#original cash register--works

[fieriframes]

[THAT'S THE ORIGINAL CASH REGISTER--WORKS LIKE A CHARM. WOW. OH THERE ARE BATS ALL DISSOLVING IN A ROW. INTO THE WISHY-WASHY DARK THAT CANNOT LET GO.]

[miraclewoozi]

HIGH FIDELITY, PT 1. -c.hs

getting back on the horse is hard, and failing to hit it off with the cute gamer guy you went for a drink with last night has the potential to be your love life’s last straw. but when up and coming rockstar VERNON unexpectedly canters into your life, you find yourself asking one very important question: do you have it in you to saddle up, one more time?

pair ; vernon x fem!reader.  content ; strangers to lovers.  up-and-coming musician!vernon x record store owner!reader.   fluff, angst, parts two and three will contain suggestive themes and smut. (MINORS DNI).  warnings ; drinking + alcohol is a big theme pretty much throughout. mentions of past relationship breakdowns. reader experiences a lot of stress, anxiety and feelings of doubt, reflected in self sabotage.  wc ; 13.5k ( ~35k total. ) disclaimer ; this fic was inspired by rob + liam in the series high fidelity and is therefore pretty influenced by the show. if you’ve watched it, you’ll probably see a lot of similarities! i just felt so drawn to vernon in this kind of role that i really wanted to try and put a spin on it. i do not claim that every idea behind this is original. notes ; been working on this one for a while. hope you enjoy it.<3

“What do you mean, no?”

Your best friend and longest standing employee Seungkwan turns his head away from the customer he’s serving to look at you with filth in his eyes. Unsurprisingly, his features don’t soften when you double down on your response to him.

“I mean, no,” you laugh. “I’m running on fumes, dude. I’m not going. No way.”

“But…” he whines, putting down the record in his hands. “No, come on. I told you about this weeks ago. You’re really gonna make me go on my own?”

“You won’t be on your own. Chan’s still going.”

Your younger friend, upon hearing his own name, whirls around from where he’s been rearranging the wall of cassettes and lifts an eyebrow. “Hmm?”

“You’re still going to that guy’s show tonight, right?”

“Are you kidding? Of course I am. Why?” Chan eyeballs your guilt-adjacent expression for a second before his face falls and he looks at Seungkwan with a curled lip. “What did you do? Why’s she not coming anymore?”

“I didn’t do anything!” Seungkwan barks. The customer he’s still not finished ringing up flinches at the lift in his voice, but he doesn’t notice. “Why is that always your first–”

“Shut up, don’t start this right n–”

“I’m not starting anything! You started–”

“Guys!” You interrupt, looking between the two of them and doing your best to smile apologetically at the poor lady fumbling through the cash in her fingers like it’s an Olympic sport. “Can we park this one? For five minutes? Please?”

The bickering pair fall quickly into silence and Chan sends one last glare at Seungkwan before he turns back to the cassettes, grumbling something under his breath. 

With a clearing of his throat the only giveaway, Seungkwan drops seamlessly back into his customer service voice and plasters a charming smile onto his lips. He checks the register and warmly tells the young woman her total, holding out his palm for her to place the money into. Even knowing him as well as you do, the switch-up gives you a little bit of whiplash.

The customer passes over her cash and accepts her change from Seungkwan’s hands before making perhaps the swiftest exit you’ve ever seen anyone make. No sooner has the bell above the entry to OFF BEAT Vinyl rung and the door has clicked shut, the two men turn once again.

But not on each other.

On you. And it’s the more gentle of them that pipes up first.

“Why aren’t you coming?” Chan asks, abandoning his little project and hurrying over to the desk with a frown. You’re sure it’s supposed to look sympathetic to whatever issue it is that’s changed your mind, supposed to fool you into believing that this has nothing to do with him still blaming Seungkwan entirely. But… you know him better than that. You know them both better. If Chan and Seungkwan weren’t both employed by you, you don’t doubt that they would have ripped each other to shreds within the first hour of meeting. Their dynamic is fascinating to watch — one minute, the best of friends, the next just seconds away from throwing fists; you’ve lost count of the number of times you’ve had to send them to different rooms to avoid having to clean blood and tears off your shop (and sometimes your apartment) floor. 

“I didn’t sleep so well last night, I just want to go to bed early. Is that… okay?” 

(This is an embellishment of the truth, but what they don’t know can’t hurt them.)

“No,” they both exclaim at the same time, but Seungkwan goes one step further and slams his hands down on the counter for good measure. You purse your lips and narrow your eyes at him, but he keeps his palms flat and doesn’t give any indication that he’s about to apologise, so…

“Okay — God.” You turn away from them, heading towards the little office out the back of the store to try and get a few minutes’ respite. “Whatever. Fight with the wall, you guys – I’m not going. Check in with me before you head out, okay?”

Behind you, Seungkwan dramatically calls you a traitor and says he’ll never forgive you for this, but you just shake your head and continue on your way. The world falls into silence as you shut the door after yourself and you lean back against it, letting out a deep exhale and pinching the bridge of your nose. 

Now, you did have an awful night’s sleep last night, and after how on-and-off busy the store has been all day today, the headache you woke up with this morning has only slowly gotten worse. But there are reasons for those things outside of what you’re going to admit to out in the main storefront. As close as the three of you are, there are some things that you’ve always thought it wise to keep… a little bit hushed. Especially at work. 

When Chan and Seungkwan start an inquisition into your private life, it feels like it may never end. And so sue you, you’d actually like to make it home at a reasonable time, today. 

True to your parting request, the two men close down the store for you while you sit out the back in your ‘office’, lights dimmed, pouring over both a new store playlist you���re trying to compile and a few less exciting — but actually important — tasks. Chan heads out first, all puppy-dog eyed when he pokes his head through the door and asking if you’re really not coming out. You shake your head, telling him to have fun and tell you all about it on Monday when he’s next penned in.

Seungkwan is slightly less easily brushed away. A few minutes after Chan says his final goodbye, your other employee slides into your office and shuts the door, sitting down in the armchair opposite you with his eyebrows scrunched together.

He doesn’t speak for almost a full thirty seconds, at which point, you look up at him from the small mountain of receipts you’re trying to organise and click your tongue.

“What?” you ask, leaning back in your own chair and crossing your arms. “Why are you looking at me like that?”

“You know why.” Seungkwan shifts forward on the cushion until he’s sat almost entirely on the edge of the seat. “You might think you’re really good at hiding your shit, okay? But you’re not. Not from me.”

“Please,” you sigh. “It’s nothing. I’m telling you, I’m just tired today.”

“And I’m telling you that I know you better than that. Come on, talk to me.”

This is, unfortunately, something you can’t deny. It also seems to be his unfailing last line of defence every single time you’re stubborn over discussing your problems. One of these days, you’ll be ready for it — you’ll have a response sitting on the tip of your tongue ready to shut the conversation down, and he’ll be the one on the spot, and you’ll treat yourself to a pint of ice cream or something when you get home as a victory snack. But today? Isn’t that day; Seungkwan stumps you, once again, so you groan in defeat, cradling your head in your hands.

“I went on a date last night,” you say under your breath.

“What?”

Clearing your throat, you look up at him. You say, louder, “I went on a date last night.”

His eyes blow wide and if he could get any closer to you without actually sitting on top of your coffee-stained worktop, you think he would. Which is strange, if you really let yourself think about it, because Seungkwan is sort of an ex-thing, and talking so openly to someone who has quite literally been inside you about going out with other people… shouldn’t come as easily as it does.

But that was quite some time ago, and for three long months, you drove each other nuts. The two of you are way better off as friends. (Whether you’re better as colleagues is still up for review.)

“You what?” he whisper-shouts. It feels almost like he’s hinting to an invisible audience that this piece of information is extremely scandalous: all wide-eyed and open-mouthed. Which would be fine, except it’s not really that scandalous at all, and neither should it be a surprise: you’re single, you have been for a while, and you have an entire sub-folder in your phone dedicated solely to dating apps — you’re at perfect liberty to go out with whoever you like. You just continue to stare at him, refusing to repeat yourself for a third time. 

“You haven’t even been home, have you?” Seungkwan asks after letting the dust settle, the silence just on the brink of uncomfortable. “Oh my God. Tell me everything.”

“Shut up,” you groan. “His name’s Wonwoo. I met him on Hinge. And fuck you – yes, I went back to my own place.”

You pause for a second, taking a breath when his features cloud with the question he’s about to ask. 

“It’s just-... so did he.”

Seungkwan leaps to his feet and claps loud enough that your already tender eardrums feel assaulted, adding an ‘I knew it!’ for good measure. You cringe at his volume, rubbing your temples – you should’ve known telling him this wouldn’t calm him down, but a small part of you was still hoping. This time, he actually does circle around the desk, carelessly shoving a few bits of paper out of his way before sitting on the newly cleared wood. 

“Had you up all night, didn’t he?” Seungkwan asks. You shove his thigh, looking away from him, embarrassed. “What was the date?”

You just wish it was the kind of embarrassment that he thinks you’re feeling. Flustered, shy, giddy even. But it’s not any of those things.

“If I tell you, will you please turn it down a notch?” You ask, and Seungkwan nods, giddily kicking his legs over the side of the desk. With a sigh, you continue. “We just went for a drink. It wasn’t special, okay? It was bad. We had nothing to talk about, he was awkward, I didn’t even wanna be there – I took a bathroom break after like… a half hour, and I tried to bail but I’d left my phone on the table so I had to go back.”

“And how did that end up with him in your panties?” Seungkwan asks, thankfully a little quieter when he speaks this time. 

“Do not talk about my panties out loud ever again,” you grunt, drumming your fingertips on the arm of your office chair. You give a dejected sigh as you answer him properly. “I guess… It felt like a sign that I was trying to give up too early. So I stayed a little longer, told him the truth about how I was feeling. I don’t know, maybe it took the pressure off or something? But we got talking a little more, we found some stuff we had in common… It just got easier and he started cracking a few jokes, so…”

“So… he laughed his way into your—?”

“He doesn’t drink alcohol,” you interject slowly, narrowing your eyes. “I asked him if he minded driving me home.”

“You devil,” Seungkwan grins, lightly prodding your calf with the side of his foot. “Was he good? Was it big?”

“Seungkwan!”

“Did he make you–”

“He was gone this morning when I woke up.”

Your friend doesn’t say ‘oh, shit’ out loud, but he doesn’t have to. The silence he suddenly falls into speaks for itself, his newly adopted slack-jawed expression the exclamation mark at the end of his unspoken sentence. 

“Always the fucking ‘nice’ guys.” You push up from your desk and start to gather your things, shutting off your computer and grabbing your phone off the desk. You’re over it – you can deal with all this tomorrow.

Seungkwan hops down, biting the inside of his cheek as you pull your keys out of the pocket of your jeans. “Come with us tonight,” he tries one more time, laying a hand on your shoulder and sounding the kind of gentle that makes your skin itch. You swerve out from beneath his palm, shaking your head at him again. “Maybe it’ll take your mind off it.”

“I don’t need my mind taking off anything,” you insist softly. “I’m fine, I just don’t feel like going out. Gonna order in some food and get my ass to bed. Okay?”

Knowing he’s fighting a losing battle, your best friend finally stops pressing. He circles around you and flicks on the overnight alarm, letting you lead your way out of the office and then through the front of the store. He helps you pull the shutter down and tests the lock for you, as he so often does, before he holds both of his arms out in front of him. With a resigned roll of your eyes, you walk into his embrace for a couple of seconds.

“I’m okay, Seungkwan. Go without me. Have fun and let me know if this Vernon guy is any good, okay?”

“We’ll miss you,” he says as you pull away, and you clap him on the upper arm once before turning away, slipping your headphones on over your ears. 

What you neglected to inform Seungkwan, even after allowing yourself those rare few moments of vulnerability, is who you bumped into on your way to the bar where you met Wonwoo last night. The encounter that set the tone in the first place. The reason you were so cold with the stranger who sat across from you in the booth, the reason you tried to bail, and two-thirds of the reason you’ve felt so damn out of it all day. That’s a story for another time, you tell yourself on your walk home. Maybe. 

But… then again. Maybe not.

You’ve been marinating on your couch in a pair of sweatpants and a crisis hoodie for at least two hours and are currently on your second bowl of evening cereal when you hear a knock on your apartment door. You purse your lips and set the spoon back down inside the milky sludge, but you don’t set your ‘dinner’ to one side just yet. It’s probably just the old lady next door, asking if you’ve seen her cat, Houdini (you can’t help but feel like she was asking for trouble giving him a name like that) (in any case — no, you haven’t), or the middle-aged couple opposite asking you to turn your music down (you won’t) (it’s not even that loud).

You’re not getting up. All you have to do is wait for them to give up and away. 

Knock, knock, knock.

They’ll leave. 

Knock knock. 

Any second, now.

…

Knock, knock, knock, knock, knock.

You groan loudly as you haul yourself to your feet and skid over to the door, crossing your arms tighter over your chest to try and shield you from the chill that always lingers in the hallway.

“I’m sorry, Mrs P,  I haven’t seen H—” you start on exasperated autopilot, falling quiet the moment your eyes land first on Chan’s beaming smile, and second on Seungkwan’s guilty eyes. “How… the fuck did you guys get in here?”

“We followed someone in,” Chan tells you as he slides past, inviting himself into your haven and heading through to the living room where your favourite album is spinning on your record player. “That really tall guy – I think he lives on the second floor? Crazy hairline. Like, right back h—?”

“Cool,” you interrupt, except it’s actually everything but cool. Seungkwan steps through the door too, following behind you as you stalk after your younger friend. “Next question. Why are you guys in here?”

“You’ve been in a funk all day,” Chan says, tossing himself down onto your couch and nearly tipping your cereal all over the cushions. He eyes the glass you have on the side-table, raises a brow and looks back at you. “And you can’t deny that. You’re drinking rosè and eating fruit loops at 9pm on a Saturday. You need to get out of this apartment.”

“I don’t need to do anything,” you tell him, sitting down on the armchair to Chan’s left that only ever gets used when these two idiots show up at the same time. 

“One hour?” Seungkwan tries again, crouching down in front of you and taking hold of your hand. “You don’t have to be out late. And – and I’ll open tomorrow. You can stay in bed as long as you want.”

“Do you guys ever stop?” You ask them, and in tandem, the two men shake their heads at you. “I’m staying here. You’ve gotta go, or you’re gonna be late.”

Chan whines your name loudly, stomping like an upset toddler. “You know it won’t be as fun without you.”

“It’s gonna have to be,” you shrug, picking your feet up off the floor and resting them on the coffee table. “Come on. I’m serious. Get out of here.”

Seungkwan watches you for a moment longer but when you eye him sternly, he stands up again, giving your hand a squeeze and sending a nod to tell Chan to get up and follow him. First taking a long sip from your wine glass, the younger man does as he’s instructed, concern etching a frown onto his lips as he walks towards the door.

“If you change your mind, you know where we are, okay?” Seungkwan says and you nod at him. “See you in the morning.”

The door clicks shut behind them and you feel your shoulders droop, a long sigh leaving your lungs now you’re finally back on your own again. You roll your head side-to-side, relieving a tiny bit of the tension that you’ve been holding up in your neck all day, before relaxing back against the cushions behind you.

I’m not going out tonight, you tell yourself as you try to time your breaths to the beat of your music, letting it drown out the fact that the young couple who live two doors down have started arguing just outside your front door. It’s not gonna happen. 

There’s no way. 

The chill of an ice-cold glass meets your palm not even an hour later.

Chan and Seungkwan had been sitting on the stairs outside your apartment building, giving you fifteen more minutes just in case you happened to change your mind. To your credit, neither man had expected you to get out of your quarter-life-crisis outfit. Each gave a whistle of approval as you stepped outside into the air in a nice pair of jeans and a cute, long-sleeved shirt.

You all set off in the direction to the Arrowhead (so-called thanks to the venue’s unconventional triangular room shape) and both of your friends managed to successfully paint a few smiles on your face along the way. Once inside, Seungkwan dragged you by the wrist up towards the main bar space. Before you even had time to process the blurred faces that you walked by and the fuzzy neon signs all the way up the stairwell, enthused cheers and applause from the room ahead and the melodic strumming of a guitar drowned out the dread you’d been feeling ever since you woke up.

“This guy is not covering U2,” Chan says almost incredulously as he thrusts the drink he paid for into your hand. You manage to work your way through the crowd a little: it’s busier in here than you’ve ever seen it before, and certainly way more full than you would have really expected, but there’s still just enough movement room.

“Yeah, he is,” you say as you weave your way into a decent spot, where you can actually see the musician whose logo has been plastered on every notice board around town for the past month and a half. You even end up with a bit of breathing space, which is a rare, but welcome, treat.

But whatever you were about to say next – about how you don’t like U2, and how you’ve never really forgiven them for putting their entire new album onto everybody’s iTunes back in 2014 – dies a magnificent death on your tongue. You pause with your drink halfway to your lips as your eyes land on the main attraction, the man up on the stage; he has a small band up there, too, but all the lights draw your focus to him. His eyes are sparkly. Both his hands are wrapped around the microphone like he’s caressing it, his rosy lips brush over the metal as they move with each word that comes out of his mouth. Watching him quickly becomes almost hypnotic.

So. This is Vernon.

Long, dark hair sits low over his temples, perfectly parted and shaped in the middle to frame his brows. The top few buttons of his emerald satin shirt are popped open, sleeves rolled up past his elbows, the hem half tucked into his black jeans. He has rings on almost every finger. A silver chain around his neck. He looks good, but his voice?

I think I hated this song ten minutes ago, you think to yourself, but there’s something about Vernon’s deep, rough-edged tone that has you considering never listening to anything else. If you could stand to look away from the way he cradles his mic, and the way one of his eyes squeezes tighter closed as he lifts up into a higher note, and the way he moves on the stage like he was born to be on one, you might notice your friends (and everyone else around you) equally entranced by this gorgeous rendition of Beautiful Day as yourself. You can’t, though, so you don’t. 

You keep your attention locked on the singer and instead start to wonder just what he injected the air with when he stepped out from behind that curtain. 

Vernon’s eyes flutter back open right as he hits the final line of the song, a smile spreading over his lips. You realise only now that you’re hardly breathing, nor blinking — your body doesn’t remember to function in the ways it needs to survive, too caught up being immersed all the way to the last beat. You think he looks right at you from up on the stage, you swear one of his eyebrows lifts and his features twist into a satisfied smirk. You’re certain, because for half a second it feels like the world tumbles into slow motion and it’s like he’s reading every single one of your secrets, scouring every corner of your mind. 

And then… he looks away. He looks across the crowd applauding and cheering and whistling for him, before crouching low and taking a sip from the water bottle sitting on the floor beside his mic-stand. Only then does he speak. 

“Risky opener, I know,” he chuckles, his speaking-voice deep and smooth and wholly entrancing. The room erupts into soft laughter, a series of whoops coming from the crowd, everyone disarmed by his slightly awkward charm; the singer’s cheeks turn rosy and a gummy smile lights up his face before he continues. “Thank you guys for giving it a chance, though. If you didn’t know… I’m Vernon—…”

You’re hooked on his every word as he starts to introduce himself and the band behind him — everyone is, but you don’t care about the people around you. Despite being shoulder-to-shoulder with your two best friends and with every breath inhaling the overpowering cologne of the guy standing right behind you, it feels, in a way, like you and the singer could be the only two people in the entire room. 

The set lasts just over ninety minutes and is a carefully put-together mixture of mostly original songs and a couple of crowd-pleasing covers, a few slower ballad-types to offset the higher energy rock songs that he beams the whole way through. In-between, Vernon wins over the crowd with his dry sense of humour and a natural charisma that has you feeling mortifyingly warm, despite the fact that you know he isn’t speaking directly to you when he breaks to talk. You’ve been to more than your fair share of gigs in this venue over the years, but few performers have ever made one of their shows feel so genuinely intimate; by the time he says goodnight and heads off the stage, bidding everyone a safe journey home, it feels, in a weird way, like… you know him.

Most of the more local artists who play in the Arrowhead tend to hang around after their sets – sometimes they’ll have copies of EPs, others come with pins and badges showing off their logos, various cute freebies for people to take home. A few even just stand around in the bar and talk for a while, thanking people personally for coming, sharing information about their upcoming releases and future gig schedules. Unless you’ve been really blown away, this isn’t something the three of you often stick around for, though.

It’s therefore a bit of a surprise that when Vernon re-emerges some fifteen minutes later, you don’t even have to convince your friends to work your way into the crowd already starting to form. If anything, the look exchanged between you all establishes that wanting to praise this guy and say hello is very much mutual; the time that ticks by before you’re face-to-face with him really feels like no time at all.

The people in front of you move off to the side and you catch your first actual, unobstructed glimpse of him. He takes a sip from his glass and wipes his upper lip with the back of his hand before greeting you kindly. Somehow, he’s even more handsome up close. You really didn’t think it was possible. 

“Amazing set, man,” Chan says brightly, doing little by way of snapping you out of your trance. “Super fresh.”

“Seriously. So, so good,” Seungkwan gushes.

Vernon pushes away from where he’s leaned against the bar, pulling his other hand out of his pocket and extending it to your friends in turn. 

“Thank you so much,” he says. “Glad you guys liked it.” Another one of those easy, bright smiles spreads over his face. Maybe you entertain, for a second, that it grows a little more when he holds his hand out to you, too. 

You’re still stunned into silence by how breathtaking he is, but you put your drink in the other hand and wipe the condensation off your palm on the side of your jeans before shaking his hand, as well. He’s really warm, maybe even a little clammy, but when he squeezes with his fingers and looks straight into your eyes, this becomes a very negligible detail.

“Your vibe really reminds me of someone… God, what was his name-...” Chan starts to babble, clicking his fingers at lightning speed as if it’ll help him remember. “He was on that survival show-...”

“We’re sorry about him,” Seungkwan interjects after a few more seconds of nonsense and half-spoken, incorrect names, lifting a hand and covering Chan’s mouth. “He gets a little… it’s just when he’s excited.”

“No I don’t,” Chan huffs, swatting Seungkwan’s hand away. You inhale deeply, trying not to cringe as you watch Vernon’s amused eyes bounce between your two friends like he’s watching a tennis match. 

“Do too.”

“Do not.”

“Case in point—” Seungkwan starts, at which stage you lay one palm on each of their shoulders to try and get them to stop talking.

By some miracle, it works. At least, their mouths stop moving; there’s definitely a silent conversation ongoing in the filthy looks they continue to exchange, but they stop bickering aloud and that’s good enough for you, for now.

“Come on, let’s leave the poor guy alone,” you say, and Chan shoots Seungkwan a filthy look before he nods and takes a small step back from the altercation. 

Vernon’s eyes glitter under the venue’s neon lighting, wide and focused on you while you do your best to mediate. You only notice this when you look back at him, by which point it’s far, far too late to stop the eruption of butterflies in the pit of your stomach.

“You’re really good,” you compliment finally, a smile tugging your mouth up on one side. 

“Thank you.” Vernon grins, briefly dipping his head in your direction, but looking for a second as if he’s about to say something else. His chest rises with a breath, his lips push forward like they’re about to separate again, but before he can, Chan finds one more thing to come out with. Of course. (Seungkwan, regretfully, was right — he does get a little…)

“Do you like records?” he asks, pulling Vernon’s gaze away from you. The singer tilts his head, questioning. “Records. Vinyl – albums? Records.”

“Shit – yeah.” Vernon nods then. “Yeah, sorry. I um-... Sure. Yeah. Totally.”

“She owns a record store,” Chan says, jerking his head towards you. You feel your eyes blow wide and you’re tapping harshly at his back in an instant, begging him to stop. “OFF BEAT Vinyl. Not too far from here – it’s a cool spot.”

“No kidding?” Vernon says, glancing back in your direction, but you’re too busy silently pleading at Chan to shut up to realise.

“Mm. You should swing by, some time,” Seungkwan agrees, and all of a sudden, you’re overcome with the urge to fight him, too. “We all work there.”

“All right, let’s go,” you cough eventually, grabbing both men by the wrist and tugging. Vernon chuckles softly at the interruption; it’s almost as sweet a sound as his singing.

“OFF BEAT Vinyl,” he repeats, tasting the store’s name on his tongue, swirling it around his mouth like a wine he’s trying to savour. “For real. I’ll look it up.”

Chan grins proudly, finally letting himself be pulled away from the singer, and you manage to make exactly two paces before Vernon’s voice rings through your eardrums one more time.

“Hey, uh – what was your name?” he asks. It’s unmistakable who the question is aimed at (your friends don’t even entertain for a moment that he could be asking them), but regardless, it takes you a moment to let yourself believe he really wants to know. Vernon doesn’t push, though – he knows you heard him and he waits for your answer, leaning a little forward. 

So, you look over your shoulder and you tell him. You see his lips move silently as he repeats it to himself, just like he did with the name of the store. He tastes it. Plays with it on his tongue, remembers the way it feels. As if it’s something he really intends to remember.

“Cool,” he breathes, pushing his hair back and off his forehead and making it very difficult to feel in any way rational. “Well – it’s great to meet you guys. Thanks for coming out, again.”

Finally, you manage to get your friends away. One of them, at least – Seungkwan decides that he actually wants to grab a few copies of his EP (‘one for me, a few for the store’) and rushes back towards the singer; you tell him to just meet you back at the bar.

Then, with another round of drinks on order, you turn to Chan and land a gentle thump on his bicep.

“Dude,” you groan, and he looks at you incredulously, rubbing his upper arm with a pout. “Why did you do that?”

“Do what?” Chan asks. 

“Tell him about the store!”

“I mean – I didn’t think it was classified?” he says. “Shit’s slow right now, and he seems like the kind of guy to have a record collection. What’s the damage?”

Seungkwan appears behind you with his hands full of CDs, badges and a scrap of something that you’re reasonably sure is firstly, a napkin, and secondly, has been signed. So you rest your elbows on the bar and place your head in your hands, grumbling quietly about how you don’t know you’ve managed to survive this long knowing these two losers.

“Because you love us,” Seungkwan says, fastening a button to your t-shirt. “Stop trying to deny it.”

“Yeah, yeah,” you sigh, accepting the drink from the bartender and taking a long sip. “God, you better have been serious about opening up for me, tomorrow.”

(Well. You have to give it to him: he was.)

“It’s just my opinion!” 

From your perch on top of the store’s counter, you raise both of your palms in a display of your innocence. Chan stands in the middle of the R&B aisle, looking personally offended, fingers curled around the top of one of the wooden crates holding your stock. 

“Me saying ‘I don’t think Welcome to the Black Parade is the best track on that album’ is not me saying that it’s a bad song.”

“But how can you say that?” Chan groans, pinching the bridge of his nose. “Who’s hearing the opening note to Famous Last Words and feeling the same way as they do with the Black Parade?”

“Most iconic doesn’t mean the best,” you counter. “Besides – I never said you weren’t allowed to have it as your favourite. It’d be a boring game if we all had the same answer.”

“I cannot cope with you anymore,” Chan whines. “You know what? No. I don’t even believe you. You’re just being a contrarian.”

“Why would I do that?” you ask. 

“Because it’s the best song on the goddamn albu–”

The bell above the door chimes loud and clear through the store and both of your squabbling voices fall silent. Your head turns in the direction of the entrance, an autopilot greeting already forming on your lips, but you feel them fall slack the moment you realise who it is that’s just walked in.

It’s been five days. Though it would be a mistruth to claim you hadn’t thought about the singer since the night of his gig, it’s not one to say you didn’t think he would ever actually come into your place of work. 

Much less at 3 o’clock in the afternoon. On a Thursday.

He pops his wrists as he walks a little further into the store, glancing around. Barring one of your regulars who walks about with his earphones in all the time, the store is completely empty; an adrenaline spike prickles the hairs on your arms, all the tiny muscles beneath your skin pulling them to stand upright. 

“Hi,” he says once he deems himself to be close enough, stopping in his tracks and kicking the toe of his shoe against the floor.

“Hey,” you greet him in return. 

“I’m-... Vernon. We met at the show, the other night?” 

“Yeah — yeah, I remember you,” you smile. “I’m-... well. I’m still y/n.”

“Still y/n,” he says on a relieved exhale, grinning and glancing away from you. “I uh… I just had some free time. Thought I’d swing by and see what you guys had going on here.” Vernon adjusts the collar of his t-shirt, the silver of his rings glinting under the flickering yellow light overhead.

(It was definitely somewhere on your list of things to get fixed. Honest.)

“Sure, yeah,” you nod, swallowing hard and trying your best not to stare at him. It’s hard, though – in broad daylight, the way the flannel tied around his waist floats down over his hips and the way his jeans hug at his thighs is… you don't even have the words. “Let me know if you need help finding anything, okay?” 

“I will.” He starts to thumb through one of the wooden boxes, offering a small smile your way. “Thank you.”

You’re holding your breath a little as he pulls a few 80’s rock albums out, his lips downturned in surprised approval at some of the records you carry. He holds onto a couple as he moves around the store and the entire time, you can feel Chan and Seungkwan staring at you. If there wasn’t a very real danger of Vernon looking your way again at a moment’s notice, you know you would be showing them your middle finger.

Really, they come away lucky.

“You don’t even know how long I’ve been trying to find some of these,” Vernon says after a few minutes, sauntering toward the desk – you’re still sitting on top of it, your legs swinging in the air beneath you. “Might have to make this my new stop.”

And displayed beside you on the counter – right by the cash register – are a few of his albums. The ones Seungkwan picked up after the show; until about two seconds ago, you had forgotten they were even there.

Vernon’s face lights up when he notices, turning to Seungkwan. “Come on, no way. I thought you were kidding about that.”

“Deadly serious,” Seungkwan laughs. Out of the corner of his eye, he must see you start to freeze up: he keeps talking instead of letting the silence settle. “It was on the speakers yesterday. Four people asked us about you.”

“For real?” Vernon asks. When all three of you nod your heads, you see the beginnings of a blush start to creep up his neck. “Wow. Thank you – um. That’s really cool of you guys.”

“It’s good music,” Chan shrugs. “You’re super talented.”

You’re not sure what it is about the onslaught of passive praise that gets so deep into Vernon’s head, but he doesn’t seem to know what to do with himself other than repeatedly saying ‘thank you’. Relief comes in the form of another customer jingling the bell above the door and drawing the attention away from him for a few moments.

“I’ll take these,” he says breathlessly as he turns to face you again. You find yourself a tiny bit lost in the warmth of his eyes and it takes you a second to remember to swivel around and slip off the other side of the countertop. You do, though. Eventually. 

“Nice,” you say softly as you shuffle through them, ringing each one through. He’s got pretty decent taste, even if less than a week ago you were actively cringing at his choice of cover song. (It’s okay. That was before you knew better.) “Do you– need sleeves, or…?”

“I’m good. Thank you, though.” Vernon rests his hands against the edge of the counter and drums a quiet rhythm out with his thumbs as you tap away at the register. “Are-... you guys busy tonight, by the way?”

You look up from placing the records into a paper bag, glancing over to your colleagues who both rush to shake their heads. Vernon looks from them, to you, and you mirror their action. Even if I was, you start to think wistfully. I’d make time.

“I’m playing at the Orchid? Uh— it starts at eight thirty; I could get you guys on the list, if-... um…”

“That’d be awesome,” Chan says, nodding so hard you’re surprised his head doesn’t roll off his shoulders and start bouncing across the floor. 

“Wouldn’t miss it,” Seungkwan adds. 

Vernon grins at them both, humming softly, before turning back to you and fumbling with his wallet to take out his card to pay for his purchases. You turn the machine around to face him; he hovers with his hand just above it. 

“Maybe… I’ll see you tonight, too?” He says.

You can’t help the delight that rises inside you, as if it’s been injected straight into your bloodstream. It’s everywhere, all of a sudden. In your brain and your heart and your bones and in your lungs.

Yet, you somehow manage to keep your composure when you say, “yeah. Maybe you will.”

The payment goes through and you slide the bag over towards Vernon, your eyes never leaving his and his eyes never leaving yours. His fingers brush over yours as he takes it from you, the bite of the cold ring on his index finger a shocking contrast to the warmth the rest of his hand radiates. You hope your little gasp isn’t too audible, but… the way Chan whirls around to face away from the scene in front of him (presumably to poorly conceal his laughter), you know you haven’t gotten away with it.

“Cool,” he says, hesitating another second before finally pulling himself away. He bows his head in the direction of your friends, sending another of those irresistibly sweet smiles at you, and then he starts off towards the door. “See you, then.”

You feel your heart finally start to slow down as you grip the counter for dear life, setting out a long, drawn-out breath. What just happened? Why do you feel all… fuzzy?

“Maybe… I’ll see you tonight, too?” Chan asks in the deepest voice he can muster, snapping you out of your own head none too pleasantly. You turn in their direction as your other favourite moron feigns tucking hair behind his ear and flutters his eyelashes across at Chan.

“Yeah… Maybe you will.” And Seungkwan’s imitation of you is a little too accurate. Creepily so, and you want to curse him out for it. Instead, you scrunch up a bag to throw towards the pair of them, grinning despite yourself as they both swerve to dodge it.

“Oh my God, shut up,” you chastise them. You don’t have any bite, though, your brain still tingly and positively reeling and seeing Vernon’s dazzling smile every time you so much as blink. And when Seungkwan takes a running start and launches himself, full-force, into Chan’s unsuspecting arms? When Chan lifts him up and spins him around, and when they start making kissy-noises at each other between unearthly cackles? 

You know that the next few hours are going to be the longest of your entire life.

The rest of the afternoon goes by without much disturbance and with evening plans now in place, you make the executive decision to send the boys home half an hour early. The three of you agree to meet outside The Orchid at just after eight o’clock, giving you all a chance to eat, wash up and change before the show; your friends separate and head in the different directions to the places they call home, making a promise to text your group chat before you leave to coordinate the link-up time. You head back into the office to finish tying up your loose ends and manage to depart just an hour later. 

On your way to your apartment, you plan everything out to the minute in your head. You even allocate yourself twenty minutes to sit on the couch and decompress from your working day. So, when you settle down a little further into the cushions and put your head back, resting your eyes… when you tell yourself you’ll get up in just a minute and hop into the shower…

You certainly don’t expect to be woken up two and a half hours later as your phone vibrates on the floor of your living room.

With one eye still closed, you pick it up, yawning and stretching the lingering wisps of slumber from your body. Seungkwan’s contact name shows on your screen and you swipe to answer the call; on the other end of the line, a song you’ve never heard before is audible, but it’s accompanied by a voice you most definitely do know.

Everything snaps into place at once; in an instant, you’re wide awake, and you feel physically sick.

“Shit, shit, shit, shit, shit,” you hiss into the speaker, scrabbling upright, tugging the phone away from your face to see the time. How is it already past 9pm?

“Oh, hello to you, too!” Seungkwan has to half-shout to be anywhere near audible over the music. You can almost perfectly visualise the way he’ll have sandwiched himself in a corner of the venue, pinching the bridge of his nose, head resting against the wall to try and block out enough sound to hear you. “Good to know you’re actually still alive!”

“Dude, I’m so sorry,” you say, rushing through to your bathroom to check if you can get away with leaving the house as you are. (Jury’s out, but you don’t have much of a choice.) “I… don’t know what happened. I fell asleep – I’ll be there as fast as I can.”

Seungkwan chides you again, this time reminding you that he’s been on your ass about going to a doctor to get your iron levels checked for months, that your timekeeping is terrible and that you really better hurry. You promise you’re on your way and hang up the call, pocketing your (horrifically under-charged) phone and slipping into a pair of sneakers you keep by the door before you head out. You told him you’d be here. Seungkwan’s voice rings loud and clear in your ears as you lock up your apartment.

But of course, bad things never happen in isolation. Waiting on the street outside your apartment block, you find yourself being cancelled on by not one, but two uber drivers: by the time the third reaches you, and has to follow the world’s most inconvenient diversion to get past some construction work, it’s 9:35. You know it doesn’t matter how quickly you run down the last stretch of the street and get up the seemingly never-ending staircase: it’s going to be too late.

You only manage to catch the literal last two songs of Vernon’s set. You’re not sure he even knows you’ve arrived, and in a way, you hope he doesn’t. Maybe having him believe you were a no-show is better than him knowing you’re about as low-functioning as a grown adult can be. You just slip in through the door as discreetly as you can and hover at the very back of the room as he rounds up for the night; Chan slips an arm around your shoulders as you turn to the bar and order yourself a drink, but it doesn’t do much to reduce the guilt that weighs heavy in your chest. 

Which… is odd, really, you suppose. Seeing as you hardly know the singer much beyond his name and, now, a fraction of his record collection. Seeing as you certainly don’t owe him your presence at any of his performances. But there’s something in the way he made sure to ask you personally if you’d be able to make it, too, and you can’t shake it off, and… yeah, screw it, maybe you did want to be here. Maybe you did want him to notice. Maybe you do care what he thinks of you. 

Maybe… you hope he feels the same about you.

Your drink hasn’t even arrived yet by the time you hear a chain of ‘excuse me – sorry, can I just? Yeah, thanks – sorry, excuse me’ -s behind you. Your eyes fly wide and you almost choke on your own spit at the sound, growing closer and closer, somehow audible over the background music floating through the speakers, over the other chattering voices and shrieks of laughter in every direction. Part of your breathlessness, admittedly, is to do with how immediately you just knew who that voice belonged to.

“Excuse m–” it sounds again.

And then, softer: “Hey.”

You turn around on your bar stool, barely managing to bite back a smile. “Hi.”

Vernon grins at you from a few feet away, a dark singlet hanging loose on his frame, showing off his long, lean arms, displaying the few bracelets he wears on one of his slender wrists. You’re staring – you know you are; you don’t even notice the fact that Chan takes several steps away from you, or how he throws a side-along glance toward Seungkwan, nor the fact that your two best friends start talking quietly among themselves, leaving you and Vernon almost alone.

“I’m so sorry, I don’t know how I managed to…” But Vernon’s already shaking his head, coming up beside you at the bar, settling into the seat on your left. 

“Don’t worry about it,” he insists, glancing over at you where you’re sitting. “I’m just glad you’re here, now.”

Chan stumbles over to you somewhere around midnight and claps his hand down on your shoulder, interrupting Vernon’s very enthusiastic explanation as to why flying is totally a better superpower to want to have than invisibility. Your giggles fall silent and Vernon stops mid-flow, waiting to hear what your friend wants to speak to you about. Unfortunately, Chan’s words are barely intelligible; it’s only when a marginally-better-for-wear Seungkwan appears too a moment later that you’re able to make any sense of him.

“We’re gonna–” Seungkwan hiccups, covering his mouth with his hand and wincing, no doubt at the burn of everything he’s had to drink now sitting high in his throat. “Gonna head out. Are you coming? We’ll split a taxi with you.”

You find yourself glancing over to where Vernon is standing, propped against the pool table that you’re now leaning on the edge of. He just smiles back at you, lifting his shoulders.

“I think… I’m gonna stay here a little longer,” you say after chewing it over. “You guys go ahead.”

Seungkwan looks between the two of you and frowns slightly. “Are you sure?”

“Yeah, yeah.” You nod. “I’ll see you tomorrow.”

Vernon gently pipes up from your side, sliding over a little so that his palm rests flat on the felt of the table, his forearm supporting your hips from behind. But it isn’t you he addresses, despite this butterfly-inducing contact. All deep and serious, he says, “I promise, she’s safe with me.” 

He takes his time to show it on his face, but ultimately this satisfies Seungkwan, who (despite being just about able to support both his and Chan’s weight in his current condition) has before, and still will, ignore his body’s demands in the name of ensuring your safety. But maybe he sees a trustworthiness in Vernon, or maybe he knows that you can and do handle yourself quite well. Whatever it is, he’s happy with this development, and your two friends bundle you in a hug so tight that it squeezes the air out of your lungs before they make their way towards the exit.

Once they’re out of view, you turn back to Vernon again, raising both brows at the man now closer to you than he’s ever been. But it’s far from claustrophobic – not as these things can so often be. No. No.

It’s addictive.

“Oh you promise, huh?” The tease comes out before you can do anything about it. You even end up batting your lashes at him for good measure. 

“Cross my heart,” he says with a small shrug of his shoulders. His eyes dip from where they’re boring into your own, glancing down a fraction, just for a moment, and you’re sure you see him start to lean. Drawn to you like an opposing magnet, like a moth to a flame — his breaths feel hotter as they fan against your skin, his cologne starts to smell a little stronger… then, his fingers on the other hand curl around the pool cue he’s been balancing on his side and he drags himself away from you. “But that doesn’t mean I’m not gonna kick your ass one more time.”

One more game of pool quickly turns to two, and it even threatens to become a third as you tease, again, that Vernon just got lucky and he flashes you another one of those looks that says ‘oh? Try me’. But as tempting as it is, you don’t think your pride can withstand any more losses. You resign yourself from the table with a huff when he rests his palms flat on the velvet covering, leaning towards you in that mouth-watering way he’s been doing for hours. The thing is, for the size of his pool-playing-ego, Vernon isn’t even that good. Not if you consider the number of completely missed shots, questionable connections and pocketed cues. But, because your own skill level leaves plenty to be desired, he doesn’t have to be up there with the big leagues. 

He just needs to be a tiny bit better than you.

Asshole.

An announcement for last orders from behind the bar tells you that it’s nearing one in the morning as he starts to circle around the table and makes his way towards you. The bar has emptied considerably since you arrived, the music has steadily started getting more and more cheesy, people in all four corners of the room have started draping themselves over one another like well-dressed blankets, having already chosen the individuals they’ve decided to take home tonight. By all accounts, it’s the perfect time to leave. If you head out now, you’ll miss the rush of people flooding into the street and, if you’re lucky, the surge in taxi prices. The really good takeout place around the corner doesn’t close for another half hour, too. 

There’s just one problem. You don’t want this night to end just yet.

“I think I’m gonna get some fresh air,” you say to Vernon, trying to stretch out a burning knot in your shoulder. “It’s like, a thousand degrees in here.”

Vernon nods. “Yeah – cool. I’ll come with you.”

And with your bag slung over the arm not causing you an ache, you start off down the stairwell. The doors are already open and the late night breeze has you feeling like you’re walking through the gates of heaven as you head outside. You inhale deeply, making the most of this very rare occasion of the city’s air not feeling thick with car fuel and cigarettes. Your eyes fall closed.

“I always liked being out at this time,” Vernon says as he joins you, leaning one shoulder against the brickwork of the outside of the bar. “Feels peaceful.”

“Sure,” you nod, craning your neck to look at him. His face is half-illuminated in the neon red of the bar’s sign above you. The harsh lighting and the shadows cast by his angular features have him looking… sort of sinful, in a weird artsy way that you can’t explain thanks to the pleasant buzzing in your brain. Straight out of an arthouse, indie movie. I bet he likes those, you think absently. 

He looks straight into your eyes, intense and focussed as if he’s trying to search them, though for what you’re not sure. Honestly, you think if he gave a few more flutters of those beautiful lashes, you’d bend in-half-and-half-again to give him anything he wanted, so in a way you’re interested to ask what he’s thinking about. You don’t end up saying anything, though. There’s something wonderful in these little unspoken moments with Vernon. Something raw. 

Something… unexplainable. 

Sitting at the bar and stealing tickled glances as the waitress fumbles and drops a tray full of glasses on the floor. Subtle winks of his right eye (always, you’re discovering, the right?) from across a pool table when he succeeds in making a shot he has absolutely no business pulling off. Standing opposite you in the store you own, waiting to find out when – not if – he’s going to see you, again –

“You know,” he starts, the tiniest edge of nervousness in his voice for the first time tonight. Is the performance adrenaline finally wearing off? Is he… maybe starting to feel a little shy? Whatever it is, your last train of thought melts away into the drain just to his right, and you focus on him as he continues down this new path instead. “I got a new coffee machine in my apartment last weekend and I haven’t had the chance to use it for anyone yet.”

“Is that so?” 

“Yeah.” He nods, swallowing. “I uh…” He bounces one fist in the palm of his other hand, searching for the right order to put the words into. “I mean, it’s not like, one of those super fancy ones, or anything… but it’s sorta retro looking? Which is cool, and—”

“Vernon?”

“Yeah?”

“You‘re a little out of practice, huh?”

He chuckles on an outward breath, bowing his head, a grin that threatens to split his pretty face in two taking residence on his lips. “That obvious?”

“A tiny bit,” you say. “It’s cute though.”

He glances up at you, head a little tilted. “Yeah?”

“Mm… getting less-so by the second,” you tease him. “You can just ask me to come with you.”

“I-…” he starts, but he takes a deep breath instead and corrects his posture, as if it’ll prepare him somehow. “Okay. Okay — do you… maybe wanna come back to my place, with me?”

Not without flashing him a look first that says ‘now, was that so hard?’, you find yourself nodding up at him. 

“I’d love to,” you say.

He pushes away from the wall and when you do the same, he falls into step, heading in the direction of his apartment. You try to discreetly roll your shoulder out again but it’s obviously not discrete enough; it draws his attention down to your arm, and he frowns slightly.

“Is that giving you trouble?” He asks. 

“It’s fine.” You wave him off, stretching the muscle as best as you can by tilting your head as you walk. “It’s been like this for years.”

He scrunches his brows. “Here — can I?” He asks, his fingertip looping beneath the strap of your bag. You look down at your shoulder, then back up at him, before raising one brow, dropping the other. 

“I mean — I don’t know if it’s your colour?” 

Vernon barks out a ‘ha’, easily slipping your bag down your arm, the tips of his warm fingers brushing against your comparatively cool skin. You make no effort to stop him. He positions it on his own shoulder instead, the one furthest away from you so he can still walk right against your side. 

“There’s a reason I wear all black, okay?” He says. “It makes everything my colour.”

His fingers smoothly slip between yours as he says it. It was quite the move, and for a second you’re impressed. At least, until it turns out that this simple action seems to jolt him back to his factory settings, because—

“I’m so serious about this coffee machine, by the way.”

“I know you are,” you laugh, bumping your weight against him and squeezing his hand. “I’m counting on it.”

“Okay, so,” you start, settling into Vernon’s couch and tucking one of your legs up beneath you. You cradle the mug of coffee he’s made you — admittedly, the retro-style machine was pretty cool — between both of your hands, a thumb brushing over the raised pattern on the ceramic. The fresh air from the walk here seems to have decently sobered you; barring a pleasant buzz, you feel almost like you haven’t drunk a thing. “How did you get into music?”

Vernon matches your posture play-for-play, biting the inside of his cheek before he answers. He drank less than you in the first place, but he seems steadier now, as well.

“Uh… a couple things, I guess,” he starts. “I mean, my parents are big into music. Sometimes they'd take me with them to shows and stuff, had a bunch of CD’s all over the house — all that. You know? I really grew up on it, so…"

You nod, tilting your head to gesture for him to continue. 

“Then… I don’t know. There’s- okay, I was kind of a loser in high school,” he goes on. You roll your eyes; Vernon nudges your thigh with his knee playfully, shaking his head. 

“I just mean, I didn’t have a lot of friends.” He pauses, pursing his lips. “So…, I mean, that’s— that’s whatever. The point is that I spent a lot of time on my own and I basically had an earphone in any time I thought I could get away with it, and–... and sometimes even if I couldn’t.” He chuckles. “Weird. Most of my teachers didn’t like me much either.”

You laugh too now, and Vernon bows his head a little; every single one of his handsome features brightens up and you don’t really know where to look. His never-ending lashes are so long they cast shadows down onto his cheeks, and the ambient lighting reflects off his eyes so beautifully that they look like they’re glimmering. 

He goes on, “there was one, though. My bio teacher? She was really cool. She had a lot more time for me than the others did. And uh, she called me into her office after school one day and just said… basically, my options were to start giving a shit about… cells, and mitochon– whatever, or start really working for this great big thing that I spent all my time daydreaming about. And it’s been a little up and down, but…”

He trails off, shrugging on one side.

“I think you’re doing pretty okay,” you chime in, leaning one arm against the back of the couch and resting your head in your palm. “I bet those kids would lose their minds if they could see you now.”

“Oh?” Vernon asks, setting his coffee down on the side-table. You click your tongue at him.

“Don’t– come on.”

“No, seriously,” he laughs. “What do you mean?”

“I mean-…” you start, shaking your head. “Okay. People go out of their way to listen to you. Everyone who comes to one of your shows… that’s an hour, two hours, whatever – of making people feel exactly the way you want them to feel. They... all want to understand you. Right?”

Vernon just looks at you, forehead a tiny bit creased — the cogs in your brain tick away trying to find a better way to explain what you mean, but he finally speaks. (You’re glad, because you were struggling to come up with anything else.) 

“Shit, I thought that was just an in to say you thought I was hot, or something.”

You push at his chest lightly, your palm lingering on his vest a moment longer than is, perhaps, strictly necessary. 

“Shut up,” you groan. But a second later… “I guess there’s that, too.”

He sits back a little, pushing his hair off his forehead with a chuckle. “I dunno, I mean — I sort of… is it weird if I don’t really think about it that way?”

“Of course not,” you tell him.

He gets that look back on his face again; the pensive one, where he appears like he’s seconds away from saying something else, something important. But he falters, and when he glances back at you, his engine stalls. 

Then, with a shake of his head, he says, “wow, okay, enough about me. I’m so sorry. Can I ask you a question?”

You take another sip of your coffee and set it down, too, nodding ‘yes’. To be honest, you were quite enjoying talking about him; at the same time, you know what it is to feel a little too perceived sometimes, so you let him move on without argument. 

“How do you just… own a record store?”

You laugh. It’s been a while since you’ve had to explain this one. (When was the last time one of your dates was interested enough to ask?)

“I’m not as good a storyteller as you are,” you preface, mirroring him when he rolls his eyes, pretending not to notice that he shuffles even closer. You launch into it easily enough — the old store owner was a friend of the family, he let you work there while you were in college, took you on full-time after you dropped out. When his eyesight started deteriorating, he chose to retire and told you it was yours, if you wanted it. 

“Place would’ve closed down, otherwise,” you shrug. “But I couldn’t do it on my own, so I brought the guys in to help. Two years later... yeah. I guess that's how.”

The whole time as you talk, his eyes don’t leave you. He’s quite expressive, you find — whether he’s lifting a perfectly shaped brow, nodding along to what you’re saying, smiling at you… you feel listened to. When he’s sat across from you, you feel heard; you feel known.

“Well, first — take it back. You’re a great storyteller,” he says. You feel your face grow warm and you nudge him with your knee, but you don’t argue — you aren’t convinced he’d let you win, anyway. “But that’s… really cool? Actually.”

“Oh yeah, I heard nine-to-five retail is the coolest thing you can do, these days,” you laugh.

Vernon scoffs at you. “You close at six thirty.”

(How on Earth does he remember that?)

To avoid thinking about it too much, and so you don’t have to try to navigate asking, you roll your eyes.

“You’re right,” you say to him. “That’s way better.”

“Do you like what you do?” He asks, and you tilt your head at him. “Well — okay. If you ignore the… boring, back-office stuff.”

“Yeah,” you say after a pause. “I guess I do.”

“Then it’s cool.”

Your coffees both go cold as you talk more, and more, and more — he asks about your life, and growing up, your friends, and he answers all of your questions in turn when you ask them. He has an interesting way of talking about himself outside of his job; it’s not so much that you have to pry for information, but he’s not super forthcoming. It’s as if he’s taking all of your questions at face value, like he doesn’t know how to go about expanding on them. 

Maybe he’s just more of a listener, you contemplate once he turns yet another of your questions back on you and you teasingly pull him up on it. It flusters him, which you can’t help but find very endearing. 

“I’m sorry, I’m sorry — I just… you have such a pretty… voice?” he confesses, rubbing the back of his neck, ears burning pink. 

“Oh?” You ask, stumped for a moment as your heart lurches in your chest. When he nods, you find the gall from somewhere to say, “takes one to know one.” 

(You’re not sure how.)

And on it goes. On, and on, and on. More questions, more answers, more lighthearted shoves and lingering touches and shy glances away from each others’ scorching gazes as heat rushes to your cheeks. He even shows you his record collection and puts on one of his favourite albums for background noise before you settle back into the couch. It’s so natural, even when the vinyl runs to the end and the only noise from the player is a distant crackle. Being in his space and having mindless conversation after mindless conversation feels almost as comfortable as being in your own home. 

You notice something, as you’re rounding off a monologue about why your highschool math teacher was the worst person you’d ever met. A tiny hair on the apple of his cheek. One of those lashes you envy so much. Even as you try to focus back on your closing remarks, your eyes keep dropping to it and you trail off into silence a few words short.

“I’m sorry, you’ve-… got an eyelash,” you say, tapping roughly the same spot on your own cheek. 

“Mm. I have a few of them,” Vernon counters, wiping the heel of his thumb against his skin. He misses, though, and drops his arm back down with the lash still stuck to his face. 

You move before you can stop yourself, hand lifting up to his face and hovering just a few centimetres away.

“Can I?” you ask. 

Vernon nods, wordlessly. He goes cross-eyed and his lids twitch in a flutter as he watches you get closer; you brush the lash onto your thumb and he only breathes again when you rebalance it on the tip of your finger.  You hold it up to him, settling back into your own part of the couch; he just stares back at you. 

“Make a wish,” you prompt. 

His confusion is poorly concealed, head cocked to one side as he looks from the lash to you and back again. “Huh?”

“Don’t you…?”

He shakes his head. 

“Okay, wow,” you laugh, glancing down at your finger too. “You have to make a wish on your eyelashes when they fall out.”

“No, I got that part,” Vernon snickers. “I just mean — why?”

“I—” you start to explain, but you fall short of an explanation and frown instead, biting the inside of your cheek. “… I don’t know. It’s just what you’re supposed to do. I’ve always done it.”

The downturn of your lips doesn’t last very long, though. 

“Well, what if it’s not an eyelash? What if it’s like… one of my eyebrows, or something?” He asks. 

It's such a simple but off-the-wall response that you can't help but laugh, except it comes on so suddenly you start to choke on your own saliva. One of his hands circles around you and rubs soothingly between your shoulder blades as you cough, succeeding in bringing him even closer and failing to lower the fever you’re starting to feel creep up on you. By some miracle, you don’t drop the lash, even as you hack pathetically into the crook of your elbow; Vernon waits for it to subside, a weirdly fond look on his face all the while.

Now, when you turn your head, he’s right there. In your space. His arm still around your back, the glint of the bar pierced through his brow drawing your attention up away from those smiling lips. 

“I guess it just doesn’t come true? I don’t know,” you say, shaking your head. “I’ve never tried wishing on an eyebrow before.”

“I’m just saying,” he starts, falling back against the cushions now he knows you’re not suffocating. His arm doesn’t move, though. If anything, he sort of pulls you with him. “What if it ends up like a reverse wish. Whatever I ask for, the opposite comes true, or something.”

“If you don’t want it, I’ll take it,” you say, starting to bring your finger closer to yourself. 

Quicker than you can blink, he reaches to you and lightly lays his fingers around your wrist, stopping you in your path.

“Wait,” he says, pouting a little. “I didn’t say that.”

Both of you glance down to this new point of contact. Two sets of lips stay parted but two identical breaths remain held, burning in both your lungs and in Vernon’s. His gaze shifts back up to your face, eyes wide and wholly serious and unblinking. 

“What do I do?” He asks on the eventual exhale. It reminds you to breathe again, too.

“Close your eyes.”

It takes him a second to obey, but he does. His eyes flutter closed and you clear your throat, lifting your finger until it’s just in front of his face. 

“Make a wish.”

A few seconds later, his brows relax and he nods. 

“Then… blow.”

His lips purse and he pushes a breath through them, lifting the stray lash off your skin and sending it out into the room. He opens his eyes, then, smiling in a manner that you can tell is absolutely despite himself. 

He doesn’t move away, and his cologne, fresh and citrusy, mixes tantalisingly with the sandalwood candle he lit on your way back to the couch a little while ago, both accented by the chewing gum he popped to get rid of the mocha aftertaste still lingering on his breath.

“What did you wish for?” You ask, dropping your hand back down to your side.

He frowns. 

“I don’t think I’m supposed to tell you,” he says. “Pretty sure that’s against like… wish laws, or something.”

“Boring,” you chide, slumping your shoulders, but he just grins at you, darting his tongue out over his lips.

Out of the corner of your eye, you see his Adam’s apple bob in a thick swallow and you can feel the gentle brushing of his thumb. The slow movements, up and down over the exposed area on your hip where your shirt has started to ride up, make you shiver, and you know your chest stutters when his fingers move to press wholly against your bare skin. You know he notices, because he does it again. And again, and again. 

It's maddening. You end up stuck in this never-ending feeling of falling head-first into his arms.

“Where do you think the laws stand on showing you, though?” He asks, inching a little closer.

You hold your breath, little more than anticipatory static flooding your brain. 

“I think they’re okay with it.”

You mirror, slowly, hooked in the gaze that has adrenaline dripping down the length of your spine like honey, and you can’t bring yourself to look away until you can practically taste him. He closes the space between you in half speed, but gently, like you’re both made of tissue, he brings his thumb and forefinger to your chin and touches his lips to yours. His nose presses against your cheek. 

It’s comfortable. It’s warm. It’s easy, it’s exhilarating, it’s perfect. You feel like your heart just might burst clean out of your chest—

But… you can’t.  

“I’m so sorry,” you gasp, tugging yourself away and clamping your hands over your mouth. “Shit — I’m-… I’m sorry.”

Out of nowhere, you’re fighting to catch a breath, head spinning in circles, and no longer in the good way. Have those beers finally come back to bite you in the ass? Or, deeper down, do you know your sudden intoxication isn’t alcohol related at all? Vernon shoots back from you like you’ve gone up in flames and he might catch, too — his eyes search your face as you scramble to get to your feet, and he looks… scared. 

“Are you okay?” He asks. You don’t respond right away, already looking around the apartment for where you left your shoes, already trying to locate your bag too. (As you try to swim towards the surface, you forget that it wasn’t you who still had hold of it when you came through the door and placed it on the loveseat back in the living room.) “Hey… is everything-…?”

“I’m fine,” you interrupt. You’re not. “I just-… I remembered-… I have to go.” 

You catch sight of your shoes, hidden behind the ones Vernon kicked off just after you, and you hurry across the apartment to get to them. 

No bag. Where’s your bag? Where did you leave it? But… ah, your keys are in one back pocket and your phone is in the other and maybe it’s not the end of the world if you never see that lipstick again—

“It’s really late,” Vernon says as you bend down to re-tie one of your laces, hovering just a few steps behind you. “Are you gonna be okay to get home?”

“I’ll be fine,” you rush. “I’ll get a cab.”

“Well, at least let me wait with you until it—”

“I said I’m fine,” you insist, you snap, only now looking up at him again. He tenses, but his eyes stay soft. It’s not in the same way you’ve seen them all night, though. Not in a nice way. Not glittering and full of intrigue. No. He’s hurt. And like a wounded animal, he takes several stiff, unsure steps back away from you, swallowing hard and looking anywhere, everywhere else. 

“I’m fine,” you say again, trying to sound a little quieter, a little calmer.  Even if that is miles away from the truth. 

“Okay,” he says, unconvinced and wringing his hands in front of his stomach. “If-… I’m sorry if that was-… I didn’t mean to make you-…”

You shake your head, standing back up to your full height, but you don’t close the gap between you. You don’t reach out to him, even though you want to. You just have to blindly hope he can read your mind somehow — there’s no way to explain it quickly enough without leaving you both in a mess, and right now... 

“Hey,” you say, forcing him to look at you once more. “It’s not-… it isn’t you. I just have to go, okay?”

He doesn’t seem overly reassured by this, but he nods anyway. “Can-… you text me when you get home?” He asks. Then, hurried: “Just so I know you’re back safe. That’s all.” 

You swallow hard. 

“Yeah,” you say on an outward breath, cringing at how exasperated it sounds. You don’t mean it to — you’re really not mad at him. “I will. I’ll message you.”

Biting the inside of his bottom lip, Vernon takes another step back. He doesn’t say anything else, just shoves his hands as far into the pockets of his jeans as he can and watches you. 

“I’ll message you,” you repeat, opening the door, speaking more to yourself than to him. “I promise.” 

Then, you’re stumbling out into his hallway. Hurrying down the too-narrow staircase. Leaning your back against the brickwork outside, a light drizzle of rain splashing all over your bare arms. The stone prickles through your t-shirt as you slide down, as you feebly try to suck thick, damp air into your lungs, as your head starts to ache, as a dull throb starts to reside behind your eyes. 

It takes ten minutes of staring into the empty road in front of you before you feel steady enough to attempt to wrestle your phone out of your pocket. No matter how many buttons you press, no matter how many times you tap it, the screen refuses to come to life and you only now manage to recall the ‘low battery’ notification that came through several hours ago. Briefly, it crosses your mind to go back upstairs and ask if you can request a ride on Vernon’s phone. You know he’d say yes. Hell, he’d probably throw a blanket over your shivering shoulders and fix you another cup of coffee while you waited, too. But you can’t. The look on his face as you slid out his front door is burned into your memory like a brand and there surely couldn’t be anything worse than having to go back in there and face him like this.

Five more minutes pass before you find the energy to stand, to stretch out your bunched up muscles, and start on the walk home. Another thirty until you’re trudging, sodden and blurry eyed and heavy-hearted, through your apartment door. Three and a half after that before you finally manage to text Vernon to say your phone died, but you’re back, you’re safe. That you’re sorry. 

Barely ten seconds tick by before it pops up that he reads your message. (Followed by ninety seconds of staring down at the bubble that says he’s typing, waiting for a reply that ultimately doesn’t come.)

And four hours later, you’re still wide awake, lying under your covers, staring blankly up at the ceiling. You think you ought to be giddy, squirming, hiding your smile in your pillow — that’s how first kisses are supposed to make you feel. Isn’t it? Alas, you’re flooded instead with visions of the last time a first kiss felt like it made this much sense; in place of all the endorphins you’re sure should be ricocheting off every inner surface of your brain, all you know is heartache and dread. 

So you stare, and you stare, and you keep on staring; even when your eyes start to burn, you stare a little more. 

thank u so much for reading, i hope you enjoyed it! as always, likes, reblogs, comments & feedback are so so appreciated. parts 2 and 3 are very nearly finished, as well, so stay tuned.<3

[prying-pandora666]

Tale as Old as Time…

Bryke: Netflix created a hostile work environment so we left. What they’re making isn’t ATLA.

Ehasz: I reached out to Netflix to help with writing but they ghosted me and didn’t invite me to the premiere despite Kim’s best efforts. Every Recognized Cherokee Nation: Netflix disrespected our sovereignty by casting a registered member of a “pretendian” scam tribe which lets you pay to pretend you’re Cherokee regardless of whether you are or not, to facilitate the stealing of resources set aside to help disadvantaged indigenous people. Netflix responded by launching an aggressive propaganda campaign to misrepresent our objections as “just some Twitter user with no proof”. NATLA Apologists: Season 1 was really good! You guys just wanted a 1:1 remake! They did the best they could! Some things about NATLA are better than the original, even! Fans are just whining! Bryke only left to make Avatar Studios - ignore their angry parting statements about Netflix stifling creativity! Ousley is LITERALLY Sokka-coded and anyone who shares the Cherokee Nations’ objections are haters! Ignore that they brown-faced him with darker makeup! The only problem was too few episodes! The next two seasons will be even better and then haters will eat their words! I believe in Kim’s vision!

Albert Kim: I did what I was hired to do. I’m moving on and have no desire to show run two more seasons of this.

Netflix:

We told you.

Corporate cash-grab.

You’ll get the show you asked for.

[see-arcane]

The Vampyres--The Bones and Blood of the Book

Good news! I’m not dead and the book isn’t either! Just shambling slowly through the wasteland of the publication process. It’s been a bit since I last waved this bloody morsel around. So, consider this a progress report on the state of the novella, the prospective publishing options, and a few other questions that have been bouncing around in the inbox.

EDIT:

I have a website now! For some reason.

It's See Arcane Scribbles.

Smaller Edit:

Got a Spotify too for story soundtrack goodness:

COVERS

First things first—and the first part of a finished book is the cover. Here are some mockups I’ve been juggling, starting with the original placeholder. They’re far from perfect, but I’m proud of what I managed with a fairly skinny graphic art skill set.

FINISHING, FORMAT, AND FINANCE*

*(OR, THE HEADACHENING)

Copyright: Technically speaking, you have the copyright to your own writing once you put it to paper or screen. But this is somehow a different thing from a legally-binding registered copyright, which everyone declares is a must-have if you want your work to be protected with more than a non-textual trust-fall exercise, hoping nobody steals your work and runs.

That said, electronic registration with the copyright office is $65, or $45 to register one work by one author.

ISBN: I only recently learned the words behind this acronym. ‘International Standard Book Number.’ It’s the ID on a book that marks it as unique and helps commercial booksellers and libraries circulate it. Each iteration of a book—paperback, digital, hardcover, new editions, et cetera—has its own ISBN. When you’re publishing on your own, you purchase ISBNs through a service called Bowker.

One book/version’s ISBN costs $125.

There are better bargains the higher the number of books and/or versions you go, starting at a bulk of 10 books for $295. But as I only have the one (1) skinny novella on the table, that’s a no-go. Which begs the question of how many ISBNs are in store for this little monster. It depends on how many formats I go with.

eBook: The quickest and most cost-efficient option across the board for any self-publication service. Short, sweet, no printing pains of trim sizes or distribution costs or formatting, oh my. Nice.

Paperback VS Hardcover: …But I am now and forever a sucker for physical media. Even though it’s a teeny brochure of a thing, I want to hold a physical copy of The Vampyres in my hands! So bad! And every service I’ve looked through has stated the obvious: Hardcover costs more than paperback. My heart won’t break if I have to stick with paperback to spare everyone’s wallets—hardcovers are pricy in both directions!—but I am a little torn. Especially as physical size might affect the price too.

Here we have two of my favorite quick reads, an anthology of Poe stories and Clive Barker’s novella, The Hellbound Heart.

The Poe book is a clothbound hardcover. 6.5 x 4.5 inches, a bit over 120 pages.

The Hellbound Heart is roughly 8 x 5 inches (about standard for a novella), at 164 pages. But unlike Poe, it looks like Barker took some liberties with the spacing and font size.

Standard size dimensions cost less than unique cuts, which means that whether paperback or hardcover, I sadly have to say goodbye to the petite palm-sized edition I was hoping for. On the upside, good news to us crap-vision readers—the font’s going to get H U G E in order to make the book more than a pamphlet with delusions of grandeur.

Audiobook: The fact is, my voice is not up to the task of reciting anything with appropriate gravitas and I think we’ve all been spoiled by @re-dracula and assorted other podcasts’ skill in orating. I don’t have the cash to hire a professional and I’m not about to accept anyone’s freebie offers. I won’t pickpocket friends for their talent. If an audio version ever comes along for any story of mine it’ll be down the road when it proves worth the format’s effort and cost.

REVIEWS (and a Foreword!)

It was the best of times (People reading the thing! Commenting on the thing! Good good good—), it was the worst of times (The Mortifying Ordeal of People Reading and Commenting on the Thing). Time for what every advice site declares a book absolutely must have the moment it’s thrust into the wild.

Reviews, reviews, reviews.

I’ve already bitten several bullets and passed copies out to a handful of fellow scribblers to scrutinize, their reviews destined to be hung up like literary gold stars on their bookselling site of choice, my own included. Now comes my preliminary grovel to readers en masse to please drop a review, a comment, a blurb of any shape or size where you can once The Vampyres drops. I’ve already gotten some early comments that have consisted mostly of screaming. Screams also count as a review.

As an aside, there are two folks in particular who I reached out to who exist in the stratosphere of Coolest People in the Vampiric Lit scene. They promptly exploded me into disbelieving giblets when they told me, yes, they’d be happy to read my little story and offer up a review and a foreword for the book respectively.

I’m not sure what the decorum here is, but for safety (and surprise’s) sake, I’ll not name names. But they are names I’ve been happy to come across for the past two years while neck deep in the undead book club. I’m infinitely grateful to both of them and am waiting on pins, needles, stakes and kukri blades by my inbox so I can pin their words up inside the book itself.

FUTURE SCRIBBLING

To get one of the biggest questions out of the way, let’s talk about Barking Harker.

My very own object lesson on sunk cost fallacy.

I wrote my way through a goddamn cinderblock of text without even grazing the finish line of the first section of the story. A story made of so many convoluted triple-decker layers of subplots and side characters that it had the structural integrity of a monolithic Nature Valley granola bar, just waiting to fall apart under its own weight. Such is the hubris and curse of too-many-words-itis. The Vampyres remains a miraculous fluke, jotted down during an overdue break from BH’s slog. Not just because I tripped and fell into finishing the story, but because it’s comparatively compact! Brevity at last!

For those still craving the assorted gothic and ghoulish promises of the initial novel idea, don’t worry, those aren’t going anywhere. I’ve just crumbled the metaphorical bloodstained granola by my own hand and have done the sane thing of parsing out the various subplots to become the foundations of their own stories. Which they really should have been from the get-go. Insert 100+ clown emojis here.

On that note, I am turning into WIPs Georg over here. Good god.

I hesitate to throw myself all-in again and make promises of X Story that may leave me spinning my mental wheels or ballooning the plot out into a behemoth that can’t be steered back on course. Even so, here’s a peek at a few ideas I currently have on the brain.

So.

Not exactly lacking for stories. It’s just a matter of seeing which of them breaks ahead of the herd and squeezes out into the publication ether first.

LAST BIT  

Blah, blah, requisite reminder that I have a Ko-Fi where you can donate a buck or commission my best attempt at art, blah. Any pennies are a help.

But I’m betting very few of you came around here for my doodles. Somehow, a good amount of people tripped into this pit with me because you enjoy the rambles and horrors I’ve written over the years. Maybe some of you will even buy my book once it’s out. And you, there, on the other side of the screen—you’re reading this right now. You made it all the way to the bottom of this pile of exposition just because you wanted to. So, thank you.

Thank you for reading this far. Thank you for reading before and reading what’s to come. Thank you for giving me the confidence to even consider shouldering my own work out into the wider world.

Thank you.

P.S. If you want to re-read the preview, go here!

[ongaku-ato-kakikomi]

I have an imagie idea for Joe Goldberg. So imagine the reader likes Joe and works with him at Mooney's and he developes a soft spot for her and teaches her how to repair the old books down there. And it isn't uncommon for her to go down there on her own to do that herself.

You give out a long sigh as you walk toward Ethan standing behind the cash register, and you drop your arms and head on the counter as soon as you arrive. Ethan gives out a chuckle as he observes your melodramatic act.

“Let me guess. One of too many customers asked you one of too many dumb questions?”

“No, there’s barely anyone in here.” You give out another sigh and look up at him with desperation. “I’m just so bored.”

“Well, you can always re-stack the shelves.” Your friend and coworker speaks as he counts the money in the cash register, his eyes sometimes looking up so he can send a smile when a new customer walks in. “We got a few new boxes in this morning.”

“But my arms are so sore.”

Ethan gives out a small smile. “Oh, really?”

“Yes, really. They hurt so bad. Actually, I think I might need to ampute them.” Your comment only manages to bring a chuckle out of Ethan, then you notice something from the corner of your eyes, and a spark of curiosity appears in your eyes. “Hey, what’s that?”

You point at a small pile of wrapped books on the far edge of the counter.

“Oh, a client dropped these earlier. They’re old books that need some restoration.” Ethan continues to count the cash, humming a familiar song in-between his words. “I’ve been planning to tell Joe as soon as he comes back from his errands.”

“What? No, forget Joe.” You rapidly grab the pile of books, a wide smile taking over your lips. “I’m gonna go downstairs and take care of these myself.”

“Um...” Ethan gives you a look of hesitance. “I’m not sure you should do that.”

“Aw, come on, Ethan.” You give him a pout, batting your eyes. “You know Joe trusts me to do these. He even said I’m doing a better job than he is.”

He bites his bottom lip, still unsure. “Yeah, I’m not saying you aren’t good, but he’s given us straight orders not to go down there for a week now.”

You point at the half empty store with your head, your voice lowering to a whisper. “Whatever’s down there isn’t worth this deadly boredom up here.”

“(Y/N).” Ethan calls out your name as you walk away, his voice coming out a bit more panicky when you ignore him. “(Y/N)!”

“Relax! Joe won’t mind, I’m sure.” You unlock the door to the basement, then send your friend a wink. “Call me if there’s an emergency.”

You open the door and close it behind you before Ethan can say anything else, your feet already making you walk down the stairs as you hum a song. It doesn’t take long for you to reach the main area of the basement where the rare books are, your mind settled on getting to the restoration table. Although, a putrid smell brings your pace to an abrupt stop, and you frown in both disgust and confusion. Curious of the origin of the smell, you turn your head toward the glass cage on your left, internally wondering if you should adjust its humidity levels.

You drop the books on the floor the moment your eyes settle on the body decaying in there.

- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -

“Hey, Ethan.” Joe smiles as he walks into the shop; although, his smile slightly falters when he notices his friend jumping up at the sound of his voice. “Whoa. You’re okay? You seem nervous.”

“Ah...” Ethan’s fingers fidget with the cash register for a moment, trying his best to focus on finishing his counting task. “No... No, I’m good! Great even!”

Joe quirks an eyebrow at that, thinking that this kind of behavior could only mean one thing, and he crosses his arms over the counter with a grin.

“So, what did (Y/N) do?” He stares intently at his friend, his head slightly tilting. “Tell me the truth.”

Ethan’s eyes quickly shift toward the basement door, but Joe immediately catches onto it. 

“No...” His heart sink with fear as he realizes what you’ve done, and Ethan doesn’t have time to reply anything that Joe’s already running to get downstairs. “No, no, no!”

- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -

Bitter vomit pours out of your mouth to splash in the trash can you barely managed to grab, violent trembles taking over your body soon enough. The image of the body’s glazed white eyes staring back into your soul sticks into your mind, and it only worsens your sickness. You breathe sharply the moment you stop throwing up, using your sleeve to wipe off your mouth as you take another look at the cage. Whoever this body used to be, you can tell he’s been trapped in there for a while, his decaying skin looking like a gooey moldy paste. You can see some dry white foam around what used to be his mouth, and it doesn’t take you more than a few neurons to realize that he was poisoned.

And that Joe killed him.

“Oh my God...” You cry out those words as you stand up, your legs shaking as you try to run back to the stairs. “Oh my God, Ethan! Ethan, we have to call the police...!”

The door opens before you reach the top of the stairs, and your heart drops when you realize that it’s not Ethan who’s standing up there.

It’s Joe.

“... (Y/N).” Joe whispers that name as soon as he sees you standing down there with a look of terror on your face, his hands already closing and locking the door behind him. “(Y/N), please, let me explain. I... I can explain-(Y/N)!”

You don’t waste a second to run back down, your mind now focused on finding the basement exit to reach the alleyway. Tears fall out of your eyes when you hear Joe run down behind you, screaming your name out of desperation.

“(Y/N), wait! Wait!”

He manages to grab the back of your shirt and pulls you back.

“No!” You scream as loud as you can the moment you feel his arms wrap around your body, hoping Ethan would be able to hear you as you try to kick yourself out of Joe’s grip. “No, no, no, let me go!”

“I’m sorry...” Joe whispers those words into your ears, struggling to wrap one of his arms around your neck. “You weren’t supposed to see that...”

You gasp for air when you feel his arm squeezing your neck, your hands desperately scratching at his skin to stop him. “Let... me go...!”

“I can’t do that.” He puts more pressure on your neck, making you moan in pain as you give out raspy shot breaths. “I’m so sorry.”

I’m gonna die. You think, your movements slowing down as your vision blacken. He’s going to kill me.

Joe frees your neck the moment your arms fall victim to gravity, and he gently lays you on the floor. His eyes fill up with tears when he sees your unconscious face and the red marks around your neck.

“I’ll fix this.” He presses a gentle kiss on your forehead, his mind already racing to find a solution that would save you from himself. “I promise you I’ll fix this.”

In the meantime, he’ll have to keep you down here. 

And hopefully Ethan won’t question his excuses.

[solarisfortuneia]

— 𝐠𝐫𝐨𝐜𝐞𝐫𝐲 𝐥𝐞𝐬𝐬𝐨𝐧𝐬.

diluc is hopeless with grocery shopping. luckily, a kind stranger is more than willing to step in and help.

✦ info: diluc has no idea what he's doing and neither does the author, modern au, strangers to lovers kinda, possibility of ooc-ness, grammar mistakes may be present, there is absolutely no logic here, 2k+ words.

✦ warnings: none.

✦ notes: well, it's this fic again! thought i'd repost it because i'm in the middle of working on a sequel. though with my time management please don't expect it to be posted anytime soon lmao (and don't worry! i still have the original taglist saved.)

would it be far fetched to call grocery shopping an art? and to call one able to navigate the labyrinthine aisles efficiently nothing short of a master? 

perhaps it would be. 

though, if it was an art, you'd be but a mediocre artist. not horribly unskilled, but no one would be in awe of your nonexistent prowess at brandishing coupons at cash registers. 

you shake your thoughts away. what are you thinking? who made you so eloquent in the middle of aisle seven? you ask yourself, gaze scanning the various items on the shelves. focus on your groceries, dummy.

okay, let's see, now. you stop in the middle of the condiments aisle, recollecting the items you need.  ah yes, ketchup and mayo. hmm, where would they be? 

aha! you see two familiar bottles on the second shelf, and you carefully place them in your cart. a glass jar with a green label and a red lid catches your eye. chili paste? you consider your potential purchase. eh, i'll get it. it's on sale.   

now, let's get some rice.

you round the corner to get to the grain aisle when you see a man, clad in a brown coat and incredibly polished shoes, with hair so red you'd think his head was on fire, just. glaring. at a bag of rice. you sneak a glance at him, wondering if the rice had wronged him in some manner.

deciding to ignore him, you pick up a five kilogram bag, then heave it into your trolley. and as you prepare to push it with the extra weight, you spy the man picking up the exact same bag, brand, weight and all. huh.

thinking nothing of it, you continue on your merry way, hoping to get your shopping done as quickly as possible, assuming that it'd be the last you'd ever see of the man.

but it appears fate had other plans. you spot him once again in the canned foods aisle, glaring at another innocent, harmless grocery item. the victim this time, you ask? a can of baked beans. 

you throw another sideways look at him, lightly tapping the pads of your fingers against the handles of your trolley. who even is this guy? you silently watch as he picks up the same brand you've put in your cart moments before. ah, he was probably just confused.

however, you’re still a little concerned about the man. does a grown man truly not know what he's doing in a grocery store? you scan the shelves for a random item, and your eyes land on a can of baby food. a light bulb goes off in your head, and you decide to test something. quickly, you grab two of them.

you open your mouth the second after he moves to get the same thing. “can i help you, sir?” he freezes at the sound of your voice, hand halfway between his body and the shelf with the exact thing you just picked up, baby food in hand. you raise an eyebrow, "are you aware of what you're buying?" 

he sheepishly rakes his hand through his hair and shakes his head. "i'm afraid i'm not." he clears his throat, color beginning to creep up his neck. 

you grin at him. “check the label on the can.” you watch as this giant of a man turns the can around, and slowly turns into a human stop sign with the way his face blazes. you know you probably shouldn’t find the sight of the man with such an intimidating expression turning to a flustered mess so adorable. 

“my apologies,” he clears his throat again, then rubs the back of his neck, eyes averted. “i’ve never been shopping before.” he sets the can back, refusing to meet your eyes.

“oh, don't tell me.” you tease, lightheartedly. “is it a case of a rich boy living on his own for the first time, without anyone to do things for him?”

the look on his face answers for him. his eyebrows nearly climb to his hairline, and he blinks. you laugh, incredibly surprised at your assumption being true. “in that case, let me help.” you hold out your hand, taking pity on the man. “do you have a list?”

he fishes out a hastily scribbled list from the depths of one of his coat pockets that simply says bread, milk. 

sigh. “it seems i have my work cut out for me.” you take a gander at the items in his cart and spot the rice, the beans, along with three varieties of bread and a two liter bottle of milk. well, at least he got the items on his list.

you pick up the bottle, skimming over the other details to find the production and expiry dates. “just out of curiosity, did you check the dates on the milk?” 

he slowly shakes his head. “i figured as much.” you gesture to the numbers, and motion for him to take a look. “this expires in two days. i doubt you’ll be able to finish the whole thing by then, so you should probably find a bottle with a more recent production date.”

—

if there ever was a god of grocery shopping, diluc ragnvindr would be the bane of his existence. 

why were these stupid stores so confusing? why were there so many brands of everything? why in the hell were there so many types of oranges? and these trolleys, good lord. just why were they so difficult to maneuver?

all the aisles blend into each other, and all diluc can do is stare emptily at each product he finds, unable to make a decision. 

he'd have better luck finding his way around if he was randomly dropped in a venetian calle.

diluc has no idea what he's doing— in the store, at home, even in life. 

living on his own for the first time since his dad passed away, in an apartment much tinier than the lavish mansion he was used to, struggling to keep his head above water, the young ragnvindr only knew ingredients once they'd been taken home and properly organized in containers and shelves. 

he'd rather the world not see him fumbling, though. so he decides to do the only logical thing one can do in his situation. he picks a person and does exactly what they do. 

after all, when one is in rome, do they not do as the romans do?

in hindsight, he should've just researched online. he should have decided his purchases earlier. or ordered the damn groceries online. because then he'd be able to avoid the embarrassment of being tricked with a can of baby food. 

baby food, of all things! why couldn't it be something a little more dignified? 

he watches you quickly replace the offending item on the shelves and push your cart in another direction before he could react. “come on, then. off to the dairy section we go.”

not wanting to be left behind in this headache inducing location, he hurriedly pushes his trolley too in an attempt to keep up with you. kaeya would never let me live that down, he thinks as he does. 

with a pang, he shoves down the memory of his brother as far and as deep as he can, choosing to focus on the present, lest he end up in another spiral.

you lead him to milk he was supposed to get, and he watches you carefully as you examine the dates on the bottles for him. moments later, you beckon him close with a curl of your palm. leaning slightly, he peers over your shoulder. 

“always try to get the one most recently produced,” you tell him, and he nods. he follows the movement of your finger tapping your chin, clearly pondering. his gaze travels a bit higher, and as he sees your lips move, he realizes that he completely missed what you were saying.

“pardon?” he stumbles ungracefully on the initial sound. 

“what's your favorite fruit?” you repeat. “that'll be first on our list on what to get for you.”

his favorite fruit? he didn't think he had one. “peaches,” he blurts, finding himself unwilling to disappoint you with his lack of proper response, his eyes falling on a peach milkshake drink. 

his ears note your change in tone, voice turning excited. “oh, they're one of my favorites too!” warmth engulfs his gloved hand and he finds himself being dragged to the produce section. 

“what about the trolleys?” he asks, mind still reeling from the sudden hand grabbing on your part.

you wave off his concerns. “oh, they'll be fine parked to the side.” you all but drag him to the peach display. “now, pay close attention, okay?”

as if he needed you to tell him that. “i'm listening,” he says. 

you pick up a peach with bruising. “when you're sorting through peaches, look for the ones with no blemishes. they don't spoil as fast. same with apples and pears and such.” now this, he knew. but he still nods along, a picture-perfect student. he sees your eyes and wonders how anyone's could be so gorgeous.

later, he dutifully nods a little more as you explain the specifics of choosing potatoes. 

“the potatoes should be firm, and there should be no signs of green,” 

should he be taking notes? he stamps the involuntary urge to hunt for a notepad in one of his pockets down, deciding he did not want to embarrass himself any more in front of you.

you seemed to glow even under the unflattering light around you, hair lit by it as you tell him about how to look for the right cauliflowers and broccoli. 

how could someone look so ethereal while standing next to onions? 

diluc ragnvindr. get. a. grip. they're only talking about vegetables. 

you ask him to tell you the price of the eggs while you sort through carrots for both him and yourself. he walks over a couple of yards, carefully examines the label and returns to report the number. 

“that much?!” you eyes widen. “my goodness, that should be considered robbery!”

...was it? he thought it was a reasonable price for a carton of eggs. still, he blindly agrees. you smile, having caught on to the fact that he had no idea what the price should be, and he can't help the pride that spreads its wings in his heart. (though he probably shouldn't be, considering why you smiled, he was glad that he was the cause of it.) 

the rest of the shopping goes in a similar manner. you tell him things. he nods, he observes another one of your features, then notes down whatever you tell him mentally. 

by the time you reach check out, both of your trolleys are filled with the exact same items in the exact same quantities. except for two items in his cart that he reached for out of instinct when he saw them on the shelf: a chocolate his brother liked, and a snack his father used to eat often. 

he contemplates leaving them behind, but decides against it at the last minute just before the cashier scans them.

he sees you reach into your pockets for a wallet, and sees an opportunity to repay you for your help. 

he's quick to pull out his own and hands his card to the cashier before you can say a word.

“i insist,” he says, when you protest. “it is only fair i do this in return for you helping me,”

you sigh, giving him another one of the smiles he had started to adore. “alright, thank you.”

the two of you walk outside the store together. cool wind ruffles both of your hair. “well, i guess this is where we part ways,” you say with a laugh and a wave. he manages a soft smile in return. 

“farewell, then.” he watches you walk away, still standing at the entrance, shopping bags in hand. "dammit." he curses under his breath.

he'd forgotten to ask for your name.

[siriusleee]

a better year

a/n: i linked this one to ao3 a week or so ago, but i figured i'd do it now i'm procrastinating the next chapter to adamantine chains lmao this is my take on the bookstore au tags: mentions of sex but nothing explicit, cursing, signs of ptsd, , original female character, retirement from the military, bookstore au 6.7k words summary: He takes her shoes off of her while she insists she can do that herself. He slips the right one off when the fireworks go off outside; the entire town is bathed in their light. "Midnight," she says as Simon rises up on one knee in front of her, ready to tell her goodbye and good night. She kisses him over the mask. She doesn't mention it the next day.

The official order rolled in on plain white paper, an unceremonious carrier of his future. He was the first to go: a sign that the team was being unraveled slowly. After all, they're not young men anymore. 

"You'll receive your pension; it's enough that you shouldn't have to work again. And we've made sure that you have an official background. It's not much, but it's what we can do."

Laswell doesn't move her eyes from his, her fingers clutching a pen so hard her knuckles are white. 

"It's for the best Simon," she says, setting the pen down carefully on her desk, "and if it makes you feel better: everyone will be released soon. I'm sorry."

He's not dumb; he knows these things only last so long. Forced retirement is something to be celebrated - celebrated that he lived long enough to have one, celebrated that his body isn't rotting in some foreign country, a home for worms. Celebrated that the 141 made it out mostly intact. Mostly together. 

Johnny claps him on the back and promises that when Laswell brings him that paper when Johnny gets his own forced retirement, he'll come to find Simon. 

Simon doesn't stay in England - he doesn't like the way the gray settles around him. He leaves the apartment Laswell set up for him untouched, a note for Johnny for where to find him. 

He finds a small house to rent somewhere in the American Southwest, spitting distance of Alejandro's territory. It crosses his mind more than once to make the trip across the border, to see how Alejandro's doing; to see if Rudy is still scared of fantasmas . 

But he isn't a fantasma anymore; he's just Simon Riley.

And it's just Simon Riley who paces the aisles of her bookstore, trying to find something to take his mind off of the fact that he is utterly and completely bored. 

"This is the third time you've been here this month. I'm not putting you into debt am I?"

Her accent is different from everyone else's in town - still decidedly American, just not from here American. Simon ignores her, his eyes focused on the row of books in front of him. She sighs heavily, but drops it, leaving him behind to stock the end cap. Last week's murder mysteries replaced by this week's contemporary romances. 

"I need to lock up you know - I can't stay here all night." She speaks as if it's not odd that Simon only comes in on Thursday nights - the only night of the week she stays open late to rearrange the end cap displays, to vacuum the floors to perfection. 

"You haven't even cleaned the windows yet," Simon replies, pulling a fantasy book from the shelf: something about a world full of malicious fairies and a secret world beneath New York. It's something new. 

"For your information, I did that before you got here," she says, pushing herself up from the floor with a groan. "And I have a life. I can't sit here all night and wait for you to pick a random book off the shelf."

"I never said you didn't."

Simon places the book as she dips behind the counter, a lukewarm cup of coffee left beside the cash register. She drinks from it, wincing at the taste as she rings the book up.

"That'll be seventeen forty-five."

Simon gives her a twenty and she breaks the change, counting out how many pennies he's supposed to have on her fingers. 

"You going to be back next week?"

"Why?"

"I want to close early next Thursday; I need to know if my best customer is going to be here or not."

Simon doesn't speak as he takes the plastic bag from her hands. She waits for him, eyes never leaving his as she sips her coffee, waiting on him to answer. 

"I can come by Friday instead."

"I'm closed Fridays."

"What about Wednesday?"

"I can stay late Wednesday."

He leaves her with just a crinkle of the plastic bag and the chime above the door.

***

He spends too much time at the gym ignoring Johnny's text messages. Johnny tells him Price was next - swearing that he was going to retire to the countryside where he can smoke his cigars in peace. Maybe find himself a nice girl to cook him dinner every now and then.

His fingers hover over the buttons, almost messaging Price to tell him congratulations. But Simon's not sure it really is. 

He's alone at night; no one's in the gym at two in the morning. No one's there to watch the way he slams the weights down when he's done or hear the way he gasps for breath after lifting too heavy - the tear in his chest that never quite healed right burning him from the inside. 

The walk home is quick; the stars shine brighter than anything he'd ever seen in England. The closest he ever got to seeing them like this was in the Middle East, but he hardly noticed the stars then. He wasn't expecting to be left looking up.

He sits in the shower at home. He can't stand the way the water hits his skin, but can't stand the idea of sitting in the water either. So he stays huddled in the corner of the bathtub, the water barely touching him. 

Simon Riley thinks about death. 

He thinks about what would happen if he died right now. 

He thinks about what it's like to die twice. 

***

The door is locked when he comes by Wednesday; he feels foolish standing there with his hand still pulling on the door, knowing it won't open beneath his touch. Foolish to think that she would-

Foolish when his heart ticks a beat as she comes around the corner. Foolish when he steps inside just a second after she unlocks the door.

"Sorry, my last employee must have locked the door on their way out. So did you like last week's book?"

"It was alright."

The silence is almost awkward as she locks the door behind him.

"Let me know when you're ready. I just made coffee in that pot behind the counter; you can have some if you want. I shouldn't drink it all myself."

She leaves him behind to disappear into the store room. He paces the aisles aimlessly, waiting for something to jump out at him. It's quiet tonight; the music that's usually playing softly over the speakers is absent. Simon can hear her through the storeroom wall moving boxes around, the sound of a box cutter piercing the quiet every so often. 

She reappears, a box in her arms that she drops heavily onto the counter. Simon watches her over the bookshelf of non-fiction works as she pulls each book out, scans it into the computer, and stacks them on the counter 

When the box is empty, she breaks it down and leaves it on the counter. She looks up, almost catching Simon staring at her. He ducks away, taking a book on the Korean War with him. At the counter, she can barely see him over the stack of books in front of her. 

"Last week was fantasy and this week is the Korean War? You certainly have varied tastes."

Simon hands over the fifteen twenty-two he owes her, her hands linger in the distance between them. 

"Do you have a job?"

"What?"

Simon's taken aback at her candor. I used to have a job he thinks, as he pockets his change. 

"No, I don't."

"Do you want one? I need a weekend worker. It's just me on Saturdays and Sundays now my other guy quit to go to college. I can't pay you a ton, but I kind of get the feeling you don't need it."

He falters for a moment; that's all it takes. If he's being honest with himself, he misses taking orders, missing feeling useful to someone.

"I can do that." 

"Can you start this Saturday?"

"I can do that."

She's locked the door behind him before he realizes they don't even know each other's names. 

***

Her name's Billy.

"What's your name; I probably should have asked that before I hired you."

Simon doesn't answer, placing the box down slowly before he answers. It's odd, telling someone his name. His real name. 

"It's Simon. Simon Riley."

She looks him over, elbows resting on the counter. 

"What?"' He asks, uncomfortable under her x-ray analysis of him.

"Just didn't peg you for a Simon. You know with your general countenance; the mask and all that."

She doesn't ask why he has the mask on. Simon gets the feeling that she never will. 

She works him like a dog; he's moving some of the shelves around when he thinks that this is probably the reason her last employee quit. It's like being ordered around by Price again, but this time his enemy is the dust. He doesn't stop moving until well after noon; sweat gathering in the small of his back. In her office, Billy is on the phone, yelling indistinctly at the person on the other line.

He doesn't have to watch her to know she's angry when she slams the phone down. He expects her to storm out of her office, to slam the door shut behind her. But she doesn't. When she comes out she's calm.

On Sunday she shows him how the books are organized, and she has him switch around the genres.

"Romance sells best during the spring, and mystery best in the fall and winter. So we need to pull the mystery books up to this front aisle and move the romance towards the back. These shelves roll so they're easier to move."

She's meticulous; Simon moves the same shelf four times before it's lined up exactly where she wants it. His constellation prize: cash wages handed to him at the end of the day.

"No paycheck?"

Her nails tap against the counter, the white paint chipped.

"I haven't processed your paperwork yet. I can take the money back if you want."

Simon pockets it.

They lock up together. It's warm outside, but she still tugs a hoodie over herself whenever she finishes, tucking her keys into the pocket.

It's a complete coincidence that they set off in the same direction. 

Simon wants a cigarette; his fingers itch for the pack in his pocket. But she'd said earlier in the day that the smell was disgusting and she couldn't breathe whenever someone with cigarette smoke on them passed her by.

They split up two blocks away from the bookstore. She motions up to the upstairs apartment of a shitty duplex. It's not the kind of place he expected her to be in.

"This is me. I'll see you next Saturday right?"

"I'll be there."

"Good night Simon."

She doesn't wait for him to say anything; not that he would have known what to say. She's up the stairs and inside (she didn't unlock the door; he has to restrain himself from going upstairs to tell her to lock it next time) before he can think of anything to say.

He smokes a cigarette at the bottom of her stairs; watches the outline of her against the curtains in her window. A fat black cat peers down at him, peers down at the cherry of Simon's cigarette in the darkness. The street lamp is burnt out, the shadows dark. He stubs the cigarette out on the sole of his boot and throws the cigarette butt out in the street. 

He's almost certain she'd chide him for that - the same way she did a kid who had the audacity to throw a cigarette down in front of her shop. 

His apartment is extra cold when he gets home.

***

"Maybe Price has it right: a life in the countryside. A pretty girl to cook you a few meals. Maybe a dog to curl up at your feet," Johnny drones on the other end of the line. Simon doesn't answer, his focus on cutting the potatoes in front of him into meticulous cubes. Johnny doesn't need him to speak. 

"What about you L.T.? What have you been up to?"

"I'm not a lieutenant anymore Johnny."

"You'll always be L.T. to me. And don't ignore the question."

Simon drops the potatoes into a pot, waiting on the answer to unstick from the back of his throat.

"Not much. I go to the gym a lot."

He doesn't tell Johnny how he has to break his gun down and put it back together three times each night before he can sleep.

"That it?"

"I'm working at a bookstore."

"A bookstore! A few months out and you're domesticated."

"Watch it, Johnny."

A pause.

"I have to go L.T.. Gaz is yelling at me."

Their goodbye is the silence that follows. 

***

Billy's arguing with a customer when he arrives Saturday morning.

"Listen, dude, I don't care what price you want to pay. This is my business and I set the prices. If you don't like it, you're not being forced to come here."

The customer drops it when Simon steps behind the counter. 

"I hate that guy," Billy tells him as she hands him a box cutter. "He comes in every week and tries to get me to lower my prices. It's a bookstore; I'm not getting rich off of this. I can't afford that. Anyway-" 

She sweeps her hair behind her shoulders. Simon catches a hint of a tattoo behind her right ear and a glint of cold chain disappearing beneath her shirt.

"Finals are coming up for the local community college so I had two different study groups book the tables in here today. They're usually pretty good, we just have to make sure to keep the coffee pot refilled for them because they'll drink it dry. It's $5 if they want coffee - per person don't let them try to swindle us - but they can refill it as much as they want."

Her fingers tap against the counter. Her nails are blue this week.

"If they ask about selling us their textbooks, tell them to come back next week. I have a shipment of children's books coming in - you can sign for it if I'm busy. Do I need to show you how to use the cash register or can you figure it out?"

"I can figure it out."

"Ok. The code is 4532. For now, do you mind breaking down the boxes in the back room and taking them to the dumpster? It's hard for me to reach to open up the dumpster lid."

She doesn't wait for him to answer before she disappears into the back room.

This Saturday is busy. 

Simon's about to snap at a kid who won't shut up about how the comic section is too small when Billy appears beside him. 

"I'll take over here Simon. There's lunch in the back room."

He's thankful for her in that moment.

He's more thankful when the storeroom shuts behind him and locks. The table has a small bag with his name written on it. A sandwich from the deli across the street and a bottle of water inside.

There are no tomatoes on the sandwich.

Just like he always orders it.

***

He smokes a cigarette again outside her apartment. But this time he tucks the butt back into the pack. He'll throw it away at home.

***

"I want to put a coffee shop in here," Billy tells him when the store is slow. She traces the right side of the store with her fingers.

"And I want to open the shop up earlier and stay open later."

"Why don't you?" Simon asks without looking up from his task of the day: putting 'half-priced' stickers on books that aren't selling well.

"I'm not making enough money. I have just enough to pay you and my weekday employee and the overhead cost of this place, plus pay myself. There's not any extra coming in. The bank-," she pauses, red nails scraping at a piece of tape on the counter, "the bank is willing to give me a loan on the coffee shop stuff - the machines and all that - but I don't have the money for the renovations. My contractor told me he'd have to build the cabinets, open up the drywall and put an extension on our water pipe. A water filter needs to be installed. It's just - it's just a lot."

She slides the stack of books he's already put stickers on off of the counter and into her arms.

"Maybe next year."

***

The next time Johnny calls, Simon can hear the strain in his voice. 

"It's my turn L.T.. Laswell said I failed the psychological and I can't stay."

"You going to keep good on your promise to come to be my annoying neighbor Johnny."

"Not yet. I want to go home to my mom for a little bit. Maybe next year L.T.."

"Next year's going to be a big year I guess," Simon says more to himself. 

"What's that L.T.?"

"Nothing Johnny. We should be happy we made it out."

Simon knows Johnny's not happy: not happy he never received the rank he wanted, not happy he has to go back home and take care of his mom again.

"You're right L.T.. I'll call you again when I'm home. How's the bookstore thing?"

"It's going alright. Bye, Johnny."

"Bye."

In the silence after the call, Simon thinks he should get a cat. Something to make the apartment less quiet; something to give him purpose when he's there.

Something that won't crawl all over him at the end of the day.

***

He needs something to do with his hands.

That's what he tells Billy when she arrives at the store on Saturday morning and Simon's ripping up a portion of the carpet, a stack of flooring waiting to be installed.

"So you have to do it when I'll have customers here?"

"Tell them it's a new addition; they'll be alright."

"I'm not paying you extra for this."

"I didn't ask you to."

Billy looks at him, one foot tapping a sharp staccato muffled by the carpet. 

"Fine."

She pauses for a moment, Simon's knife running down the carpet to separate it from the floor beneath. She picks up one of the pieces of flooring, turning it over in her hand.

"What is this?"

"It's vinyl. It's waterproof in case you spill something."

Billy drops the plank back onto the stack and leaves to unlock the front door.

Simon revels in the way his shoulders burn at the work, the way the rough concrete scratches his knuckles once everything is pulled off the floor and he has to start laying down the underflooring. He revels in the way his back cramps as he's bent over.

In the way he feels useful.

It takes him all day to get half the flooring down.

Billy doesn't speak to him about it, doesn't ask where he got the money from, or why he's suddenly doing free renovations on the place. 

Simon knows she appreciates it by the way she drops down his lunch - no tomatoes, just a water to drink- beside him without expecting a thank you. By the way, she chides the little kids who come over to ask him a million and one questions, he doesn't know how to answer and brushes them away from him. 

She catches him smoking in the back alley on his break. She's polite enough to turn back when she realizes he has his mask down and keeps her back turned to him.

"That shit's going to kill you."

"It can only hope." 

Simon can tell she's giving him a withering look at him from her position half inside the doorway.

"If you come in smelling like that cancerous poison I'm not going to talk to you for the rest of the day."

He must smell because she doesn't speak to him for the rest of the day, not even saying goodbye when they depart at her apartment.

Simon hides the cigarettes in a drawer when he gets home.

***

It's Price that reaches out to him first, a quick phone call, a holdover from their days in the field.

"Are you holding up?"

Not "how are you holding up?", but "are you holding up?" The difference between three letters is so vast Simon doesn't know how to cross it.

"I'm doing fine."

"Johnny told me you've got a job?"

"Just something to keep me occupied."

"Is that all you've got?"

"What more do I need?"

The receiver is filled with the sound of Price inhaling a cigar; Simon can almost smell him through the receiver.

"You're not Ghost anymore Simon. It takes more than that to survive this."

Survive this . As if this is the most dangerous mission Simon's ever been on as if being forcibly retired has some sort of great mortality rate. 

"Understood."

He listens to Price's dial tone for five minutes before he hangs up.

Maybe it does.

***

He paces the town at night. Once the gym doesn't become enough to wear him out, doesn't help his brain relax, he walks the streets. 

He thinks more than once that someone is going to call the cops on him and report him for being suspicious. 

But Simon Riley isn't Ghost anymore. Simon Riley is someone not worth noticing. 

It's almost surprising how well the little town sleeps with the remnants of Ghost stalking through it; how now one seems to have any idea of what he was once - and still is - capable of.

He steals a lot of time sitting on people's steps, on the stoops of little houses, picking the petals off of the flowers in big pots, and lining up the shoes and toys that were left disarrayed in the chaos of the daytime. He wonders if someone is going to catch him on their security camera and name him the town freak, but no one does.

He keeps up at it enough that he can feel the shift in the air, feel winter creeping in. He notices it in the way more and more boots are left outside, by the plants with plastic coverings over them, protecting them.

He finds himself, more often than not, taking the long way around to stop at the bottom stairs of Billy's apartment. Most nights the lights are off, and the window open. He wants to tell her to stop doing that, to lock the window, but he doesn't know how to say it without giving away his nights. So instead he keeps watch, hands buried in his pockets as he counts the moths in the streetlights. 

Sometimes though the lights are on and he can hear the sound of her house through the open window. Sometimes the cat peers down at him as if prepared to leap through the window screen at him - sometimes she grabs the cat, never looking down at Simon; more often than not the cat curls up in the windowsill without budging. 

A few times he could hear her talking to someone, the conversation muffled from above. He wondered about who she could be talking to so late at night. Why she was up in the middle of the night to talk to someone? 

He makes his way home as the town starts to wake up.

***

He moves once - to a tiny house in the middle of town, just enough to have a yard big enough to cross in two strides.

He tells Johnny it's because he was tired of the noises of the neighbors. 

He tells Johnny it's because he's taken up woodworking and needs a spot for the tools.

"What are you building you old bastard?"

"Some cabinets."

"For what?"

"Mind your own business, Johnny."

It takes weeks to get them perfect. Eventually, though, they're good enough to put in the back of a rented truck. 

He does it on a Friday when no one is around. He tells himself that it's easier that way, no one walking underfoot. 

That night he lets himself admit - just for a moment as he sits on the shower floor - that he didn't want to see her face if she's disappointed by it.

***

She refuses to open the door for him the next day, opting to yell at him through the glass instead.

"You cannot keep making renovations to my store without asking me!"

"It's no big deal; open the door."

"No big deal: you put a floor down, you handbuild cabinets, and you broke into my store to install them!"

"You gave me a key."

"Not for that!"

It's a stalemate: Simon poised with his hand on the door handle, her hands tucked into the pocket of her jacket.

"I still have to do the plumbing."

She massages her eyes before leaning forward to turn the lock. Simon steps inside with the biting wind.

"You're fucking irritating, Simon Riley."

I know .

She makes him put up the Christmas tree - a fucking monstrosity that takes up the entire front window. It takes him all day to get the decorations to her standard; her yelling through the store at him to move something incrementally to the left or right.

Billy leans on the counter, shuffling through official-looking papers and refusing to look at Simon when he's finished.

"Thanks to you," she says, never looking up at him, "I have to start getting the paperwork processed to be able to serve food and drinks here."

"Is it difficult?"

"It's not easy."

Their conversation pauses just long enough for her to check out a customer. She turns back to Simon as soon as the door shuts.

"Why are you doing all this Simon?"

He doesn't answer, and he realizes as he stands there, hands folded behind his back and spine rigid that he needs to tell her something, but all he notices is the black ink mark on her cheek. She doesn't pressure him to answer, but she doesn't let her eyes leave him.

Simon breaks first, eyes cast down to the floor.

"Ok," Billy whispers under her breath, "you don't have to answer, but just let me know when you're going to do something else. Can you text me next time before you start?"

"I don't have your number."

She doesn't ask for his phone, instead, she tears a corner of a piece of paper off and scribbles her number on it. Her hands don't shake when she holds the paper out to Simon, but his shake when he takes it. Simon can tell Billy notices. He stuffs the paper into his pocket, pushing it past his keys and his phone. 

"Hey, Simon," Billy chews on her lip.

"What?"

"Are you busy tomorrow night?"

***

Johnny's chatting his ear off, Simon's barely paying attention to him as he stares at the shirts thrown out on his bed.

"- L.T.? Simon?"

"What? Johnny, what?"

"Are you even listening?"

"No, Johnny. I'm not."

The static of Johnny's disapproval.

"What could be distracting you from my wonderful conversation?"

"I'm busy Johnny."

"With what?"

"Nothing Johnny. I just have somewhere to be later - I'm trying to get ready for dinner."

"Dinner? Like with someone else?"

Simon hangs up on him.

***

Simon wants to pretend that he doesn't have the path to her house memorized; doesn't have each step calculated to know when exactly to stand on the bottom step at 6:59 so that he can knock on her door right at 7. But he does, so he hovers on the bottom step for an extra minute.

She doesn't answer when he knocks; she yells through the door for him to come in. In his pocket his phone buzzes every few seconds, Johnny sends another message insisting that Simon tell him who he's eating dinner with. Simon thinks for a moment about blocking his number for the night.

Billy smiles at him from behind the counter, elbow-deep in bread dough. All at once, Simon feels overdressed taking in the large shirt covered in flour Billy's wearing. 

"Hey. Sorry, dinner's going to be like 30 minutes later than I said. I couldn't get this shit to rise properly for like an hour."

"It's alright."

Billy must sense his apprehension because she jerks her head at a chair pulled up to the counter. 

"Come sit down."

Simon appreciates the order. Billy rolls the dough out on the counter, measuring the thickness with her knuckle with a precision Simon would expect out of her. He has to keep himself from staring at her; instead, he analyzes the rest of the apartment. 

He can see everything but the bedroom from his one spot; that door is firmly shut. It's clean but the type of clean houses have whenever someone new is coming over and everything is thrown into a closet. After a few minutes, Simon thinks he needs to speak.

"What are you making?"

"Rolls. I made - uh - what is the fancy word for it - beef bourgine?"

"Beef bourguignon?"

Billy smiles down at the dough as she cuts squares out.

"I'm glad one of us can say it - I can cook, I just can't speak French."

"Do you always cook like this?"

"Only on special occasions."

Special occasions . 

It's awkward at first for Simon to sit there while she moves about the kitchen, putting the rolls in the oven and cleaning the counter; Billy doesn't speak much and Simon knows she doesn't feel the need to fill the silence either. 

His phone buzzes again - under the counter he checks it.

Johnny:

don't leave me hanging lt tell me whos it is

"Your girlfriend?" Billy teases without turning to look at Simon from the other side of the kitchen. 

"Not exactly," Simon says, muting the phone and shoving it back in his pocket. 

"Do you have one?" Her voice is prying, but she doesn't look at Simon as she pulls bowls down from the cabinet. 

"A girlfriend?"

"Yeah."

It bubbles inside him - just once - the urge to tell her about himself . He swallows it down.

"No."

"Not even back home?"

"Back home?"

She grins at him slyly, setting two glasses of water down in front of the two of them.

"Why do you think I have to keep paying you in cash? Your um….paperwork didn't exactly list you as being an employable American. And you have - you know - an accent."

Simon doesn't realize he's leaning toward her until his elbows hit the counter. 

"No, not back home."

She seems satisfied by that answer - or she doesn't have time to ask anything else. Behind her the oven timer beeps and she turns to pull the rolls out. They're barely out of the oven whenever she ladles the stew into the bowls and pulls two rolls off one for each of them.

 Pushing the bowl towards Simon she opens her mouth - Simon thinks she's going to ask something else but she just shakes her head. 

"I'm going to eat over there, so you can eat too," she says passing him a fork. 

"No cameras?"

"None you can see."

She retreats to the other side of the room and drops down on the couch so that she's facing away from him. Muffled behind a door to the right, Simon can hear her cat meow once. 

They eat in silence; Simon knows she's only eating slowly to give him time to finish without her accidentally turning to see his face. He doesn't need it: he realizes he hasn't had a meal that hasn't consisted of a sandwich or some form of potatoes in weeks; he eats fast, slowing down just as he finishes to keep from embarrassing himself. 

He sets the bowl down with enough dramatics that she can tell he's done without having to turn around. It's quiet again when she comes into the kitchen and takes his bowl to rinse it out in the sink. The sound of the water makes his skin crawl; it clashes with the domestic feeling of being taken care of. 

She laughs quietly to herself as she dries her hands on her shirt, lifting it up just enough to expose the little shorts she has on underneath.

"Something funny?"

"Not really funny," she says, hands stilling in her shirt, "I don't know - it just - I - well it's about this time of dinner that guys usually try to take me to the bedroom. I was just thinking about how different this night would be with anyone else."

With anyone else . 

That bothers him some.

"I don't suppose that's what you came here for," she grins at him as she speaks, resting her elbows on the counter. "Besides we don't even know each other."

"We work with each other every weekend," Simon retorts, not sure why he feels the need to prove her wrong.

"And we barely speak the entire time."

She points at him, her bright yellow nails glinting in the light.

"I've never seen you in anything other than long sleeves, even on the hottest day. You could have like fucking tentacles under there and I wouldn't know. And you don't even know anything about me."

For once, Simon doesn't think - he does.

He pushes his sleeves up slowly, each one nearly to his elbow. Billy leans forward, just enough to see the tattoo ink and scars that mar his forearms. Her fingers twitch against the countertop like she wants to reach out and touch him, but they stay still.

"Do you - do you only have tattoos on your arms?"

Simon reaches up to hook one finger in his collar and pulls it down just a half inch - just enough to show her the ink there.

"Your turn," Simon says, dropping his hand down. Under the counter, it lies fisted on his thigh.

"My turn?" Billy asks eyebrow cocked at him.

"Do you have any tattoos?"

She licks her lips once; Simon can see her thinking. After a pause she reaches down to grab the edge of her shirt - Simon's heart clenches. She lifts the hem up, just enough to show him the edge of a tattoo on her side, disappearing beneath her shorts and rising above where she lifted. She laughs a little as she drops the shirt.

"Is that all we need to know about each other?"

"It's a start."

***

He finally tells her he was in the military four Sundays after the first one. She'd told him at work she was too tired to cook and apologized, promising to make it up to him. So when he showed up at her door with a pizza and a promise that he was just dropping it off on his way home, he was surprised when she asked him to come in.

Each week they coaxed something new out of each other: a snippet about their families, about their travels. He loves Kentucky; she's from the East Coast. Her father died young. He's from England.

She's curled up in the recliner the cat on her stomach - they're watching something on television but they're both not really paying attention to it. So he blurts it out - a new confession in this weekly therapy.

"I was in the military."

"I guessed. The British Armed Forces?"

"The SAS."

She frowns and Simon stiffens.

"Is that like a unit or something?"

"Yeah."

This time she grins.

"Is that why you always lock my door behind you when you come in?"

"No. I do it because you never know who could come in when you're alone."

"You mean when you're not here."

Yes.

"No."

She rolls over, clutching the cat to her chest so as to not dump him on the floor until her feet hang over the arm and she can eyeball Simon across the room.

"I can shoot straight."

"Can you?"

***

She can. She takes him through the desert on Friday afternoon, bundled up against the cold. Out where they can target practice without anyone bothering them.

She hits every target.

***

"Christmas is this weekend."

"Yeah."

"So you know we're closed right? I'm not paying you time and a half."

A pause longer than he's used to.

"Are you doing anything for Christmas?"

"No."

"Do you want to come over?"

***

She makes Chinese on Christmas. A tradition she says because when she was younger the only places open were Chinese restaurants and her dad couldn't cook. They didn't have real dinners until she learned to cook herself, but it was always Chinese on Christmas.

The cat has a bell around its neck for the holiday and it latches onto Simon for the night. She wrinkles her nose at the cat and calls him a traitor. The cat doesn't seem to care. 

"I didn't get you a present," she says, putting her bowl on the coffee table. From his spot in the kitchen, Simon speaks.

"I didn't get you one either."

"Well, you're slowly building me an entire coffee shop."

"That's not present."

"Well, it's not exactly in your job description either."

He leaves his half-eaten bowl on the counter to drop down on the couch. She's sideways in the armchair, shirt riding up and a bruise on her shin. She's back to white nails.

"I can make out with you for Christmas; other guys have liked that present."

Simon's heart nearly stops. 

"Excuse me?"

"I'm just kidding Si."

Just kidding .

***

She begs and pleads with him to please go out to the bar with her for the new year. He doesn't have to drink, she says, she can drink enough for the both of them. 

She does. She doesn't even make it until eleven.

He carries her home on his back. Her door is unlocked and wants to think about how dangerous that is, but all he can think about is her warm breath on his neck.

He drops her unceremoniously onto the couch - he thinks about carrying her to the bedroom, but that's one place the door has always been shut to. 

He does take her shoes off of her while she insists she can do that herself. He slips the right one off when the fireworks go off outside; the entire town is bathed in their light.

"Midnight," she says as Simon rises up on one knee in front of her, ready to tell her goodbye and good night.

She kisses him over the mask.

She doesn't mention it the next day.

***

By summer, Simon has the entire cafe portion of the store finished. He's embarrassed when she hangs a sign over the area: 'Simon's Spot'. 

"What?" She asks, peering down at him from the top of the ladder. "You built it."

***

He breaks during the summer. Billy calls him on a Tuesday, asking if he knows anything about air conditioning systems.

"You built the cafe, so I know you're handy."

He doesn't. But he can figure it out. 

After hours the bookstore is sweltering. Billy has the blinds pulled down in a futile attempt to keep out some of the heat and the setting sun. Her shirt, already cropped short, clings to her with sweat when she unlocks the front door for Simon. 

It takes him two hours but he figures it out. When it kicks on she looks up at him, one arm resting on his shoulder, and tells him he's her hero.

He makes it all the way to her apartment - the promise of something for dinner and a cold drink as for payment the ruse - before he does it. 

It's dark inside, dark enough that when he locks the door behind him, he slips his mask off. She turns to ask him something - he doesn't hear it; he's too busy kissing her, pushing her back against the kitchen cabinet. 

It's messy - the kissing - he can't remember the last time he kissed somebody like this - all teeth and tongue and need.

When they stumble into her room, he doesn't take his shirt off, and she doesn't ask why.

***

"Come visit me L.T.. Scotlands beautiful this time of year."

"I'll have to book two tickets Johnny; that's not cheap."

"Alright, you cheap bastard you can afford it."

[fuck-customers]

My store has a VERY lenient return policy.

(Personally, I think it's TOO lenient.)

The policy is:

•return WITH receipt= full refund, refund goes back on original form of payment, except for debit. Returns that were paid debit get cash refunds.

•return WITHOUT receipt= lowest price of item in last 90 days, store credit

•opened packages are returnable

•used products are returnable (this one has some restrictions, but not really. Cashiers are only "supposed" to accept returns if the item is still sellable, but most cashiers don't inspect the items and if a cashier deems the product unsellable, the customer bitches to the manager who licks their entire ass and does a full refund for them)

•seasonal products are returnable even after season has ended (Christmas items can be returned all year, same with Easter, Halloween, etc)

•there is seemingly no restrictions on how soon a customer has to return an item. Just 2 weeks ago (March 2024) I had a customer bring in products and a receipt from 2019 and the system accepted it. It had been so long that we literally got a whole new register system in between the original purchase and the return and it STILL went through.

What the store DOESN'T accept for returns:

• Products from other companies?? Hello??

This woman brought in a bag from a completely different company (the logos aren't similar and the colors are completely different. Red and blue compared to green and white) And at first, I thought she just recycled the bag, but she pulled out a receipt from the red and blue store and an item that I'm 100% positive was never sold at my company and wouldn't listen when I repeatedly explained that I COULD NOT refund an item we have never sold. I scanned the item on the register and showed her the error message that said "item not in inventory" I showed her that the item was in fact on her receipt from Red And Blue Store and showed her the big ass Red And Blue Store label on the receipt. I fucking called a manager over because she insisted and was adamant that she bought the item here. The MANAGER said the same fucking thing about the receipt and item being from a completely different company. 20 minutes later, she finally fucking gave up and accepted that she couldn't scam us today.

Which. It's SO easy to scam this store. Just steal an item. We do not have security. We have security cameras, but I suspect they don't work, since no one has been banned for shoplifting or anything and I KNOW people shoplift. (I support it and look the other way) We do not have enough staff to patrol the store, so the only staff members are 1 cashier and 1 department monitor and as long as you don't blatantly steal in front of the cashier, you're good. We do not have sensors on the door. 90% of the products are not locked up. Basically just don't steal spray paint, because that's the one thing that's locked up. And if you DO steal, just be cool about it and don't draw attention to yourself. We do not check bags or pockets or anything like that. And if you panic and run, just don't stop running until you're outside of the building. We are not allowed to chase you outside of the building.

And if you manage to get through these unbelievably easy obstacles and steal some items, you can just fucking bring them back and say you lost your receipt but want to return them and you will literally get free money. Sure, it's a gift card, but if the return is under $5, you get cash. Green Crafts and Fabric Store fyi for anyone who wants some free shit.

Posted by admin Rodney.

[ckret2]

👀 I want to hear more about this Bill AU

You were the very first person to send me an ask about the Bill AU, and it was an open-ended question, so I've been saving your ask special for... a fanfic. IDK how often or how much I'm gonna write actual full fic for this AU but for now, here: the first half of Bill's reunion with the Pines family. (Attempted murder included.)

(Edited 7/28/2024 - now compatible with TBOB!)

####

February 25, 2013

The vengeful demon standing in the door of the Mystery Shack possessed only four items in the universe:

Two safety pins.

A time tape tied around his waist like a belt.

And a tunic he'd fashioned himself in the style of an ancient Greek Doric chiton, folded and pinned so perfectly that the wearer must have seen them thousands of years ago when they were at the height of fashion.

Soos couldn't identify an authentic Doric chiton. All he knew was that the tourist who'd just come in looked like a short fat lady with brown skin, curly golden hair, weirdly skinny arms, bulging jaundiced eyes, and a toga made out of a bright purple children's Pony Heist bedsheet.

Soos laughed, flashing the tourist a double thumbs up. "Hey! Awesome toga. That should really be like a thing. Imagine if we all wore togas. We could just wake up, roll our bedsheets around us like a burrito, and go out!"

"Watch out, you can't tell when Big Fashion is listening in." 

"Haha. Who?"

The tourist hadn't looked at Soos once; instead, her gaze was darting around the shop restlessly.

"Are you shopping for something specific?" Soos asked with his best customer service voice. "Post cards? Snow globes? Weird taxidermy thingamajigs? Pants?"

"Where are the Pines?" the tourist asked, casting a sharp look at the "employees only" door, then the vending machine.

"Oh, Mr. Pines! The original Mr. Mystery! Heh—he actually retired a few months ago. The Mystery Shack's under new management!" Soos planted his fists on his hips and puffed up his chest. "It's me, I'm the new management."

"But where are they?" the tourist pressed.

"Uhh, he and his bro are somewhere in South America, I think? Hey, if you wanna meet him in person, his last letter said he might visit for spring break if the family can make it. First week in April."

"First week in April," the tourist muttered. She glanced over her shoulder toward the door, thoughtfully fiddling with the time tape wrapped around her waist.

"Oh, dude! I've tried to use a tape measure as a belt too! Haha! It worked great, until I bumped the button and it retracted. Yeesh. Hey, do you want a fur belt? We sell fur belts now." Soos turned away, rummaging through the new display next to the t-shirts. "They're all sustainably, ethically harvested! I bought a bunch of old rugs from the Northwest Manor to slice up."

Soos grabbed up a fuzzy pink belt. "Check it, I think this is unicorn hide or something. Bet it'd go so good with that Pony Heist toga..."

The tourist had seemingly vanished in thin air. Soos looked around. "Huh." He shrugged and stuck the belt on a shelf beneath the cash register in case she came back and decided she wanted it later.

Once all the other visitors had left for the day, and Soos was left alone to clean up, he thought back to that togaed tourist whose yellowish eyes had never stopped moving—the way she'd looked toward the door as though worried someone was following her. Soos glanced around the shop nervously. "Is anyone there?" He lifted his broom like a samurai sword. "Hello? Big Fashion?"

Nothing answered. He shrugged and kept sweeping.

###

April 1, 2013

A vengeful demon who possessed nothing but two safety pins, a time tape belt, and a purple Pony Heist bedsheet chiton stood in the center of the Mystery Shack gift shop.

Which was weird, because Soos didn't hear the door and she totally hadn't been standing there a moment ago.

"Oh hey! Toga Lady!" Soos turned to Wendy, who was picking up a few bucks working spring break while Melody visited her family. "It's Toga Lady. She came in like a month ago. The toga's cool, right? I think it's cool."

Wendy glanced up, choked back a laugh, and scrambled to grab her phone for a picture.

"So, where are the Pines?" Toga Lady asked, with an edge of impatience.

"Oh, dude, did you come all the way back here to meet them? Sorry, the Mr. Pineses couldn't make it. They couldn't get a flight out of Atlanta." Soos stopped, frowned, and pulled a water-stained letter from his pocket to double check. "Sorry, Atlantis. Something about a giant lobster attack?"

"Daryll would pick now to invade," Toga Lady muttered. "I suppose the children aren't here."

How did she know about the children? Maybe she'd visited last summer and remembered them? Like, early summer, before Pony Heist came out. Soos would have remembered the toga. "Naw, heh. They went to Roswell."

"Oh, cool," Wendy said distractedly, busy texting a picture of Toga Lady to everyone she knew. "Checking out the competition."

"Yeah, Dipper's sending me like a billion pictures of the alien museum."

"Well," Toga Lady said impatiently, "when are they showing up?"

Soos was beginning to get the impression that Toga Lady was less an admiring fan, and more one of those customers. The kind that used speaking to the manager as a threat. All the same, he said, "June first, for sure. That's when the kids get here for summer break so the Mr. Pineses are coming too. Definitely. Promise."

She rolled her eyes—one of them twitched, like she'd gotten something in it and was struggling to keep it open—but said, "All right, fine! June. What's the difference? I've waited this long." She leaned next to the door by the snow globe shelves, fiddling with her belt, as if she was settling in to wait right there for the next two months.

Soos frowned—she might drive off tourists, blocking the door like that—but said, "Oh! While you're here, I thought you might be interested in this belt." He reached past Wendy to grab it from beneath the cash register. "I didn't get a chance to show you last time before—"

He looked toward the door. She was gone. "Huh. Did you see Toga Lady leave?"

Wendy shrugged. "Wasn't looking."

"Huh." Soos replaced the belt. At least he knew when he'd see her next.

###

June 1, 2013

"What's with the belt?" Stan asked.

"Oh! It's for a regular." Soos pointed with both hands at the fuzzy pink belt peeking beneath his suit jacket. "I think she's comin' today. She wanted to meet the original Mr. Mystery."

"Hey, an admirer." Stan's chest puffed out and his grin widened. "Is she cute?"

"Uh... if you like bedsheet togas?"

"Ooh, a party girl."

"These are new," Ford said, inspecting a jar with an alien fetus floating in green goo.

"Oh, yeah!" Soos said, following as Stan joined Ford at the glass display case. "Dipper sent me like, a billion keychains of these little alien guys from Roswell. So I started filling Abuelita's empty spice jars with aliens and green jello. Cool, huh? It looks like we stole them from a secret government lab or something."

Stan laughed, slinging an arm around Soos. "Listen to this! Brilliant! I knew I put the right guy in charge."

Soos grinned goofily. "Aw, gee, Mr. Pines..."

A flash of purple caught the corner of his eye. Toga Lady was leaning next to the door by the snow globe shelves, fiddling with her belt.

Here was a chance to show off his great business instincts with Stan watching. Time to make a sale. "Oh, hey, Toga Lady! I didn't hear you come in! Still rockin' Pony Heist, huh? Hey, I've been trying to show you this belt I think you'll like..."

But she wasn't listening to him. Her gaze was fixed on the Pines twins' backs. As Soos watched, her expression darkened, and her grin widened.

The vengeful demon reached past the snow globes, seized a heavy "mysterious green crystal cluster ($250)" made of glue and broken glass, and heaved it up over his head. "Hey, Sixer!" Face contorted in a snarl of a smile, he turned the cluster over, sharp shards pointing downward. "Welcome home!"

Bill Cipher swung the glass weight down toward Ford's head.

(If you wanna keep reading, all chapters are on tumblr right here!)

[fieriframes]

['CAUSE, HEY, THE RECIPE'S ONLY ABOUT A HUNDRED YEARS OLD. YOU HAVEN'T CHANGED MUCH. NO, ORIGINAL BAR. A BEER COOLER AND EVERYTHING. THE BEER COOLER WAS BUILT BY MY GRANDFATHER'S COUSIN. STILL STAYS COLD. THAT'S THE ORIGINAL CASH REGISTER--WORKS LIKE A CHARM. WOW.]

[fullofgutsndopamine]

sunlight, sunshine (all for you my daisy)

Character A’s tattoo parlor and Character B’s flower shop have lived side-by-side for years, and the owners have a pretty good relationship going on. Character B is always bringing leftover, slightly droopy flowers to Character A, and Character A has been offering a free tattoo for ages. Character B finally decides to take them up on the offer after closing.

TW: cursing, one usage of 'my girl'

word count: 2,500

music blares from the shop next door.

you’ve learned to at least tolerate it, has gone from full screaming to just songs about how much the singer hates their town, and frankly-you have to take the wins where you get them.

you walk to the door, shutting it gently and ignoring the bell that rings overhead, as you flip the sign to closed on the door, flick the lights off

this is your favorite time of the day, closing. when the music turns off and you can walk around, one last trip around the store to water the flowers, make sure everything is at least semi neat.

Thursdays are your favorite day.

not because you close early (although that does help) but picking up the flowers used for decor for the week; the small tulip in water by the cash register, the small bouquet of sunflowers and roses when you walk in, the daises in the break room-collecting them all, wilted petal edges and all, crisp and browning, folding into themselves-wrapping s small string around them and bringing them next door.

originally, it started as a peace offering

the music blaring from next door gave you a headache, made you reevaluate your life, especially when customers made the dull ache behind your eye throb-

you went over, ready to all but plead for the owners to at the very least turn the music down, when you instead met him

he was tall, all elbows and sharp edges-the freckles that danced around his face were a surprise-, hovering in a corner as he chewed on his fingernails, a baseball pulled over his head low, and turned the wrong way, his hair in his eyes-

you couldn’t see him, but you saw his arms. even crossed over one another and leaning in close to see a co workers work, you could see the tattoos that littered his arms.

the sleeve was all black, all simple line work, starting with a large map, colors thrown in, the compass by his elbow, you think you can make out a lighthouse and an ocean wave if you squint-

“Hey.”

no one looks up.

you’ve never felt more uncomfortable in your life, the shop is blaring this music and isn’t that well lit, and the walls are covered with various band album photos blown up, awards line the walls.

you step closer, to the man with the sleeve of maps, and pull on his shirt sleeve: “i said hey”

you beg your voice to not come out as a whine, but fail, as he whips around.

immediately a smile is on his lips, the freckles that line his cheek make him look almost welcoming instead of terrifying- uses his hand to move hair out of his way: “Well, hello.”

there’s humor behind his voice, a gentle teasing like there’s some inside joke here that you’re missing. his voice is surprisingly deep and low, all gravel-barely above a mumble not a voice you’d think would belong to him

“Listen, you’re scaring the old ladies away-“

“what?”

his eyebrows are scrunched together in confusion but you swear you can see a smirk pull on the edges of his lips as he leans in closer, a shoulder down as he tries to make himself not tower over you.

“i said,” you hold in the sigh, wanting to get out of here, “you’re-“

“here,” he says gently, “follow me.”

and you can barely hear him over the music thumping as he leads, his hand stays on your shoulder as he gently guides you to the back of the shop, behind a few doors, to a more lit up room, where the music is at least a little gentler, not as abrasive. a couch is pushed into the corner, a small refrigerator hums in the other corner, a fold out plastic table in the center.

it hits you this is probably their make shift break room.

“okay,” he smiles, his arm up high on the doorframe, “you were saying?”

he’s cocky.

the smile doesn’t leave the corner of his lips as he talks, looks at your lips the entire time, waiting-daring-for you to say something

“i said-“ you pray your voice doesn’t shake, finds level ground, “can you turn your music down? you’re scaring away all the old people and that’s 90% of our clientele”

he smirks, “Yeah? and why would i do that, sunshine?”

your eyes slant at the nickname you were given, know he isn't going to let this one go. (Later, you'll ask about this. He'll do a vague hand motion, his eyes narrowed like he can't believe you didn't pick up on this- "yknow," he says, his voice drips with sarcasm, "Flowers-sunshine? the thing the flowers need-" and you'll doubt the story, until it's reveled even later, months and months down the line, the truth)

“Because the old people!” you huff out, “listen, i have a peace offering.”

he snorts, “i gotta see this. go on.”

You roll your eyes, hoping he doesn’t see the pink creep onto your face. there’s a single tulip, tucked into your back pocket. usually, it’s reserved for crying children that come into a shop, you insist no one can be upset when they have a tulip-

and you grab it and hand it to him, “here, our nicest tulip if you turn the music down.”

he laughs, the kind where he throws his head back and squints his eyes, but when his head snaps up, his fingers reach for the stem delicately-

“this is your best tulip?” he laughs, “the edges of the petals are brown.”

okay, so it’s a lie, a flower you knee by the register, exchange them out every few days, but you didn’t have time to make him a fucking bouquet

“yknow,” you huff, “most people would just say thank you.”

you go to move hair out of your eyes and your well aware of how red and burning your face is

he’s laughing, but a part of him seems to melt away, this hard exterior he puts out, “Thank you.” and it sounds sincere, “but no promises with the music.”

“no promises,” you shake your head, “just less screaming. i can’t have another boomer yell at me.”

his expression hardens, “they yell at you?” he seems shocked, like he doesn’t work with the general public.

“I mean,” suddenly you’re tripping over your words that come back small and hushed, “Sometimes?”

It’s a question, not an answer, and he shakes his head like he can’t believe it.

“I’ll make you a deal,” he smiles, his eyes on the flower in his hand as he rubs the stem between his fingers, “You keep the flowers coming, and I’ll see what I can do about the music.”

Your eyes narrow. 

“Here's the deal: flowers once a week, and you stop playing music that could give 90 year olds heart attacks”

He laughs, pauses for a second, his voice comes back gentle, almost shy: “Once a week, yeah?”

Obviously referencing the flower delivery by you.

You roll your eyes, “Sure, fine.”

He smiles, “My name's Hasan,” he tucks the flower behind his ear, “It’s a pleasure doing business with you.”

And so it begins.

Every Thursday you close the shop up, collect the wilting flowers from various corners of the shop and walk next door.

Hasan is usually behind the desk, a pad of paper in front of him and a smudged pencil on his fist, always making a move to quickly slide the pad of paper out of view when you appear. It starts getting more elaborate. The first few times, he used a half empty water bottle to put the wilting flower in, a small wax dixie cup until he eventually upgraded to a small plastic cup with the shops logo on it with lots of water

And he always has last weeks flower tucked behind his ear, as if he’s been waiting for your arrival, has been watching the clock for the time to happen, for the smirk to gather on his face and to take the flower out from the pages between his sketchbook, when they get too old and brown, and tuck it behind his ear

It becomes a joke, when you drop the flower off, for him to offer you a free tattoo in exchange for the wilting flower.

Or at least, you always took it as one

But as you show up tonight, hasan behind his usual spot, the store empty beside him and the music a lot quieter than usual, he smiles when you walk in the doorframe.

“Well,” he leans back in his seat as he throws his pencil down, his hands behind his head, “Look who’s here.”

“Who would’ve thought?” You ask as you approach the desk, “It’s almost like we do this every fucking Thursday.”

He laughs as he takes the flower from you, this time an actual bouquet, smaller than usual, of assorted flowers, a mess of roses and tulips, a dash of daisy and a mix of peonies.

Even though they’re wilted around the edges, and the age is showing, he takes the small bouquet and presses his nose into it gently, closing his eyes, a small smile on his face. 

“Say your line.”

His eyes snap open, “Come again, sunshine?”

“Say your line,” you sigh, “You say it every Thursday?”

He hums, his eyes travel to the ceiling, “Hmm, let’s see?” 

You huff, cross your arms over your chest and tap your foot on the ground, acting like you’re irritated.

“Thank you?” He finally says. The smirk says he’s enjoying this.

“Hasan-”

“Oh!” he shakes his head, “I got it: this flower is brown.”

“You’re literally insufferable,” You huff, “How you have any friends is beyond me.”

He laughs, “Alright, damn. Let’s see. Tattoo for your time?”

“That's the line,” You rock back and forth on your heels, “And yes. I’m ready.”

He all but perks up, “Oh? I thought you were terrified of needles.”

And you hesitate, don’t want to say that everything seems less scary with him by your side, because you two aren’t that close yet for you to be saying that, or that you trust him, because that’s a big word all by itself-

“Thought I could piss my family off in time for the holidays.”

He laughs, “There’s my girl,” and then, his voice a little lower, “You sure?”

You nod, fumbling for your phone as you grab it, unlock it as you show him a picture of what you have in mind, ignoring how your hands shake, “This.”

He leans in close, hums as he touches the screen and moves it along, really taking a good look at it: “Give me ten minutes.” he settles on, wheels his chair back and grabs his drawing pad and disappears with it.

As promised, wilbur appears back no more then ten minutes later, a water bottle in his hand as he throws it to you, flops into the chair and wheels to your side, his voice low: “So, I was thinking this-”

And your finger traces the outline he made, a simple sketch, simple line art, but you can see where he erased, tried again, erased and finally got it right

“Perfect, Hasan.”

He smiles, “Go sit in the chair. I’ll be a second.”

Hasan's side of the shop is small, his booth a lot smaller than the seasoned artists that work there, pushed in the corner, the only thing that makes it his and sticks out are the glow in the dark stars that line the brick walls, the fairy lights hanging from the small mirror pushed in the corner, the small framed pictures that line the wall of various insects

“Get comfortable.” He throws his chin at the small chair he has, and you obey, flopping down, playing with your hands out of nerves.

“You’re okay,” He says gently as he wheels over, heard him going through his cabinet as he appears in front of you in large glasses, crooked, pressed onto the crook of his nose, “I got you, you’re good.”

And there’s weight behind it, wonder if he knows that, as you lay in the chair, fixing your arm on the arm rest where he’ll be working.

“I’ll take it slow,” he says gently as he gathers supplies and instruments, “And i’ll be gentle, I promise. And if you need a second at any point just tell me and-”

It’s weird, seeing him this genuine. Usually, it’s passing insults to one another, the only way you know how to make friends, little comments to one another so it doesn’t feel like you’re both doing anything-

“I’m ready.” You say gently, nodding, “Let’s go.”

he heistates for half a second, his voice gentle: "You ate today, yeah? Drank something? I have snacks-"

He wheels back in his chair, to a little cabinet where his hand hovers over it, offering the snacks.

"I did," You say back, just as gentle as he did, "I'm ready."

Hasan goes slow, as promised. The buzzing of the needle is the only sound you hear, well aware now that Hasan has turned off the shitty pop punk music and has instead traded it for some acoustic album that plays gently through the speakers, only interrupted by his voice occasionally, low and soft, “You’re doing good, almost done.”

And when you look up, you realize the music you heard, that calmed you down so much, was also accompanied by hasan's own humming, gently, as if it’s just to himself, as he does the line work.

He sees you staring.

“You good, sunshine? Need a break?”

“I’m okay.” You say gently.

He nods, “One more minute, I promise. You’re doing good.”

And you nod, feeling comfortable with him, the little atmosphere he made.

A minute later, the buzzing stops and you feel the scrape of a rag over your skin, “All done, sunshine. You did amazing, go take a look.”

You get up slowly, and while the mirror isn’t necessary considering it’s on your wrist, hasan insists its part of the experience, as you turn your hand around in the mirror, the fairy lights hitting it just right, the little outline of a tulip under your pinky.

hasan appears behind you in the mirror, pushes his glasses up over his face into his hair, “What’d you think? And be brutally honest, I can take it.”

“It’s perfect.” you insist, and he laughs

“Well, you’re easy to please-”

“I owe you, let me pay.” 

And you’re up, pulling at your purse on the floor, ready to give him the few bucks to your name, when his hand is over yours, looking up and he’s looking into your eyes, “It’s part of the agreement, remember?” And then, gentlier, “I’m not taking your money.”

You shake your head, “The deal was flowers for-”

And he cuts you off, throws his chin at your wrist, “Exactly. Flowers for the different music. I’m just holding up my end of the bargain.”

You nibble your lip.

“Let me buy you a drink, at least.”

He laughs, as he wipes down the bed, “Sunshine-”

“One drink,” you say, your voice almost begging, “Please.”

He stops for a second, like he’s thinking, before nodding, “Let me clean up, i’ll be a minute. You can sit at my desk.”

You obey, sitting at the desk, ignoring his drawing pad and how it’s looking back at you, pleading for you to take a look, when he appears, his jacket over his shoulder, “Ready, sunshine?”

You stand, nodding immediately, as you go from behind the desk to his side, his hand in the air, fingers outstretched as if asking for you to hold it, to tangle your fingers into his-and without second thought you do, and follow him out.

[wintervalewritersecond]

weathervane - xavier thorpe

requested: sort of! requests: open! i am begging for literally any kinda of xavier fluff 😭 can be fluffy fluff, hurt/comfort idc i love it all. i have no specific ideas i’m just desperate for more xavier

A/N: its not very original or special, but i hope you like it <3 not a lot of plot, just fluff <3

wordcount: 1,517 warnings: tyler is a bit of an ass, outreach day, she/her pronouns for reader, fluff

Xavier had gotten 'Weathervane' as his volunteer job for Outreach day. You, his normie girlfriend, decided to keep him company while he works.

"Oh my god," Xavier groans when he opens the blue envelope. "I got the Weathervane."

He has not stepped foot in that shop ever since Tyler and his friends tried to beat him up.

"Dude, can we trade?"

Ajax looks up from his own paper. He was actually quite excited about his offer. Uriah's heap. It was some kind of freaky store with loads of taxidermy. He hopes that Enid has the same pick. No way would he trade his volunteer job. For the Weathervane, you need people skills, and even if you don't have those, there will still be loads of people in there.

"I can't man," Ajax shrugs. "What if one of the snakes comes out and I accidentally stone someone trying to get a coffee? Besides, why don't you just invite your girlfriend to hang out with you?"

He immediately texted you afterward, asking what you were up to and if you were willing to keep him some company while he works. If he would be left there with Tyler, there surely would be some type of fight.

You immediately agreed. You had a day off from school anyway, as you were supposed to visit some of the places where the Nevermore students volunteer. Something about testing them, although some of your classmates also went only to bully them.

Xavier had already been working for two hours, having to start at 10:00 in the morning. A machine had broken, so he had to use Google Translate to get it working again while Tyler cleaned the rest of the restaurant. After that, he got lectured on how to perfectly pour coffee into a mug. Not his thing. After today, he probably can't even stand the smell of coffee at all. Before this, he used to love drinking coffee, but in the last two hours, he already downed four cups.

When the little bell above the Weathervane door tinkles, he doesn't even flinch. Who knew that in two hours, there could already be tens of people that hopped in for a coffee.

He is wiping the tables and collecting mugs when he hears a familiar voice.

"Hi!"

You stand at the register, a smile on your face and a bag on your shoulders. A smile immediately makes its way onto Xavier's face as well. Thank God, he isn't stuck with only Tyler anymore.

He immediately hops over to the cash register before Tyler can, leaning on his elbows with a grin on his face.

"Can I offer you a hot chocolate? On me."

You snort as you look at your boyfriend. You wouldn't often go to Weathervane by yourself, but you just wanted to hang out with him. There are not a lot of moments where you can really see Xavier. Not only do you attend different schools, but no one is supposed to leave or go to Nevermore without a proper chaperone.

"Sure," you smile before sitting down in a booth hidden in the corner.

It is right next to some sort of cork board which is filled with random pins and notes. You unpack some of your things. One activity you always love to do is drawing, which is the exact thing that was the start of your relationship with Xavier. The entire Weathervane was filled with people, and the only empty seat was across from him. It was cold outside and you craved your favorite warm beverage, so after mustering up some courage, you asked if you could sit by him.

He was confused at first. Most people in the shop avoided him like the Plague. They knew he went to Nevermore, so they wanted nothing to do with him except to spit on his table or 'accidentally' kick his bag. He moved his sketchbook to the side before nodding, allowing you to sit across from him.

The two of you started talking as you also grabbed your own sketchbook, doodling away as your hot chocolate got placed next to you. He showed you some of his art as you showed yours.

"I can show you something," he then whispered before pointing his fingers to the page.

He had drawn a spider on it, but before you could even blink, it started moving. The spider went in a circle on the table, his legs moving in a slow way before it crawls back onto the page. You had never seen something like it. Your mouth had fallen open as you looked from his hand to the sketchbook.

After that, you hung out together as much as you could. Be it at your house, his art studio, or somewhere in Jericho.

"One hot chocolate with whipped cream and caramel toppings."

You look up at Xavier who is standing next to you with a big grin as he places the drink on the table.

The day went by fast. For you, at least. At some points during the day, Xavier would subtly move his hand to make your drawings move, distracting you from whatever it was you were drawing. He also refilled your cup multiple times. You had taken a break from sitting in the Weathervane, taking an hour to stretch your legs and buying a sandwich from the shop nearby. Tyler didn't let Xavier have any breaks, so he must be hungry by now.

When you come back, you see your backpack in the same position. Xavier told you that he would keep an eye on it, that way you didn't have to carry around a huge bag with you. At the register are three boys, standing with their arms crossed and sour looks on their faces.

"We don't want a freak to serve us. What did you do to Tyler, huh?"

Xavier rolls his eyes before leaning over the register a bit.

"That lazy shit is taking his fourth break for the day. So, either I help you, or you have to wait until he is back."

One of the guys scoffs, looking at the rest of his friends.

"You hear that? A freak is cussing at us normies. Maybe we should teach him a lesson!"

You clear your throat as you stand behind the three, making them look down at you.

"Y/N!" They were your classmates. "I wouldn't go here if I was you. I don't know what this freak did to Tyler, but for the last few minutes that I was here, I haven't heard from him or seen him. Not to mention..."

He points to your bag.

"This freak here insists that he is just watching it, but we all know he stole it. Say the words, and I will beat him up."

You avert your gaze from the boy before loudly ringing the small bell that stands on the counter. After ten times, Tyler immediately emerges from the back.

"Oh, Tyler!" You say with a sickly sweet voice. "Something horrible happened and I need to take Xavier with me! You can handle Weathervane by yourself, right?"

Tyler has always had a weak spot for you. It annoyed you, but the least you could do is use it to get Xavier out of this building.

"Please? It is an emergency!"

"I uh- Yeah. Yeah, go ahead."

You grab your bag before taking Xavier's hand in yours, pulling him out of the store. When you are out of Tyler's sight, you both burst out laughing.

"What dumbasses they are!"

Xavier nods, he totally agrees. He is happy that you got him out of there. The two of you head to the center of the city. There are chairs set up there anyway, as a new Crackstone statue would be introduced in only an hour.

"I can't believe he didn't even give me a break," he groans. "I had to do all the work, I couldn't even eat-"

You immediately hold up the brown paper bag. The smell of sandwiches enters Xavier's nose as he gasps. He takes hold of the bag, seeing two sandwiches neatly packaged.

"Oh my god, I love you so much."

You take both out, giving him one while taking a bite of your own. It is the least you could do for him. You are already happy enough that you got to spend some time with him today, even if it meant having to run into your asshole classmates.

More and more of the chairs get filled up as Nevermore students finish their volunteering jobs.

The unveiling of the statue went as wrong as it could be. You don't know who did it, but the statue caught fire, making everyone evacuate the field. Xavier grabs your hand, pulling you away from the heat while laughing. You look up at him once you're safe from the fire. The only normie that stood with a Nevermore kid. But you couldn't really care less. If anything, Nevermore is interesting.

Xavier presses a kiss to your forehead, smiling down at you as you can only stare back lovingly. You can't believe that he is all yours.

It is never a dull day with a Nevermore kid around.

[briarcrawford]

World-building: Creating a Currency

Creating a currency might seem difficult, but it does not have to be. In this post I will help guide you along the path of creating your own fantasy currency, while also showing some historical examples from around the world.

Trade Instead of Physical Currency

While it might seem strange to some today, money was not the only thing you could use as payment. For example, in some places you could pay your taxes, work, or rent in: salt, eels, beer, saffron, or even urine. Work was also a currency; for example, if you wanted to use someone’s flour mill, you might have to work the owners field as payment.

The Roman Legions sometimes also used salt as currency. Due to the high value of salt, an ancient Roman proverb said that people who did their job well were “worth their salt.” (Or “worth their weight in salt.” Ancient Origins

The more isolated an area, the more likely it is that they will mostly or wholly use trade as their economy.

The Details

Increments:

Technically, all you need is one coin. For example, in America you can buy anything with enough pennies(one cent); anything at all. It is the lowest increment of money they have, and technically all you need. Of course the problem is that the more expensive the item, the more inconvenient that would be. Could you imagine trying to bring enough pennies to buy a car or house?

So for the sake of convenience, other levels of money are added, such as 100 pennies equaling to a dollar. Commonly in money, single digit numbers are used for small-value currency (such as 1 cent and one dollar or 5 cents and 5 dollars), then once you get to higher levels of currency, everything is in increments of 10’s (such as 10 dollar bills, 50 dollar bills, and so on).

As well as all I mentioned, it is also worth noting that the higher you go, the harder it is for the average person to get their hands on. For example, it was not until I was working the cash register as an adult that I saw my first $100 bill.

For your own currency, start with the absolute lowest number, then decide how many more official levels you would like. In medieval England, there were13 coin types.

Names:

Rather than just calling something by their number value, many places also come up with names for them as well. For example, 25 cents in Canadian coins are called “quarters,” 10 cents are called “dimes,” and 5 cents are called “nickles.”

Slang Terms(Optional):

As if having the number value and the names are not enough for people, some places also have slang terms for their money. For example, some places base their names off of the color (such as a red 20-dollar note being called a lobster), while others might have names based off the imagery on said currency.

Area’s of Use:

Just like how you could get a coin from a different country and know it is not from your own, that also occurred in history. It is important to know what areas had what currency, and also what areas would accept other types of currency.

Your currency from your one kingdom might not be worth anything to a neighboring one. In fact, if your two kingdoms are enemies, carrying your own currency in their kingdom could put you at risk.

Sometimes, currency is more local. For example, in an isolated fishing community, the locals might still use shell coins despite the capital city of their kingdom using metal coins. This is simply because they have no one making metal coins for their small community, so they have no use for them. However, this also means that if any of them were to want to visit the city, they would need to find a way to get the correct currency.

Appearance:

Material:

Commonly for currency, you would try to pick a material that is hard for the average person to easily get their hands on. This is mostly to make it so not everyone can simply create their own money, and because rare things tend to hold more value to people. For example, gold is not easy for the average person to find, so it is still used as a currency today under the free-market system.

However, your currency can be made out of absolutely any material you prefer. In history, leather, shells, clay tokens, wooden tokens and tally’s, and metal coins, have all been used.

“Shell money is a form of currency that was used in various parts of the world, including Asia, Africa, and Oceania. This type of money makes use of a type of marine snail known as cowrie and therefore is known also as cowrie shell money. In some parts of the world shell money served as currency up until the 19th/20th century.” Ancient Origins

Imagery:

You can really have anything you want on a coin. For example, the Canadian loonie literally has a loon on one side, and the English monarch on the other. Almost all of the other coins also sport various animals, and Canada isn’t the only place that opted for animals. There was a celtic coin with a horse, a greek coin with a crab, and a roman coin with an elephant.

Sometimes the imagery was a symbol that meant a lot to the locals(such as the ruling person, a deity, mythological creature, or another symbol with deep meaning to the locals), while other times it could be just what the area is most known for. For example, a coin with a wheat stalk for an agriculture region.

Shape and Size of Currency:

If all your coins are made out of the same material, currency size would likely dictate the increment of value; such as smaller coins being worth less than bigger coins. This is due to judging the value based on the the amount of the material there, which can sometimes confirmed by weight.

Other times, the shape may be for convenience; such as a bead or a coin with a hole so you can keep them together on a string, or having flat coins for easy stacking.

However, coins can come in any shape you wish; such as the shape of an animal, a spade, or even a knife. While there have been some rather awkwardly shaped coins in history, I do suggest keeping them somewhat small for ease of carrying.

Free Generators

If, after all this, you are still completely lost on where to start, there are free money generators you can try.

RanGen Currency Generator

Springhole Currency Generator

[gummilutt]

Simulated sales in OFB business made optional and lot-based

My health continues to be somewhat cooperative, allowing me to create and be active in the community, so I thought I'd start releasing some of the mods I've had in my game for a long time but never shared. Today's offering is my alternative to BoilingOil's simulated sales, creating a global add on to cash registers that allows you to set a sales type on a lot by lot basis, rather than the global all businesses approach that BO took :)

For those unfamiliar with BO's original mod, a simulated sale is one where the business owner gets paid, but the customer does not lose household funds nor do they receive anything in inventory. Helpful if you do not want your townies to come with inventories full of freebies they never actually paid anything for, or if you don't want your playables to burn their household funds as visitors on owned businesses :) Squinge came up with the idea originally, with his shopnosaveitem that made playables do fake purchases, and then BO added to it by making it fake for all customers. I found myself somewhere in between, wanting some sales to be fake, and others to be real. My poor farmers and crafters work hard to make their goods, having them vanish is depressing, but I don't need my Sims going around with cars in their pockets either. So I created this, which allows me to pick a different sales model for every business, giving myself more flexibility. I love flexibility!

Default behavior is normal sales. Through the settings (which appear on cash registers) you can choose to make them always be simulated, or to make them simulated only for playables, or only for townies (meaning anyone that isn't a playable Sim). The original normal/simulated I have been using without issues in my game for 6 years. Giving the option to treat playables and townies different is a recent edition, not as thoroughly tested but has worked fine in my recent tests. Changing the setting only applies to customers that got in line to pay after the setting changed. Anyone that was already waiting, will use the prior setting.

Download from simfileshare

Conflicts with shopnosaveitem and simulated sales. Replaces both, so just remove them. Will conflict with anything that alters pie menus on cash registers, and likely with anything that adds BHAVs to cash register semi-globals. If you find one let me know and I will add known conflicts here. No promises to resolve them, depends on my health. Load order will not help, if there is a conflict it will need to be resolved, or you have to choose. UPDATE: Conflicts with simler90's Business Mod. I will not be making a compatible version, it's too complicated. If mine loads last, you will get my functionality but lose any of his that revolve around cash register purchases, so it's up to you if you feel his mod or mine is most important to you :) UPDATE: Conflicts with Numenor's global mod that adds practice interaction to cash registers. If you use Numenor's mod, please download this compatible version instead. Load mine last, and both will work :)

No clue what EPs are required. I am on M&G, that's what I mod for. Should be fine in UC. Whether or not it works on something lower, I do not know.

[odieoats]

𝐎𝐟 𝐌𝐞𝐧𝐭𝐬𝐮𝐲𝐮 𝐚𝐧𝐝 𝐌𝐞𝐫𝐜𝐡𝐚𝐧𝐭 𝐂𝐨𝐩𝐢𝐞𝐬

summary: After messing up his soba order, Pro Hero Shouto can’t get enough of it- or, just maybe, can’t get enough of you.

cw: Pro Hero!Todoroki x server!reader. 18+ smut, praise kink, afab!reader (they/them pronouns, afab anatomy), oral sex (m and reader receiving), penetrative sex, slight temperature play. reader is attacked by a villain, but it’s short and pretty nonviolent. I have worked in many a kitchen, but never a Soba kitchen- sorry to my Soba waiters out there.

wc: 5.4k

Hi guys, I’m so incredibly excited to debut my first fic on this blog! Even better, it’s for The Teahouse server’s secret fic exchange. This is written with all my love for the lovely @/kaiapaia I’m hoping you enjoy what I came up with according to your prompt 🥺

The kitchen is on fire, almost as literally as it is figuratively, when you clock in to work at your third swing shift in a row.

The old shopworn curtain separating the front counter from the kitchen is kept solely for posterity at this point. Through the fibers of the cloth, gaping holes the size of a toddler’s fist, you can see the disembodied head of your kitchen manager frowning sternly at the expeditor. The rest of her is obscured by the remaining threads of the curtain, but you can easily imagine her stance- arms folded across her body, leg extended and toe tapping- ready to chew your head off for being three whole minutes late.

Dashi broth and fear have smelled eerily alike ever since you started working at the once family-owned soba restaurant in Musutafu. It had changed hands more times than you could count since then; the early days, before your clunky cash till was replaced by an iPad screen with convenient, dummy-proof pictures, long gone. The current management (if you could call it that) had driven out most of the original staff. It’s only you left, loyal to a fault and desperate for the extra cash seniority brings you at this job as you finish up your degree. It keeps you and your goldfish fed, and that’s about all you could ask for.

You tie your apron around your waist, stealing a few pens from the cup near the to-go register and shoving them into the pocket that held your server pad. Your manager sees you- of course she does- through the curtain before you’re even in the kitchen.

“Guess who called out today?” She scoffs, moving to stand near the empty sauce bar. Your tardiness is pardoned by the absence of your coworker, for now, for what it’s worth. She lifts the lid of the prep fridge, more tears of condensation collecting on the inside of the metal nine pan than pre-portioned broth cups. “Prep’s fucked.”

You already knew what Suzume was asking you- and it wasn’t your job to prep. The hostess had already given you your tables, some of them already seated and awaiting food courtesy of the lunch shift. You hadn’t even touched back of house work since the original owners had left. The ratios that had once been second nature were now fuzzily teetering at the edge of your memories. What went into the mentsuyu? A cup of soy? A few teaspoons- no- tablespoons of mirin?

Your idling forms are an unwelcome sight in the otherwise bustling kitchen. Another waitress muscles her way past you, shoulder knocking into yours in a way that feels intentional, as she plucks three or four containers of broth out of the fridge. It makes the sight even more miserable.

“Who's going to take my tables?” You ask, though your tone betrayed the fact that you were already relenting. Being stubborn about the situation would not change the fact that things still needed to get done.

Suzume shrinks at your question, a sheepish smile stretching across her face as a nonverbal admission that no one would be.

“Absolutely not.”

“Please, I need you– there’s absolutely no one else available today!” Suzume says, almost petulantly, slumping against the sauce bar in a way that bares her age. She’s only a few years older than you- much less demanding than your older managers, despite her Type A tendencies. Her obvious distress almost instills pity, a sort of guilt washing over you for not being able to do anything about the lack of staff. Still, you weren’t being paid nearly enough to do two people’s jobs at the same time.

Another bout of protests are poised behind your lips, but you’re interrupted by the hostess poking her face through a hole in the curtain.

“Need a cold soba broth base, on the fly, now. Shouto’s here.”

Both you and your manager peep through separate rifts in the curtain, scanning the lobby for the notorious semi-regular. When your manager spots him, already seated at his usual booth in the far corner of the restaurant, she tugs at your sleeve and points her index finger through the hole. There’s no missing the shock of white and red hair peeking out from above the booth- it’s definitely, unmistakably Pro-Hero Shouto. You’re pulled back into the kitchen and away from the view of the lobby where other patrons had also just caught wind of Shouto’s appearance, whispering amongst themselves all at once. Suzume’s hands are on your shoulders as she pleads.

“Here’s the deal. You prep the sauces, and I’ll take half of your tables– for an hour. Until Shouto leaves.” Suzume says, and, for good measure, sucks some air into her cheeks before sighing. “You can even take his booth. He’s considerably generous, if you catch my drift.”

You’ve heard from your other coworkers that much, at the very least. In all your time working at the restaurant, you hadn’t had the opportunity to be his server. Whether you were training a new hire, helping back of house with prep, or preoccupied with too many tables already, Shouto had somehow evaded you. The thought of serving him made you nervous, even though, realistically, it shouldn’t. He seemed nice enough in interviews and the ads that break up your late night television binging. And yet, the sight of his muscular frame squeezed a little too tightly into the narrow corner booth never failed to make you anxious. Butterflies, you’d probably call them, had you still been an infatuated teenager- but you’re older now, and a Pro Hero is, quite frankly, way out of your league.

“Fine, whatever.” You grumble, “Just get the recipe booklet from the office for me.”

You make your way out of the kitchen, making sure to apologize about the wait to the patrons you passed. Your heart races the closer you get to Shouto’s table, serving book clenched tightly in your hands.

“You’re not my usual waitress.”

His tone and expression are even, despite the intensity in his heterochromatic eyes as he scans over you. You’re suddenly a little insecure in your uniform. Your white button-up is a little too tight from constant cycling in the laundry and the cheap brand of black slacks you own are infamously unflattering. It’s true that regulars weren’t usually clambering to see you in particular, but it still hurt a little to disappoint him.

“I’m sorry, we’re a little short staffed today, so your usual waitress probably isn’t in–“

“I see you around here all the time. You just aren’t my usual waitress. It’s a nice change.”

“O-oh, thank you.” You say, face warming, tapping your notepad with the back of your pen. “I think it’s just a formality for me to ask what you’d like. Cold soba? Extra shredded daikon on the side?”

“You know my order.” He says, halfway between a question and a statement. There’s a small smile that breaks the even line of his mouth, and honestly, he’s a little too handsome to look at. You force yourself not to stare, eyes wandering toward the napkin holder next to him that would probably need to be refilled once he left.

“‘Course I do.”

We all do, you think, though you weren’t so keen on letting the pro hero know that he was a frequent name on the tips of every worker’s tongue. Instead, you just shrug and smile at him. “Anything else today?”

“That’ll be all. Thank you.”

You bow politely at him before scuttling into the kitchen.

You prepare some dipping sauce, one for Shouto and several others as backup, but quickly stepping into the walk-in for extra ingredients seemed to be a mistake. By the time you’ve come back, all of your prepared sauces were gone, and even worse, so was the recipe booklet. You curse, unable to recall what you had just put together. Shouto was surely growing impatient, and you had no time to spend looking for the recipe. Instead, you freestyle a cup of mentsuyu. You’ve done it so many times in the past that the process should be muscle memory… right?

You rush out of the kitchen and timidly set the tray of soba down onto Shouto’s table, waiting for him to take a bite. There’s a sudden rush of anxiety swirling in your stomach as you watch him gather the soba noodles into a neat bundle with his chopsticks and dip them into the mentsuyu. He raises the chopsticks to his lips, and you swear that time slows as he opens his mouth.

Shouto’s face breaks its cool exterior, knitting his eyebrows together at the taste, but the expression passes as soon as it’s come. You let out a snarky breath. Hopefully that meant that he was okay with the taste, even if it wasn’t precise.

“Do- do you need anything else?”

“No.” He hums, in a way that you choose to interpret as contentedly. “Thank you, for everything.”

“Of course!” You squeak, bowing again before heading back into the kitchen.

The recipe booklet is, somehow, miraculously where it had once been on the prep table. You flip to the mentsuyu page in record speed, eyes flickering to the measurements for each ingredient.

Fuck. You weren’t even close.

And whatever acrid concoction you created is currently being consumed by Pro-Hero Shouto. Son of Endeavor. The Shouto Todoroki. A voice in the back of your head is screaming at you that you’ll be arrested for attempted poisoning.

You’re beyond embarrassed when you go to hand him the check, but are surprised to see an empty wooden tray. He had eaten all of it.

He’s polite as he takes the check from your hands, thanking you again and- god, his stare really was intense.

Moreover, the rather sizable tip signed at the bottom of the merchant copy of his receipt seems to imply that he really, really liked it.

“Woah.” Suzume says, later that night as she’s checking the register’s balance. “He usually tips well, but never that well.”

“Yeah, I… really don’t know why.” You call from your place sweeping underneath the booths in the lobby. During your break, you had even attempted to recreate the abominable sauce for your comp meal. It was awful- too salty, too bitter, and somehow a little oily. You were starting to think that the only flaw Shouto Todoroki had was his apparent poor taste.

“Well, whatever you’re doing, keep doing it.” Suzume laughs, handing you your share of the tips from dinner service.

—-

And so you do.

His visits to the soba shop became even more frequent after that. Stranger still, Shouto had taken to requesting you in particular to be his server. He was a little more talkative than you imagined him to be- interested in what you did outside of work, what you were studying, what your hobbies were. Whatever you had done with the mentsuyu, he apparently couldn’t get enough. Suzume had even clued you in on the fact that Shouto would ask about you even when you weren’t scheduled. Soon, even your other coworkers had noticed, envious of the attention (and, more importantly, money) that Shouto paid you. You were embarrassed to admit how you’d discovered what Shouto liked, especially considering your seniority over everyone else in the restaurant, so whenever anyone asked you what your secret was, you simply gave a vague answer and continued working. Some one-sided tension brewed between you and your coworkers, but you ducked your head and hoped that the whole ordeal would blow over- maybe Shouto would snap to his senses and realize the garbage he was eating.

“I need you to go out for a delivery.” Suzume says one day, before you’re even clocked in.

“We don’t deliver.” You say, though you already knew that you didn’t have to remind Suzume of that. The smirk on her face was enough for you to know that she had something devious up her sleeve.

“We do today.” Suzume proudly proclaims, setting an already prepared paper bag in front of you. It had been shoddily stapled together, but the smell of buckwheat and freshly shaved daikon clued you in to what was contained within. “Shouto called. Wants you to deliver it to his agency. You just gotta make the mentsuyu.”

“His agency?” You repeat, searching Suzume’s expression for any hint that she’s joking- and she’s not. “Suzume, I don’t have a car. I’m not riding the bus to deliver this thing.”

Suzume fishes around her pockets and pulls out the keys to her infamous teal moped, parked just outside the shop. “Treat my baby well, okay?”

—-

You walk past the sliding glass doors of Shouto’s agency and are immediately impressed by the size of it. Though Shouto had only been on the scene for a few years, his agency was large and neatly organized. It was jarring to see sidekicks and heroes that you had only seen on the news brush past you, all larger than life. You felt extraordinarily unextraordinary making your way to the receptionist’s desk as heroes walked and rolled and flew past you.

“Welcome to the Todoroki Agency.” The receptionist smiles, eyes flickering to the bag of food in your hands. “Dropping off a delivery?“

“Yeah, for Shouto.” You say, resting the food on the counter in front of her.

She nods, punching in the number to Shouto’s office. Holding the phone to her face, she turns her attention back to you. “You can probably just leave it there, I’ll have someone– oh! Hello, Shouto-san. Yes, your food is here. I can have– oh, alright then. Are you sure you don’t want me to have it brought up to you? Of course, my pleasure sir.”

The receptionist puts the phone back onto the receiver and cocks her head at you. “Shouto-san said he’d like to talk to you, if you have the time.”

You blink at that, not sure if you should take him up on that offer. You were still on the clock, after all, and it was nearing the time the shop usually had its lunch rush. Still, the fact that he wanted to talk to you at all made your stomach do flips. Butterflies.

Suzume owes you for making you go out of your way for the delivery. She can wait a little longer for you to return, you decide.

The elevator chimes from the end of the hall, and out emerges Pro Hero Shouto in all his glory. His eyes find you instantly, a small smile turning the corner of his lips.

“I’m glad to see you here.” Shouto says as he approaches the reception table. “I’m busy with paperwork today, so I couldn’t come to eat in person.”

“We don’t usually do deliveries.” You explain. A flash of concern crosses Shouto’s face, perhaps upset at himself for interrupting the regular flow of the restaurant, but you quickly backtrack. “But my manager was more than happy to make an exception- and I’m always happy to spend more time with you.”

Too far. Embarrassment finds a home in your stomach, but Shouto simply smirks, seemingly pleased with your answer.

“Nice helmet.” He gestures toward your head at Suzume’s teal eyesore. You’re mortified- you hadn’t thought to take the helmet off, thinking that doing so would be unjustifiable for such a short delivery. You must look like such a nerd, standing there inside his agency alongside heroes with a helmet on.

“Well, you know. Safety first.”

God, you were bad at this. This is the first time that Shouto has ever stood next to you. You’re used to seeing him sat in his booth, where the two of you were closer to eye level. Now, standing up straight and tall, a tower of muscle, you couldn’t help but feel nervous.

At least Shouto finds it funny.

“Would you want to continue our conversation in my office?”

You balk at that, heart skipping several beats at the thought of being alone with him in his office. Sitting across from him as he ate soba at his desk, chatting like friends. Like lovers–

“I’m sorry. I can’t.” You grab the bag from the counter and hand it to him. “I’m on the clock, and Suzume is gonna start sending the dogs after me if I’m gone for too long.”

Shouto hums, reaching for the bag of food. His left hand brushes yours, considerably warmer than your own. It’s a reminder of his extraordinary Quirk– of the divide that separates you. You linger there for a moment before you pull your arm back, embarrassed by how much you wanted his touch.

“Well, you’re welcome back any time.” Shouto offers, but you’re already walking out of the door, too embarrassed to look back- to notice the way Shouto stared at you as you left.

—-

A few days later, for some reason or another, Suzume needed to go home early. She had told you that much at the beginning of the shift, before pleading that you cover her closing duties. There were tears, there were promises of covering your future shifts, and some extra cash slipped in as incentive. Though her reasons for leaving were shoddy at best, you still agreed to cover her.

– and so you had stayed an extra 45 minutes, balancing the register, taking inventory, and writing the following day’s morning prep sheets. Your main motivation took shape in the takeout bag that sat behind the to-go register. Paid for but forgotten, completely up for grabs. Before you lock up for the night, you remember to snag the bag off of the counter. You jiggle the handle to the restaurant a few times, just to make sure there would be no unexpected break-ins that the higher ups could pin you for.

The street is quiet. The wind that carries the chill of the night brushes against your cheeks on your brisk walk home. The soba shop’s close proximity to your apartment was what initially drew you to it - the bus was your first option most days, when it decided to arrive on time, but the walk wasn’t too bad either. It was only fifteen minutes on a relatively well-lit and busy street, so even at night, you still felt somewhat secure. You hold your bag of leftovers close to your chest, comforted by the warmth emanating from the vegetable tempura meant to compliment your cold soba. Despite having to stay late in order to pick up Suzume’s slack, you were in high spirits.

‘I really have to ask for a raise’ is the thought that distracts you from the man leaning against the lamp post.

When you stumble, you almost mistake it for your own carelessness. It’s only when you look down and see his hand, unnaturally extended and stuck on to the back of your upper thigh, that you realize someone else was responsible for you near-fall. You gasp aloud, dropping the bag of food in your hands. It falls to the ground with an ugly clatter, broth staining the sidewalk beneath it. Your hands rush to the site where you’re connected, scrambling to pry the unwelcome limb away from you. It hurts a little when you try to rip him off, mortified to find out that his palm was stuck onto you like a piece of velcro. Even trying to take a step forward tugged unpleasantly on your skin.

“I just wanna talk, baby.” The man laughs. “Can’t a guy have some fun?”

“Get the fuck off of me!” You yell back, hands anxious and fumbling. If you could just get a good grasp on him, maybe you could just bite your lip and rip him off like a bandaid.

Before the man can get any closer or move his other hand to another part of your body, a rush of cold air overwhelms your surroundings. The grip on your thigh is replaced by an intense cold, seeping through your pants. Your skin throbs underneath your slacks, the ice freezing the fabric to the back of your thigh. Even though it hurts, you know you’re safe. You don’t even need to look up to know that Shouto’s there, but you do anyway. Your eyes meet his, and you find a tenderness there, a comfort, before he turns his attention back to the offender. He’s encased to the throat with ice, rendering him completely immobile.

“I’ve contacted the authorities, they’ll be coming to collect you soon.” Shouto says coolly, though his right hand is still extended toward the man as a warning- a reminder that there was nothing stopping the hero from completing his transformation into a full iceberg.

When the man simply chokes on a pained gargle, Shouto lowers his arm.

“I would have frozen his tongue off if he tried to say anything smart.” Shouto whispers to you, and you snort despite yourself. His left hand hovers above the junction where you were frozen together, a small flame melting the ice until you’re able to break away from the glaciar of the man next to you.

You reach your hand behind you, touching the tender spot at the back of your thigh. You hiss, retracting your arm as quickly as you had put it there.

Shouto frowns at your pained expression. “I’m sorry, it wasn’t my intention to hurt you.”

“You saved me. I’ll take a freezer-burnt leg over whatever the alternative would be.”

Shouto softly exhales, eyes flickering to where he had frozen you. “Is the back of your leg still cold? Could I– would you like me to warm it for you?”

Your eyes widen at that, too taken aback to speak properly. Instead, you simply nod, letting Shouto kneel behind you. His left hand is steadfast and professional, hovering just above the afflicted area. Despite that, you can’t help but feel your nerves ignite, knowing that he was so tantalizing close to touching you. The heat from his hand inspires another heat deep within your core, especially when you glance back at Shouto kneeling on the ground behind you and notice his lingering gaze at the assets that lived just above your thighs–

When the police arrive, you’re quick to make your statement. Gathering the bag of food that you had ejected out of your hands earlier, you’re disappointed to find that you had lost nearly half of both containers of broth. You’ll still eat it, of course, but the moisture soiling all of the containers makes everything a bit unappetizing.

“Are you walking home? I thought that you had a moped?” Shouto asks as you’re about to leave. You stand, damp takeout bag in hand, surprised that he had remembered Suzume’s moped from your visit to the agency.

“It’s my manager’s. I usually walk or take the bus home, but I had to stay late tonight.” You explain.

Shouto frowns, something that wrinkles the sides of his mouth, like it was his own personal failing that had you in the clutches of the villain that he had literally saved you from.

“Let me walk you home.” Shouto says, moving to grab the takeout bag from you. You knew that you’d probably be okay with walking the rest of the way home, but Shouto’s face read as though he had already made up his mind- he was going to walk you home. And you really didn’t mind being doted on by him for just a little longer.

When you approach the door of your apartment, you pause. You know you should probably call it a night, thank Shouto for what he had done and that you’d see him next time he decided to stop in for lunch, but you can’t help wanting to be a little selfish. You wanted to occupy a little more of his time, if he’d let you.

“Do you want to come inside and eat some of this?” You ask.

Shouto looks confused for a moment, and you swear you notice a slight red tint to the man’s cheeks before you gesture to the takeout container.

“Someone forgot to pick up their takeout order- there should be two zaru soba sets and some tempura, if you’re interested.”

“Ah,” Shouto says, looking down at the bag in his hand. “I would very much enjoy that.”

You unlock your apartment door, flickering the lights on and kicking some of the clutter you had laying on the floor underneath the couch before Shouto could come in. You tell Shouto that he could start eating the soba at your coffee table if he’d like, and that you could throw some tea on if he wanted.

He declines, sitting on your rug, salvaging the containers of broth and mentsuyu and noodles. When you sit down across from him, you watch as he dips the buckwheat into the sauce and takes a bite. His eyes widen, and you’re about launch into a tangent about how the sauce probably wasn’t how he liked it today, when he suddenly says:

“This tastes a lot better than it normally does.”

Something inside you breaks.

“You… prefer it this way?” You ask slowly, unbelieving, shocked when Shouto nods.

“It’s usually shit.” Shouto says, completely deadpan.

You laugh. You can’t help yourself. It’s a full, straight from the gut, ugly chortle. You can barely find the breath required to respond to him. “You– I messed up your order, but you tipped so much and kept coming back, so I thought– I thought you liked it that way.”

“You’ve been purposefully poisoning me this whole time?” Shouto asks, an eyebrow raised at you as you try to compose yourself, but the soft grin that graces his lips lets you know that you won’t really end up the next person arrested.

“You kept coming back to the shop! And asking for me in particular! I thought you just had bad taste.” You explain, wiping your eyes. “Why did you keep coming back if you hated it so much?”

Shouto pauses, letting his eyes wash over you. He’s focused on your lips when he confesses.

“I wasn’t going for the soba.”

It takes a minute for you to process what he had said, feeling your body light aflame once more. You can’t believe this is happening. Having Pro Hero Shouto in your living room is surreal itself, but implying that he was interested in you? You wonder if you’re dreaming or if this was all an elaborate prank by management to punish you for messing up on the job.

Shouto packs away his portion of food, analyzing your body and expression again. “Is your thigh still cold?”

Absolutely not, you think, but nod anyway. A little too enthusiastically, but that doesn’t deter Shouto. He moves to you, extends his hand to help you up from the ground, and pulls you close by your waist. You’re flush against his chest, close enough to feel his heartbeat, the erratic thrumming a twin to your own. His left hand grazes the back of your thigh, right underneath your ass. His hand is warm, firmly grasping the meat of your thigh. Though only slightly warmer than the rest of his body, his touch feels searing to your invigorated nerves.

“Tell me if I’m going too far.”

“You’re not.” You whisper, wrapping your arms around his neck. “Go further.”

His lips meet yours then, and your body turns to putty. He lifts you with ease, a perk of having that immense Pro Hero strength, and rests you on your couch.

“What’re you doing?” You pant when he breaks away, his hands at the button of your slacks.

“You asked me if I wanted to eat some of this.” He says, kneeling down in front of you. “And I do.”

You shimmy out of your pants, and Shouto wastes no time. His mouth presses a hot kiss against your clothed sex before peeling the offending material to the side, the flat of his tongue stroking up and swirling around your clit. You whimper, hips bucking into his face. Shouto is a man on a mission, mouth unyielding, groaning at the taste of you.

“You taste so good, angel.” He mutters against you, “Better than the soba.”

“Let it go.” You groan, though you can’t stay angry at him for long, not when he’s wrapping his lips around your clit. You can feel him smiling, the little shit, at making you flustered.

When he sinks his fingers into you, curling his digits and stroking the spongy roof that lived there, it’s over for you. Your thighs squeeze the sides of his head as you cum and Shouto moans, his free hand squeezing the tent that had grown between his own legs. Rolling waves of pleasure overtake you as you gasp Shouto’s name, his fingers and mouth unrelenting until your body calms.

He’s peppering the inside of your thighs with warm, wet kisses, and you swear he’s about to go in for seconds before you interrupt him.

“Bedroom, Shouto.”

At your command, he’s lifting you again, carrying you first to your bathroom (you should’ve clarified the direction) and then to your bedroom, laying you down on your mattress. Shouto is quick to undress, pulling his pants and boxers down in quick succession. You sit up from your bed, biting your lip at the sight of his cock. You can’t help but kiss the pink tip, salty precum staining your lips, before taking him completely into your mouth. Shouto lets out a shaky breath as you work your mouth on his cock.

“You’re– a lot better at this than you are at sauce making.”

Any protest you might’ve had dies with the firm grip he holds on the back of your head.

“You’re doing great, angel. So good for me, so perfect.” He whispers, encouraging you as he shallowly thrusts into your mouth, careful not to overwhelm you. “Mouth feels so good on my cock.”

He pulls away, suddenly, his breath labored, and gently presses you back into your mattress. You strip yourself free of your remaining clothing and Shouto pauses.

“Is everything okay?” You ask, gazing up from your spot underneath him.

“You’re beautiful.” Shouto says, a hand moving to grasp your breast. He seizes your nipple between his thumb and forefinger, and you arch into his touch. “I’ve wanted this since the first time I saw you in the restaurant.”

You can’t imagine that- Shouto gazing at you while you did your silly little tasks at the soba shop. Wanting you like this, stoking the embers of longing within him like you had for him.

“Me too.” You whisper, and Shouto slowly thrusts into you, one hand steadying itself on your hip and another on your breast. Your body screams with the need to touch him, too, so you run your hand up the length of his abs from underneath his shirt. It’s unfair, you think, that his shirt is still on. His body was sculpted by the gods themselves, all muscles and lean sinew. You think of the shirtless photos that exist of him on the internet, either for hero photo shoots or paparazzi shots of his suit ripped open during battle.

And now that same man is above you, rolling his hips into you, whispering into your ear about how wet and tight and perfect you are around him.

“I’m not gonna last much longer, angel.” He mutters against your neck. “Let me kiss you more.”

Your lips move sloppily together, rhythm dictated by Shouto’s deep thrusts inside of you, tongues working together as you drive each other closer and closer still to the edge. You cum again, throbbing around his cock, arching your back as he continues rocking against you. Shouto’s not far behind you, a strangled gasp spilling from his lips as his hips still.

Shouto rolls over, hand finding yours in the darkness. His thumb strokes over yours, watching you gently as your breath evens out.

“Shouldn’t have spent so much money on some shitty soba.” You mumble, nuzzling your head into the crook of his neck.

“I’ll get lunch somewhere else for a change.” Shouto says, pressing a kiss to your head. “Preferably with you.”

“I think that can be arranged.”

You were starting to get sick of soba, anyway.

[mynameistocool]

-Ask and you will receive-

Richie Jerimovich x fem!reader

Warnings: swearing, a gun, suicide, and Richie being a duck but that’s not really new.

Assistance - Chapter 1

The worn bell above the door of The original Beef of Chicagoland jangled, its chime as tired and weary as the shop itself. You, age 28, stood behind the counter, wiping down the laminate surface with a well-used rag. The sandwich shop, nestled in the heart of Chicago's West Side, had seen better days. Its once-bright sign now faded and chipped, much like your own dreams that had dulled over the years.

Born and raised in Chicago, you are a product of the city's gritty charm and resilient spirit. You grew up in a modest apartment a few blocks away with your Pa, where the scent of freshly baked bread from the shop had been a constant in your childhood. Your parents, hard-working and loving, had instilled in you a sense of duty and loyalty that you now applied to your job, though it was not the life you had imagined for herself. At 20, fresh out of high school and full of ambition,You had taken a job at the small sandwich shop as a busser to save up for college. The plan was to stay just a year or two, but life had other ideas. Family responsibilities, financial setbacks, and the comfort of familiarity had somehow kept you there, cleaning table and dishes to then serving sandwiches and smiles to a loyal yet dwindling customer base.

The small sandwich shop had become a second home, it’s dented metal chairs and scuffed linoleum floors as familiar as your own living room. The small, cluttered kitchen where you prepared orders was a place where you could almost move with your eyes closed. The regulars, a mix of blue-collar workers and neighborhood eccentrics, often greeted you with the warmth of old friends. To them, you weren’t just an employee; you were, the girl who knew their orders by heart and listened to their stories with genuine interest. That was four months ago before the owner Micheal or Mikey Berzatto as everyone called him blew his fucking brains out in the crack of night. He was a good man.

And each day, as you wrapped sandwiches in wax paper and rang up sales on the ancient cash register, you couldn't help but wonder what your life might have been like had you taken a different path or if Mikey had not died.

The shop’s worn walls, covered in vintage posters and faded photos, whispered tales of its heyday, a stark contrast to its current state. The overhead lights flickered occasionally, casting fleeting shadows that danced across your tired yet hopeful face. You sighed, pushing an escaped strand of hair behind your ear, and glanced at the clock. You moved with practiced efficiency, slicing tomatoes and arranging fresh lettuce with a precision born of years of repetition. The prep work was a familiar routine, a symphony of motions you performed without conscious thought.

"C'mon, guys, we open in twenty! Let's get it together!" Carmy bellowed from his station at the front of the kitchen. Carmy, the young head chef and now owner, had taken over the shop after his brother Mikey's untimely death. His relentless drive carried the weight of a legacy he was determined to honor. His voice, sharp and urgent, echoed through the room, a reminder of the high standards he upheld.

You glanced over at Marcus, a young man with a bright smile and an infectious enthusiasm. He was busy kneading dough, his hands a blur of motion as he worked on the bread and pastries. Flour dusted his apron giving him the look of a snow-dusted sculpture. He caught your eye and flashed a grin, the kind that made the morning rush a bit more bearable. Ebra, the oldest among them, was meticulously slicing meats with the care of a surgeon. His years of experience showed in the way he handled the knife, each cut precise and perfect. You had learned a lot from Ebra, his quiet wisdom a steadying force in the chaotic kitchen. "Tina, how are those potatoes coming?" Carmy called out, his sharp eyes scanning the room. "Almost done, Jeff !" Tina replied, her hands deftly chopping peppers and onions. She moved with a grace that belied her tough exterior, a no-nonsense woman who kept the team in line with a well-timed glare or a sarcastic comment.

You focused on your task, your hands moving automatically as you prepped for the day. Despite the clamor and chaos, there was a rhythm to the kitchen, a dance they all knew well. It was in these moments, surrounded by you “makeshift family”, that you felt a strange sense of small peace, even if just for a fleeting second. "you got those tomatoes ready?" Carmy's voice snapped you back to reality. "Almost there," you replied, picking up the pace. You knew the drill: speed and precision were the order of the day. The customers would soon be lining up, and everything had to be perfect.

“Behind, behind, behind.” A quiet and new voice could be heard from behind you making your head quickly turn your hands still sliding the chopped vegetables into the small plastic tub. “Who are you ?.” You take note of the new woman your head bobbing up waiting for a response.

“Sydney.” She quickly replied with small smile and you introduced yourself back out of respect and kindness you were new once you know how much of a ball-ache these people are turning back to your work quickly moving along but you did mange to catch Sydney chasing after Tina who only spoke Spanish to her the interaction making smile. “Corner !” And then it quickly disappeared at that voice.

The kitchen door swung open, and Richie strolled in, tall and lean with a buzz cut. At 37, Richie was an enigmatic mix of charm and grit, his presence both a comfort and a complication. He and Carmy were close, calling each other "cousin" though they weren't actually related. Their bond was one forged in shared history and mutual respect.

"Yo, family morning ," Richie called out walking round a fretting every person with a friendly smile and hug apart from you. “Fucking with my program cousin.” He called out to Carmy, who just mumbled back and short answer “program started four hours ago.” barely looking up from his prep station. “Yeah well I had the kid all morning excuse me.” Richie turned meeting Carmy heads half way up “listen what’s happening with Ballbreaker my insta fucking blowing up.” Richie spoke “you got like thirty followers.” Marcus added turning away “yeah, I got… what is that a diss ? Yeah I got thirty six followers you fucking jackass.” Richie bit back his laugh echoing through the kitchen joined by Marcus’s.

“We need business, nerds come in from Rockford to play.” Carmy responded making his way round others “yeah in 1987 when you were still in that deadbeats balls.” Richie reached out for Tina who was reaching up to kiss his cheek “how are you ?” Richie switched to her other cheek leaving a quick kiss “yeah how was the recital ?” She asked meaning Richie daughter “oh god ! She fucking murdered it Tina. Hold on…” Richie quickly followed Carmy moving figure.

Your jaw tightened at the sight of Richie. To put it simple your relationship was a constant friction, sparks flying whenever you two were in the same room. You didn't appreciate his laid-back attitude and constant aggression/ hostility and he found your seriousness grating. You both had mutual dislike which was a poorly kept secret in the small, bustling kitchen.

"You got those preps ready?" Carmy asked sliding past you. “Like I said almost there," you replied, picking up the pace even more. Richie ambled over to the counter, eyeing your work. "You sure those tomatoes are fresh ? They look a little tired, like someone I know." You shot him a withering look. "Just worry about your own shit, Richard. I'll handle mine." Carmy intervened before the exchange could escalate. "Alright, enough. We've got a busy day ahead. Let's focus." You moved along stepping in-front of Carmy and Richie making your way to the walk in the pair of men following you close behind.

“Scuse me.” You slid past Sydney reaching up for the fresh parsnips. “Whoa who the fuck is this ?” That grating voice came again. “Sydney.” You quickly spoke going onto your tip toes. Who the fuck put veg this high ? “this is Sydney. I’m staging today.” The young woman spoke up for herself “Your what-ing today ?” Richie asked his voice confused as he looked between Carmy and her “she staging you dipshit she just fucking said.” You sneered still trying to reach for the veg “At-least I can reach the fucking veg.” Richie hissed back watching the twenty eight year old struggle. “She’s helping us out today.” Carmy intervened “can I use these Bananas ?” Sydney held up the fruit waiting for Carmys approval “cousin you order different mayo ?” Richie asked “no. all you chef.” Carmy responded to Sydney ignoring Richie “yeah all you chef.” Richie spoke up standing tall by the entrance as he threw his hands in the air. “He was using them to make a giant nut muffin.” You rolled her eyes at the comment. What a fucking idiot. “It was a play on a panettone. It would have been beautiful if you’d let me finish it.” Camry quickly defended himself “oh cousin.” Richie smacked his back making Carmy drop some stuff “Fuck you !” He shouted out.

“Richie Jeremovich. Pleasure to meet you sweetheart.” He held out his hand to Sydney who just shook his hand awkwardly “oh Richie really ?” You nearly threw up in your mouth at his sweet words “don’t say sweetheart you fucking wierdo.” Carmy made the same expression as you as he stood between the pair grabbing some more ingredients. “Oh sorry you guys are so woke.” Richie threw his head in air “I meant nothing by it Sydney saying sweetheart is just part of our Italian heritage.” He held his hands up following Sydney as she left the walk in. “That beautiful. Thank you.” She walked away back into the bustling kitchen. “Italian ? I have more fucking Italian in me than you” you walked past him out the walk in “I bet you have.” Richie threw his head up “what the fuck is that meant to mean ?” You turned around staring at the man “you know what it means.” He shrugged his shoulders “you’re a fucking dick.” You spat “we know.” He shrugs once more “Fuck off Richard.” You walk away not in the mood to deal with him “don’t use’s that fucking name.” He held his hand high as you left.

You quickly finished the last of your prep and started organising the ingredients into their designated stations. Ebra, with his usual meticulous care, was laying out the meats in perfect rows, each slice almost a work of art. Tina, now done with the other vegetables while Marcus was pulling out bread. After few loud shouts and bangs from the walk in walked out stopping infront of the spice rack well shelf he was trying to distract himself and by your guess make it look like he was actually doing something for fucking once. His tall frame was making quick work of the high shelves. Searching through the changed inventory his face showing his pissed off emotions more and more as his eyes searched the area.

Maria started cleaning the tops placing the fresh prepared sliced veg near Tina finishing in two minutes flat she made her way round the kitchen for search off any other messes she’d have to fucking clean.

“Was richie always an arsehole ?” Marcus asked Fak as he fiddled with bolts on the mixer “always and forever dude.” Fak turned hearing your footsteps checking it wasn’t the man of hour Richie “just ask her.” Marcus looked to you “I ain’t saying shit about him.” And right you were as Fak began running his mouth again Richie approached “he the worst he’s not a nice guy. He’s just sad inside.” The words left his mouth and the tattooed man felt his presence behind “Fak.” Richie sent a warning look his way before turning to you his brows furrowed to which you just shrugged like he did earlier.

“Yo Family’s up.” Sydney called from the other room and everyone flooded through ready to taste the chefs food. As soon as you walked in the smell hit and fuck it was a delicious smell quickly making your way over to a seat grabbing the small pots Sydney had prepared “this look’s good Sydney.” You smiled at the young woman. The rest of the team took their seats all digging into the prepared meal “alright I’ll start I’m grateful for Philip K Dick. Fak you’re up.” Richie spoke his mouth full. Fucking disgusting. “Me ? Ahhh I’m thankful for my cats Ralph.” Fak sputtered out not expecting him to be included “they both named Ralph ?” Tina tilted her head in a questioning manner. “Yeah it’s just like it’s easier that way.” Ralph explained himself making Tina laugh “alright Tina you’re up.” Richie ushered the attention to the older woman sat at the corner of the table. “I’m grateful for all you.” She flung one hand up before dipping her head down with a warming smile making table erupt in awes and coos “awww look at you softy.” Richie tease over the table. “I guess I’m grateful that Richie didn’t come in here wearing that cologne that he always be wearing you know that smell like a pine tree and shit.” Marcus added his two pence into the lineup making the whole table laugh “Y/N ?” Tina addressed you “ummm I’m grateful for… fuck.” You tried to think “you’re grateful for fuck ?” Richie raised his brows “no you arsehole i am grateful for being here in this sandwich shop with all you fuckers.” You mumbled out digging into your bowl and the table laughed “and for not having knife on me to stab Richard.” You quickly added having more laughs out the table and a jack off gesture from the man himself.

You were too spaced out eating your meal with the chattering background that eased your worries away to realise Carmy had gone outside to deal with the growing crowd or more likely mob of nerds. It wasn’t until Richie scraped his chair across the floor that your attention had came back to present the tall man quickly got up and left marching to the kitchen and you followed already knowing his procedure to dealing with these things.

“what the fuck are you doing ?” You asked following the man making him turn to give you one quick look “what the fuck are you doing ?” He repeated your question annunciating the you “seriously ?” You watched as he searched the kitchen “yes seriously.” He quickly pulled open a pot digging through and grabbing his gun “oh what the fuck.” You threw your hands in the air “shut up.” He held it in his tight grip walking past you. “You gonna shoot them Richard ?” You followed after him again. “Didn’t I tell you to fucking stop with that.” He abruptly stopped making your body smack into his the gun held closer to your face “now fuck off.” He marched outside holding the gun high as he fired one shot nodding his head.

“Merry Christmas lizards.” Richie shouted through the microphone he continued his little speech warning them all of the consequences if they did not follow his rules before bidding them goodbye with one last “fuck you” and ushering Carmy into the shop. The pair argued and it didn’t stop till Richie shoved the tins of spaghetti in Carmy arms “Sydney sorry about the gun babe I had to get real.” He offered a short apology to the new chef walking towards you putting the gun down his stupid spots pants you who still stood in the doorway between the kitchen and the dining space and before you could even open your mouth and shoot a insult or snide remark his way Richie was very close to your face his long finger which were connected to those large hands of his stunk of tobacco and vanilla “not a fucking word out of you.” You looked to him his face so very very close to yours as his brows furrowed and eyes stared down his large body towering over your and this time you did not push it but instead just waited for him to march away in his hissy fit and flip him off.