#original side characters

[themonotonysyndrome]

It is done! A new oneshot for Castin & Celica, one that explores a scene where one of Castin's ex tries to throw hands at the Baroness. Not a smart move on her part, lol. Anyways, enjoy!

[ruporas]

trigunned the hades or hadesed the trigun (id in alt)

[nanamis-username]

yue + bonus suki aka sokka’s bad bitches!!!! 😎🤟🔥🌝🪭 (pt.1 + pt.2)

[capricoopla]

treasured beast

[sapphlopods]

[OC] what could they be doing at the shoal?

[mariposita24]

✨my mer-may addition✨

brining back the giant merman au from 2021 with a messy doodle

[musubiki]

i think the most powerful final form for mochi timeskip outfit will embrace her witch nature 🖤

[poisonheiress]

Someone needs to say it: The "Heaven is actually bad" plot line that Hazbin is based around is useless when you spend more then 2 minutes thinking about Vivzie's Hell and her characters.

Besides it being much too early for this idea, the revelation that Heaven or at least the beings running it aren't good people has little to no impact when the people who are being harmed by this are all horrible people. Stay with me here. None of these people are people who were unfairly brought into hell and we are never ever introduced to someone who was either. Why should we care that Heaven is "evil" and blocking redemption when all the sinners in hell we see are the worst of the worst who would have never gotten in even if it was fair.

For the "Heaven is bad" plot line to actually work, you need people who were just one sin away from Heaven, who would've gotten into Heaven if circumstance hadn't forced them down a path that stole it from them. You need characters who aren't comedic villains but land in the middle of morally grey. Those who deserved to be in Heaven but because Heaven refused to consider their circumstances, they were tossed to burn with people much worse than them. Those are the people who should be your main cast cause those are the people who would actually be impacted by Heaven being bad/ Heaven lying.

Angel dust, for all his trauma, was still part of the mafia and likely had killed people before (showing to almost take joy in it). Husk became an overlord and gambled souls, so he had to have had blood on his hands before hell. Alastor is a serial killer, and the list goes on and on. Sure, these characters are (somewhat) interesting, but they don't make for good characters to have when the key plot line is that Heaven is a scam. Even if that fact is true, none of them were ever going to get there in the first place and this is something we also se in every single background sinner shown in Hell too. They were never close to getting there, so why would they or we care that Heaven is bad when all sinners are shown to be horrific people who are at best in the dark grey area of morality.

If you look at it from the "angel's are unfairly killing sinners" route, it still doesn't work. If the angels are killing them, what makes it different then the sinner on sinner violence that hell is full off? Why is them dying by angels this bad thing when they are just as likely if not 10x times more likely to get knifed in the back by other sinners in hell the other 364 days, especially when everyone here apparently is just as horrible as the next person. You cannot condemn the angels for killing demons and then make a joke of out sinners killing each other and never show sinners who doesn't want to kill people. Life either matters or it doesn't and when the main cast doesn't even show a care for life (outside of Charlie's who's entire flaw is her naivety), why should the audience.

On top of that, Vivzie's whole overpopulation aspect and the Heaven plot line would connect better if she actually had people like those I mentioned above, people who stole to survive but got tossed out cause stealing is technically wrong, people who killed another to protect someone else but were still sent to hell because even though they saved that person's life that person wasn't supposed to be saved, people who passively engaged in sins but never really did anything harmful under them. This would add into how Hell is so overpopulated and highlight why its so important that Heaven is evil/ why Charlie's plan isn't just a naive pathetic fever dream.

In the end, Vivzie should have never made Heaven the central plot of this show nor tried to assign this blatant good vs evil to that conflict. Neither her characters nor her writing choices are able to respond to this conflict in a way that will end or even tell the story in a satisfactory manner.

[missusk]

welcome to the great crater of paldea

[flashhwing]

i love the kirkwall squad because they all have such protagonist energy. any of them could be the main character. except for varric but he did that on purpose. any of the rest of them could be the main character

[imnotverybright]

does anybody remember raymancer? i know he shows up all of once but he's kind of haunting me. a ward who shows up to fight what was at the time an A-class threat, got radiation poisoning from an evil clone of a ward from a different branch, then he eventually "got too sick to move" and died. do you think the chicago wards thought of their teammate withering away from radiation poisoning every time they saw vista after that?

[evasive-anon]

Jason was having a pretty OK time with the league of assassins, sure getting dunked in a lazarus pit sucked and Bruce turned out to be a scumbag who didn't care about him, but at least he isn't dead. He even liked most of the new skills he was learning there so on the whole being with the league seemed like a pretty good deal to him until Talia woke him up in the middle of the night and left him alone with two child assassins.

Or, a demon twins AU where when Talia realizes her father intends to have her boys fight to the death takes action first by deciding to take all her kids and leave the league. Talia either dies or is separated from them in the initial escape and now Jason just has a bag of supplies and a letter from Talia explaining the plan to get to Gotham. Jason has to get himself and two 7 year olds out of the Himalayas, across a desert, and over 12k miles to Gotham. Only now the league members hunting them down want them dead or worse and Jason isn't too confident that B will accept them given their kill counts.

Featuring:

Good Mom Talia. she loves her kids. Did she teach them to kill? Sure, but that's an important life skill.

Single Teen Mom Jason. He's the oldest and in charge but he also will not answer any questions about The Plan™ given he isn't committed to Talia's but also doesn't have a set alternative. Oscillates between looking forward to just dumping his new little brothers with Bruce so they'll be his problem and thinking of just moving somewhere random in the US and keeping them based entirely on how cute vs annoying they are at that time. Didn't realize how much he relied on Talia to help him with things until she is gone. He's really trying his best but he wasn't all that emotionally stable before this so hang in there.

Angry Smol Dami. He's still drinking the LoS punch and really dislikes that he is now considered a traitor. Can't stand that Jason won't answer any of his very relevant questions. Is actually very scared but will not show it. Misses his mom. Didn't even know he had siblings until his mom yoinked him out of bed that night and brought him to Jason and Danny and started all this. Physically the stronger twin. Thinks Danny is dragging them down in fights and also may blame him a bit because clearly his mother only did all this to spare him.

Danny, reincarnated with limited access to his memories and powers. Has been trying to keep his powers a secret. Talia knew about them but never told anyone but she may have hinted at it in her letter to Jason. Not the strongest physically but very good at stealth and social interactions. Didn't know he had and older brother or twin before Jason woke him up at Talia's instruction that night. Thinks Damian is mean and has faith Jason knows what he's doing even if that is very much untrue.

[couch-house]

it is with a heavy heart i must announce the fankid-enjoyer has made another fankid 😔 this is comet... ive been playing with him for a while. he's a couple years younger than johnny jr and umm well I'll tell you more about him later. when i post the other pile of drawings i have of him.

[pairingbrainrot]

!!!!!

(Clip starts at 3:10)

[carnivalcarriondiscarded]

thinking about Eddie & hyacinths again

[bigskydreaming]

Imagine looking at a character whose entire premise is that in every stage of his life, he's made every version of himself into someone that inspires people to such a degree that EVERY SINGLE VERSION OF HIM has people wanting to literally follow in his footsteps in some way or another.....

And coming to the conclusion that like.....the most important things about him are the sum of all his trappings. His entirely homemade developed from scratch could not exist if not for what he already was and brought with him BEFORE crafting this newest version of himself trappings, with his greatest trait throughout all of it being his adaptability; his ability and willingness to roll with the punches and not try to simply weather any opposition or changes to his life but instead reshape himself as needed to better fit INTO whatever new shape his life and the world around him takes. All while managing to carry the most innate, fundamental and necessary aspects of himself from one version to the next. Thus every single version of himself is different but simultaneously every single version of himself is also undeniably the same person.

The strength of this character, to me, will always be that he can be so many versions of himself, he can become so many things, all without ever actually losing or discarding any of the aspects of himself he considers most essential, the things he's not willing to lose or give up just to keep going. Finding that road not taken by most, usually because most never even think to look for it as an option. But one that he's always able to find because the one trick he's mastered in his tumultuous life is threading that needle of not just digging in his heels in an unproductive way but rather being selective about when and where he makes a stand and decides "this is not a thing I'm willing to compromise about" but here are places and ways I can and will change and evolve and adapt in order to make it possible for me to hold onto these parts and keep them as they are.

And that's why its always so mind-boggling to me that so many writers can't seem to think of anything else to do with Dick Grayson other than invent some new reason for him to just....not be that person, or to like just take the character whose most basic fundamental trait he's NOT about to compromise on is willingly giving up his spot in the driver's seat of his own life.....and make him just a passenger in his own life and stories.

Dick Grayson at age nine....at age nineteen...at age twenty nine....the one core thread running through all versions of him is the only way he's standing back and letting you call the shots for him or putting him on the sidelines in some way is over his dead body.

HOW he goes about that, what that looks like, who he becomes and what aspects of himself he plays up at some times and what traits he lets fall by the wayside at other times when they offer less in service to his primary goal here....that changes constantly. He changes constantly.

But those changes are almost always (or at least they used to be/should be IN MY OPINION) made with the intention of keeping certain things about him or his life as consistent as possible.

That's the duality of Dick Grayson that I'm here for. The inherent contradiction of him that COULD allow for endless conflict and breaking new narrative ground in all sorts of ways if mined properly:

His eternal willingness to compromise....but only ever in pursuit of doubling down on the ways he's not willing to compromise.

Forever walking that tightrope in ways that only a kid born and raised in a circus could ever hope to.