#order of the old faith
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Introducing the Order of the Old Faith! They're a group of specially chosen followers that are entrusted with tasks that the Bishops themselves don't have time to do. Examples being; special trades, delivering certain messages, taking out threats near cult grounds, and slowing down the red crownbearer. More about each one below the cut!
Sybil - defender of chaos - european hedgehog - she/they - demigirl | omnisexual - Bouncy! Higher-energy than the others. Loves launching into fights and riding on the line of danger. Jinn - defender of famine - desert frog - he/him - male | demisexual - Close to Heket. Tries to do his job the best he can but can get distracted. Hard to hit due to constantly fucking bouncing in battle. Strange liking to doing paperwork related things.
Victor - defender of pestilence - chinese alligator - he/him - male | bisexual - Heavy hitter and takes things incredibly seriously but has his moments. He can bite your arm off. Specter - defender of war - northern long earred bat - they/them - nonbinary | aroace - Quiet. Revived after being sacrificed by followers. Insanely quick and lethal. Stays within the shadows. Masks whatever emotions they have left.
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AU where Narinder never looses his marbles and chops everyone’s limbs off :,)
I redesigned all their cloaks to be more personal than them all wearing the same thing. Maybe in the future I’ll draw them without the cloaks so you can see what their bodies look like.
#bishops of the old faith#art#artwork#digital art#sketch#clean sketch#character lineup#cult of the lamb#cotl#cult of the lamb fanart#cotl fanart#fanart#cotl au#(names in order from left to right)#leshy#heket#kallamar#shamura#narinder
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Genuinely confused as to what the benefit is of pre-ordering Veilguard, or any other AAA game for that matter, given:
a) Pre-ordering used to be about reserving a physical copy of the game, which in today's climate where almost everything is digital, is largely irrelevant.
and b) The 'pre-order' bonuses are fluff and filler items that are likely not limited time only, and will probably be available after the game's release for future purchase at your leisure as a little DLC cosmetic bundle.
So what exactly is the point of pre-ordering AAA games these days?
Other than, as this post says, to let the boardroom execs know that people will throw their money at them without waiting to see if a product is actually good or not, or if it even works properly - just because it has a certain franchise/brand name attached to it?
#i haven't pre-ordered a game in many years#won't be pre-ordering veilguard#will wait for reviews#to see if the game is functional and/or good#although 'good' is of course subjective in many ways#tbh my faith in bioware has slowly eroded over the years#and the bioware of today is not the bioware of old#that being said i will keep an open mind
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being a busy ass student with student journalism gigs on one hand and comm academic shit on the other is very interesting because with the jam-packed life I live I only really get to breathe at like late lAAATE night when no one can bother me about my responsibilities other than myself. that being said that's also when creative brain goes into overdrive and now misfits finally has the final draft of its opening number woo
#so heres the thing kasi the opening number of that damn project hAS BEEN THE HARDEST TO WRITE#i believe at this point there had been morethan 10 drafts gjdjd because like heres the thing with that number specifically#misfits is a fourth wall breaky show within a show and the 5 narrators (and 1 misfit which i'll get to in a bit) knowingly perform#to appease the audience. hence the opening number throughout the years has reflected that - a performance that breaks the barrier between#audience and stage. even when misfits wasnt a show withjn a show concept this had always been the general treatment so that the audience#actually GETS whats happening - but i always come to changing it because well i also wanted to add foreshadowing factors: somehing that#suggests that the show isn't actually all that it seems. previous drafts had this show through the typical Tagalog - Real#and English - Scripted element in the show - language being used to determine authenticity. however that begs the question of how to#properly utilize the Misfits in the opening number - given that two of them dont know about the Show while the other is confused#and then at 2 am i remembered Hermes from Hadestown and boop a lightning bulb#instead of opting for opening numbers that had hints of sabotage or theatrical malfunctions that suggests that the show is Not What It Seems#i thought - why not have it 'malfunction' at the start and have it introduce the wrong character first 5 minutes before the Narrators come#so basically after the Producers (represented through um P.A. voices smth like that) welcome everyone - what is supposed to be the#introduction of the Narrators first ends up as the introduction of the 3rd Misfit (Zeke - 18 - nb) who appears genuinely lost#they appear genuinely in distress though they keep themselves composed at the realization that they are facing an Audience#and they Know this because he was formerly a Narrator as well - though at this point in the story nobody (bar one) knows that#they decide to take their time in chatting with the audience while charming them using their old Narrator tactics in order to get a grip on#whats going on - being a first step towards how involved the audience will be in the story as Zeke then goes to question them outwardly on#the morals of the story they expect and whether it is ethical to have children forcibly conform to religion in the first place#but they do so in an entertaining Bo Burnham manner - a way that doesnt catch people off guard until They Want To - because ayun he#plays by the rules of the show#this doesnt seem like the 'opening number' yet does it but im getting there fjd because once they sense that the narrators will be on stage#as a memento they teach them to sing a melody that will serve as Zeke's motif - something that will eventually scare the lead Narrator and#the Producers - because whenever the motif is sung it means that someone has Broken a Significant Part of the show#especially since the Motif was um lets say its from a now defunct show the Producers and Zeke and the Lead Narrator used to have#that melody will then be subtly present throughout the entire opening number of the Narrators - which will then be played straight#but with the Misfits make their pre-official-introduction appearances by forming the bridge of the opener using the Motif#thats when we learn of the show being compromised from the very start - especially with the lyrics of the motif expressing doubt in faith#personal shit (ran out of tags whoops but um yea basically its Have The Audience Have A Hint to Whats Going On Through Recognizable Motifs)#(also the motif the audience learns is a melody - Zeke (and the lead narrator) changes the lyrics as they go) (also sorry for the ramble)
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Sometimes I’m having a good day but then I remember that racist/homophobic LoTR fans exist and I’m like, “damn… they would be so mad at my idea of an accurate graphic novel adaptation… even if I was 100001% true the Tolkien’s books.”
#like sorry he described the hobbits as having darker skin??#and that Pippin is the only one tall for a hobbit and super pale out of the bunch???#and that Aragon is also described as having darker skin and also as being nomadic and indigenous???#racist mf god DAMN#and that Sam blushed so much around Frodo???#and that that kissed and cuddled a lot????#homophobic mf god DAMN#I literally would not have to change a thing in order for people to hate me and send my dt#yall would say I drew it too gay#MF IM DRAWING IT EXACTLYYYYYYY HOW HE DESCRIBED#yall would say say that Tolkien intended them to only be tan…#bc it’s supposed to be in old Europe/england#bruh lemme send you that 300 page slideshow about racism and middle earth PLEASE#god DAMN#yall assume that if they aren’t described as having dark skin then they are white#BUT THEN YOU SAY that they are white even if they have dark skin because the author simply meant tan#I simply say#if skin was never brought up you would assume everyone in a book is white#if someone made an adaptation of that book and made they all BIPOC you would get angry and say it’s not a faithful adaptation#and I just think that says a lot.#by itself.#lotr#lord of the rings#tolkien#jrr tolkien#homophobia in fandom#racism in fandom
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because I am a Very Normal person who does Extremely Normal and Understandable Things
I finally watched the Amazing Maurice animated movie and had a little cry near the end. it was so clear that at least a few key people on the art team had an intense love for the source material - a reverence, even. I mean, there’s even a reference to Dibbler’s invented toilet dragon as the fountain in the town square, which is such a throwaway line that I can’t actually remember which discworld book it’s from without looking it up (but I -think- it might be a Watch book). The Morpork owls as a recurring motif. Twurp’s Peerage and the bat-embroidery on the chair in almost all of the scenes from which Malicia is narrating. Obviously the bust of Pratchett in the mayor’s office. There were so many visual references to the whole body of work, not just the exact source material, that I can’t even remember them all. I could feel the love coming from the art/design team.
And then the script itself betrayed so much of the original narrative’s purpose that I ended up crying a little (you can’t judge me, remember we already established I am Incredibly Normal and thusly Not Weirdly Emotional About Inconsequential Things). It did not strike me as a movie that would have survived into being made had Pratchett been alive - which is not surprising, he pretty famously rejected scripts, especially regarding Tiffany Aching. But I also remember the animated versions of Wyrd Sisters and Soul Music, and how utterly tickled Pratchett was in interviews regarding them — I especially remember how twinkly and pleased he was with some of the artistic direction taken with Cliff, particularly his voice direction and the sound effects used for his movement. So while Pratchett did have a reputation for rejecting film adaptations of his work, he clearly wasn’t impossible to please. I just, in my bones, in a totally Normal And Not Weirdly Sentimentally-Driven Way, do not believe he would have approved the final version of -this- script.
Primarily because it was a children’s book on purpose, and the book spends a lot of time respecting its intended young audience by posing a lot of questions without bothering to provide definitive answers. And so when there is one theme/moral that feels very deliberate and intentionally blatant within the novel, that feels incredibly important to me. To wit: This book makes a very clear statement about how evil is a creation, an action; evil is something concocted by people and put into the world. It is not an accident, it is not happenstance, and most uncomfortably, it can thusly usually not be entirely undone. In my opinion, Spider/The Rat King could not be a clearer way to communicate this concept.
Yes, Spider is evil, and yes in typical Pratchett fashion he indicates that evil is a bit of an expansive concept that cannot be contained within the simplified notion of “doing bad things,” and he very poignantly wraps this into the concept of creating/exploiting fear. But as a rat king, Spider’s existence is intentional and unnatural. Rat kings are a real, “historical” concept insofar as they have existed as a myth for a very long time. I remember reading about them in my wee years, when rats and rat-keeping became admittedly a special interest of mine. The concept of them in Pratchett’s book mirrors almost exactly their concept in real life: They are a human invention, and the only “evidence” of them has always just been evidence of the extent of human cruelty, largely in service of making a buck. Pickled rat kings were a common sight in early sideshow exhibitions, and you’ll even still find some modern references to or models of them in similar settings today. But they are simply an impossible concept when considering them as “natural” phenomenons — The Amazing Maurice (the book) explains that petty well via Keith’s knowledge of rats and their habits, but even that leaves out the obvious explanation of the fact that rat tails are bony structures that simply do not have the ability to bend into any conceivable knot-shape without being intentionally broken for that purpose. For a book that doesn’t shy away from the carnage and cruelty humans otherwise enact on rats historically, I have to wonder if that was simply the point at which Pratchett himself shared his much-written sentiment of “not wanting to draw you a picture.” Either way, readers of course find out that Spider in particular was created as a “masterpiece” by one of the resident rat-catchers in order to secure entry into the local rat-catching guild. As a result, Spider is both creation and burden to the rat-catchers.
But this entire discussion of rat kings as evidence of cruelty, this whole allusion to evil being a human-made thing, is mostly thrown away in the film. The film takes away both Keith and Malicia’s knowledge of rat kings (the practicality of them and the mythical reputation of them respectively), instead gives both halves of the knowledge to Maurice, and then claims that the rat catchers did not intentionally create the rat king. Rather, while carelessly storing rats they had caught, the two men simply tossed a few rats temporarily into a pot, and upon later lifting the lid to retrieve them, discovered a rat king had been formed — conceding every possible falsehood about rats, their anatomy, and the history of rat kings that Pratchett spent the bulk of a chapter meticulously refuting.
And I, as the Incredibly Normal And Not At All Weird Person we have already established that I am, had a good cry. I was so sad that whoever was in charge of these changes to the script simply did not respect their child audience the way Pratchett himself did. How can you claim to honor or even love his work if your retooling of it is so fearful, so dishonest? The message of “evil is something you put into the world, not something natural to be observed” is such an important concept for children of all ages to be exposed to, and it’s such a narratively satisfying climax to reach after the buildup of sympathy for this rough and tough rat colony who already navigate the casual and perhaps even somewhat “justifiable” cruelty foisted upon them merely for existing in the shapes they have. And while there are a lot of changes in the script that I found disappointing or un-artfully implemented, this particular change felt utterly cowardly. Of course, if as an executive or screenwriter in charge of what gets finalized in a script, your goal is rooted in creating something to mass-produce and sell, then I understand why arming an audience of children with the idea that evil is an action and not a circumstance would frighten you to your boots. But then I have to wonder: Why take this work to adapt? It's not as if it's incredibly well known outside of a somewhat niche and probably slightly older audience. What was there to be gained by taking such a lovingly crafted, respectful narrative aimed at younger people, only to dismantle and subvert the very clear message it contained? By review standards, this film was kind of a flop. So what was the point?
Mostly, again because of how Deeply Normal I am (such that it obviously doesn’t even bear repeating), I felt a lot of sadness for the art team. At least a handful of people in charge of the artistic direction of the film had a deep connection to the Discworld series, and I have to wonder if any of them felt disrespected or otherwise unhappy with the final product they ended up being party to, especially with the love and dedication to visually crafting this story being so apparent on screen. And while I feel personally that there are valid and constructive criticisms to be made about Pratchett’s work, and perhaps more largely about the specific perspective from which he wrote, something that has always struck me about his novels aimed at young readers is the sheer amount of respect he always had for them. This movie carrying a weirdly clear bias of believing that children would only be -seeing- the movie, engaging with it on a strictly visual level, while adults would be the only ones actually -listening-, felt like such an absolute disregard for the love Pratchett clearly had for young readers that it actually made me angry.
There’s not really a larger point to this essay on something as inconsequential as an animated rat movie, but I’ve been thinking a lot about it, and I can’t help but cling to the idea that I’m not the only Really Very Ordinary And Not At All Strange person who had this sort of emotional reaction to this piece of media. Somewhere out there in the wild world of tumblr, someone else might see this and go “yeah…yeah!!!” To which I want to answer, in total commiseration, “yeah :(”
#don’t even get me STARTED on how HARD they had to work to do Rat Sexism via Peaches#or how they just decided Hamnpork was apparently not narratively important enough to make it into the film at all?????#you’re going to tell me Dangerous Beans can’t have his crisis of faith while being supported by his dedicated acolyte Peaches#AND we can’t have Hamnpork discover evil through the relatable eyes of an old set-in-his-ways man????#frothing at the mouth (in a totally normal way)#long post#(I haven’t looked into the production history but I get serious Ordered To Rewrite vibes from like the whole latter half of the movie so)#(but also how did whoever was in charge of these decisions get the rights to this??? h o w did this happen???)
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Ughhhhhhh I hate writing and I hate not writing and I hate myself
#nearly bought a digital typewriter today. actually i DID buy a digital typewriter today. officially yes i have bought a digital typewriter.#the money for the digital typewriter has left my account but i have emailed them to cancel the order because i can't in good faith buy#a digital typewriter when i don't fucking WRITE#i thought it might help me get back into it. distraction free and while allowing me to not judge my own writing#and be continuously editing while i write and going 'i'm crap i'm crap i'm crap no one will ever read this and if they do they will think#that i'm garbage and that i should feel bad etc etc etc'#but it's too expensive and i have the feeling i wouldn't even like or use the thing once i got it#because the IDEAS! the ideas aren't coming to me. or rather they are but none of them seem to stick#i feel underconfident in writing any of them#and then i have old projects that i've always wanted to get back to like the tennis romance thing but SO much has changed since i first#started drafting it. like i don't even know if i like the main couple anymore. i kind of want to put both of them with different OCs of min#but it'd switch up the WHOLE story if i had a different cast#in fact most of the problem lies in the fact that i have this long-running bedtime story i tell myself every night with lore#and a massive cast of characters that i switch out depending on who i'm most interested in right now and every so often i incorporate new#themes and ideas and motifs and plot points sometimes based on media i've been watching because it's MY bedtime story and it doesn't matter#if i plagiarise in my own brain. but then obviously i can't plagiarise in real life#and none of my bedtime stories are GOING anywhere. sometimes i only get through a scene or two before i fall asleep#all of which means my bedtime story is not so much a sweeping epic novel but a sitcom with way too many characters#most of which are werewolves to be honest and sometimes for my own wish fulfilment one of them will walk out of my head#and take care of my problems for me by lending me £1million or murdering my best friend's ex. in my mind obviously#so it's like. it's a case of getting in there and annexing off the stuff i think i can use#it's like yeah i've definitely written several romance novels in my head in the process of this but does it matter if they're IN my HEAD#to be honest i feel like my main strength is in creating characters. like i have this one family of werewolves i've been slowly but surely#adding members to since i was like 16. maybe younger? no yeah i think i made the first one when i was 12#they're compelling to ME anyway. i care about them. it's just PLOTS. i can't plot#if a book could just be a lot of dialogue and sex scenes and silly moments and character studies i'd be alright#i also can't describe settings. don't ask me to because i can't#and now i'm just annoyed with myself because i sat down at my laptop to try to write and instead i'm here complaining about how i don't wri#and if i had the digital typewriter... i mean i'd probably still be doing this i'd just no longer have £300#i don't have the £300 anyway. i hope to christ they refund my card i'm a fucking idiot
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aware of my habit of making triads of ocs that are typically two paired together (either romantic or not) and a third chewing at their nails watching from the outside but THIS trio is meant to sort of parallel morri+friends so it is okay
#still have to rewrite the honey sweet toyhouse profiles. agony undefinable#new guys are ors. yuliya (guy whos lover died recently. open in her morning despite the stigma around it) margit (yuliyas--#--bunkmate. desperate desire to be part of a relationship in order to define herself by it) and cattail (ditched a different outpost and--#--now stomps around alone in the forest. the weepings backup if morri goes to shit) and their whole thing is accidentally cementing--#--morris preachings as a true burgeoning Faith rather than a flashfire phenomenon#^ automatically typed snapfire instead of flashfire there. haunted by that old moba woman
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have to do a check on every naruto blog i follow to make sure its not someone with an entire tag dedicated to how sakura is an evil bitch and every line she says is her being manipulative or whatever
#people are so fucking WEIRDDD about her genuinely insane#like yeah sure shes a teenager who wants to do anything to help her friends no matter what which often shows itself in unproductive#ways because her self esteem is so low that she feels that she is useless unless she can help those important to her#one of them who happens to be so scared of affection that he feels like he has to kill his only and closest friend in order to be free#but yeah sure if you read everything she says in the worst faith possibleshes the worlds most manipulative 16 year old or whatever#simply put sakura is the number one victim of yaoi
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Faenaeglos can’t reverently study the crest of his Dunedain bloodline thanks to his blindness, and fears to touch it less he wear it down even moreso. Sometimes he brings a sighted friend to describe it to him in great detail, down to every crack. And sometimes just knowing he’s in the presence of an important relic is enough, or so he likes to tell himself.
#lotro#faenaeglos#still thinking about his feelings towards his order in general#like was he faithful at first and then begins to doubt the return of the king#and believes more in the line of the stewards#or remains faithful to the end#much to think about#im not even sure blind dunedain could become rangers but#maybe his role is more sedentary#i headcanon he has two falcons that act as his eyes and they report to him#anyway here is my very old ranger whom i love
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Me: I wonder if I can find any new info today regarding the last name mystery on some of ancestors from the 1840s.
A distant cousin also doing research: So, I found these court cases.
Me, looking at the bastardization case filed by the mom and her dad and the unsolved search case by said ancestor 20 years after that: Well, I guess that makes sense.
#basically these two 20 year olds had a bastard kid#and the dad never paid child support that he was ordered to in the bastardization case as they also never got married#and when my ancestor went looking for him to actually get the support eventually#couldn't find him#he went by his dad's last name for awhile#but all his kids went by his mom's last name instead#somehoow#this is exactly what i was expecting#faith talks
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https://www.tumblr.com/qqueenofhades/743255237060689920/the-thing-that-confuses-me-about-the-dont-vote
The “don’t vote” left’s point is basically that, if Biden gets a second term, it’ll basically signal that “They’ll vote for us as long as we’re not Republicans, why don’t we do some REAL fucked up shit, if we can get away with it?” It takes the power out of the people’s hands and places it firmly in the party’s.
I can’t completely disagree with that, my caveat is that there’s no real alternative system or party in place, because top-down change is ineffective; a third party president has to contend with a two party congress.
Except no. This whole "Biden just wants to do as much fucked up shit as possible while not being a Republican, and if you give him a second term he'll do more fucked up shit deliberately to spite you" mindset is only possible as an interpretation if you a) deliberately and comprehensively ignore everything he has done to date, and b) you approach the situation with the maximum bad faith possible. Not to mention, the ultimate outcome of this Big Important Teaching Biden A Lesson is that Trump gets back into power and makes everything orders of magnitude worse, because he does in fact want to deliberately do evil shit to everyone and says so at every opportunity. There is not some magical happy alternative that springs into existence by not voting. If you choose this as a year to Teach Biden A Lesson, you are enabling Trump. Trump will be much, much worse. If you don't care about that, I still do not care what your Great Ideology is. You are not helping anyone and you are directly and irreversibly hurting everyone.
I made a post a few days ago wherein I mentioned that I want to assess Biden fairly, taking into account both strengths and weaknesses, but the rampant bad-faith, lying, misreading, misrepresentation, and open sabotage of him (especially by the online left; the GOP sometimes only wishes they were as good at turning Biden's voter pool against him) makes it really difficult to do that. My frustration with those people makes me just want to go "BIDEN IS GREAT THE END." I know he is a flawed old man (though by literally every account of a career spent in public service, he really does care about making the world a better place and any remotely good faith reading of his accomplishments thus far can see that). It is also very likely that he goes MORE left in a second term because he won't have to face the electorate again, he has always gone more left when pushed before, and he's not actually the scheming genocidal mastermind that leftist social media paints him as. Shocking, I know.
I know there are things in the world we don't like and don't want and want to stop, and therefore we blame our own president for not making it stop. But I have zero, no, none, absolutely none whatsoever sympathy for this pseudo-populist "WE NEED TO TEACH BIDEN A LESSON BY ELECTING TRUMP AGAIN, I AM VERY MORAL MUCH ACTIVIST" mindset. There's this funny thing about America wherein it is still (for now) a democracy. If Biden wins a second term, he can't run again. I would take literally anything these people said more seriously if they focused on developing their dream progressive successor for 2028 (and also figured out how to get that person elected and in a place to make real change) rather than cynically sabotaging Biden in the most consequential election year, again, of our lifetimes. If you don't like him now, find a way to make his successor a better option. Throwing a toddler tantrum and handing the country back to a senile, deranged, fascist, revenge-riddled, theocratic Trump HELPS. NOBODY. I still don't know how many times I'm going to have to say that, but yeah.
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A Guide to Historically Accurate Regency-Era Names
I recently received a message from a historical romance writer asking if I knew any good resources for finding historically accurate Regency-era names for their characters.
Not knowing any off the top of my head, I dug around online a bit and found there really isn’t much out there. The vast majority of search results were Buzzfeed-style listicles which range from accurate-adjacent to really, really, really bad.
I did find a few blog posts with fairly decent name lists, but noticed that even these have very little indication as to each name’s relative popularity as those statistical breakdowns really don't exist.
I began writing up a response with this information, but then I (being a research addict who was currently snowed in after a blizzard) thought hey - if there aren’t any good resources out there why not make one myself?
As I lacked any compiled data to work from, I had to do my own data wrangling on this project. Due to this fact, I limited the scope to what I thought would be the most useful for writers who focus on this era, namely - people of a marriageable age living in the wealthiest areas of London.
So with this in mind - I went through period records and compiled the names of 25,000 couples who were married in the City of Westminster (which includes Mayfair, St. James and Hyde Park) between 1804 to 1821.
So let’s see what all that data tells us…
To begin - I think it’s hard for us in the modern world with our wide and varied abundance of first names to conceive of just how POPULAR popular names of the past were.
If you were to take a modern sample of 25-year-old (born in 1998) American women, the most common name would be Emily with 1.35% of the total population. If you were to add the next four most popular names (Hannah, Samantha, Sarah and Ashley) these top five names would bring you to 5.5% of the total population. (source: Social Security Administration)
If you were to do the same survey in Regency London - the most common name would be Mary with 19.2% of the population. Add the next four most popular names (Elizabeth, Ann, Sarah and Jane) and with just 5 names you would have covered 62% of all women.
To hit 62% of the population in the modern survey it would take the top 400 names.
The top five Regency men’s names (John, William, Thomas, James and George) have nearly identical statistics as the women’s names.
I struggled for the better part of a week with how to present my findings, as a big list in alphabetical order really fails to get across the popularity factor and also isn’t the most tumblr-compatible format. And then my YouTube homepage recommended a random video of someone ranking all the books they’d read last year - and so I present…
The Regency Name Popularity Tier List
The Tiers
S+ - 10% of the population or greater. There is no modern equivalent to this level of popularity. 52% of the population had one of these 7 names.
S - 2-10%. There is still no modern equivalent to this level of popularity. Names in this percentage range in the past have included Mary and William in the 1880s and Jennifer in the late 1970s (topped out at 4%).
A - 1-2%. The top five modern names usually fall in this range. Kids with these names would probably include their last initial in class to avoid confusion. (1998 examples: Emily, Sarah, Ashley, Michael, Christopher, Brandon.)
B - .3-1%. Very common names. Would fall in the top 50 modern names. You would most likely know at least 1 person with these names. (1998 examples: Jessica, Megan, Allison, Justin, Ryan, Eric)
C - .17-.3%. Common names. Would fall in the modern top 100. You would probably know someone with these names, or at least know of them. (1998 examples: Chloe, Grace, Vanessa, Sean, Spencer, Seth)
D - .06-.17%. Less common names. In the modern top 250. You may not personally know someone with these names, but you’re aware of them. (1998 examples: Faith, Cassidy, Summer, Griffin, Dustin, Colby)
E - .02-.06%. Uncommon names. You’re aware these are names, but they are not common. Unusual enough they may be remarked upon. (1998 examples: Calista, Skye, Precious, Fabian, Justice, Lorenzo)
F - .01-.02%. Rare names. You may have heard of these names, but you probably don’t know anyone with one. Extremely unusual, and would likely be remarked upon. (1998 examples: Emerald, Lourdes, Serenity, Dario, Tavian, Adonis)
G - Very rare names. There are only a handful of people with these names in the entire country. You’ve never met anyone with this name.
H - Virtually non-existent. Names that theoretically could have existed in the Regency period (their original source pre-dates the early 19th century) but I found fewer than five (and often no) period examples of them being used in Regency England. (Example names taken from romance novels and online Regency name lists.)
Just to once again reinforce how POPULAR popular names were before we get to the tier lists - statistically, in a ballroom of 100 people in Regency London: 80 would have names from tiers S+/S. An additional 15 people would have names from tiers A/B and C. 4 of the remaining 5 would have names from D/E. Only one would have a name from below tier E.
Women's Names
S+ Mary, Elizabeth, Ann, Sarah
S - Jane, Mary Ann+, Hannah, Susannah, Margaret, Catherine, Martha, Charlotte, Maria
A - Frances, Harriet, Sophia, Eleanor, Rebecca
B - Alice, Amelia, Bridget~, Caroline, Eliza, Esther, Isabella, Louisa, Lucy, Lydia, Phoebe, Rachel, Susan
C - Ellen, Fanny*, Grace, Henrietta, Hester, Jemima, Matilda, Priscilla
D - Abigail, Agnes, Amy, Augusta, Barbara, Betsy*, Betty*, Cecilia, Christiana, Clarissa, Deborah, Diana, Dinah, Dorothy, Emily, Emma, Georgiana, Helen, Janet^, Joanna, Johanna, Judith, Julia, Kezia, Kitty*, Letitia, Nancy*, Ruth, Winifred>
E - Arabella, Celia, Charity, Clara, Cordelia, Dorcas, Eve, Georgina, Honor, Honora, Jennet^, Jessie*^, Joan, Joyce, Juliana, Juliet, Lavinia, Leah, Margery, Marian, Marianne, Marie, Mercy, Miriam, Naomi, Patience, Penelope, Philadelphia, Phillis, Prudence, Rhoda, Rosanna, Rose, Rosetta, Rosina, Sabina, Selina, Sylvia, Theodosia, Theresa
F - (selected) Alicia, Bethia, Euphemia, Frederica, Helena, Leonora, Mariana, Millicent, Mirah, Olivia, Philippa, Rosamund, Sybella, Tabitha, Temperance, Theophila, Thomasin, Tryphena, Ursula, Virtue, Wilhelmina
G - (selected) Adelaide, Alethia, Angelina, Cassandra, Cherry, Constance, Delilah, Dorinda, Drusilla, Eva, Happy, Jessica, Josephine, Laura, Minerva, Octavia, Parthenia, Theodora, Violet, Zipporah
H - Alberta, Alexandra, Amber, Ashley, Calliope, Calpurnia, Chloe, Cressida, Cynthia, Daisy, Daphne, Elaine, Eloise, Estella, Lilian, Lilias, Francesca, Gabriella, Genevieve, Gwendoline, Hermione, Hyacinth, Inez, Iris, Kathleen, Madeline, Maude, Melody, Portia, Seabright, Seraphina, Sienna, Verity
Men's Names
S+ John, William, Thomas
S - James, George, Joseph, Richard, Robert, Charles, Henry, Edward, Samuel
A - Benjamin, (Mother’s/Grandmother’s maiden name used as first name)#
B - Alexander^, Andrew, Daniel, David>, Edmund, Francis, Frederick, Isaac, Matthew, Michael, Patrick~, Peter, Philip, Stephen, Timothy
C - Abraham, Anthony, Christopher, Hugh>, Jeremiah, Jonathan, Nathaniel, Walter
D - Adam, Arthur, Bartholomew, Cornelius, Dennis, Evan>, Jacob, Job, Josiah, Joshua, Lawrence, Lewis, Luke, Mark, Martin, Moses, Nicholas, Owen>, Paul, Ralph, Simon
E - Aaron, Alfred, Allen, Ambrose, Amos, Archibald, Augustin, Augustus, Barnard, Barney, Bernard, Bryan, Caleb, Christian, Clement, Colin, Duncan^, Ebenezer, Edwin, Emanuel, Felix, Gabriel, Gerard, Gilbert, Giles, Griffith, Harry*, Herbert, Humphrey, Israel, Jabez, Jesse, Joel, Jonas, Lancelot, Matthias, Maurice, Miles, Oliver, Rees, Reuben, Roger, Rowland, Solomon, Theophilus, Valentine, Zachariah
F - (selected) Abel, Barnabus, Benedict, Connor, Elijah, Ernest, Gideon, Godfrey, Gregory, Hector, Horace, Horatio, Isaiah, Jasper, Levi, Marmaduke, Noah, Percival, Shadrach, Vincent
G - (selected) Albion, Darius, Christmas, Cleophas, Enoch, Ethelbert, Gavin, Griffin, Hercules, Hugo, Innocent, Justin, Maximilian, Methuselah, Peregrine, Phineas, Roland, Sebastian, Sylvester, Theodore, Titus, Zephaniah
H - Albinus, Americus, Cassian, Dominic, Eric, Milo, Rollo, Trevor, Tristan, Waldo, Xavier
# Men were sometimes given a family surname (most often their mother's or grandmother's maiden name) as their first name - the most famous example of this being Fitzwilliam Darcy. If you were to combine all surname-based first names as a single 'name' this is where the practice would rank.
*Rank as a given name, not a nickname
+If you count Mary Ann as a separate name from Mary - Mary would remain in S+ even without the Mary Anns included
~Primarily used by people of Irish descent
^Primarily used by people of Scottish descent
>Primarily used by people of Welsh descent
I was going to continue on and write about why Regency-era first names were so uniform, discuss historically accurate surnames, nicknames, and include a little guide to finding 'unique' names that are still historically accurate - but this post is already very, very long, so that will have to wait for a later date.
If anyone has any questions/comments/clarifications in the meantime feel free to message me.
Methodology notes: All data is from marriage records covering six parishes in the City of Westminster between 1804 and 1821. The total sample size was 50,950 individuals.
I chose marriage records rather than births/baptisms as I wanted to focus on individuals who were adults during the Regency era rather than newborns. I think many people make the mistake when researching historical names by using baby name data for the year their story takes place rather than 20 to 30 years prior, and I wanted to avoid that. If you are writing a story that takes place in 1930 you don’t want to research the top names for 1930, you need to be looking at 1910 or earlier if you are naming adult characters.
I combined (for my own sanity) names that are pronounced identically but have minor spelling differences: i.e. the data for Catherine also includes Catharines and Katherines, Susannah includes Susannas, Phoebe includes Phebes, etc.
The compound 'Mother's/Grandmother's maiden name used as first name' designation is an educated guesstimate based on what I recognized as known surnames, as I do not hate myself enough to go through 25,000+ individuals and confirm their mother's maiden names. So if the tally includes any individuals who just happened to be named Fitzroy/Hastings/Townsend/etc. because their parents liked the sound of it and not due to any familial relations - my bad.
I did a small comparative survey of 5,000 individuals in several rural communities in Rutland and Staffordshire (chosen because they had the cleanest data I could find and I was lazy) to see if there were any significant differences between urban and rural naming practices and found the results to be very similar. The most noticeable difference I observed was that the S+ tier names were even MORE popular in rural areas than in London. In Rutland between 1810 and 1820 Elizabeths comprised 21.4% of all brides vs. 15.3% in the London survey. All other S+ names also saw increases of between 1% and 6%. I also observed that the rural communities I surveyed saw a small, but noticeable and fairly consistent, increase in the use of names with Biblical origins.
Sources of the records I used for my survey:
Ancestry.com. England & Wales Marriages, 1538-1988 [database on-line].
Ancestry.com. Westminster, London, England, Church of England Marriages and Banns, 1754-1935 [database on-line].
#history#regency#1800s#1810s#names#london#writing resources#regency romance#jane austen#bridgerton#bridgerton would be an exponentially better show if daphne's name was dorcas#behold - the reason i haven't posted in three weeks
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They chose to. Possibly because drinking that way is natural to them, but it could be possible they just don't have a cup and needed a drink. It's the fact they aren't wearing a shirt while doing so that would be considered weird.
Are we just not gonna talk about this?
Because I can't help but notice that that's not just a deer, it's a deer follower. Does this imply that some animal people choose(?) To behave like wild animals while others act human? CAN they choose? Are some of them just feral for some reason? Is it like a human monkey kind of situation where it's not weird to them? So many questions
#cult of the lamb#i subscribe to the idea that before the old faith everyone was subjected to the idea of animal hierarchies#this was hinted at in lore and the fact only 'domestic' animals are natural found in Narinder's domain#this is also why it is suggested that all the bishops are carniverous even if there's no evidence for them even eating in the first place#there is an imagined natural order and leshy imposes more of it onto his followers than the others as he is the least powerful
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youtube
#the 4 seasons of the year#4seasons#animated bible stories#kids faith tv#4 seasons weather#summer season for kids#4 seasons of the year in order#4 seasons months#bible lessons for toddlers#jesus facts#free bible lessons for kids#bible lessons for teens#sunday school lesson on the bible#bible lessons for 8 10 year olds#the bible animated stories#animated stories from the bible#moral stories for kids#10 lines short stories with moral#the 4 seasons#seasons#faith#Youtube
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Biology
“Uncle”!Joel Miller x afab!reader | w/c: 5.4k
Summary: Joel hurt his back at work, so you've been helping him around the house until he heals.
Content/Warnings: able-bodied, female sex anatomy, and inherently fem!reader. No description of reader, everything is neutral (ex. “your bottoms,” “the curve of you” — nothing is specific in the way “you” are described). Age gap (reader early 20s, Joel in 50s). EXPLICIT MATERIAL PRESENT. HEED THE WARNINGS. WEIRD boundaries are crossed…you're not blood-related to Joel, but you were raised like you were. You call him “uncle.” Pet names (baby, darlin’, sweetheart, etc.). Pussy pronouns (she). Innocent touches until it isn't. Sexual tension galore. Slight dub-con. Icky Joel. Icky reader. Pussy grinding. Dirty talk. Slight degradation (“bitch” is used only once). Multiple orgasms. P in V unprotected. Reader is on top. Lots of teasing about the nature of yours and Joel’s relationship. If there’s anything that should be up here but I missed or I made any improper tags, please let me know!
A/N: Hi, my loves! This is slightly different than what you’re used to coming from me… All I can say is, you’ve read the warnings! Don’t bite if it is not your flavor! But for those who do like, I really hope you enjoy! And to my love @strang3lov3, thank you for prompting this and encouraging this side of my brain to finally stop hiding in the shadows. And thank you for your eyes on this and the mood board as well. I love you.🩶
masterlist | notifs blog
“Hey, hon, when you headin’ over to uncle Joel’s?”
You glance at the timer on the oven. “In about ten minutes after these cookies cool. Need something from me?”
“Can ya grab my toolbox before ya leave? Forgot it there the other day,” he replies. “Figured you could get it since you’re already goin’ there today.”
“Sure thing. It’s not the heavy one, is it? Because I don’t know if that old man’s back is ready for a heavy lift like that yet.” The timer on the oven beeps. You slide on your oven mitts to pull the tray out. “Made two batches by the way. How many you want? I’m taking some to Uncle’s, too.”
About a week ago, Joel had a contracting accident. Some newbie wasn’t watching the older man’s back as Joel climbed up a wobbly ladder, and the next moment, Joel’s footing slipped. He landed right on his lower back, a piece of wood perched on the ground, sitting at just the right spot on the floor to render him immobile. Tommy, Joel’s younger brother, and your father, his best friend since before you were born, are the only two Joel trusts to get the job done perfectly, so Joel put them two in charge until he heals.
Bed rest, the doctor had ordered Joel, for at least three weeks. It’s been one so far, but with you offering to be his nurse — one that forces him to stay in bed unless he needs to eat or use the restroom — he thinks he just might be back to work by next week. If you’ll let him, that is.
“No, it’s the small one, hon, you got it,” your father reassures you. He lovingly slaps his growing belly as the trays hit the kitchen counter. “Y’know, darlin’, ever since you moved back, I’ve been gainin’ some weight. Can’t imagine what you’re doin’ t’ Joel over there.”
Your lip pulls up in a smirk. “Joel is in good hands, y’know. And technically, I don’t have to leave you any,” you say with a challenging brow, pulling the cookie trays out of his reach.
“No, no, I’m not sayin’ that,” your father’s eyebrows raise in worry. His daily cookie is very important to him. “You can leave me like… five… or six.”
“I’m just gonna leave you a whole batch. The six are gonna be gone before I even leave the house,” you tell your father as his hand subconsciously reaches for the cookie tray.
He scoffs, “Ya have no faith in me.”
“So what’s in your hand already?”
“Whatever,” he mumbles, walking away with a mouthful of warm cookie dough and melted milk chocolate chips.
“Uh huh,” you yell back. “Gonna be leaving in just a sec. I’ll see you later.”
It takes less than ten minutes to get to your uncle’s house. You unlock the door using the spare key he gave you as a teenager, and immediately, nurse mode is activated.
“Uncle Joel!” You yell, exasperated. He turns around from his place in the kitchen, painfully slow. He’s going to make his back worse. “What do you think you’re doing?” You place the fresh cookies on his dining table along with your keys. You cross your arms angrily for good measure.
“My coffee’s cold. I was warmin’ it up,” he huffs, annoyed.
“Bed, please.” Your hands find his waist, and you guide him back to his room. “You know I’m here around this time. You didn’t wanna call me first to see where I was?”
You ease him in a sitting position at the edge of his bed. He grunts as his ass meets the mattress. He grumbles his response. “Need to start gettin’ back to everythin’ independently, y’know that, don’tcha?”
“Is your memory going with your back, too, unc?”
“‘Scuse me?” He looks at you incredulously.
“Three weeks were the doctor’s orders. Not one,” you tell him, putting your foot down.
He lays himself down with another wince at the motion, no acknowledgement to your words. God, he’s so stubborn.
“I’ll go make you a fresh cup,” you tell him, feeling sympathetic for the man. His work is his life, and it’s not going to get any easier with age.
Making your way back to his kitchen, you wash out the coffee pitcher, replace the grounds and the filter, and do some light cleaning as you wait for the bitter, brown liquid to brew.
It’s only been five minutes since you returned to the kitchen, and the painful moans and groans from his bedroom have only gotten louder. You search around the place and find the heat pack you bought a few days ago and pop it in the microwave. You grab some pain meds, fill up a glass of water, and just in time, the microwave sings to you, telling you your contents are ready.
Ignoring the coffee for a moment, you make your way back to Joel’s bedroom. His eyes are closed, but his entire body is tensed up in pain. Poor guy. You knock at his door to catch his attention before entering. “Unc?”
One eye peels open. “Yes, nurse?”
“Funny.” A sarcastic laugh leaves your throat. “Come take these.”
He makes no move to get up.
You set the painkillers and the water on his bedside table, the heat pack wedged underneath your armpit. You start to reach for Joel to help him up, but he stops you. “I got it,” he grunts. You let him have this win.
You hand him the glass of water first, then the pills. He swallows the painkillers in one big gulp, swallowing down the rest of the water in another. He eyes the heat pack in your arm.
“Do you want-”
“Yes,” he says immediately, reaching for the soft warmth.
“Lay down first, I’ll put it underneath you.”
Without another word, he positions himself. His body jerks when your soft hand slips underneath his back, pushing him to lift a little while you slide the heat underneath. “This okay?”
“Mhm,” he forces out, eyes clamped shut. It’s not okay, you think.
“How would you feel on your stomach?” you suggest.
“Dunno. Never tried.”
“Well, then.” You set the heat pack down, and it’s your turn to crawl, uninvited, into his bed. You walk on your knees towards the opposite, unoccupied side, adjusting the pillows in a way you think might be the most comfortable. This isn’t your first rodeo dealing with an old man’s back; you’ve got your dad. This is, however, your first rodeo dealing with an old man more stubborn than a screaming goat not getting his way. “Come on.”
“No.”
“What do you mean no?”
“That ain’t gonna be comfortable.”
“How do you know?”
“I jus’ do.”
You pinch the bridge of your nose and take a deep breath. “I swear to God. I will flip your ass over myself if I have to.”
“You’re bossy,” he spits.
“So you’ve said.”
Not giving him a chance to prepare, you hook your one hand at his side and your other on his hip, and you pull him towards you. It doesn’t fully flip him over, but it does the trick in getting him to finish the rest of the action himself — albeit, with a very strained yelp from the back of his throat.
He groans for a few minutes more as you adjust some flat pillows underneath his belly and then prop the lukewarm heating back right at the base of his spine. You’ll probably have to heat it up in ten minutes again, but it’ll do for now. You stay in your spot for a minute, and already his pained noises begin to subside.
“Better?” You know it is. You just want him to admit it.
And when a single huff with zero protests from the grumpy man reverberates around the room, you know you’ve won this round.
“I’ll go get your coffee now,” you hum.
A soft rasp of your name has you spinning back around as you reach the room’s threshold.
“Hm?”
“Thanks,” he tells you.
“It’s what I’m here for, unc.”
You put his fresh cup of coffee in a thermos this time. You can’t imagine how often he’ll get up being in this position, but at least the freshness will be there with every sip he does end up taking.
“How’s it going?” You ask him as you set his coffee nearby. You feel the heat pack on his spine, and it’s as you called it to be by now: room temperature. “Want me to reheat it?”
“‘M okay,” he replies, voice groggy. He must’ve fallen asleep.
“Okay.” You stand there for a moment. You can tell the heat helped, but his body isn’t entirely relaxed. He’s still tense, as if a nerve or something is being pinched.
You recall your memory from a while ago before you moved back with your dad. Your brother, who is a mixed martial arts athlete, had a sparring session that hurt his back, nearly in the same area as Joel. He had you running his massage gun over his muscles nearly every night for a month straight. “It needs to uncoil somehow,” he told you. An idea crosses your mind then.
You saunter to Joel’s en suite bathroom in search of some type of lubricant. Sitting loud and proud on the center of the bathroom counter is a little bottle of Equate’s Personal Liquid Lubricant. Your brain falters for a second, the bottle of lube throwing you off your original plan. That is absolutely not the kind of lubricant you were looking for. Shaking away the image from your mind, you bend down to look in the cabinets underneath. Bingo, a bottle of Aveeno body lotion. This should do.
You invite yourself onto his bed for the second time today. “Let me give you a massage.”
“What?” His head turns to you now, utterly confused. He definitely heard you wrong, he thinks.
“Let me give you a massage,” you repeat. “It’ll help.”
A massage actually does sound nice right now. But you’ve been nothing but bossy this last week while Joel lays here helplessly. He’s bored. And he’s had enough. “It ain’t gonna help.”
“How do you know?”
“I jus’ do.”
Jesus. Haven’t you had this conversation before? You mentally slap your forehead. Again, leaving him no other options, you reach for his flannel atop his shoulders and begin to pull them down.
“Hey, hey, wait, now what in the hell-” He tries to stifle back a laugh as he wriggles in your hold, trying to playfully push you off without hurting himself more in the process.
You quickly release his clothes, hands up in surrender where he can see them. You’re just realizing now just how forward your action must’ve been. “How am I gonna massage you-”
The embarrassment written all over your face has Joel tearing up as he tries to hold his wheezing laugh in. With his eyebrow quirked at you, he responds, “If you wanted me naked, kiddo-”
“Jesus, ew! Really?” An unbearable heat spreads across your cheeks. Your eyes are downcast, looking everywhere else but him. “It- it’ll be better if I can directly touch-”
Only then do you feel the bed shaking with his laughter. He’s fucking with you. And here you were, about to offer something that would relieve a whole lot of pain. “Oh, fuck you,” you scoff, pulling yourself up and making your way off of his bed.
“No, okay, wait,” he laughs, trying to catch his breath. “Jus’ messin’ with you, who am I to deny a massage?” He raises his eyebrows once, twice. Still messing with you, seeing how far his taunting with you can go.
“You’re disgusting,” you deadpan.
“‘M not the one tryin’ t’ massage her uncle,” Joel says as he attempts to shrug his shoulders at you.
“I’m gonna leave now.” One foot makes it to the ground before Joel speaks again.
“Oh, for Christ’s sake, ya can’t take a joke? I’m only messin’ around. Come back. Gonna leave me hangin’? In pain? C’mon, nurse.” His tone falls softer, sweeter. You can hear the shit-eating grin in his words. And, fuck, why is it making you heat even further, in places beyond your face? In places you shouldn’t be?
“Fine,” you relent. “Stop saying weird shit then.” You still can’t look at him. Not after the way your body decided to react in the shift of energy. An abrupt shift of energy, as far as you can tell.
He’s your dad’s best friend. Your uncle, for crying out loud. Not by blood, but still. There’s never been a feeling beyond that. Sure, you’ve had your silly little school girl crush on him during your young teenage years, but that was your hormones being your hormones. You grew out of them. Even your own father can’t deny the conventional attractiveness of his best friend.
Plus, suggestive commentary is bound to make anyone feel hot. It’s basic biology. Your response is nothing. It doesn’t mean anything. At least, that’s what you convince yourself of when you climb back into your uncle’s— no, into Joel’s bed, trying to ignore the way your panties stick dutifully against your throbbing core.
Joel leans onto his side as you get yourself situated, unbuttoning the bottom half of his flannel, so you can flip up the bottom to reach his lower back. After the bottom half of the buttons are undone, he lays back on his front. “Here,” he calls your name. “Jus’ lift it up from the bottom.”
You scoot closer to him, standing on your knees, and you reach over to grab the hem of his flannel, pulling it up as gently as possible, exposing just enough to be able to reach the irritated areas. You frown at what you see. Inflamed skin, purples and yellows dancing all across his lower back, forcing him away from the very thing he lives for. He may have been a stubborn bitch this entire week, but that doesn’t stop the sympathy you feel for the man.
You put some of the lotion in your hand, rubbing it between your two palms to warm it up a little. You place your hand on the side closest to you first, moving in circular motions and adjusting your pressure ever so often. “Let me know when the pressure is good.”
So far he hasn’t said much, a slight groan here, an exhale there. You feel a knot as you move lower, so you increase your pressure. You’re met with a literal moan, and you swear you have to bite back your own vocal response. “Fuck,” he sucks in a sharp breath. “Yeah, jus’ like that, ‘s perfect, darlin’.”
“Okay,” you squeak, your thighs clenching together to attempt any kind of relief to the heat between your legs.
After a few more passes over the area — and a few more indulgent, harder presses of your palm to pull more angelic sounds from him — you switch to the other side. Except, at this angle, you don’t really have as good an angle as you did before. Your leg swings over his ass, bracketing him in between your thighs, before you can even register the move your body just made. A soft gasp falls from your lips as you feel the new angle you’ve just given yourself.
“Joel?” You call sweetly. Innocently.”I- I’m not hurting you or anything, am I?”
Hurting? No. Putting him through Hell? Close enough.
Joel has done many questionable things in his lifetime. Getting involved with taken (married or otherwise) women, couples who wanted a third… Joel has lived through it all. Mainly in his younger years, but nevertheless. He has done and seen many things. But none of these things have ever included getting a fucking hard on for a girl — a woman? — he practically had a hand in raising. You call him uncle, for crying out loud.
His physical response means nothing. It’s basic biology. The tender yet skilled touch of your warm hands directly against his even hotter skin, lighting every single nerve ending on fire, forcing the blood to course through his veins, to make its way down south—
“Christ-” he snarls as you practically sit on him. His mouth shuts instantly as his eyes shoot open. He didn’t mean for that to come out. “Y-yeah,” he corrects. “‘M alright.”
“Just- just let me know,” you tell him. He can hear the shake in your voice. He can tell biology is doing a number on you, too, based on your tone alone, if the heat engulfing his rear as you try your best not to make contact with it isn’t enough to go by.
He focuses on his breathing as best he can as your hands push slightly past his jeans, getting underneath the seam of his boxers, and then immediately softening your touch as you run your fingers up his spine, awaking a chill he never knew was possible until now. You rub beyond the exposed area of his lower back, reaching his shoulder blades and entirely up to his shoulders, forcing the flannel to rise with your hands. He’s so broad and warm, and you would absolutely be drooling all over him by now if you weren’t so shocked at how tight his muscles really feel. How has this man not gotten any injuries sooner? How was he still doing all this heavy lifting? You dig the pads of your finger tips further into the thousands of tiny knots you feel, and his body jerks in actual pain this time.
“God damn, girl,” he snaps. “What are you doin’?”
“How the fuck do you even function?” You sound genuinely horrified.
“What-”
“Your shoulders and neck are fucking covered in knots how do you even-” you cut yourself off with a disappointed click of your tongue. “You need to flip over.”
Fuck.
“Why?” He asks defensively.
“I’m gonna break these knots. I need to start from the front.”
“Ya ain’t gettin’ anywhere near my neck, I swear to God-”
“Quit being stubborn. What did I say earlier? I’m gonna flip you myself if you don’t-”
“Alright, fine, gimme a sec,” he bites. Joel takes a deep breath, at war with himself for how he’s going to handle his next course of action.
Whatever happens next, there is no avoiding the fact that you will be made aware of the bulging erection between his legs. You can know about it, that’s fine, but the second you make contact, he doesn’t know if he’ll have the strength to control himself. Which is why he rips off the band aid quick. Flipping himself over with you still hovering over him, he tries his best not to touch you. Though, the second he’s comfortable, his focus is on your waist, grabbing you immediately and missing the way your eyes widen at the tenting fabric of his jeans. He pulls you higher up to sit on his lower tummy.
You squeak out a little gasp as he adjusts you, and fuck it makes the pulsing between his legs even worse. He releases you, bringing his hands back to his sides.
“Comfortable?” you whisper. You try so hard not to use your voice, worried that it’ll reveal just how turned on you are by this situation you’ve put yourself in. He gives you a single nod, and with that, you lean to grab more lotion.
The angle you are at forces you to lean the front of your body onto Joel to be able to reach his shoulders. You can feel his body tense underneath you; you can hear his labored breathing as your hands further push away his flannel, working away at each knot.
You lean forward further, giving yourself the ability to reach just below Joel’s neck. With this action, your hips shift, pressing down against Joel’s belly in a way that sends a sudden jolt of butterflies through your core. Your hands freeze in their movement, breath and fingertips stuttering as your entire face and neck heat up. You sneak a quick glance to Joel, and his eyes are still relaxed. He didn’t notice.
It takes you a moment to start your movements back up again, but when you do, you can’t help the way you repeat exactly what you did before — allowing yourself another experimental roll of your hips against his soft abdomen. Only this time, you’re way less sly, for the whimper of pleasure you thought you could hide slips right out, right for his sharp ears to take note of. Shit.
“Y’ alright there?” His eyes are trained on you now; he knows what you just did. Joel sports a quirked eyebrow as he waits for your response.
“Mhm,” you rush out, ignoring his piercing gaze.
It takes every ounce of willpower for you to run over the knots in his shoulder again without driving your hips into him, but even the push and pull of your arms is a full body movement, and you feel it. You feel the growing wetness in your core, the growing heartbeat that his bare tummy no doubt can feel now.
Your body is splayed across him, the warmth of you leaking through your bottoms and onto his hot skin as you pathetically try to play off the fact that you aren’t grinding your wet cunt across him right now. With a rasp of your name, he takes a sharp breath in. “What are ya doin’?” He grunts, pained. Conflicted.
This is so wrong. But it feels so good. Your arousal — how utterly desperate you are for the older man underneath you — is shone all over your face, brighter than any other feeling of disgust or wrongness you’re trying to convince yourself of. But the internal battle is still there, though, and it forces your hips to come to a full stop. It forces cries of apologies from your lips. It forces regret.
“I- I’m sorry,” you choke back a sob. “Please, I- this is so wrong, I’m so stupid, uncle, I-”
God damn it. Joel is too damn hard to deal with this shit now. “Oh, Jesus Christ, will you cut the fuckin’ uncle bullshit?” He finally snaps. His hands spring to life, finding their way up your thighs, tightening once they reach your hips. He forces you to move again. “Ya think I wanna hear that fuckin’ word while you fuckin’ soak me? Huh? While ya rub on me like a fuckin’ bitch in heat?”
“Shit,” you moan, the strength of his hand making the assault against your mound all the more intense. “Joel, please,” you cry, your fingers shaking as you hold onto his chest.
Your thighs begin to tremble as he maintains a rough pace to your movements, his bed creaking with every shove of your hips against him. His grip on you is one of steel, the pads of his fingers digging into your flesh, no doubt leaving tiny bruises as a reminder of today’s actions.
He is fucking covered in you — the slick of your desire pooling through your bottoms and into his skin, making each grind smoother. He licks his lips at this, his eyes dark as he drinks you in from above; your own eyes glossy and a sheen of sweat along your skin. “Look at ya, darlin’,” he murmurs, voice low enough to send a fresh wave of arousal pouring from your hole. “Fuckin’ soakin’ me, baby. Needed me that bad, did ya? Was tryin’ t’ tell ya earlier,” he grunts, “Y’know ya just had to ask.” A lazy smirk pulls across his lip.
You let out a whimper at his words, your hips finally rolling alongside his own guidance, instinctively searching for more friction. “Atta girl,” he groans, “That’s it, fuck- makin’ a fuckin’ mess a’ me, darlin’.”
You’re panting now, the rhythm and pressure mixed with the filth of his Southern drawl ignites every single nerve ending throughout your body. He watches you with a dark intensity, the brown of his eyes replaced with pure black lust, his eyes unable to stray away from the pleasurable desperation filling your features.
“Gonna come like this, sweetheart?” He taunts, driving you into him even harder.
“Mmm- my God, yeah- yes,” you cry out, eyes rolling back as the coil in your belly finally tightens, your breathing ragged as needy moans escape your lips.
With a final roll of your hips and the utterance of a that’s my girl, the coil finally snaps, pleasure crashing over you, coursing through your veins as you come all over him, your slick unable to stay within the limits of your clothes, leaking and dripping down the sides of him and onto the mattress below. Your thighs convulse around his waist, his hold on you continuing your thrusts, dragging out your orgasm until your own hands find his and rip him away from you.
“Ya ain’t done yet, sugar,” Joel gruffs, grabbing the globes of your ass cheeks and dragging you down, letting you feel his ignored and now raging erection.
“Never said I was,” you purr, a soft moan blessing his ears at the feel of his bulge against your ass. He can feel your smirk against his chest.
Body still trembling, Joel lifts your ass in the air, sliding your bottoms down over the curve of your body. The stickiness of your panties pulls off with a wet squelch, the cool air of the room mingling with the wet warmth of your bare pussy, the stark contrast forcing chills to run through your veins.
“God,” he murmurs as you give a little wiggle of your ass in the air. “Pretty as a peach, huh, darlin’?” He guides you lower, pushing you down onto his bulge. The hardness of him beneath you immediately sends a fiery need to your core. Your hands move on their own as you pull your body up, reaching for the buttons and zipper of his jeans, undoing them with ease despite the eager shake of your hand. You pull the jeans down just enough to let his cock spring free, thick and angry and leaking.
“Oh, fuck,” you swallow your gasp. “God, I need you so bad,” you whine, already lifting up to line the tip of him to your swollen cunt.
You sink down with a breathless moan, your head flying back as your hands grip onto his tummy to keep you from buckling.
Joel’s breathing stutters, his moans filling the air as you practically choke his cock. “Shit- so fuckin- fuckin’ tight.” His hands find their home on the meat of your ass, holding you tight, grounding himself from coming like a damn teenager.
You move slowly at first, savoring the way he feels inside of you, how big he is. God, you don’t think you’ve ever taken anything quite as long and as thick as him. Your heart skips a beat at that, knowing that he’s ruined you for anyone else.
It isn’t long before the raw need takes over, and you move faster, hips rolling back and forth as you ride him, the wet sound of skin against skin as you alternate to a bounce ever so often.
Despite the risk of hurting his back even more, he can’t stop himself from gripping you tighter, his nails digging into your flesh as his hips buck up into you, starting their own rhythm, meeting every one of your thrusts. The sensation is overwhelming with the size of him; it’s a perfect mix of pleasure and pain, mixing sweet whines of ecstasy with whines of overstimulation, and it’s the best music to have ever graced his ears.
“Look at ya,” he grunts. “Fuckin’ made for this, weren’t ya? Fuckin’ made for takin’ this cock, huh, sweetheart?”
You nod weakly at his words. They send a flutter down your belly to your pussy, and his mouth is all it takes to send you to your second brink of collapse — your heart beating rapidly in your chest as you move, as he drives himself into you without abandon.
Every thrust pushes you further to the edge, the sting of the stretch, the sensation of being so full — it’s almost too much to bear. He can hear it in the way your cries change. It’s becoming too much.
“Y’ can take it, sweetheart, almost there,” he grunts. His hands take over in guiding your movements, urging you faster, harder, bringing you both to the cliff’s edge.
“C’mon, baby, can feel her squeezin’ me, know she wanna come, baby. Breathe, doll, jus’ let go,” he rasps, his words coming in staggered.
The wet tightness of your walls, both the feel and the sound, causes Joel to fall first — a low, guttural groan filling the room as he fills you with his hot, thick spend.
The sensation of him pulsing inside you, unloading everything he’s worth, sends you over your edge, your pussy clenching around his cock as you come, the sensation rippling through you, shredding your vocal cords as you scream out in pleasure.
Everything goes dark for you, nothing but the fuzzy sound of Joel’s sweet praises at the top of your head as he guides you through your come down.
“Did so fuckin’ good f’ me, darlin’,” he murmurs. “Sweet girl.”
For an asshole, who knew he could be so sweet?
You roll off of Joel as soon as your heart steadies, your entire body on fire from all the exertion. You can feel Joel’s body stiffen as you use him for support. His back is killing him right now.
A few moments pass as your eyes slowly start to close, but the deep gruff of your name stops you from dozing.
You turn your head to the man beside you. “Yes?”
For the first time today, it’s Joel who can’t make eye contact with you. “Can you, uh… can you-” he clears his throat, trying to rid himself of his awkwardness. “Can you warm up the heat pack again?”
Your smirk lifts your cheek before you can even try to stop it. “Come again?”
He lets out a frustrated huff. And he can’t turn away from you. His back is killing him right now. “My back-”
“Yeah, what about your back?”
“You fuckin’ little shit-”
You giggle as you flip onto your side, your hand holding your head up to get a better look at him. “Your back is hurting, baby? Need me to get the heat pack for you, hm?”
He doesn’t respond. He just has the deepest, most grumpiest scowl known to man on display.
“Oh, come on. You need my help, is that it? Need to hear you say it, unc.” You emphasize the last syllable of your sentence, a belly laugh threatening to escape you.
Oh, two can play at that game. “Yeah, baby, I need your help. I need the help from my beautiful, beautiful niece, hm? My beautiful, needy niece whose pussy gets all soaked jus’ thinkin’ ‘bout me, huh? Gets all wet and needy thinkin’ ‘bout her uncle-”
Your resolve finally snaps, your eyes clamping shut as you cover your ears, loud la la la’s coming from your mouth as you ungraciously roll yourself off of his bed. “Enough, fine! Fine! Fuckin’ nasty,” you groan as you make your way to the kitchen.
“‘M not the one who started it, sweetheart,” Joel says, a triumphant smile plastered across his cocky face.
“I made you cookies by the way,” you yell after a beat. “Want one?”
Joel’s hand reaches for his belly. He doesn’t need one, that’s for sure. “Yeah,” he responds not a second later.
You come back to his bedroom, heat pack in one hand, no cookie in the other. You hand him the heat pack. You make him adjust it himself.
“Where’s the cookie?” He asks, a tinge of impatience on his tongue.
“Oh, I thought you were gonna come down and get it.”
He looks at you incredulously.
“I just figured you wanted to start being more independent and all. Given how strenuous you were being a few moments ago,” you offer with a faux innocence.
“I swear to fuckin’ God, when I get my hands on you-”
“Your hands on me? Yeah? When?” You start making your way out of his bedroom. “Come get me if you wanna show me a lesson. Know you been dying to all week.”
If he can fuck you the way he did, maybe full-time bed rest isn’t what Joel needs. He needs to stretch and move around; he needs to activate his muscles, especially being on the older side. It really is basic biology.
I would absolutely love to hear what you guys thought of this! Any and all your love and commentary truly keeps me going and motivated even when the writer’s block is at its strongest. Wouldn’t be here without you all. I have so much love in my heart for you! Talk to y’all soon🩶
I cannot get myself to write for Joel or for TLOU without mentioning the horrors occurring in Palestine. Please check out the links in my navigation + bio to learn about the situation in Palestine and also learn about some ways in which you can help🇵🇸. Reading and interacting with those links takes 5 minutes of your time at the bare minimum.
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