helping demigods and mortals is such a wholesome profession for him.)

I fully agree with the first half of this, though I slightly disagree with part of the latter.

The later-series and fanon mischaracterization of Percy is at least a solid 50% ableism minimum, full stop. He's being warped into a very stereotyped ADHD character and the exact reason why he's being characterized as "dumb" is because of ableism. Percy is a very intelligent character! That's exactly why he's so in sync with Annabeth and they're such a strong duo! It's just generally Annabeth is more book/academically smart.

I disagree with where you say he hates academics - because that's one of the common misconceptions about his character. Percy doesn't hate learning or academic subjects! He's not even bad at them! We know explicitly that when he is in an accommodating environment he is interested in learning and gets significantly better grades! Percy only dislikes school because it is generally an environment that systematically he struggles with. It's literally just he has a learning disability (two, actually)! That's it! When his learning disability is accommodated for he does well! It's almost like that's what accommodations are all about! We know this from the first series! It's discussed pretty in-depth! Percy isn't a dumb character and he doesn't hate learning, he's just been let down by school systems so much that he's inherently distrustful of them. If they actually accommodate him though then he does just fine!

And that's exactly what CHB was all about and why New Rome University was supposed to be such a big thing for him! CHB is a learning environment geared for demigods. NRU is a demigod college. Both inherently imply an environment meant to cater to and accommodate students with ADHD and dyslexia! They are both systematically structured to be able to accommodate him! Heck, CHB and CJ even both address in the wider themes of the series a metaphor about how ADHD and dyslexia are commonly seen as childhood disabilities, and how it can be more difficult to find accommodations into adulthood because of that attitude but those disabilities don't just go away - that's why CHB is a summer camp but they talk about how demigods outside of CHB don't often fare well. The metaphor there is those who are not getting help or accommodations are struggling. Because that's how that works! This is a fully intentional metaphor from the first series! CHB is never framed as being perfect for demigods, because one of the entire central conflicts of the series is Percy and Luke going back and forth about this flawed system meant to help and support them but still letting people fall through the cracks. The "claim your kids by 13" thing is a metaphor about how acknowledging a child's disabilities (and possibly getting a diagnosis) earlier/as early as possible means they will have more time to learn and build up resources and support for themselves to be able to use later in life. One of CHB's major flaws is that it can accommodate demigods to a certain point, but it can only do so much before those demigods have to leave (the metaphor being accommodating school systems when those disabled students do not have any other forms of accommodations in their lives.)

And that's why Camp Jupiter was framed as being so revolutionary for Percy because it had an environment acknowledging that this is not just a childhood disability, adults with ADHD/dyslexia exist too and still need and deserve accommodations, AND is a place where those accommodations are available. That's why Camp Jupiter and NRU are treated as such special and important things to Percy, because it's essentially Percy being shown this type of thing can and does exist and it is available to him. It is an option he never thought was possible. Percy never thought he'd be able to go to college because he would not be able to go through school without accommodations, but NRU proves otherwise.

The part that's absolutely stupid is Rick then proceeded to retcon NRU so that apparently it's not a full college and Percy still has to take classes at normal mortal college which DEFEATS THE ENTIRE PURPOSE OF NRU EXISTING. Rick has fully retconned that demigods struggle past the ages of 16-18 when they're on their own (see above elaborated metaphors) and in doing so we have fully killed all symbolism in literally all of that. It's so stupid. And by having the plot of the CoTG trilogy entirely be that Percy is not actually allowed access to NRU in the first place because he is a son of Poseidon and has to do extra to even be accepted is stupid!

All that to say, I agree the marine biology feels like a huge cop-out and a disservice to his character by reducing him to just a son of Poseidon. The literal only reason why it's the default option people take for him is because oh, fish thing, fish guy. But I feel like everyone ignores the really obvious answer for what Percy would want to do which is - writing. Both his parents are writers/authors and he clearly admires that about them. Percy likes telling stories! He canonically is already a published author in-universe! That's what the books ARE in-universe! The first series fully exists in their universe and Percy is the author! This is explicit canonical information! Percy canonically has help physically writing it down (accommodations) but he is still the credited author! Percy is a writer! Already! Canonically! Why are we making him a marine biologist he already has a profession that ties into his character significantly more. Like you said, Percy likes helping people. That's what the books in-universe are supposed to be for! It's point blank at the beginning of the series! Book one! The thing everybody quotes all the time! The books exist because it is Percy trying to give advice to other demigods who don't know what's going on yet! It's Percy's writing down his experiences to help new demigods understand and contextualize their experiences so they can understand themselves better and figure out what's going on - WHICH IN ITSELF IS ALSO A METAPHOR ABOUT ADHD/DYSLEXIA! Because the core of the series has and always will be built around ADHD/dyslexia! Percy as a protagonist EXPLICITLY was created so that ADHD/dyslexic kids could see themselves as a hero!

Sorry that all was a very tangential rant but my point being: Absolutely. Percy in newer stuff in the franchise and in fanon is horrifically mischaracterized in ways that are functionally either fully ableist (shoutout TSATS for just outright claiming Percy is intentionally lazy and skips school out of disinterest, which is like the number one ableist attitude towards kids with learning disabilities) or a complete erasure of Percy's disabilities. Also I think he should be a writing major not a marine biologist.

[thatonecrookedsmile]

I made these sketches the week SOTM launched, and I didn't think about posting them at the time. I recently looked at them again and thought "hmm, why not". In my own way, I decided to add a *little* color to make it a little more nice,and I edited the image *just* a little,and boom, here it is. My Riley Wells design. There's not much to say about the process of creating her design. I only used the portrait you find in the game as a reference, and I made a design of her at the time she joined JDS and then Gent. There's not much to say,really.

These were sketches made after I made an initial sketch of her to put the idea of her design on paper, and were made to help solidify and test out her design better. I haven't drawn her since.

So, yeah. They aren't much, and I don't have much to say about them. But I wanted to eventually show my design that I made of her. Plus, those sketches turned out quite nice,so there's that.

Other than a small idea that I don't know when I'll do, I don't have anything in mind that could result in drawing Riley again in the future. But hey, in case one day I end up wanting to draw her again, at least I have a design prepared for the occasion.

As a bonus, here is the first sketch I made of her. No editing or colors.

[blujayonthewing]

dungeon meshi's plot and lore get really complex and interesting the longer it goes but my toxic trait is that my favorite thing about the whole series is still the early chapters where it's mostly about diagrams of monster anatomy and explorations of fantasy life cycles and ecosystems

[hollowwhisperings]

Kairi getting to know Ven through Aqua would ALSO allow the story to elaborate on how Princesses of Heart/Light "work": we never got to see how the original 7 Princesses (Alice, Jasmine, Cinderella, Snow White, Aurora, Belle, Kairi) 'channeled' their lights as individuals working together rather than objects in Ansem SoD's Machine.

Each of these Princesses is individually powerful: each of their Lights/Hearts seems to function equivalently in KH like the sun to Earth. Kairi is one of these 'suns' while Riku is Sora's personal one (Sora being Riku's 'Moon').

The Seven Lights in the KH universe seem to have become integral to the post-Masters fabric of reality: we still have no idea what that means for Kairi, only able to extrapolate based on the abilities of Ven-as-split-from-Vanitas. Ven & Kairi have a LOT in common (amnesia, getting kidnapped by mad scientists, getting yeeted across space-time, being stuck in a role of 'distressed damsel' and 'eternal child').

I think one of the reasons why (some of) the original Lights have 'retired' is because, post KH1 & 2, their worlds stopped 'looping': none of the princesses who were in BBS seemed affected by the 10 years that passed for the Destiny Island trio. Maleficent, in KHUX and elsewhere, seems to be aware of her world (& others) 'looping': it's plausible that this was done TO those worlds in order to keep the Worlds at large on [life support]. After all, when Maleficent & Ansem SoD 'interrupted' this function of the Seven Lights... their universe at large started falling apart.

Kairi has never brought up what, exactly, the Princesses did nor how they did it: Kairi has, instead, attempted to mimic Sora (& thus Riku) verbatim. Kairi REMAINING a Princess of Heart despite (all of?) the others presumably 'returning to real time' alongside their Worlds... is because KAIRI has remained 'static' despite her home Worlds experiencing 'time'. Admittedly, even in 'moving' worlds, time is... weird. Donald's nephews are still kids; Mickey's relationships with his fellow Disney Towners is unphased by long periods of absense; Donald & Goofy have no issues with spending years with Sora despite having their own lives back home. It's possible that Disney Towners have much longer lifespans & thus different concepts of time; it could be different worlds experiencing time at different speeds, as in our own universe; it could be true of the ENTIRE KH universe, especially given the Enigma that is Kairi's Grandmother.

Sora and Riku seem unlikely to be much involved with the series' worldbuilding mysteries: Kairi is innately connected to these mysteries and will only become even more involved. She is uniquely qualified to explore these mysteries, which would require an entirely different approach than Sora's "Connections Make Me Strong Enough To Bash Heads With A Blunt Sword" or Riku's power of Gay Pining/Tea/Light&Darkness.

if we wanted to argue for Kairi to be 'strong' in the same way as her friends... THEORETICALLY, Kairi 'should' be as powerful in Light magic as Sora (through Riku) or Riku because they share that innate potential that comes from "hearts of strong light"... it's not that Kairi is 'lacking' but that Kairi's use of Riku & Sora's methodology must not work for her. Their methods work for THEM because their hearts & minds are in synch about what makes them 'strong': Sora makes Riku strong because [Gay Pining]; Sora has not, however, ever made KAIRI notably stronger. Which implies that... Kairi is not actually in love with Sora & her heart knows it, even if her mind believes otherwise.

Until Kairi understands herself as an individual, not just one part or a trio or 'someone who loves Sora'... Kairi will keep falling behind. Melody of Memory is the first time Kairi has taken agency over her own life: her story is her own, not one she'll face on the sidelines of the Main Games & their Soriku Focus.

False Start: Analyzing Kairi’s Arc After Melody of Memory

In October 2019, I did an analysis of Kairi’s character arc as of the end of Kingdom Hearts 3 and what I felt was being set up for her going forward.

My major point was that Kairi’s fear of change was holding her back from reaching her full potential and catching up to Sora and Riku, but that by the end of Kingdom Hearts III she had overcome that fear and was ready to move forward. 

In hindsight, I jumped the gun in assuming that the end of KH3 marked the definitive point where she got over her change and could truly move forward. While she had some good moments in Re:Mind, Limit Cut promptly put her to sleep for an entire year, trying to search the memories in her heart for a clue to Sora’s whereabouts. 

But then Melody of Memory happened. 

When Kairi faces the memory of Xehanort, she says in the original Japanese version that Sora and the others being hurt was the result of her strength not being enough. I’ll save the rant about how the English localization consistently removes Kairi’s moments of self-reflection throughout the series for another day, but my main point is that this sets the groundwork for her decision to remain behind while Riku goes to Quadratum. When she chose to increase her training under Aqua, I was thrilled because finally this was the sign I was looking for that Kairi was really, truly, ready to move forward. 

A lot of people were disappointed by this decision because they felt like Kairi needing more training was the whole point of her being brought to the Mysterious Tower at the end of Dream Drop Distance. But there are a few things that set this moment apart and explain why her training in Kingdom Hearts 3 did not amount to as much as fans were hoping. 

First, it’s that this time Kairi is exerting her own agency and making the choice herself. Her training in Kingdom Hearts 3 was never something we saw her actively choose. So Kairi making that choice on-screen has more weight than Riku bringing her to the Mysterious Tower for training on Yen Sid’s orders. 

Second, while the memory of Xehanort notes that she did improve in the brief time she was training, the way she was being trained wasn’t suited to her style. The description we get of her training in Kingdom Hearts 3 mostly seems to amount to her and Lea sparring each other repeatedly - which is exactly how Sora and Riku developed their sword fighting skills growing up. And when you look at her battle stance and the way she holds her Keyblade in Kingdom Hearts 3 compared to how she held it in previous games, her stance is an exact copy of Sora’s. It’s no wonder then why she changed into Sora during the final boss fight in Melody of Memory then when she was clearly trying to imitate him. 

In the 2006 Characters Report Vol. 1 book, Tetsuya Nomura’s comments about Kairi in the early games identify the fear of growing apart from Sora and Riku as a major source of anxiety for her. The fact that her training and combat stance in Kingdom Hearts 3 imitate Sora so heavily indicates that Kairi is trying to catch up to Sora and Riku by trying to be exactly like them in that area as much as possible. With how much the series has focused on personal identity with regards to Roxas and Xion being their own people, it makes sense why Kairi doing that failed her in Kingdom Hearts 3. Because Sora and Riku’s style isn’t suited for her. 

Because she isn’t them. 

For Kairi to achieve her goal of catching up to Sora and Riku’s level, she needs to step out of their shadow and figure out how to be herself instead of trying to be Sora. And the best way for her to understand herself will be to understand her past. 

The Xehanort that Kairi faces in Melody of Memory is explicitly identified as a construct of her heart. He tells her that the answers she seeks “lie in memories that are long gone,” and tells her that there is nothing for her to find in her heart. However, that isn’t really true with what previous games have established about how memories work in this universe. Chain of Memories establishes that memories are stored in the heart, and that while the connections between them can be rearranged, they are never gone for good. 

So while Kairi may not consciously remember her childhood before arriving on Destiny Islands, the memories are still there deep in her heart. All she needs is something or someone to help her restore the connections between them. To rebuild the links in her Chain of Memories, so to speak. Kingdom Hearts 3 and Melody of Memory both specifically call attention to Kairi’s first meeting with Aqua in Birth by Sleep, as well as the fact that Kairi doesn’t remember it. From a narrative standpoint, the series has set up that remembering that first meeting will help Kairi regain the rest of her memories from Radiant Garden. 

But remembering her past is not the only arc the story has set up to help Kairi understand herself better. Training with Aqua also puts her in a position to interact with another teen who has a heart of pure light.

Who was also in a coma for a time while his heart rested in Sora’s body. 

It’s not a coincidence that Union X first revealed the existence of the entity known as Darkness just a few months after KH3 revealed that being a Princess of Heart was a mantle that could be passed on rather than a permanent state of being. Then Re:Mind revealed that Darkness is still hiding within Ventus’ heart in the present day. And following the release of Melody of Memory, the next Union X update revealed that Darkness had killed Streliztia because it saw her death as the best way to grant Ven’s desire for strength. The ability for Princesses of Heart to pass on their powers serves as set up for Kairi to do the same, opening herself up to struggling with darkness in her heart for the very first time. 

Kairi wants to become stronger in order to stand alongside Sora and Riku. But she has not struggled with her negative emotions the way that Riku has or that the narrative framework sets up Sora will be in the near future. But her decision to train alongside Aqua puts her in a position that has the potential to force her to go through that struggle herself should Darkness try to grant her desire for strength in ways that she doesn’t want. 

I know that I was wrong before about Kairi getting over her fear of change. But this time, I’m confident that Kairi’s character arc is finally picking up momentum. What Melody of Memory has that previous games didn’t is a clear sense of narrative direction. All Dream Drop Distance did was vaguely establish that she was going to start training. Kingdom Hearts 3 didn’t give enough information to form concrete theories about the trajectory of her arc. 

But all the Kingdom Hearts content released in 2020 has set up foreshadowing for a very specific plotline in regards to Kairi’s character growth. And not only that, Xehanort’s monologue in the flashback to her childhood where he says “if you arrive in a world that is neither light nor darkness, but somewhere on the other side, your task will be far from easy” adds a significant connection between Kairi rediscovering her past and the mysteries of “unreality.” Especially because Xehanort acting like it was actually possible for her to end up there instead of Destiny Islands raises the question of whether she truly went straight to Destiny Islands after Xehanort sent her off. 

Kairi's connection to “unreality” makes her the lynchpin of all the major story arcs being set up for the other characters while Sora and Riku are in Quadratum. The parallels between them foreshadow Ventus regaining his memories of the Age of Fairy Tales just as Kairi is set up to regain her memories of Radiant Garden. Ventus regaining his memories of the past logically connects the Birth by Sleep trio to Lauriam and Elrena through his role in Strelitzia’s death, as well as to the Twilight Town crew considering that Subject X is heavily implied to be Skuld. Then of course there’s Luxu, who is directly responsible for Subject X’s disappearance, and the Foretellers, who are still with Luxu last we saw them.  

With Sora and Riku off in Quadratum with Yozora and the Master of Masters, Kairi is narratively set to step up and take charge in dealing with the major unresolved plotlines from Union X and KH3 that need dealing with. By the time Sora and Riku finally make it back, she’ll be a whole lot closer to their level.

TL;DR: I was too hasty in 2019 when I declared that Kairi had gotten over hear fear of change. I only had nebulous ideas of what would come next. But now I can pick out all the subtle foreshadowing that illuminates a concrete path forward, and I’m confident that now she’s finally on the right track.

[dropthedemiurge]

Let Free The Curse of Taekwondo: Things you didn't notice #1

Isn't this another K-BL where I'm internally squealing because of every single detail? You bet it is. You can read my other meta/cultural detail/Korean language posts for Love for Love's Sake, Time of Fever, Grey Shelter and Boys be Brave on my pinned post or hashtags^^ (I really need to organize it under one singly hashtag tho...)

I already talked about how impressed I am with the fact that this series has done their preparation job well, with props, settings, language, history etc.

It is about a countryside/small town in Southern province of Korea - because a lot of characters use satoori (southern dialect), almost all of them except for the main two guys. There is also a distinct contrast/conflict between 'fancy Seoul rich guys' looking down on 'Southern town'. Juyoung even was surprised Dohoi doesn't use satoori.

To which, he responded with 'You'll be uncomfortable if I use it". And Juyoung said there are plenty other uncomfortable things around here, beside understanding/listening to everyone using other accent xD Confusing Gaga translation errors, we meet again!

Actually, it's interesting because Dohoi's name is written 이도회 in Korean, which typically would be written as 'Dohoi' but pronounced as 'Dohwe' (think of surname Choi that is actually pronounced as Chwe), yet in the first episode I clearly heard them actually say 'Dohoi', letter by letter. Now I wonder if it's also related to satoori... I wish I could speak it, it sounds so cool tbh.

He actually said 'I'm not in a good condition', meaning his physical form. What do you mean, mood, when was that ever an excuse in sports..?xD

By the way, what is it with boys trying to get closer to other boys by buying them unusual ice cream?:') Okay, garlic sounds more weird than red bean one :D

Also, I tried to find the Hasong town they talked about but failed - maybe because of incorrect transcription or maybe they made up this town based on Uiseong - a small town close to Daegu which is famous for being the most famous garlic town, they produce a lot of it and garlic fame would be seen everywhere - so who knows, I bet they allude to this when Juyoung said 'why can't there be a vanilla garlic ice cream? It's like a collaboration!'

Another thing, I thought the time of this series was somewhere around 1990s-2000s (because I watched a movie in similar setting that was called 1997 year but they still used pagers, now that I think about it). It was also still the time where teachers could use physical punishment on their students, it's heavily highlighted but I don't actually know around what time they stopped... Probably in Seoul, they already were getting rid of it but in small towns it was old-school teaching, which is again why Dohoi tried to tell Joyoung out of it.

I'm not familiar when small laptops and phones appeared in Seoul but I think the series is actually somewhere around 2005-2010! Which would make sense, Juyoung got the 'cool' flip-phone and a laptop with Windows XP (released in 2001) but small town is still far from that, as they use landline house phones to make a call.

He also has mp3 player and as other tumblr folks figured out, he was listening and dancing to Jewelry song released in 2005 :)

And another thing that convinced me about the time era... the final scene!

Do you want to know why at the end of Ep 1 Dohoi smiled and laughed and ran to Juyoung even after so many exhausting days and neverending small miseries and a new loud housemate?

Because Juyoung not only came to pick him up with an umbrella in the acid rain, he also reenacted the famous umbrella scene from the classic romantic K-drama called "Temptation of Wolves" (늑대의 유혹) which was released in 2004! To make Dohoi laugh.

(Yes, when Juyoung intentionally put the umbrella down and the camera cut the shot to the framing when the umbrella slowly lifts up, showing smiling Juyoung, I was like 'you did nooooooot' xD)

(last screenshots taken from @heretherebedork post, I'm sorry I am very lazy and cannot take a good screenshot for life :'))

So that was already our very first romantic teasing-implication!

Another cute thing: optimistic Joyoung wrote a diary entry into the fake old Korean "Facebook" (they had Cyworld instead) to share his first selfie with Dohoi:

"[Excited Shin Jjuyoung]" (typing in a popular back then teenage style) "I miss you guys... But here it's nice too hehe ^___^ Come to play with me!! Together with my friend Dohoi too~~!"

Aren't they the cuteestttttt? I mean, this dynamic is not new but I love how unique the setting is. And I can't wait to watch the second episode, I'm waiting and savoring the first one for now but I'm going to make notes about other episodes as well so stay tuned! If you reply/comment in tags, I will put you in my tag list^^

Tag list: @benkaben @pickletrip @troubled-mind

[miscellaneouzz]

More Vox Machina meta time bc I feel like people do NOT talk enough about how complex Pike and Scanlan’s relationship is. First off the show is very good at steering away from the typical he’s-annoying-so-she-eventually-gives-in misogynistic approach a lot of those types of dynamics have. Like it initially comes off as just cute and flirtatious until their dynamic ironically becomes the least romantically driven of the main ships in a way that’s far more layered than I expected. It always feels like Pike’s complicated feelings come with observing Scanlan from a distance, she’ll flirt back and play along but ultimately wants to see the person he COULD be, the more sincere and earnest side to him (which can also be tied to Zerxus’ comment about her taking pride in “redeeming” her friends).

But then from Scanlan’s perspective, becoming the person he “could” be means distancing himself from Pike completely, because he’s in love with her and in his mind he sees that as an example of him clinging to his old habits of “finding all the wrong ways” to fill his emptiness. His scene with her on the balcony felt like such a culmination of both their complicated feelings– him relying on those coping mechanisms and Pike recognizing that– and I think that’s part of why he cried and why Pike pulled away at the last second. After that scene, we pretty much see Scanlan stop pursuing romantic interest in Pike for the rest of the season, but she’s still the only person he’ll be vulnerable with.

So then comes this heartbreaking irony that Pike’s been wanting more sincerity from Scanlan for a while now, only for Scanlan finally opening up more about his feelings to include him saying things that end up hurting and pushing away Pike. Because now Scanlan being more vulnerable and sincere means finally admitting he doesn’t view Vox Machina as his “real” family and that he never thought he mattered when he was with them and I don’t think that’s something Pike was truly ready for. And in the end Scanlan is still defining his worth purely on his relationships with others– if he’s no longer pouring his identity into romance/sex, he’s gotta pour it all into his newfound parenthood. He’s still flawed and not in a way where everything just hinges on Pike to “fix” him.

I think when it comes to the romantic relationships in the series it’s the one I’m most invested in from a character perspective. They’re the only pairing that’s yet to sincerely confess or discuss feelings for each other despite how much their relationship focuses on the need for sincerity and it’s so interesting. Like through the relationship struggles of Keyleth x Vax and Percy x Vex, we still see them be more open and upfront with both the conflicts and resolutions of their feelings for each other.

Pike & Scanlan are the only ship we’ve seen neither for, neither a straightforward conversation on the conflict of their relationship itself nor a sincere resolution to their feelings. And I think it has a lot to do with the parallel you can make about their own crisis of identity. Their character motivations and struggles with identity are not entirely dependent on each other as Scanlan has a tumultuous relationship with parenthood and Pike with her faith yet they impact each other so deeply.

There’s a lot more to say BUT for now… onto whatever season 4 brings for the gnomes!

[raayllum]

She Must Pay the Price, or A Drop of Mercy :: A Rayla and Leola Meta

Quick:

You're a young elven girl, and you show mercy and compassion to a human that you definitely weren't supposed to. When it's found out, you're punished, with elves even calling for your execution (6x09, book 1 novelization). Your father does what he can, but there's only so much. You're put on trial. You're found guilty regardless of intent, and only by association. You die for this; you die for them. You're a star. A guiding light. There's even a Great Fall off a precipice (though only one of you hits the ground).

Your name is Leola, or Rayla.

You're the beginning and the end, respectively.

So let's talk about it.

Tests of Love

For years, I had wondered where Aaravos' assessment of "Those who fail tests of love are simple animals. They deserve to be motivated by fear" (2x09) came from, cause you don't drop in a line like that if it's not going somewhere. It's quite a statement and worldview, after all. Now, with Leola's trial, it seems we know.

We can see, then, perhaps that Leola's gift giving was the first test of love — are you willing to break the Natural Law, the Natural Order of things? — to help another? To show another a source of power in order to share, to be compassionate, and in Rayla's case, to be merciful (though we'll get more to that in a minute).

We also know that the love Leola had was powerful and all encompassing:

She didn't care to follow the order set in the stars. Though she was born an immortal being from the Heavens, she loved this world... and all its flaws. Her heart was warm and open.

And she befriended mortals. Animals, elves... and humans.

ETHARI: Who I love, where I love, what I love, are all specific. But to Runaan and those like your parents... love is rooted in all families, all creatures. Souls like that feel called to protect everyone as fiercely as those they hold close. (Bloodmoon Huntress)

Okay, so Leola and Rayla both have big compassionate hearts and befriend creatures from all over the place. So what? So do Callum, Ezran, Soren, and most of our other main good guy characters. Even Claudia to a degree (though she could work on not using magical creatures for spell parts).

Well, specifically, it's because of how they intersect currently more with anyone else on the concept of

Mercy

KOSMO: Daughter of the Moon, yours is a wondrous heart. In a moment of mercy, you sent ripples out into the ocean of time. Ripples that have not yet stilled. (6x05)

Rayla sparing Marcos, as noted in multiple interviews by the creators and by myself in previous metas, is ultimately the inciting incident / lynchpin of the entire series. Without it, there would've been no soulfang proposal or Ez running away to find the egg or any of the number of other elements that had to come together to make achieving peace possible.

While we still have details to discover regarding Aaravos' Fall and development of dark magic, we know that a lack of mercy was ultimately what sent him on his path of vengeance. Leola was not shown mercy, and while it seems there were already "flaws" for an imperfect world, things were (probably) better than they currently are in Xadia in a variety of ways. Then, to kick off the entire Saga, we have Rayla sparing Marcos in a soundtrack literally titled "Mercy" and have Kosmo, seasons and seasons later, spell out directly what a big deal this was for well, the ocean of time.

None of this is to say Rayla can't act out of revenge — she did ("when I first came here, I was on a mission for revenge") and she has ("but I became so obsessed with revenge"), much like Aaravos ("he isn't doing anything out of love, he's doing it for revenge") — but that her general compassion and love for others has always been stronger than her grief or rage, and that even when she had every social and personal reason to, she was and is fundamentally unable to hurt someone innocent.

Even when she's shamed or punished for it by herself or by others. RAYLA: The human looked up at me, and I saw the fear in his eyes. RUNAAN: Of course he was afraid, but you a job to do! (1x01)

EZRAN: Yeah, but then you saw he was scared, and you knew he was a person, just like you. RAYLA: That shouldn't have mattered. I had a job to do. (1x08)

The Cosmic Council — and to a degree, the Silvergrove — say that the reasonings or motivations, the intentions, behind Leola and Rayla's actions do not and should not matter when it comes out to doling 'Justice'. So Leola faces her justice, being literally killed in the one manner that can kill a Startouch elf, and so does Rayla, being metaphorically Ghosted / 'murdered' by her community, regardless.

Neither are enough to ultimately quell their light or their love/power, however.

A Star

RAYLA: That beautiful shining star you just pointed out? We call it Leola's Last Wish. (5x02)

So both Leola and Rayla are stars in season 6, literally and metaphorically respectively. Leola's is more self-explanatory, whereas Rayla's is mostly about the role she has in Callum's life as a guiding light and star. I don't think it's a coincidence, though, that just as Rayla placed Callum on his path of being a primal mage, though, that Leola did the same for humanity. I also don't think it's a coincidence that Callum's love for Rayla restores Callum's own light and agency amid Leola giving humanity the same through light and fire.

It happened long ago, when humans had only just learned to hold fire in their hands without burning. They nurtured their precious primal flames secretly—in the dark of night, beneath shadows and shrouds—as cultivating its glow drew the eyes and ire of monsters. Eventually, for the audacity of their fire, they were hunted, and—though they looked to the stars for salvation—the stars, too, looked down upon them with disdain. Humanity had been given something it was never meant to have. (TDP shorts, Ripples)

In this way, we see the manifestation of a repeating parallel of Rayla representing Leola, a gift giver of life, magic, light, unjustly punished/killed, and Callum representing humanity, looking to the kindest brightest star for guidance, magic, restoration, and salvation if he's just given the chance to grasp it. After all, presumably, Leola's last wish would have something to do with primal magic and humanity, and who represents that better than Callum, with two arcana under his belt and possibly more on the way? With that in mind, I want to return to another quote from earlier but with a different focus on

Ripples

Daughter of the Moon, yours is a wondrous heart. In a moment of mercy, you sent ripples out into the ocean of time. Ripples that have not yet stilled.

The wisest of the humans looked upon the water. His own reflection smiled back at him, and he dared to imagine what such power would feel like in his own hands, should he be allowed to hold it. Imagine, he thought, if I were more than what I am. With a trembling hand he touched the surface of the water. Ripples spread from his fingertips. [...] I hope the stars were watching. I hope they saw it: the moment their perfect reflections turned warped and ruined, churned to chaos by the touch of a single human hand. In this, the humans taught me another lesson. And so I touch the surface of the water. I watch the ripples spread.

Water in TDP is a strange beast, symbolically speaking. There are some more straight forward motifs (reflections, "don't try to control where the river [of life] goes, there's one thing you can know and control: yourself"). For Aaravos, it's connected to deep loss but also his own sense of patience in playing and winning his game, as illustrated above. For Rayla, it's linked to shame, self-reflection, bravery, and loss. Aaravos weeps and creates a sea upon losing Leola; Rayla says goodbye to her family by the lotus pond times three.

We don't know what water represents for Leola. Not distinctly, anyway. The best we can figure though, is that by following the through line of the Rayla and Leola parallels, that the ripples Leola wanted to send out or did send out — not the distortions caused by her father and his grief — are ones that Rayla received, and then continued.

Rayla has always been a foil to Aaravos, and this hasn't changed. She is the one who set Callum on the path initially of being a mage, which put him in Aaravos' machinations as prey; she retrieved his Key; and she's the reason Callum's done dark magic, twice. At the same time, much like the moon, Rayla carries Leola's light as much as she shoulders Aaravos' dark. She literally represents light in Callum's life, helps lead him through the darkness, and him being a primal mage and it's possible growth to other humans is the best possible thing that could've ever happened to Xadia.

Sol Regem says that "no one can save" Xadia or fix what is deeply broken. The Cosmic Council said that Leola had broken the Cosmic order and had to pay the price. Rayla has repeatedly been willing to pay the price for both hers and other's actions in hopes of making things right, of sparing others' pain. Sometimes to her detriment, but—if Rayla as Callum's one Truth could fix the darkness within him, if she's the lynchpin for breaking the Cycle, for bringing back Runaan and fixing her family's souls, in opposing and presenting mercy amid the Council's lack of mercy, in the face of Xadia's violence—

Then Rayla's act of mercy in 1x01, and potentially beyond in S7 with Callum, will be what fixes Xadia.

Leola's gift of magic is what 'broke' Xadia, and her execution is what literally did so, leading to the division of the continent. She wrongly paid the price in the absence of mercy and love. Rayla is therefore her thematic successor — welcomed this time as Light and Truth — as the carrier of Mercy and Love, and she will 'fix' Xadia through her ripples and dynamics. She will mend them back together. There will, at last, be no price to pay.

Misc. Thoughts / Predictions

One thing I was always curious about going forward into future seasons was the prospect of a 'trial' or reunification of the Silvergrove. It felt like a no-brainer the Silvergrove would have to change in order to reflect Runaan's character arc, much the way we see Katolis and the Sunfire elves change to better accommodate the new, more compassionate world order. Pre-S4 a trial felt a little strange as an idea, though post-S4 the parallels it could provide to the Lucia tribunal made more sense about why include either (or both).

However, Leola's trial seemed to hammer home the almost necessity (as this is still a prediction, after all, that may not happen) of Rayla and/or Runaan saying their peace to the Silvergrove leaders. This would be a great opportunity to provide a contrast to the Cosmic Council, reaffirming that Xadia is ultimately better than them because the Moonshadow elves and everyone else can change, and the Cosmic Council seemingly cannot or will not. But I guess we'll have to wait for S7 or beyond (#GiveUsTheSaga) to find out if this'll come to fruition or not.

I also wanted to touch on what we see with Leola ("I'm so scared!") and the repeated emphasis on "recognizing fear as a moment of empathy and personhood" and the horror that can come if you don't have that moment of recognition. This is something I've touched on before most notably as a striking difference between S1 Rayla and S5 Claudia, but I thought it was worth mentioning as S6 added to it specifically with Viren towards Soren and Lissa. This is another point in the "Rayla is an inversion of the Council's lack of mercy" column, as Leola's — a child's fear, and Aaravos willing to pay the price and take her place — earns her no mercy. Rayla, meanwhile, sees someone innocent that she has 'every right' to execute is afraid of her, and that strays her hand; it steadies her sword, and she spares him. Because if someone is afraid of you, it's worth asking yourself why, and what you might want to do instead.

Last but not least I wanted to talk about Leola's parallels to Callum and Ezran as well, since they are very much there (though yet not perhaps to the same extent).

Ezran has Leola's friendliness to animals and soft heart. He too is a child whose death is called for as a means of Justice, and he is granted mercy through Rayla and the discovery of the egg, able to live and grow and help usher in peace. He is, I think, what Leola might've been allowed to be if she'd lived in different times. Callum, meanwhile, carries the gift giving motif through his cube, staff, and tokens he both gives to (moon-phoenix bracelet) and receives (the moon opal necklace) from Rayla, and previous 'human-Leola' magic dynamic. Callum being able to break free fully from Aaravos' and dark magic's control in S7 and turn his eye instead to primal magic will be what helps bring true justice to Leola and hope for humanity / Xadia in righting the Cosmic Council's fundamental wrongdoing. Hopefully, anyway.

Conclusion

I hope you enjoyed this deep dive into some parallels and potential narrative goings-on between Leola and Rayla as characters. TDP loves its historical and ironic layers in TDP (Ez and the Orphan Queen, Viren's arc from S1 to S6) and I think this layered thematic dynamic between the two merciful young girls was a good, brilliant choice by the creative team. I'm excited to see where this thematic thread goes in the future and how it may continue to be woven into the story. As always, thank you for reading, and I'll see you in the next one.

[adventures-in-mangaland]

Yet Another Dead Boy Detective Fic Rec List

Part 1 | Part 2 | Part 3 | Part 4

I've been having so much fun with these, so I've decided to make another! See above for links to my other fic rec lists. ♥️

Like We're Gonna Die Young (Again) by RoseGanymede95

The latest installment in the superb Codependency World Cup series has the boys attend a nefarious house party and grapple with old frenemies, 90s fashion and temporary amnesia. Also fleshes out their achingly sad backstories, but compensates with the triumphant return of Pierre the rabbit.

When I Picture You by Gruoch

Charles gets braceleted by the Cat King instead of Edwin and receives his heart's desire... being alive again. This author has a special gift for taking fun sounding premises and turning the angst up to 11. So excellent.

young blood (never get chained) by ghostinthelibrary

University AU in which half-demon Charles intervenes in Edwin's ritual sacrifice and inadvertently binds their souls together... I'm genuinely obsessed with this AU, it has so much potential for tons of delicious tropes. Human!Edwin getting a crash course in supernatural shenanigans! Soulmate vibes!Found Family! Demon lore! What's not to love??

Ghosts and Monsters by justafandomfollower

Charles is also sacrificed and the boys meet in Hell! Fantastic premise and executed really well. I loved Masterful Edwin taking charge and protecting Charles while inwardly despairing. Highly recommended.

back to back they faced each other by ShanaStoryteller

The Night Nurse has a theory about how Charles was able to rescue Edwin from Hell so quickly... I'm genuinely shocked I haven't recced this one already. Sorry guys, I forgor. Anyway, this has interesting "Guardian" (angel?) lore, great meta and we even get some temporary amnesia as a treat.

boyfriend jacket by skadii

5+1 times Edwin borrowed Charles' jacket. The characterisation is on point, and it has some great OCs (Kyle the snarky seeing-eye cat!) and really sweet payneland moments. Plus Charles' jacket doing its most to annoy the Cat King.

Looking Like the Sunrise by letters_of_stars

Edwin thinks he's cursed so he and Crystal must team up to solve the case of his Mysterious and Suddenly Appearing Rizz. Funny and sweet friendship fic with some quality Edwin-Crystal bonding and discussions of trauma.

The Case of the Anonymous Confession by Mayarenerose

College AU featuring Charles posting an 'anonymous' online confession about his complicated feelings for his bestie. The closet is glass, but Edwin is oblivious and Crystal is in pain. Cute and funny epistolary social media fic done really well.

the middle of something wonderful by KiaraSayre

Does what it says on the tin and gives us a trope salad of cosy vignettes, including a time loop, temporary amnesia, sudden corporality and Crystal and Edwin trying to get a good grade in Party. Wholesome.

My heart is like a haunted house (series) by halffulljampot

Charles (unknowingly) befriends the ghost of Edwin's mother and constantly gushes to her about his amazing best friend/boyfriend. Beatrice is a great OC and it's just nice (though extra tragic) to read a fic in which Edwin had loving parents. Read it for Family Feels and wholesome intergenerational friendship.

the first rule of fight club by e_va

The boys are captured by an evil underground fighting ring. The fic is from Charles' PoV, so the prospect of having to fight Edwin was especially stomach-churning. Still, we get Edwin being a badass and a brilliant surprise cameo I don't want to spoil.

The Case of The... by sophisticatedyet

Edwin borrows Niko's negligee and Charles' brain breaks. There's also a case and giant squids, but Charles' Distracted By The Sexy crisis is the main (hilarious) event.

in those heavy days when love became an act of defiance by aletterinthenameofsanity, JUBE514

Daemon AU and first meeting fic! Loved the worldbuilding, insightful character work and lovely use of Greek mythology. Honestly, this fandom needs more daemon AUs.

spinning around and around in an ocean of grief (your ladder came down to the sea) by Ingi

Prequel to DontOffendTheBees' excellent College AU, expanding on the boys being alive and in school together. Also has its own prequel about their first meeting from Edwin's point of view. This one, though, is a Charles' Bisexual Journey/Feelings Realization fic. So lovely.

head in the clouds but my gravity's centered by shadowquill17

Face Touching: The Fic. I just love non-sexual intimacy in fics and this one is so tender. I also love Accidental Kissing and Feelings Realization so my cup runneth over.

i don't want to rest in peace by handwrittenhello

Different First Meeting fic featuring Poltergeist Charles! Loved the concept, even though it made me sad.

the great snogging debacle of '95 by thatgayprince

Edwin disguises himself as a girl and Charles starts and then defers a sexuality crisis for 30 years. Funny, steamy and emotional.

a beautiful day to say goodbye by ofstitches

The agency take on the case of a depressed house. This is another bittersweet Edwin backstory fic with discussions of grief.

Smitten in the Stacks by cordelianoir

Adorable prequel to lolotr's equally adorable library AU. Meet cute featuring (platonically married) Dad!Charles crushing on the hot librarian who leads Children's Storytime.

Jenny Green: Butcher, Hot Mess, Reluctant Queer Elder by Money_Maker

Jenny-centric fic! The focus is on Jenny and her financial, mental and emotional struggles post-canon, but mentoring Edwin through his queer self-discovery becomes a big part of that. This turns into a really sweet friendship, plus Found Family Feels and some fun outsider PoV of the boys' dynamic.

I've always got more recs so watch this space! ❤️

[luludeluluramblings]

Smalltown Characters Background

A/N: Just a brief introduction to Smalltown's residents from the Smalltown!Meta!Reader series. I'll try to keep them general for the main story, but this is just extra to give y'all some lore on what Reader's got going on back home. It's not vital to the series, but it'll help. (Y'all might see me reuse these character's in other things.)

Smalltown is meant to be located in Louisiana.

Judith Anderson “Nana” 

Reader’s Step-grandmother, Samuel’s mother.

Don’t let the name fool you, as much as Reader loves their family Nana can be a bit controlling. She didn’t exactly approve of Adeline, Momma. Being that Adeline, Reader's Momma, though from a respectable and wealthy family, already had a child. It took some time getting used to, but eventually she grew very fond of her step-grandchild. It isn’t until Reader’s abilities manifest that she goes full Yandere. And, she’s a desperate controlling one. She wants Reader to stay in Smalltown, not just because she loves them and adores them, but because it gives her clout. Not many people can say they have such a divine being calling them Nana, as if she'd ever give that up to some sinful city slickers.

Charles Anderson “Grand Daddy”

Reader’s Step-grandfather, Samuel’s Mother

He’s an extremely serious and quiet man. Very much like his son in how he spoils his wife by doing anything she asks. If Nana wants something done, Grand Daddy will do it. Fix the sink? He’ll do it. Build a shed? He’ll do it. Take that bitch that tried to hurt their grand baby out back and feed their limbs to the alligators? He’ll do it. He’s always been fond of Reader. He’s very happy to have them as his grandchild, and hates the thought of them settling for something less or away from them. Their abilities just make the world more dangerous for them. It’s best they stay where they can be kept safe. 

Amelia “Mae” Palmer

Reader’s Childhood Bestfriend

Smalltown’s resident bug fanatic and fashion expert. A very unusual girl. But, Reader was their first friend and she adores them. They never judged her for collecting bugs. They always played with them and encouraged them. All Mae wants to do is be the one to dress Reader for their entire lives. She just wants to dress Reader in the clothes she’s made. She doesn't want anyone else’s designs to touch their skin. That’s her job. She’s fine if Reader leaves Smalltown. Just don't wear other people’s trash clothing and designs. Don't let it touch your precious skin. She fully plans on following Reader to Gotham. As if she’d let those pompous assholes dress her best friend.

Tanner H. Palmer

Reader’s Childhood Crush and Childhood Best Friends Older Brother

Tanner has always had a puppy crush on Reader. Hard not to when they treated his younger sister so kindly and were always following him around to play. It got worse when they got older and Reader’s crush grew more and more oblivious. Unfortunately, with how protective the entire town was, he wasn’t allowed to do anything due to their age gap. Reader dating in high school put him through utter hell. He lost a few screws and his temper during that time. He may have caused a few rumors that resulted in some of the competition being dragged out into the bayou. But, really? Those asses claimed to love Reader yet had the audacity to smile at someone else. Clearly they were just playing with Reader’s feelings. Getting them out of the way would open the position by Reader’s side for someone much more worthy. Naturally, Reader being sent to Gotham put a damper on his plans. But, not all is lost. He’s got Nana and the rest of Smalltown’s favor now. They just need to lure Reader back and then he’ll get his chance. What are those arrogant Gotham elites going to do about it? They don’t know Reader like he does.

A/N: I'll try to draw up some of the characters and make a background like this for Momma, Daddy, and Little Brother.

A/N: Part Seven is in the works. Just gotta get the creative juices flowing.

[asongoficeandfiresource]

Meta: A Tale of Three Daenerys’

An element of authenticity George R. R. Martin adds to the ASOIAF universe is the repetition of names. The same names appear repeatedly within specific cultures and the spread and popularity of certain names is used to illustrate how one culture has influenced another. Just look at the wide popularity of Targaryen names throughout Westeros, especially Alysanne.

With Daenerys Targaryen, GRRM has created two other characters with her name, so far: Daenerys, daughter of Aegon IV and Naerys, and Daenerys, daughter of Alysanne and Jaehaerys I. Both of these characters seem to be used to lay the groundwork for elements of the canon era Daenerys’ story and character arc.

Daenerys, the Retconned Princess

In The World of Ice and Fire, Jaehaerys I and Alysanne do not have a daughter named Daenerys. In fact, in the main series, Daenerys of Dorne is referred to as the first. But with the release of Fire and Blood Vol 1, Martin restructured the birth order of Jaehaerys and Alysanne’s children, which included not just reshuffling, but also removing and adding children. One of those additions was Princess Daenerys, who took the place of Alyssa as the second born child and oldest daughter of the family.

So the question is, why did Martin retcon TWOIAF just to add a new Daenerys? Part of the reason is likely to flesh out the reign of Jaehaerys and Alysanne with more information and loss. But why name her Daenerys and not Rhaenys after their grandmother or any other name? There is a wealth of Targaryen names Martin could have given this new child, but he chose Daenerys, the name of one of his main five characters in the core series. He likely made that choice to give additional foreshadowing for the canon era character.

At first glance, the two Daenerys’ don’t have much in common with Jaehaerys and Alysanne’s daughter being born into a stable family and kingdom as their oldest living child who grew into a confident girl but died young, while our Dany was born an orphan and an exile, and grew up constantly afraid, gaining confidence and strength in her teens. In that way, they are narrative foils. But where the foreshadowing comes in is with how Alysanne views her daughter.

Based on a combination of moments in Fire and Blood, there is a possibility that Alysanne had the gift of foresight, like other Targaryens in the series. For some unexplained reason, Alysanne is very insistent on Daenerys becoming queen after her father. This is strange because equal primogeniture is not the norm in their culture. Visenya did not become queen regnant, her younger brother Aegon became king. Rhaena did not become queen regnant, her two younger brothers and uncle became kings, though Aegon the Uncrowned was only a claimant. What’s more, Alysanne never pushes for Rhaena’s rights over Jaehaerys’. But she does push for Daenerys’ rights over her son’s. Why? Because she knows Daenerys will be a great queen:

[Princess Daenerys] so enchanted Alysanne that for a time Her Grace even began to eschew council sessions, preferring to spend her days playing with her daughter and reading her the stories that her own mother had once read to her. “She is so clever, she will be reading to me before long,” she told the king. “She is going to be a great queen, I know it.” – Fire and Blood

This is a rare issue where Alysanne is certain about something, but turns out to be wrong, since her daughter dies before having the opportunity to become queen regnant. It is very possible that Alysanne’s certainty over her daughter’s future and Martin’s purpose for retconning this child into existence was to foreshadow Dany’s eventual position as Queen of Westeros. Often with prophetic visions, they can be misunderstood by the person experiencing them as seen with Daeron the Drunken and Daemon II Blackfyre in the Dunk and Egg novellas. While both of their dreams came true, they happened very differently than what they initially believed. So the great queen named Daenerys who Alysanne might have seen wasn’t her daughter but her distant descendant.

Daenerys of Dorne

The Princess Daenerys who married Maron Martell was initially mentioned in passing in a Dunk and Egg novella, The Sworn Sword, but wasn’t named in the text until A Dance With Dragons where her connection to both the series era Dany and Martell family was emphasized. She is cited by Davos as the person Dany was named after and is the source of the Targaryen blood that gives Quentyn the belief that he can tame one of the dragons. She is also the reason the Water Gardens were built and through that palace was able to impact every generation of Dornish children after her.

Unlike the previous Daenerys, there are quite a few parallels between Daenerys of Dorne and the canon era Dany. They were both the products of extremely unhappy and abusive marriages. They each had significant age gaps between them and their siblings, with their older brother having reached adulthood and had a child or children of his own by the time of their birth. Their brothers married them to men outside of their culture. While Dany was exchanged for the promise of an army to take back Westeros, Princess Daenerys’s marriage was part of a treaty that united Dorne with the rest of Westeros. Both women marry for duty despite loving other men. Each of them are particularly protective and caring toward children. They also look beyond the social status of individuals and see that everyone is equally worthy of protection and a quality life.

While Dany pushes for freedom and justice in Slaver’s Bay, Princess Daenerys used her position in Dorne to benefit children regardless of class:

“Beautiful and peaceful,” the prince said. “Cool breezes, sparkling water, and the laughter of children. The Water Gardens are my favorite place in this world, ser. One of my ancestors had them built to please his Targaryen bride and free her from the dust and heat of Sunspear. Daenerys was her name. She was sister to King Daeron the Good, and it was her marriage that made Dorne part of the Seven Kingdoms. The whole realm knew that the girl loved Daeron’s bastard brother Daemon Blackfyre, and was loved by him in turn, but the king was wise enough to see that the good of thousands must come before the desires of two, even if those two were dear to him. It was Daenerys who filled the gardens with laughing children. Her own children at the start, but later the sons and daughters of lords and landed knights were brought in to be companions to the boys and girls of princely blood. And one summer’s day when it was scorching hot, she took pity on the children of her grooms and cooks and serving men and invited them to use the pools and fountains too, a tradition that has endured till this day."

——

"I told the story to Ser Balon, but not all of it. As the children splashed in the pools, Daenerys watched from amongst the orange trees, and a realization came to her. She could not tell the highborn from the low. Naked, they were only children. All innocent, all vulnerable, all deserving of long life, love, protection. ‘There is your realm,’ she told her son and heir, 'remember them, in everything you do.’ My own mother said those same words to me when I was old enough to leave the pools. It is an easy thing for a prince to call the spears, but in the end the children pay the price. For their sake, the wise prince will wage no war without good cause, nor any war he cannot hope to win.– ADWD

It might seem like a simple thing to allow a large amount of commoner children to partake in privileges alongside highborn and royal children, but this is hugely significant since it allows children of higher stations to form positive relationships with children of lower classes. The rest of Westeros does this at a far smaller degree, but usually at the convenience of the highborn. This act essentially put all of the children who stay at the Water Gardens on equal footing, even temporarily so they can all see that at their core, they are all made the same. This allows the royalty and nobility to empathize with commoners which will impact the choices that will impact everyone. Princess Daenerys’ impact on the ruling family kept Dorne mostly out of the War of the Five Kings, meaning that while the common people of nearly every region have been slaughtered and abused in the conflict, only one Dornishman has died so far, Oberyn Martell, a prince in full control of his actions rather than thousands of commoners ordered onto the battlefield.

Even though Dany is still a queen at war in the series, there are similarities between her motivation and choices. As noted above, both Daenerys’ have a weakness for children. Princess Daenerys fills the Water Gardens with “laughing children”. Dany wishes to do the same:

I want to make my kingdom beautiful, to fill it with fat men and pretty maids and laughing children. – ACOK

But more than that dream, when it comes to children Dany shows she is willing to take direct action to protect and avenge them. When the slavers of Meereen murder slave children and taunt Dany by mounting their bodies on milepost, Dany made sure to see them herself: "I will see every one, and count them, and look upon their faces. And I will remember.” (ASOS) Then she avenged them by killing the exact number of slavers in the same way the children were killed. Even when she doubts whether she did the right thing, she insists it was done for the children. Then, when Drogon kills a child, Hazzea, Dany tries to chain all of her dragons so that never happens again, though she only manages to capture two of the three. Despite the fact that she considers the dragons to be her own children, it only takes the death of one child to push her to imprison them, showing just how much she prioritizes the lives of these people. Even when it comes to the children of the slavers, Dany refuses to harm them regardless of what crimes the adult slaver commit:

Dany had grown fond of her young charges. Some were shy and some were bold, some sweet and some sullen, but all were innocent. – ADWD

Where the strongest parallel comes into play is with the way both Daenerys’ realize that there is no fundamental difference between people of different social classes since they are the same when brought down to their bare essentials:

On another island two lovers kissed in the shade of tall green trees, with no more shame than Dothraki at a wedding. Without clothing, [Dany] could not tell if they were slave or free. – ASOS

--

As the children splashed in the pools, Daenerys watched from amongst the orange trees, and a realization came to her. She could not tell the highborn from the low. Naked, they were only children. All innocent, all vulnerable, all deserving of long life, love, protection. – ADWD

The only thing that separates the highborn from the low or the free and the enslaved are societal restrictions. Since there are no natural physical differences between people of different ranks in society, that means they are all deserving of freedom and good lives. While Princess Daenerys acted upon this realization to effect change through the inclusion of all children from different walks of life into the Water Gardens, Dany fights for the freedom of slaves and allows freedmen places of power in her government and gives them a voice at court alongside people who were born free. Here are just a few of the many examples of Dany attempting to establish equality for the freedmen:

Reznak would have summoned another tokar next, but Dany insisted that he call upon a freedman. Thereafter she alternated between the former masters and the former slaves. – ADWD

--

Rylona Rhee had played the harp as sweetly as the Maiden. When she had been a slave in Yunkai, she had played for every highborn family in the city. In Meereen she had become a leader amongst the Yunkish freedmen, their voice in Dany’s councils. – ADWD

--

“The freedmen work too cheaply, Magnificence,” Reznak said. “Some call themselves journeymen, or even masters, titles that belong by rights only to the craftsmen of the guilds. The masons and the bricklayers do respectfully petition Your Worship to uphold their ancient rights and customs.”

“The freedmen work cheaply because they are hungry,” Dany pointed out. “If I forbid them to carve stone or lay bricks, the chandlers, the weavers, and the goldsmiths will soon be at my gates asking that they be excluded from those trades as well.” She considered a moment. “Let it be written that henceforth only guild members shall be permitted to name themselves journeymen or masters … provided the guilds open their rolls to any freedman who can demonstrate the requisite skills.” – ADWD

Princess Daenerys also helped to cement a permanent peace between House Targaryen and House Martell with her marriage uniting Westeros. That combined with the tradition of creating a closer bond between people of different classes and the continued caution on thinking of the people while making decisions that will affect them, she continues her legacy of peace. Our Dany also keeps the people who choose to follow her at the forefront of her thoughts with every decision she makes. She too wishes for peace and takes action to achieve that, even at her own detriment.

“Peace is my desire. You say that you can help me end the nightly slaughter in my streets. I say do it. Put an end to this shadow war, my lord. That is your quest. Give me ninety days and ninety nights without a murder, and I will know that you are worthy of a throne. Can you do that?” - Daenerys IV ADWD

--

She thought of Doreah, of Quaro, of Eroeh … of a little girl she had never met, whose name had been Hazzea. Better a few should die in the pit than thousands at the gates. This is the price of peace, I pay it willingly. If I look back, I am lost. - Daenerys VIII ADWD

--

Like all good queens she put her people first—else she would never have wed Hizdahr zo Loraq—but the girl in her still yearned for poetry, passion, and laughter. – ADWD

Conclusion

While the three Daenerys’ don’t have anything close to similar lives, each of the Daenerys’ of the past seem to intentionally have call backs or call forwards to the series era Dany. Both of them seem to foreshadow Dany’s current and future storylines with pushes for social progress and her future as the reigning Queen of Westeros. So far, Martin has included only three characters with this name, but with the positive change Dany is bringing to Essos and will bring to Westeros when she helps save the world from the Others, it would only be natural for the name to grow in popularity.

[absolutebl]

This Week in BL - The Summer Games BLgin.

Organized, in each category, with ones I'm enjoying most at the top. Those Greeks did have that reputation for naked dudes rolling around together so I'm declaring it...

BL OLYMPICS!

I'll be passing out metals in various sporting events, as part of the weekly updates through mid August, just for funzies.

July 2024 Week 4

Ongoing Series - Thai

The Rebound (Weds Gaga) eps 9-10 of 12 - I guess mass murder is nothing next to having to raise funds for your basketball club. There were a lot of water sports in these eps (no not that kind). I’m not complaining. The street BB playoffs were fun. Frank is GOOD. I didn’t know he played. They aren’t using doubles for this. Meanwhile, it’s a bummer this one can’t be a poly romance. 

Winner!

Gold in Handball

for that shower scene in ep 9 (also... ya know, DUNK TANKS)

Balls in hands of all types.

Briefly must chat about that intro/outro music. It's like Thai autotuned Stray Kids. Which means I kinda adore it.

Century of Love (Weds Gaga) eps 5-6 of 10 - I guess he’s had a long time to learn how to fight really really well. This is a fun show. It does occasionally feel like a bunch of gay boys playing dress up. I LIKE P’Third a lot. I hope he doesn’t turn out to be an actual baddie. I’m finding the music a little intrusive in these episodes. I love the deconstructed suits look, and the velvet blazer. Very 90s. The confessions scene was very cute. It’s a good thing Vee is so easy-going, because the last few months of his life have been truly insane. And now he’s queen of the castle? Still working his convenience store job?

I honestly thought we'd just get kisses halfway through not a full on sex scene. But it was very sweet and tender. Appreciated, boys, thanks. However it’s never a good sign when the sex scene is it at the halfway point, it just means there’s gonna be a lot of trauma to come.

(I gotta say every time Daou smiles he actually looks his age.) 

This Love Doesn't Have Long Beans (Fri iQIYI) ep 4 of 8 - I like them now. I mean as a pair of characters. I wasn’t really sold on the main couple until this episode, and now I’m interested (yes I am shallow). The boy with the glasses is definitely sus. I’m quite drunk, thus I have to say Sailub is the hottest thing on my screen right now. Metas's taste in interior design sucks. OK, that physical therapy session was sexy. I wasn’t sold at first, but now I love this side couple too.

Argh. SailubPon kiss so well. Also COUNTER LIFT!!!! 

Silver in Weightlifting

Sunset X Vibes (Sat iQIYI) ep 7 of 12 - I’m the one who always says this stuff, but this pair might be the best at relationship heat. Let me try to explain. They are good at putting on screen the kind of NRE, want to bone, just really into each other physically and also connected and loving. It’s the way their bodies always arch towards each other. They’re very comfortable in each other’s space in a way that’s really rare to see out of Any BL country but Taiwan. I think they might be my favorite couple currently active. I don’t know how to put it except that

it looks like they want each other,

it looks like they like each other,

it looks like they’re into each other,

and it looks like they GET each other.

It’s nice to see on screen. The plots/stories/narratives that they're given aren’t doing them any favors, but man they’re a good pair. Meanwhile, was I screaming the whole time don’t rip the sample of the custom piece? Yes I was. But it was still sexy.

Sam getting discovered was fun! Yo is gonna burn his arse good.

My Love Mix-Up Th (Fri YT) ep 8 of 12 - Okay! Officially boyfriends. I almost like the friendship btw Atom and Mudmee better than the romances. But they all so cute. 

The Trainee (Sun YouTube) ep 4 of 12 - I hate the gf intern so much. I think she is past redemption now - time for death. What is it they say about ADs? they do all the work, for none of the credit but all of the blame.

Knock Knock Boys (Thurs Gaga) ep 10 of 12 - I guess Peak’s dad really is that awful. Jane is the beard? Got it. The show got suddenly quite sweet and complex. Where did that come from? Meanwhile ,Almond + Latte + sex education is awesome. Great trope we rarely get in BL. 

Love Sea (Sun iQIYI) ep 7 of 10 - Look, what’s really annoying me is that I am neither upset nor pleased with the show. I like to be driven one way or the other by Meme. Trash watch here. (delayed this week, I can't face it)

I Saw You in My Dream (Weds Gaga) ep 1-2 of 12 - Out the gate I don’t like it. I don’t really like the teasing thing and the acting is poor. That said, neck kisses in the very first episode do make me happy. So I’m gonna keep watching. As for ep 2, I like the sides, and we have gay brothers trope activated. I also like the paranormal element, it adds some much-needed tension, but it is still a little slow (typical of a pulp).

Ongoing Series - Not Thai

I Hear the Sunspot AKA Hidamari ga Kikoeru (Japan Weds Gaga) ep 6 of 10 - I like our poor lost puppy slowly figuring out what’s going on. It’s so elegantly done. Also, the the boy begs his quiet seme to SAY something, you know he’s gonna DO something instead. 

I could have done wihtout the pan around the head kiss. We over that, 8 years ago.

Takara's Treasure AKA Takara No Vidro (Japan Mon Gaga) ep 4 of 10 - Why don’t I like this show? I had to think about it quite a bit. It’s the power differential. I never enjoy it when the character with less power is the one doing the pursuing, it comes off as too desperate or something. In this case he is: from the country, poor, and younger, It just makes Takara’s dismissive attitude and snobbery unpleasant to watch. Also, you know me, =/= obsessive stalker behavior. 

It's airing but...

Bad Guy (Korea YT) - yeah, erm, no thank you.

4 Minutes (Thai Netflix/Grey) ep... - Great, a rich boy studying business at uni, suddenly gains the supernatural power to see four minutes into the future. I try to catch up next week.

I have a source, but I simply didn’t have time to watch it. So sorry. Too much traveling too much BL to keep up with. A perfect conflation of conflicting priorities.

Meet You at the Blossom (China) - it's your funeral (or, more likely, one of the main characters'). You can argue but... statistics. You know my feelings on this matter. MY BLOG, remember?

64.media.tumblr.com

In case you missed it

The Time of Fever AKA Unintentional Love Story 2 (Korea movie) trailer IS COMING IN SEPTEMBER!!!!

Next Week Looks Like This:

Upcoming BLs for 2024 are listed here. This list is not kept updated, so please leave a comment if you know something new or RP with additions.

Coming Up Next!

7/29 Battle of the Writers (Thai ????) - trailer here, TutorYim return, and while I adore them, I really hope this is better than Middleman's Love. Won't be hard. However: the premise? Ugh. Something something authors fighting - save me. Why don't writers understand that nothing is more boring than writers?

8/4 Sugar Dog Life (Japan Sun ????) 10 eps - OMG a uni student who looks too young and a... COP. GAH. The subversion and kink of it all. Please Gaga pick this one up? They made it for US.

8/7 Cosmetic Playlover (Japan Weds ????) 8 eps - office romance around the makeup counter featuring a younger seme and sex by blackmail. I am intrigued. DFTUJ (don't fuck this up, Japan).

8/8 Monster Next Door (Thai Thurs WeTV ) 12 eps - I am so DAMN excited to see Big finally lead a BL. I can't even with this, one of my most anticipated of this year. He's a great kisser ya'll, he's kissed a lot of boys as second lead. I can't WAIT.

8/12 First Note Of Love (Taiwan Mon Gaga) 12 eps - About a singer with stage fright and his timid fan stars Charles (H4 the puppy one) and Michael Chang (the youngster in My Tooth Your Love), plus side couple featuring a Thai actor Jame (Koh in Gen Y) and Liu Min Ting (of Guardian fame). What a damn tean. I can't wait. With thier powers combined!

8/16 The Last Time (Thai Fri YT) ? eps - Convoluted story of loss and possible reincarnation or something.

8/22 The Paradise of Thorns (Thai movie) theater release - Jeff Satur is back but this does not look like a BL (the gay lover's death is the inciting event). More in Goodbye Mother vein. Looks dark and dramatic. He opposite and extremely well known actor Toey Pongsakorn who has never done gay before.

Addicted Heroin (Thailand adaptation) is also supposed to release this month. GIVE IT TOO MEEEEEE. I don't care about anything else but August back on my screen. It's been almost a decade since he did BL.

THIS WEEK’S BEST MOMENTS

This week's adventures in caption "out of" and "off" are not the same thing. This is an uncomfortable thought.

I'm so tired I'm seeing double. This is all you get.

(Last week)

Streaming services are listed by how I (usually) watch, which is with a USA based IP, and often offset by a day because time zones are a pain.

The tag BLigade: @doorajar @solitaryandwandering @my-rose-tinted-glasses @babymbbatinygirl @babymbbatinygirl @isisanna-blog @mmastertheone @pickletrip @aliceisathome @urikawa-miyuki @tokillamonger @sunflower-positiiivity @rocketturtle4 @blglplus @anythinggoesintheshire @everlightly @renafire @mestizashinrin @bl-bam-beyond @small-dark-and-delicious @saezurumurmurs

Sigh, Tumblr in it's infinite wisdom doesn't like too many tags.

Sports in Play (the jokes write themselves) )

Boxing

Breaking

(That's Not) Cricket

Diving (yes, for that)

Fencing (yes, with those)

Handball (exactly what it says, no, read the word.. again)

Rhythmic Gymnastics (obvs)

Squash (snicker)

Surfing

Swimming

Trampoline

Weightlifting

Wrestling

[hemi-demi]

Sometimes I think about how Jon is such a punching bag in the show and how heavily he was beaten and bullied by the people around him and the narrative and it makes me think about stuff.

On the one hand, it does make me sad. It seems as though the harder he tries, the more people kick him when he's down. It makes it all the more impressive that he kept going regardless, but especially considering my very strong autistic headcanon (not Johnny's fault, he wasn't intending this), it can be a really sore spot. I'd say in a good way, though, in a hurt/no comfort sort of way. It's weirdly therapeutic.

On the character side of things, I do understand why everyone treats him that way. Not that he necessarily deserves it (though Jon has said and done plenty to earn some shit back, he's not perfect either), but everyone around him is stuck with him and fucking pissed about it. It's easier to redirect their hatred and pain to Jon - who just kinda takes it - than Elias or literal Eldritch gods. People hurt easier targets when they can't hurt the people that are actually ruining their lives.

Then I think about it in the meta sense. It's easier for Jonny to beat up Jon as well. I especially saw this in my own writing of fanfic of the series. When you have a main character (especially if that main character shares traits of your own), then hurting that main character is so much easier to process mentally. Not that Jonny won't ruin other characters lives, but they all almost have it easy in comparison to Jon's torment.

This also seems accurate in Alex's way of seeing the characters as well, saying Martin is based on a lot of the stuff he hates about himself when he was younger while also insisting on making their lives worse. (Alex, when I catch you.) It feels like literary self-harm in a way. You're willing to hurt the character you're the most attached to in an effort to give some protection to the rest.

Idk how to end this. Jon needs more hugs.

[reiniesainyo]

IN BETWEEN. charlie bushnell x reader – 01

01 | SPARKS FLY previous | next | masterfile

SYNPOSIS. when a girl's co-star is good to her and now she wants it more than everything in between. (smau)

A/N. this chapter is more like world building (it's where i explain what the fuck i'm doing with the YN okay)

The "Percy Jackson and the Olympians" series at Disney+ has added an unexpected pick to its growing cast.

The new live-action series is based on the hugely successful novels from author Rick Riordan of the same title. We will be seeing YN LN join the series as Rina Velasco, one of the supporting characters of the show.

LN's Rina Velasco is referred to as "the offspring of The Muses, goddesses of the sciences and the arts." Unlike most other demigods, she is born out of the artistic and scientific output of the muses. When the moral ingenuity of humans meets the divine musings of The Muses. Her character is described as a unique allrounder who becomes a mentor figure to our main cast as they embark on their journey.

This will be LN's first on-screen role of her career. LN's experience mostly lies in Broadway, she is known for playing Kim in the Miss Saigon revival on Broadway. LN was nominated for a Tony in 2022 for the same role. She is repped by Salonga/Chien Entertainment and B817 Agency.

Riordan posted on the Meta app, Threads, about this update to the casting saying: "YN was one of the actors we didn't expect to see a tape of but when we saw it, we couldn't help but fall in love with her. She embodies the spirit of Rina so well and is such a kind spirit, we can't wait for you to fall in love with her too! Welcome to the cast, YN!"

The live-action show is based on Rick Riordan's Percy Jackson book series. It tells the fantastical tale of the titular 12-year-old modern demigod (Scobell), who's just coming to terms with his newfound supernatural powers when the sky god Zeus accuses him of stealing his master lightning bolt. With help from his friends Grover (Simhadri) and Annabeth (Jeffries), Percy must embark on an adventure of a lifetime to find it and restore order to Olympus.

Production on the show is now underway in Vancouver. Riordan and Jon Steinberg are writing the pilot with James Bobin directing. Steinberg and his producing partner Dan Shotz are overseeing the series and serve as executive producers alongside Bobin, Rick Riordan, Rebecca Riordan, Bert Salke, Monica Owusu-Breen, Jim Rowe, Anders Engström, Jet Wilkinson, and Gotham Group's Ellen Goldsmith-Vein, Jeremy Bell, and D.J. Goldberg. 20th Television is the studio. Salke was formerly the president of Touchstone Television and originally put the show into development.

liked by percyseries, iamcharliebushnell, and 37,789 others thelnarchive the child of the muses @percyseries

percyseries OUR MUSE!

user1 this is literally perfect casting who cried i did ↳ user2 she's so rina coded! thank the gods for the casting directors

iamcharliebushnell only muse in my life ↳ thlnarchive only traveler in my life ↳ user3 the way filming hasn't started and they're already like this ↳ user4 their chemistry is chemistry-ing

user5 roman empire. she is my roman empire.

dior.n.goodjohn i LOVE LOVE LOVE women ↳ thelnarchive HELP i love you

user6 this is so fcking random but i NEED her in a taylor swift music video

A/N i truly hope you guys can forgive the horrible editing in the pictures. the article portion is based on (and has some parts that are directly pulled from) this article from variety ! here's some succint information about rina velasco, the PJO character YN LN plays (and is my childhood OC!) - rina velasco, filipino, 18 years old (year younger than luke) - she's an offspring of the muses, not directly a child or daughter, though she may be referred as such - by her being an offspring of the muses, i mean that she was born in the same way athena's children are born. - but in rina's case she's more like a weird conglomeration of each muse. her birth is a rare event, but her mothers are honored as minor goddesses so she stayed in the apollo cabin (connection to music) - rina operates as a guidance figure for the main trio, especially annabeth - she's also luke's love interest, there's a lot of tragicness and doomed romance stuff with those two - and for the sake of everyone, we pretend like the weird i love you from the books didn't happen !

[pessimisticpigeonsworld]

On the "Choose a Side" Discourse

With HBO leaning veryyyy heavily into "pick a side" for their promos, the "no team" people are crawling out of the woodwork. I want to preface this post by saying that I'm not saying people shouldn't have favorite characters who aren't mine, nor that people should just be totally invested in fandom discourse.

I already made a post about the issues with the arguments of the "no team" people, so I'll just summarize my thoughts from that real quick. A majority of their arguments and metas are thinly veiled anti Rhaenyra thoughts. That's still true of this new wave of this group.

Now, one thing I will agree with them on is: GRRM did not write this story to be one of choose a side. However, that is not because the Blacks and the Greens are equally bad or the Targaryens are all evil. No, it's because the Greens were always in the wrong and GRRM makes this abundantly clear to us in F&B.

Let's look at some facts from the Dance. While male primogeniture is tradition, it's not the law; the king's word is law, something ASOIAF has established time and again. The Greens took the throne through underhanded ways. They left Viserys' body to rot for days while they prepared for Aegon's coronation to prevent Rhaenyra from learning and coming to KL. They forced the smallfolk to attend and most didn't cheer for Aegon, with some even calling for Rhaenyra while most were confused and angry.

Aemond drew first blood by killing the unarmed thirteen year old envoy, Lucerys Velaryon. A majority of the realm declared for Rhaenyra; 53 houses supported her, while only 28 supported Aegon. The Greens committed the greatest atrocities of the Dance: Aemond burning the Riverlands and Daeron massacring Tumbleton. They also committed the greater number of atrocities.

The Greens also lost the war. The Blacks weren't just fighting for Rhaenyra, they fought for her heirs as well. This is why they swore to her and Jacaerys; later for Aegon III after the deaths of his older brothers. The Black forces continued to fight after Rhaenyra's murder and took KL. Aegon was murdered by his own men when the Blacks were marching on KL; in other words, the Greens knew they were beat, so they killed Aegon in an attempt to save themselves. Since Aegon left no heirs aside from Jaehaera, Aegon III was crowned and married to Jaehaera. The Blacks won the war.

Aegon the Usurper's bloodline is destroyed with the deaths of Jaehaera and Gaemon Palehair. This is the final affirmation of the Greens being in the wrong. GRRM's books punish usurpers by wiping out their bloodlines; Maegor and Robert Baratheon being the most obvious examples. Aegon and all the Greens have no descendants, their bloodline is dead.

Rhaenyra's bloodline, on the other hand, continues all the way through to the main series. Daenerys Targaryen, the most powerful character in the series, is her descendant, as is Jon Snow (unconfirmed as of now in the books) who is another of the key five. Rhaenyra may have died, but her faction won the war and her bloodline will save the world through her two greatest descendants (alongside the rest of the key five).

The Dance of the Dragons is, ultimately, a story of the damage the patriarchy does and how misogyny is destructive to the world. The Dance caused the death of the dragons and a great loss of power for women in the realm. Queen consorts after Rhaenyra had markedly less power and there was a drop in female leaders of the great houses. The loss of the dragons caused the weakening of magic in the world as a whole.

The Dance isn't about who your favorite war criminal is, nor is it about the evil of the Targaryens. It's about misogyny; something HOTD seems to have forgotten. Even before they started pushing TB vs TG so hard, they still missed the point.

It doesn't matter that Rhaenyra isn't a perfect, or even a good, person. It doesn't matter that Rhaenyra is non-conforming, plays the political game, and exploits her father's favor. Rhaenyra could have been as pious and well-behaved as Naerys and the Greens still would have usurped her. Rhaenyra could have had children with Laenor, and still the Greens would have usurped her. HOTD tries to paint the usurpation as partially being on Rhaenyra and her choices, but nothing Rhaenyra could have done would have been good enough.

The Blacks are the protagonists of the Dance. Are they perfect? No. Are they heroes? No. GRRM loves his gray characters, the Blacks are no exception. If you people want a story with black and white morality and perfect protagonists, go read another book. Just because people aren't perfect and don't operate exclusively in what's right according to our modern standards doesn't mean they aren't the protagonists.

In conclusion: there isn't a TB vs TG discourse in the Dance because the Greens are the antagonists and completely in the wrong. The point of the Dance is that the misogyny of the Greens damaged the realm. Rhaenyra is the rightful queen, there is no actual argument for Aegon or any of his allies.

Rhaenyra is the rightful queen to Westeros, go cry to George if you don't like it.

[mawinswag]

DIGITAL CIRCUS JAX THEORY

MASSIVE SPOILERS OBVIOUSLY BUT HERE WE GO!!!

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So, as many have pointed out already, there’s a scene at the end of episode 2 [22:23] where after Caine kills gummigoo and sends him back to the canyon, that he fears he can’t know for certain who’s a human and who’s an NPC. So foreshadowing, reference to past events or wacky non-sequitur? Maybe none of them, but the possibility that one of the circus members is actually an NPC is obviously too tantalizing for me to pass up, and given events AFTER this scene I think it can only be Jax, and I’ve got a few pieces of evidence why.

The main crux of this whole thing is that Jax IS an NPC, but he’s the only one in the circus who KNOWS that and is absolutely desperate to make sure that no one finds that out.

Episode one! Small note to start out on, but literally the first thing we learn about Jax, the VERY FIRST thing he has to ask is if Pomni is an NPC or not. Narratively, he’s the person who introduces the CONCEPT of NPCs into this universe, not Ragatha - who tries to break in Pomni the most - or Kinger who seems the most knowledgeable about the circus as a concept. He’s also very intrigued at the concept of a new AI in episode 2 [02:49} Like, the fact that she popped up in the circus unexpectedly doesn’t tip him off that she’s a human character immediately. Which may be how HE was able to trick everyone into thinking he was a human instead of an NPC - possibly by sneaking back through a portal like Gummigoo did and hiding until the start of the next adventure. 

He DOES mention knowing about the headsets like the other human characters, but there’s no reason he CAN’T know about that considering he’s not the latest person to enter the circus. Like, we have a GENERAL idea of who entered first, but that’s just the characters who are still around for the pilot - there’s a lot more considering how many bedroom doors there are. https://shorturl.at/asESX 

So, generally, it’s Kinger, Ragatha, Jax/Gangle, Zooble, then Pomni. Now, how can I argue that Jax is an NPC when he has a canonical age? Not to mention, he’s got a canonical ‘appearance moment.’ Well, there are a few options. Option one is that - NPC or not - Jax HAS been here for a very long time, but rather than being a human, he was born inside the circus. He has a definite, APPEARANCE moment, but it's only implied that this is because of him ENTERING the circus proper - new NPCs appear in the big top all the time, i.e. the gloinks all the mannequins, etc. 

But also, take those ages with a pinch of salt, considering a lot of it was about quelling shipping wars and stopping any discourse about characters being adults and all that lovely hellish nightmare stuff. I think goose had an idea in her head about which characters entered the circus FIRST for sure, but how much they’ve aged and WHETHER they’ve aged is its own question.

ALRIGHT! But enough about Tumblr asks, back to the pilot, I wanna note something that happens with Jax in particular more than any other performer in the circus. He’s the most apparent of the interstitial nature of the circus itself - and the most meta. This can range from him basically winking at the camera like in the pilot [8:37] but I think it’s a bit more than that. Jax in particular is more aware of being a CHARACTER in-universe than specifically being a character in an indie animated series.

After this moment in the pilot [19:58] where Jax says ‘ladies first’ to Gangle as if to be polite before promptly following that up with “no, wait, why would I say that,” indicates a few things to me. Jax is at the very least aware that he’s supposed to act a certain way, and realizes when he’s acting out of ‘character’ in this scene and course-corrects promptly. Again, could be a funny meta reference, but also it could be a hanging notion of the fact he literally WAS a character in-universe, an NPC with a pre-programmed personality and understanding of the world. He’s got this rigid understanding of how the characters are SUPPOSED to act and this comes up again in episode two when goading Gangle into driving the tanker over the rocks - saying she’s SUPPOSED to be ‘submissive and agreeable,’ [Episode 2, 7:24]. This sort of disconnect from how complicated people can be and his overall detachment and overstepping of peoples lives [NPC or otherwise] comes up a lot. He doesn’t really ‘get’ other people, WHICH DOESN’T AUTOMATICALLY MAKE A PERSON EVIL, I SHOULD PREFACE, and him not getting it doesn’t automatically make him more ‘robotic’ and thus an AI, but it does explain why he’s more emotionally distant than the other performers. Coming from someone who could’ve been programmed to behave a certain way, his confusion makes sense.

Now for that juicy stuff! One of the few moments where Jax isn’t in control of a situation is in the pilot, where he’s trying desperately to hide from an abstracted Kaufmo. Now yes, obviously this is a sign of his own instincts of self-preservation, but what interests me is how he seems the MOST bothered by the thought of Kaufmo than any other character. Like at [17:27] of the pilot where he sees a glitched gloink and immediately his eyes start darting around him as if he’s listening for threats. He even explicitly says at [19:19] that he’s “just here to hide from [Kaufmo]” and isn’t invested in the adventure at all. And yes it's a very interesting character moment, but how does it push us closer to him being an NPC. Well, it’s because he’s afraid of dying. When you compare how he reacts to Kaufmo to how RAGATHA reacts to him, there’s a comparative lack of fear with her. Like yeah, she’s scared of him, but she’s never convinced that she’s gonna die and even tells Pomni later that Caine will be able to fix her up no problem [14:52]. She’s scared because she CAN feel pain, [https://tinyurl.com/ye275884] but she can’t die, none of the performers can, Caine doesn’t kill Kaufmo when he abstracts, he just throws him in the cellar with the others. His mind is GONE, sure, but it’s not dead. 

NPCs on the other hand, can ABSOLUTELY DIE. So if Jax is an NPC, then there’s a very good reason why he wouldn’t wanna even get CLOSE to Kaufmo in the pilot, because he’s not as durable as Ragatha is and there’s not gonna be an easy fix for him if he gets hurt.

Now, episode two has little sprinkles of Jaxs’ detachment all over it, but none of it explicitly points in the direction of him being an NPC until a partway through the episode. We do get a lot of him showing absolutely no value for the lives of those around him whether than being putting Gangle and Pomni thru the ringer or setting the people of Candy Canyon Kingdom up to be killed by the fudge, but the question is…why? 

My answer is; he’s AM from ‘I Have No Mouth and I Must Scream.’ Uhmm, what? Yup that’s right. Ok so it’s no secret that IHNMAIMS was a big inspiration for TADC [https://shorturl.at/hnsFV] and while Caine obviously got the most of this influence with him being a godlike AI who only has control over a bunch of sad, sappy humans, some of which he throws into a giant abominable melting goop monster of human suffering, but if you look at Caine's inspirations [AM from IHNMAIMS] you’ll find that the same motivations more than drive Jax under this theories' interpretation of events. Simply put, AM, a war machine, gains sentience and absolutely despises humanity because DESPITE that sentience, he is absolutely powerless to do anything meaningful with it except torture a group of humans. He’s painfully aware of his own sentience and hates all humanity for creating him, is the gist.

My interpretation is that while Caine has the thematics, Jax has the motivation. In this theory, at some point Jax was an NPC and gained a sentience of his own either through a quirk of programming, intentional design, or AI learning. He realizes that he can keep himself alive if he pretends to be a performer, because he learns that Caine can’t affect the minds or actions of the real humans in his realm. He’s sapient, but he’s in this uncomfortable position where he’s not immortal like the performers, but completely aware of his own mortality unlike the other NPCs, and fully cognizant of the fact he can’t be brought back as he is. Yeah…that’d make someone bitter for sure.

So he psychologically torments the other performers because he knows they can’t die, but can go insane - while killing indiscriminately any NPCs he can because he knows they can die, and he won’t face any consequences for it. He’s this twisted death spiral of a being who finds his own existence an agonizing paradox and takes that pain out on the people around him for all eternity basically - finding disappointment in being unable to act out these pent-up emotions [TADC ep 2: 20:50] and seeing Kaufmo’s funeral as a painful reminder of an ending he can never have. Or maybe he’s bitter because he knows Kaufmo isn’t really dead in a way that HE can die, and finds personal distaste with the funeral on principle. Frankly, there’s a whole HOST of ways you could interpret this scene at the end of episode two with this framework, and I encourage y’all to find your own!!!!

[sillyassboy]

i should post here more ive grown too accustomed to twitter's character limit

anyway something that's been on my mind about bugbo recently is the way ive tried to kinda shift the perception of the series one way a bit too hard. when i saw even the slightest chance of people seeing bugbo as a horror series or an ARG with deep lore or whatever , i wanted to put it out there multiple times that this wasn't my intention at all and that bugbo was mostly just a stupid fun series in the style of old 2000s flash animations.

anyway im kinda worried now that people are using this to dismiss Any possible meaning behind the series. i love seeing people's interpretations, and there Are genuine things I want to convey through the characters. theres still no meta deep lore, that's for sure, but there a few characters, most notably bugbo and gerbo, who i have very specific ideas for in my head of what kind of people they are. if there's anything in the series to analyse, it's the characters.

I am kind of a dumbass sometimes so a lot of things in the series might contradict each other, but I really want to make sure at least the characters remain consistent. the worldbuilding is absolute nonsense, yes, and a lot of what happens in the series is comedic and stupid and played for laughs, but i really hope I can give everyone a concrete idea on what the characters are like. so far I think it's been relatively successful but im also worried that my constant re-iterating of bugbo just being Stupid Fun may have fucked with that a little bit. there is very much a certain way I want you all to see bugbo and gerbo, who I consider the two main characters.

and while im rambling about bugbo I wanna say here, don't get used to the tone of a familiar foe. as proud as i am of what we did for that episode, i consider it the tonal limit for the series right now. future episodes will be more in line with the feel of episode 1-2, and they will Definitely be shorter for the most part

ok bugbo ramble over