#oshi no ko sarina

[noixdraw]

Edit del op de la segunda temporada de Oshi no Ko versión Gorou y Sarina ❤️

Al no tener la paleta de colores finales de Sarina puede que cuando adapten el capítulo 142 del manga se vea diferente, le puse cabello castaño y los ojos son mas brillantes de lo que se ha visto en el anime, le dejé el uniforme de Ruby porque ella se imagina como una chica sana que pudo confesarse a su "Oshi" 🥺💖

Sarina es uno de mis personajes favoritos y espero que el anime le haga justicia cuando cuente su historia 😿💔 y ojalá Aka le de un protagonismo decente para el arco final que está en curso.

#雨宮吾郎 #GorouAmemiya #アクア #aquahoshino #fanart #oshinoko #edit #oshinokofanart #anime #editanime #oshinokogoro #推しの子 #oshinokoedit #俳優 #rubyhoshino #星野ルビー #天童寺さりな #アクルビ #SarinaTendouji【推しの子】 #oshinokoanime

[sunsetsmakemesad]

I made an edit :D

[cannondisabledcharacters]

Today’s disabled character of the day is Sarina Tendouji from Oshi no Ko, who has anaplastic astrocytoma and depression

Requested by Anon

[Image Description: Drawing of a girl standing in front of a blue curtain. She is wearing a grayish green winter cap with red heart and a button charm. She is bald and has light blue eyes. She is also wearing a pink jacket with a grey ripper.]

[gabbyp09]

[dailyaihoshino]

Triple post to make up for missing yesterday!

[all-of-her-light]

Ruby and the Unplayed Role

(Warning: Long analysis post.)

In Chapter 115 of Oshi no Ko, as Ruby is preparing to take her turn in the interpersonal acting audition, she reflects on her relationship to acting itself – and describes it as running very deep.

And by "the whole time", she seems to mean the whole time. As Sarina, she "played the role" of a girl who faced her circumstances bravely and bore no grudge against her parents for their neglect, because rebelling against those miserable circumstances would have been futile. Upon her reincarnation, "Ai's daughter" too was a role she played, and after Ai's death, she acted as the bright, innocent, non-grieving idol that she believed Ai wanted her to grow up to be. At this point in the story, we've already seen black-starred Ruby hide her vengeful anger behind a smiling facade, but this monologue suggests broad artificiality in Sarina/Ruby's self-presentation even before her vengeance arc.

Notably, Ruby also wonders here whether Ai's bright persona was an act in the same way that hers was:

This helps set the stage for later story beats like the end of Chapter 134, where Ruby again deepens her insight into Ai by personally relating to her.

And then, as if to drive home the point about her own acting, Ruby's turn in the audition consists of her expressing raw, acute grief over Ai and Gorou's deaths...

...before putting on a bubbly mask and acting like the grief isn't real.

Later on, the scene in Chapter 123 where Ruby spills her guts to Aqua seems to elaborate on the nature of the act that she's been putting on:

Ruby has been burying all of her sadness and anger and frustration, seeking to "smile all the time" in order to be loved. She's been performing a sanitized, idealized version of herself out of fear that no one would love the real her. Just like Ai did. Which, again, gives Ruby a powerful avenue for understanding Ai.

But there's an issue with this analysis. If you look back at Ruby's behavior in the manga's early chapters – before she discovers Gorou's corpse, meets the Crow Girl, becomes vengeful and all that – you'll notice that she doesn't actually express unfailing cheer, optimism, kindness, confidence, or generally Ai-like behavior. She doesn't even seem to be trying, really. She's bright and cheerful sometimes, sure – but other times she's unapologetically not, for understandable human reasons.

For instance, there's that time in Chapter 19 when she begs Miyako to hurry in starting an idol group for her to join, openly expressing insecurity about fitting in with her celebrity peers:

Or that time in Chapter 37 when she approaches Kana to confide in her about her stage fright:

(It's hard to imagine Ai seeking out support from a groupmate like this, at least without them opening up to her first in the same conversation.)

Ruby is also not above being rude or hostile to people, even when it's against her own interests, as can be seen in her bickering with Kana in Volume 2:

And then there's Chapter 23, when Ruby gets on Aqua's case about neglecting family time in favor of LoveNow-related activities:

(This is also one of those things Sarina/Ruby does that takes on a new meaning once you learn about her relationship with her original parents.)

There are more examples of pre-vengeance Ruby expressing various negative emotions to others, but I won't belabor the point. In general, I think perceptions of pre-vengeance Ruby as acting consistently cheerful or positive come largely from exaggerating/simplifying the contrast between her and her gloomy brother, or between her and her "darker" future self. They don't reflect her actual behavior.

Now, speaking of Sarina/Ruby's relationship with her original parents, I think it makes sense that a badly neglected child like Sarina would develop a tendency to avoid behaving in any potentially unpleasant ways around her parents, implicitly hoping that they'll want to spend more time with her that way. I also think it makes sense that she would extend this strategy to other relationships, given the formative role of one's relationship with one's parents – especially in Sarina's case, due to her isolation.

Importantly, though, we don't see Sarina trying to perfectly sanitize herself in her interactions with Gorou. Indeed, they both seem quite comfortable teasing each other (in flashbacks both from earlier chapters and from more recent ones):

The fact that Sarina doesn't walk on eggshells with Gorou suggests that she's relatively secure in her relationship with him, rather than fearing that failure to get along with him flawlessly will drive him away. I think this means Ruby's characterization in the early chapters is compatible with Sarina's later-revealed backstory if we understand Sarina's relationship with Gorou as also having been formative, teaching her that she doesn't need to act perfect to be loved. I also think this interpretation helps elucidate why Gorou means so much to Sarina/Ruby: his robust, reliable love and care for her gave her a level of confidence and security in herself that she didn't have before.

Now, what about Ruby's grief over Ai's death? Don't Chapters 115 and 123 imply that to be the single most prominent feeling that pre-vengeance Ruby was burying beneath her acting? How do the early chapters portray the effect of Ai's death on Ruby? Is that portrayal compatible with 115 and 123 (interpreted the way I did earlier)?

I am again going to argue: not really, no. 115 and 123 have Ruby recall "[acting as if] overcoming my mother's death, becoming a bright and innocent idol" (115) while secretly thinking "it'd be easier if I could just forget about her" (123). They seem to portray Ruby's past coping strategy for Ai's death as avoidant in nature; she tried to avoid letting the tragedy affect her or ideally even thinking about it at all. However, the early chapters portray Ruby's coping strategy for Ai's death as distinctly un-avoidant. Allow me to explain.

Starting off, Chapter 10 shows us Ruby's behavior in the days following Ai's death. We first see her reading social media reactions to Ai's murder and expressing anger and distress at people saying she was asking for it if she had a secret relationship, while Aqua listens silently:

A while later, though, after Ai's funeral – in fact, starting in the very next panel – Ruby and Aqua have the following conversation:

This conversation is echoed in Chapter 12, after the post-prologue timeskip, when Ruby, Miyako, and Aqua talk about Ruby joining the underground idol group:

In both conversations, Ruby doesn't deny her family members' claims about the hardships of idolhood, but she expresses a desire to become an idol anyway, not wanting to let the hardships stop her. After all, Ai sparkled, and Ruby wants to be like her.

(To reiterate, by the way, pre-vengeance Ruby's desire to "be like Ai" does not seem to involve never showing any negativity in her personal life. And it's not even as if Ruby never saw any negativity from Ai to begin with; see e.g. Chapter 4.)

But what does this drive of Ruby's have to do with her grief over Ai's death? After all, Ruby has wanted to be an idol – and to be like Ai – since before she was Ruby. She didn't need Ai to die to want those things. And how would her idol ambitions even psychologically relate to processing her grief?

Well, I think we get a pretty good look at a relation between them later on, starting in Chapter 41. This chapter opens with Ruby talking in her thoughts to "Mama in heaven", telling her about developments in the twins' lives from the past few months (which also serves to fill in and recap for the reader). After the recap, Ruby reassures Ai that she's doing well, and then we get these panels:

Ruby believes that performing at a dome – the elite opportunity that Miyako in Chapter 8 told us was "everyone's fantasy" – was also Ai's fantasy. But Ai's dreams of soaring to maximum fame as an idol were dashed by her murder. And now Ruby has taken it upon herself to fulfill them in Ai's stead, giving her another major reason to pursue idolhood.

We see Ruby visiting Ai's grave again and giving her more updates a couple in-universe months later in Chapter 72. Ruby tells her about the upcoming trip to Miyazaki, Aqua having become more cheerful lately, and then:

All of this implies that Ruby has been visiting Ai's grave and connecting with her memory in this way every few months for who-knows-how-long, and she has no intention of stopping.

This is not the behavior of someone who is trying to avoid giving mental space to the death of a loved one. On the contrary, pre-vengeance Ruby repeatedly confronts herself with the concrete fact of Ai's death and responds to it with mental fight rather than flight. The dark side of the idol world may have killed Ai's body, but it hasn't killed her spirit. Ruby copes with the tragedy of Ai's death by turning it into motivation – to preserve Ai's memory, to take up her mantle, to defy the darkness to ensure that her spirit lives on.

So what should we make of these discrepancies in Ruby's characterization between the earlier and later chapters? Honestly, I'm not completely sure. Maybe there's some way in which all of this makes sense after all. Maybe something got lost in the translation from Japanese to English? Maybe some of Ruby's recollections in Chapters 115 and 123 that we've assessed are meant to apply specifically to her vengeful self, or to the times when she was making public appearances? Maybe Akasaka deliberately wrote some of those recollections to be wrong to show that Ruby's awful present mental state is distorting her memories and sense of self? It seemingly wouldn't be the only case of that happening; Ruby appears to claim in Chapter 122 that the reason she became an idol in the first place was to avenge Ai and Gorou, which we know isn't true (and which Aqua also refuses to believe).

However, I think we should also consider the possibility that Akasaka just changed his mind about how he wanted to write Ruby partway through the manga, and the discrepancies in her characterization are artifacts of that without a good in-story explanation. For instance, maybe Akasaka only nailed down the details of Ruby's role in the Movie arc relatively recently, and the things he wanted to do with her required her to be able to personally relate to Ai in ways that didn't line up with her established characterization. So Akasaka tried to reframe what he'd written before to make Ruby more similar to Ai in certain ways, without complete success.

If this hypothesis is true, then Ruby isn't one fully consistent character throughout the whole manga; we have to distinguish "Old Ruby" and "New Ruby" at a minimum. And that idea disappoints me; Ruby is one of my favorite OnK characters, and inconsistencies of this size in her character progression interfere with my ability to appreciate it as it continues into the future. I also just kinda like Old Ruby better than New Ruby; I think Old Ruby better distinguishes herself from Ai and contrasts her in an interesting way. Old Ruby (pre-vengeance) is a person who knows the feeling of loving and being loved, values living authentically, and largely succeeds at it from day to day, but is nevertheless building her life on a couple of big lies and misunderstandings. (Ai didn't dream of the dome; Ai didn't want her children to remain a secret forever; the Ai who Ruby has dedicated herself to honoring is not the real Ai.) I think a character like that is a valuable addition to a story like OnK, and I'm disappointed at the idea of Old Ruby's arc never getting a proper, non-retconning second half and conclusion.

[septimus-h]

Honestly, as a mere 12-year-old, Sarina having such thoughts, and being delusional and pushing them away, is probably an accurate description of what an 'unloved' child would feel. From our childhoods, we were taught that parental love was natural and something every kid received, which makes kids harder to accept the neglect and lack of love from parents. Or, worse, when your parents' love starts waning, you still hold on to the past where they loved you, refusing to let go.

[kobitoshiningneedle]

Was following Oshi no Ko manga very casually, but the latest chapters and leaks have left such distinct taste of piss in my mouth that I need to scatter some of my thoughts

I think I can forgive a MCD in the beginning of the story in face of Ai's murder, even though I wished she was actually someone who participates in the story. The recording plotpoint wasn't bad, but it still was kinda hard to get a grasp on what type of person she really was, especially if Ai and her actions were perceived by characters like fucking Aqua or Kamiki , so I guess I'll have to rely on Tumblr longreads for this one, you guys do god's work (the god in question IS NOT Tsukuyomi by the way)

But man. The Aqua development in 160ish chapters feels so much like a drama wank intended to make people both in and out universe cry about this edgy bishounen dying, dying in a very stupid manner. Which made me realize how wrong was the approach the authors of the manga took with this story and premise in the first place. Like, compare:

The main hero who gets more focus is a reincarnated doctor guy who dedicates his life, the resources and other people's friendship for revenge and for his sister's protection, said sister being really passive in this particular quest (although her personal arc also was dumbed down to recurring gag that fails to tie to the main plot and drama) and now having to cope with losing one of two her only family members as a result of actions she got no chance to influence ❌ wrong, tired, not inspiring at all

The main hero who gets more focus is a reincarnated cancer patient who gets a new chance to live her life, her only friend she had being by her side as her family now and exploring the darker sides of entertainment industry while rebuilding them because of her backround of being given a meaning in her life by one of the idols ✔️ cool, awe-inducing, really in line with how one of the characters in the manga is speculated to be a flipping goddes of entertainment

[nekcetera]

Our girl ;w;

[delicious-p4ncakes]

Aqua never had romantic feelings for Ruby. WE WON 🎉🎉🎉🎉🎉🎉

[phosphophylight-of-my-life]

oshi no ko aqua is such a fun character bc by most counts he's a more than decent guy.

in his first life he regularly visited hospital inpatients who had no visitors. he was genuinely happy and excited to help Ai deliver her babies, because he wants her to be happy on her own terms. he saves Akane simply because he can, and gets angry at the staff on her behalf. he doesn't stop at saving her life and spends sleepless nights turning around her public image. at that point there was nothing in it for him to keep akane around, she was just a person he was able to help and wanted to help.

by most counts he's a pretty decent guy who steps up when people need him most, except. except he's also a guy who really wants to kill his dad and that makes him manipulate people somewhat often and this is somehow not entirely at odds with his instinct to help others

[mazojo]

SHUT UP

[gabbyp09]

[a-titty-ninja]

[penguinkyun]

finally got to read onk 136 and wow. okay.

love the understanding we're slowly getting of just how bad things were in first gen b-komachi! that fight is incredibly real and heartbreaking to witness

nino, in her own way is trying out of sheer desperation and a whole emotional cocktail to reach out to ai, to find something, letting loose all her bottled up feelings in one go but all she's getting back are practised perfected smiles and deflecting answers in response to the emotion shes pouring out because ai has no idea how to handle this because shes never had friends nor any major fight before so she's falling back on the "smile and please everyone" tactic but it isnt working here because that isnt what nino wants to hear so she gets even more hurtful but ai doesn't know that so all she can do, all she can try right now is smile and its a slow suffocation of everything that could've been because they were friends but now the cracks go too deep and can't be patched up at all because ai is now dead and nino is left with a bunch unresolved feelings that still affects her more than a decade later

its just so heartbreaking and frustrating to witness just exactly how everything culminated into what it is now because no one who could have did anything about it either, not even their manager which pushed the singular star - everyone else is just a side actor narrative even more

aaaaaaaaaaaaaaaaaaaaaaaaa

continuing on, kana's detachment yet empathy with nino as she observes from a distance while ruby is very much embodying ai, being her instead of keeping herself separate. kana knows herself and now she's able to sort out her hidden feelings easier now that she has an outlet in form of nino (she uses her own emotions for acting after all) but ruby with her years of grief and the sudden understanding of ai...yeah she is Not handling this well at all someone please get her out of there

this movie in terms of Ai Potrayal is getting worse and worse by the second oof

[beilus]

oshi no ko pv icons !