#originally written on 6/17/2024

[powergayser]

"home"

personal essay on ideas of home from a diaspora desi living in the U.S.

while reading “white spaces and brown traveling bodies: a project of re-working otherness” by roksana badruddoja, i began thinking of ideas of home, and what they mean to me. a portion of this paper, published in 2006, focuses on “home,” and what it means to various south asian women. the paper also discusses race and ethnicity within the context of the united states, and how these desi women are situated within it. i myself have done lots of thinking and writing on these subjects, but i have never fleshed out my ideas of “home.” 

there are many unique struggles and situations that come with growing up in a diaspora. my parents are from india. i was born in ohio. i have lived in ohio my entire life. i have gone to india many times with my mother to visit her family. my father’s family moved to america when he was eight years old, and they still live here. 

throughout my life, i have constantly been asked, “where are you from?”

people are curious. they see me, they see that i am not white, but i am also not black. in america, race is constructed on a black-white binary. those of us who exist outside of the binary have a difficult time situating ourselves within this country. others have a difficult time figuring out where to place us as well, hence the age old question, where are you from?

this question seems so innocent, but it is loaded with racism, otherness, and the idea that we do not belong here. 

when i am in a good mood, i will say that i was born in ohio, but my parents are from india. if i am not, then i simply say “ohio,” and hope that they will leave it. but sometimes, i am asked, “but where are you really from?”

what they want to know is my ethnicity, but they don’t have a way to ask that question. in these situations, i usually turn the question back around, or i flat-out say that this is ridiculous. 

perhaps this is why the idea of “home” has always confused me. from a young age, the white children and adults around me insisted that i could not be american like them, that i was something else, and i did not belong here. eventually, i stopped saying i was american. it is not a label i feel a connection to, and apparently i do not get to decide what i am, so i stopped using it to appease those around me. 

as a child, i mainly listened to bollywood, watched indian films, and hung out with my local indian community outside of school. i went to a predominantly white private school, and i did not connect very well with the children there. my mother also did not connect with any of the parents, so i rarely spent time with people at school outside of school. i did not participate in american culture very much, and did not consume american media outside of disney channel and cartoons. people made fun of me for this, or they acted as though i had committed some grave sin by not listening to taylor swift (i still wouldn’t listen to her if you paid me a million dollars). to this day, there are still many iconic pieces of american media that i have not consumed, and it still stings when people go “really? you haven’t seen that?” 

my local indian community didn’t help with this. the majority of the kids i spent time with primarily consumed american media, and had very little interest in film and music of india. 

i’m also neurodivergent, and i ended up being transgender and queer as well. as i got older, i began to drift from the indian community. i no longer keep up with any of the children i grew up with. i fear that i am too different now. most of them are pursuing careers as doctors and engineers, and i’m struggling to finish college and get my humanities degree. 

alienation was something i felt everywhere: at school, with my family, and in my indian community. i never had a solid group of friends, i never had “my people,” and i could not find my way in the world i inhabited. as an adult who moved out of his parents’ house, it has become easier, but not by much.

when i went to india in december, and informed my partner that i had arrived at my family’s house, she said “welcome home.” 

what is “home?” where is “home?” is it a tangible place that i can exist in? is it a person? or more of an abstract concept? 

in india, perhaps i do feel more at “home.” i am surrounded by a family that loves me, despite not quite understanding me and my ways (they still don’t know i’m not cisgendered anymore, and i am too afraid to tell them). i am surrounded by people who look like me. they aren’t disgusted with me for using my hands to eat. they do not question my love for indian film and music– if anything, they are delighted that i care. they do not ask me, “where are you from?” 

india feels good. but india is not home. there are so many things i love about india, but it is not home, it is a vacation. it is a trip i make with my mother, because my grandmother was bound to the house for the last 20 years of her life, and we used to go to see her. in india, i do not have a schedule, i do not have responsibilities, there is nothing for me to do there but relax, read books, and play games. 

i get bored after a while. i get restless. i become depressed and anxious. there are parts of myself that i cannot share with my family. i cannot go anywhere by myself in india. i do not know enough hindi, telugu, or marathi to get around. if i speak english, with my strange midwest-american accent, it will give me away. i do my best to keep my mouth shut when we are going around the markets and sari shops. 

these days, i see many desis online commenting on the way diaspora desis live. they claim that we are not one of them. we stumble over our words trying to speak our parents’ languages. we don’t always enjoy foods that are traditional in our cultures. we dress differently. we participate in the culture of where we grew up, rather than the culture of south asia. and so, desis from south asia like to say that we are “whitewashed,” that we have forgotten our roots, that this is a decision that we made. it’s not like there is pressure to follow the hegemonic culture and internalize it. it’s not like there are consequences when you don’t follow it. no, no one ever made fun of me for bringing indian food to school, or wearing bindis, or bangles, or my traditional clothing. 

it’s not like i, a diaspora desi living in america, have ever had any struggles at all regarding my identity as the child of immigrants and my place in american society. 

we did not ask to be born here. we did not ask to be born at all. 

america is not home, india is not home, and the shitty townhouse i moved into with my ex is not home, either. what is home? where is it? 

will i ever find it? 

[renthony]

Nimona: a Story of Trans Rights, Queer Solidarity, and the Battle Against Censorship

by Ren Basel renbasel.com

The 2023 film Nimona, released on Netflix after a tumultuous development, is a triumph of queer art. While the basic plot follows a mischievous shapeshifter befriending a knight framed for murder, at its heart Nimona is a tale of queer survival in the face of bigotry and censorship. Though the word “transgender” is never spoken, the film is a deeply political narrative of trans empowerment.

The film is based on a comic of the same name, created by Eisner-winning artist N.D. Stevenson. (1) Originally a webcomic, Nimona stars the disgraced ex-knight Ballister Blackheart and his titular sidekick, teaming up to topple an oppressive regime known as the Institution. The webcomic was compiled into a graphic novel published by Harper Collins on May 12, 2015. (2)

On June 11, 2015, the Hollywood Reporter broke the news Fox Animation had acquired rights to the story. (3) A film adaptation would be directed by Patrick Osborne, written by Marc Haimes, and produced by Adam Stone. Two years later, on February 9, 2017, Osborne confirmed the film was being produced with the Fox-owned studio Blue Sky Animation, and on June 30 of that same year, he claimed the film would be released Valentine’s Day 2020. (4)

Then the Walt Disney Company made a huge mess.

On December 14, 2017, Disney announced the acquisition of Twenty-First Century Fox, Inc. (5) Industry publications began speculating the same day about Blue Sky’s fate, though nothing would be confirmed until after the deal’s completion on March 19, 2019. (6) At first it seemed the studio would continue producing films under Disney’s governance, similar to Disney-owned Pixar Animation. (7)

The fate of the studio—and Nimona’s film adaptation—remained in purgatory for two years. During that time, Patrick Osborne left over reported creative differences, and directorial duties were taken over by Nick Bruno and Troy Quane. (8) Bruno and Quane continued production on the film despite Blue Sky’s uncertain future.

The killing blow came on February 9, 2021. Disney shut down Blue Sky and canceled Nimona, the result of economic hardship caused by COVID-19. (9) Nimona was seventy-five percent completed at the time, set to star Chloë Grace Moretz and Riz Ahmed. (10)

While COVID-19 caused undeniable financial upheaval for the working class, wealthy Americans fared better. (11) Disney itself scraped together enough to pay CEO Bob Iger twenty-one million dollars in 2020 alone. (12) Additionally, demand for animation spiked during the pandemic’s early waves, and Nimona could have been the perfect solution to the studio’s supposed financial woes. (13) Why waste the opportunity to profit from Blue Sky’s hard work?

It didn’t take long for the answer to surface. Speaking anonymously to the press, Blue Sky workers revealed the awful truth: Disney may have killed Nimona for being too queer. The titular character was gender-nonconforming, the leading men were supposed to kiss, and Disney didn’t like it. (14) While Disney may claim COVID-19 as the cause, it is noteworthy that Disney representatives saw footage of two men declaring their love, and not long after, the studio responsible was dead. (15) Further damning evidence came in February of 2024, when the Hollywood Reporter published an article quoting co-director Nick Bruno, who named names: Disney’s chief creative officer at the time, Alan Horn, was adamantly opposed to the film’s “gay stuff.” (16)

Disney didn’t think queer art was worthy of their brand, and it isn’t the first time. “Not fitting the Disney brand” was the justification for canceling Dana Terrace’s 2020 animated series The Owl House, which featured multiple queer characters. (17) Though Terrace was reluctant to assume queerphobia caused the cancellation, Disney’s anti-queer bias has been cited as a hurdle by multiple showrunners, including Terrace herself. (18) The company’s resistance to queer art is a documented phenomenon.

While Nimona’s film cancellation could never take N.D. Stevenson’s comic from the world, it was a sting to lose such a powerful queer narrative on the silver screen. American film has a long history of censoring queerness. The Motion Picture Production Code (commonly called the Hays Code) censored queer stories for decades, including them under the umbrella of “sex perversion.” (19) Though the Code was eventually repealed, systemic bigotry turns even modern queer representation milestones into battles. In 2018, when Rebecca Sugar, creator of the Cartoon Network series Steven Universe, succeeded in portraying the first-ever same-sex marriage proposal in American children’s animation, the network canceled the show in retaliation. (20)

When queer art has to fight so hard just to exist, each loss is a bitter heartbreak. N.D. Stevenson himself expressed sorrow that the world would never see what Nimona’s crew worked so hard to achieve. (21)

Nimona, however, is hard to kill.

While fans mourned, progress continued behind the scenes. Instead of disappearing into the void as a tax write-off, the film was quietly scooped up by Megan Ellison of Annapurna Pictures. (22) Ellison received a call days before Disney’s death blow to Blue Sky, and after looking over storyboard reels, she decided to champion the film. With Ellison’s support, former Blue Sky heads Robert Baird and Andrew Millstein did their damnedest to find Nimona a home. (23)

Good news arrived on April 11, 2022, when N.D. Stevenson made a formal announcement on Twitter (now X): Nimona was gloriously alive, and would release on Netflix in 2023. (24) Netflix confirmed the news in its own press release, where it also provided details about the film’s updated cast and crew, including Eugene Lee Yang as Ambrosius Goldenloin alongside Riz Ahmed’s Ballister Boldheart (changed from the name Blackheart in the comic) and Chloë Grace Moretz as Nimona. (25) The film was no longer in purgatory, and grief over its death became anticipation for its release.

Nimona made her film debut in France, premiering at the Annecy International Animation Film Festival on June 14, 2023 to positive reviews. (26) Netflix released the film to streaming on June 30, finally completing the story’s arduous journey from page to screen. (27)

When the film begins, the audience is introduced to the world through a series of illustrated scrolls, evoking the storybook intros of Disney princess films such as 1959’s Sleeping Beauty. The storybook framing device has been used to parody Disney in the past, perhaps most famously in the 2001 Dreamworks film Shrek. Just as Shrek contains parodies of the Disney brand created by a Disney alumnus, so, too, does Nimona riff on the studio that snubbed it. (28)

Nimona’s storybook intro tells the story of Gloreth, a noble warrior woman clad in gold and white, who defended her people from a terrible monster. After slaying the beast, Gloreth established an order of knights called the Institute (changed from the Institution in the comic) to wall off the city and protect her people.

Right away, the film introduces a Christian dichotomy of good versus evil. Gloreth is presented as a Christlike figure, with the Institute’s knights standing in as her saints. (29) Her name is invoked like the Christian god, with characters uttering phrases such as “oh my Gloreth” and “Gloreth guide you.” The film’s design borrows heavily from Medieval Christian art and architecture, bolstering the metaphor.

Nimona takes place a thousand years after Gloreth’s victory. Following the opening narration, the audience is dropped into a setting combining Medieval aesthetics with futuristic science fiction, creating a sensory delight of neon splashed across knights in shining armor. It’s in this swords-and-cyborgs city that a new knight is set to join the illustrious ranks of Gloreth’s Institute, now under the control of a woman known only as the Director (voiced by Frances Conroy). That new knight is our protagonist, Ballister Boldheart.

The film changes several things from the original. The comic stars Lord Ballister Blackheart, notorious former knight, long after his fall from grace. He has battled the Institution for years, making a name for himself as a supervillain. The film introduces a younger Ballister Boldheart who is still loyal to the Institute, who believes in his dream of becoming a knight and overcomes great odds to prove himself worthy. In the comic, Blackheart’s greatest rival is Sir Ambrosius Goldenloin, with whom he has a messy past. The film shows more of that past, when Goldenloin and Boldheart were young lovers eager to become knights by each other’s side.

There is another notable change: in the comic, Goldenloin is white, and Blackheart is light-skinned. In the film, both characters are men of color—specifically, Boldheart is of Pakistani descent, and Goldenloin is of Korean descent, matching the ethnicity of their respective voice actors. This change adds new themes of institutional racism, colorism, and the “model minority” stereotype. (30)

The lighter-skinned Goldenloin is, as his name suggests, the Institute’s golden boy. He descends from the noble lineage of Gloreth herself, and his face is emblazoned on posters and news screens across the city. He is referred to as “the most anticipated knight of a generation.” In contrast, the darker-skinned Boldheart experiences prejudice and hazing due to his lower-class background. His social status is openly discussed in the news. He is called a “street kid” and “controversial,” despite being the top student in his class. The newscasters make sure everyone knows he was only given the chance to prove himself in the Institute because the queen, a Black woman with established social influence, gave him her personal patronage. Despite this patronage, when the news interviews citizens on the street, public opinion is firmly against Boldheart.

To preserve the comic’s commentary on white privilege, some of Goldenloin’s traits were written into a new, white character created for the film, Sir Thoddeus Sureblade (voiced by Beck Bennett). Sureblade’s vitriol against both Boldheart and Goldenloin allowed Goldenloin to become a more sympathetic character, trapped in the system just as much as Boldheart. (31) This is emphasized at other points in the film when the audience sees Sureblade interact with Goldenloin without Boldheart present, berating the only person of color left in the absence of the darker-skinned man.

The day Boldheart is to be knighted, everything goes wrong. As Queen Valerin (voiced by Lorraine Toussaint) performs the much-anticipated knighting ceremony, a device embedded in Boldheart’s sword explodes, killing her instantly. Though Boldheart is not to blame, he is dubbed an assassin instead of a knight. In an instant, he becomes the most wanted man in the kingdom, and Queen Valerin’s hopes for progress and social equality seem dead with her. Boldheart is gravely injured in the explosion and forced to flee, unable to clear his name.

Enter Nimona.

The audience meets the titular character in the act of vandalizing a poster of Gloreth, only to get distracted by an urgent broadcast on a nearby screen. As she approaches, a bystander yells that she’s a “freak,” in a manner reminiscent of slurs screamed by passing bigots. Nimona has no time for bigots, spraying this one in the face with paint before tuning in to the news.

“Everyone is scared,” declare the newscasters, because queen-killer Ballister Boldheart is on the run. The media paints him as a monster, a filthy commoner who never deserved the chances he was given, and announce that, “never since Gloreth’s monster has anything been so hated.” This characterization pleases Nimona, and she declares him “perfect” before scampering off to find his hiding place.

It takes the span of a title screen for her to track him down, sequestered in a makeshift junkyard shelter. Just before Nimona bursts into the lair, the audience sees Boldheart’s injuries have resulted in the amputation of his arm, and he is building a homemade prosthetic. This is another way he’s been othered from his peers in an instant, forced to adapt to life-changing circumstances with no support. Where he was so recently an aspiring knight with a partner and a dream, he is now homeless, disabled, and isolated.

A wall in the hideout shows a collection of news clippings, suspects, and sticky notes where Boldheart is trying to solve the murder and clear his name. His own photo looks down from the wall, captioned with a damning headline: “He was never one of us—knights reveal shocking details of killer’s past.” It evokes real-world racial bias in crime reporting, where suspects of color are treated as more violent, unstable, and prone to crime than white suspects. A 2021 report by the Equal Justice Initiative and the Global Strategy Group compiled data on this phenomenon, focusing on the stark disparity between coverage of white and Black suspects. (32)

Nimona is not put off by Boldheart’s sinister media reputation. It’s why she tracked him down in the first place. She’s arrived to present her official application as Boldheart’s villain sidekick and help him take down the Institute. Boldheart brushes her off, insisting he isn’t a villain. He has faith in his innocence and in the system, and leaves Nimona behind to clear his name.

When he is immediately arrested, stripped of his prosthetic, and jailed, Nimona doesn’t abandon him. She springs a prison break, and conveys a piece of bitter wisdom to the fallen knight: “[O]nce everyone sees you as a villain, that’s what you are. They only see you one way, no matter how hard you try.”

Nimona and Boldheart are both outcasts, but they are at different stages of processing the pain. Boldheart is deep in the grief of someone who tried to adhere to the demands of a biased system but finally failed. He is the newly cast-out, who gave his entire life to the system but still couldn’t escape dehumanization. His pain is a fresh, raw wound, where Nimona has old scars. She embodies the deep anger of those who have existed on the margins for years. Where Boldheart wants to prove his innocence so he can be re-accepted into the fold, Nimona’s goal is to tear the entire system apart. She finds instant solidarity with Boldheart based solely on their mutual status as outsiders, but Boldheart resists that solidarity because he still craves the system’s familiar structure.

In the comic, Blackheart’s stance is not one of fresh grief, since, just like Nimona, he has been an outsider for some time. Instead, Blackheart’s position is one of slow reform. He believes the system can be changed and improved, while Nimona urges him to demolish it entirely. In both versions, Ballister thinks the system can be fixed by removing specific corrupt influences, where Nimona believes the government is rotten to its foundations and should be dismantled. Despite their ideological differences, Nimona and Ballister ally to survive the Institute’s hostility.

The allyship is an uneasy truce. During the prison break, Nimona reveals that she’s a shapeshifter, able to change into whatever form she pleases. Boldheart reflexively reaches for his sword, horrified that she isn’t human. She is the exact sort of monster he has been taught to fear by the Institute, and it’s only because he needs her help that he overcomes his reflex and sticks with her.

Nimona’s shapeshifting functions as a transgender allegory. The comic’s author, N.D. Stevenson, is transgender, and Nimona’s story developed alongside his own queer journey. (33) The trans themes from the comic are emphasized in the film, with various pride flags included in backgrounds and showcased in the art book. (34) Directors Bruno and Quane described the film as “a story about acceptance. A movie about being seen for who you truly are and a love letter to all those who’ve ever shared that universal feeling of being misunderstood or like an outsider trying to fit in.” (35)

When Boldheart asks Nimona what she is, she responds with only “Nimona.” When he calls her a girl, she retorts that she’s “a lot of things.” When she transforms into another species, she specifies in that moment that she’s “not a girl, I’m a shark.” Later, when she takes the form of a young boy and Boldheart comments on it, saying “now you’re a boy,” her response is, “I am today.” She defies easy categorization, and she likes it that way.

About her shapeshifting, Nimona says “it feels worse if I don’t do it” and “I shapeshift, then I’m free.” When asked what happens if she doesn’t shapeshift, she responds, “I wouldn’t die-die, I just sure wouldn’t be living.” Every time she discusses her transformations, it carries echoes of transgender experience—and, as it happens, Nimona is not N.D. Stevenson’s only shapeshifting transgender character. During his tenure as showrunner for She-Ra and the Princesses of Power (Netflix/Dreamworks, 2018-2020), Stevenson introduced the character Double Trouble. Double Trouble previously existed at the margins of She-Ra lore, but Stevenson’s version was a nonbinary shapeshifter using they/them pronouns. (36) While Nimona uses she/her pronouns throughout both comic and film, just like Double Trouble her gender presentation is as fluid as her physical form.

Boldheart, like many cisgender people reacting to transgender people, is uncomfortable with Nimona. He declares her way of doing things “too much,” and insists they try to be “inconspicuous” and “discreet.” He worries whether others saw her, and, when she is casually in a nonhuman form, he asks if she can “be normal for a second.” He claims to support her, but says it would be “easier if she was a girl” because “other people aren’t as accepting.” His discomfort evokes fumbled allyship by cisgender people, and Nimona emphasizes the allegory by calling Boldheart out for his “small-minded questions.” While the alliance is uneasy, Boldheart continues working with Nimona to clear his name. They are the only allies each other has, and their individual survival is dependent on them working together.

When the duo gain video proof of Boldheart’s innocence, they learn the bomb that killed Queen Valerin was planted by the Director. Threatened by a Black woman using her influence to elevate a poor, queer man of color, the white Director chose to preserve the status quo through violence.

Nimona is eager to get the video on every screen in the city, but Boldheart wants to deal with the issue internally, out of the public eye. He insists “the Institute isn’t the problem, the Director is.” This belief is what also leads the comic’s Blackheart to reject Nimona’s idea that he should crown himself king. He is focused on reforming the existing power structure, neither removing it entirely nor taking it over himself.

Inside the Institute, the Director has been doing her best to set Goldenloin against his former partner. Despite his internal misgivings and fear of betraying someone he loves, Goldenloin does his best to adhere to his prescribed role. As the Director reminds the knights, they are literally born to defend the kingdom, and it’s their sacred duty to do so—especially Goldenloin, who carries Gloreth’s holy blood. This blood connection is repeated throughout the film, and used by the Director to exploit Goldenloin. He’s the Institute’s token minority, put on a gilded pedestal and treated as a symbol instead of a human being.

Goldenloin is a pretty face for propaganda posters, and those posters can be seen throughout the film. They proclaim Gloreth’s majesty, the power of the knights, and remind civilians that the Institute is necessary to “protect our way of life.” A subway PSA urges citizens, “if you see something, slay something,” in a direct parody of the real-world “if you see something, say something” campaign by the United States Department of Homeland Security. (37)

The film is not subtle in its political messaging. When Boldheart attempts to prove his innocence to Goldenloin and the assembled knights, he reaches towards his pocket for a phone. The Director cries that Boldheart has a weapon, and Sureblade opens fire. Though the shot hits the phone and not Boldheart, it carries echoes of real-world police brutality against people of color. Specifically, the use of a phone evokes cases such as the 2018 murder of Stephon Clark, a young Black man who was shot and killed by California police claiming Clark’s cell phone was a firearm. (38) The film does not toy with vague, depoliticized themes of coexistence and tolerance; it is a direct and pointed allegory for contemporary oppression in the United States of America.

Forced to choose between love for Boldheart and loyalty to the Institute, Goldenloin chooses the Institute. He calls for Boldheart’s arrest, and this is the moment Boldheart finally agrees to fight back and raise hell alongside Nimona. When Goldenloin calls Nimona a monster during the ensuing battle, Boldheart doesn’t hesitate to refute it. He expresses his trust in her, and it’s clear he means it. He’s been betrayed by someone he cared about and thought he could depend on, and this puts him in true solidarity with Nimona for the first time.

During the fight, Nimona stops a car from crashing into a small child. She shapeshifts into a young girl to appear less threatening, but it doesn’t work. The child picks up a sword, pointing it at Nimona until an adult pulls them away to hide. When Nimona sees this hatred imprinted in the heart of a child, it horrifies her.

After fleeing to their hideout, Nimona makes a confession to Boldheart: she has suicidal ideations. So many people have directed so much hatred toward her that sometimes she wants to give in and let them kill her. In the real world, a month after the film’s release, a study from the Williams Institute at the UCLA School of Law compiled data about suicidality in American transgender adults. (39) Researchers found that eighty-one percent have thought about suicide, compared to just thirty-five percent of cisgender adults. Forty-two percent have attempted suicide, compared to eleven percent of cisgender adults. Fifty-six percent have engaged in self-harm, compared to twelve percent of cisgender adults.

When Boldheart offers to flee with her and find somewhere safe together, Nimona declares they shouldn’t have to run. She makes the decision every trans person living in a hostile place must make: do I leave and save myself, or do I stay to fight for my community? The year the film was released, the Trans Legislation Tracker reported a record-breaking amount of anti-trans legislation in the United States, with six hundred and two bills introduced throughout twenty-four states. (40) In February 2024, the National Center for Transgender Equality published data on their 2022 U.S. Transgender Survey, revealing that forty-seven percent of respondents thought about moving to another area due to discrimination, with ten percent actually doing so. (41)

Despite the danger, Nimona and Boldheart work diligently against the Institute. When they gain fresh footage proving the Director’s guilt, they don’t hesitate to upload it online, where it garners rapid attention across social and news media. Newscasters begin asking who the real villain is, anti-Institute sentiment builds, and citizens protest in the streets, demanding answers. The power that social media adds to social justice activism is true in the real world as it is in the film, seen in campaigns such as the viral #MeToo hashtag and the Black Lives Matter movement. (42) In 2020, polls conducted by the Pew Research Center showed eight in ten Americans viewed social media platforms as either very or somewhat effective in raising awareness about political and social topics. In the same survey, seventy-seven percent of respondents believed social media is at least somewhat effective in organizing social movements. (43)

In reaction to the media firestorm, the Director issues a statement. She outs Nimona as a shapeshifter, and claims the evidence against the Institute is a hoax. Believing the Director, Goldenloin contacts Boldheart for a rendezvous, sans Nimona. From Goldenloin’s perspective, Boldheart is a good man who has been deceived by the real villain, Nimona. He tells Boldheart about a scroll the Director found, with evidence that Nimona is Gloreth’s original monster, still alive and terrorizing the city. Goldenloin wants to bring Boldheart back into the knighthood and resume their relationship, and though that’s what Boldheart wanted before, his solidarity with Nimona causes him to reject the offer.

Though he leaves Goldenloin behind, Boldheart’s suspicion of Nimona returns. Despite their solidarity, he doesn’t really know her, so he returns home to interrogate her. In the ensuing argument, he reverts to calling her a monster, but only through implication—he won’t say the word. Like a slur, he knows he shouldn’t say it anymore, but that doesn’t keep him from believing it.

Boldheart’s actions prove to Nimona that nowhere is safe. There is no haven. Her community will always turn on her. She flees, and in her ensuing breakdown, the audience learns her backstory. She was alone for an unspecified length of time, never able to fit in until meeting Gloreth as a little girl. Nimona presents herself to Gloreth as another little girl, and Gloreth becomes Nimona’s very first friend. Even when Nimona shapeshifts, Gloreth treats her with kindness and love.

Then the adults of Gloreth’s village see Nimona shapeshift, and the word “monster” is hurled. Torches and pitchforks come out. At the adults’ panic, Gloreth takes up a sword against Nimona, and the cycle of bigotry is transferred to the next generation. The friendship shatters, and Nimona must flee before she can be killed.

After losing Boldheart, seemingly Nimona’s only ally since Gloreth’s betrayal, Nimona’s grief becomes insurmountable. She knows in her heart that nothing will ever change. She’s been hurt too much, by too many, cutting too deeply. To Nimona, the world will only ever bring her pain, so she gives in. She transforms into the giant, ferocious monster everyone has always told her she is, and she begins moving through the city as the Institute opens fire.

When Ballister sees Nimona’s giant, shadowy form, he realizes the horrific pain he caused her. He intuits that Nimona isn’t causing destruction for fun, she’s on a suicide march. She’s given up, and her decision is the result of endless, systemic bigotry and betrayal of trust. Her rampage wouldn’t be happening if she’d been treated with love, support, and care.

Nimona’s previous admission of suicidal ideation repeats in voiceover as she prepares to impale herself on a sword pointed by a massive statue of Gloreth. Her suicide is only prevented because Ballister steps in, calling to her, apologizing, saying he sees her and she isn’t alone. She collapses into his arms, once again in human form, sobbing. Boldheart has finally accepted her truth, and she is safe with him.

But she isn’t safe from the Director.

In a genocidal bid she knows will take out countless civilian lives, the Director orders canons fired on Nimona. Goldenloin tries to stop her, finally standing up against the system, but it’s too late. The Director fires the canons, Nimona throws herself at the blast to protect the civilians, and Nimona falls.

When the dust settles, the Director is deposed and the city rebuilds. Boldheart and Goldenloin reconnect and resume their relationship. The walls around the city come down, reforms take hold in the Institute, and a memorial goes up to honor Nimona, the hero who sacrificed her life to reveal the Director’s corruption.

Nimona, however, is hard to kill.

Nimona originally had a tragic ending, born of N.D. Stevenson’s own depression, but that hopelessness didn’t last forever. (44) Though Nimona is defeated, she doesn’t stay dead. Through the outpouring of love and support N.D. Stevenson received while creating the original webcomic, he gained the community and support he needed to create a more hopeful ending for Nimona’s story—and himself.

The comic’s ending is bittersweet. Nimona can’t truly die, and eventually restores herself. She allows Blackheart to glimpse her, so he knows she survived, but she doesn’t stay. She still doesn’t feel safe, and is assumed to move on somewhere new. Blackheart never sees Nimona again.

The film’s ending is more hopeful. There is a shimmer of pink magic as Nimona announces her survival, and the film ends with Boldheart’s elated exclamation. Even death couldn’t keep her down. She survived Gloreth, and she survived the Director. Though this chapter of the story is over, there is hope on the horizon, and she has allies on her side.

In both incarnations, Nimona is a story of queer survival in a cruel world. The original ending was one of despair, that said there was little hope of true solidarity and allyship. The revised ending said there was hope, but still so far to go. The film’s ending says there is hope, there is solidarity, and there are people who will stand with transgender people until the bitter end—but, more importantly, there are people in the world who want trans people to live, to thrive, and to find joy.

In a world that’s so hostile to transgender people, it’s no wonder a radically trans-positive film had to fight so hard to exist. Unfortunately, the battle must continue. As of June 2024, Netflix hasn’t announced any intent to produce physical copies of the film, meaning it exists solely on streaming and is only accessible via a monthly paid subscription. Should Netflix ever take down its original animation, as HBO Max did in 2022 despite massive backlash, the film could easily become lost media. (45) Though it saved Nimona from Disney, Netflix has its own nasty history of under-marketing and canceling queer programs. (46)

The film’s art book is already gone. The multimedia tome was posted online on October 12, 2023, hosted at ArtofNimona.com. (47) Per the Internet Archive’s Wayback Machine, the site became a Netflix redirect at some point between 10:26 PM on March 9, 2024 and 9:35 PM on March 20, 2024. (48) On the archived site, some multimedia elements are non-functional, potentially making them lost media. The art book is not available through any legal source, and though production designer Aidan Sugano desperately wants a physical copy made, there seem to be no such plans. (49)

Perhaps Netflix will eventually release physical copies of both film and art book. Perhaps not. Time will tell. In the meantime, Nimona stands as a triumph of queer media in a queerphobic world. That it exists at all is a miracle, and that its accessibility is so precarious a year after release is a travesty. Contemporary political commentary is woven into every aspect of the film, and it exists thanks to the passion, talent, and bravery of an incredible crew who endured despite blatant corporate queerphobia.

Long live Nimona, and long live the transgender community she represents.

_ This piece was commissioned using the prompt "the Nimona movie."

Updated 6/16/24 to revise an inaccurate statement regarding the original comic.

Like this essay? Tip me on Ko-Fi, pledge to my Patreon, or commission an essay on the topic of your choice!

_

Notes:

1. “Past Recipients 2010s.” n.d. Comic-Con International. Accessed June 10, 2024. https://www.comic-con.org/awards/eisner-awards/past-recipients/past-recipenties-2010s/.

2. Stevenson, ND. 2015. Nimona. New York, NY: Harperteen.

3. Kit, Borys. 2015. “Fox Animation Nabs ‘Nimona’ Adaptation with ‘Feast’ Director (Exclusive).” The Hollywood Reporter. June 11, 2015. https://www.hollywoodreporter.com/movies/movie-news/fox-animation-nabs-nimona-adaptation-801920/.

4. Riley, Jenelle. 2017. “Oscar Winner Patrick Osborne Returns with First-Ever vr Nominee ‘Pearl.’” Variety. February 9, 2017. https://variety.com/2017/film/in-contention/patrick-osborne-returns-to-race-with-first-vr-nominee-pearl-1201983466/; Osborne, Patrick (@PatrickTOsborne). 2017. "Hey world, the NIMONA feature film has a release date! @Gingerhazing February 14th 2020 !!" Twitter/X, June 30, 2017, 3:16 PM. https://x.com/PatrickTOsborne/status/880867591094272000. ‌

5. “The Walt Disney Company to Acquire Twenty-First Century Fox, Inc., after Spinoff of Certain Businesses, for $52.4 Billion in Stock.” 2017. The Walt Disney Company. December 14, 2017. https://thewaltdisneycompany.com/walt-disney-company-acquire-twenty-first-century-fox-inc-spinoff-certain-businesses-52-4-billion-stock-2/.

6. Amidi, Amid. 2017. “Disney Buys Fox for $52.4 Billion: Here Are the Key Points of the Deal.” Cartoon Brew. December 14, 2017. https://www.cartoonbrew.com/business/disney-buys-fox-key-points-deal-155390.html; Giardina, Carolyn. 2017. “Disney Deal Could Redraw Fox’s Animation Business.” The Hollywood Reporter. December 14, 2017. https://www.hollywoodreporter.com/news/general-news/disney-deal-could-redraw-foxs-animation-business-1068040/; Szalai, Georg, and Paul Bond. 2019. “Disney Closes $71.3 Billion Fox Deal, Creating Global Content Powerhouse.” The Hollywood Reporter. March 19, 2019. https://www.hollywoodreporter.com/news/general-news/disney-closes-fox-deal-creating-global-content-powerhouse-1174498/.

7. Hipes, Patrick. 2019. “After Trying Day, Disney Sets Film Leadership Lineup.” Deadline. March 22, 2019. https://deadline.com/2019/03/disney-film-executives-post-merger-team-set-1202580586/.

8. Jones, Rendy. 2023. “‘Nimona’: Netflix’s Remarkable Trans-Rights Animated Movie Is Here.” Rolling Stone. July 3, 2023. https://www.rollingstone.com/tv-movies/tv-movie-features/nimona-netflix-trans-rights-animated-movie-lgbtq-riz-ahmed-chloe-grace-moretz-1234782583/.

9. D’Alessandro, Anthony. 2021. “Disney Closing Blue Sky Studios, Fox’s Once-Dominant Animation House behind ‘Ice Age’ Franchise.” Deadline. February 9, 2021. https://deadline.com/2021/02/blue-sky-studios-closing-disney-ice-age-franchise-animation-1234690310/.

10. “Disney’s Blue Sky Shut down Leaves Nimona Film 75% Completed.” 2021. CBR. February 10, 2021. https://www.cbr.com/nimona-film-abandoned-disney-blue-sky-shut-down/; Sneider, Jeff. 2021. “Exclusive: Disney’s LGBTQ-Themed ‘Nimona’ Would’ve Featured the Voices of Chloë Grace Moretz, Riz Ahmed.” Collider. March 4, 2021. https://collider.com/nimona-movie-cast-cancelled-disney-blue-sky/.

11. Horowitz, Juliana Menasce, Anna Brown, and Rachel Minkin. 2021. “The COVID-19 Pandemic’s Long-Term Financial Impact.” Pew Research Center’s Social & Demographic Trends Project. March 5, 2021. https://www.pewresearch.org/social-trends/2021/03/05/a-year-into-the-pandemic-long-term-financial-impact-weighs-heavily-on-many-americans/.

12. Lang, Brent. 2022. “Disney CEO Bob Iger’s Rich Compensation Package Revealed, Company Says Bob Chapek Fired ‘without Cause.’” Variety. November 21, 2022. https://variety.com/2022/film/finance/bob-iger-compensation-package-salary-bob-chapek-fired-1235439151/.

13. Romano, Nick. 2020. “The Pandemic Animation Boom: How Cartoons Became King in the Time of COVID.” EW.com. November 2, 2020. https://ew.com/movies/animation-boom-coronavirus-pandemic/.

14. Strapagiel, Lauren. 2021. “The Future of Disney’s First Animated Feature Film with Queer Leads, ‘Nimona,’ Is in Doubt.” BuzzFeed News. February 24, 2021. https://www.buzzfeednews.com/article/laurenstrapagiel/disney-nimona-movie-lgbtq-characters.

15. Clark, Travis. 2022. “Disney Raised Concerns about a Same-Sex Kiss in the Unreleased Animated Movie ‘Nimona,’ Former Blue Sky Staffers Say.” Business Insider. https://www.businessinsider.com/disney-disapproved-same-sex-kiss-nimona-movie-former-staffers-say-2022-3.

16. Keegan, Rebecca. 2024. “Why Megan Ellison Saved ‘Nimona’: ‘I Needed This Movie.’” The Hollywood Reporter. February 22, 2024. https://www.hollywoodreporter.com/movies/movie-news/megan-ellison-saved-nimona-1235832043/.

17. St. James, Emily. 2023. “Mourning the Loss of the Owl House, TV’s Best Queer Kids Show.” Vanity Fair. April 6, 2023. https://www.vanityfair.com/hollywood/2023/04/loss-of-the-owl-house-tvs-best-queer-kids-show.

18. AntagonistDana. 2021. “AMA (except by ‘Anything’ I Mean These Questions Only).” Reddit. October 5, 2021. https://www.reddit.com/r/TheOwlHouse/comments/q1x1uh/ama_except_by_anything_i_mean_these_questions_only/; de Wit, Alex Dudok. 2020. “Disney Executive Tried to Block Queer Characters in ‘the Owl House,’ Says Creator.” 2020. Cartoon Brew. August 14, 2020. https://www.cartoonbrew.com/disney/disney-executives-tried-to-block-queer-characters-in-the-owl-house-says-creator-195413.html.

19. Doherty, Thomas. 1999. Pre-Code Hollywood : Sex, Immorality, and Insurrection in American Cinema, 1930-1934. New York: Columbia University Press. 363.

20. Henderson, Taylor. 2018. “‘Steven Universe’s’ Latest Episode Just Made LGBTQ History.” Pride. July 5, 2018. https://www.pride.com/stevenuniverse/2018/7/05/steven-universes-latest-episode-just-made-lgbtq-history; McDonnell, Chris. 2020. Steven Universe: End of an Era. New York: Abrams. 102.

21. Stevenson, ND. (@Gingerhazing). 2021. "Sad day. Thanks for the well wishes, and sending so much love to everyone at Blue Sky. Forever grateful for all the care and joy you poured into Nimona." Twitter/X, February 9, 2021, 3:32 PM. https://x.com/Gingerhazing/status/1359238823935283200

22. Jones, Rendy. 2023. “‘Nimona’: Netflix’s Remarkable Trans-Rights Animated Movie Is Here.” Rolling Stone. July 3, 2023. https://www.rollingstone.com/tv-movies/tv-movie-features/nimona-netflix-trans-rights-animated-movie-lgbtq-riz-ahmed-chloe-grace-moretz-1234782583/.

23. Keegan, Rebecca. 2024. “Why Megan Ellison Saved ‘Nimona’: ‘I Needed This Movie.’” The Hollywood Reporter. February 22, 2024. https://www.hollywoodreporter.com/movies/movie-news/megan-ellison-saved-nimona-1235832043/.

24. Stevenson, ND. (@Gingerhazing). 2022. "Nimona’s always been a spunky little story that just wouldn’t stop. She’s a fighter...but she’s also got some really awesome people fighting for her. I am excited out of my mind to announce that THE NIMONA MOVIE IS ALIVE...coming at you in 2023 from Annapurna and Netflix." Twitter/X, April 11, 2022, 10:00 AM. https://x.com/Gingerhazing/status/1513517319841935363.

25. “‘Nimona’ Starring Chloë Grace Moretz, Riz Ahmed & Eugene Lee Yang Coming to Netflix in 2023.” About Netflix. April 11, 2022. https://about.netflix.com/en/news/nimona-starring-chloe-grace-moretz-riz-ahmed-and-eugene-lee-yang-coming-to-netflix.

26. “’Nimona’ Rates 100% on Rotten Tomatoes after Annecy Premiere.” Animation Magazine. June 15, 2023. https://www.animationmagazine.net/2023/06/nimona-rates-100-on-rotten-tomatoes-after-annecy-premiere/

27. Dilillo, John. 2023. “’Nimona’: Everything You Need to Know About the New Animated Adventure.” Tudum by Netflix. June 30, 2023. https://www.netflix.com/tudum/articles/nimona-release-date-news-photos

28. Reese, Lori. 2001. “Is ‘“Shrek”’ the Anti- Disney Fairy Tale?” Entertainment Weekly. May 29, 2001. https://ew.com/article/2001/05/29/shrek-anti-disney-fairy-tale/.

29. Sugano, Aidan. 2023. Nimona: the Digital Art Book. Netflix. 255. https://web.archive.org/web/20240309222607/https://artofnimona.com/.

30. White, Abbey. 2023. “How ‘Nimona’ Explores the Model Minority Stereotype through Its Queer API Love Story.” The Hollywood Reporter. July 1, 2023. https://www.hollywoodreporter.com/movies/movie-features/nimona-eugene-lee-yang-directors-race-love-story-netflix-1235526714/.

31. White, Abbey. 2023. “How ‘Nimona’ Explores the Model Minority Stereotype through Its Queer API Love Story.” The Hollywood Reporter. July 1, 2023. https://www.hollywoodreporter.com/movies/movie-features/nimona-eugene-lee-yang-directors-race-love-story-netflix-1235526714/.

32. Equal Justice Initiative. 2021. “Report Documents Racial Bias in Coverage of Crime by Media.” Equal Justice Initiative. December 16, 2021. https://eji.org/news/report-documents-racial-bias-in-coverage-of-crime-by-media/.

33. Stevenson, N. D. 2023. “Nimona (the Comic): A Deep Dive.” I’m Fine I’m Fine Just Understand. July 13, 2023. https://www.imfineimfine.com/p/nimona-the-comic-a-deep-dive.

34. Sugano, Aidan. 2023. Nimona: the Digital Art Book. Netflix. 259-260. https://web.archive.org/web/20240309222607/https://artofnimona.com/.

35. Sugano, Aidan. 2023. Nimona: the Digital Art Book. Netflix. 7. https://web.archive.org/web/20240309222607/https://artofnimona.com/.

36. Brown, Tracy. 2019. “In Netflix’s ‘She-Ra,’ Even Villains Respect Nonbinary Pronouns.” Los Angeles Times. November 6, 2019. https://www.latimes.com/entertainment-arts/tv/story/2019-11-05/netflix-she-ra-princesses-power-nonbinary-double-trouble.

37. Department of Homeland Security. 2019. “If You See Something, Say Something®.” Department of Homeland Security. May 10, 2019. https://www.dhs.gov/see-something-say-something.

38. University of Stanford. n.d. “Stephon Clark.” Say Their Names - Spotlight at Stanford. https://exhibits.stanford.edu/saytheirnames/feature/stephon-clark.

39. Kidd, Jeremy D., Tettamanti, Nicky A., Kaczmarkiewicz, Roma, Corbeil, Thomas E., Dworkin, Jordan D., Jackman, Kasey B., Hughes, Tonda L., Bockting, Walter O., & Meyer, Ilan H. 2023. “Prevalence of Substance Use and Mental Health Problems among Transgender and Cisgender US Adults.” Williams Institute. https://williamsinstitute.law.ucla.edu/publications/transpop-substance-use/.

40. “2023 Anti-Trans Bills: Trans Legislation Tracker.” n.d. Trans Legislation Tracker. https://translegislation.com/bills/2023.

41. James, S.E., Herman, J.L., Durso, L.E., & Heng-Lehtinen, R. 2024. “Early Insights: A Report of the 2022 U.S. Transgender Survey.” National Center for Transgender Equality, Washington, DC.

42. Myers, Catherine. 2023. “Protests in the Age of Social Media.” The Nonviolence Project. February 11, 2023. https://thenonviolenceproject.wisc.edu/2023/02/11/protests-in-the-age-of-social-media/.

43. Auxier, Brooke, and Colleen McClain. 2020. “Americans Think Social Media Can Help Build Movements, but Can Also Be a Distraction.” Pew Research Center. Pew Research Center. September 9, 2020. https://www.pewresearch.org/short-reads/2020/09/09/americans-think-social-media-can-help-build-movements-but-can-also-be-a-distraction/.

44. Stevenson, N. D. 2023. “Nimona (the Comic): A Deep Dive.” I’m Fine I’m Fine Just Understand. July 13, 2023. https://www.imfineimfine.com/p/nimona-the-comic-a-deep-dive.

45. Chapman, Wilson. 2022. “HBO Max to Remove 36 Titles, Including 20 Originals, from Streaming.” Variety. August 18, 2022. https://variety.com/2022/tv/news/hbo-max-originals-removed-1235344286/.

46. Iftikhar, Asyia. 2023. “Netflix CEO Slammed by LGBTQ+ Fans over Cancellation Comments: ‘They Are NOT Allies.’” PinkNews. January 24, 2023. https://www.thepinknews.com/2023/01/24/netflix-ceo-ted-sarandos-cancelled-shows-lgbtq-fans-reactions/.

47. Lang, Jamie. 2023. “Netflix Has Released a 358-Page Multimedia Art of Book for ‘Nimona’ - Exclusive.” Cartoon Brew. October 12, 2023. https://www.cartoonbrew.com/books/nimona-art-of-book-aidan-sugano-netflix-233636.html.

48. “Wayback Machine.” n.d. The Internet Archive. Accessed June 10, 2024. https://wayback-api.archive.org/web/20240000000000.

49. Lang, Jamie. 2023. “Netflix Has Released a 358-Page Multimedia Art of Book for ‘Nimona’ - Exclusive.” Cartoon Brew. October 12, 2023. https://www.cartoonbrew.com/books/nimona-art-of-book-aidan-sugano-netflix-233636.html.

[thatfeelinwhenyou]

KINDRED — yang jungwon

It’s your final year of highschool, and your only goal is to graduate top of your cohort, as usual. Except as student council president, your advisor can’t seem to leave you alone. What happens when you take Decelis Academy’s top student, their star taekwondo athlete and put them in front of a camera?

“Kindred” a student documentary. Pilot episode airing tonight on TVN 7PM KST.

PAIRING: athlete!jungwon x stucopres!fem!reader

FEATURING: enhypen, yunjin from lesserafim, ryujin and chaeryeong from itzy, chanelle from runext, beomgyu and taehyun from txt, wonyoung from ive, gunwook and gyuvin from zb1 etc.

GENRE: high school au, enemies to lovers, nerd x athlete, forced proximity, slice of life, coming of age, he fell first and harder, fluff, ANGST, teen drama, slow burn ish?

STATUS: completed! (01/09/2023 – 18/03/2024)

WARNINGS: contains profanities, horrible attempt at humour, urban lingo, probably cringy, kys/kms jokes, depression jokes, sexual innuendos (nothing too inappropriate), depiction of violence, family drama, incorrect timestamps/information, no fixed faceclaims, not proofread etc.

AUTHOR’S NOTE: story concept is heavily inspired by the kdrama ‘our beloved summer’ other than that the storyline is completely original (or so i assume since i manifested this out from the crevices of my pea brain). chapters with ‘(hw)’ next to them indicates that they are half-written, in case y’all skip over it! as always, the content and depiction of the characters in this smau do not in anyway represent them in real life. lastly, if you do end up enjoying, please do like, comment (love reading your comments btw), and reblog so this can reach!

TAGS: #tfwy kindred #tfwy smau

TEASER

profile. one | two | three

episode 1 - ratatouille and the underdogs

episode 2 - one way ticket to university

episode 3 - do you take constructive criticism?

episode 4 - unsolicited but appreciated

episode 5 - the art of benevolence

episode 6 - taekwondo-anti

episode 7 - beating the mentally ill allegations

episode 8 - can’t help it, i’m a libra

episode 9 - operation we-don’t-really-hate-each-other (hw)

episode 10 - she’s an oscar award winning actress

episode 11 - someone like me (hw)

episode 12 - ‘female-lead-realising-the-bad-boy-isnt-actually-that-bad’ arc

episode 13 - 5 foot 9 garfield meets avatar

episode 14 - yn the heterosexual

episode 15 - the ynwon getting closer montage :p

episode 16 - to the moon and back

episode 17 - eat 2 left toes

episode 18 - you are approved! (hw)

episode 19 - asking for a friend

episode 20 - rediscovering won’s ability to love

episode 21 - beomgyu’s 99999 eq

episode 22 - ynwon get together or else >:(

episode 23 - ��hate”

episode 24 - not all problems can be solved with a formula

episode 25 - H.O.M.E.W.R.E.C.K.E.R

episode 26 - collecting facebook milfs like pokémons

episode 27 - you were brighter than the moon (hw)

episode 28 - she's studious not stupid

episode 29 - the garden is full of surprises (hw)

episode 30 - weapon of mass destruction

episode 31 - the name above me (hw)

episode 32 - no offense but she’s a cockblocker

episode 33 - the bane of my existence (hw)

episode 34 - risky risky wiggy wigi this is an emergency

episode 35 - live my life on my terms (hw)

episode 36 - separation anxiety goes crazy

episode 37 - paparizzki

episode 38 - is it too late now to say Sorry?

episode 39 - everything will work out just the way you want it to (hw)

episode 40 (finale) - her entire being is loveable (written)

epilogue - kindred, signing off part 1 | part 2

bonus chapters!

yunjin x heeseung

i can fight

Copyright© 2023 thatfeelinwhenyou All Rights Reserved

[motogp-museum]

Top 5 Motogp ships on ao3 during the last decade

I filtered each year from Jan 1st to December 31st. No other fics are included in each year's rank, only the ones posted during that calendar year.

'New' means that they were either new to any year's top 10 on ao3, or new to this list. If I included the plus minus, that means it was not new to the top ten, it just hadn't made the top 5 yet.

2014

P1- Marc Marquez/ Dani Pedrosa

P2- Marc Marquez/ Valentino Rossi

P3- Alex Marquez/ Dani Pedrosa

P4- Jorge Lorenzo/ Original Female Character

P5- Dani Pedrosa/ Valentino Rossi

2015

P1- Marc Marquez/ Dani Pedrosa (=)

P2- Jorge Lorenzo/ Alex Marquez (New)

P3- Alex Marquez/ Original Female Character (New)

P4- Marc Marquez/ Valentino Rossi (-2)

P5- Dani Pedrosa/ Valentino Rossi (=)

2016

P1- Marc Marquez/ Dani Pedrosa (=)

P2- Daniil Kvyat/ Marc Marquez (New)

P3- Jorge Lorenzo/ Dani Pedrosa (+6)

P4- Jorge Lorenzo/ Marc Marquez (New +5)

P5- Jorge Lorenzo/ Valentino Rossi (New +3)

(Rosquez down 3 places to P7)

2017

P1- Marc Marquez/Dani Pedrosa (=)

P2- Luca Marini/Alex Marquez (New)

P3- Jorge Lorenzo/Dani Pedrosa (=)

P4- Jorge Lorenzo/Marc Marquez (=)

P5- Marc Marquez/Valentino Rossi (+2)

2018

P1- Marc Marquez/Valentino Rossi (+4)

P2- Marc Marquez/Dani Pedrosa (-1)

P3- Jorge Lorenzo/Dani Pedrosa (=)

P4- Luca Marini/Alex Marquez (-2)

P5- Jorge Lorenzo/Marc Marquez (-1)

2019

P1- Marc Marquez/Valentino Rossi (=)

P2- Jorge Lorenzo/Dani Pedrosa (+1)

P3- Luca Marini/Alex Marquez (+1)

P4- Jorge Lorenzo/Valentino Rossi (New +5)

P5- Marc Marquez/Dani Pedrosa (-3)

2020

P1- Fabio Quartararo/Maverick Viñales (New +6)

P2- Marc Marquez/Valentino Rossi (-1)

P3- Jorge Lorenzo/Dani Pedrosa (-1)

P4- Luca Marini/Alex Marquez (-1)

P5- Marc Marquez/Dani Pedrosa (=)

2021

P1- Marc Marquez/Valentino Rossi (+1)

P2- Fabio Quartararo/Maverick Viñales (-1)

P3- Marc Marquez/Dani Pedrosa (+2)

P4- Marc Marquez/Fabio Quartararo (New )

P5- Jorge Lorenzo/Dani Pedrosa (-2)

2022

P1- Marc Marquez/Fabio Quartararo (+3)

P2- Marc Marquez/Valentino Rossi (-1)

P3- Jorge Martin/Fabio Quartararo (New)

P4- Jorge Lorenzo/Dani Pedrosa (+1)

P5- Luca Marini/Alex Marquez (+1)

2023

P1- Marc Marquez/Valentino Rossi (+1)

P2- Marc Marquez/Fabio Quartararo (-1)

P3- Jorge Lorenzo/Dani Pedrosa (+1)

P4- Luca Marini/Alex Marquez (+1)

P5- Marco Bezzecchi/Celestino Vietti (New)

2024

P1- Marc Marquez/Valentino Rossi (=)

P2- Marco Bezzecchi/Celestino Vietti (+4)

P3- Francesco Bagnaia/Marc Marquez (New)

P4- Marco Bezzecchi/Marc Marquez (New)

P5- Jorge Lorenzo/Dani Pedrosa (-2)

Top 5 of all-time and their ao3 debut date

P1- Marc Marquez/Valentino Rossi (17 June 2014)

P2- Marc Marquez/Dani Pedrosa (26 December 2013)

P3- Jorge Lorenzo/Dani Pedrosa (21 July 2014)

P4- Luca Marini/Alex Marquez (15 February 2016)

P5- Fabio Quartararo/Maverick Viñales (13 November 2019)

Discussion:

Since there were so little motogp fics in the first few years, some of the ships in the top 5 were there because of a single writer. So it does not always reflect the fandom's opinions of the ships. For example, all of the Alex/Dani and Alex/Jorge fics were written by the same person (at the time. There are new ones).

It also shows how a ship being popular for a short time can have lasting effects on the all-time rank. Maverick/Fabio being an example of this as they are still in the top 5 overall, despite only being in the top 5 of the yearly rank twice.

[kitsurei17]

Jude Jazza Main Story Walkthrough

✧˖°. WALKTHROUGH (JP) —

A little different than what I originally post, but I wanted to track the JP choices of Jude's route from other players & myself as I go through. Points are written as [Blind Love : Mad Love].

✧˖°. {STATUS} 99% Complete —

As of 2024/11/24 - +4/+4 choices for the entire route + both ends are available! Still missing the other choice points for Blind Love Ch 24, but I'll update it once I find out what they are!

Chapter 1:

[４:４]　私のミスです [４:４]　そんなの屁理屈です [４:４]　納得出来ません

Chapter 2:

[２:４]　私１人でやるんですか！？ [４:２]　待ってください [４:４]　せめて仕事の説明を

Chapter 3:

[４:４]　死んでしまいます [２:４]　酷すぎます [４:２]　これ以上やる必要ありますか？

Chapter 4:

[２:４]　やめてくれますか？ [４:２]　やりすぎです [４:４]　嫌です

Chapter 5:

[４:４]　見事に私とは真逆ですね。 [２:４]　私のこと…？ [４:２]　タイプじゃなくてよかったです。

Chapter 6:

[４:４]　赤くなる [４:２]　ほっぺたをつねる [２:４]　もう一度う言ってください

Chapter 7:

[４:４]　どうしてそんなことに？ [２:４]　誰がそんなことを [４:２]　ジュードさんばっかり……

Chapter 8:

[２:４]　追いかければ間に合いますよ [４:２]　明日じゃだめなんですか？ [４:４]　私が届けましょうか

Chapter 9:

[４:２]　お疲れさまです。 [４:４]　おかえりなさい [２:４]　急に現れないでください

Chapter 10:

[４:４]　私も戦います [２:４]　足手まといですか？ [４:２]　嫌です

Chapter 11:

[２:４]　普段とのギャップに目眩 [４:２]　私も一緒に戯れたいな [４:４]　ジュードさん可愛い……！

Chapter 12:

[４:２]　打ち上げ花火を渡す [４:４]　手持ち花火を渡す [２:４]　爆竹を渡す

Chapter 13:

[４:４]　離れませんよ [２:４]　約束は破れません [４:２]　また遠ざけようとしてます？

Chapter 14:

[４:２]　助けに来てください [２:４]　私、もうだめかもしれません [４:４]　ロケ��ト逃げれたらな

Chapter 15:

[２:４]　私、何か仕事でミスを？ [４:２]　近寄らず席につく [４:４]　どうかしたんですか

Chapter 16:

[４:４]　駆け寄ろうとする [２:４]　銃に手を伸ばす [４:２]　呆然と見つめる

Chapter 17:

[２:４]　嘘をついてごめんなさい [４:４]　待っていて [４:２]　少しの間、耐えてください

Chapter 18:

[４:２]　買いかぶりすぎだよ [２:４]　そんなことありえないよ [４:４]　そうだったら嬉しいけど

Chapter 19:

[２:４]　秘密の通路を見つける [４:２]　堂々と出ていく [４:４]　蔦をつたって降りる

Chapter 20:

[２:４]　私が当ててみせますから [４:２]　絶対当ててくださいね [４:４]　ジュードさんも楽しんでません？

Blind Love (盲愛)

Chapter 21:

[４:２]　私のこと信用してないなぁ [２:４]　用心深いな [４:４]　さすが抜かりないな

Chapter 22:

[２:４]　事件はこれで解決した [４:４]　ジュードさんの無実が証明された？ [４:２]　クラウンは解体されない？

Chapter 23:

[２:４]　お兄様に心配をかけてはいけないわ [４:４]　私もお兄様に会いたい [４:２]　あのお兄様が泣くなんて

Chapter 24:

[:]　本気でそうだと思ってます？ [:]　はぐらかすと思ってました [４:４]　ジュードさんならわかってるはず

Chapter 25:

[４:２]　お仕事頑張ってください [２:４]　他に何か言うことないんですか？ [４:４]　続きは……？

Mad Love (狂愛)

Chapter 21:

[４:４]　皆のおかげです [２:４]　ジュードさんに褒めてもらえるかな [４:２]　役に立ててよかった

Chapter 22:

[２:４]　問題というのは？ [４:２]　問題があるなら乗り越えるだけ [４:４]　問題は１つだけなんですね？

Chapter 23:

[２:４]　心のままに歩きだそう [４:２]　今この瞬間を逃がしたらだめだ [４:４]　月の導きのままに踏み出そう

Chapter 24:

[２:４]　抜かりはありません [４:４]　二度とあなたのそばを離れません [４:２]　もう逃げ場ありませんよ

Chapter 25:

[４:２]　本当ですか？ [２:４]　少しだけ前払いでください [４:４]　頑張ります

divider credit: strangergraphics

[mjdrawsalot]

Jon Kent (pretty much) Complete Reading Order

Compiled first for my personal use and tidied up for @jonkentweek ! Goes up to June 2024 and includes every appearance of this character that I could find. I used ComicVine's archive to track these down, which is both fallible and constantly being updated, so there might be some mistakes. Also, I did my best to highlight the occasions where Jon was a significant character in a story and to skip the ones that were just a non-speaking, one-panel cameo, but those were personal judgements and your mileage might vary.

Color key (and apologies for the eye strain): Red are issues in which Jon is a central character, not just a cameo, Blue are crossover events, Orange are stories that take place in alternate universes/are non canonical

Optional stuff you can read for historical context:

Whatever Happened to the Man of Tomorrow? (1997) a classic possible future story, which is, to my knowledge, the 1st time a character named Jon who is Superman’s kid appears

Son of Superman (1999) a self-contained, now AU, story about a teen Jon Kent, very classic 90s young adult comic with all the tropes that come with that, but enjoyable as the proto-iteration of Jon as an idea

Canon appearances start here

The Final Days of Superman crossover event: Superman (2011) 51-52, Batman/Superman (2013) 31-32, Action Comics (2011) 51-52, Superman/Wonder Woman (2013) 28-29 (This is the origin story of the Clark, Lois and Jon that the comics follow in Rebirth. Largely ignored by writers, as it was written to patch up New52 weirdness, but there are occasional references that might be confusing if you skip it completely.)

Convergence (2015) 5, 8

Superman: Lois and Clark (2015) 1-8 (Establishes Jon and his family in the DCU)

Superman (2016) 1-11, 13, 17-28, 30, 32-36, 38, 40-45, Special 1

Action Comics (2016) 957-972, 974-978, 980-983, 985, 987, 989-1000, 1002, 1005, 1016, 1022-1035, 1042, 1045-1048, 1050-1057, 1059-1060, Special 1, Annual 2023

Justice League (2016) 3-6, 15, 18-19, 22, 28

Trinity (2016) 1-6, 16

Super Sons (2017) 1-16

Dark Nights: Metal (2017) 3, 6

The Man of Steel (2018) 1-6 (central from issue 4 onwards)

Superman (2018) 1, 4-12, 14-16, 20, 29-32

Adventures of the Super Sons (2018) 1-12

Justice League (2018) 9, 23-25, 34, 52, 75, Annual 2022

Super Sons/Dynomutt Special (2018)

Super Sons: The Polarshield Project (AU trilogy of graphic novels)

Supergirl (2016) 8, 30-33

DCeased (2019) 1-6 (what if DC but zombies?)

Super Sons: The Foxglove Mission

Lois Lane (2019) 3-4, 6

Legion of Super-Heroes: Millennium 2

Legion of Super-Heroes (2019) 1-12

Dark Knight Returns: The Golden Child

Green Lantern: Blackstars 2-3

The Terrifics (2018) 25

Teen Titans (2016) 15, 43, 45-46

DCeased: Hope at World’s End (2020) 1, 4-5, 9-15

Robin 80th Anniversary 100-Page Super Spectacular (in the short Super Sons story)

DCeased: Dead Planet (2020) 1-7

Super Sons: Escape to Landis

Batman/Superman (2019) Annual 1

Challenge of the Super Sons (2020) 1-14

Dark Knights: Death Metal The Last Stories of the DC Universe (2020) (in the Superman short story)

Dark Knights: Death Metal The Secret Origin (2021)

Dark Knights: Death Metal The Last 52 War of the Multiverses (2021) (in the Superman parts of the story)

DC Nation Presents Future State (2020) (intro, information and behind-the-scenes for Future State)

Future State: Superman of Metropolis (2021) 1-2 (Future State is another possible future, meaning that it’s not necessarily canon, but it takes place in the future of the main canon, not in a complete AU, like say, Dark Knights of Steel. Technically not necessary to understand main universe stories, but a few popular characters and characterizations were brought over to the main universe.)

Future State: Justice League (2021) 1-2

Future State: Superman/Wonder Woman (2021) 1-2

Future State: Kara Zor-el, Superwoman (2021) 1

Future State: Legion of Super-Heroes (2021) 2

Infinite Frontier (2021) 0 (establishes the main universe status quo from this point on, feat. a synopsis of Jon’s life up to here)

Challenge of the Super Sons (2021) 1-7

Superman: Son of Kal-el (2021) 1-18, Annual 1

Shazam! (2021) 1

Superman Red and Blue (2021) 6 (in the short story The Special, but this mini series in general is cute and I recommend it)

Justice League vs. The Legion of Super-Heroes (2022) 1-6

Superman & Robin Special (2022) 1

DC’s Round Robin (2021) 2 (in the short story Superboy: The Man of Tomorrow)

Nightwing (2016) 89, 91-92, 101-104, 110, 112-113

Earth-Prime (2022) 2 (story based on the CW show Superman and Lois)

DC Pride (2022) (in the short story Super Pride)

Justice League: Road to Dark Crisis (2022) (in the short story Team Up)

Dark Crisis (2022) 1-7

Dark Crisis: Young Justice (2022) 1

Dark Crisis: Worlds Without A Justice League: Superman (2022) 1

DCeased: War of the Undead Gods (2022) 1, 4-5, 7-8

DC’s Terrors Through Time (2022) (in the short story Trick or Treat)

Dark Crisis: The Deadly Green (2022) 1

The Death of Superman 30th Anniversary Special (2023) (in The Life of Superman short story)

Dark Crisis: The Dark Army (2023)

Superman: Kal-El Returns Special (2023) (in the short story Distractions)

Lazarus Planet: Assault on Krypton (2023) (in the short story Electric)

Batman (2016) 131-132 (in the Tim Drake Robin chapters)

Superman (2023) 2-3, 9

Lazarus Planet: Omega (2023)

Power Girl Special (2023)

Adventures of Superman: Jon Kent (2023) 1-6

Superboy: The Man of Tomorrow (2023) 1 (edited version of the story in Round Robin)

DC Pride (2023) (in the short story My Best Bet)

Titans: Beast World (2024) 3-4, 6

Titans: Beast World Tour: Metropolis (2024)

Trinity Special (2024) (taken from the backups of Wonder Woman 2023 plus some extra)

[heyimdove]

Things of Note at @neil-gaiman ‘s NJPAC talk:

1. Do you people understand that he switches into accents when he reads? Do you people know he does a perfect Michael Sheen impression? did you know it’s also hot

2. He used to cold call publishers/mags to see if they’d publish his work. He’d lie when asked what other magazines he wrote for; they’d think he was more legitimate and would, therefore, be more likely to take him on themselves. “You couldn’t get away with that now” thanks to Google. Also, back then, “we had telephones and we used them,” but today’s publishers would not easily recover if you unexpectedly called them on the phone.

3. It was a personal point of pride for Neil to write for each of the magazines he’d claimed to have written for. He said “I didn’t lie. I was chronologically challenged.”

4. Neil made a deliberate effort to not be boxed in by publishers. He’d interviewed many authors who were unhappily boxed and did everything he could to avoid it, including declining big contracts from prestigious publishers (notably after American Gods). This is why he can write what he likes now. Comics writing spoiled him in this regard, as publishers mistook the medium for a genre, and therefore didn’t care what he wrote (so he wrote all the genres he wanted to in Sandman).

5. He hates Thomas Hardy thanks to being introduced to him in school. Regarding being forced to read Tess of the D’urbervilles, he said “I wouldn’t do that to a dog”. He hopes students, who might have liked him if they found him on their own, don’t encounter his work in school and hate him for it.

6. “The evil characters (you write) don’t possess you, you try to find the little bit of you in them….the little bit of you that is gloriously evil.”

7. “I touched the magic and passed it along” this was a line from Watching from the Shadows that especially moved me.

8. Terry was increasingly upset as the bidding on Good Omens increased (eventually reaching 150,000 - can’t remember if he said $ or £). For his part, when the book finally sold, Neil put on Iggy Pop’s Success and danced.

9. Anansi Boys should be out on Prime by the end of 2024!

10. Described Sandalphon as someone you want to “hit with a large oar”. (The woman next to me, who was extremely stingy with her applause, hooted like an owl at this and clapped til the last).

11. Pronounces Amazon as “Ama-zin” and Los Angeles as “Los Angelese”. This isn’t noteworthy, but I liked it enough to write it down.

12. “Being on a beach in bare feet” was the line that led Neil to realize David Tennant would be perfect for Crowley.

13. He is pictured on the ALA’s poster holding Wind in the Willows because, as a child, “it messed up my head.” He said he is “in love” with a chapter in the middle called The Piper at the Gates of Dawn where the characters meet Pan. It’s often left out of printings, which makes him sad because it is “strange, beautiful, luminous”.

14. TOATEOTL was originally planned to go to Broadway. Then, Covid. They did a “world tour” instead. Now that it’s wrapped, talks about Broadway are happening. He says all of adaptations of his work, this is his favorite.

15. “Disney’s Aladdin plays four times a day in Hell”

16. His favorite question of the night was “WHY did you think of the Other Mother?” He was tickled by the word choice of “why”

17. Asked the library in Sussex “What have you got in the way of really good horror for four year olds?” Obviously none existed so he wrote Coraline.

18. Talked about going viral for being in a falafel, seemed to marvel at the progression of the meme’s meaning.

19. “Tumblr is its own madness”

20. “Stephen King has fabulous stories about meeting fans in toilets, including being passed a book under the stall”

21. Read “The Day the Saucers Came” which I misheard initially as Sauces. Saucers is definitely better.

22. “You want to see me doing Dickens?” I laughed inappropriately at this. I was the only one.

23. I don’t want to say what pieces he read because I want you to buy tickets to his events. But it was very nice to be read to by Neil Gaiman.

It’s very worth it to go. I flew out from San Diego for this and would do it again in a heartbeat!

[positivelybeastly]

I'm new to comics and love beast. Is there any comics with beast that you'd recommend? There's so many xmen comics and idk where to start.

Hello there, friend! Getting into comic books is damned hard, but, thankfully, resources like Reddit, Tumblr, and Marvel Unlimited (or your pirating site of choice) all make it a lot easier to get into them these days without having to worry about being confused.

Well. You'll still be a little confused. Comic books are convoluted. But at least you'll be able to engage with them on your own terms. :) And, it's worth it. Mostly.

I'll tell you straight out that if you want some good entry points, like, this is my first X-Men comic, what do I read, I'd recommend the following:

X-Men: First Class (2006)

X-Men vol. 2 (1991)

New X-Men vol. 1 (2001)

Astonishing X-Men vol. 3 (2004)

X-Men vol. 6 (2024)

As for Beast specific recommendations? I have a ton!

For Beast as a character, being examined in his own right, I would recommend the following:

X-Men Origins: Beast - a retelling of his origin, updated with modern art and writing. Written by Mike Carey, whose work you should generally look into if you like X-Men - he focuses a lot on characters like Rogue and Xavier, but also on Beast, which is handy for our purposes!

X-Men: Unlimited vol. 1 #10 and vol. 2 #10 - so, this may be somewhat confusing to a new comic reader, but comics have volumes. This is when a comic of a certain title ends, and it's then relaunched with a new creative team, usually with a very different story.

So, X-Men: Unlimited is an anthology series that tells unconnected stories that fit in other places, between other comics, and there were two different volumes of it, one in the 90s, and one in the 00s. Both volumes have an issue #10 that focuses on Beast, and I'd recommend them both! Vol. 1 #10 especially would be, in my opinion, required reading if you really want to get into Beast.

Amazing Adventures vol. 2 #11 through #17 - the first stab at giving Hank his own solo series, from back in the 70s! Don't let the age get you down, I find this series to be actually fairly modern and easy to get into, and it's a nice sort of superhero/horror blend of tones that I find really effective.

X-Men: Endangered Species - this is a Beast solo story dealing with the aftermath of the Decimation, the event where Scarlet Witch removed the powers of 99% of the world's mutants. It's quite dark, but I think it's probably one of the best examinations of the character in the medium, and it works as an excellent sequel to Unlimited vol. 1 #10. Most of the context you need is given to you in the comic, which is handy. :)

X-Men: S.W.O.R.D vol. 1 - this is kind of a team-up comic, kind of not? The context for this is reliant on reading another run that I'll be recommending, but trust me, it's worth it. This is an outrageously funny book with a good emotional core, and it really captures Beast's essence, as a dual sided goofball jokester with a heart of gold and the intellectual moralistic do-gooder who can't leave well enough alone. One of my favourite comics of all time.

For Beast as part of a team, I would recommend the following:

X-Men: First Class - a prequel book set during the days of the Original X-Men, this series bounces between Cyclops, Angel, Iceman, Marvel Girl and Beast a fair bit, but even in issues that don't focus on Beast, he's still a part of the story and quite well written. Very slice-of-lifey, with a lot of charm to it.

X-Men: Season One - a retelling of certain stories from the original 60s run of X-Men, this is a pretty good one-and-done graphic novel that does change a few things, but keeps the spirit intact and tells you a lot about these characters and how they relate to one another. Just watch out for Iceman's Bieber hair.

Avengers vol. 1 #137-211 - this is a pretty long run of comics that features Hank's initial tenure on the Avengers, and will occasionally require a bit of reading around to make sure that you're reading the Annuals in the right place - usually, the comic will tell you to go read Annual #6 or whatever, but if you find a lot of stuff has happened and the story jumped ahead without you, chances are, it's in an Annual. Very variable in quality, but if you want to see classic Beast in all his glory, there's some really good stuff here, especially the foundation of his lifelong friendship with Wonder Man.

The Defenders/New Defenders vol. 1 #96-152 - probably one of my actual favourite run of comics ever. Beast joins the team a little later than #96, but if you jump in when Hank does, you'll be just a little confused, so it's best to start at #96 and go from there. Especially once Hank reforms the team to the New Defenders in #125, he basically becomes one of the very main characters and gets a lot of focus. Absolutely love this comic.

X-Factor vol. 1 #1-70 - the first six or seven issues of this are pretty bad, but it really comes into its own once it starts being written by Louise Simonson, who makes it much more soap opera, more character driven, gives all the characters a lot to do. There's a lot of crossover with other books, but usually it'll just tell you what to read if you want to know more about a part of a story in little editor's notes!

X-Men vol. 2 #1-95 - the classic 90s run; not my personal favourite, because it's pretty confusingly plotted, but if you want something that hews extremely close to the 90s cartoon, this is that to a tee, to the point where a lot of stories and characters were adapted to and from the comics directly!

New X-Men vol. 1 #114-156 - a landmark run on X-Men by Grant Morrison, this evolves Beast into a new form and changes up his character in a new, tragic manner that, personally, is my favourite iteration of the character. Very high concept sci-fi, occasionally quite confusing and problematic, but extremely good stuff, imo, and essential for getting into modern X-Men.

Astonishing X-Men vol. 3 #1-35 - a sort of sequel to New X-Men, this is again an extremely good entry point into modern X-Men, and it's very, very classic while still progressing the story. Just a note - when you read issue #24, do NOT go to issue #25, you need to go and read Giant Size Astonishing X-Men instead, THEN go to #25. I know, it's confusing, I'm so, so, so sorry, comics are just like this. This is the comic that leads straight into S.W.O.R.D pretty much.

Wolverine and the X-Men vol. 1 #1-42 - a more zany, school focused book, Hank is part of the wider cast here, but he does get some spotlight issues, and I do enjoy him here, especially his relationship with Broo. There are crossovers with Avengers vs. X-Men and other events in here, but those events are kinda sort skippable because they're bad. If you feel confused, you can read them, but I don't necessarily recommend them.

X-Men vol. 6 #1-ongoing - the current run of X-Men, written by Jed MacKay! To put it very bluntly, Beast went through about a decade of being quite badly written and slowly turned into a scummy villain through the recent Krakoa era, which I was not a fan of. There are individual issues between 2013 and 2024 that I can recommend, but if you like Beast, I would not recommend reading them, because I think that they are pretty bad and not fun to read. This is me being kind. But the new series picks up after that's all fixed, and Beast is getting a lot to do in this series, so I'd recommend it!

X-Men: From the Ashes Infinity Comics #15-18 - a supplementary comic that focuses on Beast, best read alongside the above X-Men run I recommended; it can give you all the context you need for where Beast is at, and why he's feeling the way that he is. A very, very good read, way exceeded my expectations, and I'm really pleased I can actually recommend modern comics for Beast again!

These are the main runs I would recommend! There's a lot more, if we want to get esoteric, and I'm sure I'm missing out on a lot of material - Beast has been around for 60 years, he's been in a LOT of stories - but if you want to get stuck into X-Men comics and really immerse yourself into the world and the stories, there's a lot of really good material here!

Welcome to the X-Men comics, friend! Hope you survive the experience!

[nefarious-nightjar]

Jack's list of Various Omega Red Media

@strongestbanner this is for you, if you are still curious about getting more into Omega Red's character! :D

EDIT, as of 09/17/2024: THIS LIST IS OUTDATED GO FIND THE SPIFFY NEW ONE HERE :)

———————————

Beneath all the murder, the bloodshed, the Soviet State intervention, and the medical malpractice, I really like Omega Red and I find him to be such and intriguing character; if not, in the least, quite the illusive one.

Marvel has never really given him a proper origin story, nor have they fleshed out his background like they have for other villains (like our boy Sabretooth). We don't really know all too much about him and his past apart from the few bits and pieces dropped here and there throughout his very scattered appearances. Even then, there are still some contradictions in the little we do have about him, so good luck with piecing together his past lol.

Regardless, I hope this list can at least give a glimpse into Arkady Rossovich as a character, and how he has been written and portrayed by the various writer throughout his 30 years of existence :)

— Comics —

So! We start with the comics! I'm going to try and place these in a roughly chronological order, but some of it gets a little hard to place timeline wise. This is also by no means a wholly comprehensive list, but I thought I'd highlight some of the more prominent ones I like and let you go from there!

X-Men (1991) #4-#7 Omega Red makes his first ever comic book appearance, yippee! These comics officially introduced Omega Red and his powerset, a well as his history with Wolverine, Sabretooth, and Maverick during their time as CIA operatives.

X-Men (1991) #17-19 Enter, the Soul Skinner! This little ark isn't too widely talked about (at least where I am), but I find this to be an intriguing one nevertheless, especially in it's regards to Omega Red. With a mutant that is terrorizing an isolated Siberian town, the Russian Government sends Omega Red to investigate. Turns out Omega is just as vulnerable to his psychic powers as the rest of the village, and he Soul Skinner ends up mind-controlling and manipulating Arkady into fighting the X-Men when they arrive to help.

Maverick: In the Shadow of Death (1997) This little one-shot is about as close to a 90’s followup to Omega Red’s debut as you can get. Focusing almost entirely on Maverick, Omega Red, and John Wraith, this little comic does a decent job at trying to explain his mutant death factor and his motivations for all of his killings, as well as using the words “carbonadium synthesizer” and “mutant death factor” more that was probably necessary. (also John Wraith gets to use a bazooka and i think that's fun. they need to let him do that more often lol)

*Iron Man (1968) #295-#297 Another one of his earliest appearances. Being such a new character, there is, sadly, not too much to him here. BUT it does establish the character of Olinka Barankova, Arkady's creator and someone who remains an important figure to his history.

*Cable (1993) #9-#11 This ark gives us some very good insight on how Arkady views himself, especially during the early period after which he was unfrozen in the modern day.

*Generation X (1994) #10 and #11 Arkady attacks Emma and Banshee’s little team in the present, while Banshee has flashbacks to his time as an Interpol agent, when he chased down and arrested Arkady BEFORE he went through the Carbonadium bonding process.

Wolverine (1988) #170, #173-#175 Here he shows up, working alongside Lady Deathstrike for Sabretooth.

Wolverine: Origins (2006) #6-#10, and #36-#40 I have not read all of this run yet, so I cannot speak too much on it. Only that showing up briefly in issues #6-10, Omega is mostly there as a back ground antagonist. And, come issues #36-#40, he reappears to be killed off.

X-Men Gold (2017) #9-#11 To Quote the Stone Roses, "I am the resurrection and I am the life". The ones in which Arkady gets his ass resurrected, yay! Can't say much on the run itself, but I'm mainly mentioning it to help place the status of Omega Red, so that you are not left questioning why on earth he's suddenly alive the next time he appears :/

Weapon X (2017) #17-#27 With Sabretooth newly leading Weapon X, he ends up being lured and dragged away by Omega Red during a mission. After a good amount of back and forth and a lot of bloodshed, Creed ends up offering Arkady a chance at redemption from all of the Soviet medical malpractice and lack of autonomy he's been put through at the hands of S.I.C.K.L.E. Accepting the offer, Arkady ends up joining Creed's X-Force in defeating S.I.C.K.L.E.'s Director, Vassily Rossovich.

Now I feel like I need that Gordon Ramsey meme with the "finally some good fucking food" text. These issues, especially #17-#21, are some of the best for Omega red and his characterization. Hands down. As well, this is technically the first time we every get to see him be a “good guy” of sorts, and joining Sabretooth’s version of Weapon X/X-Force for the rest of the comics' run.

Now, this brings us to the Krakoa era! There is quite a bit, so bare with me. Outside of his prominent presence in the X-Lives of Wolverine special, his appearances are very sporadic and a little hard to follow, though you'll usually find him kicking around in both Wolverine or X-Force. I will also admit that I am NOT up to date with all of the krakoa era stuff, so there may have been a good few comics in which I've missed.

His Krakoa appearances, in order (that I can remember) are:

Wolverine #1, Wolverine #4, X-Force #12, X-Force #15, Wolverine #8, Wolverine #11-#12, all five issues of X-Lives of Wolverine, X-Force #27-Present, and Wolverine #26-#27

* Lastly, there is also this website you can check out for finding all of Omega Red's comic book appearances in chronological order. I will admit, I found this a hard list to start with because it can very easily get overwhelming from the sheer amount of stuff to it. But then again, I'm not your boss, and if you want to got combing through every last little bit of Arkady's appearances, then by all means go hog wild and check it out! for yourself :)

— The Animated Series —

I thought I would add Arkady's appearances in the Animated series for the sole purpose of verity. He is in no way a major occurrence, but when he gets his spot light, I feel that he shines like like hell.

"Red Dawn" S2 Ep.4 Outside of a very brief flash of his face seen in Sabertooth's flashbacks during the S1 Ep.4 "Deadly Reunions", this episode is Omega's first real and proper appearance, as well as his introduction into the animated show. Having been resurrected by some radical Generals looking to reclaim and reform the Soviet Union, Arkady wrecks havoc on the Republic's capital and ultimately tuns on the Generals to try overthrowing the Russian Parliament and take control of the Soviet Union for himself.

"A Deal With the Devil" S4 Ep.2 Arkady gets his ass unfrozen by the American government to clean up the remains of a Soviet submarine filled with nuclear war heads off the Hawaii coast. This episode really showcases his cunning and his drive for self determination, even as he drags Wolverine and Storm kicking and screaming into his evil plot to nuke the world.

"Weapon X, Lies and Video Tapes" S4 Ep.16 Not much to mention of Arkady here, but he does shows up in flash backs to the Weapon X Mission where they were tasked with retrieving the C-Synth.

— Fanfiction —

Yes, I am recommending fanfiction, sue me. But honestly, although fanfiction is fanfiction and "rrraaagh Not Canon Material™!!! >:(", I still wanted to honourably mention the work of Soviet_Supersoldier's Living Weapon, Living Computer and a touch of Luck on ao3. It is, as they describe, "A behind-the-scenes journey through the 2019 X-Force and Wolverine series."

With passionate dedication to weaving together the gaps of the sporadic appearances of Omega Red through the Krakoa Era, and to giving characters outside of Wolverine their due, I find this work to be a lovingly crafted case study of Arkady, Sage, Neena, and other non-titular characters we see in the Krakoa Era. I will happily pour my heart out for this work, even if it one day bleeds me dry.

[snarrymicrofics]

Snarry Microfic Fest 2024 🏵 August Prompts

This is a fest with daily prompts to inspire you to write snarry microfics. While I encourage you to write microfics/drabbles, there is no word maximum. You can mix any of the prompts together. Every day, there will be two prompts. You can choose one or both to write. And you're allowed to write for previous prompts.

AO3 COLLECTION for you to post your fics.

Rules:

All content is allowed, but you must be at least 18 to post nsfw or dead dove content.

Tag your tumblr posts with #snarry microfics 2024 and/or tag @snarrymicrofics

Add the appropriate warnings to your work

No ai works, must be an original work written by you

August 1 Fickle / Seagulls

August 2 "I'm nervous." / Affection

August 3 Flood / Kite

August 4 Grief / Spider

August 5 Boxers / Horizon

August 6 Drought / Violet

August 7 "I love you." / Air

August 8 Family / Sunglasses

August 9 Poverty / Water

August 10 Brownie / Deck

August 11 Violin / Wish

August 12 Dragon / Robbery

August 13 Sandcastle / Turn

August 14 Card / Sunburn

August 15 Kidnap / Wait

August 16 Envelope / Lecherous

August 17 "Go to hell." / Listen

August 18 Dark / Twinkle

August 19 Cartoon / Shade

August 20 "I'm going to be sick." / Frisky

August 21 Baby / Mirror

August 22 Breeze / Road Trip

August 23 Distance / Kitchen

August 24 Fishing / Meadow

August 25 Curves / Path

August 26 Console / Facile

August 27 Orchard / Scissor

August 28 Tacky / Warp

August 29 Bird watching / Crystal

August 30 Cicada / Sailboat

August 31 Amorous / Paper

Substitutes: Bite-sized / Consult / Draconian / Sleepy

[hypnotisedfireflies]

Arien's Advent Calendar, 2024

25 days of TLOU fic

ALL CLAIMS FILLED, THANK YOU!

To say a big THANKS for supporting my fic throughout the year(s), I’m doing the Advent Calendar Fic thingamy again!  I did this last year and it became this collection of stories.

From 1 - 25 December 2024 I will be posting a short story (it will be short, I will control myself) as part of a new collection of works from Driftersverse, Making Mirrors, Interstellar Overdrive and Legend of Charro.

Beneath the cut I have a little information about the story to be written each day (universe, characters and date/era).  I’d like to dedicate each to a reader, so please claim one and I’ll write it for you.

I don’t think all days will fill up, but I’d like to give everyone a chance to get one they really like, so at this stage each person can claim ONE day only - I’ll open it up to more later on. You’re welcome to send me a few in order of preference in case someone has already beaten you to the punch on your favourite, and I haven’t yet updated the list.

If you would rather claim as anon, please give me a name or an emoji or something - just so I can identify you against your chosen day and so we don’t get multiple anons muddled up. 

Please send claims via asks so I can keep track of them in one place and if not anon, include your AO3 name (if you have one).

Happy Holidays! (And thanks to everyone who voted and helped me decide what to offer!)

DD – Driftersverse (my TLOU sandbox, Tess lives) MM – Making Mirrors (Snowqueen of Texas/Parallel Lines - no Cordyceps AU) LOC – Legend of Charro (the Western) IO – Interstellar Overdrive (70s AU) AU – Alternate Universe, unrelated

“OC/Canon, any universe” is a new entry this year.  This means I’ll write a story with the canon listed and you can choose either canon or one of my original characters to appear in the story with them, plus specify universe in which it takes place.  (Eg, Frank and Joel, IO).

Please be kind and keep it to characters I am known to write (I may refuse a claim if you start waving Owen or Mel at me) and who could reasonably interact with one another.  I’ve got enough writing to do, don’t break my brain!

“Mystery AU” is exactly what it sounds.  Last time one of these spawned IO so who knows what could happen?

“Crack box” is the one crack fic I’ll write.  Last year’s took me by surprise, but this year I’m reserving a space for it.

Where are all the Tommy/Maria fics?  They’re still getting three more stories to themselves, so that’s coming probably 2025 at this stage. O_O

1. DD Tess/Joel, 2022 @justplainsalty 2. IO Joel and Ellie, 1977 @march-flowerr 3. LOC Tess/Joel, sweetheart years @seethesunny 4. DD Tess/Joel and Tommy, 2005 @dancingonmoonbeams 5. Ellie and OC/Canon, any universe OR IO 1980 (but whom?) @finnelfin 6. DD Joel/Tess 2024 @ belantana 7. Mystery AU @finnelfin 8. DD/MM Joel and Sarah, 1993 @march-flowerr 9.  IO Tess/Joel, 1974 @emilylawsons 10. Maria and OC/Canon, any universe @ameerawrites 11. LOC Tess/Joel, bandit years @adoringhxxd 12. MM Tess/Joel and Sarah, 2005 @ammotraguslervia 13. DD Tess/Joel and Ellie, 2025 @ameerawrites 14. Tommy and OC/Canon, any universe @adhdprincess 15. Crack Box OR third Mystery AU @toomanytookas 16. IO Tess/Joel 1976 @flckrsoflight 17. DD Tess/Joel, Tommy/Maria 2027 @bumblepony 18. LOC Tess/Joel and Ellie, family years @chujo-hime 19. Mystery AU @bignosebushybrows 20. DD Tess/Joel 2011 @betweentwoceremonials 21. IO Tess and Ellie, 1970 @becomethesun 22. MM Tess/Joel, 2004 @bignosebushybrows 23. Frank and OC/Canon, any universe OR DD Tess/Joel 2007 @justplainsalty 24. DD Tommy/Maria, 2022 @bumblepony 25. Mystery Christmas Story @adhdprincess

[zahri-melitor]

Feeling a mild level of disconnect, yet again, with the way people talk about Dick's time as a Robin, when it's literally never been easier in my lifetime to pick up a story showing Dick when he was Robin.

Issues published in the last 4 years containing Dick Grayson While He Was Robin:

Batman/Superman: World's Finest: 1-4, 6-17, 20, 23, 25-27, 2024 Annual (22 issues)

World's Finest: Teen Titans: 1-6 (6 issues)

Robin & Batman: 1-3 (3 issues)

Robin 80th Anniversary 100-Page Super Spectacular (1 story in the issue)

This is excluding flashbacks in ordinary storylines, hallucinations, dreams, elseworlds, alternate futures, etc. Just stories about Dick being Robin.

Also recently reprinted and currently easily available:

Batgirl Year One (7 issues)

Teen Titans Year One (6 issues)

Robin Year One (4 issues - new box set coming later this year)

Dark Victory (13 issues)

Like, do you want to look at Dick as Robin? You've got multiple versions, written by multiple writers, over multiple decades, easily in print right now. There are 3 different versions of Dick's origin story on that list, 3 different versions of early Teen Titans, and what is even more gold: several full storylines set during Dick's time as Robin that aren't origin stories. And that's not even touching golden age or silver age reprints, accessibility via DCUI, what your library system might have, good old piracy...

If you want to discuss what Dick was like when he was Robin, you've GOT multiple interpretations available! at your fingertips! and none of them are as simple or boring as 'small murder-rage child' or 'Holy Batjokes!'

[waywardwizzard]

☆Writing Masterlist☆

Hi everyone! My blog's tag search thingy hates me and someone asked me if I'd put my writing in one place so I decided to create a Masterlist

Most of these are Firefly fics (as y'all know) but I'll add my original stuff under OG if y'all are ever interested in reading them

(Also, I finally learned how to make hyperlinks, yay!)

Writing Masterlist Part 2 (because I've apparently written too much)

Firefly fic requests are [open]

Now, onward with the links ->

Yeehawgust 2024 ->

Day 1

Whumperless whump event

[See Writing Masterlist part 2]

June of Doom 2024

Day 1 | Day 2 | Day 3 | Day 4 | Day 5 | Day 6 | Day 7 | Day 8 | Day 9 | Day 10 | Day 11 | Day 12 | Day 13 | Day 14 | Day 15 | Day 16 | Day 17 | Day 18 | Day 19 | Day 20 | Day 21 | Day 22 | Day 23 | Day 24 | Day 25 | Day 26 | Day 27 | Day 28 | Day 29 | Day 30

Whumpril 2024

Day 1 | Day 2 | Day 3 | Day 4

Febuwhump 2024

Day 1 | Day 2 | Day 3 | Day 4 | Day 5 | Day 6 | Day 7 | Day 8 | Day 9 | Day 10 | Day 11 | Day 12 | Day 13 | Day 14 | Day 15 | Day 16 | Day 17 | Day 18 | Day 19 | Day 20 | Day 21 | Day 22 | Day 23 | Day 24 | Day 25 | Day 26 | Day 27 | Day 28 | Day 29

Yeehawgust 2023 (I'll add these slowly but surely because I have to manually scroll back to last year August-)

Day 1 | Day 2 | Day 3 | Day 4 | Day 5 | Day 6 | Day 7 | Day 8 | Day 9 | Day 10 | Day 11 | Day 12 | Day 13 | Day 14 | Day 15 | Day 16 | Day 17 | Day 18 | Day 19 | Day 20 | Day 21 | Day 22 | Day 23 | Day 24 | Day 25 | Day 26 | Day 27 | Day 28 | Day 29 | Day 30 | Day 31

Misc fics

Luck (Halloween 2023) (with added Discworld sprinkles!)

What we lost (Christmas 2023)

Fic requests

Ties that bind | Slice of life

[chase-the-music]

Introducing Cadence Valerio; Ghost's Advocatus Angeli

I first started developing Cade as an OC about 6 months ago, including my initial sketches for these sheets, so this is how he'd look in early 2024. I will be posting a written piece about how he got his role soon, but I'm also always very happy to answer questions about him!

I've added a massive lore dump for him below if anyone's interested in reading. I would say "full" lore but chances are I will keep adding to this more and more. Tw/cw for mentions of dysphoria, death, drug addiction, alcoholism, mental health issues, sex. There are also Rite Here Rite Now spoilers right at the end(I haven't actually seen it myself yet so any contradictions will be rectified later).

Cade's grandmother, Shirley Gibson, was a huge fan of the original iteration of Ghost as a band in the 60s, and obsessed with Nihil. She was one of the women that he ends up kissing in the Kiss The Go-Goat video, but when he left to find Sister Imperator after the show, she ended up partying with the Ghouls, and sleeping with one of them named Vigor. Shirley only found out she was pregnant upon returning to England, raising Cade's mum Catherine as a single mother with Vigor sending generous monetary support.

Catherine was very visibly different as a child being half-human half-Ghoul, and as a child in England she was very much ostracised for it. She took solace in her best friend, an Italian immigrant named Luciano Valerio, and in their teens, the two fell in love. Unbeknownst to them however, Catherine shared her father's high fertility and a singular slip-up led to the pair concieving when they were only 17. They decided to marry and make it work. Catherine gave birth to twins, Isabelle Violet and [I haven't decided if I'm going to share Cade's deadname yet] Valerio on Friday the 13th of May 1988.

As a child Cadence was outgoing and highly strung whereas his sister was far more shy and reserved. Both were small and slight with frequent health issues which for Cade mostly ended by his adolescence but for Isabelle were more severe and continued into adulthood. Both initially struggled in school but later surpassed their peers. They were intelligent, curious children and were inseparably close.

Cade experienced gender dysphoria for a long time but didn't quite know what it was until finding out about transgender people in his early 20s. His family were fairly accepting, but none more so than Isabelle who was Cade's biggest advocate, helping him get the support he needed. He began socially transitioning in 2011, started testosterone in 2012 and got top surgery in 2014. He was originally on track for bottom surgery in 2015 but this ended up delayed until 2021 for reasons explained below.

Being a quarter Ghoul, Cade has some traits from his grandfather despite appearing fairly human. Vigor is a very lively sun-like (in terms of the elements, Fire/Quintisessence type) Ghoul golden skin and fire-like hair and eyes. Cade's natural hair colour is strawberry blonde despite the fully human members of his family having dark hair, his skin has a slightly golden sheen in sunlight, and his eyes glow slightly in low light, with a candlelight-like effect. He has a higher than average body temperature which may be noteable to others who touch his skin but feels normal to him. That said he feels more comfortable in less clothing and will usually just walk around in his underwear in private, in public it's harder because he prefers not to show too much skin so he often gets a little too hot. His hair and nails grow very rapidly and his skin has a fast cell turnover so it's usually very soft and sensitive, he also has higher than average flexibility. He's presumed to have had high fertility like his mother and grandfather but since he had a hystorectomy as part of his bottom surgery he no longer has to worry about that(unless someone steals the eggs he had frozen)!

Cade studied Law in London and moved to a flatshare outside of the city after graduating, becoming a legal secretary straight after university. His coming out as trans soon after getting the job was a slight setback as a lot of his colleagues were new to the concept, but he was extremely good at his job and was in the process of moving into being a paralegal where he would get to use what he had studied more.

In 2014, Isabelle died suddenly after complications from a congenital heart condition which was one of the health issues that Cade did not share. As well as a heavy dose of survivor's guilt due to the circumstances, Cadence was understandably devastated by the loss and sunk into a deep depression.

He was already recreationally taking cocaine with work friends, but he became much more dangerously addicted, stopped caring about most things, and eventually lost his job, started missing appointments including for his initial bottom surgery, and generally stopped taking care of himself.

His parents helped him get treatment for his addiction as well as bereavement counselling and general mental health support. However once he stabilised he was still left unemployed and rather aimless, so his mum called her father, now retired from the Ministry but still occasionally visiting, and asked him to pull some strings and get his grandson a job so he could have a fresh start. Sister didn't agree with his appointment given his grandmother coming between herself and Nihil when she was pregnant with Copia, but gave him a shot expecting him to leave soon.

Cadence joined in late 2016, at first not having a defined role, just being a standard Clergy member and just seeing where he could be useful. At the time he was still feeling a little lost and still not his usually confident self, so he wasn't sure he belonged for a while. Shortly after the first three Papa's deaths, however, an argument with Sister Imperator over that choice led to him being given the role of "Advocatus Angeli"- an inversion of the original Advocatus Diaboli, or Devil's Advocate in Catholicism- via a phonecall from The Old One himself. He's considered a similar rank to an archbishop where he sits just below the Cardinal, but he's not able to ascend to that rank when Copia becomes Papa because it's considered a different skillset.

Cade's primary role for the first two years as AdvAn was to question and challenge Cardinal Copia and make sure he was worthy of becoming Papa. His criticisms were not sufficient from keeping Copia from the role, much to his chagrin, but he remains an important part of the Ministry, dedicated to making sure all are dedicated to demonic worship.

Cade is curious, observant and has a great memory. He's also very stubborn when he's sure he's right whether that be factually or morally, the latter backed up by his strong sense of justice. Usually his rebellious nature emerges when he comes across what he feels are unfair or unnecessary rules. He's usually very outgoing and talkative, though this took a knock for a while after Isabelle's death, not really returning to his usual self until 2019-20.

He is a hopeless romantic and falls in love far too easily. He's demisexual which I know can play out a bit differently depending on the person, but for Cade it means he doesn't really experience primary attraction, he needs to get to know a person to some extent and then the attraction develops. His actual drive for sex and/or masturbation on the other hand is rather high. When you combine all this with how easily he does end up falling for people, he's prone to setting off with friendly intentions in mind but then ending up with quite intense attractions to and fixations on people.

Cade is quite active; he doesn't have much interest in twam sports but he loves to swim, lift weights and kickbox; once he came out of his shell he started to invite Ghouls to spar with him(often in his office, which Sister is not too happy with).

Cade is a good singer and would love to lead rituals as he also has the charisma. His voice isn't as powerful as the Papas, but it does have a nice tone to it. He also plays piano/keyboard, so he can provide backup vocals or fill in on keyboard when needed for rituals. He likes to serenade his partners in low light, preferably on a real piano, because his soft voice combined with the glow of his eyes can be oddly hypnotic. He likes watching any sort of crime documentary and for films he quite likes psychological thrillers. He's creative and can draw to some extent but not very good with physically making things so often has clothes/accessories/props custom made for him.

Cade's favourite food is ice cream/gelato, especially coffee, hazelnut and pistachio flavours. He also really likes steak and pasta. In terms of animals he quite likes reptiles; he doesn't have any pets at the Ministry but is very tempted to get a snake because a. he's dramatic and b. if Copia pisses him off he can threaten his rats (he wouldn't actually though).

He never got to know Primo or Secondo well, he would perhaps consider them acquantances up until their deaths. Papa Nihil and he have an odd relationship; Nihil actually seems to quite like him but because of Sister Imperator he can't really get to know him well. Sister herself starts off very cold to Cade because of his relation to the woman who wrecked her marriage to Nihil(I hc them married in the eyes of the Ministry, hence why Copia is seen as needing to prove himself; only bastard children are fit to take the Papa title automatically as I've talked about here). It looks like she may warm to him a little until he finds out about Copia being her son shortly after the Papa's deaths and accuses her rather confrontationally as mentioned above, gaining him his role but almost guaranteeing the cold relationship continues.

He got to know Terzo quite a bit as he was Papa when he joined the Ministry, he studied and admired his performance in Rituals and ended up considering him a friend. He was somewhat attracted to him once they became close but he mostly ignored it. Terzo's death therefore hit him harder than the other two, though all three were hard for him as he'd agreed to come to Ghost to get away from death.

Cade initially had no issue with Copia and vice versa, he was just someone he saw around the halls, but after he was assigned to challenge him and judge his worthiness for Papa (despite still being below him in rank), the two begin to frequently butt heads. They maintain a genuine dislike for each other over many years. There is some degree of sexual tension there, but they fucked once only to find they still couldn't stand each other.

When Copia became Papa against much of his advice, Cadence reacted very badly, including going off to find some sort of purpose to everything he was doing. He ended up getting to know and then having a short-term relationship with Lucifer himself. They ended up having to part ways for various reasons but it gave Cade a more solid belief in the purpose of the Ministry, and he soon returned. He still doesn't like Copia and frequently thinks about usurping him but nothing really comes from it.

He has a very up and down relationship with @nocturnal-bishop's OC Bishop Dante. Cade doesn't make friends at the Ministry for a while because he's not his usual confident self, and Dante is his first friend there. As they grow closer, Cadence develops feelings for Dante, but he can tell he's in love with Terzo so while he's not too secretive when it comes to flirting etc, he never makes a definitive move or confession. When the Papas die, Cadence tries to be there to console the Bishop, but when he gets his promotion soon afterwards, Dante becomes suspicious and it takes a while for him to trust Cade again.

From then on, tension grows between the two professionally, as Dante helps prepare Copia for his duties as Papa while Cadence challenges whether he's worthy of the role. Unlike Cade and Copia though, there is a genuine like for each other and want to understand the other at the heart of it. They do sometimes have genuine arguments, but a lot of the time it's far more playful, and over the years I can see genuine affection developing, probably a lot of situations where one has feelings for each other they don't express. Once they can be more open with each other about everything, it would assuage all their doubts about each other and they would build a loving relationship, I don't think it's really been decided when they get together but really any time from 2021-24 I can see working. Me and Dante's writer are both multi-shippers but in my heart I can definitely see them as endgame. Oh and their ship name is Dance. 💜❤

Post-Rite Here Rite Now, I imagine Cadence would be heavily disadvantaged by Copia's appointment as Frater Imperator. He's going to have to hope he can gain some sort of promotion- which is difficult when his role is rather unique- or try his best to make a good impression with the new Papa.

If you read all(or any!) of this, I really appreciate it! I'm hoping to work on some art pieces of Cade and hopefully of Vigor soon but I'm not the fastest. I love talking about my little guy so again feel free to drop me an ask or message or whatnot!

[autobot2001]

August 2024 Writing Materlist

Madterlist of writing for @augusnippets and @augustofwhump prompts. Mostly written in the Transformers fandom. Day 4 is written in the Halloween fandom. Five days are original works. I have noted the ratings and warnings. Below the cut.

Day 1: Beyond Her Limits August of whump: Gaslighting Augusnippets - path of hurt: Overexertion Rating: T Warning: None Description: A Drill Seargent gaslights Lily into running more laps, and pushing herself too hard.

Day 2: In the Crosshairs of Care August of whump: Cry for help Augusnippets - path of comfort: Platonic bathing Rating: E Warning: None Description: Crosshairs checks on Jamie and needs to take care of her.

Day 3: Chill of the Unknown August of whump: Freezing Augusnippets - path of whumperless whump: blizzard Rating: T Warning: None Description: A mission to investigate an energon signal turns into a search mission.

Day 4: In The Shadows August of whump: Scream Augusnippets - path of hurt alt: stalked Rating: T Warning: Killing Description: Michael stalks his target before killing them.

Day 5: Love and Care August of whump: Ache Augusnippets path of comfort: Feverish caretaking Rating: E Warning: None Description: Drift takes care of Jamie, concerned about her fever. Continued from day 2.

Day 6: Deadly Intersection August of whump: Confusion Augusnippets - path of whumperless: car accident Rating: E Warning: None Description: A driver speeding through a red light causes an accident.

Day 7: Medical Emergency August of whump: Collapse Augusnippets path of hurt: Choking Rating: E Warning: None Description: Veronica's stress being around Sunstreaker causes her to have an asthma attack.

Day 8: The Anger They Feel August of whump: Trap, attack Augusnippets- path of comfort: Friends, found family Rating: T Warning: Talk of poor mental health Description: Seeing how upset Jamie is, a few Autobots and two human friends rant about her situation and hate that there's little they can do to help.

Day 9: Role Reversal August of whump: Role reversal Augusnippets - pat6h of whumperless whump: Dehydration Rating: E Warning: None Description: Drift is dehydrated, and Crosshairs takes care of him.

Day 10: Stopping a Plot to Kill August of whump: Secret Augusnippets - path of hurt: Begging for mercy Rating: T Warning: None Description: Sunstreaker intrudes on a soldier, talking about a plan to kill Jamie.

Day 11: Locked Out August of whump: Locked out Augusnippets - path of comfort: Safe and sound Rating: E Warning: None Description: Jamie is accidentally locked outside.

Day 12: Memories of The Past August of whump: Anger Augusnippets - path of whumperless whump: Flashback Rating: T Warning: None Description: A group of soldiers targeting Jamie brings back memories.

Day 13: Killing in Front of an Audience August of whump: Wittness Augusnippets path of whump: forced to watch. Rating: T Warning: Killing Description: Austin has an opportunity to kill his next target and scare people.

Day 14: Unexpected Issue August of whump: Darkness, alone Augusnippets - path of comfort: Gifts, celebration Rating: T Warning: Poor mental health, self-depicting thoughts Description: Jamie's close friends plan a weekend to celebrate her birthday. Plans are quickly questioned.

Day 15: Headache August of whump: Salt in the wounds Augusnippets - path of whumperless whump: starvation & throwing up Rating: T Warning: Poor eating habits Description: Jamie has a headache from not eating for a long period.

Day 16: Taking The Verbal Attacks Further August of whump: Dread Augusnippets - path of hurt: Dehumanization Rating: T Warning: Verbal abuse, dehumanization Description: A soldier yet again targets Jamie. Deciding this time to dehumanize her.

Day 17: The Problems Stress Causes August of whump: cramps Augusnippets - path of comfort: forgiveness & resolving a misunderstanding Rating: E Warning: None Description: The stress of Drift's current task causes him to yell at Jamie, something he's never done before.

Day 18: The Unforeseen August of whump: infection Augusnippets - path of whumperless whump; unavoidable Rating: E Warning: None Description: Jamie ends up sick with bronchitis.

Day 19: Hoffrm Danger August of whump: mistake Augusnippets - path of hurt: chipped Rating: E Warning: None Description: Jamie believes she is getting a cold until Crosshairs notices her red and swollen throat. The discovery of something more serious concerns the medics and Jamie's guardians.

Day 20: Drift's Guilt August of whump: Guilt Augusnippets - path of comfort: Favorite treat Rating: E Warning: None Description: Feeling guilty about yelling at Jamie, Drfit gets a treat for her.

Day 21: A Risky Move August of whump: Human shield Augusnippets - path of whumperless whump: Hallucinations Rating: T Warning: None Description: With Whumpee seriously injured, A decides the only choice is to be a human shield and distraction.

Day 22: Goodbye For Now August of whump: robbery Augusnippets - path of hurt: tearful goodbye Rating: T Warning: None Description: A gets arrested for robbing five homes after getting caught running from the fifth.

Day 23: A Misunderstanding August of whump: Fate Augusnippets- path of comfort; wiping away tears/gentle touch Rating: T Warning: Talk of poor mental health. Description: Crosshairs can't believe Drift thinks everything Jamie went through and still deals with is fate.

Day 24: A Terrible Accident August of whump: Humiliation Augusnippets - path of hurt: Land mine Rating: T Warning: Mention of being left to die Description: Whumpee struggles with their permanent injury after stepping on a landmine.

Day 25: Refusing to Participate August of whump: Insults, tear stains Augusnippets - path of hurt: Reluctant Whumper Rating: T Warning: None Description: Soldiers continue to target Jamie. This time, one is forced to participate.

Day 26: In the Quiet of Comfort August of whump: Heartbeat Augusnippets: - path of comfort; nightmare/warm blanket/snuggling Rating: E Warning: None Description: Things are quiet for a short period until Jamie has a nightmare about the earlier events.

Day 27: A Terrible Day August of whump: proof // memory // machine Augusnippets - path of whumperless whump" Migraine Rating: T Warning: None Description: Lily is denied pain relief when her headache bothers her.

Day 28: Betrayed August of whump: Abandoned Augusnippets - path of hurt: Betrayal Rating: T Warning: None Description: Betrayal happens while two spies are on a mission.

Day 29: Distracted By Anger August of whump: Broken glass Augusnippets path of comfort, alt: Protective caretakers Rating: T Warning: mention of poor mental health Description: Talking about Jamie's struggles angers Crosshairs.

Day 30: The Problem Continues August of whump: outcast, gift Augusnippets - path of whumperless whump: self-harm Rating: T Warning: Verbal bullying Description: While Crosshairs and Drift go out, Jamie is yet again bullied by a soldier. Crosshairs and Drift return to a grim scene.

Day 31 was a free day. I didn't write anything. I'm still counting this ecebt 100% completed.

[therideordiechronicles]

𝐓ɦ𝖾 𝐑𝗂ᑯ𝖾-ⱺ𝗋-𝐃𝗂𝖾 𝐂ɦ𝗋ⱺ𐓣𝗂𝖼ᥣ𝖾𝗌 is an epic collection of books that follow Logan and Bronwyn Ellis on an extraordinary journey as they face the rollercoaster of life's challenges and triumphs. Their unbreakable bond carries them through the stages of life and love, from their teen years well into adulthood. Based on the main character (renamed Bronwyn Davis) and love interest Logan (Ellis - surname by Kneshele) from the Pixelberry Choices visual novel app story Ride-or-Die: A Bad Boy Romance. My stories contain the background stories of the MC/LI by Pixelberry. All other plots, ideas, and foreground stories are original works by K. Neshele (Choices.lady). All stories are written and designed by K. Neshele also known as Choices.lady.

*DISCLAIMER Most characters, background art, and audio are property of Pixelberry Studios. All rights reserved to Pixelberry Studios. Stories authored by K. Neshele.

MASTERLIST

Started: 11/17/2020

Updated: 8/08/2024

Total Works: 11

Ride-or-Die Book 2 ⚠️🔞

15 episodes ~ Completed 2/15/21

Ride-or-Die Ever After ⚠️🔞

13 episodes ~ Completed 7/05/21

Ride-or-Die Torn Asunder ⚠️🔞

14 episodes ~ Completed 6/21/22

A Ride-or-Die Christmas Story

3 episodes ~ Completed 12/25/22

Ride-or-Die Intentions ⚠️🔞🔥

20 chapters ~ Completed 1/08/24

Bronwyn's Journal ⚠️🔞

13 chapters ~ Updated 5/27/24 (on a brief hold)

Devore Archives 🔞🔥

9 chapters ~ Completed 8/8/24

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*These fics are NOT a part of The Ride-or-Die Chronicles serialized books. They are loosely based on the series and/or set in an alternate universe.

Permission 🔞🔥

cowritten with @callmeteach

17 chapters ~ Completed 1/15/24

Missing Piece

One Shot ~ 3/27/24

The Game Changer

Part 1 ~ 11/25/23

Part 2 ~ WIP

The Forgotten Heir

7 chapters ~ Completed 6/28/22