#original dark sides

[witchofthemidlands]

the pause between ex & best friend. she really wanted to get under billy's skin so bad she was a few snarky comments away from saying “yeah well, i probably would have fucked your mom”

[nohr-selphias]

"I love you, Zevran. I hope you know that."

"Yes... Yes, I know that."

— commission art by @sinizade, posted with permission

[a-frostitty-ninja]

[cracklewink]

some sketches of my guy

[s0fter-sin]

one of my favourite aspects of supernatural that you very rarely see in paranormal shows is that sam and dean are already versed in the world they live in. there’s no sudden discovery of ghosts and demons and now they have to learn about them along with the audience; they are born into it and already know all about it. it allows the audience to follow their personal story instead of also trying to figure out this new world and its rules

the first season is full of knowledge we never see them learn; “w*ndigoes are in the minnesota woods or- or northern michigan. i’ve never even heard of one this far west.” […] “great. well then this [his gun] is useless.” (1x02), “you don’t break a curse. you get the hell out of its way.” (1x08), d: “it’s a god. a pagan god, anyway.” […] “the annual cycle of its killings? and the fact that the victims are always a man and a woman. like some kind of fertility right.” […] s: “the last meal. given to sacrificial victims. d: “yeah, i’m thinking a ritual sacrifice to appease some pagan god.” (1x11)

almost every episode in the first season is a monster they’ve faced before that they then explain to the audience in a way that should feel patronising; like it’s the same speech given over and over again but instead, the audience almost feels included in the knowledge. it’s stated with such an innate confidence and comfort in said knowledge that it feels like we already knew it too; “spirits and demons don't have to unlock doors. if they want inside, they just go through the walls.” […] “the claws, the speed that it moves; could be a skinwalker, maybe a black dog.” (1x02), “it's biblical numerology. you know noah's ark, it rained for forty days. the number means death.” (1x04), “no no no, not the reaper, a reaper. there's reaper lore in pretty much every culture on earth, it goes by 100 different names.” […] “you said it yourself that the clock stopped, right? reapers stop time. and you can only see 'em when they're coming at you which is why i could see it and you couldn't.” (1x12)

they already know and, at least in the first season, already have what they need to kill whatever they’re hunting; already know to salt and burn bones for spirits, fire for a w*ndigo, exorcisms for demons, a silver bullet to the heart for shapeshifters. there’s only three times in the entire first season that they run into something new to them; 1x14 when sam gets his first vision that leads him to another psychic, 1x16 when dean calls caleb for help on the sigil he put together and he tells him about daevas, and 1x20 when they find out vampires are real- and they only don’t know that bc john thought they were hunted to extinction and not worth mentioning

(there’s also technically two half instances if you count one of them knowing something the other doesn’t - sam figuring out the tulpa in 1x17 and dean already knowing about the shtriga in 1x18 - but those still rely on sam and dean having prior knowledge)

even when they’re uncertain about facing something, it’s not bc they don’t know what it is; it’s precisely bc they know what it is and acknowledge that it’ll be a difficult hunt (“i don't know, man. this isn't our normal gig. i mean, demons, they don't want anything, just death and destruction for its own sake. this is big. and i wish dad was here.” 1x04)

so much of the tension in paranormal shows typically comes from the main character(s) not knowing what is happening to them/the people around them and having to find out how to resolve it. supernatural is unique in that it operates more like a police procedural. the tension comes from solving the clues and identifying patterns to figure out who (what) the killer is and intercepting before they can take another victim

it’s such a different tone to go for when compared to other shows that came both before, during, and after its run. it sets sam and dean on even footing with each other since they both have the same knowledge going in, and it puts them in a place of authority usually reserved for an outside character

the shows i compare spn to most is charmed, buffy and teen wolf; every main character in those shows are brought into the paranormal world knowing nothing, putting them on the same level as the audience, and they have their mc interact with others already knowledgeable about that world in order to overcome their problem/monster of the week. the audience organically learns about this new world as the characters learn about it. it’s a sound writing strategy that prevents “as we already know”-style exposition but something that complicates it is if your world building isn’t unique or intriguing enough, this slow introduction can become boring

we’ve seen shows like these before; sitting through the same tropes of characters learning to use their powers, struggling with no longer feeling normal/relating to the regular world around them, and not knowing how much they can trust the people already involved in this new world gets repetitive. all three shows eventually reach the same level of comfort with their new world that spn starts with but if the characters aren’t enough to draw you in, you can end up dropping it before they reach that point (and often, before the overarching plot can really kick in and evolve the show beyond the villain of the week format)

it’s the superhero origin movie in tv format; dragged out and overplayed. dropping the audience into an established world of course comes with its own problems but you also have the benefit of pre-existing established character dynamics that let the audience slot in like they’ve always been there instead of just getting to know all the characters while the characters also get to know each other

sam and dean already knowing about the supernatural lets the audience immediately get to the core of the story; the conflict between sam and dean, the search for their father, and the mystery of what killed their mother

[lindamarieansonsnaps]

[giveamadeuschohisownmovie]

I’m gonna be honest. The more I think about it, the more I’m believing that the Star Wars Prequel Trilogy could’ve been better than the Original Trilogy if the script was tighter (a lot tighter). But George needed to let other people handle the script and he needed way more help with bringing his vision to life.

I mean, just think about it. The OG trilogy was a fairly straightforward, good vs evil storyline. Jedi and Rebels good, Emperor and Sith bad. Amazing storyline, but fairly simple. In comparison, the Prequel trilogy is far more complex in terms of what it was trying to achieve. If you look past the shitty dialogue and questionable storyline choices, the story that George came up with deals with:

1) Duty vs. Desire (Anakin trying to remain a Jedi but wanting to pursue Padme)

2) Questioning the Jedi Code instead of just blindly accepting it as gospel. Because despite how much Anakin was struggling with his complicated emotions, the Order doesn’t notice. In fact, the Order encouraged him to bury his emotions, which we see led to disaster since that led him right to the Dark Side.

3) An actual attempt at more complex politics rather than just evil empire versus good resistance. For example, it’s a meme that Anakin made an argument in favor of fascism, but in the hands of a better writer, that could’ve been a really good moment. We get an idea of why the Empire would have its supporters, despite being the obvious bad guys. It humanizes the Empire in a way that it doesn’t make you sympathize with them, but makes you understand how someone could end up on that path. That’s more true to life than just evil people being evil. (Andor is probably the one Star Wars media that understood this, which is partly why it’s one of the best Star Wars content out there)

4) The hero is genuinely a tragic character. He’s a child prodigy who was freed from slavery with the promise of a better life. But as he grows up, he becomes frustrated with how his life is turning out. He’s powerful, but not powerful enough to save his mom. He falls in love, but can’t be with Padme since it’s against the Jedi Code. Obi-Wan looks over him, but Anakin doesn’t feel he’s respected. The Order assigns him dangerous mission after dangerous mission, but he doesn’t get the rank of master. Anakin’s arc is about a man who feels like he’s not in control of his life (which is doubly sad when you remember he grew up in slavery) and, in his lowest moment, turns to a man who claims to be able to give Anakin everything he’s ever wanted. And that becomes his downfall since he ends up losing way more than he gained.

I’m sorry, but, that storyline is way more interesting than Luke and Leia’s story. No offense to Luke and Leia, but their dad’s story sounds like a Shakespearean tragedy. What messed it up was that George Lucas needed someone else to write the script.

[lunarsvertigo]

sure dating is nice but have you ever had all your oc’s lore and background fall perfectly into place

[noramsblog]

The sillies

[olessan]

Episode 2x08 preview

[thapunqueen]

CHARM PREORDERS JUST ADDED TO THE OL ETSY SHOP !! blew off some of the dust off my etsy shop for 2 new charms !! they're up right now and will be up for preorder until SEPTEMBER 9th !!!!! international shipping SHOULD WORK THIS TIME !!! i know last time i was unable to for whatever reason despite etsy giving me the thumbs up for it but now i think im able to !! (if not though PLEASE let me know somewhere so i can see what to do to change it as im still very new to etsy and already etsy does not like me lolol </3)

[drunk-vampire]

And I cry for you while you laugh with someone else

From my old acc @emerald-kryptonite

[autisticlalna]

no matter what he tries, he can't get the eyes right.

[nicstylus]

The Necromancer Trilogy is done!

[our--impossible--love]

"Unrequited love, with the object of affection being a friend, is akin to finding oneself lost in a labyrinth of emotions, where every turn leads deeper into the maze of longing. It's the silent ache of holding onto unspoken words, afraid to disrupt the harmony of friendship while yearning for a melody of mutual affection that remains elusive."

-- Kit Wilde