#originally this was one paragraph

[ennard-is-near]

Circus Baby totally recognized Michael.

I don’t know if this is a hot take, but she lies throughout the entire game, why are we taking her word for this one thing? I think that she knows (or at least suspects) that Michael knows who she is. Michael and Elizabeth are siblings and they have a pre-existing relationship, even if we don’t know anything about it. I think Circus Baby is super clever, and for whatever reason she knows that Michael is more likely to trust her if he doesn’t have that pre-existing relationship to go off of. So Baby pretends, like she loves to do, that she doesn’t recognize him.

I don’t know why she picked Michael to scoop, or if it was more of a “next guy who comes through that door, we kill” sort of situation. I don’t think the other animatronics would know who he is (why would they?), but especially based on how Circus Baby plays of Michael’s emotions (acting like a little kid, doing Elizabeth’s voice in the secret night, etc.) she knows exactly who Michael is.

Also she’s not stupid, she’d recognize her own brother. I don’t know why Michael says “They thought I was you…” because nobody ever says that (he is projecting maybe…) but either this can be ignored, or she’s smart enough to recognize two people are similar enough looking to be father and son. And if that’s the case, why wouldn’t she be smart enough to recognize her brother?

Plus, what are the chances that they’ve been down there a really long time, lots of maintenance guys come down there, and the one guy they choose to do the whole ‘manipulation and scooping’ thing to just happens to be Michael Afton.

Honestly, the whole thing with Circus Baby saying “I don’t recognize you…” over and over is a little sus. Like if new employees come down there all the time you’d definitely be used to it by now? Do you make a whole show of not recognizing every single new employee you meet? Why? To me it reads like Baby’s testing the waters with him a little, seeing how he’ll react to being spoken to directly, and seeing if he reacts to not being recognized by her.

✨ Also I just think it’s more fun ✨

[baeshijima]

hmmm.... thoughts about composer!reader, whose pieces are always created for and featured in mr reca's films/projects.

people aren't sure when it first started, but in the release of one of his prior films was an ost. of course, it's not unusual to have music in such projects, but that one had felt... different, somehow — in the way its composition struck the chords of many, with billions across the cosmos instantly scouring for who made that piece.

it, of course, didn't take all that long when your name was featured in the credits. however there was barely any information aside from your name and credentials. (seriously, how could there not even be a single photo?!) no one knew what you looked like for quite a long time, only ever recognising your name and your music; even despite the numerous interviews, mr reca had never disclosed anything about you other than your talents. it came to a point where everyone believed they would never see your appearance.

well, until all hell broke loose during the annual intergalactic film awards, that is.

everyone already knew the drill — if mr reca had directed a film that year, it would undoubtedly win the adapted/original screenplay, cinematography, directing, production design, sound, music (original score and song), and film of the year awards, which also led to you winning both the music awards. usually, the composers would be the ones to collect said awards. however, the masses have become used to mr reca being the one to collect them on your behalf with thank you's also on your behalf.

that's how it's been ever since you made your mark in the universe, and so it really is understandable the uproar created by those in and out of attendance when the one who went collect the two awards wasn't the esteemed director, but a completely unfamiliar person; you.

you are definitely younger than they originally thought, having believed it must have been someone of a senior status of sorts to have consistently created such masterpieces. all eyes are trained on you as you step on stage and into the limelight for the first time, the light enhancing your features and formal attire when approaching the mic with a small flashcard in hand. your mouth opens, and the audience leans in with baited breaths as they await your first words.

...only for nothing to come out.

everyone watches a little dumbfounded as you try to talk once more but, aside from gaping like a fish, your efforts remain futile. it doesn't take long for you to clamp your mouth and eyes shut, even raising the awards in front of you in an attempt to shield your face from the crowd.

you... you were just really shy. or maybe a little...socially awkward, perhaps...? if this was the reason you never showed yourself, then they're beginning to understand why...

it passes in a blur — quite literally in that of brown. one moment you are alone on the stage, the next you have the presence of the renown director standing slightly in front of you, as though acting as a shield from the many prying eyes.

"apologies," he begins, his usual smile on display, "but my dearest composer has been suffering with a sore throat these past few days. on their behalf, we thank you all kindly for your support in our work."

and then he swiftly leaves with you tucked under and shielded by his coat, murmuring unreadable words to you as you both disappear backstage and leave everyone in a state of frenzy; to both those inside the ceremonial hall, and to those watching live elsewhere.

(it was only discovered after the awards ceremony concluded what the director had said to you, with the uploader being dubbed as a holy saint for their contributions to society. while the visual aspects of the video itself were not the clearest, barely anyone had it within themselves to complain when the audio was clear as crystal:

"and here i thought you were going to be brave and face your stage fright after all that pep-talk you gave yourself on the way here."

"i'm sorry... i really thought i could do it this time..."

"now, now, i'm merely teasing. you made a big step just making an appearance here today. i know how much courage this took for you, and i'm proud of you for facing it."

"really...?"

"but of course. i'm always proud of you, [name]. there is not a moment where i haven't been.")

(it also was not long until the cosmos was taken by storm when various pictures snapped during the awards ceremony spread. the millions of candids featuring you were one of the most liked and shared, with the top spot joined by the sequence of pictures taken of mr reca's soft expression when watching you onstage, into his realisation of your predicament, into him running onstage and shielding you from the cameras when making your way backstage.)

(...the drastic influx of fan accounts dedicated to both you alone and to you and reca should really be a studied phenomenon.)

[marzipanandminutiae]

WAIT WAIT WAIT

YOU'RE TELLING ME

THE TITLE CARD FROM CINDERELLA (1950) EXPLICITLY SAYS IT'S BASED ON THE PERRAULT VERSION OF THE STORY???

WE COULD HAVE AVOIDED ALL THE SANCTIMONIOUS EDGELORDS SMARMING ABOUT HOW "well Disney toned it down; the One True Grimms' Original akschully has blood and no fairy and feet getting cut up, so there" IF THEY HAD JUST

BOTHERED TO PAY ATTENTION TO THE MOVIE AND THEN GOOGLE "PERRAULT CINDERELLA???"

excuse me I need to go scream into a pillow

(I'm not saying Ashenputtel isn't possibly older as a folktale than its 1812 publication date in the Grimms' book, but Perrault's version was published in the 1690s. so...)

[exeggcute]

the leaked mrbeast production doc kills me because like, for better or worse, this guy clearly has his shit down to a science. he knows exactly what game he's playing and he knows how to play to win. the actual doc is structured well, communicates its ideas clearly, but also was thrown together by a youtube guy who paid no attention to visual formatting or proofreading. and yet as much as I hate to say it, stuff like this is actually great and widely applicable advice:

What you consume on social media, when you watch youtube, tv, the games you play, etc. are what I like to call your information diet. Chris Tyson (our first subscriber and the guy in the videos) is a wonderful example of an information diet being used to perfection. The dude is funny as fuck. I’ve never met anyone in my entire life that can make people laugh like he can and I never understood why he was so good at it until I lived with him for a few years. The dude watches an obscene amount of cartoons and stupid shit. His eyeballs exsist to inhail copious amounts of just goofy, dumb, and brain numbing content. And as a result he can quote almost any line from any episode of spongebob. He’s able to draw from so much stupid shit in his head as inspiration to make jokes and be quirky. As a result he is fucken hilarious. But let’s imagine a different Chris, let’s say instead of cartoons and stupid shit, his information diet was stocks and investing advice. And for 5 years that’s all he consumed. Do you think he’d be just as funny as he currently is? No. He in my opinion wouldn’t even be 20% as funny. If you’re a writer or director you really need to monitor and perfect your information diet. If your diet is not correct, you won’t have a good pulse on culture. I don’t want you to be a chris, in fact, I think that would probably do you harm. Talent needs to inhale cartoons so they can be funny, writers need to inhale inspiration. Let’s say there is a purple fruit in the middle of Australia that when eaten makes you 2 feet taller. If it truly did exist, you wouldn’t have known that until just right now. But now that you know of it, you can draw on it for inspiration for every piece of content you write going forward. That’s beautiful, it can now sit in the back of your mind waiting for that one video where it is needed. It might take 10 videos or even 100 but eventually you’ll be brainstorming a bit and think of the right one to use the fruit for. Apply this to everything on this fucken planet. You. Can’t. Get. Inspired. By. Things. You. Don’t. Know. Exist. So how do you learn more about what's out there in the world? How do you stay up to date on the latest memes? How do you know what’s going on with celebrities? What’s trending on youtube? What other creators are doing? What’s popping on tik tok? Your information diet. Consume things on a daily basis that help you write better content.

[psychotic-nonsense]

"I'm sorry."

It's the first thing Steve says after everything.

After getting Vecna Cursed. After nearly dying. After a hallucination of Eddie saved him. After running through a looped forest. After finding sanctuary in Steve's memory of that Starcourt bathroom. After Eddie reveals himself as Eddie.

It's the only thing he can think of. It's not big enough to fit everything, but it's the only thing that fits in his mouth.

"Don't be."

Maybe that's the only thing Eddie can think of too. The only thing Eddie can bear to say.

Because don't be can't stop Steve's eyes from watering when he sees the vest in his closet. Don't be can't stop Steve's feet from dragging him to the cemetery every evening to clean Eddie's graffiti-covered tombstone. Don't be can't stop Steve from sitting beside Wayne and listening to him talk about the Eddie he remembers. Don't be can't stop Eddie's body from showing up in Steve's dreams, nor Eddie's corpse from his nightmares. Don't be couldn't keep the pain away enough, didn't stop Vecna from latching onto it while Steve was walking alone in the woods.

Don't be isn't enough for what Steve wants to hear. But even stuck here waiting, hoping, for someone to get Steve out, there just isn't enough time.

"I miss you."

"...Why?"

Eddie says it back so quickly, so quietly, like it's just unfathomable to him. Maybe it is, considering their last memories. But their eyes meet and he looks just as sad, just as longing, as Steve.

"You were my friend."

Steve can't help but say it like that. Like they were friends for years instead of days. Like Eddie was that important to him in their final moments. Like his heart really aches for Eddie every second of the apocalypse.

Can't help but say it like he means it.

"I wish we could've had more time..."

Steve's voice cracks a little there as he turns away, hiding. It's all he wants. It's all Vecna used to entice him with. It's all that's keeping him going, to finally fulfill the last request Eddie made. It's all he has left to feel close to Eddie.

The Eddie that's sitting right next to him, silent, his sight weighing on Steve's skin. Conscious and aware and the real Eddie. Trapped in Vecna's head as a backup power source, yet who still risked everything to come save Steve. Who Steve will never see again because killing Vecna means killing Eddie for good, and his heart doesn't want it, is begging for another solution...

But for once, his broken head overpowers his shattered heart.

"Maybe we did."

Eddie takes Steve's hand. Meets Steve's surprised look with his own small smile of hope. They're both suddenly tearing up, eyes glistening with life in this gray stall.

"Maybe in another world, we got a second first chance. A first second chance. Maybe even a third, or fourth. Maybe in a different life, we had everything we wanted. Because you, Steve Harrington, are too good for me to be doomed to meet just once."

And for a moment, Steve sees it. Feels it. Versions of them connected through the universe.

Little kids playing in the lake. One with bruised skin and shaved hair, loud but unfathomably lonely. One with a bruised heart and soft eyes, timid but stubbornly hopeful.

A rockstar with glittering chains, center stage in the spotlight. A set of eyes in the crowd or behind the curtain, watching only him.

A werewolf and a vampire, two cryptids of horror, meeting in the dead of a full moon night to feel safe with the only other one who understands.

A future where they won, where the only death was the one that mattered. A process of healing and learning, coming home to a family every single day.

A world without pain, without their hell, where two high schoolers found freedom from their shackles and company in each other. Hiding away together in the dark corners of the town.

Steve even sees other versions of them. Versions that he knows were originally never supposed to meet, yet forces so much greater than them pulled them together.

A metalhead drug dealer, constantly getting into trouble with one nail-bat-weilding cop.

A criminal's fugitive nature leading him to a rugged trailer park, and the dangerous owner within one such home.

An eccentric king in an old coliseum, always choosing one particular warrior as his champion.

A young programmer being pulled away from his work by sobs above his apartment, running upstairs to check on the law student that recently moved in.

Two actors, finding an easy friendship in the months of filming one season of a show that would change their lives.

In that moment, Steve's overwhelmed by the closeness he suddenly feels with the soul beside him. Falling into tears, he pulls Eddie into a tight hug, holding him so so close to convey everything he can't say. Feeling Eddie hold him back, hearing everything Eddie can't say in return.

Familiar music comes on outside the stall. Robin's voice calls out to him, telling him to come home.

And when he does leave, Steve hopes that someone out there will understand that he never can. Because here in Eddie's arms is the only place that will ever truly feel like home.

"Thank you... for everything, Eddie."

Thank you, Steve. For everything and more..."

--------------------

- List of AUs, in order, after, "Versions of them connected through the universe": Childhood Friends / Rockstar!Eddie / Werewolf!Steve & Vampire!Eddie / Eddie Survives / No Upside Down & High School

- List of Multiverse Steddie AUs, in order, after, "...yet forces so much greater than them pulled them together": Eddie x Gator / Baron x Michael / Geta x Sean / Keys x Eric / Quinn and Keery

[lokh]

what do you think toshiro's version of laios would've been like if he was still with the group during the shapeshifter shenanigans

there have been a few speculations in the tag and among the fans and they are all very good SO i am going to take this opportunity to insert a bit of my shipping bias as i like in my interpretation LMAO agdsfgdfgv

i noted that in actuality shuro seems to have a very good grasp on laios' character??? this is most obvious in the manga later on but even seeing how he criticises laios in their fight... iirc nothing he says is actually untrue or wildly exaggerated, and while he does express frustration over something he feels like laios Should have control over (noticing his cues), he is also aware that laios isnt being malicious and that hes Just Like That. what i mean to say is that while i think his version of laios may seem more pushy and in-your-face, i dont think it will be overwhelmingly so. if its post-fight, i think the idea of laios (and marcille) being willing to do anything to get falin back made a big impression on him, as well as the idea that they need to eat and rest in order to succeed in their goals, so those aspects would be prominent in his version. he seems pretty observant, so i think for the most part the physical traits would line up, but i think there would be specific things that stand out to him that would appear strangely striking on his version of laios (like. idk something about his eye colour or the subtle contrast of his armour and chainmail. he seems to have a weird sense of aesthetics if extras are anything to go by lmao). if hed actually been paying attention all those times laios had gone on about what the hell ever, then it might be even MORE hard to tell apart his version since he would also have a good grasp on what laios should know. so either his version of laios is pretty difficult to pick out, OR despite the character being accurate his appearance is too. stylised lmao (exaggerated features or something) OR!! they just get him to pull out his monster gourmet guide thing and are able to tell from there. iirc everyone was surprised at its appearance so its possible toshiro had also never seen it before

IN MY IMAGINARY SHIPPING SCENARIO............ lets say that his laios isnt able to be picked out immediately and that the monster guide thing also doesnt immediately occur to anyone. what the real laios Specifically notices is how close this other laios keeps getting to shuro. and hes like. ??? why is he getting so close to him, theres no way i get that close to him??? but no one else seems to be picking up on it as weird, so hes having a small crisis like do i REALLY get that close to him???? and now that hes on the outside he notices shuro subtly leaning away and he feels both a wave of shame and..... protectiveness??? (JEALOUSY??????) and he immediately steps in and grabs him like Hey!!! cant you see hes uncomfortable???? weve been through this already!!! and like. ok i cant believe im doing this again but i need to separate this into different endings

a) the whump route: i dont think shuro ever envisioned Actually Telling laios about his frustrations outside of being basically cornered into it. has he ever spoken up against what was expected of him?? has he ever been confrontational???? i think part of what held him back from expressing his frustrations, along with the cultural norms, could be fear of what the reaction would be. if he had done the same in any other aspect of his life (his family, his inheritance), i think he would expect disappointment, disapproval, more proof that he doesnt add up to expectation. to be honest i dont think he Truly believes that laios is the type of person to react like this. but it was strong enough to prevent him from acting and i think would be projected onto his image of laios. maybe fake!laios says something dismissive like Well if it really bothered him hed say something right? what, he cant even stand up for himself? cmon, shuro, prove that you cant handle it just like everything else. and thats pretty much the fastest giveaway that it isnt really laios. of course this would be a HUGE tonal departure from what the actual episode/chapter was, so:

b) the dumbass route: both laioses break into fisticuffs, and, yes.... barking. and so they speedrun the entire encounter as the shapeshifters true form appears and, after laios points out that thinking too hard about others versions of you can tear apart groups and peace of mind, they pointedly do not speak of it again. they think about it though. a LOT

c) the normal route: both laioses argue normal like and the group ends up being able to tell them apart because the fake laios goes on a little too long about how theyre all here for falin and everyones like ok its not like he DOESNT love his sister but.......... the rest of the scenario probably goes like canon, though then i would want to see what everyone Else thought of shuro

[tiredandoptimistic]

One of my favorite parts of the mob mania in Hatchet Town is the self awareness, specifically in the line "singing all these songs gives him greater windows to kill/but we're singing still."

Like

They're just stating the obvious, that fighting amongst themselves is enabling Max's killing spree. If Shapiro, Grace, Pete, and Steph had been able to discuss their situation it might have worked out with fewer deaths, but they're all just too suspicious.

Steph and Pete were 100% sure that the only way to save the day was Steph shooting Pete, because they lost Grace in the rush to get away from Jagerman and never cared to look back for her or consider that she might have something she cherished most.

Grace immediately alienated her potential friends by reacting to Richie's death with half thought out accusations, and made the police even more suspicious by deciding to lie to them without even letting the others review her story.

Pete and Steph had a dramatic breakup song without even dating and would probably have stormed off to ignore the Jagerman problem if Grace's panic didn't cause them to reunite in exasperation.

Shaprio didn't consider that these kids could be telling the truth or have any valid reason for their obvious terror until she was face to face with a literal ghost.

None of them really trusted each other, they got distracted with interpersonal strife and their friends and family paid for it.

[kingslionheart]

Just so some king in this world may have driven one of his favourites from him, or he may have been forced from the king against both of their wills; then hath he many torments and many mishaps in his exile, yet he may come to the same lord whom he before was with, and there be much more worshipful than he was. Then he will recall the misfortunes which he had there in his exile, and yet not be the more unhappy — Alfred the Great's translation of St. Augustine's Soliloquies

[corrodedcoughin]

I feel like Eddie is the type of guy to always have a slide whistle in his pocket and uses it to make incidental sound effects for the conversations that happen around him.

Nobody knows where he gets them all from and they don’t ask incase he takes one out and starts playing with it.

Wayne is so happy every time he loses one of the whistles. He absolutely never tells Eddie when he finds one of the numerous whistles that have rolled under the couch. He has an agreement with Steve to dispose of them secretly and securely.

Except one night when Steve’s driving around town with Eddie, he opens the glove box and there’s a bag full of whistles (seriously nobody knows where he’s getting them from. And in bulk?)

And Eddie is all ‘HEY!’ Which immediately makes Steve tense up in preparation for an argument with his easily antagonised boyfriend about the possible theft of offending musicals instruments.

But then Eddie continues with ‘more whistles! I didn’t take you for a fan dude!!’

And promptly shoves one up each of his nostrils and one in his mouth and tries to play them all at once while demanding Steve watch instead of watching the road.

Steves going to have to think of a new hiding spot.

[oros-ash3s]

＊*•̩̩͙✩•̩̩͙*˚⋆ Febuwhump 2025 ⋆˚*•̩̩͙✩•̩̩͙*＊

DAY 1: Vocal Chords

DAY 2: Holding Back Tears

DAY 3: Pinned Down

DAY 4: On The Run

DAY 5: Not Trusting Reality

DAY 6: Forced to Stay Awake

DAY 7: Alternate Timeline Self

DAY 8: Major Character Death

DAY 9: Necromancy

DAY 10: Magic Exhaustion

DAY 11: Demonic Possession

DAY 12: Used as Practice

DAY 13: Body Horror

DAY 14: Becoming the Monster

DAY 15: Icarus

DAY 16: Die a Hero

DAY 17: Power Instability

DAY 18: Living Weapon

DAY 19: Death Wish

DAY 20: “I did good, right?”

DAY 21: Put on Display

DAY 22: “Grab the little one”

DAY 23: Gunshot Wound

DAY 24: Forced to Beg

DAY 25: Bound and Gagged

DAY 26: Concealing an Injury

DAY 27: Major Character Death

DAY 28: Recovery

Welcome to my first attempt at Febuwhump ✶ ˚ ༘ ⋆｡˚

I’ve never participated in one of these challenges before and I have no clue if I’ll manage to complete it, but we’ll see!

If any of the characters in these one shots interest you, I’d recommend checking out some of my other writing. I have quite a few drabbles posted already ^^

Magicae Masterlist \\ Metamorphosis Masterlist

Golden Veins Masterlist \\ What Lies Below Masterlist

✧ ೃ༄*ੈ✩

taglist || @ohagi505 @vesanal @aalinaaaaaa @fangedcinnamonroll @silly-scroimblo-skrunkl @seastarblue @steh-lar-uh-nuhs @iamheretohurt @corinneglass @melodxi @thebookishkiwi @lancedoncrimsonwings @sugaredparchment @cepheusgalaxy @fizzydreamz @robinshandhurts @ieppiq @nosebleedgirlpunch

✩ Lmk if you want to be added or removed via ask/dm ✩

[lucky-clover-gazette]

gonna be so real and please be real with me, is present tense in non-fanfic written works always bad? because i cannot tell which is better here but with the tone and pacing and style my gut kiiinda says present tense? or past tense?? i'm not sure

under the cut, past tense (current version) on left side, present on right. i just took sections of text, there's stuff in between some of these excerpts

[batsplat]

breaking a blog policy of non-engagement with active discourse unless explicitly asked about it,, below the cut,, I intend this to be a one-off thing, look away

seen some snarking about this article on the race dot com about where marc fits into the current title fight, and specifically this paragraph:

because ofc it's some kind of grievous sin to equate the current two title contenders with the two title contenders in 2015, one of whomst was well past his prime and the other who in many ways had a deeply untidy season. the argument might be that the current spec ducati has a bike advantage over marc, which. you'll never guess how the 2015 yamaha measured up against the 2015 honda. and yeah, it sure is embarrassing how the current title contenders chuck away bucket loads of points through sheer stupidity. after all, when racing in the wet in misano, it's unforgivable to pit at the wrong time and emerge with only one point - why not simply crash and emerge from that weekend with zero points instead? imagine finishing second behind marc in those conditions, when you could instead swap bikes far too late and finish a lowly fifth

it's worth putting that paragraph in context of what the piece was actually saying:

all of this is categorically true. it doesn't mean marc might not still win this year's championship if both jorge and pecco make enough mistakes, but quite obviously those two are closer to the 2015 title contenders than 2017. in the former, marc could not bank on a consistent pace advantage, in the latter he could; this feels like quite a straightforward point to be making. dovi's phillip island stinker did kill his championship momentum - and given the sheer consistency of performances jorge and pecco have put in when it comes to their pace, it would be very surprising to see an equivalent from those two. don't even get me started on whatever the fuck maverick vinales was doing that year after like,, the first five races, which lack of a dominant bike is quite frankly not enough to excuse. the rest of the article assesses marc's chances entirely fairly, essentially expanding on the argument that you just wouldn't expect that kind of consistent performance edge that he would need to overturn the points deficit. (I personally think marc is a little more likely to be a title threat than the author of the article does, though I also don't fundamentally disagree with anything specific being said; mainly I just feel vibes-wise that sprint races have made title fights insanely volatile.) he could still win - but in terms of how he compares to the opposition, there is no argument whatsoever to be made that this is not closer to 2015 than 2017. even if you believe this is only due to bike difference, in which case I think you are possibly giving 2017 dovi and vinales a little too much credit, the points raised in the article still stand up to scrutiny

it is perhaps inevitable that people will deify the greats of the past - even more so if they dislike the top riders of the present and feel that they are undeserving of their current success. it does, however, seem to come along with a skewed understanding of the actual greats in question, of where they were strong and where they faltered. valentino and lorenzo had two title fights, both of which were error-strewn affairs and hardly their best seasons. sprints have helped further distort perceptions of how error-prone these current riders really are, because at the end of the day neither martin nor pecco are on course for a radically different error rate than the title contenders in 2009. lorenzo lost his head in jerez when he was the pre-race favourite and ended up crashing trying to overcompensate for his surprisingly poor pace, valentino had an absolute howler at le mans that makes misano this year from martin look like a paragon of good decision-making and composure under pressure, jorge practically handed the championship to valentino with back-to-back dnf's at donington and brno, valentino incidentally also crashed at donington and got extremely lucky to have a bike that was still rideable to fifth, then proceeded to just chuck it for absolutely no reason at indy with a mistake that was so obviously stupid and needless he showed up to misano with a donkey helmet. valentino followed up misano with a poor fourth in estoril because he got lost with the set-up that weekend - and buddy, if you think the gp24 bike advantage is bad, let me tell you a story about how yamaha/ducati/honda were doing back in the day compared to the field. fourth might as well have been last. (I don't love single manufacturer domination either, but let's not pretend like the gaps between bikes aren't way, way, way smaller than they were in '09.) then jorge, with momentum and opportunity on his side, gets so spooked by valentino's pace in practise he bins it on the very first lap of phillip island, essentially ending the championship fight then and there. neither of them deliver a particularly dignified performance in sepang. during this title fight, there were three instances of crashing out of the lead and one from a very close second. jorge martin and pecco bagnaia eat your hearts out

and 2015? the season that was actually being referenced in the championship? valentino was only in that championship fight due to his relentless consistency, a handful of starring performances and an ability to not completely fuck it when a few rain drops started falling. his pace was flat-out not good enough to be a title contender - if anything, on raw pace he was more competitive for a big chunk of 2016 than he had been the year before. he was qualifying abysmally in an era where the gaps between bikes were considerably larger, reflecting a far poorer performance than equivalent grid positions would nowadays, and certainly would have nothing to counter the consistency in qualifying the two title contenders this year have demonstrated. jorge had to work hard to come as close to losing that championship as he did, going through a bizarre and borderline embarrassing set of helmet visor issues early on in the season that he should never have allowed to happen. he was peak metronome that year, able to dominate and win from the front but otherwise rife with limitations, repeatedly performing poorly when he was put ever so slightly off-balance. in many ways, he got very lucky to not be penalised more for his horrendous silverstone performance. he was also helped by the gap between the factory yamahas and hondas to the field being so large, because otherwise some of his inconsistency would have cost him a hell of a lot more. both of their seasons had laughably obvious flaws that just about managed to offset each other's enough to make a title decider possible - but if you ever so slightly change the formula, if the qualifying format had still been different or the bike disparities larger or smaller or any of that, it would have probably tipped it quite strongly one way or the other. a battle of the titans it was not

none of this is to say that valentino or jorge are shit riders, or that marc is a fraud for letting himself be so thoroughly beaten by them in 2015 on what was ultimately still a competitive bike. at a certain point, however, you are comparing the current athletes with versions of the past greats who quite frankly did not exist 90% of the time. if you are sufficiently motivated, you can come up with pretty decent slander for anyone. it is also presenting an idealised version of the sport in the past that, again, did not exist. while the gp24's advantage over the field is substantial, if we are talking in terms of raw lap times, it is substantially less so than the gap the top few factory teams had in the past. the aliens did not dominate from 2007 to 2015 to the extent that they did because they were just so brilliant - they were performing at a high level, yes, but also nobody else really stood a chance. as hard as it may be to accept, when you have riders who so consistently have a pace advantage as pecco and martin do, including over the fellow riders on the same machinery, it is possible they may simply be doing an actual good job. and the more pecco adds to his resume, the more difficult it will become to not consider him in the same tier of rider as at least some of the aliens. yes, I am talking about lorenzo here - a man who incidentally did not convincingly pass the 'only good with one manufacturer' test that's already being dangled in front of pecco. if we really want to go into the weeds, it's worth pointing out that pecco's luck has also not been particularly fantastic this year, from mechanical gremlins at the le mans sprint to being wiped out by binder at the jerez sprint to the qualifying position at aragon working against him and losing out quite severely in what are at worst 60:40 racing incidents twice this season - sometimes, you do get punished a lot for relatively minor missteps. so yeah, if you want to compare the current trio of title contenders with anyone, then 2015 feels as good a place as any. sometimes the greats of the past did suck, idk what to tell you. they would be a hell of a lot more boring if they hadn't

[maulfucker]

I love going through my writing. even if I don't add a single word to any of my wips at least I get to re-read the stuff I've written and decide it still fucks hard

[chasehollow-doodletour]

This one is for the Key Buddy theorists.

[loregoddess]

fic writers are insane (compliment) bc that shit's hard

[zabadi]

"The question as to who, and what, is responsible for African underdevelopment can be answered at two levels. First, the answer is that the operation of the imperialist system bears major responsibility for African economic retardation by draining African wealth and by making it impossible to develop more rapidly the resources of the continent. Second, one has to deal with those who manipulate the system and those who are either agents or unwitting accomplices of the said system. The capitalists of Western Europe were the ones who actively extended their exploitation from inside Europe to cover the whole of Africa.

In recent times, they were joined, and to some extent replaced, by capitalists from the United States; and for many years now even the workers of those metropolitan countries have benefited from the exploitation and underdevelopment of Africa. None of these remarks are intended to remove the ultimate responsibility for development from the shoulders of Africans. Not only are there African accomplices inside the imperialist system, but every African has a responsibility to understand the system and work for its overthrow."

-Walter Rodney, How Europe Underdeveloped Africa